#at least i know what not to do next time

[puppppppppy]

who is your favorite AA character? 👁️👁️

ziska… I hope capcom brings her back someday

[rocketbirdie]

face value

[poorly-drawn-mdzs]

I want you whipped into shape!

[First] Prev <–-> Next

[deoidesign]

I met the me who made different choices

[blueskittlesart]

*sigh* thoughts on Nintendo's botw/totk timeline shenanigans and tomfoolery?

tbh. my maybe-unpopular opinion is that the timeline is only important when a game's place on the timeline seriously informs the way their narrative progresses. the problem is that before botw we almost NEVER got games where it didn't matter. it matters for skyward sword because it's the beginning, and it matters for tp/ww/alttp (and their respective sequels) because the choices the hero of time makes explicitly inform the narrative of those games in one way or another. it matters which timeline we're in for those games because these cycles we're seeing are close enough to oot's cycle that they're still feeling the effects of his choices. botw, however, takes place at minimum 10 thousand years after oot, so its place on the timeline actually functionally means nothing. botw is completely divorced from the hero of time & his story, so what he does is a nonissue in the context of botw link and zelda's story. thus, which timeline botw happens in is a nonissue. honestly I kind of liked the idea that it happened in all of them. i think there's a cool idea of inevitability that can be played with there. but the point is that the timeline exists to enhance and fill in the lore of games that need it, and botw/totk don't really need it because the devs finally realized they could make a game without the hero of time in it.

[mayasaura]

But like. We might be unhinged waiting for alecto. We are. We are unhinged waiting for alecto. But i take comfort that no matter how unhinged we are. Alecto will leave us in the fucking dust

[kaiserouo]

afternoon tea

[greenerteacups]

What do you think of jkr as a writer? I for one has always felt like she didn’t treat her female characters well. It felt strange, being critical of her when she was god queen of the earth, and also being 10

I think most of the problems in her books can be chalked up to genre hopping. Books 1-3 are perfectly good and serviceable children's books — great children's books, even! They have compelling, relatable characters and juicy mystery plots. They have problems, sure, but for the first three books someone's ever written — especially someone with little or no background in creative writing — they're really fucking good. So: there's her flowers.

The last four books pivot sharply into much more emotionally complicated and sociopolitically loaded territory, because they're describing a war. And it's hard to write children's books about war. I would venture you can't really do it, at least without dramatically misrepresenting what war is! And so Rowling makes the executive decision somewhere during the writing of Book 4 that she's not going to flinch away from that, she's going to go for dramatic realism, and she kills Cedric Diggory to let us know. People had died in Harry Potter before, of course — Quirrell gets sent to the fucking shadow realm, for example. But children haven't. (It also gives parents who are reading these books with their children a warning shot: shit is about to get significantly more real, think twice before you buy the next one of these for your 10-year-old.) After that, Rowling starts leaning much more into dramatic realism, and the fast-paced mystery-novel plotting of the first few books is replaced by a slow, simmering political conflict that unfurls over the course of about a million words.

The problem — besides the fact that she's picking one of the hardest things to write about, like, in all of literature, war is really insanely complicated and emotionally intense and hard to portray well — is that she's now trying to use characters, plot points, and technologies she developed for a children's series to enact a sprawling war drama among teenagers and adults. So Hermione, who was a reasonably precocious snobby eleven-year-old, becomes this sort of encyclopedic all-knowing savant of the wizarding world, who somehow remains functional and mostly even-headed despite her identity being the chief target of a prolifically murderous terrorist group. Draco Malfoy, a schoolyard bully whose primary tools included 1. namecalling and 2. telling teacher, JOINS said terrorist group (and admittedly does react reasonably, i.e., has a total crashout and takes to sobbing in a girls' bathroom whenever he gets a free minute). Dumbledore, who starts out as "whimsical friendly winky-wink trustworthy grandfather type", ends up being Magical Winston Churchill in a violent game of spycraft and espionage, eventually revealing he's only been keeping Harry at all these seven years because he wants to KILL him! And like, maybe really good technical writing could smooth out these transitions and make the first-order dramatic choices seem more natural, but Rowling is like, a Fine Writer, technically speaking. meaning she's reasonably consistent in characterization, her plotting is well-paced and believable, she has a clear authorial voice, and her prose is readable. personally, that's not enough to get me to buy into some of the changes that happen in the later books, and because she stuffs these things so full with new elements every installment, a lot of stuff ends up getting glossed over.

And like, I still love the books. I think they're wonderful, and they taught me how to read. but i can say that and also say that Rowling probably did herself a disservice by trying to write four giant war novels as sequels to her first three mystery children's books.

[nethhiri]

🔥🧲Y/N x Kid Pirates 🔪🧜🏼‍♂️

[castielsprostate]

genuinely though if they continue venom without tom hardy, or without eddie brock, i will blow myself up and not in a good way

[fatedroses]

He can't have shit in this family.

[imminent-danger-came]

Lady Bone Demon: "Do not lament your fate child, you can rest knowing you served your purpose—destiny has found you."

(2x10 This is the End!)

-

Lady Bone Demon: "A reminder: it seems you can not be trusted to willingly follow the path of destiny. But know this: If you betray me again—one misstep, one failure in any way—I will erase the very memory of you."

(3x04 The Winning Side)

-

Tang: "You're wrong. I know I'm not a strong as they are. I may still be searching for my purpose—but what I do know, is that doing it alone is not the path I'm destined to take. Deep in my heart, I know my place is alongside my friends."

(3x08 Benched)

-

Lady Bone Demon: "I sent you a task—you were to retrieve the Monkie King and his protégé, yet you refused the path of destiny and so there will be pain."

(3x08 Benched)

-

Tang: "STOP! It was me! I mean, yeah, Macaque forced me to do it and I am definitely starting to have second thoughts on the whole thing now but- I don't know how and I don't know why, I just felt like I had to. Like it was...destiny!" Lady Bone Demon Voice Over: "Destiny can not be undone Sun Wukong."

(3x10 The Samadhi Fire)

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Lady Bone Demon: "No matter what you do, you cannot change the path of destiny." MK: "I don't know if this all happened because it was destined to, but I have to believe that I found the staff so I could use it for good." [...] "If you really believed that destiny can't be changed, you wouldn't be using every ounce of power you have to keep him contained!"

(3x14 Destiny Fulfilled)

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Lady Bone Demon: “Know this, monkey, you and I are not so different. We both fight for what we think is right—that pursuit only leads to one thing." MK: "Hmmhm. To destiny, right?" Lady Bone Demon: "No. To pain."  

(3x14 Destiny Fulfilled)

-

MK: "I can't believe that worked!" Tang: "Eh, if that was destined to go wrong, then it would have!"

(4x03 The Great Tang Man)

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Tang: "If your bonds of friendships our strong, then you will always find your way back to one another!"

(4x04 Pig Napped!)

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Macaque: "Wukong was on a path of self-destruction, we all were. But when he met the monk, it set him on a different path." MK: "Ah! The path of the good guy! Making those good life choices?"

(4x11 A Lifetime of Mistakes)

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Purpose, Pain, and the Path of Destiny

[xxplastic-cubexx]

it doesnt need to be said but its genuinely so funny how at-the-hip charles and erik are in krakoa like they really had the green light- the OBLIGATION- to be as obnoxiously close to each other as possible and abused that right to the fullest extent

[solradguy]

I do think Sol has every right to throw Asuka into a wall as few times but I also ask for your proposed reason for why Sol would be making a big ass rocket to vist him. /gen

Oh, you know...

I genuinely don't know what else Sol could possibly be planning to do other than finish what he vowed to do at the end of Begin and at least once in almost every game release before and since haha

[dykedvonte]

I think the most baffling thing about the Tulpar as a vessel to me is the fact that the ship really did only have a one way communication system.

I know it was cheap but even the most basic of vessels regarding major transport would have some way, shape or form for outside communication. Not only that but there was absolutely no form of innate emergency signal to show they may have been offline or in trouble despite clearly having a system to dock credits if they went off course. It's another factor that really shows that bad situations are made to get worse by design. One person who is required to relay all information to the crew and make all the choices without feedback. No way to update or call for help in case of a dire situation. No way to inform of inner personal conflicts and acquire procedures accordingly.

It really is like they are all in some sort of fucked up solitary confinement. They have their own world with strict roles that are meaningless in the end, as long as the cargo makes it, it doesn't matter what happens on that ship to the company. They don't want to hear anything and will come to conclusions on what happened based on how much pay they can withhold from the workers. Even what they do send is short, sterile and corporate to the extent it was likely written and sent out with a command by some random unmanned computer in an office.

There's something to be said about how unfair it is to force absolute power and control onto one person when you as an entity could do so much more to offload it but I've said it many times before so I won't again.

[waketoearth]

20 POSTERS FOR JUNGWON'S 20TH !!!