#at how wrong I probably will be

[egophiliac]

still ruminating over Lost In the Book With Spooky Skeletons Part 1, so here's a selection of some of my favorite little bits! (...some more loosely paraphrased than others) (I just feel like Idia has no room to criticize in general, okay)

anyway, I'm sure we're just going to have a fun time celebrating Halloween and nothing bad is going to happen whatsoever! :)

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[icelogged]

[cup-o-stars]

I have so many ideas about these two and their unexplored dynamic, but Doflamingo is hard for me to characterize AND draw.

These were the only bits of brainstorming I had that were legible (my rough sketches/writing get ROUGH). Featuring:

1. Doflamingo using the power of love as yet another reason to kill people.

2. Rosinante being incapable of distinguishing between true evil and the things that simply piss him off.

If you want to see what overthinking looks like, I also spent like an hour trying to decide which of these dialogue options were more fitting. I had to ask for assistance (hence the red writing) and could still barely do it.

It's nothing in the end, but details bug me, ha.

[microvibing]

I like ward *gives him an existential crisis*

Character From marble sky comic by @ somerandomdudelmao, you should def read it right fucking now cuz its awesome

[the-barefoot-hatter]

pediatricians are hard to find.

you aren't broken and other important things a triangle needs to hear

[thedreadvampy]

Losing my shit about this article in which a transphobic Tory was so busy panicking about existing in the vicinity of a Trans that she almost certainly misheard "jeans" as "penis" and decided that not only was this a problem with the other woman, but also that the world must be informed of this pressing danger.

"a trans woman! I had to stand directly behind her....I thought, 'this is going well', I'm handling The Situation fine'..."

translated: I saw a tall woman with broad shoulders. How would I get out of this alive? I thought. she has a PENIS. PENIS PENIS PENIS. through some force of PENIS I mean will I managed to PENIS behave normally towards her. My hands were PENIS PENIS PENIS shaking as I tried to dry them. summoning up all my PENIS courage I said 'dryer's crap innit'. she turned to me and said " yeah I'm just goiPENIS PENIS PENIS"

It's been a week and I'm still shaking. This proves trans women are the problem and I'm not weird. I'm fine. It's fine. If you think about it I'm the hero hePENIS!!!!!

very this

[poorly-drawn-mdzs]

Sorry for not having a Year of the Dragon MDZS artwork; Unfortunately, I can only picture Dragon LWJ in this particular flavour.

[screwpinecaprice]

Ew they're flirting again.

[mollysunder]

I just can't turn my brain off for episode 7 because it's foundations are so contradictory. How can we believe that Piltover decided to change it's ways because one Zaunite kid died when Piltover has collectively proven throughout season 1 and 2 that they don't care about those kids?!!??

In season 1 enforcers regularly harassed and assaulted children in Zaun. In Act 1, Marcus tried to fire his pistol at Powder when she tried to escape him, he only stopped because she was out of range. Vi was a teenager when prison guards regularly beat her as she was falsely impropisoned in Stillwater by the same enforcer without question. Caitlyn didn't care that a child as young as Isha (probably 8) got thrown into Stillwater and neither did any of the guards. Jayce felt guilty that he killed Renni's son, but he never apologized for what he did, and chose to leave his body in the same place, in the same position he died for Renni to find her boy.

Remember that one scene where the camera lingered on that one Piltovan kid who has hurt when Jinx diverted the Grey back on Piltover and Ambessa wiped a tear from his eye? It's sad to know a child got hurt by the Grey, but do you know what other child was hurt by the Grey? VIKTOR. He was hurt by the Grey as a child, to the point that it was killing him by the time he was an adult, but Piltover, including Heimerdinger NEVER saw that as a wrong to be righted. I could keep going on about the ways the Piltovan cast have harmed children in one way or another, but that would get repetitive. The point is Piltover and it's cast have consistently proven that they don't care about children in Zaun in any way that matters, so to assume that Vi's death would bring about change is just dishonest to the story that's been told up until that episode.

[isolophilian]

i think we need to understand the gravity of how quickly Percy blames himself and his disabilities for the way his world is. how he's been made to believe over years and years that he's weird, that there's something wrong with him. Percy saying he should've been paying attention. Percy saying there's something wrong with his brain. Percy calling himself broken.. he's just a kid man

[14muffinz]

Kon: If I was gay, it'd be for Tim or Bart. Tim: If I was gay, it'd be for Bart or Kon. Bart: If I was gay, it'd be for Kon or Tim. Cassie: OH MY FUCKING GOD I HATE YOU ALL

[inkskinned]

"don't make it political!" .... what proportion of death and suffering must occur before politics are involved. if this isn't political, what is even the point of any politics, ever. of democracy. the words are "by the people for the people." if i am going to be left alone by my elected representatives to "figure it out" - to undergo damage, hardship, fear. what the fuck did i elect them for. what was their job. the entire point is that they handle this shit. this is why we were supposed to be electing leaders.

poverty is political. misogyny is political. gun control is political. climate change is political. how much aid a community gets is political. what the fuck are you talking about. it's been political this whole fucking time.

[hinamie]

i have so much band!au content in the pipeline my brain is Rotting but enjoy these two for now

jjk band!au

[heavyheavycream]

food festival 2!

FIRST PART

part 3 one day maybe?

[bluerasbunny]

alright, since the last one went swimmingly,

as always, i'll draw the result once the poll is over!