#asoiaf sorcery

[horizon-verizon]

@saintjustitude asked me to relate HallowedHarpy's First Video abt Dragons and Targ Women fertilizing them.

Basically, with all the knowledge of Septon/Barth and the dragons' sex is changing as ""flame", Harpy posits that dragons have no real gender and all are capable of laying eggs at some point, but their eggs can only be fertilized once they have a bond with a female dragonrider.

it cannot be possible that every dragon is a male until "proven" female, bc other dragons out of sight of human eyes have laid eggs (Cannibal, Sheepstealer, they came from somewhere) -- female-proven after the fact of eggs laid

Septon Barth-Maester Aemon -- dragons don't have a fixed gender and can change genders (Barth was around Jaehaerys when dragons were around; info he wrote destroyed by Aegon III, Dragonsbane to prevent dragon reproduction...which seems like Barth was telling some truths)

all dragons have the ability to lay eggs (however you wish to conceptualize that) & are genderless

some dragons will go their entire lives laying no eggs bc their ability to lay eggs will depend on size, environment, health, etc.

not all eggs will hatch bec we know from the series that they are laid but never hatched...so that means that they might not have been fertilized

since dragons are not strictly sexed male-female and thus their eggs aren't fertilized by "males", the dragon has to be bonded to a Valyrian-descent/dragonlord-descent woman

in recorded history, there was no dragon bonded to a male Targ or otherwise who produced any known offspring OR EGGS

again, people have assumed that the dragons laying eggs were female AFTER THE FACT

so the "male"-thought dragons may have laid eggs...but they just never hatched

Rhaenyra and Daenerys had hybrid human-dragon babies/stillborns reinforces this idea of bond-w-human-woman-influencing-dragons-fertility -- fertility connection goes BOTH WAYS, dragon affects woman, woman affects dragon

all a consequence (whether intention or not) of all the blood magic to create this bond in Old Valyria

[horizon-verizon]

EDITED AND ADDED REFERENCE TO HALLOWEDHARPY

From time to time, I see some people argue that Dany can't be Azor Ahai because Azor Ahai was a man who killed his wife and such a character can't be considered a hero. So Dany couldn't be Azor Ahai because she is a hero and because such a feminist character like Dany can't be associated with Azor Ahai.

I agree that Dany is a hero, and I agree that Azor Ahai killing his wife is not the most feminist story. But I disagree with the idea that this means Dany isn't Azor Ahai, because literally all the foreshadowing points to her, she fulfills every aspect of the prophecy. Just because we as readers might think there's a moral dissonance in Dany being Azor Ahai, doesn't mean that she isn't. Whether we as readers might not like her being Azor Ahai, whether we think it's not feminist for Dany to be Azor Ahai, it doesn't change the fact that GRRM wrote all the clues pointing to her.

Also, while some people may argue that it's not feminist for Dany to be Azor Ahai because the original Azor Ahai killed his wife, other people might argue that Dany being Azor Ahai is a feminist subversion, because everybody expects the prophesied hero to be a man.

[thewatcher0nthewall]

In the dungeons of Gogossos, torturers devised new torments...

...In the flesh pits, blood sorcery of the darkest sort was practiced, as beasts were mated to slave women to bring forth twisted half-human children.

[nononsensesblog]

New concepts of Merlin’s magical abilities I would love to see in fanfics and headcanons:

1. Any person who drinks a bit of Merlin’s blood gains the ability to use magic. The show states magic is learned, people study for years to learn how to practice magic, only some people are born with a natural aptitude towards it. By drinking Merlin’s blood anyone can suddenly use magic, even if they never studied it before, but they’ll still have to learn how to control it.

2. Merlin can’t die by drowning, he can breathe under water for a longer time than an average human, but if water gets inside his lungs and he can’t breathe he will go into a dormant state until his lungs are cleared again, it could be hours, days or years (or centuries), he will always regain consciousness once he can breathe again.

3. Merlin can only be killed by weapons forged by magic or by the complete destruction of his body (like burning), if there’s even the smallest possibility of his body being healed, it will heal. Merlin does die from other common factors, but he comes back again. For example, if he’s given a deadly poison or stabbed by a common weapon, his heart will stop and he’ll die, then in a few minutes his heart will restart and he’ll live again. But every time he dies and revives, he’s a little less himself, like some parts are chipped away.

4. Merlin can build resistance to poison. Once he comes in contact with a certain poison he’ll become immune to it’s effects. Based on the previous concept, once Merlin learns he won’t permanently die from poison, he starts experimenting with various ones, his heart stops but he eventually comes back to life and heals from it’s effects, from then on he’ll be unaffected by it if he ever comes in contact with the poison again.

5. Merlin can enter the mind of animals at will, perceive the world through their senses and control their actions (like warging from ASOIAF). For example, while camping outside, he could enter the mind of a owl during the night and keep watch through it’s eyes while his actual body rests.

If anyone has other concepts and headcanons about Merlin’s magic and/or immortality I would love to know them too! Also english is not my first language, sorry if there’s any mistakes.

[jon-sedai]

And remember kids, the next time someone tells you, "George R. R. Martin wouldn't make Jon Snow the typical fantasy hero because that's cliche".....

Oh yes he would!

One viewer wants to know what character would you play (on the show)? GRRM: If I could magically clap my hands and become a different person, it would be cool to play Jon Snow who's much more of the classic hero. Everybody wants to be the classic hero! ABC Interview, 2014

GRRM: And the character I’d want to be? Well who wouldn’t want to be Jon Snow — the brooding, Byronic, romantic hero whom all the girls love. Meduza Interview, 2017

In fact he already has ☺️

[horizon-verizon]

[Part 2 of branwyn-the-half-witch's ideas]

My Questions:

in light of the Black Gate being, in this theory, being a door that only the night's Watch could open...and the Night's King obviously being a traitor to humankind canonically...could the night King have asked a singer/"child" or a group to create such a door for his mysterious lover? It still baffles me that a singer would create a door that can let an Other in when they helped to create the Wall? Why be so careless (even if we say they trusted the Night's Watch) unless they were tricked? But what exactly, then, could the singers believe this door would be made for? A door within the Nightfort or some other castle, thereby not needing an anti-Other element? Or has the Night King corrupted the Gate into allowing an Other to pass after he acquired it from a singer/singers? And then, if so, how? By the instruction form his lover/an Other?! Or were the children/singers forced/coerced to create the Gate?

When we see the Undying, we see they hunger for Dany/her dragons/the magic here and also try to drain Dany. Is it possible that even if in Essos magic is more or less "flourishing" that that emptiness is not just their greed but also their way of trying to "replenish" a core/huge element of their own magic, thus suggesting that they have lost so much from the dragons' loss years ago and slowly became what they were, unmoving mono-colored evil beings resembling ice in their seeming immortality? Or is it that they have corrupted themselves either through slavery/exploitative destruction and it's just greed and the self attrition created by their greed that increases their "hunger"? In other words, I'm still very unclear how how different these two entities--the Undying and the theorized magic-eating Wall--have different mechanisms AND purposes of energy-draining. If at all.

So if the purpose of Dany bringing the dragons back is so much more for Westeros then for the "entire world"? If so, all this Wall-as-drainer feels like material for the Dany-loses-most-or-all-her-dragons-during-the-new-Dance theory.

Why then, does Melisandre's powers get more potent, as noted? If the dragons can't be that close to the wall and even get drained by it if closer, then how would Melisandre be getting stronger even if she is passively using the dragons' magic?

If we go by the theory that the Wall as always meant to go down [in part 2], then it'd have been a temporary solution against the Others to be addressed by later generations OR it'd be foretold already amongst the first builders that magic would decrease and they were desperate; it'd then be a little more feasible to suspect that it was created to ward off the Others and got corrupted to then be too potent/overpower/outpace the now-scant magic from the severely decreased/disabled numbers of the children, giants, and magic practitioners in the West, which kinda works nicely with the implied idea of the "balance" of the world not being the entire world's magical system point blank, but that there is a mistake in how the Westerosi understood there needed to be a "balance" that they interpreted as keeping their exploitative systems alive, their man-made boundaries and classes present? Or is this something more meta, that we the readers are purposefully confounded on what sort of balance the dragons restored/begin to restore. in other words, what exactly kind of "balance" have people been misunderstanding and what the Planetos/Westeros needs? And what was the purpose of the Amethyst Empress/The Blood Betrayal and the implied imbalance from that in Essos?

The Wall and the Waning of Magic: 1/2

(this was originally a Twitter thread; re-posting here for ease of reading)

The Wall is an edifice created, best guesses conclude, some 8000 years prior to the events of A Game of Thrones; it was constructed by some combination of the First Men, led by Bran the Builder, those they called ‘Children of the Forest’, more rightly known as those who sing the song of earth (hereafter ‘singers’) and giants. It is patrolled by the Night’s watch, who protect the realms of men from what lies beyond; notably the Others, although this mission has been forgotten until very recently, with the so-called ‘Wildlings’ (Free Folk) taking the place of the great foe.

It is commonly accepted that the Wall is a net good, both in-universe and without, and that any distaste we may have about the necessity of the Night’s Watch pales in comparison to the horror that will occur when the Wall comes down.

I propose differently; I propose that the Wall is sickening and weakening the world, and it coming down will be one of the greatest moments of the tale – and moreover that the Wall was potentially always intended by its makers to be thrown down.

Magic Lingers

ASOIAF takes place in a world where magic is waning, to the point that learned men will insist magic is gone from the world entirely – and many of them consider this a good thing. The disappearing of magic is largely attributed to the death of the last dragons, and the revival of magic following Daenery’s miraculous rebirth of dragonkind seems to be proof of that.

However, the truth is more complex; we learn from several sources that magic is not entirely gone from the world, even prior to the dragons’ cradle-pyre. It is simply gone from the west of the world following the Doom of Valyria – further east, we are told, magic still exists and its practitioners endure, and even thrive in places such as Asshai.

More intriguingly is this from Maester Luwin, that supposes magic was fading even before the Doom, describing Valyria (a magical empire lasting thousands of years) as merely an ‘ember’. It cannot therefore solely be the death of dragons that caused magic to fade in the West.

The Sad Fate of the Singers

Westeros was once home to a large number of magical beings; unicorns, mammoths, direwolves, ‘great lions’ and, of course, the giants and the singers. All of these are now believed to be extinct, as per Maester Luwin above. Those who venture or live beyond the Wall know that this is not the case; these beings cling on, albeit in scant numbers.

We know that the singers fought and lost a terrible long war with the First Men, and that they retreated to the deepest forests upon the Pact that saw the end of the war. We know also that they were still present in the South in some numbers when the Andals arrived.

However, common wisdom says the singers have been extinct for thousands of years; we know they still linger beyond the Wall...but why? The North remained a bastion of the Old Gods, yet even the northmen believe them gone. Why did they not remain in the deep forests of the North? Why did their numbers continue to decline even after the wars? Why go beyond the Wall, closer to the Others?

The Evil of the Wall Magical and Mundane

The Wall is made of ice. This is an obvious statement to make, but its curious to consider what it means in the context of this world, where cold is the enemy and ice represents death, darkness and crucially – the Others.

If we take as given that Bran the Builder built the Wall, why was it made of ice, when his other claimed works are all of stone? The magic of the singers likewise is in earth and tree and water. So why is the Wall made of ice, the very symbol and strength of the enemy the Wall was built, allegedly, to keep out?

The Wall has its own collection of spooky, disturbing myths that have grown up around it, many of them centring around the Nightfort, formerly the seat of the Night’s Watch. The one that concerns us here is that of the Night’s King, allegedly the 13th commander of the Watch who took to wife a woman commonly been believed to be one of the Others – and from the description of her, that’s highly likely.

However, observe that the Night’s King brings that woman back beyond the Wall to his fortress – it does not keep her out, any more than it keeps out the two wights that awaken in Castle Black in AGOT.

But the Wall was created to keep the Others out, no? Coldhands indeed asserts that he, almost certainly some kind of dead man, cannot pass beyond the Wall due to the spells it is imbued with, presumably those created by the singers; but there is a gate.

The Black Gate, situated beneath the Nightfort, is itself a source of much theorising; it is magical, made of weirwood, and a sad construction that sheds a tear as Bran passes beneath it. The use of weirwood – and the face especially – suggest that this is the work of the singers, who made a door that only the Night’s Watch could open.

It seems unlike that the singers, aiding in the building of an anti-Others defence, would create a door that an Other could pass through; Bloodraven’s cave seems thus warded, so far successfully. But why is the Gate blind? Why is it described as resembling a corpse? This could be a function of the sheer age of the Gate, but I believe it to be more significant than that.

Of Silverwing

Queen Alysanne Targaryen made a visit to the Wall and visited the Nightfort in particular. The castle gave the Queen such bad vibes that she arranged it to be abandoned – immediately – paying for the replacement herself.

That’s quite a reaction, and one that should be contrasted with Stannis, who plans to make the place his seat (and note that Sam considers the possibility that the Black Gate is not permanent – which is very intriguing).

More interesting than Alysanne’s reaction to the Nightfort is her dragon Silverwing’s reaction explicitly to the Wall itself. She is disturbed by the winds from it – and I reject the notion that this was solely the cold, as the cold at Winterfell makes Vermax ‘ill tempered’, not disobedient and disturbed.

It is suggested that the Wall is anathema to creatures of fire – and yet Melisandre is seemingly stronger at the Wall than she is Asshai!

It is also suggested that Silverwing feared not the Wall but what lay beyond – but the Others had not yet begun to stir, so what was she sensing? I posit that the Wall was drinking in the magic that Silverwing generated, effectively draining her.

Also pertinent is the fact that Jon Snow loses all sense of Ghost when the Wall is between them. An unbreakable powerful bond that endures over great distances is rendered inert due to the Wall. This could be a matter of inexperience on Jon’s part, but it is worth bearing in mind.

Waning of Magic

Taking everything together, I propose that the Wall is draining the magic from the world. The magical peoples and creatures of Westeros exist only beyond the Wall, having died out everywhere else, notably the singers who have disappeared even from presumably safe strongholds.

Dragons, whose mere existence makes magic stronger (and possibly what is actually empowering Melisandre), mislike and possibly even fear the Wall, to the degree that Alysanne was deeply disturbed for long after. It needs must be noted also that the dragons of the Targaryens did not reach the size and strength of their forebears in Valyria, dwindling ever more with the years. Perhaps this was due to the Dragonpit, to the betrayal of the house’s women, tied so completely to its dragons. Perhaps it was something more insidious.

Where magic does exist still, it exists in the further East; in Qarth, Asshai and so forth. These places also had a lack of dragons post-Doom, also endured the Long Night, so it cannot be solely these factors. But they are much further away from the Wall; their magic is weakened but endures.

To touch also on the seasons as an aside, WOIAF offers some further credence to the Wall-as-problem. The seasons used to be normal, we are told, only in the most ancient tales. Tales presumably predating the Wall.

If the issue of seasons were solely one of balance between Ice and Fire, when why were there no world-ending catastrophes when Fire was ascendant? The Doom impacted only Valyria, after all.

We must return to the symbolism; where Ice is death, silence, darkness and inhumanity and Fire is life, song, light and passion.

TBC

[like-tears-in-rain-storms]

Ok, ladies and gentlemen, you wanna see something controversial and brave?

[lenins-ghost]

Elric of Melnibone vs Bloodraven by @retroillustrates please check out their art, they do some of my favorite elric pieces. I just had to have grrm's elric tribute in the same style

[the-death-of-duty]

alys rivers

[could-they-be-a-pro-wrestler]

HIGHLIGHTS FROM THIS EPISODE OF FRIDAY NIGHT PUNCHGROUND

THE RANGER ACADEMY’S FIRST MATCH

Previously, it was announced that Jon Snow (Game of Thrones), Aragorn (Lord of the Rings), and Ciri (The Witcher) were forming a new stable called the Ranger Academy.

On this episode of PunchGround, the Academy were paired against the team of Freya (God of War games), Forge Fitzwilliam (Dungeons & Dragons: Honor Among Thieves), and Solas (Dragon Age)

[horizon-verizon]

Can you explain the difference between Dragondreams and Greensight?

@zeciex

Both are hereditary prophetic seer abilities where the seer is unconcious or semiconscious as they recieve visions of what. Both often and almost always come in metaphorical an symbolic imagery.

One is inherited from First Men/children of the forest and wargs (those who have soul-transport into another living creature, almost always a nonhuman animal and control them) may or may not have this ability as well--greensight. The other is inherited from Valyrian bonds with dragons cultivated similarly to how greensight was amongst Pre-Conquest northern Westereosi and freefolk over the course of hundreds of years--dragon dreams.

Unlike greensight, dragon dreams often are about or have dragons but don't have to. We don't know for sure if one can arrange themselves to have a dream/vision or try to contro such, but it appears not for either ability. You could say they are the same ability given different names...but as I mentioned, they developed differently in different contexts and one has more dragons in them than the other, and i theorize it's bc dragon dreaming, more than green sight, is meant or has developed to focus more on those with Valyrian dragonriders' dragon-riding blood to guide them and "theirs" on how to maintain or follow up on those instincts and intuition built from the dragon bond. to guide them there. Greensight may have been developed for or shared with humans from the children to use against the Others and protect them (and not necessarily the Andals bc those guys hadn't appeared yet) like how dragon dreams protect the Valyrian dragonlords/riders.

It's quite clearly proof of how Bran and Dany are the magical heart of the series and parallel each other in this way.

[cecilyneville]

i'll go MY LORD but you are making a mistake MY LORD you are sending the wrong man MY LORD just the sight of me is going to anger mance MY LORD would have a better chance of reaching terms if he sent--

[mellysanders]

Related to people saying they picture asoiaf as looking like 90's fantasy TV-

I want an asoiaf adaptation that looks like a Roger Corman low-budget, absolute piece of crap 80's sword-and-sorcery movie. That's the aesthetic I think we deserved

I want that Mystery Science Theater 3000-ass look

[edenmemes]

asoiaf: a dance with dragons starters

❝ i fear i make you uneasy. ❞ ❝ knowledge is a weapon. arm yourself well before you ride forth to battle. ❞ ❝ go on. show your steel. give me cause to do the same. ❞ ❝ fear is what keeps a man alive in this world of treachery and deceit. ❞ ❝ these woods are not as empty as you think. ❞ ❝ promise me that you will never turn against me. i could not bear that. promise me. ❞ ❝ the only time a man can be brave is when he is afraid. ❞ ❝ if i must die, i will die with an axe in my hand and a curse upon my lips. ❞ ❝ tales are told of you. i hear them everywhere. people fear you. ❞ ❝ go too far down that road,  and  mistrust  can  poison  you,  make you sour and fearful. ❞ ❝ you mistake me. that was a command, not an offer. ❞ ❝ sorcery is a sword without a hilt. there is no safe way to grasp it. ❞ ❝ prophecy is like a half-trained mule. it looks like it might be useful, but the moment you trust in it, it kicks you in the head. ❞ ❝ it is not the foes who curse you to your face that you must fear, but those who smile when you are looking and sharpen their knives when you turn your back. ❞ ❝ i rose too high, loved too hard, dared too much. i tried to grasp a star, overreached, and fell. ❞ ❝ they think that this will break my pride, that it will make an end to me, but they are wrong. ❞ ❝ tell me of the things that make you happy, the things that make you giggle, all your sweetest memories. remind me that there is still good in the world. ❞ ❝ one war ends, another begins. there is always someone fighting someone somewhere. ❞ ❝ this is what i was made for. the dance, the sweet steel song, a sword in my hand and a foe before me. ❞ ❝ my enemies have told you i am dead. those tales are false, as you can see. ❞ ❝ not all that a man does is done for gain. ❞ ❝ i know that you believe me weak, frightened, feeble. ❞ ❝ it takes a man to rule. kill the boy, and let the man be born. ❞ ❝ do you mean to spend your whole life running away? ❞ ❝ kingdoms are at hazard here. our lives, our names, our honour. this is no game we’re playing for your amusement. ❞ ❝ however gentle the words, there are always darker motives underneath. i do not trust you. ❞ ❝ a good honest face, but you should smile more. ❞ ❝ my throne is made of burned bones, and it rests on quicksand. ❞ ❝ you are so radiant today i fear to look on you. ❞ ❝ prove yourself more trouble than you are worth, and you can go your own way. ❞ ❝ you need not look so pale, i was only playing with you. ❞ ❝ this is not the day i die, i promise you. ❞ ❝ i wanted you from the first time i saw you. ❞ ❝ was i so blind, or  did  i  close  my  eyes  willingly, so i would not see the price of power? ❞ ❝ men should not go wandering in this place. ❞ ❝ hold your tongue and do as you are told, or you will soon wish you had. ❞ ❝ you won’t try. you will obey. ❞ ❝ kneel and live. or go and die. it’s your choice to make. ❞ ❝ are you so blind, or is it that you do not wish to see? ❞ ❝ that is not a place you want to go to. ❞ ❝ i will not go back without doing what i came for, no matter how hopeless it may seem. ❞ ❝ the fairest woman in this world...i am drunk with the sight of you. ❞ ❝ secrets are worth more than silver and sapphires. ❞ ❝ we have come too far to turn back now. ❞ ❝ what have i done to make you hate me so? ❞ ❝ you meet so few men who value friendship over gold these days. ❞ ❝ it is true, i am a bolder man than most. ❞ ❝ i cannot go home. but i dare not stay here much longer. ❞ ❝ foes and false friends are all around me. ❞ ❝ the fewer folk who will know of this, the better. ❞ ❝ all you have i gave you. remember that. ❞ ❝ will you make me say it twice? go and do as i commanded you. ❞ ❝ love is madness, and lust is poison. ❞ ❝ i feel safe when i’m with you. ❞ ❝ have you no smile for me? am i as fearful as all that? ❞ ❝ why did i ever allow myself to be talked into this farce? ❞ ❝ don’t think i don’t see what you’re doing. ❞ ❝ i will tell you nothing. do me the same favor. ❞ ❝ if i look back i am lost. ❞ ❝ a crown should not sit easy on the head. ❞ ❝ we must show a little trust, you and i. ❞ ❝ trust only your companions, and do your best to avoid attracting notice. ❞ ❝ you’re not going to try to kill me again, i hope. ❞ ❝ if you will forgive me for saying so, you look...weary. are you sleeping? ❞ ❝ your clothes are stained with blood. take them off. ❞ ❝ every fool loves to hear that he’s important. ❞ ❝ my father used to tell me that a man must know his enemies. ❞ ❝ you are a harmless creature, to be sure. as innocent as a lamb. ❞ ❝ till then, let us drink and dream. ❞ ❝ you will be tempted to betray me. to run or fight or join our foes. i’ll not hear you deny it. ❞ ❝ soon enough you may have grave need of me. do not refuse my friendship. ❞ ❝ it is best that no man knows that you are here. ❞ ❝ i kill kings, haven’t you heard? ❞ ❝ should any ill befall you, this world would lose its savor. ❞ ❝ some will look at you and see only another doomed pretender. ❞ ❝ i think life is a jape. yours, mine, everyone’s. ❞ ❝ i will forgive those words...once. but never presume to threaten me again. ❞ ❝ your father would be so proud if he could see you. ❞ ❝ just once you might try to give me an answer that would please me. ❞ ❝ they love me well. none would betray me. ❞ ❝ i have sins enough to answer for; i’ll have no part of this one. ❞ ❝ i mean you no harm, you know. ❞ ❝ i do not trust you, but i need you. ❞ ❝ we’ll both sleep, and dream of sweeter days. close your eyes. ❞ ❝ since you ask so nicely, how can i deny you? ❞ ❝ no wine is half so intoxicating as your beauty. ❞ ❝ why should i beg for what is owed me? ❞ ❝ a lord may love the men he commands, but he cannot be a friend to them. ❞ ❝ let them try and trouble us, we’ll show them what we’re made of. ❞ ❝ a leader should be feared, by friend and foe alike. if men think me cruel, so much the better. ❞ ❝ the enemy of my friend is my enemy. ❞ ❝ a book can be as dangerous as a sword in the right hands. ❞ ❝ i am an old man, grown weary of this world and its treacheries. ❞ ❝ these are desperate days, and like to grow more desperate. ❞ ❝ we need to find shelter before nightfall. ❞ ❝ there are footsteps behind us. we are being followed. ❞ ❝ this is no common fog. it stinks of sorcery. ❞ ❝ i am glad you came to me. it is good to see you again, my friend. ❞ ❝ the man who does nothing also takes a risk. ❞ ❝ the women are the strong ones. ❞ ❝ afraid, are you? i would be if i were you. ❞ ❝ tell me a tale. some tale of valor with a happy ending. ❞ ❝ i’ll have a cup of wine as well. to clear my head. ❞ ❝ we may lose our heads, it’s true...but what if we prevail? ❞ ❝ keep your swords sharp. we’ll have us a real fight soon. ❞ ❝ this is going to end badly. ❞ ❝ what are you doing here? how did you get past my guards? ❞ ❝ it is so hard. to be strong. i don’t always know what i should do. ❞ ❝ let us instead speak of love, of dreams and desire. ❞ ❝ you wound me, wandering off like this. have you grown tired of my hospitality so soon? ❞ ❝ with this sword i defend my subjects and destroy those who menace them. ❞ ❝ it is too late for such misgivings. you made your choice. ❞ ❝ in times as confused as these, even men of honor must wonder where their duty lies. ❞ ❝ why? what did i ever do to you? ❞ ❝ we must be certain that we do not choose the losing side. ❞ ❝ dream sweet dreams. there are no monsters here. ❞ ❝ i know who you are. i know what you are. ❞ ❝ a little honest loathing might be refreshing, like a tart wine after too much sweet. ❞ ❝ a bloody sword is a beautiful thing. ❞ ❝ a ruler belongs to their people, not to themself. ❞ ❝ if the ones i killed come haunt me, i will kill them all again. ❞ ❝ you shine so brightly, you will blind every man who dares look upon you. ❞ ❝ a fair bargain leaves both sides unhappy, i’ve heard it said. ❞ ❝ there’s blood on your hands, aye, same as mine. ❞ ❝ i have done wicked things, i know, but i could not bear for you to hate me. ❞ ❝ it is good to see you smiling again. ❞ ❝ i have doubts enough without you throwing oil on the fire of my fear. ❞ ❝ blood pays for blood, a life for a life. ❞ ❝ go home, if that is what you want. i am staying. ❞ ❝ a man’d think there’s no trust between us. ❞ ❝ i would choose freedom over comfort every time. ❞ ❝ you are even lovelier than i was told. ❞ ❝ stay. i do not wish to be alone. ❞ ❝ treachery on treachery. is there no end to it? ❞ ❝ dreams and prophecies. why must they always be in riddles? ❞ ❝ one wrong word, and this could turn to blood in half a heartbeat. ❞ ❝ you lie. i can see the truth in your eyes. ❞ ❝ throw down your steel and stand aside, and no harm need come to you. ❞ ❝ you are supposed to be my friend. why must you mock my hopes? ❞ ❝ it is better to die with honor than to live without it. ❞ ❝ it does no good to brood on lost battles and roads not taken. ❞ ❝ i see you are deaf to sense. ❞ ❝ you are no better than me. we’re just the same. ❞ ❝ a man should never draw his sword unless he means to use it. ❞ ❝ you kill men for the wrongs they have done, not the wrongs that they may do someday. ❞ ❝ close your eyes. close your ears. turn away. you do not need to see this. ❞ ❝ the sooner we are gone from this place, the better. ❞ ❝ i am sorry my actions have displeased you. i did as i thought best. ❞ ❝ you do not need to trust a man to use him. ❞ ❝ if you cannot do this thing, you need only say so. there is no shame in that. ❞ ❝ never wound a foe when you can kill him. dead men don’t claim vengeance. ❞ ❝ this is what i wanted, what i worked for. so why does it taste so much like defeat? ❞ ❝ honest men should never need to hide their faces. ❞ ❝ i am not the trusting fool you take me for. ❞ ❝ men’s lives have meaning, not their deaths. ❞ ❝ he’s dead. he won’t bite. ❞ ❝ if this is the price for peace, i pay it willingly. ❞ ❝ it makes me wonder whose side you are on. ❞ ❝ dreams and prophecies. why must they always be in riddles? ❞ ❝ i will not say that you are welcome. nor will i deny that i have hoped that you might come. ❞ ❝ you have the eyes of a wolf and a taste for blood. ❞ ❝ men are mad and gods are madder. ❞ ❝ one war ends, another begins. there is always someone fighting someone somewhere. ❞ ❝ not all risks lead to ruin. ❞ ❝ is there some place with fewer eyes and ears? ❞ ❝ i need you now as i have never needed you before. ❞ ❝ tell me, is there any fight left in you? ❞ ❝ it was the wind that you heard screaming. ❞ ❝ crying? i was not crying. why would i cry? ❞ ❝ are you some butcher of the battlefield, hacking down every man who stands in your way? ❞ ❝ rain. a storm is coming. ❞ ❝ that was simple. simpler than i dared hope. simpler than it should have been. ❞ ❝ see that you do not speak of this. i’ll not have this tale spread. ❞ ❝ how could i be so blind for so long? ❞ ❝ you had a bad dream, that was all. ❞ ❝ are you prepared to defend that boast with sword or lance? ❞ ❝ i will do it. i said i would. i will. ❞ ❝ think that. believe that. tell yourself it’s true. ❞ ❝ you have more enemies than you know. ❞ ❝ i have no heart. i only have a hole. ❞ ❝ it has been too long since i’ve killed a man. ❞ ❝ words are wind. words cannot harm me. ❞ ❝ have you forgotten who i am? ❞ ❝ too many good men died that day. ❞ ❝ it is so good to see your face, your sweet face. ❞ ❝ it is still not too late to abandon this folly. ❞ ❝ i will not stay here to be insulted. ❞

[atopvisenyashill]

alright here is my rec list for everything george rr martin:

(link will be in reblog). in it you will find:

the list of all the asoiaf books and related supplemental books and graphic novels (just to like, cover all my bases here)

books and authors across all genres that george has name dropped as having an influence on the series, from historical books written in the late 1800s about random scottish castles to the beginnings of the sword-and-sorcery genre written in serials in magazines.

books about the history he's taken inspiration from besides the ones he's name dropped - basically i found non fiction books that seemed well reviewed on an academic level but also sounded like narrative non fiction bc i can’t do anything too dry or technical. however,,,, i included notes in this section on what part of the story is inspired by each book. i kept it to the stuff that he’s name dropped - like dorne being a mash up of wales, moorish spain, and palestine, or hadrian’s wall or the anarchy - so if you think something sounds interesting but the book i picked was ass, basically every subject had a bunch of books on it!

(caveat i mean, i picked stuff that was readily available to me through my library system as someone in the greater chicagoland area lol so ymmv as to whether there's a lot of info available to you. if you want to know about how to use libby, hoopla, or kanopy tho, hit me up!!)

books i think it's very likely he took inspiration - this is the smallest section, i’m not about to project onto this man, its at the very bottom of the sheet & it’s just like, lolita, some fairy tale stuff, and other books george has written, so it’s also about further understanding his ~style~ + i am simply interested in these titles.

if anything is kind of unclear or if you noticed i missed something george has said, feel free to let me know!

[neverpathia]

Intro/About Me Post

I offer the humblest salutations from one who has never been humble.

So here I am. The StP and perhaps ASoIaF communities might've seen Nev around from time to time, but here I am in the flesh (pun intended, heh). I ramble. I doodle. Nothing much to see here.

You may call me Nev, Nevvey, or Neville, or really any other derivative nickname so long as it's not too feminine. Truth be told, I don't give half a damn.

I'm a losermale and a simp, though hopefully not in the incel way. Gods forbid.

Other Socials:

Reddit - u/FyreSkar

Discord - @neverpathia

AO3 - Nevverything

Scratch - Neverpathos

I'm pretty lackluster elsewhere, and the bulk of my (consumable) content's up in my Tumblr anyway.

My reblog dumpster's at @neverpasta

Fun fact. My sona's a gargoyle sentinel. He's also a little undead.

So I'm ethnically Chinese, though I don't speak too much of my mother tongue. My nationality's Malaysian.

Also, I'm FtM trans and gynosexual (attracted to feminine attributes). Bit of an oxymoron, go figure.

Tags:

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What did you expect? I haven't organised my blog just yet, pardon me.

Sorry if I haven't answered your ask. I do apologise, sincere and true. I just have a shitty work ethic and a shittier brain.

No empty promises or guarantees: if I'm not getting to it there's a pretty solid chance I never will. But I do read it! Feel free to leave stuff in my asks anytime-- even if I don't necessarily respond, I do love seeing what everyone has to say to me, and it always gets a much-needed smile on my face.

Also, my DMs are open, though if you're gonna chat me up then I'd rather you do it on Discord instead. I do like talking, though. This one's a shameless extrovert.

The Other-People-Promotion Section (please check them all out, I beg of you, amazing stuff out there):

@everestgale - They have a pretty distinctive artstyle and their lineart is clean as hell. And two whole sets of voice designs somehow. And Opportunist brainrot. Also, they run the (absolutely horrendously utterly indescribably) chaotic Yap Central Station on Discord. I repeat, really good art, but they're also a very chill person and pretty dang nice in general. And they were one of my first friends coming into the fandom, plus they helped me out a lot so I truly do thank them.

@hello-universe-lovers - Holy shit her ideas. Holy shit, her ideas. She has a fuck ton of AUs and they way she does characterisation is just [careens out a window vigorously explosively.] I'm going to have to compliment her designs too, particularly her Opportunist, whose rehabilitation's probably universally acknowledged throughout the fandom by now but he's hot. She's helped me out a lot too. Best buddy to yap about traumatizing my voices with.

@miyuka1709 - JAW DROPPING ART WITH HOT GIRLS. Another one with smoking hot character designs, and the rendering, and the composition and the. The. And this is another one who gladly endures my ramblings in my Discord thread and actually compliments my incoherencies. Also, pretty art. Lovely artstyle, I must stress. And she animated my Opportunist that one time and I'm still not over it. She has mastered the illegible sorceries of Live2D somehow.

I don't have as much to say about the rest of you but just know that you're very appreciated.

@pareidolla @phantasmatoucan @lavb-b @writingdevil @orcatnip @salty-an-disco @acethekenku @sorry-not-feeling-it-right-now

and pretty much everyone else in this community, but alas, I can only annoy so many people.