#asked permission for the art
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cheekylittlepupp · 17 days ago
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So I got this little gift of my oc and Astarion together by @egooppidum and she allowed me to post it.. and all I can say is… ITS SO DAMN PRECIOUS 😭🤍
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torchvic · 3 months ago
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that one ship dynamic but with levi and mc
(credit to @litriu! here is the original post (lmk if the link doesnt work pls))
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donutfloats · 5 months ago
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I just think it would have been cool if Lamb’s fleece turned into wings during the fight with Narinder
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berrysquared · 4 months ago
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SCARMOBILE !!! not scar safe do not let scar drive, for @hotguycomiczine
I would like to give huge huge huge thank you to @briefle who came up with the backstory for the Scarmobile, love yaaaa <333333 also fun fact this was actually one of my original main piece pitches but mods decided on sofa from hell :D
[ START | PREVIOUS | NEXT ]
[ MERCH ] [ MISC ]
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maudiemoods · 4 months ago
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Helllooooooooooo this is my official post saying I do not give permission to anyone to make ai bots of my characters or aus!
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jesncin · 3 months ago
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Ray Monde (in drag) and John Constantine (in awe)
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la-muerta · 3 months ago
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《又见红绸舞剑 to see the red silk sash sword-dance again 》
On the night of the mid-autumn festival, in the company of friends and fragrant wine, Li Lianhua drank to a state of blissful satisfaction. He pulled off a red sash that was at hand to tie it to his sword and began to dance with his sword while he drank. In his drunken stupor, Xiaobao declared that he had seen Chang'er. (A-Fei woke up the next day with a hangover and found that the belt from his red robe was missing.)
Artist: 呼葱觅蒜 on weibo; reposted with credit as requested.
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north-noire · 10 days ago
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give gifts, give life (DTIYS for @chekerbored)
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knightswaypoint · 3 months ago
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“Candid No. 24” by A. Penn Photo taken at “Camelot and Other Mythos” Exhibit, Natural History Museum
(Merlinktober Days 4 & 5: Foreign (Out of Place / Out of Time) & Lens)
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lenny-link · 6 months ago
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plz dont repost my art without permission :D👍
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corpse-flame · 2 years ago
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theyre now animated. original
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theyre now... complete.
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carrie-tate · 11 months ago
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For the last week I have been working on one fairly large-scale project, which is spontaneous, a little grateful and generally full of bright feelings.
And so! I'm proud to present to you a little comic based on @nhasablogg's fanfiction that I really enjoyed. So in the end I decided to transfer these feelings into creativity
You better read this fanfic, because it is very sweet and sensual, and my scribbles only convey half of what is written there
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artsy-imogen · 1 year ago
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Does Galacta do his own hair care? I can't imagine keeping it up long without self-care. Even better, let the children braid it and stick pretty things in it.
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✩ he’s very prideful of his hair, so he’ll try and look after it as best as he can on his own before eventually letting others help out if it gets too knotted. aaand if he’s not feeling too stubborn, he’ll let the kids decorate it xD
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potato-lord-but-not · 15 days ago
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hey, hypothetically would it be ok if someone were to write a fanfiction based on the goldcross/holy trinity tentacle stuff you posted. because i may or may not have already opened a document about it (i'm starved for goldcross what can i say. already planned out a whole unrelated au too)
YES PLEASE HUBBA HUBBA I mean what
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divorcedwife · 7 months ago
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stories and music that i associate with em
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murderofsomeone · 2 months ago
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it's probably decently obvious that my main lemon demon design was created BEFORE seeing any fandom depictions (or even really that much official art past the logo) because of how violently he stands out in comparison to other designs. it's a little obvious that my inspiration was self-contained and it granted me a bit of creative freedom along with a completely different train of thought while designing him. his three eyes however is very much a relic of 2022 because I was designing a lot of demons with asymmetrical faces at the time and well, why not make another
anyway here's a comparison of him to my most recent lemon demon original design (where it's a bit more obvious I was influenced by somewhat of a fandom culture)
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extra bonus rambling under the cut
my general design process has actually stayed relatively contained with a few exceptions like soft fuzzy man's color and weirdly neil himself. yeah sorry chat neil is the first guy that was highly influenced by someone else's design you can shoot me too if you'd like. but I legitimately believe he's the only real example because every other character that has a design remotely similar to someone else is likely due to us both following a similar source material (like my cabinet design being based off polybius) or there being only so many ways to interpret the design (gef the mongoose would've fallen into this category if it wasn't for the fact I made him Joker colors)
in general I tend to follow a mindset of how "weird" I can make a design or how much I can push a lyric/implement it into a design. I also like to twist around the convention and try new things. a good example of both of these apply to my doctor amnesia design.
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really the main things going through my head were "well he didn't state HOW many eyes", chosing an eye color that often is overlooked in conventional beauty standards to elevate them and cause you to think, while leaning into the somewhat otherworldly nature she's depicted in by giving her blue skin, a color I associate with the song.
another fun thing I'll do is create a "design pipeline" where I'll take an attribute and run it through a list of connections before we end up in a place long past where we started or just combining a bunch of traits that could be interpreted that way, resulting in designs like this.
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though wolfgang isn't my weirdest design, he definitely did not start where we ended off. I believe before the wizard of oz theming for clown circus was set in stone (a choice that has EVERYTHING to do with oz explodes and an element I'll explain later), he was some kinda mirror object head that had absolutely nothing to do with his current namesake. since I wasn't satisfied with that design, I kept a relative aspect of the personality and shapes and thus ended up creating a really interesting take on a character who is largely depicted as... well there's no really good way to say this, but Bad.
since I was working with a new fresh aspect I started by making him a wolf... and then connecting him to "there's a robot in my head". this kind of connected the dots to ultimately make him associated to the tin man, since no one was connected to that character for the wizard of oz element and it was up for grabs (this is also how he somehow got associated with toasters via connecting the previously mentioned song to "what's in the toaster", etc etc). these pipelines of connecting songs that aren't normally related, but making them Work in a believable way makes designs more interesting for me and gives them a bit more purpose and personality. I think this is what ultimately makes people get a bit lost on my interpretations considering they aren't super simple by just being about One Song, but by being about multiple that aren't originally related in the source material. just like how I connected dr amnesia to when he died, explaining a bit of her more mildly supernatural or off-putting elements by making the man in that song her father.
the final real design element that I focus on is the strange rule I follow in terms of how these characters are shaped. there's a massive sort of "alice in wonderland" theming going on in terms of how human/humanoid designs look in contrast to designs that look less and less human. their proportions become more cartoon and shaped, their sizes are affected etc etc all while the human/humanoid characters stay relatively normal next to each other with more believable design elements.
here's the horrid long strip of nearly 100 different character renders next to each other to get a general idea on what I'm talking about
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the silhouettes of the human characters "pop" less because they're supposed to contrast to their nonhuman counterparts. which isn't something I normally do, but given the source idea of a sort of "wonderland", I think it works in this specific context.
in conclusion: I'm design autistic and like to use designing to try new things, which is why I fucked that lemon up. sorry about that chat
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