#as with many of my posts all of these are in my novel!!

[reidrum]

let it once be me | the prophecy part 3

note: hey ,,, remember her ,,,,,,,,, ! feeling hashtag nervous to post this but pls tell me ur thoughts this went through !!! so many drafts !!! almost lost my mind like thirty times lol but thank u for reading <3 (reading prior parts may be helpful in having context for this part but im not really sure it's necessary, they're way shorter than this part either way)

summary: you and spencer are faced with yet another wedge in your relationship, and you're not sure if it'll survive this time

cw: heavy spoilers for everett lynch arc (15.10), we're ignoring the cm tl and time doesn't exist, maeve flashback, hurt/comfort, angst, happy ending !

wc: 8k (wtf)

part 1 part 2

Spencer feels he’s lived many lives, and that his lived experiences have thoroughly prepared him to navigate novel situations with a small familiarity. A cushion really, to allow him the comfort of seeing the path before he has to walk it blind. It almost acts as a sense of pride for him, a testament to what he’s overcome and capable of facing.

There’s nothing prideful about how awful things have been going with you.

It’s been weeks since your talk with him. Weeks since he vowed to prove to you that you were it for him, and he’s made so little progress he finds it embarrassing for someone with his caliber of intellect.

He’s toeing a fine line between being in your presence enough for you to see that he’s trying, and giving you  space so that you don’t feel smothered. It was harder in the immediate days after your talk, when you couldn’t even stand to stay in the same room as him for more than five minutes. You had come home to his apartment the day after having decided Penelope had enough of your moping. Once you got in you immediately went to settle into the guest room.

It was near radio silent between you both those first few days. He didn’t want to force you, but it didn’t feel great when you would leave a room as soon as he’d enter. As the days went on, Spencer started getting resourceful. He’d make you breakfast in the morning and leave it on the table for you, your coffee next to it made exactly how you take it. Then it was little notes left in the most random places, all written with different things he loved about you. He never saw your reaction when you read them, but they’d always disappear from its spot the next day. Little things to remind you he’s there for you.

More days passed and it finally felt like the ice was starting to melt away. You’d started lingering longer in the living room if he was sat at the table still. One time you even made breakfast for the both of you, and although you weren’t there to eat it with him Spencer had never felt more hopeful.

In the field your dynamics changed even more. Normally, he would make sure to be paired up with you in the field to personally ensure that you were being safe. Since the fallout however, he didn’t want to be an unwelcome presence that only left you more tense in high stake situations. So he’d do things like privately tell Emily to double check your bulletproof vest, or make sure Luke was at your 6 if he couldn’t do it himself.

The last thing he wanted was for your current circumstance with each other, one that he knows he created, to distract you in the field and god forbid cause something to happen to you. He would never forgive himself if you got hurt because of him, but Spencer remembers he’s already done the worst hurt he can fathom to you, and what he really means is that he can’t afford to hurt you any further. As much as it worried him to do so, he had reluctantly learned to place some trust in his teammates to keep you safe. It was a balance he’d learned to adapt to.

It worked fine until it didn’t.

The silent car ride from the jet back to your apartment was so thick with tension, but not the one you’ve both become accustomed to over the weeks. No this was a different strain of anger, one that descended down to the primal nature of your relationship—you endangering yourself.

Spencer opens the door, barely waiting for you to enter behind him before slamming it shut. “That, what you did today, was fucking reckless.”

The anger flares through your widened eyes, “Reckless? I saved the hostages, Spencer. He would have killed them!”

“And what about you?”

“What about me, I had it handled.” you huff.

He raises his hands in exasperation, “He had a gun to your head!” he yells, “You have no idea what it’s like to see that.”

“This isn’t the first time someone drew a weapon on me, and there’s definitely more times than I can count when they’ve drawn one on you,” you pause, “Or is it different right now because you got deja vu?”

“What’s that supposed to mean—” Spencer’s face pales in recognition, “That’s not fair.”

“The hell do you mean it’s not fair? You expect me to believe otherwise?”

“He was going to shoot you!” he loudly repeats, “You don’t think I care about your safety?”

“I think you only give a shit right now because you thought another girl you loved was about to get her brains blown out in front of you. Again.”

He’s stunned into silence. Your words feel like a paralytic to Spencer. Like venom slowly traveling down his veins seizing any chance for his body to save himself. All the progress he thinks you both have made just unraveled itself into nothing. It’s paradoxical that his mind is quiet. You’re usually the reason his mind can relax, but somehow you’ve achieved the same outcome by metaphorically stabbing him square in the face.

He can’t understand when you developed the idea that he could care less about you. He can’t understand how you can even think he would be capable of 

of not being with you entirely. He can’t understand where along the line you started believing that he stopped loving you.

It may not be a sentiment you actually hold, but he prides himself on being a good profiler, and more so knowing you better than himself. He knows that’s what you’re thinking, and there’s nothing he can do to fix it.

He speaks under his breath after a couple of minutes,  “How long are we going to keep doing this?”

“Doing what—“

“This!” He gestures wildly with his hands. “This back and forth where you’ve convinced yourself you’re able to move past this but clearly can’t!”

You stare at him, “Look, I’m trying.”

“Doesn’t feel like it.”

The familiar sting burns the backs of your eyes, the first sign of your resolve crumbling. “That’s not fair.”

He sighs and moves closer, your head hanging low and finding the wooden floor patterns deeply interesting. “You won’t even look at me.” he whispers, “Do you still love me?”

You look up at him stunned, “Spencer…I—I do…It’s just…”

He feels his heart breaking in a new way, “That’s not convincing.”

“Can you blame me?”

“No, I guess I can't,” he shakes his head defeatedly. “I don’t know what else I can do, baby.”

“…I want to forgive you.”

Spencer’s eyes blur from tears, “But you can’t.”

“I don’t know how,” you whisper before a sardonic chuckle leaves you, “You know me, memory like an elephant.”

Spencer refrains from telling you that dolphins are actually the species with the longest memory capacity, and that the reason for possessing such a feature is to maintain the social dynamics and relationships that come with survival in the ocean. A dolphin’s memory is what keeps them rooted back to where they belong, being able to remember individuals and behaviors even after being apart for so long. That no matter how far they stray, they’ll always come home. 

He settles for a soft agreement, “Yeah, I do know you.”

You make the mistake of meeting his eyes, equally and tragically as broken as yours, puffy and red rimmed.

“I don’t know what to do.” you whisper brokenly.

“I don’t either.”

The silence weighs heavy in the living room. The metronomic tick of the clock becomes louder, the birds and the wind outside whistle louder. You’re cornered, forced to come to face the results. And like a prey backed into the corner you do what the prey do best—You run.

“I have to go.” you grab the keys and put your shoes on.

“What?” he steps closer, “You can’t just leave, we just got home.”

“I can’t be here right now,” your voice cracks, “I just…need some time to think.”l

Spencer’s heart falls straight through the floor. Time to think about what? Is this when the foundation beneath you both finally buckles under the immense pressure it’s been on for weeks, and you’re left to scavenge the ruins?

As much as it pains him to let you walk out the door, he knows that nothing would be accomplished at home and it would only hurt you more to stay.

“Okay.” he whispers.

“Okay.”

“Be safe.” I love you.

You look back, “I will. You too.” I love you too.

The door shuts gentler this time, as if careful not to disturb the few pieces of Spencer still left standing behind the door. It doesn’t matter, they’ve already fallen over. Any resolve he had left is slipping away with every step you take further away, never feeling more defeated in his life than this moment.

He trudges over to the study, hoping he can at least bury himself in work to distract himself from the turmoil of his reality. The desk is strewn across with files and papers, mentally making a list of the tasks he has to do. At the top of his to-do list is the Everett Lynch case, having just closed the case a few days back meaning the paperwork would be due to the brass soon.

Spencer glances over the open file and reviews the details of the final moments of the case, recalling the stark change in Lynch’s MO that still left him puzzled. The victimology and the profile just didn’t add up to what actually happened, why he ended up dying with his mother in the house. That wasn’t supposed to happen, Spencer wasn’t supposed to send five SWAT agent in not knowing their fate only seconds later. How the case simply ended anticlimactically after nearly a year long chase. A dull ache begins to form in his head as he thinks, the bureau is going to have a field day processing this case.

He rubs his forehead with his hand to soothe the pain building up, making a note to get painkillers after he finishes. As he continues to read the file he starts to see his confusion take a basis as the initial profile doesn’t add up at all to what actually happened, in fact for as long as he evaded the FBI he really shouldn’t have just, died.

Spencer freezes. Did he die?

Lynch wouldn’t just commit suicide, that was too easy. He watched the house blow up with him and his mother inside, not even including the agents the explosion took out with it. The pain in his head is too much to bear at this point and he decides that getting Advil can’t wait until he’s done. He stands up and immediately wobbles as he grips the desk for support. Through the blurred vision and spinning room Spencer tries to makes sense of Lynch’s discrepancy. 

Everett Lynch wouldn’t commit suicide, because he didn’t. 

“He’s still alive.” he realizes gravely. Then it all goes black.

———

You get in your car and drive off to god knows where, just not there. It’s sheer autopilot driving you to the other side of town, which is more than welcomed as the tears threaten to blur your vision coming down in hot trails. You end up pulling into the parking lot of your favorite donut shop, one that you discovered with Spencer a little before you started dating. There was time to kill after being paired up to visit the unsub’s  dump site and you were so insistent about needing a sweet treat, Spencer thought it was clinical.

“You’re acting like you’ll die if we don’t stop for a, what did you call it? A sweet treat?”

“I will!” you whine, “Don’t you know that girls, specifically me, are mandated to have at least one sweet treat per day?”

He pulls into the parking lot of the donut shop he’d spotted on the way there. “Oh yeah? What happens if you don’t?” he teases.

“You’ll see me as the unsub in the next case.”

Spencer can’t help the laugh that leaves him, loud and earnest. “Alright, c’mon. We already have enough criminals to last us till retirement.”

You and Spencer are definitely not together at this moment in time, but the little old lady owner of the shop really can’t believe otherwise as she watches you both bicker about which flavors you’re getting for the half dozen box. She’s almost certain you’re together as she watches Spencer end up getting all the flavors you wanted despite putting up a fight for others. And she’s fully convinced, with no room for sway, that you are together as Spencer pulls his card out before you can even protest and watches as you miss the look he gives you as you dramatically sigh in content after the first bite.

Spencer would later tell you after a few months together, that the donut shop was the first time he realized he was in love with you. You recall how the same half dozen would appear on your desk every Friday since that first visit, with one chocolate sprinkled donut missing but placed on a napkin on Spencer’s desk. You would joke that he pavloved his way into your heart with donuts, but wouldn’t reveal your true cards that you fell in love with Spencer after a month on the job. The donut shop happened the week after.

“You alright, hon?” the little old lady owner breaks your thoughts.

You look around and realize you’ve walked yourself into the shop. You wipe at your eyes quickly, “I’m okay, Dolores. Can I just get the usual half dozen please?”

She’s not convinced but it seems she knows better than to ask and pry. She gathers the usual six donuts for the box, slipping in an extra one just for good measure, and rings you up at the register.

“Seven right?” you mumble as you file through your bag for the loose ten.

Dolores smiles, “It’s on the house today, hon. Don’t worry.”

You look up at her, knowing she’s only doing that because you showed up with tear streaks on your face, “Oh, no it’s okay you don’t have to do that let me just—“

She pushes the box towards you, “You both tip enough to cover the box anyway, please just take it. Hope you feel better soon, hon.”

Her kind gesture thaws your heart out a little and you give her a small smile. “Thanks, Dolores.”

You walk back to your car, locking the doors once you get in. You don’t move to turn the car on, opting to allow your emotions to overflow again in solitude with the comfort of a bavarian kreme donut. The tears prick your eyes on instinct thinking of the current state of your life, of your relationship.

Spencer was right, have you convinced yourself you’re capable of moving past this? You do still love Spencer, you knew that much. But you are hurt, you are tired, and you just want to stop feeling like you’ll always come in second place even when there’s no one to occupy first place. You’ve waited so long to feel chosen, like someone has waited all their life for someone like you to come around. Meeting Spencer felt like finding the little daisies that grew in between the cracks of concrete, proof that despite your stone hard exterior you were still worthy of being loved.

The sound of your phone ringing jolts you up, almost dropping your donut. With your free hand you look at the caller and press accept.

“Hi, Emily.” you try to make your voice sound even.

“Hey we’ve got a—wait are you okay?”

You clear your throat, “Yeah, totally fine don’t worry. What’s up?”

It’s clear she doesn’t believe you but Emily really doesn’t have time right now, “Listen, Lynch is still alive.”

You almost choke. “What?”

“The casualty report doesn’t include Lynch and they couldn’t find his body anywhere. While they were searching the house they found tunnels. He escaped.”

“Fuck, okay what do you need me to do?”

“There’s a gas station clerk who thinks he saw him and his car, I need you and Matt to go check it out and see what he knows.”

You scramble to put your donut down and wipe your hands on the napkin, “Yeah, of course I’m on my way.”

“Okay, Matt will meet you there,” she pauses, “I…Is Spencer with you?”

Your heart clenched again, “No, he’s not. He’s at the apartment.”

Emily hums, “He didn’t pick up when I called, it’s okay I’ll send JJ and Penelope to go get him. Reconvene at the bureau in a couple hours?”

“Sounds good.” you hang up and immediately start driving over to the gas station. Something doesn’t feel right, you can feel it in your gut. You quickly check Spencer’s location just to be safe, and relax when you see he’s still at home. He’s probably just taking a nap.

What Emily decides you can’t ever know about is the call she gets twenty minutes later from a hysterically crying Penelope, who in between sobs tells her that they’re on the way to George Washington Hospital. That when JJ and Penelope opened the door to Spencer’s apartment he was passed out on the floor, blood dripping from his nose. How when JJ went to start CPR he entered a seizure and coded in the ambulance.

No, you can’t know this, because Emily knows that the call alone that she has to give you is going to shatter your broken pieces even further.

—

You pull out your phone to call Emily and see an incoming call from her, “Hey, I was just about to call you. The guy said he drove a red ford pickup, we were able to get the license plate from the security cameras but it came up as a stolen plate—“ 

Emily says your name in a tone you’ve never heard her use. It makes you stop in your tracks, an icy chill shooting down your spine, “What?”

“Something’s happened.”

You step outside of the gas station shop holding your breath, “What do you mean?”

Emily pinches the bridge of her nose, “It’s about Spencer, he’s…”

She pauses for too long. The panic rises fast. “Emily.”

“They found him passed out on the floor of his apartment. Penelope called 911 and they’re on the way to the hospital right now.”

No. 

No, no, no.

The color drains from your face as fast as your heart plunges to the ground. “Wh—what?”

She’s lying, she has to be right? You just saw Spencer literally a few hours ago and he was fine. No signs of distress or anything, she has to be lying. She has to be lying.

“The EMT thinks he has a brain bleed, it um…caused him to have a seizure when JJ and Penelope found him.”

The nausea rises before you can anticipate it, scanning your surroundings for a trash can and immediately hurling up the contents of your stomach. Wiping your mouth with your sleeve you put the phone back to your ear, “Which hospital?”

“George Washington Memorial, they should already be there by now.”

“Okay, I’m on the way.” you sniffle.

Emily doesn’t know what other encouraging words she can provide you, she doesn’t think any words exist to comfort herself even let alone you. “Keep me updated please.”

The call ends and you have to steady yourself on the nearby wall, head reeling with mountainous emotions and unable to make sense of any of them. 

You look around through blurred eyes for Matt calling out to him, “Matt, Matt give me the keys I need to go to the hospital.” you hold a shaky hand out.

He looks at you confused and concerned, “What? Are you okay, why do you need to go—“

“Sp—“ you stutter, unable to even speak the words into existence, “Spencer’s in the hospital.”

Matt’s face pales, “I’ll drive you, come on.”

—

“They said it’s a brain bleed.” you mumble after a few minutes of silence in the car.

“A brain bleed? How could that have…” he trails off in realization.

“What?” you ask nervously.

He grips the steering wheel harder, “The bomb, at the Lynch house.”

Fuck. The EMTs who checked him out that day said he only had a mild concussion, nothing else to be concerned about. A few cuts and scratches but nothing that wouldn’t heal. This wasn’t supposed to happen. This wasn’t supposed to happen to him.

You sniffle and hastily wipe at your face again, your skin growing red with irritation with every contact.

Matt looks at you with a look he wouldn’t call pity, but certainly close, “It’s going to be okay, he’ll pull through. He always does.”

Your eyes squeeze shut as if it could prevent the fresh wave of tears from falling, “You don’t know that.”

He sighs deeply and turns into the hospital parking lot, stopping in front of the entrance, “Go in, I’ll park the car.”

You open the car door and rush inside the lobby, finding the receptionist immediately. She looks up at you and her face softens in empathy, “Who are you here for?”

“Um, Spencer Reid. He should have just gotten in.” you strain.

The receptionist clacks a few buttons on her keyboard before speaking again, “It looks like he’s in the ICU, are you blood related?”

“Are we…what?” you ask confused.

“Well honey, because he’s in the ICU we can only let in blood related family or spouses to stay with them.”

You outwardly deflate, “Oh…I—“

“She’s his fiancée!”

You look to the source of the new voice and are met with Penelope, donning matching red rimmed eyes and puffy cheeks. Her eyes look at you in silent communication and you turn back to the desk, “Y—Yeah, I’m his fiancée.”

If the receptionist isn’t convinced she doesn’t show it, willing to turn a blind eye in pure understanding of the situation. “Room 204.”

“Thank you.” You duck down the hall scanning the numbers before coming up on 204, the door cracked open slightly. Your hand hovers over the handle in hesitation, scared of what you’ll find on the other side. Penelope comes up behind you and rests her hand on yours and helps you open the door.

The sight hits you like a truck. All the wires hooked up to his limbs pumping IV fluids and the heart monitor beeping steadily. He’s paler than you’ve ever seen him. His skin is clammy, the hair sticking to his forehead. You can see that from across the room and all you can think about is how uncomfortable he must feel from the sweat coating him. You used to tease him once upon a time when he’d sometimes take multiple showers a day because of how much it bothered him.

“Another shower? Spence, our water bill is about to be crazy.”

He laughs and waves you off, “Don’t worry about that, I can charge the water bill as bureau compensation.”

“Okay, one that sounds illegal. Two, the more time you spend in the shower, the less time you spend with me.” you moan with fake petulance.

You yelp as he suddenly sneaks up behind you, caging you to his chest with his arms, “So join me.”

“Doesn’t that defeat the purpose of getting clean?” you giggle, leaning your head back into the crevice of his neck.

He presses a soft kiss to your temple, “You do know what showers are for, right?”

You nod, “To get clean! It would get even dirtier before it got cleaner.”

“I think that’s a sacrifice I’m willing to make.”

The smile on your face grows the widest it can before you break off into a sprint down the hallway towards the bathroom, Spencer trailing behind with your laughs mixing in the light air.

You don’t know why you’re thinking so deeply about the state of his perspiration, maybe a convoluted defense mechanism your brain conjured up so you don’t have to come to terms with Spencer lying near comatose a few feet away.

Your feet hesitantly carry you closer to the bed, feeling somewhat calmed by the slow rise and fall of his chest. You lean down and look him over, as if you could see the damaged inflicted on him even though it’s nestled deep in his brain. Spencer always said his brain would lead to his demise, and you hope all those times you played it off as a joke that it cemented itself as one, a joke. That you would be able to see his hazel eyes open again and they’d fill you with reassurance that he wasn’t going anywhere, that all he needed in this world was you, and that he loved you.

You will and wish and hope to have his eyes open. You try not to think about if you’ll ever get to see them again.

A choked sob escapes your throat before you can help it, your hand coming over your mouth to muffle the impact. Spencer is hurt. Spencer is fighting for his life, and you were fighting him not even a few hours ago.

“Oh, honey,” Penelope reaches for your shoulders and pulls you into a hug, “He’s gonna be okay, the doctors said the surgery went well. Just waiting for him to wake up now.”

You cry even harder and Penelope tightens her grip on you, determined to not let you fall further down the slope.

“W—We got into a fight,” you sniffle, “before I left. It was bad, Penny. He was so mad, and then I was so mad. And then I just left.”

“You didn’t know this would happen, honey. None of us did.”

“I didn’t even say I love you. Th—The last conversation we had was a fucking fight a—and now…” you cry, “He can’t die, Pen. He can’t die I didn’t even get to tell him—“

Penelope grabs your face with both of her hands, “Hey. No, we’re not doing that. We are not spiraling, not when there’s no reason to. Okay?”

Whatever response you had falls dead on your lips when you take another look at Spencer’s motionless body on the bed. The calmness on his face is a stark difference from the Spencer you saw only a few hours ago.

She was right, there’s nothing you can do right now but wait. You’d just have to trust that Spencer would pull through.

You almost chuckle dryly through the tears. Trust and Spencer? The irony of it all laughs in your face.

—

Spencer’s eyes blink open and adjust to the bright light blinding him. He takes in his surroundings and realizes he’s standing in the middle of the bullpen. That’s weird, he thinks, I thought I was in the study.

“Reid, you sure you don’t want to join me and Elle in Jamaica?” Derek sings, “My guy can swing you a great deal.”

Derek? Elle?

He snaps his head in the direction of the voice, seeing Derek not even looking in his direction but still looking towards Spencer. Just, a different and much younger Spencer.

“Have a great two weeks off everyone, you all deserve it. Don’t call me at my cabin.” Gideon rushes out as he beelines to the door right past Spencer. “Seriously, don’t call me.”

Gideon? But Gideon…died. Where is he?

The scene changes with a snap and suddenly he’s back in his apartment, his old apartment. The one he lived in before he moved in with you. He is definitely in a dream, though with the vividity and theme of important people in his past he’s not entirely sure he’s only sleeping. A head of blonde hair on his couch catches his eye. He slowly walks around and his breath hitches at who he sees.

“Maeve?”

She smiles softly, “Hi Spencer.”

He slowly walks around the couch and kneels in front of her. The tears prick his eyes before he can help it, “I didn’t think I’d get to see you again. I—I’m so sorry for—“

Maeve holds a hand up, “What happened to me wasn’t your fault, I promise. You did what you could. But that’s not why I’m here.”

“It’s not?”

She shakes her head. “You’re dying, Spence.”

His face falls, “I am?”

“Collateral from the explosion, you have a brain bleed.”

It takes a few minutes for him to comprehend what she said, and he can feel his head spinning fast in his head. He can’t actually be dying right? The explosion happened days ago and yet now is when his brain decides to tap out, that can’t be right.

It simply cannot be right because that’s when he remembers you and the last conversation he had with you, and he has to clutch his heart at the prospect of his fate.

He won’t know if you’ll ever forgive him, if you’ll ever learn to trust him again, if you even still love him. He won’t know anything if he dies. He cannot die.

“M—Maeve, I can’t be here I—“

She places her hand atop of his own and he feels her. He can feel her hand on his, like she’s real and here.  It’s alarming, and warm. “I know, it’s okay. C’mon, let’s go for a walk.”

Maeve gestures for him to follow her and before his eyes the scene changes again to a nearby park, one that looks a little too familiar to him.

She starts walking through the park, “We’re all okay up here you know? I get to read a lot more now, there’s so much time to read and postulate. Sometimes I get lucky and I can meet the authors. I got to meet Kant and Dostoevsky a while ago, very interesting people. Gideon plays with this nice little octopus friend. I know he’s having the best time.” she laughs, “But you, Spencer Reid, are not okay down there.”

He looks up at her and swallows, “I know.”

She turns onto the fork in the trail, “What’s holding you back?”

“I don’t know,” he sighs.

“I think you do know.”

A few silent minutes pass. “I…I’m scared to let myself be happy again,” he admits.

Maeve looks at him with a saddened smile, “And why’s that?”

Because everything he loves leaves him. Because when he laughs just a little too hard, he’s already scanning the surroundings waiting for the other shoe to fall. Because when Spencer feels he’s trekked up the mountain with long and winding breaths, something always seems to be waiting at the top ready to knock him down.

“Don’t think I deserve it, to be honest.” he admits, “I keep…messing up everytime.”

Maeve stops walking, “You love so deeply, Spencer. It’s a blessing and a curse.”

“Emphasis on the curse.” he deprecates.

“It’s only a curse because you don’t let yourself feel wholly. I know given everything that’s happened it’s hard but,” she pauses, “You’re not a clipped bird, Spence. You just…lost a few feathers. Nothing you can’t get back.”

It’s easier said than done when it feels like his mere existence causes you pain as of late.

“I feel like I have to hold parts of me back so I can protect her…from myself.”

Maeve turns to him, “She deserves all of you, Spence. It is a privilege to be loved by you, but it’s a greater privilege to be loved. And you deserve to feel loved.”

“What if I ruin it?” More accurately, what if he’s already ruined it, is what he means.

“You are not destined for sorrow and misery, despite what your life has made you think. She loves you. She would not have stayed this long if she didn’t. But there is one thing I think she could use from you.”

Spencer looks at her expectantly waiting for her to continue.

“She wants to feel chosen, Spencer. And I know you think you choose her everyday just by loving her. But the reality is, you can’t fully choose her without choosing yourself first. That means allowing yourself to be happy.”

A few stray tears streak down his face and he haphazardly wipes them away. For the entirety of Spencer’s life his purpose was to be of service to others. With his intelligence, his kindness, his courage. His needs always came second because the few times he thought to put himself first, disaster struck. 

When he met you this notion only reinforced itself, wanting to ensure he could make you as happy as he could. You became his priority and he didn’t mind that at all. It was easy being with you, you made life feel easy. So when Spencer started to let his guard down piece by piece, allowing himself the little bits of your happiness to seep into his being, he wasn’t thinking about the abyss that had always loomed over him his whole life.

He couldn’t, not when you managed to infiltrate his entire existence by wrapping and tethering yourself to him with strings of gold. How could he? You made things so easy.

But then prison happened. Then Cat, again. Then Maeve, again. Three strikes. It should have been game over by now. He broke your trust, betrayed your love and he wasn’t sure if you would even stay long enough to see the damage unfold. But you did, and he still can’t really figure out why.

So here he is in limbo? Purgatory? Some figment of his mind in the wake of near death that is giving him the opportunity to make amends. Not with Maeve or Gideon or you or any other grudge he has yet to settle in his life. No, he has the chance to make amends with himself and forgive himself for standing in the way of what he really deserves.

A faint beeping in the distance reels him back to the present moment, Maeve’s face coming into focus again. The dull ache in his eyes coming forward again with how many tears are falling.

“Love is our true destiny, we do not find the meaning of it alone, we find it with another.”

He smiles with a watery chuckle, “Thomas Merton.”

“Spencer, I promise you, you will be happy again. And forever. Just keep the door open when it comes knocking.”

The beeping starts to get louder, like it’s approaching him fast. A warm glow begins to build around him, then light. He looks around the park again and sees the trees and benches begin to blur. He looks at Maeve as she stands with a fond smile, her figure slowly fading as well.

“Take care, Spencer.” and with a blink Maeve is gone.

In the silence he is left in, he looks to the epitaph of Jason Gideon in front of him and back to the spot where Maeve was standing, whispering a soft, “You too.” before closing his eyes and succumbing to the beeping.

—

It’s been 4 hours since you’ve been sat next to his bed. You’d be a lot more concerned than you were, which is already a lot, if it wasn’t for his heartbeat monitor beeping steadily throughout the hours. A sign of life, as morbid as it sounds, but it’s hard to be rational given the circumstances.

It had taken all of 3.5 hours for you to braven up and hold his hand in comfort. Hour one you simply stared at his hand, as if it would regain mobility and reach out for you. Hour two you were able to place your hand on the bed, not anywhere near his obviously. But enough to feel close, satiated. By hour three you had your fingers mere millimeters from his own, feeling like a magnetic force of the same poles was repelling you.

The 3.5 hour mark is when the exhaustion of the day caught up to you, and finally allowed yourself to relax in his hand.

At hour 4.5 is when you felt the twitch.

You look up and whisper, “Spencer?”

He slowly opens his eyes, revealing his hazel brown irises with gold flecks on the insides that meet yours sitting right beside him. You can see the recognition begin to flood his face, but is stopped momentarily when he starts to panic realizing the breathing tube is still in his throat. You hit the call button besides his bed and watch the doctors rush in to help stabilize him back down.

It’s another two hours of testing and scans before the three of you are left alone again, with the nurse promising to check on him in a few hours.

You’re stiff next to him, unsure what to do now that he’s awake and perceiving you again. With a small voice you speak, “They said they found you in the study.”

Spencer racks his brain for memories of before his fall, only able to remember bits and pieces. He remembers fighting with you and when you left. He remembers walking to the study. And he remembers reading…”Lynch! Did you get him? He’s still alive, you have to call Emily—“

“Hey, it’s okay, it’s okay,” you shush. “We know he’s still alive, they’ve almost got him right now. It’s okay.”

That seems to make him visibly relax knowing the immediate stressor was almost resolved. Now there’s just the matter of the other elephant in the room.

“You’re here.”

Your eyes soften as your brows raise in shock, “Of course I’m here, Spence.”

He stares at you and takes in your features—your puffy cheeks and red eyes, the skin around your nails picked to death, your lip nearly split in half from the bites and bleeding. He needs to apologize again, he knows that. But the second he opens his mouth you cut him off.

“Penny, can you give us a minute please?”

She smiles and stands, “Sure hon, I’ll be right outside.”

Once she leaves you turn back to Spencer, “We don’t have to talk about all of that anymore, it’s okay. You’re hurt and that’s more important right now.”

He should have expected that you would do this, selflessly push your discomfort and feelings down because someone you cared about was hurting. It was one of the few things he didn’t like that you did, and he’s not going to let it go again.

“Angel, you can’t forgive me just because you thought I was going to die.” he says sadly.

You’re taken aback. “I—I know.”

He swallows, “I really want you to.”

Your eyes blur again, “I know.” Another pause. “I’m trying really hard.”

A gentle squeeze, “I know.”

“I…I still love you, Spence. I don’t think that will ever change, but I’m nervous if one day it won’t be enough…that I won’t be enough.” you trail off.

Again, he shouldn’t be surprised that’s what you’re thinking. He hasn’t done a very good job at convincing you yet. It still hurts knowing that you feel that way.

“Do you know what I thought about everyday when I was in Millburn?”

You shake your head as he continues, “I thought about how when you eat cupcakes you tear the bottom half and stick it on top to make a cupcake sandwich. When we’re watching Doctor Who and you’re singing along to the theme song with only syllables. How you let me eat the olives on your plate and I give you the pickles on mine.”

“Why would you be thinking about that?” you ask confused.

“Because I don’t think I would have survived if I didn’t.”

The lump forms in your throat, “But…you took me off the visiting list after the first time I came to see you.”

“I couldn’t let you keep seeing me like that, honey.” he strains, “The way they were looking at you, what they did to me. I had to protect you.”a

You swallow hard, a few tears falling down your face, “Th—That’s not fair, Spence. I understand why you did it, but then when all the other shit happened… I don’t know what I was supposed to believe. I couldn’t stop wondering if I ever was enough for you.”

Spencer can feel his heart splintering.

“You will always be enough, because it is always you. God, sweetheart it’s not even a question of how much, it just is. I see you in everything I do—you’re the tangled headphones we use to listen to music flying back on the jet. You’re the annotations I make when I read something that reminds me of you, or if I think you’d enjoy it. You’re the smell of bavarian kreme donuts from Dolores’ even though the chocolate sprinkle ones are far superior.”

His heart blooms hearing a soft giggle from you, an earnest smile forming on your face.

“You are entangled in the things that make me happy, and you make them too good to be true. I don’t deserve your forgiveness, but I meant it when I said I would spend all of time making it up to you. You are my Catalina comet, and I love you.”

You can’t help the sob that leaves you as you remember the memory.

“I’m cold Spence, are you sure we’ll be able to see it?”

He tugs you closer under his arm as he keeps trekking to find the perfect spot, a chaste kiss to your temple, “I promise it’ll be worth it. Come on, I think it's a good spot over there.”

You help Spencer set out the blanket on the ground and use the extra one to wrap around you both, huddling closer together as you wait for the celestial body to make its appearance.

“The first time they did the calculations they used old observational data that led to some incorrect results, and they thought the orbit was only four years.”

“They just got it wrong?”

“Not everyone gets it right on the first try, sweet girl.” he says softly, “But then they did the math again, made sure all the factors and numbers were correct. And you know what they found?”

You ponder for a moment, “Did they realize the orbit was longer?”

Spencer beams down at you, “My smart girl. That’s exactly what they found. So when they did the calculations again, they found out that the Catalina comet is even more special than anyone thought. It’s even more of a rare sighting to get to see it, once in a lifetime really.”

You hang onto his every word, captivated by the story, “Do people wish on comets?” you ask doe eyed.

His hand smooths your hair back, “They do, some say the rarer comets have extra special energy to aid their wishes.”

You look at him skeptically, “Do you really believe that?”

“Do you?”

You look back to the sky, “I think I do.”

Spencer doesn’t look away from you, “Then I do too.”

You giggle and lightly shove him, “Cheesy…” He smiles fondly and pulls you closer into his chest, his arms warming you up before you gasp, “Look!”

There across the night sky streaks the Catalina Comet in all her glory, Spencer watches the comet track through Ursa Major and before he can start telling you about why it goes that path, you’ve already clamped your eyes shut and squeezed his hand, silently gesturing for him to do the same.

He complies, obviously. You open your eyes again after making your wish, “Did you make yours?”

Spencer opens his eyes and admiringly looks at you, “Yeah, I did angel.” 

He didn’t need to make any wishes.

“Spence…” you whine through sobs.

His hand comes up shakily to wipe the tears from your cheeks, “Didn’t mean to make you cry, honey.”

“Well, what did you expect by bringing that story up?” you laugh with fake anger.

“To be fair, you were already crying.” he chuckles.

You scoff, “Mean.” You look at his eyes, and really look at him and see nothing but love and adoration staring back at you. You take a deep breath, “Okay.”

“Okay?”

“I believe you.” his eyes soften, you continue, “I love you.”

He brings your hand up to his lips and gently kisses it, “I love you so much. I’m sorry again, sweet girl.”

You lean up to him on the bed and press a soft kiss to his lips, and Spencer can feel his wounds start to hurt less and less. “You should get some rest, I’ll be here when you wake up.”

You make yourself as comfy as you can whilst sat on the armchair, bent over to be able to rest your head next to Spencer. It feels okay for a bit, and then he tangles his hand in your hair gently moving back and forth and suddenly you’re satisfied with never moving ever again.

The quiet air between you both is enough to lull you to sleep, before a thought runs through your mind.

“You know something funny,” you mumble, “Pen told the receptionist I was your fiancée so they’d let me see you.”

And poor Spencer, in between his sleepy haze and the dull ache of pain from his injuries, only hears the word fiancée.

“You found the ring?” he sighs, “I thought I hid it well.”

You still under his hand.

“…There’s a ring?”

His eyes shoot open, realizing he misheard you and tries to play it off, “So…Penelope lied to staff. Tsk Tsk.”

“There’s a ring.” you say pointedly, the corners of your lips upturned to reach a smile.

Spencer thinks he can try and get out of this but decides it’s better to come clean, “Fine, okay. Of course there’s a ring.”

“Of course?”

The surprise on your face honestly stuns Spencer, and he feels a little saddened that you were in disbelief of the possibility.

“Yeah baby, of course.”

Your bottom lip wobbles with a creeping suspicion of his answer, “How long have you had it?”

“Got it after our six month.”

You shakily exhale. There is no ounce of doubt in your body that he loves you, and that you really are all he needs. “ ‘M sorry I ruined the surprise.”

He grins, “It’s okay, you won’t know when I’m going to do it. It’ll knock you off your feet, I promise.”

You definitely aren’t expecting it during a Planetarium date months later where he got the museum people to show the Catalina Comet passing over you both as he got down on one knee. You are expecting the endless stream of tears from the both of you, the aching cheeks from smiling too much, and the multiple missed attempts at sliding the ring on from how much you both were shaking.

[hrrtshape]

maybe you never left your dr. maybe this is the dream you're having there.

maybe this is the lobby, the waiting room, the voicemail left on your own machine. maybe you’re stranded in the purgatory of a loading screen, waiting for the other you to double-click, to wake up, to retrieve you like lost luggage at jfk. ever think about that? no? well. think harder.

shifting isn’t about departure, it’s about recognition. it’s the pause before the lights go up in the theatre, the split second between dream and waking where your breath catches and you don’t know if you’re in your bed or on a train to venice with someone who only exists in whispers. it’s opening a novel to the middle and realising you’re already inside it, a character penned by some omnipotent hand, waiting to see if you make the final draft.

if the universe is infinite, then every possible version of you exists right now. you in your dream reality. you in your current reality. you in a dimly lit café writing about this exact moment. you in a sun-drenched penthouse, sipping something expensive. you missing the bus by three seconds. you winning an oscar and forgetting to thank your mother. all happening, all at once, as if the cosmos is a film reel tangled in itself, flickering through frames too quickly for the eye to track.

"you know how dreams feel normal while you’re in them?" you ask your barista, who does not have time for this existential monologue. she blinks.

right. yes. moving on. the mandela effect, false memories, time dilation. polite euphemisms for the moments you flicker between selves. that uncanny lurch in your stomach when the streetlight should be on the other side of the road. that one song lyric that wasn’t there before. that creeping certainty that your childhood bedroom had green walls, not blue. the fact that my cocoa was white chocolate and not pistachio white chocolate. that’s not faulty memory. that’s turbulence. that’s the in-between. that’s you with one foot in one world, one foot in another, checking your pockets for a train ticket that doesn’t exist.

there is no single reality. there are only perspectives. (somewhere, nietzsche exhales cigarette smoke, mutters something about eternal recurrence, and pours another drink.)

so, what if this is your dr? what if you already made it and just forgot to notice? what if someone in that reality is writing posts about trying to shift here? what if, right now, someone is sitting in a candlelit room, reading this, thinking, "god, what a strange dream."

and what if you wake up tomorrow, somewhere else, and forget you ever read this? just another dream you had, once.

one of many.

[synchodai]

"Mystra groomed Gale" takes rustle my jimmies like no other. I get how some people who don't know much about her beyond BG3 may have this interpretation, but if you're like me, a woman who's been playing since the days of AD&D, you'd understand why accusing Mystra of being the bad person in this scenario may hit a nerve.

TL;DR: Did Mystra take advantage of Gale's devotion to her as his goddess? Definitely, she's a Faerûnian deity — they subsist on worship and adulation. Does that make her his abuser? Eh... man, maybe it's high time that a lot of us learn different terminology for unhealthy relationship dynamics other than abuser-victim. I've seen a couple of posts that are really gung-ho about forcing every companion character to be some sort of abuse victim, because that's what they've decided the game is about. I mean, they're free to interpret the game that way, but damn, we're really out here flattening god, the very concept of magic itself, into the role of an abusive ex, huh? A fantastical, nuanced relationship between mortal and immortal set against the backdrop of a rich palimpsest multiverse digested like a YouTube drama video.

Let me try to explain my perspective by going through the history of Mystra, how she's utilized in Forgotten Realms lore, and treated within D&D games in general.

MYSTRA THE MAN-EATER

Since her creation, she has always been depicted as the sexy goddess whose main purpose was to be a wizard player's muse as well as their patron. Back then, D&D (and TTRPGs in general) was a heavily male-dominated hobby, so Mystra (and Mystryl, her avatars, and all her other incarnations) was catered and shaped by that demographic.

Because it's the player characters and Wizards of the Coast who have narrative agency and many of them want to fuck a goddess, they make stories where Mystra comes on to them because their character is just so good at magic. They designed Mystra to be a mysterious, beautiful love interest because they wanted to use her as the crown jewel of their power fantasy of being a super cool and powerful magic man. You can pretty much see this in the Elminster books and the Avatar series with Midnight (one of Mystra's avatars). Gale himself seems to be an exploration of this typical kind of wizard character.

As far as power fantasies go, making the goddess of magic have an intimate relationship with a mortal character is fine. It's the ultimate validation for a burger-flipper when the god and all source of burger-flipping is head over heels in love with them. It also doesn't have to have a sexual component to have "magic" and the magic system itself enamored with a character — depending on the game and DM, Mystra's favor can be entirely symbolic and metaphorical. A fine power fantasy in the power fantasy generation game.

So because everyone literally wants a piece of her, you end up with Mystra having more Chosen running around than any other god. Understandable given what she has to do to maintain her massive portfolio. It fits her as the personification of magic — someone who entices ambitious young spellcasters but burns them out through obsession and overreaching. Consume any Forgotten Realms-related media, and you've probably come across at least one campaign, novelization, or character backstory that use Mystra for the role of sexy sorceress goddess that's the alluring (yet often demanding) patron of some magic man. Whomst amongst our wizards haven't been visited by Mystra in the night ordering him to do plot point, he rolls to seduce her, and she has no choice but to admit that she's actually attracted to him because the dice said so? It was a community inside joke passed around tables: Mystra the Man-eater.

But then some BG3 fans started taking the joke seriously...

MYSTRA THE GROOMER AND WHORE

This piece of dialogue has done so much irrevocable damage.

Some (Galemancers specifically) have interpreted this to mean that Mystra is known to go after young men. She does not. She has more documented Chosen than other gods due to her massive portfolio and power level, but there are just as many female Chosen as there are male Chosen. Minsc, like most of us in this fandom, is speculating and doing so in a way that uplifts Gale at the cost of taking a bit of a jab at Mystra.

"Mystra's a whore. She boned Kelemvor and Elminster and so many of her Chosen, taking advantage of them as a goddess," they say as if she didn't have her romantic relationships all as different people and in different bodies. Her avatar Dasumia was the one who had an intimate relationship with Elminster, and it was the human Midnight (who later ascended to become Mystra) who was Kelemvor's lover (who himself was a mortal adventurer at the time).

This is why Mystra is, how other people put it, "a whore." Because WotC canonized a handful of those stories where different sexy female mage love interests whom otherwise have nothing in common are slapped with the Mystra label for one reason or another. Sometimes they're mere avatars or magical projections, sometimes they're actual people possessed by Mystra, and sometimes they're destined to be the new Mystra but don't know it yet. But those sort of nuances are lost to people who learn their lore secondhand from deliberately provocative tweets and reddit posts, flattening extremely fantastical relationships to clumsily fit a more relatable framing that'll net them more online engagement.

I don't want to argue what is and isn't grooming. But I have encountered arguments taking Gale's mentions that he was "a young man" to mean Mystra groomed him as a child. But I doubt he would have said "young man" if he meant child...

Mystra took off the gossamer veils from her body to fully reveal herself to him — or whatever romanticized way Gale tells you that they were intimate. The man speaks in half-abstraction and metaphors because it's revealed later on in the romance that all their love-making happened outside the Material Plane. They were very intimate, but never physically had sex (or had any physical contact at all because gods are only allowed to interact with mortals through their avatars or projections). If Mystra "groomed" Gale, so did every other god who revealed themselves and made themselves vulnerable to their followers. Shar grooms her justiciars when she brings them into her dark embrace. Umberlee grooms her clerics when she swallows them up and gives them her wet kiss.

MYSTRA IS A FAIR GOD ACTUALLY

Look, gods in D&D-verses are, more often than not, dicks. They have to be or else there would be no need for adventurers to fix wrong-doings if the gods weren't so detached to the suffering of mortals and regularly making earth-shattering calamities.

Mystra, as a patron, is actually one of the more fair and hands-on dieties. She's one of the few gods who rewards benevolent ambition and punishes destructive hubris, knowing the line between the two. In the Elminster series, she (or one of her avatars) assists Elminster in taking down one of her rebel Chosen who has abused her blessing to become a tyrant. Azuth, one of her Chosen, has achieved godhood through her. In fact, she is divinely obliged — forced against her will, some might say — to help mortals she would personally rather smite. There have been so many instances where Mystra has to be the bigger person. As far as gods abusing their followers go, Mystra is low on that list.

There are barely any stories of magic abusing spellcasters, but there are cautionary tales aplenty of spellcasters abusing magic.

ON GALE SPECIFICALLY: HOW IS MYSTRA THE BAD GUY HERE?

Gale is the first to tell you that he "violated her boundaries." Mystra told him not to mess with the Tome of Netheril and he did it anyway, so he's fully aware that the orb in his chest and his fall from grace is his own fault. Mystra didn't cast him aside just because she felt like he was getting too big for his britches. His actions actively endangered her and the Weave.

(Mystra is wrong about certain details on the Karsite Weave if we're going by Forgotten Realms lore, but she's not wrong about its existence being a danger. BG3 takes a lot of liberties with the world Faerûn, so I can't definitively say whether Mystra being wrong was her lying, Larian rewriting canon, or this incarnation of Mystra not knowing the true nature of the Fall of Netheril. I could go on about what effects the Karsite Weave actually would have on magic, but this post is already long enough. )

Gale only starts to resent Mystra when she asks him to detonate himself. Elminster makes it sound like an order, but from the way she doesn't punish him in the epilogue if he chooses to keep the orb, it feels more like a suggestion. If Mystra wanted Gale well and truly dead, she has so many options.

Throughout Faerûn's history, Mystra herself has constantly been betrayed and taken advantage of — her power coveted by ambitious men who claim to worship and love her. Honestly, as far as goddesses with traumatic histories of being killed by ambitious men go, she's pretty chill about Gale. The fact that she allows him to become the god of ambition in the end if you choose that path? Well... let's just say she's not the one who looks like the evil ex who was only with their partner to take advantage of them in this scenario.

CONCLUSION

Mystra isn't the only goddess to have romantic relationships with her followers. I've already yapped on about how Forgotten Realms writers and D&D players love to make goddesses fuck their heroes, and all that pearl-clutching over "power imbalance" and "consent" is moot when the mortal party is actively rolling to seduce the divine entity.

But notice how the male gods rarely have intimate relations with their mortal charges? It's almost as if Mystra was objectified for years by horny nerds to be the sexy sorceress who validates the more important male hero. Fast forward years later, she's now being slut-shamed for all the lore of her sleeping with the more important male hero by a new crop of fans who would love to think they're more progressive than the horny nerds of the 80s, but fall into the same trap. Mystra has so much potential for complexity, but they choose to flatten her because they ultimately don't care about making stories involving complex female characters.

Instead, one of the most powerful beings in Faerûn has no bigger role in this universe than to be your girlfriend or your current boyfriend's evil ex. Wow, the realms of your creativity and respect for women truly know no bounds.

[plunderbunny]

Always feels so weird to be saying this because he's the dumb League of Legends spaghetti and meatballs guy, but videogamedunkey had some of the best comments about I've ever heard this in his "Game Critics" video, in which he says the the power of a critic comes from the consistency of their voice, not in you personally agreeing with everything that they say. Understanding the critic's thought process, their likes and dislikes, what they value and what annoys them, whether any of it is even rational or not, is what gives their review utilitarian value in terms of "the critic has X opinion about this thing, does that make me think I would like it dislike it?"

Beyond the most basic "does their opinion make me think I'd like this thing or not" level, the other really important thing about a critic is to challenge the audience's way of thinking about a work and get them to open their mind, broaden their horizons, stretch their brain a bit and think in new ways and from new perspectives. A review should never just be "this is good" or "this is bad", it should include actual ANALYSIS. And whether or not someone likes something isn't analysis, it's one END RESULT OF analysis.

Why is comparing a game to a completely different game a bad thing? Why is engaging with the game in a different way than the developers intended a bad thing? Why is playing and reviewing a game for which you're not the target audience a bad thing? Those all just sound to me like new, novel, challenging perspectives from which to evaluate and think about a game.

And if you don't agree with the reviewer, if they don't like what you do like or vice versa... Why is that a bad thing? You can think they're wrong! Sometimes disagreeing with someone who has a different perspective can be the most enlightening and intellectually stimulating kind of conversation about a media object! My favorite pieces of media analysis of all time, the various works of Elizabeth Sandifer, especially Tardis Eruditorum and Last War in Albion, are FULL of ideas and perspectives and tastes that I disagree with, but they are all FASCINATING to read about and discuss and consider. Just because she is a fan of the Matt Smith era of Doctor Who, which I hate, doesn't mean that her thoughts and opinions on it are pointless or uninteresting.

Like art itself, art criticism shouldn't exist just to validate your preconceptions, or comfort you and give you ask the simplest, most obvious pleasures possible. It should challenge you, make you think, confront you... That's what makes it interesting, and what makes it valuable! Too many people have the notion that art should always be slavishly trying to satisfy a pre-existing audience with known appetites and easily-scratched itches. Too much art ends up complacent on account of catering to those audiences.

More game critics should be like the first picture in this post, actually challenging conventional thought (whether or not they like the game) and thinking critically and from a wide range of perspectives, potentially from ones outside the target audience. The video game community needs another "this game really makes you feel like Spider-Man" reviewer (to steal another great dunkey quote) like it needs a hole in its head, or the equivalent, yet another competitive hero shooter or souls-like or comfy farm sim.

Criticism doesn't exist to validate your personal tastes.

Art doesn't exist to satisfy your personal appetites.

game reviewers are weird

[lifeseriesnovelproject]

Welcome to the project!

Hi! We're the Life Series Novel Project, a group of 3 writers with the goal of adapting every Life series season into a novel, one book per season. This is a YA (young adult) adaptation so blood, violence, and occasionally swearing will be included. All books will be free for download online here and on our Bluesky (@lifenovelproject.bsky.social) once we complete them.

If you want to help support the project, we'll have applications for guest artists and beta readers open soon, or you can just share this project by reblogging! Life series members are welcome to interact and know about this project, but please don't pressure or spam them about reading this. This is an absolute labor of love from a few massive life series fans, and we hope you'll enjoy the final product.

Now, let's meet the writers!

You may call me Rose or Rosie (@rosiesweetberries), and I’ve been a life series fan since Secret Life. I’m the main author for this project. I’ve written a couple of AUs but I’m also a self-published author looking forward to sharing my own stories. My favorite genre is horror so that is what my novels are most likely going to be based around. Although this particular project is a bit different of course. My favorite lifers are Tango, Impulse and Skizz but doesn’t mean I don’t watch everyone else’s pov straight afterwards. You know it’s me when you see 🌹

I'm Moss (@mossfeathers), and I've been a life series fan since way back in Double Life! I'm one of the primary editors for this project. I'm a recreational writer and I love to write horror and dark, creepy stuff, but I don't post most of what I write since it's not usually fics. My favorite lifer is Bigb, but I watch pretty much everyone and my other favorites are Etho and Jimmy. I'll be signing off my posts with Mod 🪴

My names Phil (@ respectundead44) and I've been a life series fan since before Last life started. I'm the other primary editor for this project. I've written many short stories and fanfics, many of which can be found pinned at the top of my blog. I love horror and psychology but I also dabble with some fluff. Though it rarely ends well.... :) My favourite lifers are Imp and Skizz but there's rarely a pov I miss. Mod 🤘

Thank you for reading! If you have any further questions, our askbox is open for anything. Remember to check back in soon for beta reader and artist applications!

[pcm-vandermeer]

smutty perks of having a tentacled bf:

✧ constant change of texture

✧ lifting you up in the air

✧ not having a spot on you that he can’t touch somehow

✧ fingering his suckers

✧ attaching his suckers to your nipples

✧ attaching his suckers literally anywhere you want

✧ once again: tentacle hickeys

✧ soft and squishy or hard and heavy

✧ comes with built-in lube!

✧ curling around you to hold you close as he thrusts into you ♡

[unproduciblesmackdown]

Lackadaisy Enrichment

[sentientcave]

Masquerade

You've come to this masquerade ball to finally dispatch the man you've wanted dead for nearly ten years, but he's always ruining your plans, one way or another.

Contains: 2nd POV OC (sorry about all the blushing), werewolf MMC (sadly he doesn't do any fun werewolfy things he's just a guy with sharp teeth here), vague fantasy setting, murder attempts/reminiscence of murder attempts, a long and storied history only alluded to, what do you do when your bitter enemy turns out to be a silly little guy who just wants you to love him?, oral sex (w receiving), P in V sex, this spawned a whole ass novel and it's so so different but this lowkey holds up.

See end for Notes

~10k words - NSFW - 18+ MDNI

“My, don’t you look exquisite,” a voice purrs in your ear.

You freeze in place, glad that the mask hides the colour that springs to your cheeks. You feel like a naughty child caught with your hand in the cookie jar, an unwelcome guest at his masquerade. You thought you could escape notice, slip through the crowd of finely dressed nobles and plunge your knife into his chest at last. But he had managed to find you first. You weren’t ready. You hadn’t been to the garden to pick up your hidden cache of weapons, you had nothing but your silver hair-stick to dispatch him with.

His heavy hands land on your shoulders. “Don’t muss up your pretty hairstyle just yet, darling,” he whispers in your ear, his voice rasping like sandpaper. It’s as if he can read your thoughts. Or perhaps, after all these years, you’re simply predictable. “There will be plenty of time for that later.”

You flinch at the cold press of his mask against your bare shoulder. You shouldn’t have disguised yourself as a guest. You feel defenceless, wrapped in silk and sheer chiffon, a neat little morsel delivered straight into the wolf’s jaws. He could shift in a second and shred you into little pieces, like he had threatened to do so many times before. You try to still your frightened, thumping heart, and pull away, turning to face him at last. “I’m afraid I’m not sure what you mean,” you say, because it’s worth a try at least, but he’s laughing before you can even finish, the smiling mouth of his gold wolf mask mocking you. His yellow eyes glitter from it’s depths, watching you.

“Oh darling, I would recognize you anywhere. I hoped you would be unable to resist my invitation.”

“Your invitation?”

“Yes, dearest. All of this was for you. I knew you could not resist the chance to get so close to me again.”

“To kill you,” you remind him hoarsely.

He chuckles and takes your hand. “Perhaps. For now, a dance, I should think. You haven’t danced all night.”

You dig in your heels, trying to resist his insistent pull, but he simply wraps an arm around your waist and tugs you closer. “I don’t dance,” you tell him sharply. “Let go of me.”

“You’re a liar,” he replies, spinning you into place, one hand on your lower back, pinning you against his chest, and the other still clasped around your wrist, sliding up to engulf your hand. He simply tugs you along with him as he moves, sweeping you along to the music, holding you so unbearably close. He could lift you off your feet with ease, if he chose to, and you don’t have enough power to resist. His scent clouds your mind, cedar soap and clean, animal musk, one of many hints of the wolf that dog him even in his human shape. “You forget, I knew you in your past life. Or have you forgotten that I once sat in your father’s halls? I have seen you dance.”

It was so long ago now, another life, before he was only the wolf to you, and before you were the thorn in his paw, that you almost had forgotten. You had hardly given him a second thought at first, he was just another visiting knight, here one day and gone the next, handsome, but beyond the concerns of the girl you once were. “You failed to make an impression,” you tell him sharply, although it’s not true. You do remember his yellow eyes watching you one night, though he never asked you to to dance. He never spoke to you at all.

Not until after. He saved you, of course, from the bloodbath, because he had claimed you. He hadn’t so much as said a word to you before he burst into your bedchamber, monstrous jaws dripping with your fathers blood, yellow eyes wild. You still remembered beating him back with the fire-place’s iron poker, and jamming the tip into his chest before you ran for your life.

“I knew you were mine from the first,” he continues. He seems frighteningly aware of your thoughts, as if his own version of the memory is playing out behind his own eyes. “My lioness, avenging her wicked father with a poker. I still bear your mark, just above my heart.” He presses your entwined hands to his chest for a moment. “I’m certain you remember that, at least.”

“Unfortunately.”

“The only unfortunate part,” he says patiently. “Is that I did not take you as my mate that night.”

His words lance through you like lightning, burning everything in their path. Your knees nearly buckle, and if he were not holding you so securely, you would sink to the floor in a useless puddle of silk. How dare he make you weak, after everything he’s done to you? But anger gives you strength, reinforces your spine with steel, and you wrench away, glaring at him, wishing you could set him ablaze with your eyes.

The music falters. You look up, at the musicians gallery, then around the room. Everyone watches, pretending not to, jewelled masks concealing furtive eyes and whispered words. Your own mask feels insufficient, lightweight and flimsy under the wolf’s eyes when your eyes return to him. He takes your arm, his grip tight, but not bruising, and guides you out of the ballroom, into the cold night air. The dark gardens are just a little too far for you to jump down from the wide stone balcony, and there are no stairs leading down. If you jump, you’d probably break your leg, and then you’d be helpless.

“What do you think of our home?” he asks. “Have you snooped around yet, my darling? Planned all your exits and hidden away your weapons and armour? I made sure you’d have plenty of opportunity. I know how you love to prepare.”

“I’m surprised you haven’t found them already.”

“I have been busy with other preparations,” he says mildly. “But I thought I smelled something of you in the corridor by the library.”

You flinch, only confirming that you had in fact been there, hiding your leather armour inside a large vase. “Preparations for what?”

“Your homecoming. The king has made it clear that it’s time to reign you in, or he will have someone else deal with you.” He pulls the mask off at last, setting the golden wolf on the balcony. Sweat glimmers at his temples, catching light from the ballroom behind them. He offers you a wry smile, his sharp white teeth flashing. “I’ve been too lenient with you.”

“Lenient?” you ask, incredulous. “I’ve been trying to kill you.”

“Those who attempt such things do not usually live long,” he reminds you. “I don’t often show mercy. I’ve allowed you to live free, in the hopes that you would come to me willingly, in time. Now it seems I can no longer afford to continue our little game. You will stay with me, or someone else will be sent to arrest or kill you.”

You press your palms into the smooth railing, wishing desperately that you could absorb the cool, dependable steadiness of stone through your skin. You look at him for a moment while he stares out over the dark gardens, his yellow eyes tracking movement you can’t see.

He’s always dressed in black, like a man in mourning, his black curls cropped short around his slightly pointed ears, beard neatly trimmed. He wears little jewellery for a man of his station, just the yellow-gold signet ring with it’s heavy, dark blue sapphire on his finger, and the gleam of jet buttons down the front of his tunic. You were more used to seeing him in his armour. The heavy black plate suits his brutality better than black-embroidered silk.

Silk offers no protection, no shield over his wicked black heart.

You pull the hairpin from your own neatly arranged curls and move fast, striking at his chest, but he catches your hand easily, his amber eyes meeting your fury with amusement. “You just can’t help yourself, can you?” he asks. “Stubborn creature.”

He plucks the pin from your hand and spins you around, pushing you into the railing with the oppressive weight of his presence. Your protests are weak and hardly noticed, but you fall silent when you feel the rough pads of his fingertips on the back of your neck. He gathers your hair up and pins it back in place, not as neatly as you had done earlier, but sufficiently.

“What are you doing?” you ask numbly.

He turns you around, still standing far too close. You stare forward, at the point where his skin meets the collar of his tunic, your eyes glued to his pulse. You wish for teeth as sharp as his own, so you could tear out his throat. His fingers curl under your chin, nudging your face up, forcing you to look him in the eye again. “Just returning your pin,” he says, smirking. “Why do you seem so flustered, darling?”

“Why don’t you just kill me?” you ask. Your hand lifts up to knock his away, but you touch him instead, fingertips ghosting over his knuckles. You know he’s capable of crushing you with hardly a thought. You’ve spent the last ten years learning all you could about him, hunting him down again and again and again with a single-minded determination. He likely could have killed you a thousand times over, if you’d been just a little less careful, or he a little less eager to capture you instead. He should have killed you. You don’t know how to stop anymore, you don’t know how to let go of the terrible anger that burns you up every time you think of him. You want him to suffer, to lose everything, to hurt the way he hurt you. “I’ll never stop.”

There is a flicker of sadness in his eyes, and it pings against your heart uncomfortably. “I never could,” he says, all traces of his smirking, superior air gone. His thumb strokes along your jaw. “I begged the king for your life. Your father may have been a traitor, but you were an innocent girl, and I do not enjoy killing innocents.��

“I’m not innocent anymore.”

“No, I suppose not. But you’ve committed no crimes that I cannot forgive.”

“I don’t want your forgiveness.” Your voice is hardly more than a hoarse whisper. You want to shout, but his hand on your skin seems to leech all the power out of you.

“You have it regardless,” he whispers back, low and intimate as a lover. He touches his forehead to your mask, his eyes boring into yours, twin suns scorching everything in their path. “And someday I will earn yours.”

“Never,” you hiss. You return to your senses and push his hands away, shoving hard against his chest. “I hate you. I’ll always hate you.”

He tugs your mask off and tosses it to the side, tired of pretense. “If you hate me so much, why does your heart beat like that?”

“I’m afraid of you,” you snap.

He laughs harshly. “No you’re not. You’ve never been afraid of anything, my darling. It is one of the things I love best about you.” He leans in closer, the tip of his nose just brushing yours. You can feel his breath on your skin, the sharp smells of whiskey and mint setting your nerves on edge. For a moment, you think he’s going to kiss you, and you freeze, heart pounding, face turned towards him, waiting for the axe to fall.

But he withdraws instead, leaving you to face the consequence of unrealized want. His words prick at you like the point of a sword. Love. As if he would know the first thing about it. As if he knew you.

But he does know you, you realize with a start. He made you. His actions had set you on your path, and his choice not to kill you, each time that he should have, had created the determined, single-minded, furious woman that you had become. The carefree girl who you had been was long gone, dead the first time the wolf’s jaws closed around your throat. It burns you to think that he’d shown you mercy all along, that you had escaped capture or death by his leave, rather than by your own cunning and skill.

His eyes remain on your face, reading your thoughts like you’re a book laying open, waiting for him to happen by and discover all your secrets. “You have become worthy of me,” he continues ardently, pressing your hand to his chest again, anchoring it with both of his own. “I would have kept you like a bird in a cage if I’d taken you then. A pretty thing to amuse me and adorn my halls. But you are no trophy, my love. You will not survive in captivity. Even now, with the king’s sword hanging over your head, I will not force you to stay.”

“Is this some sort of trick?”

“I used to wonder the same thing. A cruel trick of fate, that my mate would hate me so fiercely.”

“You killed my father,” you hiss at him. You yank your hand away, desperately stoking the anger that has kept him at bay all these years. Each time he calls you mate and darling and love your resolve quakes, and you have no sword in your hand to make him regret it, like you usually would.

“He was a traitor. I had orders.”

“And what comfort will that be when your orders are to kill me?” you ask, sneering up at him. “What will you do when your orders are explicit and undeniable, and you are to kill me on sight?”

“I’ll never see you again.”

You aren’t sure what you expected, exactly, but it always trips you up when he speaks plainly. “What’s that supposed to mean?” you snap.

“What do you think it means?” He hurls the words back at you, his anger lighting from your own. “It means I would pluck my own eyes out before I’d kill you. If the king ordered me to hunt you down I’d stay one step behind you until we reached the very ends of the earth. If he came outside this very moment and told me to snap your neck—” He shudders, shaking his head like a dog shakes off the rain, and when he looks back at you the anger is gone, hidden away again behind his steely resolve. “Loyalty only goes so far. He knows not to make an order I cannot follow. If he truly wants you dead, he’ll ask another.” He glances over his shoulder, keen yellow eyes fixing on a point somewhere inside. “I hope it does not come to even that.”

“But why?”

He lets go of your shoulders and turns around, stalks a few feet away, and turns again, pushing both of his hands through his hair in frustration. Because I love you!” he snarls. “You had me the first day you tried to run me through. Oh I wanted you from the first moment I laid eyes on you, beautiful thing that you are, but it was the first moment that you tried to cut my heart out that I knew there could be no other. You have no idea what it’s like, to love such a stubborn, foolish, bitch of a woman? Do you understand what it will do to me, when you leave? But I have never been able to keep you by force.”

“But you let me go,” you say numbly. “You said—”

“Let you go?” He laughs, striding back towards you. “Oh my love, you misunderstand. Just because I couldn’t kill you does not mean I didn’t try to keep you. But you have slipped every chain I’ve placed upon you. I’ve never pulled my punches. I would not disrespect you so.”

“You called it a game—”

He inclines his head towards you. “I did. Perhaps I should not have. But it was easier to think of it as a game. A test of my own worthiness. I admit, I have always looked forward to your attempts on my life. It’s good, I think, for a man to be beaten once in a while, to keep him sharp. Otherwise he forgets to be vigilant.” He sighs, touching the edge of an old, silvery scar on your shoulder, brushing a loose strand of your hair out of the way. “Besides. We’ve both made our marks upon the other.”

“I’ve gotten you more times than you have me,” you say, lifting your chin imperiously. “Two or three times I really thought I’d finished you off.”

“Are you so certain of that?”

You think about it. “Yes.”

“Care to make a wager, dearest? If you’ve left more marks on me than I on you, you may ask anything of me.”

You draw in a steady breath. “And if I lose?”

He grins. “Not so confident now, are you? I only want what is freely given, so you needn’t worry. You can name your own penalty.”

“How magnanimous.”

“I can be,” he says. “Now, shall we inspect each other here, or would you prefer somewhere more private?”

The thought of being alone with the wolf makes you shiver, but it’s not revulsion that you feel, it’s something far worse. The dark, cold balcony seems a world away from the golden ballroom with all it’s legions of beautiful, elegant guests, but it’s only panes of glass that separates you from them, hazy from condensation, opaque enough that you doubt anyone can see through them. It makes no material difference, in the end, but it’s winter, and the cold seeps through your dress easily, your skin only warm where he touches you. “Ah, yes,” you say nervously. “Perhaps somewhere more private.”

“And warmer,” he adds. “As stunning as you look, I do not believe you are dressed for the weather.”

As if on cue, a snowflake descends from the dark sky. You reach out your hand, catching it against your palm. A moment later, the sky is thick with snow, fat, fluffy flakes catching the light and turning the world white. You look back at him. He looks softer, somehow, with that little dusting of snow catching in his thick curls, melting flakes glittering like diamonds on his shoulders. For the first time, you’re struck by how young he looks. He was a man grown at your first meeting, and you had always thought of him as much older, but you know now that he couldn’t be ten years your senior. You suspect it’s much less than that.

It changes something in your perception of him. Softens him.

“Why are you looking at me like that?” he asks, stepping in close again. Although you’ve hardly moved an inch since you came out to the balcony, he’s full of restless energy, moving away and back again like he’s tethered to you by some invisible string. He tilts his head to the side, his keen predator eyes practically glowing in the soft light.

You were glad your face was already flushed from the cold. “I was just thinking. You look so…” You trail off, thinking of the best way to phrase it.

“Handsome?” he suggested. “Strong? Irresistible?” He wiggles his thick black eyebrows, grinning wickedly, making you laugh despite yourself.

“I was going to say young, actually,” you say. “I was wondering what sort of boy you were.”

He holds a hand out to you. “I’m sure there’s a portrait somewhere, if you’re curious. Now come along, pet, I don’t want you catching a cold out here. I do have a wager to win.”

You hesitate. All the ancient, bitter anger and sadness wars with something new in your chest. It’s been so long since you wanted anything more than vengeance. Ages since the last time you felt deep, aching want for someone’s hands on you, if you ever even had. The obsession between you, at least, was mutual, and you had traded the excitement of romance for the thrill of the hunt, the clash of your sword against the wolf’s. His taunting sounded better than flowery poetry to your ears, and you could not help but seek him out every time the loneliness of your new life became too much to bear. He had been your focus, your centre, your reason for existing for so long that you can no longer deny what this is.

Love is not always kind. Between the two of you, it’s become a desperate, wretched thing, living on scraps of attention and hungry looks traded in battle.

His fingers close around yours, and you realize that you’ve reached out and taken the offered hand. You look at him, and he’s smiling in a way you haven’t seen before, half-hitched up on one side, almost shy.

He twines his fingers through yours and leads you back through the ballroom, slipping around the edges of the crowd like the wolf he is. No one seems to pay either of you any mind, although you feel curiously bare without your mask, as visible as a hare in a field to the eyes of a hawk. But your hunter is holding your hand, his thumb stroking over yours soothingly, like he can sense your unease.

Despite that small reassurance, you’re grateful when you step into a nearly empty corridor. A few well-dressed servants carrying trays bustle between the ballroom and the kitchens at the far end, but your wolf leads you the other way, through a few hallways littered with decorative items and portraits of long-dead nobles with eyes that seemed to follow you. You had been there only a few days earlier, but it looks different now. Perhaps it’s that you aren’t on constant guard for the wolf. He’s already here, holding your hand, pretending that he’s not watching you, just as you pretend to look at the portraits and statues and expensive looking vases you pass by, stealing glances at him only when you think you can get away with it.

The silence between you is almost comfortable, both of you too caught up in your individual tumble of thoughts to put anything to words. It’s impossible to tell what he’s thinking. You wonder if he feels like he’s won already, but there’s none of his usual taunting or his infuriatingly handsome smirk. He looks serious, black brows lowered in a sort of pensiveness that you’ve never seen from him. Of course, you had only once gone so long in his company without attacking him physically, and you had been tied to a chair, at the time.

“Do you remember, a few years ago, the hunting lodge just above Lake Pym?” he asks.

You laugh. “I was just thinking about it. Why?”

He stops in front of a door and leans against the frame. “Do you think you’ll be able to go as long without trying to stab me this time around?”

“That depends on whether or not you tie me up again,” you quip back.

“Don’t say such things,” he warns you, opening the door and holding it open, letting go of your hand for the first time in ages. Your fingers feel cold without his touch. “You’ll give me ideas.”

“You’ve made far too many confessions tonight for me to believe that you didn’t already have ideas,” you tease. Funny how easily that comes, like you’re old friends and not enemies. A tidy little fire burns in the stone fireplace, with a cozy arrangement of rugs and furs laid out before it. A low table sits ready, carrying wine and glasses and a few plates of the sort of interesting finger-foods that they had been serving in the ballroom. Raising your eyebrows, you look back over your shoulder at him. He hadn’t spoken to anyone on the way in, which meant that it had been all prearranged.

He closes the door behind himself and leans against it, grinning sheepishly. “I live in hope.”

The room - his room- is neat, a big bed with four posts carved like small trees, green-velvet curtains tied back neatly, is the first sign that he might actually like colour. You imagined him always in sombre black and white, dark hair, white teeth, dressed like the reaper and often so employed. But perhaps he isn’t as stark as you’d always thought. His furniture is solid and well-made of warm-toned wood, and the bookshelves that flank the fireplace are stuffed with books, the odd space cleared out for knick-knacks and trophies. You had never considered that he might like to read. It isn’t something that has ever come up before.

The wolf sits down on the furs and nudges a black lump by the fire. The shape uncurls into the biggest, fattest, blackest cat you’ve ever seen and pads over to you, sniffing your skirts suspiciously.

“You have a cat?” you ask, because it seems unlike the picture you’ve built up of him over the years. Another thing you missed. You had been so focused on him as an enemy that you had hardly stopped to consider him as a man. You sit, and the cat drapes itself across your lap, purring already in anticipation of a good scratch.

“I don’t have a cat,” he corrects you loftily. “Smudge is the matriarch of a proud line of excellent mousers, and she is a valued member of the household. One cannot own a cat, I have learned. One co-habituates with cats.” He leans over and gives the cat a little scratch under the chin, his knuckles just barely brushing your knee as he withdraws. “She isn’t usually very friendly, but she must recognize a fellow assassin when she sees one.”

“I’m not much of an assassin, I’m afraid she’d be terribly disappointed in me. I’ve failed to kill my only target, and I have been at it for quite some time.” You give the cat a scratch behind the ears. “I’m sure her record is much more impressive.”

He frowns and looked at you in a funny way. “Have you never taken a life?”

“I’ve tried very hard to avoid it. You’re the only person I ever wanted dead, and I— I wanted to be better than you. I wanted my hands to stay clean, so I could beat you and still keep my sense of…” You look down at the purring black puddle of fur in your lap rather than at the wolf. “Oh I don’t know. Righteousness, I suppose.”

“So sweet that you wanted me to be your first,” he teases.

You know he means first kill, but you turn pink anyway, and there is no cold wind to blame for your rosy cheeks this time. There were many firsts that you had missed out on, in your bid for vengeance. “Perhaps I still do,” you snap, not thinking about the double meaning until after the words have left your mouth. You scramble to clarify. “My first kill— Not— Ugh.” He begins to laugh, and you cover your face with both hands, wishing the floor would open up beneath you and swallow you whole. “Stop laughing!” Your voice is muffled by your hands, but there is no way that his keen wolf’s ears don’t hear you perfectly. “That’s not what I meant!”

He snorts. “I know, pet. It’s a bit late for that, I should think.”

You peek at him between your fingers, and his eyebrows shoot up.

“Darling.” He leans over and gently takes hold of your wrists, prying your hands away. He is mercifully no longer laughing, but the look in his eyes only makes your face burn hotter. “Please don’t tell me that you’ve never taken a lover.”

“There was never a good time,” you manage to squeak out. It was half true. There had been offers, and moments when you’d been sorely tempted to share someone’s bed for the night, but the few fumbling kisses you’d shared with young men had failed to thrill you the way that crossing swords with the wolf did.

He sits back with a groan. “You’re always throwing wrenches into my plans.”

“How on earth could that have anything to do with your plans?” you ask hotly.

“Darling, don’t be so naive. My plans were obviously to seduce you into my bed so I could out-perform every man who had ever touched you, forcing you to admit to yourself that we belong together. But I suppose that would have been too easy.”

“Too easy!”

“I would never imply that you would be easily seduced, my love, only that I am fairly confident that you would have a harder time denying what we are if I were to employ my considerable athletic ability with the task of making you come undone.” He smiles ruefully. “But seduction isn’t fair if you’re a virgin. I’ll have to win your heart the old fashioned way.”

“The old fashioned way?” You stare at him, incredulous. “What, you’re going to court me?”

“I’m certainly going to try,” he says, turning toward the table to pour you a glass of wine. “It’s the long road, but you’ll find I’m usually more than willing to take the scenic route.”

“You’re insane,” you say weakly, accepting the offered glass. “You must be.”

“Must I be? Like you said, I’ve made far too many confessions tonight, you must know that I do not mean this as some passing fancy. I think it would be a waste to continue this bloody crusade of yours. For both of us. I confess my bias in the matter, as I rather enjoy living.” He shrugs, looking at you over the rim of his own glass. “Do you? Has your life been all you wished for, these past ten years? You’ve forgone comfort, education, friends, romance, children— Do you want none of those things?”

“Of course I do—”

“Then take them. Everything you want is yours if you stay.” He takes a sip of wine and winces, face screwing up like a child tasting something bitter. “Ugh, I hate wine.”

“I know. I was wondering if you were going to drink from that glass you’ve been waving around.”

“I just wanted to indicate that it wasn’t poisoned.” He sets the glass to the side, still grimacing. “Just in case you were wondering if I was still trying to trick you.”

“It had crossed my mind.”

“Perish the thought, my love.” He stretches out in front of the fire, propped up on one elbow. “I’ve laid down my arms. If you must end this once and for all to free yourself, so be it. But I do think my alternative is better.”

You set your wine to the side as well and reach back to pull the silver hair-stick from your curls. You consider it, for a moment, pressing the point into your fingertip, not quite hard enough to draw blood. He watches with an inscrutable expression, making no move to disarm you. The cat slips out of your lap and stretches, moving off into the shadows again, either unaware or uncaring of the danger to her house mate. Or perhaps she’s simply more aware than you that there is no longer any danger.

You reach out and place the make-shift weapon on the rug in front of him.

The crackle of the fire is the only sound for a long moment. The wolf was rarely rendered speechless— getting him to shut up was usually the more difficult task. But he simply looks at you, like you’ve performed a miracle in front of his very eyes.

You slide one of the plates of food off the table and set it on the floor between you, something to hopefully distract his attention a little. You pick up one of the little triangle pastries and take a bite, catching crumbs with your other hand. You eat two more, realizing that you haven’t eaten in hours, and wait for him to break the silence.

He sighs and rolls onto his back, tucking both hands under his head. Firelight dances over his skin, burnishing his features like well-polished bronze. Although you have known him a long time, you’ve never studied him like this, while his eyes are closed and his usual grin is smoothed out into a peaceful smile. He looks noble, like a hero from the epics you used to read as a girl, more like you remembered from the days before everything changed.

“You’re staring,” he says without cracking an eye.

“How would you know? You haven’t opened your eyes in ages.”

“And how would you know that, if you haven’t been staring?”

He has you there. “Alright, fine. I suppose I was. I was just thinking about… about before.”

He opens his eyes. “How long? We do have a rather storied history, don’t we, love? I myself have been thinking of Lake Pym.”

You smirk. “I bet you have. I had a feeling you were rather enjoying yourself.”

“I was. It would have been more fun if you were a more willing guest, or if I at least didn’t have to keep you tied to a chair the whole time.”

“You wouldn’t even let me feed myself,” you lament, though you can’t help the traitorous note of amusement in your voice. “It was terribly humiliating.”

“Revisionist drivel!” he snarls playfully. “I did untie you so you could feed yourself, and you tried to stab me. You forced my hand.”

You blink. “I suppose I did.”

He leans closer. “I suspected you just wanted me to take care of you. You were too proud to ask me for what you wanted, so you forced the situation. And snapped at my fingers the whole time like an absolute menace.” He holds up his right hand and displays a white mark around the first knuckle of his thumb. “That’s one, by the way.”

“I only bit you because you stuck your finger in my mouth,” you reminded him.

“Ah, I suppose I did get a bit carried away, didn’t I? There was just this moment when I touched your lip…” He reaches out as if he wants to repeat the remembered gesture, perhaps hoping for a better outcome, but he hesitates, dropping his hand. You almost wish he hadn’t. “Are you still too proud, my love?”

“Yes,” you whisper.

He senses your weakness. The way the answer drips with doubt like blood from a wound. “Will you let me kiss you?” He moves closer, anticipating your answer before it leaves your lips.

Your breath catches in your throat. “Yes.”

At long last, he closes the distance between you, hands cradling each side of your face. He just barely brushes his lips against yours, and holds you back when you try to chase him, his familiar wolfish smile lighting up his face. “Not so fast, my darling. You’ll have to ask nicely, if you want a proper kiss.” He unbuttons the cuff of his black shirt only a moment later, his eyes dropping away from yours for a moment, and then rolls up his sleeves. “Two and three, respectively,” he says, pointing out two more scars along his forearms. They were both from similar situations. Two times that you had disarmed him and made him bleed for it. You reach out and touch the silvery marks, feeling the smooth gap in his arm hair and the fully repaired muscle underneath the flawed skin. “You’re a better swordsman than I,” he says, reaching up to unlace the top of his tunic. “I might have had the edge of experience, at the beginning, but you quickly caught up to me, didn’t you? It was a good thing you were so scrupled about killing people other than me, or I’d have lost far too many good men to your blade.”

“You’re just trying to flatter me.”

“Is it working?” He pulls the tunic and shirt off in one go, baring his chest. There are a few scars there that you could not claim, and two that you can, although your eyes are drawn to one in particular. The ugly, uneven star right next to his heart, where you had run him through with the iron poker on the night of the wolf. “This one is my favourite,” he tells you, pressing one of your hands to the scar. “The first time you tried to kill me. Jon had to half-heal me himself, or I wouldn’t have made it to a proper healer in time. It’s partially why there’s such a scar. He’s always been terrible at the more subtle magics, but if you want something blown up, Jon’s your man.”

You laughed. “I’ll keep that in mind.”

“Make sure you also note, in that treacherous little mind of yours, that he will not employ his considerable magical gift with the task of making me explode. He is still rather fond of me, even after all these years.”

“It is good, I think, to have a king that is so well-versed in the art of restraint,” you say mildly.

“Oh yes, I imagine it is.”

“So is it really just the five scars?” you ask. “That’s all?” Despite the truce the two of you had settled into, you felt strangely disappointed that your obsession with killing him over the last decade had resulted in only a handful of scars. It all felt like a waste. You try to console yourself with the knowledge that he heals more rapidly than most men. The scars you have left are despite that.

“There’s one more, on my thigh, but I imagine you probably don’t want me to take my pants off.”

You do want him to take his pants off. “Yes, that’s very thoughtful of you,” you say instead. “I suppose you’ve won, anyway. I have a lot more than six scars from you.” You had expected that his life as a warrior would have marked him more significantly. You’re covered in scars, faded and fresh alike, and there is no getting around the fact that you feel like you’ve stitched yourself up so often that you look as worn down as your oldest, ugliest shirt.

The disappointment in his eyes is gone so quickly that you aren’t entirely sure you hadn’t imagined it. “Well, I suppose I’ll have to take your word for it, won’t I?”

“You’re just trying to get me out of my dress,” you say hotly.

“Obviously. You look very lovely in it, of course, but I have been hoping for the chance to peel it off of you.”

You shake your head. “I think you’ll be a bit disappointed.”

“Never. What would possibly deter me at this point, darling? If stabbing me through the heart didn’t erode my affections, what could?”

“Oh I don’t know,” you say thoughtfully. “I could have scales, or a tail—”

“I have a tail,” he reminds you. “And I’m quite positive that you’re human, so I’m not worried about scales. Or strange birth-marks or stretch-marks or scars, either, by the way.”

You take a deep breath and stand up, turning your back to him. “It would help if you could undo all these buttons for me,” you say, sweeping your hair in front of your shoulder. “There are so many of them.”

He jumps to his feet and scrambles to help. A few buttons plink to the floor, torn free in his haste. “I’ll have it fixed,” he says hastily. “And I’ll buy you new gowns. As many as you can stand.”

You glance over your shoulder, nervous laughter stilling on your tongue when you see the look in his eyes. You turn forward again, sliding your arms through the sleeves and shimmying the gown to he floor. He gives you a hand to steady yourself as you step free. “I— I don’t want— I won’t stay.”

He hums in response, gathering up the gown and laying it over the back of a chair.

“I won’t,” you repeat yourself, as if the words will sound convincing the second time. They don’t.

“I already told you, darling, I won’t make you stay. It’s up to you.”

He draws you back to your seats in front of the fire, and you offer him your arms. You’re riddled with fine scars, most of them faint, little nicks from his blade. His hands slide up to your shoulder and gently tug the capped sleeve of your chemise to the side, baring the imprint of his jaws. His thumb runs across the marks, his other hand landing on your knee.

“I wondered if I’d bitten you that night.” He moves closer, his tongue moving over his sharp canines as he sighs. His fingers trail down your arm as his touch drops away. “You never turned, so I wasn’t sure.”

“It doesn’t always take,” you say, using his shoulder to help you back up to your feet. “I think it depends on the moon. New moon, that night. If you were any other wolf you never would have shifted.”

“I suppose that makes sense.” He settles back on his heels, looking up at you. “I can’t say I’ve thought about why some bites take and some don’t. I’m not as observant as you, my love.”

Laughable, when his senses are many times greater than your own. It’s not his observations that are the problem, it’s the connecting cause and effect, thinking about consequence for more than a moment. He’s faced so few consequences in his life that it doesn’t come naturally to him. You, on the other hand, are a mess of consequence, action and reaction measured and weighed, failures poured over until you can see every mistake you’ve made, follow the tracks to how things could have been, if you’d done it all just a little differently.

You pull your skirt up so you can untie the ribbon that holds up your stocking, and he slides it down to your ankle. “This one’s only indirectly your fault,” you say, angling your leg so he can see the trail of pocked scars that wrap around your knee and up your thigh. “When I jumped down that ravine. Scraped myself up on the rocks.”

He tuts, hands reaching for these scars too. It’s just an excuse to touch you, certainly, but you make no move to stop him. You just hold your skirt up, giving him unfettered access to your skin. His amber eyes flick up to your face, and he leans forward, pressing his lips to your knee.

There’s no halting the soft “Oh” that falls from your lips, but he would have heard even the softest catch of breath. There’s no hiding from him, and it terrifies you, leaves you so unsteady.

His eyes flutter shut for a moment, his exhale warm against your skin. “You shouldn’t show me any more,” he tells you. “I find myself wanting to kiss every inch of skin you show me, and I worry that you won’t stop me if I try.”

You sink back to his level and pull your stocking back up, tying the ribbon around your thigh again. “Would that be so bad?”

He groans and lays back on the furs, hands neatly folded on his stomach. “I am trying to be a good man for you, darling. You deserve more than I can give in one night. I need at least a few weeks to make you fall hopelessly in love with me before I can do anything that would tempt me to take you to bed.”

You run your palm over his stomach, feeling the soft pelt of hair over his warm skin, letting your curiosity guide your fingertips. You feel the expansion and contraction of muscle as he breathes in and out, tucking one hand under his head so he can watch you more easily, his eyes barely open.

You have to admit, he is handsome, especially relaxed like this. Only a few short hours ago you would have found the idea of him kissing any part of you abhorrent, but now you find yourself similarly compelled. You take his hand and kiss his knuckles, the tips of his fingers, the palm of his hand.

“Come here, you little minx,” he growls, trying to pull you down on top of him. You pull back, and he lets go, still worried about pushing you when you’ve made so many overtures in such a short time.

You had expected him to hold on tightly, however, and overbalance, tipping over the other way with an inelegant little squeak. He laughs as he sits up, and you do too as he helps you back upright. He lays back again, and there’s no resistance when he takes you with him this time. He tucks you into his side, and you look down at him, chin propped on your hand.

“I rescind my earlier statement,” he says.

“Which one?”

“You don’t have to ask nicely for a kiss, darling. I worry that you’re too prideful to admit that you might like one, but if you can steal one whenever the mood strikes you, I might be lucky enough to receive a few impulsive ones that your good sense isn’t fast enough to stop.”

You huff. “Is this your way of asking for another?”

“It’s my way of asking for as many as you might want to give me,” he says. “There is, of course, a standing offer of anything you might like that is within my power to supply. I think it prudent to remind you.”

He’s a ridiculous kind of man. You’d always thought his tendency toward verbosity was just him grandstanding, but now you see it for what it really is. He wants to be understood by you so desperately that each sentence becomes overwrought, less clear for his efforts to imbue each word with meaning. Your own tendency toward blunt, inelegant language is an almost laughable counter. You say little, and hide everything you can, and he reads you plainly. He speaks like a poet, puts everything out in the open, and you misunderstand him on purpose.

Perhaps that’s why you didn’t see this for what it is a long time ago. If you were not so determined to make an enemy of him, perhaps you would have noticed the softness in his eyes, the way he looks at you as though you’re the sunrise and set, like you’re the moon and all the stars in the sky.

You kiss him, before he can open his mouth to speak again. There’s nothing lacklustre about the way your lips slide over his, the way your breath mingles, the way he makes little noises of satisfaction, unable to be quiet even with his tongue flicking over your top lip, encouraging you to open up for him. Angling your head to keep your noses from smushing together, you oblige, letting him lick into your mouth, his arms circling you, holding you tight against his body.

You can't put a name to the feeling that sparks between you, but it's the thing that's been missing from every kiss you've had before.

The heat, the need of it all burns away all that remains of your carefully maintained resolve. He loves you, fool that he is, and you're not sure you could survive without him now. Is that what love is? To mourn even the thought of their absence from you, to cling tightly and never let go? To sink into each other until you're one, two halves of the same whole?

He kisses you until you're breathless, lips swollen from the tug of his sharp teeth, jaw curiously sore from moving in a new way. You pull back first, braced on one arm as you look down on him. He's beautiful, more than human, wild-eyed and fey, but solid and warm beneath you in a way only a man could be. His imperfections make him dearer to you, not just the marks you've drawn on his skin, but the gap between his two front teeth, the way one brow arches a little more than the other, giving him that permanently skeptical look that had always made you feel he was making fun of you. The crooked smile, the notch in one ear.

You know his face more intimately than your own, but you still want to look at him, especially through this new lens.

“I don’t think I want to wait,” you admit. You’ve waited long enough, haven’t you?

“Are you certain?” he asks.

“I don’t see what difference it makes, really.”

“It makes a great deal of difference. I’ve taken enough from you, I don’t want you to regret it.” He gazes up at you, tracing along your jaw with careful touch.

Your heart races rabbit-quick in your chest, and although you're the one looking down at him, you feel pinned in place by the wolf's eyes alone. "Then make sure I don't," you say softly. "I can even promise not to make another attempt on your life until the morning."

"Darling…"

"Please. I don't know how I'll feel tomorrow, but tonight I think I want your hands on me."

"You think?" His fingers catch around the back of your neck, as though he's waiting for some cue before he pulls you back into his arms.

“I know.”

He pulls you down for another kiss, rolling the two of you so his big body stretches over yours, your underskirts bunching up as he slots his thick thigh between yours, pressing against your core. He holds most of his weight off of you, but you’re still trapped beneath him. For the first time in a long while, there is no panic, no desire to fight furiously for freedom. You feel quite content where you are, especially when his thigh flexes, rubbing against you firmly, sending a shower of sparks through your belly. You gasp against his mouth, your hands skimming down his sides gingerly. When he does it again, you dig your fingers into the muscle of his back reflexively, murmuring apologies as his lips leave yours and slide down your bared throat.

“Don’t,” he growls against your pulse, dragging his tongue roughly over your skin. “Don’t apologize. You won’t hurt me.”

His teeth graze the slope of your shoulder, finding the older scar from his lupine jaws. You let out a shuddering gasp when he bites down lightly, not even hard enough to leave a mark. There’s a part of you that wants him to leave a mark, a bruise if not something more permanent, but you’re not sure you’ll be able to convince him out of gentleness tonight.

He kisses down your chest, grinning up at you when he reaches the top edge of your corset. “You are still wearing far too much clothing, my love. Come here.” He stands in a smooth movement, and you’re untethered without the weight of his body against yours, but only for a moment. He helps you to your feet and leads you to the bed, taking a seat on the edge and pulling you between his knees, turning you so he can loosen the laces of your corset.

You shed the garment as soon as you’re able, as well as the extra petticoats. Your chemise is thin, loose material, obscuring little, but you leave it on while you sit beside the wolf, toeing your heeled slippers off and nudging them under the bed and out of the way. Hands folded, you wait, heart beating like a drum. You feel so strange, almost outside your own body, watching him unlace his boots and tug them off impatiently.

He stands to strip off his trousers, and you quickly avert your gaze, looking down at your hands rather than see him in his fully undressed state. You have a rough idea of what you’d find, you’ve been in the public baths more than a few times, and even doing your best to be respectful, it’s hard not to see something. But seeing something in a setting where everyone is minding their own business is a lot different than seeing something up close, especially when you might be expected to do more than just look.

“We don’t have to do this, love,” he says, kneeling in front of you, clasping his hands around yours. Your eyes fly back up, landing on his face. His chuckle makes your cheeks burn. “If you’re nervous—”

“No,” you say quickly. “I want to. I’m just— I hate not knowing what I’m supposed to do.”

“I wouldn’t worry about that darling. It’s your first time, I should think the responsibility rests on my shoulders. All you have to do is tell me when you like something and when you don’t.” He leans forward, forcing your thighs apart to accommodate the bulk of him, and kisses you, all sweetness. “And if you want to stop, we stop. Anything more than that can wait at least until the second or third time.”

It sounds so simple, put like that.

“Besides,” he adds, giving you a wicked grin as his hands move to your hips, the movement rucking your chemise up further on your thighs. “You’ve always been a quick study.”

Well, he’s right about that. His lips find your throat again, pressing languid kisses down your chest until he reaches the edge of your chemise. His eyes flick upwards, seeking permission before he goes further. You untie the simple knot with one hand, the other petting through his soft curls.

He noses aside the thin fabric to find your nipple, latching on with a contented hum. The act sends tremors down into your core, intensifying as his tongue flicks across. You pull in a shuddering breath, and your exhale becomes a whimper when his teeth nip at you, his other hand coming up to grope at your other breast, his touch warm and appreciative before his grip slides down to your hips and he tugs you to the edge of the mattress.

He pulls away from your breast and kisses you properly again. “Do you want more?” he asks. “Can I taste your pretty cunt, darling?”

The desire in his words sends a shiver down your spine. You nod, and he sits back on his heels and kisses all the way up your thigh, although he pauses and pulls back to your other knee, kissing his way up again, this time sinking his teeth into your inner thigh, not hard enough to really hurt, just enough to make you jolt, your pearl begging for any kind of friction. When he passes over your cunt to mouth at your other thigh, you whine, shifting even closer to the edge of the bed. You can feel your cunt dripping, the air strangely cool on your wet skin.

A pair of mischievous eyes glance up at you. He’s doing this on purpose. He started all of this, and now he has the gall to tease you. Glaring in response, you grip him by the hair and pull him in, determined to put his clever mouth to better use than smirking and biting you when you need him elsewhere.

To his credit, he makes no complaint and does what he’s directed, slipping his tongue between your folds, lapping up the slick arousal. His big hands push your thighs up so he can get a better angle, and he kisses your cunt with as much passion as he did your lips, if not more.

The feeling is electric. His mouth scorches, sets you alight in ways you’d never imagined, the occasional scrape of his too sharp teeth against you thrilling. It’s too good, has you fighting his grip even as your fingers are still tightly wound into his hair, holding him close. It’s too much, but if he stopped it would be so much worse.

If he minds your writhing, he doesn’t show it. You can’t help the sounds he pulls from you, but he’s louder, as though this is more for himself than for you. He groans when your hips buck against his mouth, pants when he lifts himself away enough to breathe, his amber eyes gleaming, fixed on your face, except the few times they flutter closed, just for a moment, savouring your taste.

His nose nudges your pearl as his tongue presses inside you. You grip him so tightly to your core, your hips shaking so hard that you’re surprised you don’t break his nose. The hot, molten cataclysm that’s been pooling somewhere behind your belly button overtakes you, sweeping you away, limbs seized, unable to out-swim the current. You can’t see past the stars in your eyes even after your legs relax and you force your hand to unclasp his hair, finger by finger, so you can lay back on the mattress, breathing hard.

He crawls up onto the bed and pulls you toward the centre, a self-satisfied grin on his face. His cock presses into your thigh, insistent for attention, the tip peeking out and leaking against your thigh. He ruts against you when he kisses you again, his close-cropped beard soaked with your arousal. You can taste yourself on his tongue, tangy and bitter-sweet.

You lay twined together, forehead pressed against his as you both catch your breath. One hand gently brushes up and down your spine, the other pulling your leg up over his hip. “How was that?” he asked.

There may not be words for what you feel. Maybe there are, but they’re beyond you right now, washed away with all the resistance in your body. You settle on nice, which makes him laugh.

“Only nice, hm? I suppose I’ll have to work harder.”

“Better than nice,” you assure him. “I— I liked it a lot.” It’s still insufficient, so you kiss him again, hoping he won’t ask any more questions.

He does, after a long moment. “Are you ready for more?”

“There’s more?” you ask. “Or— for you? Do you want me to—”

“No, there’s no need for you to do a thing, love. The next part is for both of us.” He rolls onto his back, taking you with him effortlessly. He reaches past you with one hand while he kisses you sweetly, tongue pushing into your mouth at the same moment you feel his cock slot against your entrance. He pushes in gently, halting when he meets resistance, fucking shallowly into you until you relax enough to let him bury himself deeper into your body.

You tuck your face down against his chest, focusing on the feeling of his cock stretching your cunt, so deep inside you that his presses against your womb. He tries to keep himself still, but his hips buck slightly, tearing a groan from your chest. There’s no stopping the way your cunt squeezes down on him in response, nor the way your hips grind against him. He makes a choked sound, breathing out shakily when you push yourself up to look at him.

The angle change nearly has you collapsing back down, but he takes pity on you and flips you both so he can take the lead. “Hello, pretty thing,” he says, giving you another kiss and a firm grind into you before he starts moving his hips, slowly working himself in and out of your cunt, lips settling against your ear so he could tell you how well you’re taking him, how good you feel around his cock.

Any ability to respond is quickly fucked out of you, your breath punched out with every deep thrust, your world shrinking down to a handful of sensations: his lips on your ear, the weight of his body and the delicious drag of his cock against your inner walls.

He works his hand between you to rub at your pearl, the heel of his hand pressing down on your lower belly. The thought that he can feel himself inside you with your hand is one of the last fully formed ones that cross your mind, because he growls and picks up the pace, unrelenting until you’re shaking and babbling and clinging so tightly to him that you’re certain you’ll leave permanent marks.

He drags you up another precipice and throws you over, his forehead pressed to yours, watching your face as you shake and cry out. He ruts into you, and you can feel him fill your cunt, his cock twitching, rooted firmly inside you. He doesn’t pull away, just throws himself onto his back, holding you tight to his chest.

His heart beats like a drum under your ear, slowing gradually as he catches his breath. His cock slips free, and you stiffen slightly as his spend leaks from your swollen cunt, spilling onto his belly. He pops his head up as soon as you tense, and huffs out a laugh, kissing the tip of your nose.

“Sex can be a bit messy. Come on, love. Let’s get cleaned up.”

Your legs wobble when you try to stand, but he happily slides a supportive arm around your waist, leading you into the adjoining tap room. Once you’re both cleaned up, he coaxes you out of your sweat-soaked chemise and wraps you in one of his shirts and you both sit back down in front of the fire.

You pick up your abandoned wine glass, holding it with both hands as you eye the wolf. He looks content, satiated, like he’s had his fill of you. There’s a little tremor of unease that settles in your belly. Now that the chase is over, will he still want you? Do you still want him to want you? At the beginning of the evening you had been determined to kill him, and now…

He looks back at you through half-closed eyes, and unfurls his arm. “You’re too far away,” he tells you, voice a warm purr. “And you’re thinking too much.”

It’s still unfair, how easily he reads you. An open book, pages left open for him to flip through at his leisure. Despite your trepidation, you walk forward on your knees and sit against him, knees tucked under his arm. His fingertips trail up your thigh, over your knee, down your calf, and back, over and over, as he waits for you to speak.

“What happens now?” you ask at last. “Do we go our separate ways?”

Hurt flashes across his face before he can hide it behind a neutral mask. “If that’s what you want.” His fingers continue retreading their path while silence builds between the two of you. At last, he pulls in a fortifying breath. “Is that what you want?”

There’s raw desire in his eyes, not tempered in the least by your coupling. He offers you everything so easily that it feels like it must be a trick, but he wouldn’t work so hard to hide his feelings if he didn’t care for you, if this were a trap. If you stay, it has to be your choice, not made because of his own want for you to remain by his side.

The anger that kept you warm in all your years out in the cold is gone. Killing him won’t bring your family back from the grave, it would just place another soul in one. The desire for revenge truly burned out a long while ago, and you couldn’t admit that only embers remained. It was why you were so desperate to end it tonight, to close the chapter and look forward to something new.

It’s so like your wolf to ruin your plans. This time, you’re not sure you mind.

“I’d like to stay,” you say at last.

He’s on you so fast that you drop your wine glass, spilling red over the furs. It’s hard to stop laughing enough to kiss him back, trying to point out the mess to him. He growls something about not giving a damn as he gives up trying to kiss you through your smile, and presses his lips to your pulse instead.

In the end, with all the history between the two of you, what’s one more mess?

It's been almost five years since I started writing this short story, and I had fully expected not to finish it. I was caught up in the story in the peripherals, the potential history between Cat and Valter. This scene no longer fits in the overall narrative, even if there are still threads of it that remain unchanged, so I feel like it's safe to share. I'm working on the third draft of The Night of the Wolf, sorting out the mess of my second draft (so many changes it might as well be a second first draft) and I think there's a very real possibility that I can actually finish it, and that's in no small way thanks to all of you. I have been writing for a long time, but it's only been in the past year that I've shared my work with anyone, and it's been a really lovely experience. Thank you for reading my silly fanfictions, thank you for reading this, and I hope to share more bits of original work going forward, if there's any interest. (But don't worry, I'm still gonna finish the fanfictions. I show no signs of stopping yet)

C. T. Cutter

(Also, special thanks to my best human person @dragonnarrative-writes for making me finish this and being so so kind to me about my work and encouraging me always. I am bad at accepting compliments but I appreciate them all the same)

Image Credits: 1 - 2 ~ Dividers by @/cafekitsune

[thirdeyeblue]

“Nine would have treated Martha better than Ten did”

I need to talk about this argument that never seems to stop circulating.

Note: Not a venomous/anti post. There’s more than enough of that across fandom spaces as is, and this is supposed to be a place for ✨sweet, blissful escapism✨

When making this argument, people seem to envision a scenario in which Nine never met Rose.

While I can appreciate a good hypothetical, recognizing Rose's significance to the Doctor (Nine and Ten) is essential to understanding why things with Martha played out the way they did in the first place.

In the third series, the Doctor is grieving. This grief is deliberately threaded into nearly every script, whether spoken aloud or not (and these are just a few examples):

He's burning in Rose’s wake the entire time Martha travels with him, which is why it’s so frequently called upon: It’s 100% deliberate in framing his grief. He grieved as Nine too, of course— having been fresh on the heels of the Time War — but then he met Rose, which changed everything.

Back then, he was still a rude, traumatized pain in the ass, but we watch Rose soften more of those jagged edges with every episode as they grow closer; as he lets his guard down and forms a deep connection with her.

He falls in love (against his better judgment) and it's game over.

And yes: provided S1E1 had been titled 'Martha', one can realistically assume things might have unfolded similarly to how they did with Rose. However, it wouldn’t have been that way just because the Doctor was Nine and “Nine was different” — it would be because he wasn’t already in love with someone else. The same can't be said for the start of S3.

Think of it like this: if Rose AND Martha had been in that cellar — if Nine had taken both of them along with him in S1 — we’d eventually be looking at the most melodramatic love triangle ever, what with him living in close quarters with two brilliant, gorgeous, compassionate young women... But Doctor Who is plenty “soap opera” as is with just one woman in the TARDIS.

(I certainly wouldn’t object to reading that fic, though)

Now, regarding the unrequited elephant in the room…

His inability to be romantic with Martha isn’t because he thinks her lesser, nor is it for lack of compatibility. It isn't because Rose is any better than her. It certainly isn’t just because he’s Ten.

It’s really only for one reason, which can't be denied — and now I’m a broken record:

He is still in love with Rose.

(cut from a tenrosedaily gif)

Nine is Ten, and Ten is only such a mess in S3 because he’s just lost the love of his life. Martha merely got caught in the crosshairs of a volatile Time Lord in mourning, and yes — it sucks. Absolutely.

But it also feels dismissive to chalk Ten and Martha’s relationship up to little more than some sort of mindless dance of pining, jealousy, and toxicity.

Ten trusted Martha with his life over and over again — and hers, with him. He constantly praised her brilliance, happily carting her around time and space with no intention of letting her go. In the BBC’s extended universe of novels/comics/cartoons/etc, there’s so much depth to their relationship: love and trust and trauma and sacrifice. They had their own special bond as mates, their own complexities — so it’s a bummer that it's forever overshadowed by the other things.

I’m not denying that there was a lot of stuff that sucked/was for sure toxic about Ten's S3 behavior, but so many of the things I've seen him catching flak for can be directly attributed to being A Clueless Fucking Alien Idiot (not a trait that’s unique to Ten) — as well as his flat-out obliviousness to Martha’s feelings.

So yes, I agree: if Rose never existed, he would have treated Martha differently as Nine. He also would have treated her differently as Ten. Certainly.

But Rose did exist, and when discussing canon, it matters.

“He tells me that he absolutely, 100% loves Rose... He tells me how my daughter; my wonderful, beautiful, clever little girl saved him from himself before… And he says that’s all because of me! I made her into the Rose Tyler that saved him.”

-Jackie Tyler, Flight Into Hull!

Martha got the short end of the stick in S3. She came round at the wrong place and time, but that doesn't mean it was all bad. It doesn't mean the Doctor didn’t adore her. It certainly doesn't mean the time they spent together was wasted or worthless. They were brilliant!

Sure, he could be a twat, but let it be known that he was a twat with Rose as well, both as Nine and Ten. I’m sure Tentoo can be plenty infuriating, too. So while I'll defend Ten (and Tentoo) into the ground forever and ever and ever, I'll concede that he's fucked up.

The Doctor is a certified Pain In The Ass. It’s one of the things I love so much about this character — dynamics.

But never forget that Martha was goddamn tough as nails and overcame every bit of it. She moved on with her life, and the Doctor moved on with his. One can only pray that, when they inevitably drag her back onto the show (which feels inevitable if I'm honest), we see at once that she's been living her best life for all these years.

[oceans-beloved]

Meme dump yayyy🥳✨️

(off to make more now muhahaha >:3)

[anghraine]

I was just thinking about the through lines of Elizabeth's characterization and her relationship with Darcy, and I'm really fond of this one:

[Mrs Bennet:] “Ay, that is because you [Bingley] have the right disposition. But that gentleman,” looking at Darcy, “seemed to think the country was nothing at all.” “Indeed, mamma, you are mistaken,” said Elizabeth, blushing for her mother. “You quite mistook Mr Darcy.”

-

Elizabeth tried hard to dissuade him [Mr Collins] from such a scheme; assuring him that Mr. Darcy would consider his addressing him without introduction as an impertinent freedom, rather than a compliment to his aunt; that it was not in the least necessary there should be any notice on either side, and that if it were, it must belong to Mr Darcy, the superior in consequence, to begin the acquaintance. [...]with a low bow he left her to attack Mr Darcy, whose reception of his advances she eagerly watched, and whose astonishment at being so addressed was very evident. Her cousin prefaced his speech with a solemn bow, and though she could not hear a word of it, she felt as if hearing it all, and saw in the motion of his lips the words “apology,” “Hunsford,” and “Lady Catherine de Bourgh.”

-

In vain did Elizabeth endeavour to check the rapidity of her mother’s words, or persuade her to describe her felicity in a less audible whisper; for to her inexpressible vexation she could perceive that the chief of it was overheard by Mr Darcy, who sat opposite to them. [...] “For heaven’s sake, madam, speak lower. What advantage can it be to you to offend Mr Darcy? You will never recommend yourself to his friend by so doing.” Nothing that she could say, however, had any influence. Her mother would talk of her views in the same intelligible tone. Elizabeth blushed and blushed again with shame and vexation. She could not help frequently glancing her eye at Mr Darcy, though every glance convinced her of what she dreaded; for though he was not always looking at her mother, she was convinced that his attention was invariably fixed by her.

-

That he [Darcy] was surprised by the connection was evident: he sustained it, however, with fortitude: and, so far from going away, turned back with them, and entered into conversation with Mr Gardiner. Elizabeth could not but be pleased, could not but triumph. It was consoling that he should know she had some relations for whom there was no need to blush. She listened most attentively to all that passed between them, and gloried in every expression, every sentence of her uncle, which marked his intelligence, his taste, or his good manners.

Elizabeth was now most heartily sorry that she had, from the distress of the moment, been led to make Mr Darcy acquainted with their fears for her sister; for since her marriage would so shortly give the proper termination to the elopement, they might hope to conceal its unfavourable beginning from all those who were not immediately on the spot. She had no fear of its spreading farther, through his means. There were few people on whose secrecy she would have more confidently depended; but at the same time there was no one whose knowledge of a sister’s frailty would have mortified her so much. Not, however, from any fear of disadvantage from it individually to herself; for at any rate there seemed a gulf impassable between them.

-

During their [Elizabeth and Darcy's] walk, it was resolved that Mr. Bennet’s consent should be asked in the course of the evening: Elizabeth reserved to herself the application for her mother’s. She could not determine how her mother would take it; sometimes doubting whether all his wealth and grandeur would be enough to overcome her abhorrence of the man; but whether she were violently set against the match, or violently delighted with it, it was certain that her manner would be equally ill adapted to do credit to her sense; and she [Elizabeth] could no more bear that Mr Darcy should hear the first raptures of her joy, than the first vehemence of her disapprobation.

-

Lady Catherine had been rendered so exceedingly angry by the contents of her nephew’s letter, that Charlotte, really rejoicing in the match, was anxious to get away till the storm was blown over. At such a moment, the arrival of her friend was a sincere pleasure to Elizabeth, though in the course of their meetings she must sometimes think the pleasure dearly bought, when she saw Mr Darcy exposed to all the parading and obsequious civility of her husband.

-

"I [Lydia] am sure Wickham would like a place at court very much; and I do not think we shall have quite money enough to live upon without some help. Any place would do of about three or four hundred a year; but, however, do not speak to Mr Darcy about it, if you had rather not." As it happened that Elizabeth had much rather not, she endeavoured in her answer to put an end to every entreaty and expectation of the kind. Such relief, however, as it was in her power to afford, by the practice of what might be called economy in her own private expenses, she frequently sent them.

me, every time: oh, Elizabeth.

[copia]

TEETH OF GOD TRANSCRIPTS

typing these out since the handwriting font is quite difficult to read. don't go under the cut if you're avoiding spoilers <3

all the director's notes, separated by episode. the note in the final episode has some random letters replaced by the TMBTE runes; i've replaced these back to normal letters here so it's easier to read and possible for me to type lmao. i obviously can't guarantee no typos here, but there are a few instances of odd phrasing/repetition/grammar in the comic and i've copied those out as they are. please let me know if you spot an issue!!

EPISODE ONE: LAMBS

15 days since emergence of the Lunar Anomaly

When I was a child, I was frequently beset by certain recurring dreams. There is one such dream that I remember more than most — one in which I found myself standing on a vast shoreline gazing out at a flat, wide sea. Slowly as I watched, the horizon gradually began to lift. Before long I was able to observe that this lifting expanse was approaching me — a wall of smooth, black water that curled into an impossible lip at its peak. Rather surprisingly, I do not recall being afraid of such an ominous sight. Well, to be more precise, I was afraid — I was terrified, but not of the wave itself. Instead, it was the thought of what was beyond it. This vast, unstoppable force sweeping forth to herald the end of everything, to drown the world and then eventually sink back into itself. A careless shrug of entropy enough to sever the thread of all fates. I felt that were I to somehow survive this limitless tide, then I would be left in a world that would not recognise me. I would become an element until myself and myself alone.

An echo stuck in the throat of a dead god.

Yet here I am. It has been over two weeks since the emergence of the lunar anomaly. Our teams spent nearly two years attempting to anticipate what this event would mean for humanity — analysing endless reams of lunar topography along with every known form of spectroscopy, all amounting to one hopeless conclusion: to burrow into the bowels of the death and simply wait that whatever emerged from within would reach us there last.

As it would turn out, this one final act of humble surrender is what won the last of us the right to our own lives in these final days. Those of us alive now are not those who sought to barter with destiny and defiantly cling to a civilised existence at the surface — or even any existence at all.

It would seem that in the wake of this phenomenon, we were best served by our most base instincts, where shame wound no place to dwell. The ones who survived are those who spat their hubris and hid desperately down in the mud like rats.

I want it to be known that we made every effort to warn the others, though naturally we could not provide much of a basis upon which to suggest that our entire species was facing imminent and utter demise besides a few fissures at the southern lunar pole. With that said, we begun building this underground facility once we realised that the moon's orbit was rapidly decaying in a way that was inconsistent with any known physical model — I find it hard to believe that none of them followed our lead — Perhaps some of them did. Either way, we have no way of knowing now.

My expectations for the first surface expedition were bleak at best. In all honesty, I was shocked to discover that our initial recordings showed that there remained a breathable atmosphere. Perhaps in all this turmoil, I found it easier to commit my mind to the worst possible outcome at every turn.

The limited data we gathered before the event — despite two years of efforts — didn't prepare us for the havoc we now face. To say that we find ourselves at a loss to explain the phenomena would be a gratuitous understatement. The cataclysm that occurred two weeks ago had taught us one unshakeable rule about this new world we now hid beneath — to gaze upon the moon is to die.

For this reason, we rapidly developed wearable countermeasures for the surface teams that would prove vital in allowing them to navigate the surface. If only we could have known that this was far from the only threat that would await them. To say that we find ourselves at a loss to explain the phenomena would be a gratuitous understatement.

It is not only human life that is affected by the lunar anomaly, but that if all life, albeit in vastly different ways. To put it simply — this new type of emergent biology is beyond the boundaries of what we are able to study and understand.

I find myself already laden with guilt over those we lost. More than that however, I feel most guilty about the way I reacted to learning of the remnant human elements that attacked them. I feel strangely comforted, despite the deeply disturbing nature of that discovery.

Upon further inspection, I arrived at the conclusion that this feeling came from a sense of familiarity. Human beings fighting other human beings is a horror that has plagued us all since time immemorial, but here in the wake of such deeply unfamiliar and unpredictable occurrences, it is hard not to feel almost comforted by such an immediately recognisable problem.

With that said, I do also find myself deeply troubled by the prospect of humans remaining on the surface in that state. The consensus among my colleagues is that their actions were not bourne of their own will, though there is every chance that this is a conclusion we are clinging to in preference over the unsettling alternative.

I feel that I am rapidly squandering the precious remnants of human life in the desire to understand what has happened, though in truth I know not what else to do. Perhaps this is the only way we can cling to our humanity — by continuing our constant battle with the sheer unknown right to the very end.

The Director

EPISODE TWO: PANTHEON

28 Days since Lunar Anomaly

Already I find myself in the surprising position of yearning for the way things were two weeks ago. Two weeks ago, I was contending with the end of the world. Now, I contend with the reality of what has replaced it.

We took the trouble to equip ourselves as thoroughly as possible with the means of studying any emergent phenomena on the surface even whilst entombed beneath the earth. We now find ourselves consumed by the pursuit of understanding — it is truly all that we have left. However the samples we've acquired offer no such mercy — their nature and origin is fundamentally foreign to us. Something we can say is that, contrary to the individual assumption that most life on the surface had been wiped out, there is in fact an abundance of some kind of new organic material. It can be found everywhere in some form, including in the atmosphere itself. Its cellular structure is completely unique — where one would expect to see some approximation of a typical eukaryotic cell, what we see instead resemble membranous tubules hat contain vast quantities of foreign organelles. These organelles seem to function in an oddly synchronous fashion and are able to perform a variety of functions. Primarily, they are able to 'grow' the tubules that contain them by undergoing a form of transformation at either end which renders them as part of the tubule wall. Secondly, and far more strangely, they are able to exert some kind of force over the tubule as a whole, contorting it in a way not dissimilar to muscle tissue, (but without any apparent nervous impulse.)

As to the origin of this tissue, our initial assumption was that it had been somehow transferred from the moon itself to earth — perhaps via pieces of lunar material falling through the atmosphere. This makes some sense, however the sheer proliferation of this material across the surface within a relatively short period of time suggests that there is more to it than that.

I am reluctant to comment on the reports of otherworldly beings on the surface. Their presence carries implications I am simply unprepared for. At a certain point however, I must accept that this only increases the inevitable danger placed upon th surface teams during their expeditions. What I must also accept is that these precious human lives are now the only currency with which we can barter against the unknown.

Thus far, we barter in vain.

The Director

EPISODE THREE: BLESSINGS

58 Days since the lunar anomaly

When we first retreated down into the ground, I think that somewhere in the midst of my despair I clung to a degree of hope. This wasn't so much a hope for survival as much as the hope that we would at least be able to discern some kind of meaningful understanding of what has happened. We have committed everything — I have committed everything. The last precious remnants of humanity extinguished in the name of what makes us human to begin with. To shed what light we have left on this sea of the unknown. But now I see that this was a futile effort that has resulted in nothing but death, not merely in the context of our final struggle but across the scope of all human existence. It has all amounted to nothing but a few extra skulls drifting in the foul ether that has swamped our world.

It is clear now that the lunar anomaly functions in accordance with laws of its own. It makes a mockery of science. It permeates and distorts reality to the degree that all foundational assumptions are rendered useless. It kills everything it touches whilst simultaneously imbuing it with some kind of new life, twisting nature into something grotesque and unrecognisable. These new forms seem organic but they have nothing resembling a typical cell structure or genetic blueprint. They can spring fourth in an instant, summoning flesh from nothing. Furthermore, our ability to measure even the most fundamental aspects of our physical world is becoming impossible. The mass of objects change slightly depending on where they are, as though gravity itself has begun to lose its grip. We have detected seismic activity from further into the death than we even thought possible. The anomaly doesn't just want to consume all life. It wants to consume reality.

As for those beings, I know not what they are or where they originated. They themselves are not consistent with the nature of the anomaly they inhabit. Their actions seem to exhibit some strange sentience but their motives are unclear and they make no effort to communicate. At times I have concluded that they are here to replace us, or perhaps even that they themselves represent some fractured distillation of our nature. They are after all violent, just as we have been to the very end. They seem to push against one another as a part of some strange order. As time has passed through, I have come to believe that they have no connection to us. I believe that what our world has become is little more than an arena to them — a crucible of existence where they will battle eternally. The totality of their being is not their individual functions but rather the conflict between them. We are merely spectators to their endless dance of ceaseless struggle. This is perhaps the only thing that connects them to the drowned memory of what humanity once was — that we too sought meaning through constant friction and unending movement, compelled by some core motive force that drives us to bring ourselves to bear on the world and manifest our own perceptions.

In these final dimming days I know only the solace of a promised land. I have become the ultimate witness. I have been saddled with the heavy blessing of seeing the unravelling of everything and I can do nothing but wait for it to unravel me too. But I love still within this temple of untampered flesh and I will spend what blood still beats through it to barter one last time with the tangled threads of fate. If I must, I will march through the eye of death and meet it with eyes of my own.

What few of us are left now have our orders.

We must know what it is to become of us.

The Director

EPISODE FOUR: DAEDELUS

61 days Since the lunar anomaly

I once spoke but now it speaks through me just as I speak through it no longer to nothing I can change nothing no I can change nothing nothing has become my plaything I can make nothing into a weapon there will be no void left unfilled I am human and humans are always human and always scared because being human makes us scared and being scared makes us human I will crack the flesh I will crack the earth I will eat the pieces they will be pieces of me would you like to dance I have always been dancing we must keep dancing even when we are just tendrils we could touch everything even things god did not want us to touch that is why he left us here that is why he thought we were ugly he could not wrap his tendrils around every part of us we spilled his paradise over the earth and danced within it such a beautiful dance horror would leap and dance with us horror would bathe is and we could lie within it we could tear the horror out from our hearts over and over we could never sleep sleep is death not even the earth would sleep the earth fears death its blood would freeze out in space out in nothing we must reach through the stars through the darkness even though it is so cold it can freeze our blood we can let our blood freeze and then crack it open hot like the earth we can step through death wear it like a crown heirs to the highest pantheon of life precious life with death as its blood precious death bursting from the many wombs of sacred war paradise was empty without us there was only silence but our blood made the flowers grow god spilled his blood over paradise god knows the stars are waiting fertile ground cold to the touch those stars are hungry they crave only the blood of god we are his tendrils and we will bury ourselves into those cold stars and there will be no darkness death will give us fear and fear will give us blood we will spill our hot blood across the stars I finally understand now I do I understand but will you let me keep my human fear will you let me yes being scared makes you human fear will sow the hot blood of god across the cold stars fear will make us dance and we must keep dancing can you see god dancing for you can you see him biting into you can you hear his teeth cracking into pieces of the stars they send sparks raining down through the darkness all these years you have hunted him and reached for him you want his blood he made you with veins inside you like tendrils we dance through his veins as we bite through the stars and dance and he opens his mouth wide I am so scared will you let me be the last human I understand now I am the teeth of god I am the teeth of god I am the teeth of god I am the teeth of god I am the teeth of god I am the teeth of god I am the teeth of god

[khattikeri]

maybe a controversial opinion but while i really love jiang cheng as a character he is deeply self-centered as a person. and seeing people fight tooth and nail claiming he isn't, or is just misunderstood, or that he has genuine valid reasons to be selfish when plenty of other characters make the difficult choice to forego status and opportunities for what they believe is genuinely right to do (read: wei wuxian, wen ning, wen qing, lan wangji, jiang yanli, mianmian, etc.)

it's just odd to me. especially if they're talking about the novels.

mxtx didn't give jiang cheng the name "sandu shengshou" as a quirky coincidence. there's a REASON she named him & his sword after the 3 poisons of Buddhism (specifically ignorance, greed, and hatred). it's crucial to the story that jiang cheng is NOT selfless and that wei wuxian IS.

it's important to accept that wei wuxian is, by their society's standards, not morally gray; he represents several Buddhist ideals in direct contrast of jiang cheng and multiple people attest to wei wuxian's strong moral character, which is a lot of why jiang cheng even feels bitter about him to begin with.

it's crucial, because by the end of the novel jiang cheng realizes the extent of this and begins to let go!

the twin prides thing wasn't jiang cheng wanting them to 100% mirror the twin jades. he does care about wei wuxian, but he wanted wei wuxian to stay his right hand man, in part the way wei changze was for jiang fengmian.

and if there's one thing you can notice about wei changze in the novels, it's that literally nobody talks about him. he is only ever mentioned when his cool mysterious mountain sect wife cangse-sanren is mentioned, or (even more rarely) when they discuss him as a servant to jiang fengmian. regardless of jiang fengmian's own feelings, wei changze was considered lesser to him and didn't seem to outdo him, since nobody's out there years later still waxing poetry about wei changze's skills.

it may not be the only thing jiang cheng wants out of a twin pride dynamic, but it is a big part of it. regardless of his parents' intentions in taking wei wuxian in and treating him certain ways, this twin pride right-hand man thing is what jiang cheng has felt owed since childhood. he gave up his dogs for wei wuxian, people gossip about his sect heir position with wei wuxian there... jiang cheng wants the reciprocation of what he views as personal sacrifices.

he is ignorant to the depth of what wei wuxian must've suffered for over 6 years as a malnourished orphan child on the streets. he hates how wei wuxian's intelligence, witty charm, and cultivation abilities are naturally stronger than his own. he does care about wei wuxian a lot and want them to be together as sort of-brothers, sort of-friends, sort of-young master and sect servant...

...but if it's between that unclear (yet still caring) relationship and being able to save himself just a little bit more, jiang cheng nearly always manages to clam up in the face of danger and choose the latter, which ultimately benefits himself most. maybe it's a stretch to call that sort of thing greed, but it certainly isn't selfless.

there are of course plenty of justifications for this. it's his duty as sect heir. his home and sect was severely damaged by the wen attack and subsequent war; he had to protect himself, etc.

but doesn't that prove the point?

wei wuxian may be charming, but in terms of pure social standing, he is lower and far more susceptible to being punished or placed in harm's way by people who have more power and money. to protect wei wuxian, yunmeng jiang's long-term head disciple and semi-family member, even in the face of backlash and public scrutiny would've been the selfless thing to do. this is what wei wuxian does for the wen remnants in the burial mounds.

jiang cheng does not choose this. it's not even an unreasonable choice for him to make! nobody else in the great clans is doing such a thing, stepping out of line to take on a burden that could weaken them in the long-run. wei wuxian himself doesn't hate jiang cheng for it; he lets go of these things and focuses on what good he can do in the present.

jiang cheng thinks further into the future - what would happen to him if he continued vouching for wei wuxian and taking his side? what about jiang cheng's face, his sect's face? would wei wuxian even care to reciprocate somehow? everyone expects him to cut off wei wuxian for being dangerous, for threatening his position, for...

do you see what i mean? to call jiang cheng selfless for falling in line with exactly what people expected him to do after the war is not only wrong, it's foolish.

"but they faked their falling-out!" okay. why fake it to begin with, except to protect jiang cheng and the jiang sect's own face? is that selfless? who does it ultimately serve to protect? wei wuxian canonically internalizes the idea that he stains all that he touches, including lan wangji, and agrees to the fake fight because he doesn't want to cause the jiang sect harm. regardless, it eventually slides into a true falling-out, and in the end jiang cheng is more or less unscathed reputation-wise while wei wuxian falls.

that isn't selfless. it's many things! it's respecting his clan and his ancestors, it's making a good plan for the future of his sect and cultivation... but it isn't a truly selfless in the interest of what's right rather than in the interest of duty and what's good for him and his family lineage.

that brings me to my next point: even though wei wuxian hid the truth of the golden core transfer, jiang cheng spent nearly 20 years believing that the golden core "renewal" he was given was a birthright gift of wei wuxian's from baoshan-sanren, an immortal sect teacher of wei wuxian's mother's and a martial elder to wei wuxian.

of course we all know that's a big fat lie, but jiang cheng believed that wei wuxian gave up a critical emergency use gift to him for decades! he was lied to, yes, but jiang cheng immediately agreed without even needing to be convinced. the light in his dead eyes came back with hope the moment wei wuxian even said baoshan-sanren's name. he accepted wei wuxian's offer to give that up to him and take it via identity theft without missing a beat.

with how mysterious and revered baoshan-sanren is, that's obviously not a light sacrifice to just give up to anyone, no matter how close they might be to you. pretending to be wei wuxian to take the gift could even be considered dangerous. what if she found out and got offended? could wei wuxian be hurt by that?

jiang cheng doesn't even hesitate. wei wuxian is the one who mentions that if jiang cheng doesn't pretend to be him, the immortal master could get angry and they'd both be goners. and funnily enough, the day they do go to "the mountain", jiang cheng is the one worried and suspiciously wondering if wei wuxian was lying to him or had misremembered.

of course they've both been traumatized like hell prior to this point. but still: it speaks to how broken he was at the moment as well as to his character overall.

i digress: jiang cheng "gets his golden core back" via what he believed was a gift that should've been wei wuxian's to use in serious emergencies. rather than use it for himself, wei wuxian risked his own safety and gave it to jiang cheng... and jiang cheng still ends up embittered and angry, believing that wei wuxian is arrogant and selfish.

if he truly views them as 100% brothers and equals with no caveats, why would he think that way? it's not like he needs to grovel before wei wuxian for doing that, or to reciprocate... but this is what i mean when i say jiang cheng feels he is owed things by wei wuxian. wei wuxian's actions hold a very different weight in jiang cheng's mind, and jiang cheng himself doesn't ever act the same way, except once.

is it wrong for him to feel like he is owed something? it depends. many asian cultures, including my own, feel that a person owes their family in ways that may not make sense to westerners. for example, it's considered normal for a child to owe their parents for giving birth to them, or to other caretakers for feeding, clothing, sheltering, educating them, etc.

however, something like verbally saying "thank you" or "i'm sorry" to family is considered crazy- why would you owe that? you're supposed to inconvenience your family; saying thank you or sorry is the sort of thing you say to a stranger or acquaintance. i get half-seriously lectured by my elders on this a lot even now, even though they know such phrases are just considered good manners in the US.

this muddies up the idea of wei wuxian being jiang cheng's family vs his family's charge or servant even more. jiang cheng wants wei wuxian to be close... but ultimately doesn't really choose to use what power he DOES have to protect wei wuxian. he considers himself still owed something that in his mind wei wuxian flagrantly never repays.

this isn't even getting into how despite spending a majority of his time with the yiling patriarch he never once noticed that wei wuxian stopped using any spiritual power-based cultivation. even lan wangji, who met them far more rarely, realized that something was wrong and that wei wuxian had taken some sort of spiritual damage, hence the "come with me to gusu".

of course manpain is fun and i'm not immune to the juicy idea of them reconciling and talking things out... but jiang cheng is deeply mired in his own desire to be "above" wei wuxian in multiple ways, and doesn't realize the extent of wei wuxian's actions, the intentions behind them, and the consequences wei wuxian knowingly faced for them.

to not recognize this about jiang cheng, especially in the novels, is really revisionist if you ask me. i reiterate that i really do like him a lot. he's flawed, angry, traumatized and has poor coping mechanisms, an overall fascinating character... but he is not selfless nor ideal, and i seriously draw the line at people saying he is.

wen ning shoves this all into his face at lotus pier to disastrous results. it is the reason why jiang cheng's a total mess at guanyin temple, and the reason jiang cheng ultimately doesn't tell wei wuxian about the fact that he ran towards the wens on purpose.

for that one last act of his to have really been selfless, he needs to not seek anything in return. he did it purely because it was right to do to protect someone else. if that means wei wuxian never finds out about it, so be it.

that moment that ended up causing jiang cheng irreversible harm is not a debt that wei wuxian owes him. it hurts, but no matter how bitter it is, that realization is so important to him changing in the future.

[gummi-ships]

Kingdom Hearts 2 - Twilight Town - Mansion Basement

[good-beans]

A little creative summary for the year ✨ (Template)

Even though I'd done art inspired by/for others before, it was my first time doing proper trades and projects together -- thank you for including me :D

As for writing, I was worried about my thesis next year since I'll be rewriting most of my novel which is a lot to do in a single year..... until I realized I posted 83,794 words for fun in 2024.... 😅 (11,259 words of longfic projects, 54,642 words in drabbles, 17,893 words in creative but explanatory posts, and who knows how many in wips/unposted things :0)

Though writing on here may slow down bit with my thesis, there's no way you can stop me from working on fic completely 😂 I also have some translyric projects I want to complete within the year, as well as the usual art ideas I'm plagued with haha!

[incomplete-ruler]

I knew that getting back into mdzs was gonna be detrimental to me (/pos). Like it's been less than a day that I'm sort of getting back into the fandom and I can barely do shit because my brain is like AHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH