#as of yesterday afternoon actually

[greater-than-the-sword]

aaaaaand it's back to the "searing being dissolved from the inside" ones

[press-f1-to-grieve]

Liam telling stories about him and Yuki on the Red Flags Podcast

Source: Red Flags Podcast - WE INTERVIEWED F1'S LIAM LAWSON!!! (edited down and transcribed by @press-f1-to-grieve)

to @2bluetwo85: i read your tags from that yuki and liam post. thank you for letting me know this exists (and for reading my long tags). i hope i got the right podcast you were talking about.

---

full transcription underneath beware, it's long. and i'm not familiar with the podcast (my newbie is showing) so i'm not sure which voice belongs to who. please excuse me if i got them mixed up. i listened to the episode on a podcast app and only found out they have a youtube channel later, after i had already finished everything bar hit the "post" button. the visual would have helped greatly with knowing who's speaking but alas...

---

Matt: Ye so, I wanna talk about another teammate of yours, Yuki Tsunoda. So we've read that you and Yuki go back. He lived with your parents in New Zealand?

Brian: (laughs) No! He didn't live- He didn't live with- Liam: He came to- So this is a series called the "Toyota Racing Series" in New Zealand, used to be like, really really big, especially before Covid. And basically we were both competing in it as teammates, and so he came to New Zealand. And we've been teammates a year before that in F3 and Euro Formula, so I've spent a lot of time with him already. So when he came to New Zealand, he basically just hung out with us. A lot. Like, I basically just drive around with him. Matt: So like step-brothers a little bit? Liam: Honestly, ye. (laughs)

Matt: What was your favorite thing to do with him, growing up?

Liam: It was always away from the track. Cause away from the track, he's a really funny, genuine dude. So, obviously, it's harder. When you are competing, with Yuki, (...) competing for the same seat. So, it's like, at the track, it's real intense. And then, away from that, it's real cool.

Matt: How're you able to maintain a friendship when it's just like, you know, blood sport out there for these few seats?

Liam: At points, over the year, (stammers) you know, it's not a friendship. And then he- Like, obviously, his journey was pushed a lot earlier than mine. He went to F1 quite early so, then I was- I wasn't really in competition with him anymore so- Matt: Right. Does that help your friendship? Liam: Then we are like, pretty chill again. And then we are put in competition again.

---

Brian: I think in one of the earlier seasons of Drive to Survive, you were in his room, and his room was like, all messy, and he was annoyed that they put it in.

Matt: Did you catch him on a bad day or is that just is? Brian: Is his room just a mess always? Liam: That's literally- I don't know now. Oh actually, I went to his house recently and it was a lot better. Both Hosts: (relieved) Okay! Liam: He has improved. (stammers) I remember, well, it wasn't really- (vocally winces) It was fierce because you shouldn't live like that anyway. BUT!- Both Hosts: (crying laughing emojis in audio form) Liam: But I remember, he had just moved into this apartment at the start of, I think it was the start of that year, and I- Oh no, it was the year before! But same thing, Covid, here, basically. I went to New Zealand because I was about to be locked out of the country. There was no racing. And Yuki stayed, in Milton Keynes for months. Just on (his own), he didn't go back to Japan. Like he just stayed in this apartment. Brian: Like Cast Away Liam: But I had to move into this brand new apartment and it was sick! And I went to New Zealand and I came back 3 months later. Matt: He has got a beard. Liam: And I walked into this place and it was just like DUUDE. It was bad, like it was real bad. Brian: (hums of understanding) Like takeouts and- (all three make noises of agreement) Liam: It was just food everywhere. Like, the laundry basket was just like, overflowing. Matt: Yuki was basically all of us during Covid. Brian: (enthusiastic YE's)

---

Matt: So, what are you most competitive with Yuki off the track? Like what do you guys like to-

Liam: Awe, dude, everything. Both Hosts: Ye? Liam: No, like, everything. We're like- At the moment, we've been playing table tennis. Just little disc. Matt: Oh you'll just make- Liam: M-make one! Ye, just make it. (...) not a proper one. Matt: Who is up? Liam: He plays a lot more, to be fair, but- Matt: So he crushes you. Liam: (cute babbles) No no- Both Hosts: (laugh) Liam: So, we played in Japan. I think I had him in Japan. And then we played last week and he beat me. Matt: You don't keep a serious tally? Are you better on certain surfaces? Like if it's a dinner table, you got him. Liam: On a smaller table, I have him. But on a slightly bigger table- Like depends on what table we get during race weekend.

---

Liam: But one thing with Yuki that was real funny that we did back when we were in New Zealand.

Liam: I don't know how this is a thing but you can rent a boat, at like 15 or 16 years old. And just take it out, to Lake Taupo. And so me and Yuki were like- I was probably 17 or 18 and he was like 19 or 20, and we just rented this boat, and got like, you know, biscuit, or tube? What do you call them? (...) And we just took it out and basically- It started off like real fun. Like we were just towing each other around. But then it just got like, who could throw the other person off like, the biggest. We just like, tried to kill each other on this little tube, in the middle of this lake. Matt: Just the two of you? Liam: Just the two of us. Just out there in the middle of a lake. Brian: Just the two of you tried to kill each other. Matt: It's like a fucking thriller. Liam: Honestly! I've got videos of like, him and me, like, in the air. Like, meters in the air. Matt: Who won or lost that game? Brian: "We both lost that game." Liam: Actually, I lost pretty hard on that one, to be fair. Matt: He threw you- Liam: I went off like, big time, ye. Brian: It seems like, that's the common experience of tubing, is that. It's like, it's fun and then you're like, am I gonna die? (...)

Matt: So Yuki was a master at flinging you?

Liam: Well, he would like- Sometimes I feel like it's on accident. He would like, get a lot of slack and it will just build up real fast- Both Hosts: Sure, he said it was on accident.

---

Liam: We're drivers. Everything turns into a competition.

Liam: We had a rental car, again in New Zealand with Yuki, that we like, basically would like, make a little track and just set time trials off the side of the road. Matt: Like with a Camry or something? Liam: No, Yuki had this little Mitsubishi ASX. I don't know if you know what it is, it's like a boxed car. And we, with like a couple of drivers, basically made like, a little track, and, basically goes until somebody- until Yuki crashed it. (...) The funniest thing, it wasn't even in the- He had finished his lap. It was afterward, he tried to be cool and do like a flick spin, and just totally sent it into a bank. We had to go to a store to get one of those plungers to try and plunge out the dent in the front of the- Because we had to get the car back. Brian: Right, of course. Matt: Renters insurance, man. If I see you or Yuki walk into an enterprise or something, I'll just like, go somewhere else.

[ofmdee]

sweethearts 💗

[coffeeandcalligraphy]

covid day 3 update is that I’m not feeling dead at all and my head no longer hurts when I cough! only symptoms right now are a sore throat and some congestion…

[jensownzoo]

Is there anything better than an evening thunderstorm? When you're all tucked in bed with book and cats and it's just warm enough for the window to be cracked open to hear the rain come down?

[watchmakermori]

Womanhood as a prison in Natasha Pulley novels

I know that a great deal has already been said about Natasha Pulley’s portrayal of female characters, because even her most ardent fans (and I count myself among them) are often highly critical of how women are written in her stories - or, more aptly, written out of them.

But I think there is more to be said about how not only female characters are presented, but how the very concept of femininity is portrayed, via both the characters’ dialogue and inner thoughts. This analysis will reference all of Pulley’s books with the exception of The Bedlam Stacks. I’m excluding it on the grounds of it having little to no major female characters, but if any Bedlam superfans have any insight to add, please do reblog and contribute.

One of the main criticisms of Pulley’s women is their overarching similarity, so let’s briefly consider those commonalities. They are mostly educated, career-driven scientists (Grace is a budding physicist, Agatha a surgeon, Anna a much more experienced physicist). They are usually unnattractive by conventional standards; Grace is described as looking ‘like a boy’, Pepperharrow refers to herself as being ugly, Agatha is ‘tall and flat-chested’, and Anna’s introduction mentions that she has a ‘blonde buzz cut’ and is somewhat overweight.

They are also generally emotionally cold and poor caretakers, especially in contrast to the male characters. Joe’s wife, Alice, is noted to resent their daughter and engage with her far less than he does. Similarly, Shenkov is significantly more child-orientated than Anna. Agatha forces Missouri to watch a man having his throat cut, because she believes him too gentle for war. Said female characters may also show distaste for softer, more vulnerable women. Takiko Pepperharrow speaks of her mother like this (The Lost Future of Pepperharrow, p. 72): 

Saying yes and simpering all the time was silly - her mother did that and even noticeably anxious ducklings walked over her mother

She isn’t the only person to speak of her mother with a degree of pity and distaste. Grace claims that to argue with her own mother feels like ‘slapping a kitten’ - Mrs Carrow is presented as too meek to understand her own powerlessness, to the point that she considers it an achievement to leave the house alone. In the epilogue of The Half Life of Valery K, Valery himself describes the pitiable housewife Cecilia as being ‘just as stunted as his own mother’. Similarly to Mrs Carrow, the aforementioned Cecilia is not presented as fully aware of how small and restricted her life is - her happiness rests on the outcome of a dinner party, nothing larger than that.

The common thread between these pitiable characters is that they embody traditional womanhood - they are married, they are subservient to their husbands, and they have children. Perhaps the most notable - and interesting - trend amongst Pulley’s female charcters is that they invariably have a complicated relationship with marriage, caretaking, and/or childbearing.

Pulley’s novels frequently frame motherhood (along with other traditionally feminine pursuits and behaviours) as an obstacle to the female characters’ goals. In conversation with her mother, Grace talks about the prospect of marriage in the following way (The Watchmaker of Filigree Street, p. 102):

“Wives have duties. If I have children I’ll go insane for a year and a half - don’t look like that, you did, with James and with William, it was terrifying - and that will be a year and a half of weeping over nothing and a brain made of soup in which I can’t work. And then it will happen again with the next child, and then slowly I won’t want to work at all, and I’ll always be soup...”

In Grace’s mind, having children is a barrier to her academic pursuits. She is fiercely certain that giving birth will not only reduce her brain to ‘soup’, but that the impact will be permanent - she will lose herself to motherhood, and it will take away her drive and her intellect. Similar sentiments can be found among other female characters, such as when Takiko observes the following (The Lost Future of Pepperharrow, p. 175):

All her sisters had had children, and all she’d learned from it was that people with children turned inward. She didn’t see any of them anymore.

Once again, there is the sense that motherhood steals from women. It takes them away from themselves by turning them inward, and also from other people in that they lose contact with family members. The Half Life of Valery K foregrounds Anna’s perspective on motherhood (p. 137), which is probably the most extreme of all:

..she had told him straight up when they got married that she wasn’t a natural mother, that she didn’t do well with small helpless things, because she had been trained to care about electron microscopes, thanks, and obviously she would gestate him a small helpless thing to look after if he wanted [...] but there would be no talk of staying home, nesting, or maternal fussing, because frankly that was nothing but weakness of character in a woman...

A significant part of this passage is the notion that Anna is not a natural mother because she has ‘been trained to care about electron microscopes’. Not only does this again put scientific pursuits and childrearing in opposition (you may care for one, not both), the verb ‘trained’ suggests that this behaviour is learned, as though she has been educated out of maternal desires.

At this point in the analysis, I would like to specify that discussing these ideas in fiction is not inherently problematic or anti-feminist. It is vitally important for women to be free to reject motherhood, and by extension it is good to see female characters who are unapologetically unmaternal and unfeminine. When I first read The Watchmaker of Filigree Street, I adored Grace’s character for this - I loved her arrogance, her stubbornness, her distaste for marriage, her coarseness. Even the fact that she looked down on other women made her fascinating to me, because we just don’t see a lot of multi-faceted female characters who act in this way. She was complex and interesting without being a Strong Female Character™ to look up to - she was allowed to be wrong and wildly dislikable.

Where I take issue, however, is the fact that we have never seen an alternative to Grace in all five of Natasha Pulley’s novels. She is yet to write a significant female character who is complex and important despite being more traditionally feminine - there are no women who are scientists and dedicated mothers, who are career-minded and gentle, who are fiercely independent and hopeless romantics. It is one thing for Grace and other characters to disparage the poor, oppressed housewives in their society, but it is another thing entirely for the narrative itself to disparage these women. A woman without an education is still a fully-realised person with her own internal life. Women who cannot attain much agency are still as complex as those who can, yet Pulley’s stories never quite acknowledge this.

Which leads me onto the overarching portrayal of womanhood in Pulley’s novels. I’ve always been hesitant to assume too much based on singular characters, as I do think it’s imporant to recognise that a character’s perspective is not a proxy for the author’s. But after five books, the patterns are undeniable, and I think they’re more marked in The Half Life of Valery K than they ever have been. Consider the quotation below, taken from p. 30:

[Valery] never knew what to say when women pointed out that they were women and that it was, generally, awful. There was a knee-jerk human instinct to say it couldn’t be as bad as all that, like he would have to anyone who was feeling blue, but it was one of those instances where it really was awful, and trying to say it wasn’t was somewhere on the spectrum between stupid and criminal.

Valery offers an invariably bleak perspective on womanhood, which is in keeping with the attitudes of the female characters in Pulley’s books. Not only is womanhood described as miserable - Valery also claims that to deny the truth of this is either ‘stupid or criminal’. There is no space to take a more positive view on femininity. 

Being charitable, we could view this as a (heavy-handed) condemnation of sexism and patriarchy, and I do think that this is Pulley’s intention. But it’s worth considering that she does not discuss other marginalisation in this way. Despite the homophobia her numerous queer protagonists face, nobody goes on a similar tirade about the misery of being a man who loves other men. The trials and struggles are acknowledged, but queer love is still rightfully shown to be beautiful and privately joyous - in a way that being a woman never is.

Instead, womanhood in Pulley’s novels is oppressive and inescapable. Even a young girl’s fingernails cannot be neutral - they too represent the trappings of patriarchy (The Half Life of Valery K, p. 274):

“I can’t do it,” Tatiana said to her own laces. She studied her fingernails. “My tools of the patriarchy are getting too long.”

(This is an utterly bizarre thing for a little kid to say, by the way).

Towards the end of the novel, a carriage full of female prisoners is set upon by male ones, which is portrayed almost as an inevitablitity - we do not get a scene of exactly what happens, because the outcome is obvious enough to be implied. This outlook on the inevitability of violence against women is never challenged at any point; Valery only emphasises it in the final pages of the novel (p. 369):

every doctor he worked with and laughed with in tea breaks probably had an identical wife, all of them keeping women like bonsai trees

The messaging across Pulley’s novels is that of womanhood as a prison. There is little to no joy to be found in it; it results in confinement, loss of the self, isolation from others, and exposure to physical and emotional violence. Women who ‘succumb’ to marriage and children are given little voice in her stories - they are pitiable, ‘identical’ lost causes, called ‘stunted’, compared to kittens and bonsai trees. The only female POVs are that of women rebelling against conventional femininity, who are ambivalent or outwardly resentful towards caretaking, childrearing, and reliance on others. And even these women do not get to take up a great deal of space; all of them serve as obstacles to the central romances and all of them are written out to secure the male characters’ happily ever afters.

I do not believe that Natasha Pulley has malicious intent in how she writes female characters. It is important to address misogynistic violence and the ways in which the institution of marriage has restricted and oppressed women, and I believe she does try to do that. But there are ways to explore this issue whilst still acknowleding the variety of women’s experiences - and, crucially, showing that there is more to femininity than suffering.

But it requires time and space. Natasha Pulley has no hope of doing this if she does not start deviating from her usual archetypes - her stories need a better quality and quantity of women. While I live in hope of improvements to her female representation, I would be lying if I said I was optimistic.

[the-fidgety-fiddler]

...

[butterflies-and-bumble-bees]

Prayer request that I can get my sleep schedule back on track

[thegeminisage]

he is becoming a trekkie

[airenyah]

Your essay on Joong's underrated acting skills deepened my Joong appreciation so much, that I watched Mafia the Series, I'm watching Ploy's Yearbook (even though there is a serious lack of Joong so far), and I'm planning on watching The Warp Effect too. I haven't watched het shows in over ten years, so this is a big deal! 😂 I really liked him with Dunk in their shows, but MTS gave me another facet of him, because he's so timid in it, unlike in SIMM and HA, where he's (seemingly) very cool and in control. So thank you for making me a full time Joong (and Dunk) girl 💜

i saw this message first thing in the morning when i woke up yesterday and it instantly put me in a good mood!!! <3

YESSSSSS I'M SO HAPPY TO HEAR THAT

mafia the series might actually be my absolute fave thai het-show, it's just SO funny!!!! and the entire cast is so great, like, not just joong but the entire cast plays off each other SO well. and don't even get me started on gina virahya and her portrayal of anna kondra!!!!

you know, when i went into mafia the series i saw the poster and was like "ughh i really am gonna have to sit through this standard (overly) dramatic mafia show just for joong, huh. the things i do for my boy..." and then. AND THEN. you can imagine my surprise. i was crying tears of laughter throughout the show and i was actually laughing so hard that my mom made a comment about how she could hear my laugh in my room

beam is my loser boy and joong portrays him in such an adorably awkward way, i love it <333

and yes there IS a serious lack of joong in ploy's yearbook so far :((((

it was quite funny tho bc in the one scene where joong does show up i immediately recognized him by the back of his head, like!! i saw this:

and instantly went "OH there's my boy!!!!!" 😂😂😂

and i can't wait to see him with film bc film did extremely well with gun in not me and i feel like film and joong will also work together really well

you know, i'm always happy to turn people into full time joong (and dunk) girls!!!!!!

i've adored them ever since simm which i watched live from ep2 onwards. fun fact, actually: when i started simm i actually had no idea who they were (even though technically i'd seen dunk in bad buddy already, except i wasn't paying attention to the random high school bandmates and so i didn't actually recognize dunk and only realized later on ahahah)

aaaanyway, i had no idea who they were, right? and so in 2022 my mom and i spent two nights in prague during easter and in the evening we were in our hotel room and we were kinda looking for something to watch. and i was like "hey look, gmmtv has a new bl out and it looks kinda cute and fluffy judging by the thumbnails?? and like something that doesn't require too much brain power?? plus, there's also only two eps out so far, so we'll be caught up right away" and so we watched the first two episodes and then the two of us ended up watching every new ep together every week hahaha

i actually didn't really talk about it on tumblr back then and when you go back on my blog you'll see that there are hardly any simm post. but really, with every new simm episode that aired i liked joongdunk more and more. and especially once the characters started dating i was actually so in awe about just how comfortable joong and dunk were with each other and how they absolutely weren't afraid to touch? like, their physical affection was just so casual, like it was the most natural thing in the world to them in an "i'm-not-even-thinking-about-it-bc-it's-so-normal" kind of way and that was just soooo refreshing to watch?? i was (and still am) truly amazed

and when just a couple of months later, at the end of 2022 gmmtv announced joongdunk were gonna get another show together i got SO excited!! and also when it was revealed that simm was included in our skyy 2!!!!

and then hidden agenda started airing and then i was tagged in that tag game and then i went to watch joong's entire filmography and then i ended up falling into a joongdunk rabbit hole and here we are...

anyway, i have multiple agendas and one of them is turning people into joong fans and dunk fans and joongdunk fans sllksdfd

and my other agenda is getting people to watch mafia the series, bc it's truly a gem of a show!!!!

(speaking of agendas: the only thing that's missing in your message is you telling me that you approve of my fight for a sexy joongdunk vampire bl, like... that would have made the message and the influence of my joong/dunk/joongdunk blogging complete 😂😂😂)

[pandaspwnz]

Whoever decided it was a good idea to bake a pie on a fucking wednesday afternoon is a goddamn clown and should be dropkicked into the sun

[fumiko-matsubara]

At this point, y'all should be expecting that I will draw any new official Chiba art lol

[songofwizardry]

I managed to miss two buses in a row this morning, due to Circumstances (and I even RAN for the second one so that was for nothing) which is v annoying, but to make myself feel better, here’s some wins from this past weekend:

- I went back to one of my organising things after my 3 months out, and it was actually very lovely! saw tons of people I haven’t seen in ages which was great.

- I was stuck on a crochet thing and therefore was avoiding my crochet buuut I was extremely brave and figured it out and fixed it and I no longer have to avoid my crochet.

- cleaned some boots.

- went to my favourite cafe a whole two (2) times, even took a walk, honestly winning.

- did some planning to sort out some commitments for the next few weeks.

so like. maybe I can survive missing the bus/being 20 fuckin minutes later than I wanted to be/getting stuck in traffic/having to be on the bus with dozens of children. I haven’t been this late yet this year soooo it had to happen eventually.

anyway, I wish upon you all the best luck of not-missing-buses. may your tuesdays get off to better starts than mine.

[honey-skulls]

Huge vent

Yesterday was the welcome thing for the beginning of the school year, only from 15h to 16h30. Still managed to end up late. Nothing to do either, just sit there and listen to the explanation of how the year is gonna go. Still came back home EXHAUSTED

First day of school and I'm already an hour late

They also said that if we come late, the teachers aren't gonna let us in

So now I'm just frozen, sitting on my chair after finally managing to prepare, with no idea on if i waste the little energy i have going to school in the heat only to not be let in

But they also said they'd do that last year, and they never did. So maybe they're not doing it again and I'm just wasting time when they would let me in

I don't know and that's the problem

And even if i can, the mental image of everyone in class turning to stare at me and judge while i enter in the middle of the class, because i spent more than half of last year being hours late if not straight up missing "for no reason" is too much (because this country has dog shit psychology knowledge that has been studied to be around 50 years late, and they know nothing about invisible disabilities. Not like I'd ever even tell them. This class sucks in all minorities fronts)

But also I'm literally already thousands of euros in debt for this damn school and every class i miss is money wasted

I don't know what to do

[trash-bin-ary]

Why is it only Thursday tomorrow it should be Friday waaaa I need more of a break

[ruinedsam]

Me as soon as I want to do some work on a project: my blogs look like shit I simply must change the themes and rework my tagging system even though this never occured to me until this second. Surely this is not procrastination :3