#art and technology

[aanaya-art]

In one of my classes, I am tasked with creating a video game using the program Stencyl. I have to create all the assets including background, characters, effects, title, main menu, and coding the entire gameplay.

My future posts will be more in depth but for now, I just wanted to show my completed walking cycle animation.

This game will be influenced by the real Topsy the Elephant who was killed in 1903.

[fckyeahnetart]

Lillian Schwartz, Pioneer in Computer-Generated Art, Dies at 97 - The New York Times

https://www.nytimes.com/2024/10/14/technology/lillian-schwartz-dead.html

[dreaminginthedeepsouth]

"I lived when simply waiting was a large part of ordinary life: when we waited, gathered around a crackling radio, to hear the infinitely far-away voice of the king of England… I live now when we fuss if our computer can’t bring us everything we want instantly. We deny time. We don’t want to do anything with it, we want to erase it, deny that it passes. What is time in cyberspace? And if you deny time you deny space. After all, it’s a continuum—which separates us. So we talk on a cell phone to people in Indiana while jogging on the beach without seeing the beach, and gather on social media into huge separation-denying disembodied groups while ignoring the people around us. ​I find this virtual existence weird, and as a way of life, absurd. This could be because I am eighty-four years old. It could also be because it is weird, an absurd way to live." ~ Ursula K. LeGuin, Interview by Heather Davis  ::  [Poetic Outlaws]

[bruce-morrow]

Tom Lloyd, Artist

[consuetudinari0]

梵音薩摩

「我們在哪裡以及如何度過每一天？」 「我們在哪裡以及如何發展我們的生活？」 「我們在哪裡，如何生活？」 「我們在哪裡以及如何進食？」 「我們在生活中採取什麼行動？」

梵音薩摩 羅德里戈-格蘭達 墨西哥 羅德里戈-格蘭達，人稱 梵音薩摩，融合���各種不同的熱情與追求，體現了藏書家、數位藝術家、創意作家和超人類主義者的角色。以下是他在這些方面的身份： 1. 藏書愛好者： 羅德里戈-格蘭達 對於書籍與文學的熱愛，反映出他對於知識成長與永恆追求的承諾。這種熱情不僅豐富了他的個人生活，也深刻���影響了他的創作成果，從各種文學流派和傳統中汲取了豐富的靈感和深邃的思想。 2. 數位藝術家： 身為一位數位藝術家，格蘭達 探索科技與藝術的交集，利用現代工具創造視覺上引人注目的作品。他的藝術創作可能跨越各種形式，包括數位繪畫、插圖，也可能包括多媒體專案。這個角色讓他能以當代、創新的方式表達創意，突破傳統藝術形式的界限。 3. 創意作家： 格蘭達…

[forrrrrrrest]

My final project for my art and technology class! We were told to imagine that disaster struck the world, and we were forced to live in a bunker for 12 years, but after that we were able to live in the earth again. We had to make a museum as a class, and show what happened during the time in the bunker.

I created 12 flowers to show the 12 years, and they start out looking very flower like, and turn into mutated monsters.

This is the sunflower, the most flowery of all of the flowers. I used neopixel strips to light up the center of it, to show to hope in the beginning.

the next two are the hydrangea made out of bottle caps, and the lavender made out steel and rubber wire. These still look like flowers, and are modeled after actual flowers.

The first one is made out of plastic bags, the second is made out of tinfoil and cut up cds. These two are not modeled after actual flowers, and I focused more on the material than looking like a flower.

This is the rose, it is made out paper cups painted with water color, and covers the arduino. (that’s why it has wires coming out of it). This is my favorite flower, and I’m really happy with how well it turned out.

This is the clock. It has bits of most of the other flowers on it, and all the flowers have a trail flowing into/out of it. It represents the flow, and stoping of time that happens when you are trapped in a single place for a long time.

Now we are moving on to the weird ones!

One made of feathers (I was running out of ideas and time) and one with eyeballs!

Second post will have the final flowers, and picture of everything! (i hit the picture limit for this post)

[artistsonthelam]

Selfie(?) at last week’s Art Central Hong Kong VIP Preview. 👋 Breakfast, Mississippi River Oxygen, HOFA Gallery. // (c) Jenny Lam 2024

[smac30]

TD_573 afx190 music: 34 Ibiza Spliff by aphex twin

[thend142]

:t.h:e.n:d.1:4.2:

.2:4.1:d.n:e.h:t.

.0.1.2.0.2.3.

#thend142 #newmedia #glitch #shortinterruptions #glitchart #mediaart #design #artandtechnology #digitalart #trippy #acidmath #anotherstateofmind

[technological-existentialism]

[cybllisae]

01010110 01101001 01100010 01110010 01100001 01101110 01110100 00100000 01000001 01110101 01110010 01100001💜🧪

By:

https://www.instagram.com/arselectronica?igsh=amk1bHlwNGpuNHNk

View this post on Instagram

A post shared by Ars Electronica (@arselectronica)

[dreaminginthedeepsouth]

AR:: “Undinge” emphasises the ideas, found in many of your books, that in the place of building relationships with others – or the other – humans are increasingly mirroring themselves. Nevertheless people do live in relationships and even today remain attached to objects that they don’t want to throw away. What’s the difference between then and now, then being the time before globalisation and digitalisation?

BCH ::  I don’t know if people who spend all their time looking at smartphones still have or need objects that are close to their heart. Objects are receding into the background of our attention. The current hyperinflation of objects, which has led to their explosive proliferation, only highlights our increasing indifference towards them. They are almost stillborn.

Our obsession is no longer for objects, but for information and data. Today we produce and consume more information than objects. We actually get high on communication. Libidinal energies have been redirected from objects to nonobjects. The consequence is infomania. We are all infomaniacs now. Object fetishism is probably over. We are becoming information- and data-fetishists. Now there is even talk of datasexuals. Tapping and swiping a smartphone is almost a liturgical gesture, and it has a massive effect on our relationship to the world. Information that doesn’t interest us gets swiped away. Content we like, on the other hand, gets zoomed in, using the pincer movement of our fingers. We literally have a grip on the world. It’s entirely up to us.

That’s how the smartphone amplifies our ego. We subjugate the world to our needs with a few swipes. The world appears to us in the digital light of complete availability. Unavailability is precisely what makes the other other, and so it disappears. Robbed of its otherness, it is now merely consumable. Tinder turns the other into a sexual object. Using the smartphone, we withdraw into a narcissistic sphere, one free of the unknowns of the other. It makes the other obtainable by objectifying it. It turns a you into an it. This disappearance of the other is precisely why the smartphone makes us lonely.

[jeffreycharlesstanley]

putting myself out there again hi everyone, it's been a while - 6 years since I last posted to tumblr. slowly dropping posts on my socials. starting the Passage Legacy blog - with my writing about art, culture, ecology, and technology.

updated jeffreycharlesstanley.com to version 3.5.2 in September 2024:

Launched JCS FUTURE in October 2022 (JCS FUTURE studio) and relaunched in July 2024 - as may main portal for everything Jeffrey Charles Stanley | JCS | JCS FUTURE (now containing JCS STUDIO - webpage for my video production clients):

[consuetudinari0]

Cetura

etura True innovation lies not in creating a perfect and ordered world, but in empowering freedom, creativity and the ability of each person to find their own place in the world. *Cetura: a hominid form of silicon interfaced with human heart, spirit and

True innovation lies not in creating a perfect and ordered world, but in empowering freedom, creativity and the ability of each person to find their own place in the world. *Cetura: a hominid form of silicon interfaced with human heart, spirit and soul. Index librorum prohibitorum II Cetura IV words trying to build poetry XIII short stories for a society that does not retain information

[trendynewsnow]

Ryoji Ikeda's Solo Exhibition at the Estonian National Museum

As part of the vibrant programme celebrating Tartu as the 2024 European Capital of Culture, renowned artist Ryoji Ikeda has unveiled his solo exhibition at the Estonian National Museum (ENM) in Tartu. Ikeda is celebrated for his innovative integration of data and technology into his artistic creations. The exhibition showcases two groundbreaking works that have been specifically developed for…