#are visuals more important than music? or is music more important?

[dead-dove-product]

First, we need to define the (pre-PMMM) Magical Girl genre: you have either children or teenage girls (typically ranging from 10 to 14) who, in a turn of fate, either a) discover they're actually magical in some way or b) are gifted magical powers, and are asked to use their powers for good (i.e: protect the city/country/world). Magical Girl shows often make it a point to show that these girls are, on all other aspects, normal girls: they go to school, often have a love interest, a family, friends, hobbies, etc. This serves two purposes: first, it makes them relatable to young audiences and second, it makes older audiences subconsciously want to protect them. Another important trait of the genre is that animated adaptations must be colorful, and often use either pastels or bright colors to appeal to younger audience's eyes (this will become relevant later).

In Magical Girl shows, it not too uncommon to have darker episodes (like the penultimate episode of the first season of PGSM, where most of the girls die) or directly borrow codes from the horror genre (in horror, the central menace can often be interpreted as a metaphor for larger fears of a society; similarly, in Honey Cutie Flash, Panther Zora is basically the personification of human greed and hatred), however, unlike in the horror genre, Magical Girl shows tend to have an optimistic turn of things (back to Sailor Moon, Usagi's wish fix the situation, and all is well again), they have a happy ending and things go back to how they were (with some rare exceptions), and all is well again... Until PMMM

Madoka Magica starts off checking all the boxes: Madoka has a loving family, friends, she goes to school, she's happy, and then one day she encounters Kyubei, who asks for her help and tries to get her to make a wish to gain magical powers she could use to protect the city. It fits every box, but where Madoka differs from its predecessor is with its tone: while the serie starts off light and visually colorful, as the story progresses, it gets darker, which is reflected (among other things) visually.

Case in point, episode 1 of PMMM against Sailor Moon:

VS

Episode 2 of PMMM against episode 6:

And that's where PMMM excels, in its atmosphere, its tone, its visual story telling...

Magical Girl mangas tend to be darker than their anime adaptations (the most obvious instance in my eyes being Sailor Moon imo) for a multitude of reasons: the censorship isn't as tight, for one, but also they don't have all the tools anime have to make you think things are fine, they don't have vibrant colors, voice acting, music to tell you things are going to be fine, so things feel more tense, less guaranteed.

That's the main things about pre-PMMM Magical Girl animes, they make you feel things are going to be OK, no matter what happens, and that's why they don't feel horrific. Sure, there are scary/disturbing moments, but at the end of the day, you know things are going to be fine, whereas in horror movies or novels, you have to believe things could go either way in order to really get into it: if things are obviously going to be well, you're not involved because you feel safe, and if things obviously can't turn out OK, you're not involved either because it's no longer about success (survival) or failure (death), it's about how they're going to fail.

Puella Magi Madoka Magica both subverses the Magical Girl genre and embraces it fully, not exactly breaking any previously established characteristics of the genre, but also managing to put its own spin on it by making it clear things could go either way and are not necessarily going to end well. It's not the first Magical Girl anime to kill a protagonist, it's not the first one to give the girls magical object which allows them to transform and are directly linked to their life force and whose destruction or loss would result in death, it's not the first where the creatures the protagonists had been fight turn out to have a dark secret, but it is the first (to my knowledge) to acknowledge how dark all those things are, the first to acknowledge how truly disturbing it is to put the faith of the world into young girls' hands, the first to adopt a darker tone to discuss the subject, and that's where it subverses the genre, and that's what makes it a masterpiece. In all regards, it's exactly like any other Magical Girl show, but it also manages to be completely different.

This was a really long explanation that still didn't say much, but I had a hard time wording my thoughts, so I hope it at least makes a little sense. I'm very passionate about the subject haha

I just want someone to talk to about how Magical Girl (and, more broadly but to a lesser degree, superheroes) as a genre always had ties to the horror genre, and Madoka Magica (along some others) only exacerbated traits already existant within the genre through its visuals, sounds, masterful story writing and just overall atmosphere that made it the masterpiece we know and love today, but also (sadly) operated a change in the formula so many tried (and failed) to copy, hence why so many modern magical girl animes fall flat, is it too much to ask?

[idon-twannabeperceived]

Btw seeing gringos trying to dance tango or salsa is so 🫥🫥

Like I don't mind at all bro go off but like put some flavor in there I AM BEGGING i swear u won't die WHERE IS YOUR SOUL DO YOU NOT HAVE A HEART

[r0semultiverse]

I hope Jorge keeps the streams up until the next live stream like he did with the last Saga.

I had trouble getting into Epic: The Musical without the visual aid of the animatics as visuals help me absorb the material. I kinda wish he would upload each song with the lyrics and animatics in them instead of just the animatics by themselves without the full song, but maybe that’s just me. I’m an audio and visual gal otherwise I have trouble absorbing information. Besides the streams there’s no current way to watch the musical seamlessly with actual visuals and yet it is called a musical. A medium I’ve kinda expected to have visuals by this point, that was my one big criticism going into this series was “so it’s just songs? And I have to watch the script as I listen to know what’s happening? That’s hard to keep up with.”

Though if this is a consistent change going forward of having the full musical with visuals until the next iteration premiers, then great & honestly my only criticisms are a lack of trans voice actors (seemingly but I could be wrong) and a lack of fat characters in the animatics because Aphrodite was fat in her depictions throughout history in the very least. Which I’m not even sure if this counts as a criticism so much as an observation and something that gives me a bit of pause? Again, not series ruining, but just more an observation I guess?

That being said, I’m super excited for the Vengeance Saga tonight! Probably gonna stay up just to watch it! Sleep be damned I wanna see it as it comes out! 💜

Edit: Okay actually not risking tummy issues by napping and can’t stay awake any longer. If I have tummy issues I couldn’t even watch it as it premieres anyway because I’d be fighting for my life in the bathroom. ANYWAY DON’T GO ATTACKING ANYONE INVOLVED WITH THE PROJECT, I WAS JUST MAKING AN OBSERVATION.

[evelili]

aaaand part 2

happy monday morning please participate in some totally ethical user research (part 1) xoxo

[chewwytwee]

.

[hadesoftheladies]

This might be one of the most important posts I've ever made. (Please Read)

@bakerstreetdocter per this post where i responded to the sports poll i made

on the poll for why folks in radblr didn't watch women's sports, the overwhelming majority of you said it was because you just weren't interested. i needed to make a whole post to respond to this because let me tell y'all something:

WOMEN'S SPORTS IS A HUGELY IMPORTANT INSTITUTION FOR ADVANCING WOMEN'S RIGHTS AND DISMANTLING PATRIARCHY

Let me tell you why.

#1. Sports and Male Hegemony

Do you know what keeps patriarchy so strong? Male camaraderie. The reason rapists and paedophiles don't go to jail, the reason men are paid more, the reason patriarchy even fucking exists is because men invest primarily in men. Sports doesn't just reflect this, it PERPETUATES it more efficiently than most other institutions (like it's right up there with religion and porn). I'm not kidding. Male sports is where men go to bond over everything. They bond over beating up their wives (I've seen it in real time), they gather to celebrate male strength and achievement, and elevate male dominance. The reason sports is so important to the patriarchy is not just because it perpetuates, centralizes and publicizes male excellence, but because it nurtures male camaraderie. It gives them space to be openly "manly," because it is really a festival for male dominance in every way.

Not only that, but it RADICALIZES boys and men in male supremacist ideology. If male peerage is where boys and men slowly corrupt each other with misogyny, men's sports is where that sort of thing is concentrated to the MAX. I'm talking MASSES of men and boys. Uncles and fathers taking their sons to bond over men they believe represent them and their perceived superiority. This has also had consequences for women and girls. Domestic violence rates shoot up during different (men's) sports seasons. The demeaning and brutalization of women is common in these environments.

If you think porn is a huge industry that radicalizes boys and men into becoming rancid misogynists, sports is the next big thing you should worry about, because however effective porn is for dehumanizing women, men's sports is the one most effective for popularizing male dominance and supremacy on a global and generational scale. Forget music and movies, THIS is something feminists should be fucking worried about.

(Read more of this article here.)

#2. Women's Representation, Power & Social Influence

Compared to the crumbs of proper representation we have for women in music, movies and mainstream literature, women's sports centres and normalizes every kind of woman you can think of. Big women, small women, muscular women, single women, masculine women, feminine women, women with wives and husbands, mothers, tall women, unattractive women, cocky women, etc . . .

I have never encountered a visual franchise that humanizes women more than women's televised sports. Never. Not in movies, not on the internet, not in shows. The raw humanity and personhood of women is given centre stage in every angle. We see women sweat, we see women bleed, we see women bump each other in the chest, we see them fight and scrap, flaunt, beg, roar . . .

This humanization has affected not only women who finally feel represented by other women to the world, but even men. Many men and boys who watch sports have far more positive outlooks on women than their counterparts. They are forced to appreciate the skills, strength, intelligence, and personhood of women.

In sports psychology, there's the topic of how people tend to form identities around the athletes or teams they admire. They perceive themselves as an extension of those teams/athletes. This is a very powerful social phenomena, because it strengthens intra-community investment by giving the individual a personal stake and sense of belonging.

It is powerful when men view male athletes and men's teams as an extension of themselves. When mothers take their children to these games and kids identify with the male athletes on the pitch. It is very effective in re-enforcing male-as-default for everyone.

But it is also powerful when this happens for women. When men, women, children begin seeing female athletes and teams as extensions of themselves, it strengthens the perception of kinship with women of all kinds. It humanizes women in an intimate way. Where it's no longer about the "women's team" but about "US." When men and little boys identify with female athletes, point and say "US" instead of "THEM" it lays crucial ground for male allyship.

This is partly why many women's leagues across multiple sports got banned historically. It was because they completely overhauled the idea of women as other and that was a threat to the status quo, because if men started identifying themselves with women, started seeing women's victories as theirs, started seeing women as their heroes, it made male dominance unnecessary and obsolete. It made women heroes for men, women, boys and girls to believe in. It made them leaders and icons. Champions. It destroyed all the lies patriarchy lived off of.

#3. Female Centricity, Community and Consciousness-Raising

I've talked about what this does for men, but I want to zero in on what this does for women.

Right now, in society, men have multiple institutions and industries to boost their camaraderie and male supremacy, whether that be sports, religion, gaming or pornography.

Now, can one of you name a single institution or industry that brings women together to bond over womanhood? Can you name a bonding ritual for women that doesn't include femininity? Most of you will probably only have entities like certain female musicians (taylor swift, blackpink, etc) rather than industries. Currently, the biggest industry that women bond over (and even then, it's not really a social event) is make-up. We're mostly broken up into different fandoms, or maybe we find each other studying certain women-dominated degrees. In most other cases, we're with each other doing something domestic (baby showers, cooking/planning during family get-togethers, etc). (though based on trends, university campuses may soon become women-dominated spaces in totality XD). The domestic sphere is perhaps where most of the consciousness raising has occurred historically.

Unfortunately, the biggest contributor to women's consciousness raising with the most global reach is our shared trauma. That is the one thing that unilaterally unifies women and girls everywhere, and even then, not totally.

While our shared suffering has been a great tool in radicalizing us for change (though it's already an L that we're suffering in the first place), it isn't something that actually empowers the community of women. Radicalization does not equal empowerment. And women need hope and joy to have strength to fight. They need to identify with each other, not simply with each other's suffering. If anything, women are in desperate need of an industry/institution that isn't crippling them with enforced femininity and isn't centred on their misery, but rather, celebrates their womanhood and the joys of being a woman. Centres womanhood. Something that gives them space to celebrate themselves.

The things that do that are the ones fiercely under attack, e.g. women's sports, lesbian festivals, etc. You need to have a hard think at why that is to realize how vitally important things like this are. The difference between something like women's sports and lesbian festivals that gives women's sports an advantage in being the most socially influential, is that women's sports encourages the participation of everyone and posits itself as relevant to all people within the geographic location it is a part of. So it gets more eyes and has more sway.

I have been brought to tears seeing crowds of thousands scream to a deafening degree over a young woman scoring a goal. I'm talking men, women, children losing their fucking minds. Chanting a woman's name from the stands. Rushing to take pictures with her. Cheering for her to break another record. Women need to know there are alternatives to being hated by men. You guys need to know what it feels like to see entire cities show up and show out for women. Where women are glorified, practically worshipped, not for being sexually attractive, not for being the epitome of beauty, but for being skilled, for being amazing women. You need to see women horsing around, unrestrained and free to talk shit. You need to see them acting goofy, without makeup. You need to see them surrounded by love and support no matter who they are. You need to see them having the time of their lives with each other. Real women, doing real things. You need to know what it's like to see a woman do incredible physical feats. You need to see how powerful the female body is. You need to see this day in and day out. You need to know it like you know your name.

Because that's what men have every day. And when I tasted it, I couldn't get enough.

The next generation of girls and women need this so fucking bad. Now more than ever.

#4. The Destruction of Gender

(Portia Woodman-Wickliffe, rugby player for New Zealand)

Which leads me to my next and pretty much final point as to the necessity of women's support of women's sports. Whether or not you're willing to admit it, most of you aren't interested in women's sports because of your gendered socialization.

This could be subconscious resistance (e.g. you're so used to it being mocked you can't fathom getting into it), or it could be simply because of your upbringing and current social environment. I've noticed, that most people engage with sports based on a pre-existing culture concerning sports. Most sons are introduced to men's sports by their fathers, and, as established earlier, it becomes a bonding ritual. Many of us didn't have those experiences as girls, so we never saw the value.

But I think this is also a part of enforced femininity. Right now, some parents don't want their girls watching women's sports because of how unfeminine the women are (and this usually goes hand in hand with homophobia, since a fair share of athletes are lesbian/bi). We're taught to be ladylike. To be demure. Female athletes can rarely afford to be. Even if they wear lashes to the court XD. They have to body their way through. They have to work and scrap and fight for their victories.

It's even more sad to me, since I'm now a very active watcher of women's sports (which I decided to get into on a whim one night, no lie, like I didn't feel like it I just decided to Google random stuff and look at highlights and then I got invested) how crippling that feminine socialization has been to me. How much I've missed. Not only has watching women's sports increased my own pride and confidence in my body, given me a space to experience joy in being a woman (outside of femininity), but it has also made me feel far more connected to women in a predominantly positive way (rather than trauma-bonding). It has humanized women for me, too. Even as a feminist. It's really kicked the shit out of what internalized misogyny I had left.

This is the primary reason women's sports has been so vilified, as I have pointed out in my other post on this topic: it is the loudest anti-gender campaign in society. It destroys patriarchal myths about womanhood and makes femininity and masculinity obsolete. This is why its still resisted today, and this is why it's integral to the feminist fight. Not only does it empower the fight for women's liberation, but it also bolsters movements for things like LGB rights, another movement that seeks to demolish the institution of gender in society.

Conclusion: This Is Urgent

While women's sports is on the up-and-up, female athletes NEED predominantly female audiences to ensure the integrity of their leagues and to minimize exploitation. If men remain the predominant stakeholders in women's sports, they get to demean, belittle, objectify, starve, sabotage and command the female athletes. They get to use women's sports to perpetuate misogyny and the dehumanization of women. At a time where women's liberation is gaining global traction and is heading to a potential climax with patriarchal society, this is something that is vital to our fight. I'm dead fucking serious. It stands to be one of our best assets in the global fight to humanize women. It is one of the best anti-patriarchal propaganda machines we have. We must protect it via our support both financially and with our time. We cannot let men take control of one of the biggest weapons we have. Girls need this. Boys need this. Society needs this.

WE need this.

[transmascutena]

some thoughts on photography and memory in utena:

on the wall in nemuro memorial hall, there are pictures of real people. i'm not sure who they are, but i assume they're of people involved in making the show. either way, they're obviously not real; in the close-up shots of them, they change into pictures of the black rose duelists and other imagery from the show. i imagine it's there as a fun detail by the creators, but also to show how weird and inconsistent reality itself is in the black rose arc.

as for the black rose duel images themselves, it's possible that they are literal as i've talked about in a previous post, but what i think is more likely, is that utena noticing them is a visual representation of her connecting the dots of what's really been going on in this arc.

when mikage brings up the idea of memories and eternity, we see the picture on the wall behind utena, of her at her parents funeral. and behind mikage we see one of his own defining memories.

a pretty clear line is being drawn between memory and photographs. in fact, memories are so important to mikage that photographs are his black rose duel symbol. it's the one he keeps of mamiya and tokiko, altered to look like anthy's disguise, just like his memories are. through mikage we see both how memories of the past can keep you trapped in it, as well as the malleability of these memories. let's look at everybody else:

saionji has a framed photograph of him and touga as kids on his desk. he values their friendship, or at least the memory of how it used to be. he idealizes the time touga was less cruel (or maybe just the time saionji wasn't aware of his cruelty.)

miki doesn't have any literal photographs of kozue or the sunlit garden, though his memories of them are often framed as such. he also keeps a picture of anthy amidst his sheet music. she is his idealized memory now.

juri has the locket of course, inside of which is a cutout of shiori from a picture captured in the moment that ends up defining their entire relationship. is this the version of shiori that juri idealizes? not really, but she is fixated on her resentment of shiori's percieved cruelty, just not the cruelty of taking the boy away. juri keeps this photograph closer than anybody else does with theirs, but she also keeps it hidden. this could mean she treasures her memories the most out of everyone, and is also the least open about it, although i'm not sure i believe the first part.

nanami has the photo-album of her and touga; she idealizes her relationship with him, as well as their childhood. when she makes the connection that touga is adopted, the photos are scattered all over her bed, probably to represent her emotional state.

touga doesn't keep any photographs from what we see, which makes sense with everything we know about him. unlike the rest of the council, he doesn't have any idealized memories of his childhood. but he does use akio's camera, so let's talk about that.

the camera is, much like the car, a tool that only akio is shown to own (although, wakaba does mention a photography club in episode 34.) like the car, it is used to facilitate his grooming (specifically of touga and saionji when he takes those shirtless pictures with them.) and, also like the car, he offers to lend it to touga, to make him feel more like an equal part of the whole thing. unlike the car though, touga accepts the camera.

the photoshoot scene in episode 37 has a transition where the camera shutter sound effect is played over the previous scene. over the shot of utena and anthy holding hands after confiding in each other about akio. i think it's to show that he's always watching, and that they can never truly be free of him as long as they're in ohtori.

i think it also shows the idea of akio framing the narrative of the show as a whole. he plays a sort of director role in it, in that he directs the events happening, as well as how they're portrayed. it's no coincidence that he is quite literally behind the "camera" in episode 33. like the car, a symbol of akio's power and sexual abuse (which is not-coincidentally also present in all of the photoshoot scenes,) his camera (his narrative, his biased framing of events) is ever-present.

and then there's the most important photograph in the show, the frame it all ends on. the picture utena and anthy took together is, unlike every other photograph, used as a look into their future. the reason they take it in the first place is because utena realizes she has no photos of anthy, which distresses her, presumably because she worries that their friendship might not last forever, and she wants something to remember anthy by. this obviously comes with the risk of making anthy an idealized memory, like every other person put in a photograph in this show, but instead it ends up as a symbol for their love. akio may have set up the camera, but anthy (with the help of chu-chu) manipulated their positions so her and utena could hold hands. she also cuts akio out of the frame, much like she cuts him out of her life in the last episode. she doesn't want his presence to tarnish her and utena's memory anymore (although he isn't completely gone from the photograph either, as he will never truly be forgotten.)

[nothorses]

"queer theory" is literally entirely about how things are never binary, how they often exist in ways we don't expect, how there are things we don't yet understand and things we never will, and how all of that is important and good, actually!

in environmental science, we talk about "queer theory" as a lens that helps us break down arbitrary boundaries between things. what is natural? can human-made things be natural? is a log cabin natural? what about a beaver dam? why? should those things really be a binary?

in educational research, it's used to look at study results in new ways: you didn't get the results you thought you would, but what did you get? what does that say? does it need to be a "yes/no" answer, or is there more to it than that?

categories of art work the same way; "art" can mean "fine art", it can mean "visual arts", it can refer to any kind of art (music, dance, theater, writing, etc.). it can even refer to anything done skillfully; "the art of...". The term is fluid, the categories are flexible, and what fits where is not a binary.

"queer theory" is about broadening your perspective, welcoming complicated truths, and questioning binaries. it's about accepting non-understanding.

we have always, fundamentally, been about this. the room to identify, express yourself, and exist in ways that others do not understand, to defy binaries and contain contradictions, to deny adherence to the "rules" of any label, is intrinsic to queerness.

[sparrowlucero]

Hello sorry I am being shy and anon but do you have any advice for someone who wants to get into Doctor Who again after briefly dabbling (and enjoying it very much) in like the early, early 2010s? I know this is mostly your art blog but you were the only person I could think of to ask you're like the Doctor Who authority of blogs I follow

Oh yeah of course! People can be really confusing about this so I'll try not to be.

So first, the majority of doctor who episodes are self contained stories that you could just watch and understand perfectly without any further context. even when there is some overarching context it's usually written in a way that's either pretty easy to glean and/or just doesn't impact your understanding of the story. 99% of the episodes don't even care if you know the premise and are just like "what if some people were on a spaceship and the devil was there? wouldn't that be fucked up or what??". Don't feel like you have to binge a 60 years long show to watch it. Some standalone episodes I think are fun if you (or anyone else) just want to check out one or two:

The Empty Child/The Doctor Dances (A supposed-to-be-dead boy in a gas mask haunts a young woman in world war 2)

Blink (A woman gets wrapped up in a mystery involving statues that make people disappear. This one is especially good if you flat out know nothing about the show. Has some really great time travel stuff.)

A Christmas Carol (A christmas carol pastiche (of course) where the doctor tries to rewrite the past of a cruel man who's going to let a lot of people die. very sad and sweet. I love the "wintery planet with sky fish" setting of this one)

Vincent and the Doctor (The famous Vincent Van Gogh Episode™)

The Rings of Akhatan (A pretty lowkey little adventure story about an alien festival. has supreme autumn vibes)

Flatline (A species from a 2 dimensional world tries to break into our 3 dimensional one. really fun special effects)

Midnight (A tour bus breaks down on a diamond planet where nothing can survive. Something knocks at the door.)

Silence in the Library/Forest of the Dead (The Doctor and friend go to a library that covers an entire planet and finds that everyone has disappeared. Has a lot of really great, interesting concepts baked into it that I won't spoil)

It Takes You Away (A girl is left alone in a cabin in the woods when her dad disappears through the mirror. Has a famously goofy ending that I really love)

73 Yards (A character is steps on a fairy circle and is followed by an old woman who always stands exactly 73 yards away)

The Devil's Chord (This doesn't really have, you know, a plot, but it does have jinkx monsoon as an evil music god)

Boom (The doctor steps on a landmine on an alien planet and cannot move)

Wild Blue Yonder (A two hander where the Doctor and co are trapped on a dilapidated spaceship at the edge of the universe. really atmospheric with some fun/strange visuals.)

That being said, it does add a lot to watch it in order; there's a lot of plot twists, character dynamics, and general payoff you get if you marathon it. I would personally recommend starting with either the first episode of the 2005 show ("Rose") or the first episode of the 2010 season ("The Eleventh Hour") and just watching in order from there. I think you could also start with "The Snowmen", "The Pilot", or "The Woman Who Fell To Earth" if you wanted, but the first two (especially rose) are the better jumping on points.

some other little notes of advice I don't often see people mention:

it's stupid sometimes just roll with it

once in a while the show sort of "reboots" with different writers, actors, directors, and a new tone. it's much more like watching several small shows than one long show, so don't be too put off by the length!

IMPORTANT: pretty much all streaming services will separate holiday/anniversary specials from the show proper and you have to deliberately search them up on the same service to find them. It's really necessary to be aware of this because many of these specials are the first or last episodes for characters/whole eras of the show and are genuinely unskippable. I strongly recommend looking up a list of the episodes and checking it after finales just to make sure you don't skip anything on accident.

there's two spin offs (Torchwood, a more adult (read: gay sex) show about a mysterious agency that solves sci fi crimes, and the Sarah Jane Adventures, a pretty good monster of the week kids show) that ran concurrently with season 1-4. You don't have to watch them to understand anything happening in doctor who, but sometimes they cross over with the show in fun ways, Ex. the first season finale of Torchwood continues directly into season 3 of Doctor Who. My friend and I got a kick out of watching them at the same time so maybe you will too. (either way I recommend watching "Children of Earth", the torchwood miniseries, if you want to see a weird dark sci fi show about the government making contact with aliens. It's a bit like arrival (2016) if it was way nastier.)

alternatively, you can inject fast acting brain poison into yourself with this

anyways I hope this all reads as, you know, more approachable than the way dudes on quora recommend this show:

[dazais-guardian-angel]

Dazai Osamu and the Dark Era: the visual novel (a fan project)

On a whim, I've decided to finally just publicly release this project that I've had laying around for two years at this point, for Dazai's birthday today. It was originally made for my very dear friend @letmereachforthestars , when I first introduced her to the series and wanted her to be able to read my favorite BSD light novel in an easier-to-read format. You need a computer to be able to play. The details and links are under the cut:

If you've never played a visual novel before, it's basically a novel in the form of a video game. Text will appear line by line, one a time on the screen, and it will be accompanied by relevant background visuals, music, and sound effects, to make the reading experience more immersive, and more stimulating than just reading from a book. Some visual novels have actual gameplay elements to them, and some are just books and nothing else (oftentimes dating sims/choose-your-own-adventure novels), the latter of which this is. If you've played the mobile game Bungou Tales/Mayoi, the story sections of that game are basically mini visual novels.

This game was made with screenshots and music from the anime, sound effects from the anime and Bungou Tales and free sound effect online sources, as well as graphics and fonts and other assets from Bungou Tales and other official BSD art (particularly the official anime soundtrack cd covers). The script is taken entirely from the official Yen Press translation of Dark Era, with the exception of about two or three iconic lines that I used different translations of because I felt like they had more impact. Additionally, at the very, very end, I added on the original ending scene from the Dark Era stage play and wrote a few fanfic lines of my own to accompany it you can tell because they are very cringe and don't match Asagiri's writing style.

Before playing the game, there are a few very important things to keep in mind; PLEASE read all this:

I am not a professional in the slightest. I took some coding classes in high school, and have some photoshop skills (when it comes to the design elements of the menus), but for the most part the former wasn't much help here; this was my very first time ever using the Renpy engine, and I made this entirely from scratch. I used my knowledge of playing other visual novels to emulate the kinds of effects and timing that is typical for these games, and I think it turned out pretty well all things considered, but it's still very amateur. This is most evident in the sound effects. The sound effects have no volume consistency between them, and some of them, particularly the gun/battle sfx, can come on very suddenly and be loud. I highly, HIGHLY encourage going into the settings and turning down the sound effects volume (the music should be fine), so that you're not startled by certain sounds when they happen, and for a lengthy time. I wouldn't blame you if you decide to turn the sfx off entirely if's too distracting, honestly 🫠 I am no expert in sound files equalizing and making sound files loop seamlessly, so this was by far the most tedious and frustrating part of the process of making this for me. Hopefully it doesn't ruin the game or break immersion too much if you decide to leave them on (I hope you do, for the rain and clock sounds at least, but again I wouldn't blame you if you can't).

Dark Era is the most faithful light novel adaptation in the anime, but there are still a handful of scenes, mostly fight scenes, that got shaved down significantly. Because of this, there are numerous occasions where I had to simply linger on a black screen or the same screenshot for a long period of time, while tons and tons of narration happens, because there's simply nothing I can show to accompany said narration. This is not ideal, but unfortunately I didn't have much else of a choice in those instances, so I hope it's not too distracting. There are also a few instances of straight-up inconsistencies between the novel and the anime (ex. the fight between Oda and Akutagawa happens in the woods in the novel, but in the anime it's still right outside the art museum), so sometimes what you're reading won't quite match the screenshots I use. Fortunately it's never anything major, but it does happen.

There will sometimes be long, unchanging black screens. Don't worry, the game isn't broken; just wait long enough and it will continue.

Sometimes, a character will get cut off when speaking, and when that happens the dialogue will auto-force to the next line. If you didn't get a chance to see what was said before, check the text backlog/history (in the menu or the H key).

Last but not least, this game was made with the default text speed in mind. Meaning, that when it comes to certain specific scenes, the mood/tone of them, made up of the timing of music, transitions, sound effects, etc, all of it was arranged around the speed at which things progress when using the default text speed. I completely understand if you can't, but if at all possible, please try not to change the text to go too much faster or slower, especially faster, because certain scenes will lose a lot of impact otherwise. If you already know Dark Era, you probably have an idea of some of the scenes I'm referring to. At the very least, during the more high-stakes/intense scenes, please try to play through those all at once without stopping, for the greatest impact based on how I designed the game, and only pause/quit during the slower scenes. There are specific moments that I'm really proud of how they came out, and I'd like for them to have the maximum impact that I intended :') (also note that if you make the text appear instantly, the cut-off dialogue mentioned above simply will not appear at all, and you won't even know to look back for them, so please refrain from making the text instant at the very least)

Ignore the cringe sappy final message

...I think that's everything. With all that out of the way, here are the links for both PC and Mac:

Download the PC version

Download the Mac version

This was a passion project for me for a good many months back in 2022. It started out just as a gift for my friend, but in the end I was really satisfied with how it turned out, despite how tedious and frustrating it was to work on. I've been hesitant to share it with the fandom for all this time because I kinda doubt anyone would really be interested in something like this especially since it's not stormbringer or beast, but someone on discord who tried it told me that I should share it, so here it is. I'm sharing it not just because I'm proud of my work, but because Dark Era is a truly amazing light novel — underrated, in my opinion (yes, I said what I said) — and far better than the anime adaptation, as good as that is, and I want more people to read it. If reading the books is hard for you and you've never read Dark Era before, if I can help just one more person to read it with this, I'll be happy, and consider my job done. 💖

I so desperately want to make more of these visual novels for the other light novels, but sadly, some of them simply aren't possible thanks to how many scenes are missing from the anime, like with Entrance Exam in particular. I've also been waiting with vain, thin hope that Bungou Tales will eventually reach seasons 3 and 4, so I can use their Fifteen and Untold Origins title screens like I did here, if those ever exist. However, I'm also held back thinking about certain scenes that would require some redrawing/drawing additional details to match what's written in the novels. If anyone has any ideas on things I could do to possibly get around these issues, or just thoughts in general about how the other light novels might be tackled, or if you're an artist who can recreate the anime's style and takes commissions/knows someone who does, I'd absolutely love to hear from you! As well as any advice/help on how I can smooth out/improve this project here!

Anyway, sorry for the long wall of text. Thank you for reading all this, if you did, and if you do try the game, please let me know your thoughts; I crave any and all feedback. 💙✨

[serpentface]

First Goose of Spring: What was it like living in Cynozepal?

"...I haven't actually seen much of it, but the kingslek had the most stunning view of the mountains. They rise higher than anything you've ever seen, I'm sure, all the way up to the clouds. And our serfs actually live up there! It must be awful, braving the heights and fending off those little qilik barbarians. But we are a very strong people, so they manage just fine.

But the kingslek was the very best place in Cynozepal. It had everything you could possibly want. There was a garden with a little herd of horses living in it, and a spring to bathe in, and musicians and singers, and plenty of good food and wine, and the finest cushions to sleep on, and a HUGE library that had every book in the civilized world, probably? And there were always tons of servants around to care for us. My handmaid, Gray Gull Comes Home Wealthy With Fish - may her next birth be prosperous - lived in the kingslek too. Because she used to be a concubine, I guess? And she was the best of all. I never learned to read like my older sisters did - may their next births be prosperous -, but she would read to me whenever I wanted so it was okay.

So obviously I never wanted to leave. But my sisters and I had to leave the kingslek sometimes. Like when our mothers and father had very, very important guests, or when there was an execution, or for the solstice songs. And this was always a dreadful bore. But Gray Gull Comes Home Wealthy With Fish would always bring my favorite books along, so it wasn't TOO bad. And she would always, ALWAYS carry me there on her back. Until I got too big, but we have litters for that.

And now, I am expected to walk everywhere. EVERYWHERE! Or fly like a serf, sun be swallowed. I hate it here."

---

Notes:

-Goose is the absolute worst source to to ask about life in Cynozepal. First and foremost, she's a young child and hasn't been on this earth all that long (she's cognitively equivalent to a human preteen, and is 5 years old). As the third youngest princess among 39 daughters, Goose spent the vast majority of her life both cloistered in the kingslek (which is a privilege) while experiencing little to no pressure to excel and being minimally educated (as she was exceptionally unlikely to be married into an important political role). She would leave this space only infrequently, and never once stepped foot outside of the palace grounds prior to her dynasty's fall.

...And she LOVED it. Now she’s out seeing the world firsthand, breathing the fresh air and feeling the ground beneath her feet, and it fucking suuuuuckkkkkssssss, man.

-The kingslek refers both to the collective women in a royal family (wives, concubines, daughters, all of whom will typically outnumber the men at LEAST 20:1) and the domestic space in which they live. This is a massive section of the palace (as it houses most of the members) complete with its own amenities, gardens, etc. It is functionally the center of power and politics within the palace (the culture itself is not outright matriarchal, but the institution of the kingslek effectively has more political power than the king, and tremendous sway on his actions).

-Honeythief is translating for her. He frequently manipulates his translations to make her sound a little more down to earth (but still regal and far, far more important than you) and less like an exceptionally ignorant, spoiled child, but his translation here is accurate.

-Crown Cynozepali language is (and a majority of caelin and delkhin languages are) predominantly tonal in nature, supplemented with rapid clicks and deep booming 'drum' beats (it is these aspects that are physically impossible for humans to accurately reproduce). To a human ear, these languages often sound like vaguely musical but discordant barrage of sounds. I'm attempting to represent this visually with dots and squiggles.

-'Little qilik barbarians' is not referring to qilik of the region as a whole. She is referring disparagingly to the Cu-Chukka, which are a people that traditionally inhabit the higher reaches of the Azure Mountains, and do not frequently interact with the Crown Cynozepali sphere outside of land conflicts with serfs (who build their homes at high altitudes and often encroach on Cu-Chukka territory). 'Barbarian' in this context is a racist and xenophobic insult that groups together all qilik, caelin, and delkhin peoples that do not speak Crown.

Honeythief is Chit-Sut-Susit (a nationality native to parts of eastern Cynozepal and the Ch'Chen plateau, most of whom exist within the Crown cultural sphere), and is not receiving a microaggression in this particular context.

-Crown Cynozepali personal names are descriptive phrases. Song and poetry is of central cultural import, and naming conventions are rooted in these poetic traditions, designed to be beautiful and evocative turns of phrase. This is often lost in translation, and the names take substantially longer to speak when translated into most human languages.

-There are taboos surrounding speech that evokes the recently dead (defined as within a solar year), that require additions of placating phrases that will dissuade the dead from attaching to the speaker and direct them towards a good rebirth. "May her next birth be prosperous" is one example. Goose's handmaid and most if not all of her sisters (among other relations) were killed in the coup.

-The 'solstice songs' refer to traditional 'boomsinging' performed at the summer and winter equinox to call down the Solar Dragon. (boomsinging is an artform utilizing the deep, thunderous vocalizations caelin and delkhin can produce- sounds like a combination of throat singing, drum beats, and a noise kind of like a sage grouse display but deeper. The sound can travel for miles)

-'Sun be swallowed' is a translation of a phrase used to (often hyperbolically) emphasize the horror and depravity of a situation. Kind of saying 'what's next? the end of the world?'.

-Kingslek members and royalty as a whole are transported from place to place in litters and carriages, but they aren't carried literally Everywhere (they do like, walk). Goose recalling constantly riding on the back of her handmaid is describing a time where she was a tiny 5 lb child (a phase in life where most caelin and delkhin children will ride on their mother's backs).

[dira333]

Date Nights - Aizawa Shouta

From the Date Night Series - Tagging @alienaiver

Edit: You need to have this visual while reading

1.

“Are you ready to go?”

Shouta looks up from his desk. He’d been so close to resting his head on it, to giving his tired eyes some much-needed rest. 

Your smile is warm and inviting. And it makes something tingle in the back of his brain, something he’d been trying to remember all week.

“Oh no,” he groans softly, “I forgot our date.”

Your smile doesn’t falter.

“I heard about your day from Hizashi,” your voice does not carry any resentment yet his heart is thundering in his chest. 

God, he’d been so anxious about it, had been pondering where to go and what to do for hours, how could he forget?

“Let me just get a coffee real quick and we’ll be good to go,” Shouta insists. He’ll also need at least five minutes in a bathroom and a spare change of clothes. He knows he looks more like a homeless person than anything else right now and he probably smells like it too.

“No need,” you wave him off. His heart stutters to a halt. 

Please don’t cancel, Shouta thinks, just as you reach out and take his hand. Your fingers are warm against his own cold ones, bad circulation be damned.

“I asked you out, so of course I planned the date. Come on, we don’t want to miss anything.”

“But coffee-” He manages, his heart pitter-pattering away as he follows you down the hallways of the school.

They are deserted, thankfully. As much as he loves the feel of your hand in his, he couldn’t bear it if anyone saw. 

Your car is a lime-green monstrosity. You smile sheepishly when he stares at it.

“I like bright colors,” you shrug, “And I’ve never lost my car in a car park since I’ve bought it.”

He can’t argue against that. The seats are soft and he can feel himself slipping, almost falling asleep against the window. When he jerks away, adamant to at least look awake if he’s not looking like much else, he finds your hand resting on his knee. His mouth runs dry. Can he? Is he supposed to? 

He puts his hand on yours and you turn to smile at him before looking back at the road. 

It’s a quiet ride. Somewhere in the organized chaos of his brain, he jots down that you don’t listen to music while you drive. It’s a welcome change from sharing rides with Hizashi.

“We’re here.” You park in front of an apartment complex. “Come on up.”

Your keys jingle in your hand as you walk in front of him, up the stairs and down a hallway. You open the door that has your name on it.

His heart thunders traitorously. Did you bring him to your place for your first date? Why?

His mouth won’t let him form words, so he follows you silently, his mind racing ahead. 

It’s only when he’s slipped out of his shoes and pulled on the bunny slippers you’ve placed for him, that he makes sene of what’s going on. 

In the middle of your living room is a fort of pillows and blankets, big enough to house All Might in his muscle form if he wanted to.

Shouta stops and stares. You do flourish your arms. “Tada! Do you want something to drink first? I thought it was a good idea because you honestly always look like you don’t get enough rest and it’s important to take care of each other’s needs in a relationship and I asked you out so-” 

It’s the first time he’s heard you rambling today and the familiar sound soothes his nerves a little. At least you’re nervous too.

He steps forward, boldened by your own actions, and kisses you.

You sink into it right away, arms thrown around him to pull him even closer.

When you pull back first, he can’t help but chase after you, to sink further into your embrace as you giggle with your face pressed against his neck.

“I’ll make you something to drink, okay?” You whisper, face still hidden away. “Make yourself comfortable.”

He wakes up hours later, throat perched, head in your lap.

You’re reading something on a tablet, one hand free to drag itself through his hair in a motion that could put him back to sleep again.

“So, about a second date…” You ask when you stop at his place in the morning so that he can get a fresh set of clothes before work. You’re not looking at him but your hands are squeezing the steering wheel, telling him how nervous you are.

He leans over and kisses you, pouring all his feelings into the gesture.

“There’s a bookstore in my neighborhood,” he offers, “We could go there after school. Today shouldn’t be as draining and even if, I want to go with you.”

Your smile could light up the world. It certainly lights up his.

-

2.

“Ready to go?” Shouta’s patting himself down as he asks. He’s got his keyes, his pain medication, his phone is fully charged and his wallet’s there too.

You’re still on the Couch, petting Muffin. The old tabby is purring so loud he can hear it from the entryway. 

“For what?” You ask, a little distracted by Muffin trying to chew on your fingertips.

“We’ve got a Date, honey. Why did you think Deku picked up Eri?”

“Because he wants to spend time with her?” You pull Muffin from your lap and deposit her on a pillow, kissing her head when she mews.

You yawn as you walk over, don’t cover your mouth in favor of brushing the pet hair from your legs.

“What kind of date?” You ask as you pull close and kiss him, snuggle into his embrace.

“There’s this new Bookshop a few blocks down. I walked past it a few times when I went to the park with Eri and it looked promising.”

“Really?” You furrow your brows. “How do I not know about it? I’ve never seen one when I go to the park with her.”

“That’s because we take a different route. More cats, less foot traffic.” He kisses your cheek and pushes you toward the bedroom. 

“Five minutes, you need a different sweater. I won’t go out with you looking like this.”

You stick your tongue out at him, but comply. 

When you come back, he can’t help the laugh bubbling in his throat. You’re wearing a Ganriki Neko sweater in purple and turquoise over a purple skirt and turquoise tights, an outfit he’s seen last at one of Hizashi’s costume parties.

“How do I look?” You ask, batting your eyelashes at him.

“Like I need sunglasses to take you in,” He jokes.

The walk to the bookstore is short and quiet. You’ve been distracted lately, 

Maybe it’s the new Class you’ve got or Eri’s recurring nightmares, but he’d been planning a date like this for a while now. Taking a break just hasn’t gotten easier now that they’re parents.

“Pspsps,” He leans down to feed a snack to the little black kitten that Eri has fallen in love with. It’s well groomed and clearly belongs to someone, but it loves coming over to say hi.

-

“I’ll get us some drinks,” Shouta declares the moment you step into the store. It’s lovely, not entirely rebuilt, but rather renovated, giving the old, darkened wood some new life. 

You nod and wander around, peeking at the shelves in search of something that tickles your interest. He finds you in the non-fiction aisle not much later, deeply invested in a cookbook.

“This has everything,” you explain. “How to eat during your pregnancy or if you want to increase the chances as well as how to feed children of different ages.”

“Okay? How are the recipes though? We’ve got plenty of cookbooks at home we don’t use.”

“True,” you grumble. It’s your least favorite thing about him, how he tends to stop you from impulse buying. He offers you your drink before you can dwell on that any longer.

“For you, sugar with a side of coffee.”

“Har Har.” You mock laugh before taking a sip of the concoction, furrowing your brows a little. “It tastes a little off,” you claim. “Did you ask for something from the menu?”

“No, I gave them your special recipe. Sorry, do you want something different?”

“No, it’s fine. They probably made it for the first time this way.” You take another sip and your brows relax. “I’m just a little weird today.”

“I’m a little weird everyday,” he offers and you lean into him, heavy, warm and familiar.

“Let’s take a look around, shall we?” He grabs your free hand with his, swings them around as he pulls you forward. There’s plenty to see and soon enough, his arms grow loaded with books. The newest edition of the manga Hitoshi reads, a signed biography of a Hero Hizashi’s still very enthusiastic about, bookmarks and a little Neko Nightlight for Eri, the list goes on.

“I need to sit down for a bit,” Shouta exclaims when you turn back towards the non-fiction again. “You can find me at the children’s books.”

“Okay.” You get on your tiptoes and kiss his stubble. “I won’t take long.”

-

Shouta’s halfway through a book about a little mole looking for a home when you come back. He’s accustomed to the sound of your footsteps, even if they come a little more hesitant, like now.

You’ve got one book in your arms, the title hidden as it’s pressed against your stomach. 

There’s a shy smile on your face as you turn it around to show him the cover.

“How to be Pregnant for Dummies.”

He reads it and reads it again. The news take a moment to seep into his brain but when it does, he almost takes down the book display with how fast he jumps from his seat.

“No way!” 

“SHHH!” Someone shushes him from the front. Shouta doesn’t care.

You’re smiling, eyes a little teary.

“Since when do you know?”

“I got the results today, but I missed my period so I’ve had a hunch for a week or so. It’s still pretty early.” You giggle when he peppers kisses all over your face, making it almost impossible for you to keep talking.

“Sorry, I was a little bit in my head the last few days.”

“It’s okay. It’s big news.”

“Hm. How do we tell Eri? And Hitoshi? And-”

Shouta turns around and pulls a book from the pile he wants to buy.

“Little Neko got a sibling?” You ask, a little dumbfounded. “How did you know?”

His smile is a little sheepish. He can never lie to you.

“I didn’t. But the Neko was cute.”

You laugh at that, pull him closer. It reminds him of their first second date. 

Of cuddling in a corner at the bookstore, away from prying eyes.

Some things will never change, even with a metal leg and a new life on the way.

-

“Where do you wanna go next?” He asks when the books are paid for, hanging off his right arm as you lean onto his left.

You blink up at him, eyes still a little red-rimmed from all the happy tears.

“When’s Eri coming home?”

“Two hours, maybe. Do you wanna go home and cuddle?”

You ponder that for a second, your hands warm on his. 

“Let’s get ice cream,” you decide, a wide smile on your face. “And when we get back, we can make a fort!”

Shouta pulls you close, presses a kiss onto the top of your head.

“I love you.”

“Mhm,” You grin up at him. “I love you more.”

My Kofi if you want to tip me

[thewanderingmask]

my submission for the hermitcraft season 10 fan art gallery: Xisuma Eternal! (actual size on left, embiggened version on right)

there are a ton of little thoughts that went into this and i will now go off about them at length (ramble under the cut)

let's start with the image layout and composition! my first idea was to do an homage to the original doom box art because of X's skin, but ultimately I decided on referencing this Eternal cover (hence the title of the piece) because it sparked some stronger ideas in my brain.

i still wanted to keep that link to the original though, so i did my very best to emulate the original logo with X's name - replacing the original texture with binary as one of many references to X's role supporting the technical side of the server.

(for no reason other than my own amusement, the binary in the letters is translated lyrics from X's verse in the hermit gang song. i don't even know how much of that is still visible after lining the letters, but i liked putting it there)

i've only been watching hermitcraft for a few months, and there's an awful lot of history i don't know about. so i focused on doing my best celebrating builds X has worked on here in season 10! i would have loved to include his base as well, but ultimately i ran out of room.

(there are still a few nods to other seasons based on knowledge i've acquired through osmosis. evil X is the most obvious, but i was also able to sneak in a couple small carvings next to the X in the title text!)

coming back around to xisuma's work on the technical side, that's why Evil X is backed by error windows. it's also why xisuma is holding a toolbox! it was the best visual metaphor i could come up with for the digital job of maintenance and repair.

(and of course he has a lovely cup of tea as well)

the allays (holding redstone) are partially in reference to farms X has been making, partially bringing back in that angelic/demonic vibe of Doom, and mostly because their intended role of supporters and helpers feels very thematically appropriate for X.

the lines in the sky are of course meant to evoke the shapes of mace race, and the black cube is a minecraft-ified version of the Soulside Eclipse logo.

(if you're not familiar, that's xisuma's music! it's good!! give it a listen sometime! it's on youtube!)

the silverfish at the very bottom are visual reference to the demon hordes of Doom - and of course they're also much more directly referencing X's very clever prank in impulse's city.

finally, on the walls of spawn we have the carved symbols - one for every other hermit. i remember X mentioning in a stream once something about fulfillment from supporting others. (i apologise if i'm remembering less than clearly.) it just felt like if i wanted to represent X, it felt important to include them as well.

and of course it made me happy to do something for Every hermit, since all of them

(smallishbeans/joel was actually the one i got most stuck on! there wasn't really a single item or symbol i could think of to narrow him down to. ultimately i decided on a torii gate and a little letter J, but i'm honestly still thinking about it)

ah right, and the Actual last thing: this turner out to be totally unnecessary, but i absolutely did draw this in the minecraft map hex code colours. it's a tricky palette to work with, and i learned a LOT about pixel art while trying to get the sky to look nice!

this piece took about 10 days to complete, maybe the longest i've ever spent on a single illustration like this - and honestly, i'm really happy and pretty proud of how it turned out!!

[emmcarstairs]

The Ghoul and Lucy MacLean as Modern Orpheus and Eurydice: A Fallout Meta

(art by Jean-Baptiste-Camille Corot)

We’ve all heard the Greek myth of Orpheus who ventures to the Underworld to bring his wife Eurydice back to life. It’s one of the greatest tragic love stories that has been retold and passed down to us in different forms of media.

Isn’t it interesting that Fallout begins with The End and ends with The Beginning? It refers to the bombs falling in the first episode, and the past being revealed in the last, but I believe it goes deeper than that. It’s a direct reflection of Lucy’s character journey.

Lucy’s journey begins with the shattering of her perfect world. It's the end of her life as she has known it. The event that triggers her descent (in her case, ascent) is the raiders’ attack. Which significantly happens at her wedding. Lucy is stabbed by her husband who had snuck into her Vault with deception. Similarly, Eurydice is bitten by a snake at her wedding with Orpheus, which kills her and sends her to the Underworld.

Interestingly enough, if we think of Norm's words as Lucy walks down the aisle, the Ghoul is coded as a possible husband for Lucy. And it's only after she goes to the Underworld/Wasteland that we are introduced to the Ghoul.

In a post-nuclear world, hell would be on the surface and heaven under the ground. The Ghoul emerges from the underground like Lucy as if he's coming after her. (It's funny that three men welcome him as if he's Orpheus at the gates of the Underworld and they're Cerberus.)

After the tragic wedding, Lucy resides in the Underworld. (An important note here is that while we learn that the Wasteland isn't dead, it is perceived as an Underworld by the Vault dwellers.) Throughout her journey, there is one person who, by happenstance, is always on her trail.

In the final episode titled The End, we find some thematic and visual similarities with The Beginning. Lucy is again betrayed by a person she considers family. Also, the passage of time in both episodes (midday-sunset-night) is clearly marked by the change of colors in the sky.

Two significant scenes for Lucy happen during the sunset. As a symbol, the sunset stands for transition or even death. The world is changed for the night. It's both an end and a new beginning. It's a meeting between the day and the night. In both these scenes, Lucy agrees to share her journey with another person.

If we rewind back to the Ghoul's entrance in the scene, we see him catching Hank by surprise with his words. In fact, the Ghoul speaks a lot and almost enthralls his enemies with his power of speech/acting. It's reminiscent of Orpheus' gift of music which helps him tame the beasts.

Here begins the deviation from the original story. In the myth, Eurydice has no agency. Orpheus ventures into the Underworld, begs for her soul, and takes her on the journey back. Some modern critics point out she'd already forgotten him and wouldn't want to return back to life.

The Ghoul offers Lucy a clear choice between her staying with the dead (in this moment, they are surrounded by Max's unconscious body and her mother's remains, as well as the soldiers' corpses) and risking that she dies herself. Or going with him to learn more about the world.

Another important element in the myth, is the backward glance. Hades lets Eurydice leave the Underworld on condition that Orpheus doesn't look back at her until they make it out. As they near the exit, Orpheus turns back and Eurydice vanishes back in the Underworld forever.

In this case, the backward glance isn't a condition. Yet, in this scene, the Ghoul and Lucy's gazes don't meet at all! He has his back turned to her and the one time he turns around, she isn't looking at him. It shows their vulnerability but also their newfound mutual trust.

What follows is the scene that inspired this whole meta. The night has fallen. The Ghoul climbs up from a ruined building's dark exit alone. After a moment, Lucy emerges too. They have made it! And the Ghoul still isn't looking back at her. He leads and knows she'll follow him.

Take a look at this bit from A. S. Kline's translation of Ovid's Metamorphoses, Book X, and look at the following frame:

"They took the upward path, through the still silence, steep and dark, shadowy with dense fog, drawing near to the threshold of the upper world."

A final note about Orpheus and Eurydice's names: Orpheus means "the darkness of the night", while Eurydice means "wide justice". Well, what can I say?

Looking back on my Lucy analysis, it's interesting that the final scene with them both emerging from underground marks the transition between Act 2 and Act 3, or Death (Transformation) and Emergence (Support). This would've been Eurydice's POV journey if Orpheus had succeeded.

[shewrites444]

fire [coriolanus snow x reader smut]

[Hello! It has been awhile. I wanted to switch it up and try out a fic on young Coriolanus Snow’s character from TBOSAS after hearing about the new Hunger Games movie! Please let me know if you enjoy his character. I also apologize if this story has some imperfections, I did not edit it.]

WC - 4.3k

SUMMARY - The reader is a prestigious pianist and composer for the Capitol. She finds herself in a mental, and physical, battle against her attraction to President Snow throughout his dictatorial rule and loveless marriage as months go on. Attempting to get under his skin through a rather bold encounter, she finds herself back to where she started as he reminds her of their similarities, but she holds more power above him than anticipated. 

WARNINGS - Cheating, angst, cursing, choking, fingering, detailed & unprotected sex. Coriolanus is a bit sexist and also doesn’t know how to shut the hell up, so fair warning on that. 

-

Coriolanus had spent the past few months focused on nothing but his political reputation, and the power he only continued to gain in the Capitol, along with the Districts. Well, it was more of a submission than anything, fear spread through Panem as his reign as President, or as many called him, a dictator, was unveiled. 

He had no focus on his chosen wife, Livia Cardew, knowing that she was solely a prop for visual acceptance, a showcase of a wife that he was able to find someone who supported him through his political career, and the most important time of the year, of course, The Hunger Games.

When the games were approaching, the Capitol organized several socials and meetings throughout the upcoming weeks in order to network Coriolanus with his political and social allies, the game-makers, the Academy students that were interested in working with Dr. Gaul and the rest of her associates, and any other connections that were essential to the duration of a successful season. 

I found it disgusting, and inhumane, just like those in the Districts, but I, just like everyone else who was ranked underneath President Snow, had to find ways to cautiously approach such a season of brutality. 

Serving the Capitol as a pianist and musical coordinator by trade, I found ways to avoid the Districts and remain in a fairly comfortable lifestyle as the years went on. I had been working mainly for Coriolanus’ wife, Livia, for her social events held with other women of the Capitol on weekends, typically. I had assumed Livia told Coriolanus of my talents, and the orchestra I would often accompany, so that’s when he had me perform before a meeting with several of his associates. That’s when it all began.

Was I just ashamed? Yes, but I was more disgusted with myself than anything. That was the best way to put it.

It was shameful, and quite out of character for me to be a mistress, for one, but it was worse to know the same man I often slept with was the reason for so many innocent and unforgiving deaths across Panem. How the hell was I supposed to get out of this entanglement, though? If I left, or even expressed that I was thinking about it, I’d be as good as dead. 

I hadn’t seen him in a few weeks, but when the buzz amongst the games began to pick up, I knew he’d be in my vicinity soon enough. Livia had asked me to perform for a social before the Reaping Ceremony, which I obviously obliged to. Something in me felt that she knew of my arrangement with her husband, but something else told me she didn’t even care. She had all the power in the world, and Coriolanus wouldn’t dare harm her; it would forever damage his reputation. She had nothing to lose. She knew I had everything to lose. 

“You were wonderful, as always.” Livia chimed, handing me a glass of wine as I walked onto the marble floor soon after my performance. I returned a gentle smile, sipping lightly from the clear glass before clearing my throat to speak up. I was used to being rather quiet, given my nature as a pianist. I spent most of my time practicing and playing in solitary, so I was not much of a talker, especially now that things had changed over the course of the past few months, but I kept my composure, and I remembered who I was conversing with. 

“Thank you, Mrs. Snow. I find it an honor you allow me to perform for such special occasions.” I say, my eyes scanning the room as I watch men and women of heavy rank socialize throughout the floor, some already dining, some already on their second drink of the night, maybe more.. 

Livia looked me up and down briefly, watching my nervous demeanor unwind. She watched me stand still, glancing around the chattery room, my fingertips lightly tapping my glass. A small smile wrinkled onto her lips. “Well, I will leave you be, Miss [Y/N], I’m sure you are quite tired.” She reached to gently hold my shoulder, sending a cold shudder across my bare skin. “Have a wonderful evening, alright?”

“Yes, of course, you as well, Mrs. Snow.” I watch her walk away, feeling as if I could finally breathe again. 

I felt faint, nerves stemming from Livia’s appearance sending me over the edge, and the usual guilt I felt only more demanding as seconds passed. I set my glass down before walking out the ballroom’s door, which led down a dim hallway stacked with offices, and a bathroom more towards the back. I had been here plenty of times before, so I knew a spot where I could cool off and freshen up for a few moments. 

Opening the bathroom door, I felt a hand press against the wall beside me, to stop me. I glanced up, his pale, slim fingers planted to the side of my head, making my face turn white. I slowly let go of the door, turning to face Coriolanus. He looked down at me, a sly look on his already smug expression, no shame in his blue eyes. It made my stomach turn.

“President Snow.” I said, my eyes averting to each side of the hallway, scanning the wide space to assure that no one was around, before looking back up to meet his gaze. “You startled me. I was just going to freshen up before heading back to the party.”

“Please, spare me the formality, [Y/N].” He grinned, taking his hand off the wall before moving it to my cheek, making my face heat up. “Come with me, hm?”

“Your wife is not even two doors down, Coriolanus.” I drip his name out in a cautious whisper, which he had given me permission for ages ago. He struck me as the type of man who’d prefer a formal reference, maybe even find attraction in it, but I suppose he’d rather something else from me. I didn’t question it. “And the rest of your business partners, might I add.”

Coriolanus laughed, almost mockingly, at my seriousness. “You think she is not aware of you and I, [Y/N]? She is not a fool.” He patted my flushed cheek before he grabbed my hand. “Now come with me.”

I didn’t argue further, just nodding silently before following him down the hallway. I recognized where he was leading me, just from a different direction. The Capitol was like a maze, at least the inside of it, but I had memorized much of it from Coriolanus, and my work. We head to his bedroom, the sound of my heels clicking against the glossed floor while he walked me further.

I hear him close the door, mentally preparing myself for what was to come. It’s not like I didn’t want him, because I did, it was more that I didn’t want the reprimands of being caught, or feeling so dirty for what I was doing. There was an underlying guilt each and every time I slept with him, or even as much as I spoke to him, no matter what the circumstances were. 

As the door locked, Coriolanus turned to walk towards me, before I took a step back, much to his surprise. He raised one of his light eyebrows, a confused, yet intrigued look on his face. I never denied him, and who’s to say that I was? I didn’t even know what I was doing, other than thinking out loud, which only made my blood run colder.

The tension in the room was tight, and could be cut from a string as thin as the threads that held what was under my gown together. I could hear myself breathing, and my thoughts racing to spit out of my shut mouth. My eyes lifted up to his own, and I stood straight, and firmly.

“Out of all the women in the Capitol, out of everyone you could have in the ways you have me, why did you choose to tangle me into your mess?” I ask, rather impressed with my own forwardness. “Why must it be me?”

Coriolanus shared a similar look as my own, but his expression curated itself into some sort of cheeky grin, almost as if he enjoyed my slight rebellion. He knew I didn’t take orders, so he never bothered ordering me around. He didn’t have to ask, he knew I liked it, and he knew I’d comply, and he also knew I felt guilty every time, but I never posed such a question, until now.

He tucked his hands into his slacks, stepping closer, his slim, tall build hovering before me.

“It is you because I find everything I prefer in you.” He answered flatly, following my questions. “My wife has no regard for anything but her own status, which I can admire, but she does not have any reason to achieve anything more. The women who seek to improve their status, say, by sleeping with me or attempting to, seek to achieve more than they ever will. Then there is you, who is firmly placed in between all of these women, who holds prestige, who holds respect, yet, in every way possible, feels that she is less deserving of it because she holds attraction to the one man she cannot have.”

His words frustrated me beyond my usual measure, and I couldn’t contain the pressure pent up in my chest, eagerly awaiting to push through my quivering lips. He angered me, and he made me feel lesser, when this entire time, he was the one who took out his frustrations on me, and he was the one who ran from every ounce of affection he was once offered, and threw it at me. It was always in the back of my head, yet I found myself in a delusion, one where I would never allow myself to see the truth, but it all came to me as he spoke. 

“You are the one who cannot have me. How could I make that anymore clear? After all this time, all these months of you thinking your usage was one-sided, how could you not see it, Coriolanus?” I loosened up my posture, and stepped forward, nearly closing the irritable gap that was between the two of us. “You are the one who finds me after my performances, you are the one who pursues me, time and time again. I comply, yes, but I am not the one who soughts after you.”

He blinked. I could read it as clear as day that he was taken aback by my words. A satisfying feeling burned in me, yet the tension geared towards the uncertainty of our conversation never left. I spoke up, and I was not pretty about it. What would he do now? Surely a pianist disappearing wasn’t common, but I wasn’t Capitol royalty, so it’s not like he couldn’t disregard me if he wanted to. Would he do that? No, I was too valuable to him in more ways than one. How worked up he got over this affair showed me that.

“Seems we both have our issues.” He hummed. Another foot stepped closer to me, the tip of his shoe nearly stepping on mine, but he knew that. He reached forward after pulling his hands out of his pockets, and cupped my cheeks with both of his cold, large hands. His thumbs pressed against my lips, and I could feel my lipstick brush against his fingers. “Yet neither of us have ended the arrangement between us. Why do you think that is?”

“Don’t make me answer that.” I shake my head, reaching my hands up to pull him off of me, and lightly push him away. “I will not engage in such a conversation.”

“You’re the one who started this conversation.” Coriolanus grabbed my wrists, yanking me forward. He leaned down to press his lips against my own, causing me to gasp, and attempt to fight it, but I couldn’t.

He knew I liked it, and he knew how to use it against me. I sunk into the feeling for a brief moment, before I pushed him off me, my hands planted against his dress shirt as I gripped the material, holding him in place while he looked down at me, his once slicked back curls falling forward, a few loose hairs against his forehead as he grinned, my lipstick against his pale lips. He tilted his head, his hands moving to grip my waist rather harshly, just enough to keep me still.

“Do I have to remind you how crucial this arrangement is to you? To make you answer my question, hm?” He held me, walking me closer to the opposite side of the room. Aggressively, he kissed me once more, flipping my body to face his vanity, while still keeping my face turned to his own.

He ran his hands down the side of my gown, bunching it up enough that he could push it underneath my chest to remain upright. “You claim to despise what happens between us so much, and you hate that you are what stands between my marriage, yet you cannot seem to walk out the door. Come on, [Y/N], you and I both know you are a bit afraid to fully defy me, but you don’t even try to, until now. But it’s all talk, you’ll never really break anything off.” He reached between my legs, which nearly trembled at his touch, as his fingers slipped into my underwear. 

“And you’re already wet.” Coriolanus mocked, looking at me in the mirror as he slowly slipped one of his fingers into me. He watched my mouth open, a pleased, and frankly, egotistical grin on his face, knowing he had gotten to that part of me so quickly. “Is this why you have not ended what continues on between us? Because no man can make you cum the way I do? Am I really so vital to you?”

“You are insufferable.” I gasp, closing my eyes as he began to work his fingers into me, the sounds of my pleasure much more relevant in his room than I’d prefer them to be. “There are many things you refuse to admit to me, too.”

“Exactly.” Coriolanus looked between my legs as I stood before him, the pressure in his pants brushing against the back of my gown. “We are two different people, yes, but we both have secrets that we strongly refuse to admit, yet we can read it on each other’s faces. You know I’m right. I see you more than anyone else, and you hate it. You hate that I can see you.”

“Then why do you treat this with such amusement?” I chime back, opening my eyes to glue them to what was occurring before me. I could feel his free hand move to begin sliding my underwear down. “Why do you mock me, when the scenario applies to yourself?”

“Because I have nothing to lose.” He returns, shooting me a glare as he drops my underwear to the floor as they pass my hips. “My wife is aware of my distaste for her, and for much of any affections. The Capitol will never question me because they know their lives, and their families, are at stake. No one will question me, [Y/N]. They have too much to lose.”

I feel him move his hand behind my back, tugging at the zipper that restrained him. He keeps his rhythm, and he keeps his eyes against my figure. He knew he had the upper hand, it would be impossible for me to overturn his rank, and his power, and nearly everything he had that I did not. I was constantly reminded of it, especially like this. 

“Then why entertain the idea of me holding any sort of power over you through our affections? Why bother administering mockery upon me, Coriolanus?” I hiss through clear annoyance, struggling to hide the pleasure that wouldn’t seem to brush away from my core. He wasn’t giving up any sort of competence. 

Coriolanus lightly pulled his fingers from me, grazing them against my inner thighs before turning me around, and holding them to his mouth. He licked his fingertips, causing my stomach to drop at the sight, while a smirk cracked onto his tinted lips. 

“I have never been with a woman who tastes as good as you.” The sound of his tongue swirling against his fingers made me weak, and the way that someone so manipulative, so cruel, was licking a part of me, felt wrong, yet it didn’t. It was a confusing battle with oneself. “You hold that power, if you must know.”

He pulled his fingers away from his lips, wiping his hand against my dress before tugging it out from under my covered chest, standing straight as he began to pull it off me, and I just let him. Fucking hell.

“You think I’d fuck a woman I didn’t hold any sort of value to? You think I would waste my time with mindless affairs filled with women whose sole purpose in life is to please me, and to please their husbands? The only pleasure they gain from me is validation, nothing more.” He moved my dress down my shoulders. “You want me to fuck you, [Y/N]. Not just any man of rank, me. It makes you sick, doesn’t it?”

“You fancy me just as much as you do anything else you do for yourself.” I feel him move my gown above my head, over my long, slicked ponytail. “You do this for yourself, no one else. You like that I feel such a way.”

He shook his head, dropping my dress on the floor beside my underwear. “Power and value are different. If I wanted to have power over a woman, I’d be fucking my wife, not you.”

My eyes widened at his words. What was his angle here? This argument was endless. “Then why do you act like you have so much power over me? You want to talk to me about value, yet you show none of it. You only exert power, and your ego, against me everytime I feel your touch. You fuck me like you own me, like you hold such a rule, yet you claim that I hold some sort of power. You baffle me.” 

He took my hands and moved them to his length, in which I nearly shivered upon touch, reminded of each and every time he came close to me, and how large he felt when he was inside me. I lightly stroked him soon after I spoke, watching his bottom lip slightly fall at my fingers. He began to unbutton his shirt.

“Am I supposed to make this easy for you?” He teased, sliding his shirt off his shoulders, now standing in nothing but his unzipped pair of pants and boxers that rested just above them. “Must all you women figure things out without assistance for once?”

“Oh, god,” I scoff, my eyes rolling off irritable instinct as I continued my actions against his stiffened cock. “You are-”

“Insufferable?” Coriolanus cued, raising his brows, his hands moving to guide me towards his bed, as we mutually climbed onto it. “I don’t imagine my cock is insufferable, at least, given your generous duration of touch.”

I groan, watching him lay as I motion my body on top of his. If I had some sort of power, as he seemed to suspiciously claim I do, surely I could show it? I glance at him, feeling his hands reach below to grab my ass, toying with the loose flesh as his instinct brought me above him. 

I don’t respond, rather slide on top of him in a swift motion, causing the both of us to moan rather loudly, nearly echoing across his lavish suite of a bedroom. I watched his eyes fall to my bare chest, before gliding down to the movement between us, as I began to move my body forward. 

“If you claim that I am of such value to you… and you give into submissions at times, then you’ll allow me to control you… hm?” I speak between heavy breaths, feeling his thick, restless cock bury between my thighs as I create a rhythm above him. 

“Like I said to you before, [Y/N], I’m not supposed to make it easy for you.” His eyes never left our bodies while he guided me down. “You’ll see.”

I lean down, his cock angling itself at a curve as I reach to slide my hands to his shoulders, gently kneading at his flesh before resting both palms against his pale neck, my nails digging into the back of it, sliding into his blonde locks. A grin tugs at my lips while I press them against his own, feeling his tongue slide into my mouth and muffle the moans I made with each stroke. 

I squeeze at his neck, my thumbs pressing against his adam’s apple while I ride his cock. Thrust after thrust, I could feel him twitch, knowing he was growing weaker and weaker as I went on. He liked the dominance, but he’d never admit it. Instead he’d toy with me, attempt to make me feel as if I had to work for his value, when I already had it. I had him, and I had all this time. I had nothing to lose. 

“What if it melts?” I ask vaguely, looking down at him amidst the loose hairs against my face. “What will you do then?”

Coriolanus released his hands from my ass, moving them higher to my chest, his thumbs toying with my hardened nipples as he held me up, but my hands remained on his throat. I could feel it move as he spoke. “What if what melts?” 

“Snow.” I breathe heavily at his stimulating touch, while I begin to pick up my speed between us. “What will you do if the snow melts?”

Coriolanus scoffed, pressing his thumbs down. “It won’t.”

I press down and lean down simultaneously, shaking my head as I laugh, the feeling of my physical position never leaving, only growing as I mocked him further. I knew how it felt now, to toy with the one who peaked your interest so high. No wonder he enjoyed this.

“If I hold such value, such power over you, Coriolanus, it’s bound to melt. Snow cannot be on top if something is to compromise it, hm? Must I remind you of what occurred the last time you allowed someone to hold power over you?”

I couldn’t believe I brought her up. Yes, I knew of Lucy Gray, just as many of us musicians did. I never knew her personally, but I was aware of what lengths Coriolanus went to erase her from existence for his political, social, and mental gain. Is that part of the reason I feared walking away, even if I wanted to? Yes. But I knew he wouldn’t kill me, or send me off. He’d have no one if not. 

“Shut the hell up.” He moved his hands to hold me by my face. “This is different.”

“In some ways, yes.” I feel his hands move my hair behind my ears, his eyes locked against mine. He was angry, but he was allowing me to speak further, so not angry enough. “In other ways, it is quite the same.”

“Damn you, woman. Experiencing quite the power trip, aren’t you? Why don’t you do so after we fuck?” He growled, one of his hands reaching past my face to grab the end of my ponytail, yanking it down to cause my head to rise up, my back arching in the process, gasping as he thrusts upward, sending volts through my stomach. 

Don’t lose control, [Y/N]. Don’t you dare let him fuck you into submission.

“If you think for just a second that this is not changing things for you, then you are a fool.” I spit, opening my eyes to stare down at him, fighting his grip against my ponytail. I feel his other hand move from my face to my jaw, holding my face down to face his own. “You can’t do this without me. You spend far too much time with a mistress to disregard her, and you fucking know it. That’s what makes you sick.”

All he could do was curse under his breath, his grip on my hair, and on my face, loosening. Was he admitting defeat? Was he finally showcasing some sort of disadvantage? 

I leaned down to pull him into a sloppy kiss, my tongue sliding into his mouth as he lightly pressed his own against mine, yet allowing me to hold the dominance. The feeling was strange but enjoyable, knowing that I was able to hold mental and physical assertion over such a man. 

I could feel him grunt underneath me, his body limp as I fucked his restlessly, until I could feel myself tighten against him, and his cock pump into me, lightly thrusting upwards to ride out the high that he pushed into me. I watched his face as I held his neck still, his eyes closed and his mouth agape while he came. His cheeks were flushed. I knew he felt defeated, and I knew in some way, he enjoyed it. It was a feeling he hadn’t felt in a long time. 

I slowly got off of him, feeling his cum lightly stick between my thighs while I motioned to lay aside him. My hands were warm from their grip, and I rested one against his cheek, turning him to face me. 

“Do you know what makes snow melt?” He asks through a horse tone, looking up to me. He knew I wouldn’t give him the answer he was looking for, so he watched me silently shake my head. He reached forward to hold my own cheek, pulling me down to his lips, but not for a kiss. He let me hover, before he spoke quietly, his hot breath against me. 

“Fire.”

[nadianova]

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Menhera (メンヘラ) is an abbreviation of “Mental Healther”, meaning “someone who does mental health”, and refers to a subculture centered around a certain style of vent art as well as fashion featuring it.

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