Board Of Trade building, Chicago, 1982. By Helmut Jahn
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The fabric canopy on the pool pavilion is held aloft by spears.
The Los Angeles House, 1995
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M. Todgers's Commercial Boarding House was a house of that sort which is likely to be dark at any time; but that morning it was especially dark. There was an odd smell in the passage, as if the concentrated essence of all the dinners that had been cooked in the kitchen since the house was built, lingered at the top of the kitchen stairs to that hour, and, like the Black Friar in Don Juan, 'wouldn't be driven away.' In particular, there was a sensation of cabbage; as if all the greens that had ever been boiled there, were evergreens, and flourished in immortal strength. The parlour was wainscoted, and communicated to strangers a magnetic and instinctive consciousness of rats and mice. The staircase was very gloomy and very broad, with balustrades so thick and heavy that they would have served for a bridge. In a sombre corner on the first landing, stood a gruff old giant of a clock, with a preposterous coronet of three brass balls on his head; whom few had ever seen – none ever looked in the face – and who seemed to continue his heavy tick for no other reason than to warn heedless people from running into him accidentally. It had not been papered or painted, hadn't Todgers's, within the memory of man. It was very black, begrimed, and mouldy. And, at the top of the staircase, was an old, disjoined, rickety, ill-favoured skylight, patched and mended in all kinds of ways, which looked distrustfully down at everything that passed below, and covered Todgers's up as if it were a sort of human cucumber-frame, and only people of a peculiar growth were reared there.
— Martin Chuzzlewit (Charles Dickens)
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