#architectural fragment
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thatsbutterbaby · 4 months ago
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Fragmento de albanega de arco, de yesería, de época nazarí, con decoración vegetal en relieve y pintada. Procedente del fondo antiguo del Museo de la Alhambra.
De mediano tamaño, corresponde a parte del ángulo recto de la albanega y de una ancha moldura lisa y convexa, que podría ser la rosca del arco. La superficie aparece estucada en blanco y con pequeños restos de color rojo. Enmarca la albanega una moldura lisa en listel. La decoración del interior presenta parte de una composición vegetal, dispuesta con simetría respecto a la bisectriz del ángulo. Figuran dos finos tallos espirilíneos entrecruzados, de los que han brotado dos grandes palmas de doble hoja y pimientos de limbos lisos. Las palmas tienen una excrecencia, a modo de cresta, sobre la hoja superior. El fragmento muestra en el reverso mortero de yeso y, en la parte superior, un alambre curvado en forma de argolla, para colgarlo.
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romegreeceart · 29 days ago
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Pantheon
Rome, July 2012
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ruminiscence · 1 year ago
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Paris: A Year Abroad in a short film
Audio: "Burnt Norton" by Lana Del Rey, a rendition of the original poem "Burnt Norton" by T.S. Eliot.
Where do I even start? Paris has wholly shaped me in ways I never imagined. We refer to Paris as the city of love, but I'm now more inclined to call it the city of art - which only leaves more room for love in your heart. There is so much to contemplate and appreciate in frequenting the vast array of art museums here - from the Louvre, Musée d’Orsay, Musée de l’Orangerie, the Centre Georges Pompidou, and many more. Not only has my perspective on art expanded, but so has my worldview. That’s because art is truly everywhere in this city; art can be found in the walkable streets amidst the rich architecture, the fashionable outfits seen in daily life, and even the exquisite decor in stores and when you cheekily peek into Parisian appartments!
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There's always something new to discover in Paris, I'm almost saddened at the thought of the things I've yet to discover or missed. The treasures to unveil in Paris move far beyond the typical tourist hotspots we all know and love. I am obsessed with Parisian boutiques; they are chic and unique (that unintentionally rhymed) in the best way possible. One of my favourites is La Tonkinoise à Paris, located in the 11th arrondissement. This particular arrondissmenet is the best in Paris to be honest, it holds a special place in my heart as I had the wonderful opportunity of living there, so perhaps you can say that I am somewhat biased. Still, I can confidently say that this animated, hip and creative neighbourhood is one everyone should have the chance to explore.
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La Tonkinoise à Paris, owned by the lovely Chantal, is my favourite hidden gem in Paris. I had the pleasure of befriending Chantal as I ended up frequenting her store one too many times; I've garnered quite a collection over time. This boutique offers a wide range of eccentric and sustainable jewellery, with her earring creations being the show stoppers, in my opinion. Her jewellery is composed of rings, pearls, brooches, charms, and watches, all unearthed in flea markets and recycled. I love that every piece of jewellery indeed is a unique piece. The decor changes based on the season and theme of her new collections, making it an ever-changing and exciting shopping experience. This is honestly the best jewellery store I have ever been to in my life! I wish the pictures I took could do the jewellery and the boutique's decor justice, but it simply won't, I'm afraid.
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Now, onto food, I genuinely need to figure out where to start here. My favourite authentic French restaurant would have to be 'Le Potager du Père Thierry', located in Montmartre. Although it's incredibly small, I love the cosy vibe; I feel like I can enjoy delicious food with friends without feeling surrounded by strangers. Surprisingly, it's also very quiet (yet packed) - I guess the food is just too distracting.
As of late, my favourite non-french restaurant has to be 'Big Black Cook' (let's ignore how inappropriate that pun is, though funny). It's located in the 2nd arrondissement and serves Caribbean food, my friend claims that it was the best meat she's had!
For brunch, I recommend Café Méricourt in the 11th arrondissement. Their green Eggs & Feta are absolutely incredible and quite innovative as far as brunch places go.
As for a boulangerie - seriously, anywhere, literally anywhere in Paris, go to your nearest bakery; there need not be a big fuss - you're in for a scrumptious baked treat regardless!
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I'm ever so grateful for the chance to have lived in Paris for an extended period; you cannot appreciate Paris in its entire splendour from a mere short-term visit. The city is an actual work of art; art is everywhere in the city, from the street performers and musicians, the light filters through the trees, the city's many architecturally rich bridges, the picturesque cafés and boulangeries, the beautifully presented food, the way that the city's many different neighbourhoods each have their own distinct character and vibe. In Paris, art is everywhere.
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heritagebrowser · 1 month ago
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Museo Nazionale de Villa Guinigi in Lucca, Italy.
Capitals and other decorative architectural artifacts from Roman, Byzantine and early medieval period from the larger region around Lucca.
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junico · 21 days ago
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judith nicolussi. new suit. found paper on postcard. 2024
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x-heesy · 1 year ago
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𝙰 𝙱𝚒𝚝 𝚘𝚏 𝚡-𝚑𝚎𝚎𝚜𝚢 📸
𝚂𝚙𝚊𝚌𝚎 𝙸𝚜 𝙰 𝙿𝚕𝚊𝚌𝚎 𝚋𝚢 𝙵𝚊𝚛𝚊𝚒, 𝙲𝚑𝚛𝚒𝚜 𝙲𝚊𝚕𝚍𝚎𝚛𝚠𝚘𝚘𝚍
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abyss55199794 · 5 months ago
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“and as we’re entertained the earth will change under our feet.”
a lyric from ‘paper train’ by so long… partner that, within the album, is about post colonialism and queer rights and whatever else those themes may entail but really works with the state of the world now. i watch videos from 10 years ago and think wow, nothing’s changed. i walk outside and think nothing is different. but also, at the same time, when you watch those videos it is VERY different. We are in such a dissonantly seperate time to what we were only a decade ago but people act the same no matter what era you’re in. its a little easier for me to not over distinguish periods as i’m not on social medias, but people tend to fall into nostalgia traps that simply aren’t true past aesthetic contexts. The paths we walk are the same. the colour grading has changed but we watch the same movie, but your mind filters the older stuff so heavily you don’t remember it was more saturated than it really was.
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lilflowerpot · 2 years ago
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perhaps it’s wishful thinking but,,, you’re really going to look at the zonai and cry “ancient sheikah!” when the twili are //right there// as magic users who were shown to have advanced technology (moving platforms / giant hand sentinels / sol spheres) powered by a blue/green energy that much more closely matches that we’ve seen in TotK than anything the ancient sheikah produced?
Zant’s sleeves (and shoes!) have little snake/dragon heads, as does Midna’s headpiece while her skirt has jagged gear-shapes, all of which look an awful lot like TotK’s ouroboros as well as its deity-esque figure! Both Zant & Midna’s masks are very stylistically similar to not only a lot of the zonai carvings we saw in BotW, but the newly revealed constructs too!! The Palace of Twilight itself was a floating island in the sky!!!
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russellmoreton · 4 months ago
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DSC_0333 Architectural Space (Collage)
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DSC_0333 Architectural Space (Collage) by Russell Moreton Via Flickr: russellmoreton.blogspot.com russellmoreton.tumblr.com
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leefi · 2 years ago
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growing up by chicago has spoiled me rotten. i visit any other major metropolitan city and my reaction is always …oh! is that it?
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dexaroth · 5 months ago
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its funny that i got into building and designing a website n such after i switched from 'digital creative' (with the intention of becoming a web designer) to compsci at college. i know deep down thats for the best bc id never find people who actually understand the artistic side of designing a website n all that but part of me wishes i wasnt so constrained by the personal website format.. theres only so much you can do with a landing page thats supposed to have the same boxes in a single screen so the user doesnt need to scroll to get updates n such. plus i dont even have that much to show and present differently anyways. sigh
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look at this. fucking gorgeous as hell. i dont even have enough info to fill a single content box in a layout like this. god
#thinking about it you dont reeeeally need to have all the boxes on one screen i guess?#like if youre a returning visitor ur not gonna read the welcome box again and the chatbox can be tucked a bit to the side#but the updates featured and latest art ones id like to appear in the site preview at least. spark some inchrest u kno.. on my thangs#im a bit bound to the thumbnail system in neocities too tbh. personally i dont have as much motivation to check if a site updated>#>when i cant tell from the thumbnail as when it does have an obvious change in the thumb#and in some websites the things that actually would look interesting to you.. if theyre on the bottom of the page and not in the thumb?#well im gonna miss it! half the discoverability of websites is aesthetics alone and then the content if u Happen to click to see the site#i also STILL miss my old layouts. i wanna deviate from the celestial theme but idk i dont feel as attached to other themes#celestial is the one that i instantly go THATS ME!! and others are like 'i love this paletteand style' but thats not the same as recognizin#>urself in it. if i dont see myself in my own goddamn website then whats the point..#like. the monochrome black white + yellow theme i have on tumblr rn? i associate buildings and architecture with it. modernism.#and so i use this theme bc i like it. but i dont associate it with me. i associate it with those things. i like it but it doesnt relate>#>to me. or whatever fragment of an identity i think i have. so i end up feeling unattached to the website..#its like if u had a fancy prosthetic. u like it! u use it! but its not really you.. can anyone hear me. anyone at all#dextxt
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sheltiechicago · 2 years ago
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“The Gaze” (2021), acrylic on canvas, 48 x 36 inches.
Architectural Silhouettes Play With Perspective in Patrick Akpojotor’s Fragmented Portraits
Combining a love for African masks and the people and buildings of his hometown of Lagos, Nigeria, Patrick Akpojotor (previously) merges the figurative details of faces, shoulders, and arms with the geometric forms of hallways, doors, and staircases.
All images © Patrick Akpojotor
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“Oga boss” (2020), acrylic on canvas, 48 x 36 inches
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“GIRL WITH RED RIBBON V (Reproduced)” (2022)
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Left: “Meeting Point” (2022), Autobase coated steel, 40 x 46 x 25 centimeters. Right: “Step to The Infinite (iii)” (2022), acrylic on canvas, 122 x 91 centimeters
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bajuszcsaba · 2 years ago
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josernandez · 2 days ago
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geometry of what remains
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wickedzeevyln · 1 month ago
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Upside Down, Inside, Out
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federicoperugini · 9 months ago
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Morceaux pieces Le Corbusier Archive
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