#anywhere you look there's a human being SO HUMAN

[keferon]

Chapter 2 of Blurr storyline >:D

“Actually” says Swerve ”I'm an alien.”

“Heh” giggles Blurr ”sorry, my head is all cloudy, I thought you said you were an alien.”

Part one

Holy shit I actually managed to finish it…..Oh. My god.

Under the cut⤵️

Is it stupid to miss someone who doesn't even exist?

Probably yes, but hey, Swerve already has several degrees, might as well get another one. A degree in Stupidity or something. Who cares?

For the first few days after waking up from his coma, he feels like he's going crazy. Everybody has realistic dreams, right? The ones where you can scrutinize every angle, memorize every face and smell and sound. The ones that make you lie still for a while after waking up, grasping at every thing you can. Trying to memorize everyone you meet, imprint them in your head.

Because apart from your mind, they don't exist anywhere else. So that's your only way to keep them.

It never works. Obviously. Details slip away. Impressions fade. Just a couple days, and you won't be able to recall anything but the main events from memory.

Wait, hell, not days. Cycles.

His life is a weird, pathetic, fantastical circus. Earth term. Heh. There are no circuses on Cybertron, haha!

But Swerve remembers. And the word circus, and the smell of asphalt, and rains that were made of water not acid. Remembers the English language. Can speak it fluently, even if you wake him up in the middle of the night.

Remembers his work schedule and remembers which company makes the best details. And Tailgate with his bright blue uniform and Wheeljack with his endless experiments and Swindle with his expensive coat and of course...yeah, no, don't think of Blurr, don't think of Blurr, don't. Don't.

He'd heard about it. Read about it, too. Mechs waking up from comas and doing wild things. Some forgot how to speak at all, some gained a new skill, some lived a whole life while they slept.

Articles tell Swerve, don't worry, what you've experienced isn't unique. The doctor tells Swerve that the same thing has happened to others before you, it will be okay, it will pass.

Swerve isn't sure he wants it to pass.

He's been in a coma for who knows how long. The medic said it was caused by an internal trauma that decided to suddenly get worse. One minute he's recharging , the next he's gone. Internal injuries are insidious.

So it turns out. One day he just disappeared from the world because he was busy slowly dying in his room and no one noticed until a thief tried to sneak in. The only one who came to him was a Mech who wanted to steal his stuff. Huh.

That feels revolting. Swerve liked to think he had enough friends. Or at least enough good connections. Enough those who should have noticed his absence, right?

Apparently not. His shifts at work were reassigned, his contacts never texted him first, his...

His small persona wasn't important enough for anyone to notice his disappearance.

Would his human coworkers notice? Would Tailgate have noticed? Or Jazz? Swindle?

Jazz would have noticed, he was always surprisingly attentive when it came to his friends. And he was friends with just about everybody.

Swindle would probably get upset about the money he'd lost.

It's amazing how much his brain-- wait, no, his processor. How much his processor could create to entertain him. It's a more elaborate world than the most complex series Swerve has ever known. And that scrap had forty-six seasons and fifteen encyclopedias!

People, Earth, a bunch of new languages and rules and all for the sake of the end being like, OOPS! ...it was all a dream. Hilarious. Worst plot twist ever. Swerve hates it when stories go in this direction even more than when they kill off their characters.

In his humble opinion, death is better than the revelation that none of the experiences made sense or had any value. In terms of writing scripts obviously. Haha.

He's busy roaming haphazardly through his own memory. He's looking, comparing, trying to find inconsistencies or things that don't make sense. All the stuff that usually gives away the fact that what happened was a dream.

Most of his memories are occupied by--No. Frag.

Don't think about Blurr, don't think about Blurr, don't think..

He's thinking about Blurr. A lot.

Blurr occupies a surprisingly important role in his comatose dreams.

In the time he spent just looking at him, you could hand-build an entire Mech. Maybe even three. Swerve remembers picking up every bit of merch he could reach with his paycheck. Watching hundreds of videos and buying every new themed drink even if it was a flavor he didn't like.

Then spent a surprising amount of time resenting Blurr for not living up to his fantasies.

Blurr's behavior hadn't helped either, of course, but now, looking back at the past himself Swerve thinks that.. Oh wow. You weren't just annoyed at him. You blamed him for ruining your beautiful fantasy. You were having so much fun entertaining yourself with thoughts of this marvelous image, and he came along and corrupted it. Poisoned the well you drank joy from.

But that's not quite true, Swerve thinks.

Blurr was more complicated than that. But exactly how, he'll never know. All he has are his memories, and those memories are cut short at the most interesting point.

Swerve knows this plot twist. The asshole character that no one loves at the last second turns out to not be what everyone thought, but it's too late.

Oh no, he's not an evil jerk, he's actually traumatized. Oh no, he wasn't bad, he was actually secretly helping everyone. You thought he was awful? Well now you're going to feel awful reading fanfics.

Serevus Spayne didn't actually betray the main character's dad, no no, he was in love with him! Bam. Drama.

Swerve isn't a big fan of this stuff. He likes his characters developed properly. But he can't deny the appeal of a character leaving behind a bunch of questions you thought you knew the answer to.

Uggh.

The doctor was wrong. These thoughts don't go away. These memories don't dull.

Swerve just boils in them, constantly getting stuck in his own head. Sometimes he puts English words into his speech and everyone looks at him strangely. Sometimes he reflexively says some inside joke and no one gets it and he's left standing there with an awkward smile. Because. Guys, you don't understand, if my coworkers were here they'd think it's hilarious. I promise, in my fantasy world, it's funny.

When he gets a job on one of the Autobot ships, he accepts it thinking it might be a good distraction from his thoughts.

When he happens to see Prowl with a tiny human on his shoulder in the corridor of that ship, he thinks he's lost his mind.

The whole thing. The whole load-bearing structure on which his picture of the world has been held suddenly gives a lurch. Living your life in a super realistic dream is wild, but meeting a character from your dream in real life??

Freaking cursed.

Jazz looks puzzled by his reaction, but all Swerve can think about are two things.

One, if Jazz is here, does that mean everything else was real, too???

Two - holy shit, Jazz is tiny.

It never occurred to him. But he didn't really know what size humans were. Well, sure, he could measure it in numbers. But he was among humans himself. And about the same size. He was generally even shorter than most of them.

If Jazz is so small, he can't imagine how tiny Tailgate would be. Or--

He can feel his spark freeze. In fact, he can almost hear the sound of a string breaking in his processor. Does that mean Blurr is real too? Real and just as tiny and currently dead? Because Swerve was there but was too convinced it was all just a dream to help?

He's going to get sick.

He needs to talk to Jazz right now.

____________

Swerve taps his fingers nervously on the countertop. Come on. You're good at talking. Talking is your greatest skill. All you have to do is tell someone else about your comatose hallucinations and hope they don't think you're crazy.

They're sitting at a table at the bar. More specifically Swerve and Prowl are sitting at the table, and Jazz is sitting right on the table. (God he's so small).

“So uh. I got injured a while back and...uh...well, it got worse, turned out important systems were affected and I kind of. I was in a coma. For a really long time.”

Jazz frowns

“Oh. I’m sorry to hear that.”

He speaks in a mildly wonky Common, Swerve notes to himself. He waves his servo a little too cheerfully in response.

“'Ay it's no big deal really. I saw a whole other world while I was asleep and like. See, I thought it was just my fantasies, but it seemed very real and...”

Swerve mentally crosses his fingers.

“And it was about this planet called Earth and about people who were building their own inanimate huge robots to fight huge aliens and their boss wanted to launch Mechs into space, so he picked the best of the pilots named Jazz and sent him on this test mission and...”

Jazz looks at him with huge eyes before switching to English in surprise.

“Mech, what the hell?”

“...And we lost him...” finishes Swerve with a sad smile.

Before thinking for a bit, and adding.

“I'm going to show you a trick I can do.”

And then projects his holoform onto the table in front of him.

This. It's weird. Not in a way that would tilt it in the direction of unnatural. More like walking around in his comfy indoor pajamas right in the middle of the street. Being human is familiar to him, but being human amongst huge Cybertronians? Strange. And a little creepy.

Prowl looks confused.

Jazz looks absolutely frantic.

“SWERVE????”

Swerve doesn't even manage to respond, only to smile in relief before Jazz rakes him into his arms. In his holoform, Jazz feels right again. He's taller than Swerve and oh boy, he's alive and unharmed. To think everyone thought he was dead, staying up nights trying to find what was left of him, and he was on the other side of the universe the whole time?

Swerve chuckles into Jazz's shoulder. Then picks him up and spins him around a couple times just because he needs something to get his energy out. Man, it's nice to hug people. Warm and soft, eight out of ten.

Jazz pulls away but still stays standing very close. Swerve can literally see the happy stars in his eyes.

“Dude, I'm not complaining but what...how???? You just kinda..."

Swerve laughs and twitches his eyebrows playfully.

“I still speak English, you don't have to torture yourself with Common.”

“Oh thank fuck.” Jazz throws his hands up dramatically “you're my favorite person right now.”

There is a polite click of the vocalizer resetting above their heads.

“I” Prowl says “very glad you two are happy but I'd like some explanation”

Swerve presses his head into his shoulders guiltily. Prowl has the unique ability to always sound like you've done something wrong in front of him.

Although Jazz doesn't seem to feel the same way?

“Short version - I sleepwalked my holoform to another planet.”

He pauses dramatically.

“The long version is...”

Jazz raises his hand

“What's a holoform?”

Swerve sighs.

“It's a holographic avatar that I can project using a holomatter generator. Sort of like a remote controlled game character.”

Jazz whistles impressed. And then immediately turns back to Prowl

“Have you been able to do that all this time too?“

Prowl hums

“I can create an avatar, but it takes a lot of practice to make it at least believable. And to fully perceive the world through it takes even more. It's a whole new technology. What Swerve does is essentially an art form. Sophisticated and impressively detailed may I add.”

Swerve shrugs shyly. He's still using the holoform to stand on the table next to Jazz. Looking up to speak to Prowl isn't exactly comfortable, but Jazz definitely looks like he's been missing the human presence. Swerve isn't human, but he might as well be.

“Thank you. Yes! Uh. Anyway, it seems while I was in a coma my processor projected my avatar onto Earth and I...let's just say I lived there for a while.”

Jazz laughs

“Dude. So you're telling me you were basically sleepwalking the whole time?”

“ I was.”

Prowl frowns.

“But the range limit of the holomatter generator is only four hundred miles...”

“.... I had a lot of practice...”

Jazz claps his hands.

“You learned a whole other language! Got an ID!. You had a job!!!”

“I got carried away,” Swerve admits.

Jazz scratches the back of his head, still looking very amused

“How many degrees did you get? Haha wait no, I have a better question, did you pass your driver's license?”

“Two. And I failed my driver's exam.”

“Dude you are literally a car without a driver's license!” collapses Jazz on the table with laughter.

Swerve blows the hair out of his face

“Says you who retook the physical several times. You couldn't pass the "being human" exam.”

Jazz just wheezes incoherently in response. Prowl looks alarmed.

“Don't worry, that's him getting excited. So...where have I been...”

Swerve nervously shoves his hands into his pockets

“...Do either of you two know where Earth is?”

Prowl twitches his door wings

“No. Since Jazz was teleported we don't have much clues.”

Swerve grimaces. Scrap. Of course nothing's going to be that easy. He's also been, like,....teleported.

He stands there for a couple minutes and just feels fifteen different emotions rise up in his head at once. A crooked, unsteady smile creeps across his face.

He's thinking.

Oh hell, yeah! I knew it wasn't a dream!

Then he remembers the mess he left behind.

Oh, no, it wasn't a dream.

Jazz puts a hand on his shoulder.

“Swer... Swerve? Dude, are you okay?”

“Ah frag..” Swerve says weakly ”it wasn't a dream.”

Jazz looks...puzzled.

“Is that bad?”

Swerve remembers his friends. Remembers the Mecha program. Remembers fire and smoke and screams and rumbling and crackling flames. Ashes flying through the air and the smell of burnt wires. He remembers blood and debris and...

“It's...complicated.”

This wasn't just a stupid plot twist he'd dreamed up because he'd watched too many shows. This wasn't a hallucination or a disembodied fantasy that just happened to linger in his head. This was real. His friends exist out there somewhere. His work and his collections and his little apartment...

And Blurr. Was real. Or still is? Swerve doesn't know. Blurr wasn't a product of his imagination. He was real and what he did was real and Swerve left him there alone, bleeding and trapped in rubble and tiny and...

Hahahahah oh fUCK.

He doesn't like this plot. It's too much. Too much to handle, too complicated, too ambiguous.

It's also probably too late.

But he can't leave it like this, right? Blurr went into the damn burning building just because of the possibility that there might be someone alive in there.

And Swerve doesn't even have to go through the flames. He has to look. He has to try at least.

Jazz glares at him with a worried look on his face

“ That expression you have...”

Swerve puts the smile back on his face.

“I need to get to Earth.”

___________________

Swerve is not an idiot.

Or maybe more accurately an idiot, but with several degrees.

He's well aware that finding Earth in space with only a description of it is impossible. Which leaves him with two options.

Ask the Quintessons. Or look for it himself.

The first sounds like death. The second like coma. Swerve has exquisite enough taste to know which is better.

He just needs to do some preliminary reserch.....

Jazz, now back inside his Mech looks doubtful.

“You're not going to die suddenly and for no reason, are you?”

Swerve laughs.

“Pfffff what, no of course not, would I kill myself hah. No no, look I'll just put myself in stasis for a bit. Send myself to Earth. And try to figure out where it is from there. Get the coordinates. If I'm lucky, I can see what Space Bridge the local Quintessons use. All you'll have to do is wake me up after a while.”

“It's not harmful?”

Swerve makes an uncertain gesture with his hand...servo.

“If I have enough fuel. And an additional connection to an external generator.”

Jazz tilts his head

“ Why are you so eager to get to Earth? Don't get me wrong, I miss it too and want to go back, but.”

Swerve bites his knuckles.

“ I have some unfinished business?”

“Pshhhh you sound like a ghost.”

Swerve only laughs in response.

_______________

Concentration is tricky.

Swerve tries to think about Earth. And not to think about the fact that he doesn't know where it is. If he's already been there once, he might as well go there again yes? In theory? Perhaps?

Except for the possibility that his sleepwalking just takes him to random planets. That would be very inconvenient. It would be a whole new level of lost

Shit. No. Earth. Think Earth.

What's he even gonna do when he gets there? How far away is it? Swerve is very talented with his holomatter generator, but if it's really far away... maybe he should reset some settings.

He mentally starts going through his options. Does he need tangibility? Probably not. Come to think of it, it would only make him more vulnerable and take a lot of energy. Yeah, the tangibility has to go. What else? Touch, too. Sight and hearing should stay, that's not even a question, but colors and textures are not really necessary.

The amount of detail and picture quality can be reduced as well. His holoform will become colorless and grainy and will probably ripple with static, but he'll survive it.

After he finishes making changes to his holoform he thinks about his old stuff left in his house. Then about the posters. Then reminds himself that he needs to focus on the goal or he'll never find Blurr and...oh FUCK his phone! Where was his phone when he disappeared? Was it found?? There were so many personal things on that phone, he's hoping the phone was burned under the rubble. Either that or the arriving investigators will find his browser history and he'll go into another coma from pure embarrassment.

He blinks dazedly when he realizes he has loads of rocks in front of his eyes. Oh..Did he screw up? Did he end up on the wrong planet? Is it a cave or--

Then he notices the odd shape of the “rocks” and. Oh, no. It's not a cave. It's charred concrete debris.

This is the place where he was last.

He hastily looks around. Anxiety creeps up the back of his neck, makes him feel like something slippery and cold is crawling over his skin. There is nothing but ruins all around.

Blurr is not here. The place where his Mech was lying is empty.

Which means he was at least found and dragged out. Dead or alive.

Swerve's bites his knuckles. Okay.

All right.

He's got things to do.

_______________

He's trying to stay out of sight. Which isn't hard, considering he's just a hologram. At first, he just sneaks around in the quiet areas. Then proceeds to do a facepalm and start teleporting. Think, Swerve. Did you read all those comic books for nothing? Superheroes who couldn't really use their superpowers creatively always annoyed him. And he does, in fact, have a superpower. Gotta get creative, right?

He stops and looks at himself again. His holoform is going static and is a dull white color. He thinks for a bit, and then shrinks himself. Thinks some more, and makes himself almost transparent. There's no way he could pass as a normal human right now, so he'd better just do his best to avoid being seen by anyone.

He looks around thoughtfully. Hmm. Even if he's going to be absolutely tiny, he needs to make sure no one sees him, otherwise the whole base will think the Quintessons are now spying on them through holograms or something.

Breaking the rules feels...it's exciting.

All his ..human life here he hadn't thought about it, but if he threw away the rules he was used to about what people could or couldn't do...

He looks up in a sudden rush of sly genius. All people look under their feet when they walk, but how many look up? And how many of them notice the barely visible tiny holoform hiding just behind the blinding lamps?

The answer is probably none.

Swerve projects himself onto the ceiling and mentally pats himself on the shoulder for his impressive intellectual accomplishments. A creativity degree should definitely be a thing.

A degree in spying on the Quintessons' ships wouldn't hurt him either.

Fortunately sneaking onto their ship turns out not to be that difficult. Swerve makes himself absurdly tiny and hides in the darkest corners that no one would ever think to look into. Why hasn't anyone thought of using holoforms for spying before? Could he be the first to think of it? He doesn't know, but he mentally decides to patent the idea.

Finding the Space Bridge is surprisingly easy. The local Quintesson fleet is clearly used to being the dominant force in space. And that's generally logical. Even if humanity collects a mountain of money from somewhere to throw a dozen Mechs into space - there will be thousands of monsters waiting for them. In such a situation, you don't have to hide, the guards are enough.

Well done, well done, don't hide, Swerve thinks, copying the coordinates and address of the space bridge to himself. You have absolutely nothing to fear here, he thinks, so stay where you are and don't move. Please and thank you.

Once the coordinates are obtained, he... has some freedom to explore. And he uses it for probably the most boring-sounding thing in the world. He returns to his usual workplace.

It’s simple. As damning as the Mecha program was, Swerve loved his job in it. He loved his position in the assembly shop. And he missed his friends.

He quickly teleports through several rooms, continuing to hide close to the lamps. Tailgate is here. Alive and unharmed. Wheeljack is too, though his face has some scars added to it. It's great to see them again, even if he can't talk to them right now. No one will probably react well to a grainy unexplainable hologram. He's just glad to know they're okay and honestly, the last thing he needs is paranoid Onslaught installing extra signal jammers.

It takes time to find Blurr. Partly because Swerve is terrified of what he might find if he started looking. So he goes to check the death lists first, and only after flipping through and re-reading them three times does he finally exhale in relief.

Blurr's name isn't there.

So his smug, shiny ass must be around here somewhere.

He checks the hangar. Flips through the Mech launch logs and feels an uncomfortable knot begin to form in his chest. Blurr's Mech has never been repaired or launched even once since the incident. Its plating has been replaced with new, well polished, and put in a prominent place where anyone who wants to can take a picture of it. But all the internal systems are destroyed. This machine hasn't been used for anything other than being a beautiful exhibit.

That's...something's wrong.

He checks offices and schedules as well as eavesdropping on a few conversations and ends up secretly following Swindle, who is arguing loudly with someone on the phone. He says something about deals and how he doesn't need anyone meddling in his business. Then he talks about how he's got everything under control and the person on the phone is “a dumbass who's making drama out of nothing” and that “he doesn't need anyone's handouts". Then he sighs and says, “you know how celebs are. Dumb and dramatic. You can't take their words literally.”

Then drops the call and for a couple seconds looks like he's just had a large bill taken right out of his hand. Curses again, but in a quieter voice. Leafs through his contacts and stops at the one signed 'free ice'.

“Blurr? Where are you? Wha...ah, no wait. No, the advertising agency called. No, liste...Can you shut up for one second?Where are you?

Uh-huh....... Uh-huh.Okay.

Give me half an hour...okay, yeah.”

This is it, Swerve thinks.

He shrinks himself further and teleports under the collar of Swindle's coat.

He wants to take a look. Just. Just a peek. Make sure everything's all right. Then he can go about his original mission in peace. He watches Swindle get in his car and drive off somewhere. Swerve doesn't recognize this part of town. The houses here are much nicer than where he lived. The streets are cleaner.

He tucks himself further under the coat collar. He's not going to be a stalker or anything, but he's worried and he doesn't have time to wait for Blurr himself to show up for work. Just one little look and that's it.

Swindle's car stops outside a beautiful, shiny hospital. Swerve nervously tries to bite his knuckles, but remembers he's disabled touch in his holoform. Shit? Shit.

Shit. Shit. Shit. Shit. Shi

Blurr looks like a mangled corpse.

Okay, not really. His left side that faces the door to the hospital room looks like a mangled corpse and that's the first thing that catches Swerve's eye when he's inside.

Blurr is pale and thin and his hands are covered in bandages. The left side of his face has been turned into an absolute ugly nightmare. A piece of his ear is missing. In the place of the left eye is a creepy empty hole.

Suddenly Swerve realizes why Blurr didn't show up for work. You can't even show him to his coworkers like that, not just to the public.

Blurr turns his head and the spell breaks. His lips stretch into a cocky smile.

“'Got bored without me Swindle?”

Swindle doesn't show the slightest emotion at the gruesome sight. He casually pulls a chair over to the hospital bed and sits down.

“Shockwave is trying to sneak a new project into the program. And he's slowly swaying investors to his side, using you as an excuse. Tells everyone you're a poor martyr he can save if only he's given the green light from above.”

Blurr wrinkles his nose.

“Not that he's wrong. The doctors say I need to pick a new career because with this...” he jerks his head to the left implying his damaged half, ” neither racing nor piloting is an option for me anymore. I'm out of your project.”

Then he stops talking for a few seconds and raises an eyebrow curiously.

“You wouldn't have come here in person just to say that. Why are you really here?”

Swindle adjusts his glasses

“Have I ever told you why I made the contract with you?”

“Because you like money” Blurr says without hesitation.

Swindle lets out a quiet chuckle.

“Fair point. But money wasn't my only priority.”

He pauses for a second. Gets up. Draws the curtains in the room. Checks to make sure no one is outside the door.

Goes back to his seat.

“You didn't see what the Mecha project was like before. Brutality and absolute disregard for human rights multiplied by a thousand. People were desperate and no one cared to maintain any decency.”

He raises his hand when Blurr rushes to say something.

“No no, listen to me. If you think things are bad now, you're right. But it used to be much. Much, much worse.”

Swindle sighs and adjusts his glasses again

“Vortex was taken as a boy. He wasn't even out of high school when they shoved him into the lab. Me and Onslaught were pulled right out of the college exams. The others were no better, although they were usually a little older. My point is that it was allowed. It's what the superiors could do and no one told them no.”

Blurr tilts his head and gets a little all turned around to see Swindle better with his right eye.

“But you... found a way to change that, didn't you?

Swindle rubs the bridge of his nose

“I have no power over my own superiors. But Onslaught and I have come up with a plan. Look. I'll put it in simple terms for you. Above me is my boss, and above him is another boss, and so on but at the very end of that chain are people from the government. The investors. So we figured out a way to cut through the chain of command and influence them directly. Make them worry about us. It's a kind of social shield. Onslaught is a genius.”

Blurr blinks.

“Why are you telling me all this.”

Swindle takes off his hat and just. Crumples it in his hands. The back of his head shows numerous scars and the glint of tiny metal implants barely visible behind his hair.

“You're that shield right now, Blurr. You can't leave.”

Blurr's eye widens

“Is that why you insisted on ‘befriending’ me with all those bullshitters?”

“I needed to make sure that in their minds we weren't just a military unit. To keep them thinking that we're as human as they are. So I gave Project Mecha a face.” He tugs on the hat again, “Your face.”

Blurr runs his fingers through his hair

“Shockwave can't do whatever he wants cause...because of me his efforts would risk going public and people wouldn't like it and it would ruin the reputation of our investors-and-they'd-cut-off-his-funding.”

Swindle puts his hat back on.

“Exactly.’ That's why he's being so persistent right now. He knows you're vulnerable and he wants to capitalize on the opportunity. Make you part of his new project and tell the world about it. Make publicity his weapon, too.”

The lamp above them flickers faintly. Blurr takes a breath. Long and tired and exhausted and. a bit doomed.

Swindle puts a hand on his shoulder.

“Please. Don't leave. At least not now. And don't let Shockwave get to you. That would open the way for him to get to the rest of the pilots you represent.”

They just. Sit in silence for a while. Blurr quickly taps a finger on his knee. A rapid tap-tap-tap-tap-tap-tap-tap-tap-tap-tap.

Swindle moves his hand away and gets up from his chair.

“There's a press conference coming up. I need you to be there. I've told everyone who needs to know that the problem is exaggerated and you're fine but they need to see you.”

Blurr smiles sourly.

“My lawyer is going to charge you such a handsome sum for that stunt.”

Swindle laughs, but his cardboard advertising smile doesn't reach his eyes.

“We’ll see about that. Seriously though. I need you there.”

Blurr bites his lip.

“I..don’t know...”

Swerve...doesn't know what to think of that.

Blurr shows up for the press conference. Late, but he makes it. Just as Shockwave is presenting his new project in his amazingly well-pitched voice. Blurr swings the door open and waltzes lazily inside, skillfully pretending not to notice the many cameras and eyes instantly directed at him.

Swerve, whose memory is still fresh thinks for a second that no, no this can't be the same person. Past Blurr looked like a wreck. Past Blurr was tense and tired and hunched over. Present Blurr couldn't look more alive. His shoulders are squared proudly, there's that cheerful springiness and grace in his stride. He moves with ease and confidence. Smoothly.

The left side of his face is neatly covered with fresh white bandages. Carefully, without leaving the even the slightest gap through which his injury could be seen. His hands are hidden under a fancy jacket. He smiles wide and bright and squints playfully toward the table.

The very embodiment of nonchalance. The few pilots sitting in the audience roll their eyes.

Swindle breathes out a barely perceptible sigh of relief. Swerve, once again using Swindle's collar as a tactical cover, can't help but let out a silent triumphant laugh. Maybe slightly more nervous than he is supposed to be.

Blurr sends Swindle a sly, sharp smile and even knowing it wasn't meant for him, Swerve feels his cheeks heat up.

Ah, damn it.

Swerve breaks the rules. He tells himself that peeking is fraught with consequences when it comes to military organizations, but he can't stop himself from being curious. And from worry, too.

And now that he knows where to look, he sees things he'd rather not see.

Blurr ... is crumbling.

Swerve doesn't know all the details and consequences, but that incident did leave a mark.

But every time Swindle calls him and says “I need you at some place in two hours” he gets up and assembles himself into a human being. Like a goddamn puzzle. Tapes and covers the burned half of his face. Covers up the bruises and hides the stitches. Fixes his hair and sets off on shaky legs to pretend he's fine.

He smiles so bright and carefree, laughs so sweet and beautiful that no one would ever think that even standing up sometimes hurts.

And continues to act like a jerk of course.

The only difference is that this time Swerve mentally gives him the presumption of innocence before he starts judging.

Blurr does a lot of things that seem rude. He also does a lot of things that are actually rude and figuring them out without resorting to alien superpowers would be nearly impossible.

When the pilots see Blurr sitting right on the table while negotiating with investors, they roll their eyes and make comments about his terrible manners. Or when he stops showing up for even the most basic, rudimentary training.

Or when he develops that stupid habit of leaning his elbows on people standing next to him.

It's the model behavior of a rich, spoiled brat.

It's also an inconspicuous way to stay upright.

Employees say “that dumbass has never heard of personal space.”

Investors say, “I think he likes me.”

Blurr leans on Swindle's shoulder and through a charming smile says “Don't move or I'm gonna fall.”

Swindle also keeping up the smile discreetly holds him back, pretending it's a friendly half hug.

Swerve feels like yelling at both of them, but he's not sure what for exactly. For one thing, Blurr in his condition is very VERY VERY contraindicated to even get out of bed, let alone participate in social activities.

On the other hand, without Blurr, everything is going down the pit.

Without Blurr, all the government sees are dry reports and spreadsheets. Without him, all the high command has is numbers and a sense of impunity. Swerve is sickened by how easily people tend to forget that numbers represent other people.

Most pilots are able to draw a parallel between deteriorating working conditions and Blurr's sudden fondness for staying home instead of working. But they think the rich jerk got scared and ran away. Considering the way Blurr has always behaved at work - Swerve can't even judge them too much for it. They assume Shockwave getting more freedom is the cause of Blurr's absence, not the result.

Blurr's influence only becomes noticeable when it slowly starts to fade away. It's like switching from expensive tea to a cheaper one. The awful flavor only becomes noticeable in contrast.

Blurr doesn't lead the development of new technologies or go out to fight in the field. He doesn't make plans and reports, he doesn't participate in drills, he doesn't cover anyone's back in battle.

But he's the one who puts his hand on the government's shoulders when they're about to sign the next piece of paper. He's the one they have to look in the eye before they have a pen in their hands and a document authorizing Shockwave to stick more needles in people's brains.

It makes a difference. Small one. But still.

It turns a disembodied imaginary “combat units” into a tangible person.

From “do you want to accelerate the combat training of new soldiers” to “are you willing to tell the living, breathing guy standing in front of you that shoving poison under his skin is an idea you approve of.”

More importantly (And Swerve actually admires Swindle for this) Will you be able to explain anything to your families later on, when this same guy is on TV all over the country saying that's what you did to him?

There have been two fronts here all this time, Swerve realizes.

While the pilots were protecting people from monsters wearing teeth and armor, Blurr was protecting the pilots themselves from monsters wearing ties and lab coats.

After another conference, Shockwave stops Blurr in the hallway.

“Good show.”

Blurr laughs. Soundly and proudly.

“Thanks darling~ Sorry I interrupted you. Your speech sounded like something important, but I don't really know much about nerd stuff.”

Swerve, hiding on the ceiling again, snorts.

Shockwave doesn't move. Doesn't give any indication at all if he's offended or upset or whatever.

“It must have been hard getting here with your injuries.”

Blurr shrugs and lazily turns his head around distracted.

“It's just a few bruises here and there. Not the end of the world.”

Shockwave nods slowly. His voice and posture and all, Swerve thinks, looking very uncomfortable.

“Of course it isn't. But hardly good for your career.”

Blurr freezes.

No, Swerve thinks. Shit. No, don't listen to him, don't listen to him, don't listen to him, don't

“Your brilliant achievements have always been a source of admiration to me” continues Shockwave “it would be a pity to lose them.”

Blurr makes an indifferent face and tucks his hands into his pockets.

“Like I said. Not the end of the world.”

Swerve imagines choking Shockwave. Dropping a lamp on his head. Maybe jumping on top of him himself. Shut up, he thinks. Shut up, shut up, stop fucking talking.

Shockwave with a nice, slow gesture pulls out a notebook from somewhere and flips a couple pages.

“Multiple burns, cracked ribs, poisoning from carbon monoxide and combustion products of toxic chemicals...”

Blurr visibly shivers and looks away.

“...loss of vision on one side...” Shockwave continues reading, ”and partial hearing loss. Finally, the impact of neural link malfunctions. And this, if I'm not mistaken, is on top of the already existing memory problems?”

Shockwave takes a step closer. Not fast enough to make it look threatening, but enough to hover.

“It may not be the end of the world, but it is the end of you.”

He writes a set of numbers on the same page, tears it off, and hands it to Blurr.

“You are broken. I can fix you.”

Blurr frowns, but takes the piece of paper.

“That fixing would involve giving you consent to mess around with my head, wouldn't it? It's brave of you to think I'd go for that.”

Shockwave tucks the notepad into his pocket.

“I can assure you, neither I nor anyone else is interested in your brain. I just want to give you back what you're truly valued for.”

Blurr flinches.

“I don't need your help.”

“ If you say so,” Shockwave agrees easily. Nods, slowly and smoothly. Then starts to walk away “But you do need your fame.”

...

“By the way, you might want to wipe the blood off.”

Blurr waits until Shockwave's back disappears around the corner, then quickly pulls a tissue from his pocket and brings it up to his nose.

____________________________

Swerve wakes up looking up at the ceiling of his room. The high, metal ceiling, of a metal room on a metal spaceship.

Holy shit...

Jazz pokes him gently on the forearm

“Are you alive? You've been gone for like quite a while...Did it work?”

“Hey Jazz” frowns Swerve “what do you know about Blurr?”

Jazz laughs

“What are you fanboying over him again? Still??? Dude's smug and arrogant. Good boss though. I was hired to perform at his parties before I became a pilot.”

Swerve sits up and rubs the back of his head.

“Ah...”

“So it worked?”

“Wha...ah! Yes! Yes, it worked! I managed to get the number and codes from the space bridge the Quints used on you. We just need to find another space bridge and we'll have a pretty much direct route to Earth...well. Or rather, to the Quint ship that's located near Earth. You get the idea.”

Jazz rubs his hands together happily.

“I'll take it.”

Swerve jumps to the floor and heads to grab an energon cube. Man, these holoform exercises are burning energy like crazy.

He stares at his metal hands like an idiot for a couple minutes. Just...Contemplates how non-human they are.

He has eight fingers again instead of the human ten. Huh.

Prowl downloads the information he's gotten and immediately runs off to plan a route to the nearest working space bridge and for a while Swerve is just.

Left to himself.

He tries not to think about Blurr. What would he even say to him? Hey, look, I'm sorry I accidentally set you up, see, I'm actually an alien who was sleepwalking and thought you were fictional, surely this won't affect our non-existent strictly professional working relationship? Nah, screw that. If he's going to sound crazy, he needs to at least come up with a good presentation for his insanity.

....

Is it weird to think humans are beautiful if you're not human? If you're kind of human, but only in your soul and only half human?

He looks at Jazz and Prowl.

“You two get along really well.”

Jazz chuckles, sitting on Prowl's shoulder.

“Right now, yes. But we got on each other's nerves quite a bit when we first met.”

Swerve looks up at Jazz's chattering legs from his height and thinks. This is working somehow.

On the other hand, Jazz is the exception rather than the rule. He's friendly with everyone, he's easy to get along with, he's the soul of any company and most importantly, he was a little too much into robots before he discovered they could be alive. If anyone could find common ground with the Cybertronians, it would definitely be Jazz.

_____________________

”Are you a ghost?”

Swerve shrieks in fear and gets covered in static. He hadn't planned on talking. He hadn't planned on being noticed at all. Blurr was supposed to be asleep! And Swerve just wanted to close the curtains and leave, because there's some noisy party going on outside and bright illuminations are very bad for a patient already suffering from neural connection withdrawal.

He freezes in place like that dude from Jurassic Park. Like if he's still enough, he won't be noticed. Oh, or was that from another movie?

“I'm just uh” he awkwardly reaches up and closes the curtains “Lights. Bad for...you...now.”

Blurr chuckles. It sounds suspiciously joyful. His whole posture and facial expression. He looks very relaxed for someone who had a ghost materialize into the room out of thin air.

Swerve traces the line of the IV with his gaze. Oops, that looks like painkillers.

“Yes I am. Uh. A ghost watching the curtains. And now the curtains are fine, so I guess I'd better go?”

Blurr squints amusedly.

“You can walk through walls?”

“Uh, I can teleport into the next room?”

He backs up his words by making himself disappear and reappear in another corner of the room.

“Cool!” says Blurr cheerfully.

Swerve is involuntarily infected by his mood and makes a couple dramatic bows as if he were some kind of magician.

“ Show me more?”

“Hehehe okay eh” Swerve spreads his arms like he's presenting something and then makes himself the size of a soda bottle and teleports to the edge of Blurr's bed “Ta daaaa~”

“Wooooo look at you, you're like an action figure~”

Blurr immediately makes an attempt to touch him, but fails to reach and drops his hand back on the blanket.

Swerve chuckles and steps closer. It's funny to see the usually incredibly agile Blurr struggling with something so simple and ridiculous.

“They really drugged you huh?”

“It's not the drugs” snorts Blurr ”...it's my eye.”

He raises his hand once more and hesitantly pulls it towards Swerve until it bumps into his hair

“... depths Per…percen.. ah, shit. I can't tell how far away things are.”

Swerve just. Lets Blurr fidget at himself, while starting to feel really bad at the same time.

"If you can't tell how far things are, how are you going to drive?

Race???”

He must have a plan right? Something? Let’s-prove-Shockwave-wrong tactic???

Blurr drops his hands back on the blanket

“I won't.”

He freezes when the all too close fireworks rumble outside the window. Then points to his head.

“With this. I can't drive, I can barely walk at all, and I look like horror movie material. Pathetic heeh.”

Swerve sits down quietly cross-legged on the blanket.

“Well...at least you're alive....”

Blurr shakes his head.

“If I had died, it would have been epic. You know? Dharm...dramatic! It would be big news and everyone would be talking about what a hero I was or...or something...”

“...”

“Swindle would be so angry, but he'd figure out a way to make money out of it. He'd make a commercial about how people should be heroes. I'd be remn..remembered for being cool and brave and stuff.”

Fireworks can be heard from the street again. Swerve notices that there is a thin slit between the closed curtains through which a slim, flickering strip of multicolored light streams into the room.

Blurr frowns and leans back against the pillow, looking up at the ceiling.

“I've turned into a boring wreck. My records will be beaten, my career forgotten , and all the guys from work will remember me as a brat. In a--in a--in a way, it's worse than death. Shockwave's right.”

Swerve isn't sure what exactly would be an acceptable gesture of comfort, so he kind of just. Places his hand on the blanket covering Blurr's lap.

“Hey, don't say that. I think what you're doing is great.”

“Liar” smiles Blurr crookedly ”You hated me. I saw your posters collection.”

Oh shit. The ones he ripped off the walls and destroyed in a fit of fan frustration? He didn't even hide them, just shoved them in the back corner. Aw, man...

Swerve folds his arms awkwardly across his chest.

“I can be mad at you and think you're cool at the same time. I'm a multitasker.”

“You're a very specific kind of ghost.” says Blurr. Then, apparently inspired by the painkillers, decides to drop the conversational equivalent of an atomic bomb on Swerve's head “You died because of me?”

Swerve stiffens.

“I...Wwhat?”

“You know.” he makes a gesture with his hand that's ..unclear what it's supposed to mean. “You were working there with everyone else, and then there was that fire and I was sure I saw you down there under the rubble.”

He's silent for a couple seconds before he hesitantly continues

“And then no one could find you so most assumed you either burned or ran away. And now you're here with all your weird ghost stuff, so you must be dead.”

Swerve has.No idea what to think about it. And what to say? He's been so busy blaming himself for Blurr getting hurt that it hasn't occurred to him to think about what it looks like from Blurr's own perspective.

“Actually” says Swerve ”I'm an alien.”

“Heh” giggles Blurr ”sorry, my head’s all cloudy, I thought you said you were an alien.”

Swerve wants to run around and bang his head against the wall.

Instead, he gets up from the hospital bed. Carefully.

“You're high. I'm not going to explain things to you while you're high, you won't understand or remember them. Go back to sleep. It's the middle of the night.”

“You'll tell me later?”

Swerve hums quietly and pulls the curtains all the way closed.

“If future, sober Blurr would want my company.”

---------------

Jazz looks at him. Very intensely.

“Are you going to tell me who this mystery person you keep coming back to Earth for?”

Swerve snorts.

“What makes you think it's anyone in particular?”

“You're right, you're right~” raises his hands in surrender Jazz “So are you going to tell your friend the whole thing?”

Swerve crosses his ..metal arms over his metal chest.

“Is it that big of a deal? He thinks I'm a ghost or something.”

Being a ghost...somehow better, he thinks. If you're a ghost, it kind of automatically implies you're human. Or was a human.

“Sooner or later, he'll put the facts together~” says Jazz in a chant.

Swerve laughs.

“That's unlikely. He's got a pretty bad memory.”

_______________

His plans to stay out of anyone's sight combust with a dramatic pop the next time he projects himself to Earth. He doesn't plan to interfere, he doesn't even plan to linger. He just wants to see what's going on.

He actually just quietly sneaks into the hospital to make sure nothing's happened to Blurr since last time, but when he finally finds him then...oh shit, is that Pharma in the same room with him??? This can't be good.

They don't speak, but Pharma has clearly locked his eyes on Blurr and starts making his way towards him with the relentlessness of a industrial metal press.

Swerve does some rough math in his head. If he briefly gives his holoform back its detail and voice, will that be enough to fry his processor? He's not sure.

Pharma gives a believable impression of a shark getting close. The staff, as if sensing something untoward is about to happen, leaves the room in a hurry.

Blurr looks indifferent, but Swerve's attention is drawn to the way he squints tensely. Man, the lamps are too bright in here.

Pharma smiles sweetly and reaches out for a handshake

“Mind some company?”

Swerve's mental processes fly out the window. Oh no no. Not Pharma. Not in his fucking fanfic. He quickly changes his work clothes into a slightly more business-like looking shirt. Thinks for just a moment and adds a cap to his head to blend in more strongly with the attendants and hide his face to an extent. And then projects himself around the nearest unoccupied corner and runs out of behind it looking as anxious as he feels.

“Blurr!!! Sir, there you are!!! I've been looking everywhere for you!”

Pharma wants to say something, but Swerve doesn't even let him start. He stands in front of Blurr separating him and Farma expressively waves his hands trying to keep his head down.

“The guys you were talking about didn't bring the new hydraulics! It's a disaster, we'll have to use the one on the old models!”

Blurr, to his surprise, backs up his act almost instantly

“Really? But I thought there was nothing to take from the old models?”

“That's exactly the point! I got the paperwork this morning and...oh those assholes are going to screw it up if you don't step in as soon as possible!”

Pharma tilts his head

“Can it wait? We were actually talking here!”

Oh no, thinks Swerve I'll show you who's talking.

“Sir, no offense but this is a matter of extreme urgency. Are you implying that the safety of your patients is not important?”

“What do you mea...”

“Old faulty hydraulics, that's what you want?” raises an eyebrow in horror Blurr.

“No I'm just...”

“I had a better opinion of you, to be honest.”

“I...” opens his mouth Pharma “...WHAT...?”

Swerve shakes his head.

“And I thought his profession was to help people, can you imagine?”

“Wh..”

Blurr rolls his eye.

“Any idiot can get an important position these days.”

“Wait..”

“Tell me about it. Especially doctors.”

Pharma looks like he's about to start pulling the hair out of his head.

“Can at least one of you shut up??”

Swerve adjusts his cap in a businesslike manner

“Sir, I understand you're a bit detached from reality spending so much time in your department, but you need to take better care of your reputation.”

He raises his eyebrows knowingly

“Wouldn't want the rumors about you to turn out to be true. You know what I mean?”

Pharma doesn't even answer anymore. Pharma just looks like a discarded fish.

“…..Wha....there's rumors?”

“Of course” shrugs Swerve ”Ask Norman, he usually knows everything about everyone. And about your interesting tricks with safety, too.”

He leans in conspiratorially, effectively pulling all of Farma's attention to himself

“So if I were you, I'd stay out of any more things you don't understand.”

Pharma wants to say something. Swerve can tell by the look in his eyes. Pharma tries to come up with a witty and context-appropriate response, but this whole conversation has no more context than a typical episode of Teletubbies.

“Where does this Norman guy work?” finally finds the ground beneath his feet Pharma

Swerve shrugs.

“Block C, if he hasn't been transferred yet. He's already been fined several times for spreading harmful information you know? The guy can't keep a secret.”

Pharma throws his hands up angrily and storms away. Probably looking for context. Or revenge.

A quiet cough sounds behind Swerve's back.

“So. Should I be worried about Norman's health?”

Swerve feels the hair on the back of his neck shiver and slowly turns to face Blurr while still looking somewhere on the floor.

“Uh...only if you're concerned about the fate of fictional characters. I made up Norman's wife, she'll be upset if he gets fired for gossiping.”

Blurr chuckles. Then goes silent. Then, after a couple seconds, starts laughing again. That's a good look for him, Swerve thinks. It's not like Blurr's usual velvet-smooth laugh that he uses at social events. It's more like a quick, jerky giggle, and in Swerve's subjective opinion, it's pretty damn cute. He can't help but grin.

Blurr snorts one last time, cutting off the laughter.

Then he reaches out his hand to him.

Swerve reaches back, expecting a handshake, but Blurr ignores his hand and instead goes for his cap and lifts it by the brim.

Swerve, not expecting this, freezes with his hand outstretched.

Blurr freezes as well, still holding the cap in his hand and looking...like he's rethinking his life. A little.

Ugh, and how to explain it all to him....

“Uh...you...uh...probably don't remember me. I...it's...”

Blurr shifts his gaze from Swerve to the cap in his hand. Then back to Swerve.

“You're real???”

Swerve awkwardly waves his hands in front of him

“Ah not.., not really. Do you know why Pharma was looking for you in the first place? He doesn't work with patients anymore, he's been reassigned to the research department, right?”

Blurr shrugs.

“Last time I saw him, he said I might have implant rejection in the third ..uh..what? stage? or something? I think he's trying to get me in for a checkup.”

Swerve twitches.

“Third??? How are you still standing???”

He then quickly reaches up with both hands to Blurr's head and tilts it so he can see his face better. Using one thumb, he pulls his lower eyelid slightly and mentally catalogs. Temperature normal, pupil normal, eyes are steady, no darkening or trace of blood on the eyelid. Implants? He puts both palms up and gently feels the places behind Blurr's ears. No signs of rejection or malfunction.

“No no no” sighs Swerve ”You're fine, it's only stage two. I mean, second sucks too, migraines and all, but you just need to rest and no bright lights and...” he finally notices his hands are still on Blurr's head and pulls them back as fast as if he's been burned ”I MEAN I'm uh...sorry, I didn't mean to, I...”

Blurr laughs quietly.

“I'm glad you're back.”

_____________________

He wakes up in his quarters and can feel his face burning.

When he goes out to get the energon, Jazz throws him a look.

“Is something wrong? You're all kinda...shaky.”

“Hhhhhhuuuuuuuuuuuu” imitates signs of life Swerve “Say, doesn't it bother you that Prowl isn't human?”

Jazz smiles

“ Oh, I went crazy when I found out. But we figured it out.”

“Like...on a scale from ‘bad grade in school’ to ‘an asteroid is coming to Earth’ how crazy was it?”

“Worried about what your human friends will think?”

Swerve swings back and forth on his heels

“Pfffffffffffffffffffffffffffffff. Whatnooooo, no of course not. I'd be worried if I planned on telling them at all.”

Jazz frowns

“No offense, but keeping secrets isn't your strong suit.”

“Haha” Swerve waves his servo “ Watch me.”

[revelboo]

Did Soundwave and Starscream leave the door open that entire time???

🤣 I meant to write that Megs closed it behind himself when he walked in the first and reopened it the second time, because it’s his base and you can’t lock him out of anywhere he wants to go. But the door being wide open is so much better- I can also traumatize Shockwave now. 18+ scenario I’m sorry

Everything is Alright- outtake

• What is that sound? Venting as he strides down the hall, his head turns toward the open habsuite door. Is it the Seeker making that racket? Looking inside with the intention of telling him the sound is disruptive, his antenna flick back at the breathy cry. At the sight of the human pinned and writhing between Starscream and Soundwave as the latter ruts against you. His two fellow commanding officers having some sort of orgy in the floor of Starscream’s habsuite with a human. Unable to stop staring at the wanton, scandalous scene. Strangely fascinated despite himself. Watches you move against the Seeker, mouth finding his as Soundwave groans, shuddering against you with his release. Antenna firmly back as an entirely unwelcome ache spreads through him at the sight. Spike stirring as he turns and strides for his laboratory to escape the depravity.

Alternatively, because @shadedgarden left a comment that made me laugh:

• Returning with a datapad and energon goodies, his antenna flick forward at the sounds coming from the habsuite. Soundwave still rutting against the human, the wet sound unsettling and fascinating. Entering, his head tips as he finds a spot on the floor and sits, using the end of his cannon to slowly type out a report. “Query: Can Soundwave shift left leg so view of interfacing is unobstructed?”

• Stiffening as you yelp, Soundwave pins you more firmly under him, pushing Starscream flat as the Seeker snarls in outrage. “Leave,” he growls as Starscream starts struggling to get loose, optics furious. “Kill me now,” you mutter, hiding your face against his chassis.

• Staring at them, Shockwave’s attention drops back to the datapad. “Interfacing with Cybertronians causes desire to terminate in humans,” he notes, slowly selecting a glyph at a time, shifting slightly. Aware of his own trapped spike aching. “Query: possible to get a tactile exploration of a human for research purposes? Documenting alternate uses for the organics.”

• “Get out! I swear to Primus, I’ll kill you! Soundwave, move!” Swearing, as Soundwave pins you both more firmly and you make a little breathy noise, complaining that you can’t breathe, he manages to get an arm free, cannon charging as he aims it. Snarling when Soundwave shoves his arm so the shot goes wild. “Is that a negative to tactile exploration?”

[videokilled]

“If you say so- but if we’re breaking in anywhere.. there’s not even a dirt road to it?? Mm.” He said trying to hold his tongue at least partially. He would have to learn how to shut his big mouth up at some point.

Walking into the room was- lacking. It looked like a room describable as functional and clean and nothing else. Which he supposed was all they were going for. (It wasn’t like Vox had seen the other rooms for comparison, and his lifestyle had been nothing short of penthouse for the last century or so.)

Of course he had opened his mouth to make a comment until Alastor had made his. Then his mouth shut, pushing to the side into his cheek. One could imagine the wrinkly line his tv mouth would be. But as a human he was a bit less expressive. Most notably without the antenna on his head.

He tossed his jacket on the bed carelessly and started to take another sip but paused on its way to his mouth when Alastor just blurted out the admission.

Alastor was not one to crave sex- but also seemed to want a distraction just as anyone would while nervously awaiting a mission.

Vox’s first thought knowing the other though- was not that.

He moved the glass back down toward his own chest and looked at the other more seriously. Unsure if he was being asked for…. Support? Or reassurance? They had both threatened to abandon the other. Maybe his own comment had rattled the other? That seemed uncharacteristic.

“I’m not leaving without you.” He said carefully trying to hit a chord of reassurance or seriousness without pitying or being annoying. The whiskey was making him feel stupid. And he was trying to pace himself on the rest of it. But the other two drinks weren’t doing his critical thinking any favors.

“I put too much into this little renegade of sorts to turn back at random.” He would start to put the drink to his mouth again- before it lowered once more mid thought.

“Unless.. you mean..” he clarified his eyes doing a subtle peripheral once over of the other man in front of him.

The man stood there and stared at Alastor. Trying to thread back the conversation in his head because his jest was not met with jest at all. It was actually met with some alarming realism that he had been trying hard to avoid. Mostly just the obvious.

He moved his tongue in his mouth a bit and swallowed hard as he recentered a bit.

So obviously Alastor was nervous. It didn’t do anything to calm his nerves. He had left his company just hours ago. It had been hours since he checked his cameras. It had been hours since he had heard from Voxtek or seen its workings. This was the longest he had been away from his brick and mortar ego since he had birthed it.

Everything was going fine in all likelihood- no one even realized he was gone yet probably. Except Valentino who knew. Unless he went around yapping it to everyone. Unless everyone got it in their big heads that now was a time to take advantage of. Val was smart- in a lot of ways- but he didn’t understand the stakes of a lot of things. The priority hierarchy. Velvette would though.

Velvette would keep whatever Val couldn’t at least stable. It had only been a few hours.

It had only been 6 hours.

That’s not even a full time shift.

Oh god. So much could take off in a shift.

And then the silence was done. Vox’s eyes moved up to Alastor’s again- looking a bit more distant and alarmed slightly, but trying to keep a pin in it. He couldn’t do anything about it now.

Vox nodded and sipped at his new drink now. He couldn’t manage. He just needed- to not- think about it. At all.

He looked up at the bartender in a bit of a sly way- then just looped his arm around the space around Alastor. Just sort of gently scooping him without touching, and started toward the door with the tumbler.

He wanted to walk and drink. And this bar was getting loud. They wouldn’t miss two cups anyway.

“How did you get a room..?” He asked, his voice predictably softer and less demanding than it had been most of the day.

[scoriarose]

There's something important I've been wanting to share with fellow snake caretakers, and it's that if you have been sweet to your snake and love them, they have probably told you hundreds of times they love you- but because we speak different languages most won't understand. It makes me a little sad thinking how hard they try to tell us, and some folks just don't recognize that and they hope their serpentine friends love them but never know for sure- or even believe the lie snakes aren't even capable of love at all. They are, they have brain structures similar to birds and not only are physically capable of feeling love, they also regularly display traits associated with love including empathy and self sacrifice to protect others they care about both in captivity and the wild.

Snakes express love through touch. Through cuddling, and vibing (being near someone not touching just happy to be in their company). There's another outdated lie that snakes cannot and will never enjoy being pet - likely this comes from someone seeing cats and dogs lick their young and enjoying being pet because it feels similar to what is natural to them but since snakes do not lick their young it was believed they could not enjoy this sensation outside of their nature.

But that's wrong. It IS their nature! They just don't use their tongue, they use their whole body! Thing is, a lot of people who see them slither over another snake don't realize it's more than just them going somewhere, and they think they're carelessly going over another snake. Sometimes that may be the case, but touch is also how they bond. I read an article detailing how a mother snake was tolerant of her babies climbing all over her. Tolerant? It's like if a toddler hugged their mommy and said they loved her- tolerant would be such a strange word to use. They are telling their mommy they love her through their very limited means of communication.

Isn't it incredibly sweet that a creature who is so so limited in communication made sure to have a way to say, "I love you." I think that's just the best news ever.

If you doubt what I'm saying well, a number of snake keepers can vouch for me they've also accidentally discovered that touch can also be romantic if you touch the wrong place where most wouldn't expect it to be.

But the point I'm trying to make is, I bet there's tons of people with pet snakes who are telling them over and over they love them, hoping their human understands. If your snake doesn't do this action it doesn't need they don't love you- it would come from them not having figured it out. They learn not just from instinct, but from each other. Not having a parent snake to teach them (like some species including rattlesnakes) they have to figure out everything on their own for the most part.

Many fight out how to express, "I love you" through touch. Most snake caretakers I imagine don't recognize the attempt to communicate as anything more than the animal slithering around- but if you look for it you might see your pet telling you! If they are on you and start slithering around but not going anywhere in particular (sometimes back and forth) ESPECIALLY if you pet your snake and they relax/enjoy it- they are probably trying to pet you. And in doing so, show they care about you too, that they love you.

Scoria pets me with her chin, and I've never heard of anyone else's snake do this. She has, however, taught this to her sister who now pets me both ways.

It would be neat to hear if anyone sees their snake doing this and realizing what it really means. (Your snake might have even learned another way if you don't pet them and show them love another way- sometimes they learn by copying us too.)

Hope this helps someone- please share if your snake has a way they show they love you, I see very little on this from other caretakers and would be so happy to hear if others have similar experiences.

[stupidlittlespirit]

as a stanley girl, there is SO MUCH MORE ford content. and it's 100% because he is "more handsome" (read it as the journal 3 passage where he writes "what is a silver fox??? people are calling me that......"

I also have another take: I think it also has to do with their body type. ford doesn't have a protuding belly and looks slimmer, while stan has a big belly, doesn't hide it, and when he does, he explicitly tells it's a girdle. cowards. afraid of this old man's delicious stomach 🫦🫦🫦

This is actually a really interesting point that I hadn't considered before.

I'm going to use this as a chance to analyse because I think it's quite interesting and I can't shut up about these old fuckers. Sorry.

And by the way, Ford repeatedly being referred to as being 'hot' always made me laugh because they're literally twins and it would piss me tf off if I was Stan.

(I am also speaking in big, broad brush strokes about the way in which they're received by the audience and portrayed in the show here, by the way. Very generally.)

The main difference between them I think is that Stan is portrayed as someone who 'didn't take care of himself' because he smoked heavily, drank, and was generally portrayed as quite 'grimy'.

But I would hasten to add that being homeless and having a rough life will make you like that to some extent, and that's not an effect of 'not taking care of yourself' so much as it is one of having to survive in any shape you can.

To be clear, I'm not saying you're bad or 'grimy' if you are/have been those things, I'm saying people often portray or view you as such when you've really just had to adapt and be like that to survive. You'll develop certain ways of being because of the people you're around (who usually tend to be hardened themselves) or even the people that you're not around, in the sense of social isolation. You'll probably drink or smoke or do drugs to cope, and all of those things age you dramatically. As does stress and trauma. You don't have anywhere to shower or stay clean. You don't have anywhere to get healthcare. You don't have anything. You lose access to so much that most people take for granted.

In terms of physicality:

Ford had to work out and try to take of himself to an extent because he needed to stay on the run and was moving around a lot. I hold this hc that interdimensional travel takes a HUGE toll on the human body and, like an astronaut would, it was imperative for him to stay in good shape or else he physically wouldn't be able to go on. He also had the astronomical intelligence level to craft food sources or find alternatives, and would have help from other beings along the way. I don't for a second think he survived entirely on his own and we do know that's true because he tells us so in the journal.

Stan survived in a very different way. He did survive totally alone. He had no one at all. He was likely depressed and being homeless meant he had no money, so, for example, he would have lived on a shitty diet of whatever he could get his hands on. When you're dirt poor, calories matter. Like, a lot. He never would have known where his next meal was coming from. He'd have been packing on weight with dogshit food and he'd have had to do it fast, but then you grow into bad dietary habits and it becomes harder to shift off when you become stationary or more consistent in income.

So he would have gained weight and kept it on like a life preserve, but he also wouldn't have had much need to work out to get rid of it once he was more settled, plus depression in general can add to weight gain, too.

Both of them are portrayed as quite stocky guys, as well. They're very broad and chunky in general, so their body type is kind of inclined to hold weight like that too.

Personality wise, Ford has traits that are probably seen as more 'admirable' or attractive by a general audience, in the sense that he is intelligent (booksmart, at least) and driven, he's noble in his cause and he's successful. He's portrayed as being 'proper'.

Stan, however, is portrayed as having traits that are inherently negative such as that he's dumb (he's not, he's very street smart and that IS intelligence, don't let anyone tell you it isn't!), he's a criminal, he's rough around the edges and coarse, he's kind gross, he's a failure, etc. He's portrayed at large as a Loser. His redeeming quality is that eventually, he's considered loveable.

I think it's the combo of their looks/bodies and their personalities seals the deal for a lot of people. One is seen as slim and smart and successful, whereas the other is fat and 'grimy' and a cantankerous ass.

We don't have to like someone to fuck them, but generally we do need to be attracted physically to them to fuck them.

Ford is seen as unlikeable in personality, whereas Stan is seen as unlikeable in looks. Stan is just emotionally more redeemable because we see his redemption and more of his backstory. Ford is just considered by a lot of people as big and sad and fuckable lmao

I, personally, don't think that when you truly look at them both in the light, that you can boil them down to those few traits. They are very complicated and layered, and while they do retain those points, the above is kind of 'how do they seem at a passing glance' or 'how do they seem from an immediate attraction point of view'.

Anyway, I do agree that Stan's body type and personality is viewed less favourably to Ford's because he's put forward as being grotesque, and for one thing, fat is generally accepted as something that equals being gross.

That's not to say I'm waving a stick being like 'waaah this was done on purpose it's fatphobic that they made Stan like that', I think their designs are purposeful but that they're done like that to show to an audience that Stan has lived a sedentary life since he stopped being homeless whereas Ford has been in motion constantly for 30 years.

I have no idea about how character design works, I'm thinking about how they'd look if I were writing about them as my original characters and I needed to portray their personalities/lives to my audience without showing them too much of their backstories up front.

Anyways, I think they're both dreamboats. Fat or thin. Don't give a fuck. I need them.

[ziggysarcana]

Shira turned to see him and smiled as she watched him take in the room, eyes lingering on every detail. She felt a warmth in her chest watching him and the way he always seemed to be appreciating her. There was something about the way that he looked at her, like she was something to be admired. Shira wanted to bask in the light of his admiring eye for as long as she could, forever even, but she didn’t want to be greedy. Her fingers fidgeted with her long sleeve, her eyes meeting his, “A reader?” She raised an eyebrow playfully, “I’m surprised it took you so long to ask me that, Mr. Addams.” Her shoulders gave a little shrug, her smile turning wry as she admitted “I used to be a bookworm back in the day, but I think life has a way of getting in the way of me doing things like that. Like, reading.” Her gaze flitted around the room and at the half-empty shelves lined with weathered books. “I hope this doesn’t make me sound pretentious but usually I like the classics,” She stepped towards one of the shelves and pulled from it the Brother’s Karamazov, her fingers running along the gold lettering on the front, “Dostoevsky, Tolstoy, Homer... Not exactly light reading, but there’s something about the way that they capture the human condition… it feels like a truth you can’t find anywhere else.” A truth she couldn’t find anywhere else until she first laid eyes on Silas’ smile. A thought that made her set the book down and take a step closer to him, her heart still fluttering in her chest. The magnetic pull between them rendered her helpless to it, “But I did recently order one of yours on the web.” Another admission that left her blushing. There was a playful glint in her eye, and something more that she wasn’t sure if she was ready to put into words yet. Or maybe she was scared to. 

Shira couldn’t help herself but reach out and brush her fingers against his dress shirt, smoothing out the creases that her touch had left behind, “Thank you. I’m glad you like it, Silas,” she said quietly, ever present genuine smile on her lips, “It feels like home, I guess.” More so when you’re here, she wanted to add, but bit her tongue and said instead, “You’re welcome to come by any time you’d like..”  Her fingers absently brushing along his side before she forced her attention toward the photography equipment scattered in the room. She stepped away again, only to adjust the lighting of her softbox, angling it just right. Her hands were steady and methodological in their movements but her thoughts were far from what they were doing. As she set everything up, she kept glancing back at him, eyes shining as she watched the way he stood. Raw and uncomplicated. The more her eyes lingered, the more she realized how much he was affecting her; and it had nothing to do with a shot. She then motioned for him to stand in front of her makeshift backdrop of simple wallpaper hoisted to the wall, “You’re quite the subject, Silas,” she said with a grin, her eyes scanning him like she was already planning the perfect shot in her head, “I think you’re going to have to get used to being in front of the lens now that you have me.” 

Silas pushed his head into her hand as she brushed his hair behind his ear, making sure to appreciate her touch as much as he could. As she stepped away he felt regret for bringing it up, like he missed his chance for that to be his last memory. The promise of her continued presence is the only thing keeping him intact as she walked ahead of him. He took a small moment to gather his thoughts, as much as he loved Shira to fill his mind to the brim, he would be walking into every wall and bench in her house trying to keep his eyes on her. He looked over his now dishevelled clothing, a tie loosened, a shirt mostly untucked. His shirt held creases that matched her hand, his hair placed against the back of his ear but her fingers, the gloss on his smile imprinted by her lips. He looked like a mess, but he had never felt more comfortable. It was like he was a map of Shira's emotions, her desires, her trust. Silas grinned, and followed her through her house, not changing a single thing about how he is dressed.

Silas mind was branded by Shira's presence. His thoughts, while racing, all lingered on her. To go from one room to another gave him enough leeway to figure out more about her. "So... you much of a reader?" He asked, it was the first thing his mind thought of. He instinctively blushed after he asked, they had just made out and he is asking about her reading habits? He wouldn't have heard the end of it if Stoker heard his ask that. He waited for her response and glanced around her studio. While a bedroom is typically the most intimate room in a house, it can only tell you about a person's nights, whether they were full of activity or otherwise. A studio however, or a study, that's where you can find the real aspects of a persons life. A kitchen counter is kept clean to cook in, a desk is left disturbed so not to break up ones thought process. He looked for the little details, the type of pens she used, what equipment has more scratches than the other. His blatant examination of the room eventually lead his eyes back to Shira's, like they had some type of magnetic pull. "I really like your home." He smiled, unaware of if he had already said that, wanting only for her to know that he felt comfortable in her presence.

[novelconcepts]

I really think we as a society don't give enough credit to performers who thrive in an ensemble situation. It's always obvious when an actor is excellent front and center, and we're constantly rewarding that skill set with awards, but god, there's something to be said for the power of a true ensemble piece. People who are so good at reading one another and playing off what they're given, tossing the ball and knowing when to turn it into a grenade. As much fun as it is to watch a solid monologue or a solo show, I always find it so much more thrilling--and so much more authentically lived-in--when there's an ensemble just feeding one another in every single scene. Who do I look at? What is everyone else learning and deciding even from the background? This is what life looks like, and actors who really shine in that environment have really become my favorite to follow.

[icewindandboringhorror]

examining a seemingly normal image only to slowly realize the clear signs of AI generated art.... i know what you are... you cannot hide your true nature from me... go back where you came from... out of my sight with haste, wretched and vile husk

[cherriiramen]

“I don’t see the potential in McHarrison, George is ugly anyway and Paul can do better!”

[pepprs]

i will shut up abt this i promise but like. the concept of being in a stable safe mutually loving whatever relationship is INSANE . like how can you ever feel bad about yourself or wounded or whatever again. it’s like a superpower or somethi ng. <- doesn’t know what she’s taking abt bc she’s never experienced it or the absence of it after having it merely the negative space of it and is filling in the gaps w logic or something. but it’s INSANE to me. like of course i feel like shit about myself i am catcrumb unloved.jpg!

[wereshrew-admirer]

long work day today but in my heart of hearts i'm drawing chine in a dress having a great time, because, gender i guess.

no alterations to their appearance otherwise, maybe somebody's convinced them to wash their hair, but only for the sensory experience of having some bounce to it afterwards, y'know?

i just..am ruminating on how good it feels to be so incongruous with people's expectations without any fear at all? or more, even, with the sense of power that comes from frightening cis people when you yourself are confident in your safety?

not even a hint of chine being embarrassed about it, just straight to the joy - slap a few flowers in their shitty beard and dare somebody to say something <3

[musical-chick-13]

I want to sing through some Weird Emotions, which has the effect of me wanting to share art, but also no one perceive me ever.

[ravencromwell]

Yes, there is absolutely! a comment period, and it has been extended to June 12th! As far as I understand: you can make public comment here. I think it's crucial to note that while this encompasses negligence around broken and mishandled equipment, and people with those sorts of horrors should absolutely submit comment! it by no means limits itself to that. This rule also concerns itself with enforcement of improper transfers, ala the grueling, humiliating ordeal of Charles Brown. Which I'm frustrated more people aren't emphasizing, as it matters so fucking much to get voices who've been dehumanized in similar fashion into the comments, too. There's a brilliant list of Do's and Don't's linked as a list on the comment page. Per that list's request, I'd urge you to peruse the full regulation before commenting

As a disabled person who's loved LEVERAGE and LEVERAGE REDEMPTION since the beginning - for the characters but also the whole ethos of performing acts that help people against crap systems, it's wonderful to be reminded that it springs from reality.

[gallusrostromegalus]

Might I inquire as to what, precisely, a Mustain't is? (Aside from a string of letters I hesitate to Google in that order.)

In October 2014 I went on a road-trip to the Dryest Place In America.

I was having a rough year, very depressed from having dropped out of college for the third time. I decided a road trip was in order to re-set my brain and get a little distance. Being that it was October, and therefore all the campgrounds in the American Southwest were filled with people who have the good sense to camp in reasonable temperatures, I elected to take my parent's minivan so I could car-camp anywhere suitably isolated, and looked up some of the southwest's geographic extremes- the highest place I could drive to (Pikes Peak), the lowest place (Badwater Basin), and for fun, the Dryest Place in the continental US, which turned out to be the Pinacate Volcanic field just west of Organ Pipe Cactus National Monument. It gets rain maybe twice a century and has no standing water, despite being less than 100 miles from the gulf of California.

It's a startlingly beautiful and alien place. The ground is a deep chocolate brown to black volcanic sand, and in mid October, the rabbit brush is turning bright yellow as it shifts to autumn, the organ pipe cacti are a dark green and stand, partially concealed in the brush at exactly human height. The air is alive with birds and insects and bats at night. The stargazing is like looking into the eyes of God.

You get there by driving down a little dirt road called "El Camino Del Diablo", or "The Devil's Road".

I drove out about three hours from Glendale, AZ to get there, arriving at sunset, and felt a profound sense of peace. I stargazed, listening to the bats hunt and sing, and slept peacefully for the first time in months.

I stayed out there for three days, sketching and painting the landscape, taking strolls through this almost alien landscape, and enjoying the light and sound and total absence of human intrusion besides myself.

On the fourth night, it was a new moon, and I awoke in the middle of the night. Something was amiss, and it took me a while to realize it was because I could NOT hear the bats. I was sleeping inside the van with the rear windows rolled halfway down rather than trying to set up the tent, so I when I sat up, I looked out of the van's reflective windows to discover what at first appeared to be A Horse.

It was something between pale gray and bright white in the starlight, standing maybe a dozen feet from the van, sniffing curiously. It made sense- I was in the middle of mustang country and there was quite a bit of foliage in the area for it and it did look like a truly wild horse- lumpy where the bones were jutting out, dusty about the hooves and face.

I was instantly seized by the sort of paralytic fear Sleep paralysis is made of. I couldn't move. It wasn't quite looking at me because it couldn't quite see through the windshield into the shadowy into the shadowy interior, but I had the distinct impression that if I looked away, it would know, and get me.

I already had problems with horses. My beloved Aunt Helen's Prize mare tried to kill me on two separate occasions, and the year before I had to carry my sister-in-law backwards out of a slot canyon whilst reciting the Saint Crispin's Day Speech as loudly as possible to keep a mustang from trampling us to death.

This is approximately what it should have looked like:

Instead, it was... off. like trying to draw a horse from memory.

The waist tapered in.

The legs were slightly too long or the torso slightly too short, probably both.

The ears were Triangular.

The head wasn't quite right- Too narrow and the jaw wasn't heavy enough.

The tail was too long and arced unnaturally away from the body.

The neck arched.

The nostrils were too high and close

The mouth too long.

Whatever this is, a Mustang it Ain't.

I watched it from the back seat as it sniffed around the front of the van, curious with about the side mirrors. It moved around the van, nibbling experimentally on the front door handle. It came up to the side windows, sniffing like a dog, and it's breath didn't fog up the glass.

Finally, it came up to the rear window, which was rolled halfway down to let the fall night air in. Not even half a pane of glass and two feet of air between us, and I could clearly see it's bright blue eyes.

Horses have Elongated pupils to give them a wide field of vision, and eyes that rotate sideways in their sockets so the pupil remains parallel to the ground. Rather creepy to watch, especially the ones with blue eyes.

A real horse that was curious about the interior of the van would have come up to the window more or less sideways, and looked at me with something like this:

Instead, the damn thing walked up and faced the back window head on, staring back at me with this:

I'm not sure how long we watched each other like that, eyes locked. My eyes burned. I couldn't blink. My mouth was dry. I couldn't swallow. My throat began to ache. I couldn't make a sound. My skin began to twitch, like I was severely dehydrated. I couldn't move. My lungs burned. I couldn't move. I couldn't move. I couldn't move. I couldn't move.

Something was touching the side of my hand on the seat next to me. It's my water bottle.

The realization must have broken the terrible paralysis in the lower parts of my brain first, because by the time I consciously realized I could move again, I was already flinging my water bottle out the window at it.

The top was open, and splashed out the window at the Mustain't.

I've never heard such a scream out of an animal. Something halfway between the sound of unquenchable rage vibrating in someone's chest and the way rabbits cry out to God when the dogs catch them.

It jumped back, pivoting away from the van, snarling at the water bottle. I don't think you're supposed to be able to see All of a horse's teeth at once, no matter how angry it is.

I watched it run into the night for some distance, it's pale body visible against the black sand and the dark gray shadow of the ancient volcanic cone it was headed for.

When the blood stopped pounding in my ears, I could hear the bats again.

I debated leaving right then, but I didn't want to get out of the van with that thing in the area, nor litter by leaving the water bottle out there. I also had the awful idea that if I left now, it might somehow be able to follow me home. I ended up staying up three hours to watch the sunrise, shaking and trying to figure out if I'd woken up from a vivid dream, if my meds had stopped working, or if that had really happened. I didn't dare move until I actually felt the temperature rise, before stepping out of the van to grab the bottle. I had my camera ready- I was still using a DSLR back then- to take pictures of the hoofprints, to show how close it had gotten to the van.

No hoofprints.

Beetle tracks in the soft sand around the van, and the clear foot-and-wing prints of a bird that had hopped around then taken off. But no hoofprints.

I went over the entire campsite with the tent broom, to make sure I removed every scrap of evidence I had ever been there, including my footprints, grabbed my water bottle, and drove the three hours back back to Glendale, then decided to do seven more hours of driving to Moab, Utah just to put more than 500 miles, the state line and at least nine things that could be considered "running water" between me and the Mustain't.

-

I still have that water bottle. It has a dent in the bottom from hitting something, but that could have happened at any time. Strange thing though. I can't drink that bottle dry. I'll have it on me, drink whatever I've put in there- water, juice, iced coffee- and eventually feel like I've drunk the whole think and that it's empty. But I open it up and it's still at least a quarter full. I drink that. I get thirsty. I open it up again. ...and there's always a mouthful left.

Not sure what the side effects of drinking from a bottle cursed by a Mustain't to always have some left are, but it lives in the Emergency Breakdown Kit in my car now, just in case I meet another one.

---

(I'm a disabled artist and make my living telling stories, please consider supporting me on Ko-Fi or Pre-order the Family Lore book on Patreon)

[starry-bi-sky]

#battinson with chronically ill half dead teenager yesssssssss#I'm imagining that first night he brings danny to the cave and hes just internally panicking#like what do i do with this kid. where do i put him. i cant just leave him in the cave. im DEFINITELY not leaving him alone

FRRRR. Like @/that1badassbitch mentioned in the comments, Bruce's thoughts that entire time was just varying pitches of internal screaming. Which I am still wheezing at because yeah, preach. Bruce's pov from the moment Danny accosts him in the alley to him bringing Danny into the cave ranges from awkward panicking, genuine desperation to get this kid some help, a lot of heartbreak on the boy's behalf, and also just pure anger at his godfather.

Cuz like, who the fuck does this?? How dare he. This boy is a child. If it weren't for Danny's genuine terrified pleading, Bruce would've probably had a confrontation with Vlad. He would've lost, considering Vlad's power set and Bruce's lack of and Vlad would have gotten away with Danny. But he would've tried it. (Could've resulted in a spin-off au where Bruce, after losing to Vlad, proceeds to hunt the bastard down to save Danny.)

But yeah, I absolutely, delightfully agree that Battinson is just. internally panicking the entire time. From the rooftops, to the car, to the driving all the way to the cave -- which, after a quick google search, is apparently in an abandoned train depot in Batman (2022). Which is fascinating to me, but I digress. His internal monologue consists of cussing out Danny's godfather, trying to figure out what the poison is, a repetitive use of the word "FUCK", and him going "keep him awake keep him awake keep him aWAKE--"

But like, in a more Bruce Wayne fashion.

Danny is curled up in the passenger seat beside him and Bruce keeps intermittently checking on him every few seconds. Danny just looks like shit, man. Poor kid has a seemingly unending bloody nose, he's coughed a few times already and each time sounds like its shaking through his lungs and taking a piece out. His breathing is hollow, quietly raspy, and Danny sounds like he's gasping each time he breathes in. He's pale, clammy and sweating, but trembling, and his eyes are glazed over, unfocused, and half-lidded.

Dealer's choice here but I'm very amused but also fond of the idea that Bruce, in an attempt to do anything to soothe this kid, panic-clips off his cape and kinda just. throws it at him. Cringes, then awkwardly tries to adjust it so it's laying over him like a blanket.

It works though! Danny, through his haze, cracks a smile at him before grabbing the cape and practically curling around it. He seems to visibly relax, and Bruce silently slumps with relief that his idea worked. I also think he tries to painfully make some sort of small talk but frankly the only valid form of "small talk" he knows is interrogation. Danny's too out of it to mind though.

Bruce asks him if he knows what his godfather used to poison him.

("Blood Bl'ssom.") ("What is that?") ("A k'nda plant. Issa type o' rose.") ("Where can I find one?") ("Y'can't.") (And hear Bruce's blood chills for a moment. "What do you mean?") ("Blossoms went extinct in th- in the 1600s.") ("What? How is that possible? How'd your godfather get his hands on one?") ("Science.")

He also learns that the poison is, horrifyingly, cannibalistic, and Danny reassures him that he kinda stopped feeling the pain a few hours ago. Then he gags on nothing and spirals into an ugly coughing fit. "...Mostly." He adds on.

I have this very vivid mental image of Battinson screeching to a stop in the cave, Alfred's off to the side messing with some prototype gadgets. Bruce's side door swings open and Alfred's in the middle of snarkily asking if he's decided to get a reasonable amount of sleep tonight, only to immediately eat his tongue when Bruce beelines to the other side of the car and frantically pulls a waifish victorian kid with the tuberculosis blood cough to match out of the passenger's side.

("Dear god, what happened!?") ("His godfather poisoned him. I need towels and every medical device we have in here.")

The few photos I could find of the Battinson Cave did not imply there was a gurney in there, so Bruce uses on of the metal tables. He uses one arm to swipe off all the stuff on there onto the floor before laying Danny down.

It's. a very stressful time! That's for sure. Bruce is stuck between trying to get some form of antidote or at the very least a neutralizer to the blood blossom extract made, and also reassuring Danny that he's going to be fine. He's out of his depth.

They do get Danny stabilized though! How? Uh, I hadn't actually been able to think of how up until now, and this is just me trying to throw together an idea up on the fly. But Bruce like, manages to make some kind of 'antidote' that doesn't completely kill the blood blossom extract, but it makes the poison at least forcibly slow down.

[Forced to put a read more because this got SO LONG. oops]

"like what do i do with this kid. where do i put him. i cant just leave him in the cave. im DEFINITELY not leaving him alone" <<< is his sudden internal crisis after Danny's stabilized and passed out on the table. Giving him back to his godfather is completely off the fucking table, and Bruce can't give him up to CPS because there's a risk that he'll also return to his godfather.

He ends up, unsurprisingly to all of us, on deciding to keep Danny with him for the time being. At least until they can get his godfather behind bars. And you're right! Danny can't stay in the cave -- it's a half-furnished, rundown train depot. There's a tetanus shot waiting around each corner. It's Bruce's (reluctant) idea to take him up to the manor.

So Danny wakes up in an incredibly gothic guest bedroom, not feeling 100%, but also not feeling like total death like he did yesterday. He can still feel the blood blossom in him -- it leaves a joint and muscle soreness throughout his whole body, and when he breathes there's a weight there.

His confusion over where he woke up -- because it's very much not Vlad's place -- is overshadowed by his frank awe. You can't tell me he hasn't developed an appreciation and fondness of gothness due to his friendship with Sam. He might not be into it like Sam is, but he can appreciate the beauty when it's right in front of him.

#and hes got that awkward silent staring thing going on. Danny's trying not to die and vlads not there anymore#so hes unbothered by it really

Bruce pulled up a chair next to Danny's bed in the manor and didn't move a single inch the entire time. Just. sat there and stared to make sure the kid didn't stop breathing in the middle of the night. Probably has some facial recognition scanner going to try and figure out Danny's last name -- whether that works or not is dealer's choice frankly.

Either way, Danny turns his head to the left and nearly jumps three feet into the air when he sees Bruce and his 'stares into your soul' blue eyes. Sends him into a minor coughing fit by accident. Battinson very awkwardly and quietly apologizes. danny kinda just waves him off.

That's a whole conversation I'm not gonna go into, but to sum it up Bruce asks how Danny's feeling, and Danny tells him that he feels better, but he can still feel the blood blossom poison. So whatever he did, didn't get rid of all of it. (He's still incredibly fucking grateful nonetheless)

cue that "getting to know you" interrogation stuff.

(Danny can probably keep the full extent of his halfa status a secret from Bruce at first, but he is forced to tell Bruce about the ectoplasm running through him since it's the only reason the blood blossom toxin even works on him. Which results in him telling him a.. slightly omitted version of why he even has that in there in the first place.)

(Maybe he reveals that he was a hero in order to convince Bruce to let him out on the field rather than being just support? I've got ideas and fortunately your tags will help me delve into them)

#alfred pretends to be exasperated that bruce kidnapped a kid but honestly hes relieved#maybe being responsible for someone else will make bruce more responsible for his own health

no notes. just know that i'm wheezing at this. my friend @kingcrow01 had Alfred essentially reacting the same fucking way.

#the media would eat it up are you kidding??? the reclusive prince of gotham seen with a mysterious child???#and theyve both got that sickly pathetic wet cat look to them what with bruce constantly being injured and danny being chronically poisoned

FR! I love social media shenanigans and I love seeing it in fic (Lex Luthor's Ascent From Supervillainy To Fatherhood is a really good example of it imo), although i'm not too good at making it myself. Imagining how twitter in-universe might react to photo evidence of Danny with Bruce is going to fuel my desire for seeing people's reactions to things for ages. I am delighted to imagine that dumpster fire. The in-universe memes, guys.

Nobody has any clue what this mysterious Wayne child looks like for the longest time because Danny follows Bruce's lead and dresses in Anti-Paparazzi Recluse Fits. Mostly because he's the godchild of an equally reclusive and influential billionaire figure, and I imagine Vlad would pitch a media fit trying to find his poor, beloved godson.

Can you imagine the fucking SCANDAL if people found out that Vlad Masters' godson ran off and was currently living with recluse Gotham Prince Bruce Wayne? The tabloids would eat this shit up. It's a three-course meal that's paying their rent for the next three months. That's not even to say what Vlad might do upon finding out Danny's whereabouts.

So yeah, photo evidence of Danny only has shots of him wearing a large hoodie, one of Bruce's jackets, and a medical face mask and a hat. It doesn't hide any of the Sickly Pathetic Wet Cat look, if anything it enhances it. But you can see his bright 'staring into your soul like the oracle of delphi' blue eyes, and the black curls plastering his face, and his pale skin.

In some photos, as blurry as they are, Danny appears to be leaning into Bruce's side, seemingly using him as a support. The "antidote" (medicine?) Bruce created that first night was effective, but it wears off eventually. Before they make his medical bracelets, the both of them agree to use the antidote Bruce made to stave off the worst of the poison.

These photos are taken around the times the antidote was wearing off or had worn off, and the toxin was taking itself out of the backseat and shifting back into high gear. Despite that, Danny managed to convince Bruce to let him tag along on whatever shopping run he was on.

Someone took one of these photos and captioned it "Pathetic Wet Cat and his Sickly Pathetic Wet Kitten" and posted it on SMS. It got numbers.

Oh my god, I just thought of this but when Battinson is finally cornered by reporters asking him about Danny he does this:

he internally panics, and then with a straight face says "i don't know what you're talking about. i don't have a son." and then he Flees.

(this blows up in his face because the reporter he responded to never asked him if Danny was his son, they asked him who the boy seen with him was. Bruce is trending on twitter before he even makes it home. He's mortified. There's potential here for a scene between Bruce and Danny where they have that long-awaited 'are we family?' conversation.)

#i know everyone's focusing on danny working as a hero with batman and his relationships with dick and jason and everyone as the older siblin#but im still stuck on early days batman with a teenager to care for and how that dynamic is going to be SO DIFFERENT#than that same bruce with a 9 year old Dick. like the circumstances are so different and hes never bat-dopted a kid before this

NO BECAUSE YOU GET IT. YOU GET IIIIT! I fucking love older brother danny, however the biggest appeal of the "eldest son danny" idea is in fact how he and bruce's relationship would have to play out in order for that to happen. You could argue that Danny could be an 'older brother figure' to the Robins and still not have any familial affiliation with Batman, but the fact of the matter is, simply? I want that familial affiliation with Bruce. I want to see how that would play out, and how it would develop.

I am. a scientist prodding a little glass stirring rod at the potential family dynamic of Bruce Wayne and Danny Fenton and going, in complete wonderment and awe, "wow. fascinating. how does that work? how did you happen? what made you? how can i do it again?"

I also think there could be something fascinating over the fact that Bruce Wayne watched his parents die in front of him, while Danny's parents don't even know Danny died at all. A (once) child with dead parents, and a dead child with living parents. I think there's something to be explored there, I just haven't yet figured out what.

And yeah! a teen is completely different than an 8 year old. They're in very different developmental stages in their life, and that's not even addressing their lifestyle differences. When I made this prompt I mentally kinda just placed the death of danny's parents as having happened a few months ago. To me, it feels like enough time for Vlad's temperament to escalate from bad to worse, and for him to actually cook up that blood blossom toxin.

Danny's at a different mourning period compared to Dick, who was brought in while it wasn't even a day old. Maybe Danny hasn't had much time to mourn his family as much as he's wanted because he's been stuck in survival mode living with Vlad, and once he feels secure with Bruce he can finally tap into that grief he's been keeping on the backburner.

Lots of things to explore that can adjusted and changed as needed! Very flexible.

All in all though, I am a sucker for found family and in order for Danny to have family in Dick and the others, he needs to find it with Bruce.

#and this one has a crazy demon murder godfather and poison blood and a history of punching otherworldly apocalypse-creatures#into another dimension. no parenting book will help.

no notes here other than yeah, agreed, wheeze. The good news is that he doesn't need to be completely afraid that those otherworldly potential-apocalypse kickstarters will show up at any random point, Because, imo, Danny shut down and destroyed the portal before he could be shipped off in order to prevent anyway (cough-the GIW-cough) from accessing it. Vlad's the only one with a working portal currently and he's not as careless as the fentons are as to keep it open willy-nilly.

now the only thing he needs to worry about is the crazy demon godfather and the flora-boros blood toxin in his son's veins! whoo.

#and like yeah danny will want to help gotham and save people#but honestly? with his new limitations and no expectations from a previous robin do you think he would do it the same way?

I love this question! because honestly when I was initially expanding on this idea on my own, my initial answer was "no" due to the toxin's limitations. I had the same idea as you where Danny takes on a more 'oracle' role where he's not out in the field, but he's still helping behind the scenes. I was torn between "logically would this happen" as well as "chronically ill people aren't delicate flowers, they can do things" and a little dash of "okay but i really want nightingale out in the field"

In the end I decided that I liked the idea of Danny actually out with Bruce, and that as a result there would need to appropriate consequences and drawbacks for this decision.

#idk guys he fights ghosts because no one else can#i think he'd probably play a much more supportive role. at least at first. << you're totally right, too. And Danny's motivations for wanting to help in Gotham would have to be different than in Amity Park. Oooo this has good character growth potential.

Danny helps Amity Park out of a sense of obligation right? Like obviously it's also because he's a good person, but ultimately it kinda comes across as an obligation. He's the only one who can, so he's the one to do it, despite the fact that throughout the show he's shown to want that normal life. There's guilt there if he doesn't do anything; he has the power to stop this, so why shouldn't he?

(Oo, doesn't that sound kinda familiar? Guilt over something he ultimately has no control over, but thinks he could have?)

So! For him to choose to decide to rejoin the hero life, and not just from behind the curtain, feels like a pretty big character decision to me. Especially because now, he doesn't really have the power to help. Not like he did before.

He's sickly, essentially powerless because using his powers speeds up the toxin, and equipped only with his wits, his creativity, and whatever fighting skills he may have acquired during his time as Phantom -- and whatever martial arts prowess the author decides to have Maddie pass down to Danny.

He's not doing this because he feels like he has to, but because he wants to. I think that's pretty cool.

You reminded me that ideas can be combined too! It's dealers choice for anyone who wants to throw their hat into the ring in how Danny decides to join the frontline fight.

I'm going to kinda contradict myself here but one of my ideas for Danny going from behind-the-scenes to in-your-face-scenes is just. Batman needing backup for a fight. I'm not going to go into specifics for who he's facing, because frankly i'm not sure myself, but he needs backup.

And Danny, who likes to sit in the cave more often than not, waiting for Bruce to come back, sees this through whatever cameras are available. He's stressed out, worried for Batman's safety. This could be a good catalyst for the overarching subplot of him rejoining the hero scene as well as hey, maybe realizing that he doesn't need his powers to help people.

Danny's warring with himself about what to do. Trying to soothe his anxieties by reminding himself that Bruce is an incredible fighter and good at getting out of tight spots, telling himself it would be fine. Rebuffing the little voice in his mind saying he should help by telling it that he might make things worse. And when his subconscious tries to tell him that he can help, he rebuffs it by saying does he need to?

And there, right there, is what's been playing on repeat for however long it takes for him to become nightingale. Every night: "I can help, but do I need to?" and during this night is when he has an epiphany; "No, but I want to."

it's like the sun peaking through the clouds after weeks of gray skies. He wants to help. He can help, but not because he should or because he's able to, although that is important, but because he wants to.

So he finds where Bruce hides the face paint, smears what he think is an adequate amount on his face -- it looks almost mask like. And hunts down one of the spare utility belts -- he ends up having to wrap it around his shoulder and torso like a bandolier due to how tall Bruce is and how willowy Danny is. he already has a hoodie on, and pulls it up over his head. And fuck it, i'm calling down the Rule of Cool Law. Danny finds one of Bruce's spare capes and tears it up to make a makeshift scarf to better hide his face. He gets some other tools he needs that he knows Bruce uses, and then he's off.

(Bruce is both very shocked and very upset when Danny comes crashing through the ceiling with a faux-confident; "Hiyo, B! You're looking pretty bat-tered, so I thought I'd come in and give a helping claw!")

(Results in what I think is a very funny post-fight conversation where they have something of a hissed argument in front of the half-conscious criminals. "what are you doing here?!" "i wanted to help!" "where'd you learn to fight like this?" "mom taught me" -> which causes a fucking BUZZ in the criminal underground when word gets out.)

there's conflict. argument over bruce not wanting danny to come out to help him. Until danny eventually wins out in the end by pulling up footage of phantom on the batcomputer, revealing his previous hero status, and pure damn stubbornness. Bruce agrees but only after he updates Danny's self-defense and gets him a proper suit.

#alfred cant handle TWO wet rats getting beat up every night lol

singling this out because it's funny and you're rIGHT.

#danny innovating new and better bat gadgets. making good humanitarian use of the wayne money in ways that would make sam proud. #making sure alfred isnt the only thing standing between bruce and bruce's death at the hands of the city he loves

Danny's bambi eyes are lethal work, and Alfred's favorite employ whenever Bruce is being stubborn. Even after rejoining the active hero scene, Danny will still team up with Alfred to drag Bruce to bed or rest. Excuse you, don't make the same mistakes he did! He's the elder hero here!

Danny churns out so many anti-ghost gadgets for Bruce for the inevitable confrontation with Vlad, along with non-ecto gadgets just because he wants him safe. It becomes an unusual bonding experience for the both of them to come up with gadget ideas together and then figuring out how to make it work, and then building them together.

Vigilante equivalent of helping dad in the garage except you're both fixing the car and telling the other to grab them the 3/5th quarter-inch flathead screwdriver from the toolbox.

Danny is delighted to have someone to bounce ideas off of with, as does Bruce.

For the good old "fights are one of the ways ghosts socialize" trope: They have regular training sessions, but it's Danny who asks if they could sometimes just have some for-fun sparring sessions. Then has to very embarrassedly explain to Bruce that it's just something ghosts do with each other to socialize sometimes.

Bruce reads between the lines and sees it for what it is: play fighting. Danny's asking to play fight. There are no parenting books on taking care of a half-ghost teen, but he immediately thinks on a documentary on lions he saw a while ago and agrees.

These play fights more often than not result in Danny being tossed around like a ragdoll and loving it -- he's light as feathers and being thrown up into the air feels like he's flying again. Something he can't do anymore for obvious reasons. Plus the ghostly bonding thing.

I don't have much to add about the humanitarian use of wayne money thing, i agree. It also makes Bruce proud and could help inspire him to start getting more involved with Wayne Industries so he can start using his parents' company for humanitarian use as well.

#MAN imagine the fluff of danny learning to decipher bat grunts#if anyone has experience seeing past the crazy obsessive seemingly single minded focus of a parental figure and to the real love and care#that exists so deeply and truly under and throughout it all it'll be danny

aaaaaa, man you're so right. i was talking to crow about this but, for context, the idea was that Nightingale has a tendency to sometimes bite his opponents. And it's become something almost like a signature surprise move because he has Ghost Fangs, but the first time this happens its during some kind of gang fight between B, Gale, and a handful of goons.

However, the fight halts to surprised stop when one of the guys shrieks out; "OW, HE BIT ME!" and like a spell, everyone turns, flabbergasted, towards the guy who said it. Because what the fuck did you mean he bit you, wHY IS HE BITING.

And there, hanging off the guy's arm with all the smug self-satisfaction of a cat, is Nightingale, with his fangs still chomped down onto the guy's arm. There's a few seconds of silence, long enough for everyone to see what's going on, before Gale reorients his momentum and kicks the guy square in the jaw; knocking him out cold.

The thing that catches everyone's attention is that Nightingale drew blood. They watch, half-terrified, half-baffled, as the kid scrunches his nose up, wipes at his mouth, and makes a noise of disgust. He turns to look at Batman, who has also stopped what he's doing to stare as well.

Nightingale asks him; "Am I gonna have to get checked for this?"

Rather than deign him with a response, Batman remains silent. They stare at each other for three whole seconds, before Nightingale clicks his tongue like Batman had said something he didn't like, but expected.

"Aw, okay." Then without missing a beat, he turns and launches himself like a feral cat at the closest person next to him, and the room descends back into chaos once more.

Man, I'm just imagining them working next to each other on their own personal project, and Danny will quietly ask for Bruce's opinion on something. Bruce gives him a single grunt, and Danny's silent for a moment, contemplative, before muttering something like "huh, i guess you're right" or "oh, good idea."

Danny eventually adopts Bruce's little "hrm" quirk himself, and it slowly goes from: "hey, what do you think about this?" "hrm" "that's what I thought too" to: "..hmn?" "hm."

The ever consistent urge to make Your Blorbo The Most Specialist Character On The Block Ever is forever a plague of mine, and I'm very tempted to say that Danny is the only other kid except Cass who can do the "hm?" "hn" thing back to back with Bruce. Don't get me wrong, the other batkids can do the "Hey X thing" "hm" "okay" thing, and on some level can do the "hm" "hm" thing too, but they can't do it quite to the same extent as Danny can, and its from those years where it was just the two of them.

but yess!! I agree! Danny's got experience with that kind of obsessiveness, Bruce reminds him a lot of his parents that way and he understands it the best out of all his siblings as a result. It also means, however, that he willingly goes in to drag Bruce out of whatever obsessive rabbit hole he's fallen into, if he feels that Bruce has been too hyperfocused on something. He saw it with his parents, and it ended up killing them. He's not losing another dad because of his foolish tunnel vision.

#bruce is so much quieter than his parents but man if danny doesnt understand him. and maybe bruce comes to learn what dannys used to as well#comes to learn to speak his affection and open up so much more. to make danny feel more comfortable and welcome

AGAIN, NO NOTES. This is perfect and yes. I've got nothing to add.. okay I lied, i just needed a moment to think. Bruce isn't the most physically affectionate person, but he starts to be thanks to Danny, who is very tactile. Same thing with verbal praise, Danny hardly got any of it in school or, regretfully, at home since Jazz tended to get all the praise.

Bruce tells him "good eye" once after Danny spotted something before Bruce did, and Danny preened so brightly Bruce genuinely wondered if stars were going to appear over his head. He'd gotten his hands on video footage about Phantom that had shown him doing that exact same thing.

(oh which reminds me. The moment Danny tells Bruce about his previous hero experience as Phantom, Bruce goes on a research helldive to get his hands on everything about it. He's watched every single video showing Phantom. There were very few videos of Phantom that weren't videos of his fights, which were horrifying to watch on multiple levels.

Including but not limited to the fact that ghosts could apparently survive the most lethal of injuries, and he was never going to get the image of Phantom yanking a steel pipe out of his chest out of his head, or him pulling out a broken chunk of glass from his throat.)

(It was even worse seeing videos of Danny's parents shooting at him. That was a long, uncomfortable conversation.)

Another time Bruce is asking Danny about being a ghost, and Danny wistfully tells him that the thing he misses most is flying. Grappling through the city is the closest thing to it, but it's still fundamentally different -- and in some ways more exciting -- than flying. The closest comparison he could give is an indoor skydiving ring.

Bruce, a week later, rents out an indoor skydiving ring for the day and Danny spends hours inside the wind tunnel. He tells Bruce all about the similarities and differences in the car on the drive home, and then tells him that next time Bruce should try it too.

Just, all-in-all, seeing how these two interact and impact each other is what makes this so appealing to me. Especially with early years Batman. And I had so much fun typing all this out, thanks for the opportunity to infodump haha.

#UGH OP THIS POST TT-TT

AH YOUR TAGS <33

I am loudly pushing the batdad agenda i am loudly pushing the— DPxDC Prompt

“Woah. You look like shit."

Granted, that’s probably not the first thing Danny should be saying to the guy that just bit the curb, but in his defense; he’s not running on 100% right now either.

The man -- tall, towering, and broader than Danny is tall -- whips around on his heel, black frayed cape flaring out impressively. Danny would've whistled in appreciation, but he takes the time instead to wipe the back of his hand across his mouth, smearing the blood running from his nose across his cheek.

"Sorry." He blinks widely, not even flinching as the man with the horns zeroes in on him. "That was rude of me. I have a really bad brain-to-mouth filter; Sam says its what always gets me into trouble."

And she's not wrong either, per say. His smart mouth is what landed him in this situation -- with blood blossom extract running through his veins and cannibalizing the ectoplasm in his bloodstream. Thanks Vlad.

The man grunts at him; a short, curt "hm" that shouldn't make Danny smile, but he does because he's somewhat delirious and probably concussed. The man keeps some kind of distance, sinking towards the shadows of Gotham's alleyway like he dares to melt right into it.

If it's supposed to scare Danny, it doesn't work. Danny's never been afraid of the dark; he's always been able to hide himself in it. He blinks slowly at the mass of shadows.

"You look hurt." The shadows says, blurring together around the edges. Danny squints, and licks his lips to get the blood dripping down his chin off. Ugh, he hates the taste of blood.

"I am." He says, "My godfather poisoned me. M'dying." The agony of the blood blossom eating him from the inside out looped back around to numbing a while ago, so all he feels is half-awake and dazed.

"Hey," Danny stumbles forward towards the man, a bloodied hand reaching out to him. "You-- you're a hero, right? You're not attacking me; which is more than I can say for most costumed people I've met." Maybe it's a poor bar to judge someone at, but he's already established that Danny's not in his right mind.

The man makes no change in expression, but Danny realizes blearily that it's hard to tell with the shadows on his face. He stays still long enough for Danny to latch onto the cape -- stretchy, but almost soft under his fingers.

He looks up blearily into the whites of the man's eyes. "Can you help me? I don't-- I don't wanna die." Again. He doesn't wanna die again. He blinks slow and lizard-like. "I mean- I'll probably get to see mom and dad again, but I told them I'd at least try and make it to adulthood."

There's a clatter down the street, and Danny's ghost sense chills up his spine and leaves a bitter, ashy taste in his mouth. He immediately knows who it belongs to even before the deceptively gentle; "Daniel?" echoes down the way.

"Daniel? Quit your games, badger, Gotham is dangerous for children."

Danny's mouth pulls back, and blood spills against his tongue. "Please." He rasps, and grabs onto the shadow's cape with both hands. "Please. He's going to kill me. Please--"

"Daniel? Is that you?"

His lips part, dragging in air to plead with the darkness again. He doesn't need to, the whites of his eyes narrow, and the cape whirls around him before Danny can blink. Soon swaddled in shadows, the Night lifts him up, and steals him away.

[inkskinned]

it's because the bear wouldn't kill me just for being a woman. the bear doesn't kill me for fun. the bear can be shouted at, and will leave me alone. the bear won't make a tiktok complaining about how i crossed to the other side of the path when i saw him coming. if a bear kills me, it's just being a bear: it cannot understand logic. it is not acting out of malice - just fear or hunger.

bell hooks once wrote about how porches might be the only outside space left for women - it is still the domain of the house while it is also outside-but-safe. when i am in the woods, i am in the bear's home, and he has a right to defend his property. outside spaces - anywhere at night, certain parks in the day - those are often implicitly "owned" by men. i cannot explain the feeling of knowing when you have entered a man's "territory." you walk into a place and just know you are in their space. you get a sick sense - you're in danger.

the other day a group of about 8 men were fooling around in the woods while i walked my dog. i had to go around, take the extra 3 miles just to avoid them. it's okay, i like walking. this wasn't even a #feminism moment. it was just a tuesday.

what a plain and easy question. only one of the situations is seen as a tragic accident. i would rather die and have a park bench erected in my honor rather than have my family questioned about why they let me, an adult, walk in the woods in the first place when i should really be at home in the kitchen.

i worked in retail and food service. i have had women say and do absolutely heinous and abusive things to me - not because i was a woman, but because i was there, and they were angry. the way men treated me when angry was different - it was because i was a woman. you can always feel the difference, how there's an undertone of i'd hurt you worse if i could get away with it. i keep seeing people try to cite stupid statistics. why is there always a strange rage whenever women agree on things? like men can argue their way out of our lived experiences? it isn't a buzzfeed quiz - which of these traumas are you? 10 super cute ways not to fear strange men.

i have actually (thrice!) seen a bear in the wild, by the way. i died each time, obviously, and am a ghost writing to you. (it was scary but completely and utterly fine). the second encounter was a black bear with her cub. she looked at me like - do we have to do this or are we good? my dog was busy sniffing a bush, completely nonreactive. i felt like i was in a sitcom: feminist poet reacts - does she actually mean she'd choose the bear? my only thought was - she's so beautiful. her paws are massive.

and there's a part of me that feels the rage spinning out in a corner. why do we have to come up with quippy little comments in order to teach men empathy. would you rather die in a car accident or due to a mugging? and would you rather your house burn down due to an electrical fire or due to arson? gee willikers - it's almost like we're human people, and want to risk the accident versus the intention.

i would rather my last thought be oh shit, a bear rather than i'm a person too. why doesn't that matter? why don't you care?