#anyways. this has been a rant
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whippetcrimes · 1 year ago
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We started the session being comfortable putting our nose in and then immediately pulling back for a treat. We end our session comfortably (loosely) bucked in
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ruthofrhythm · 2 years ago
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I cannot believe there are people in this fandom that like Karen Wheeler
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crumb-crumblet-s-crumbington · 7 months ago
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"You and me, Ethan. Together we go save Rose, and then we can grind Miranda into paste!"
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andsewingishalfthebattle · 10 months ago
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Novice sewing pattern: Cut out shapes. Line up the little triangles on the edges. Stitch edges together. We've also included step-by-step assembly instructions with illustrations.
Novice knitting pattern: yOU MUSt uNDerstANd thE SECret cOdE CO67 (73, 87, 93) BO44 (63, 76, 90) 28 (32, 34) slip first pw repeat 7x K to end *kl (pl) 42 * until 13" (13, 13, 15) join new at 30 pl for 17 rows ssk 27 k2tog mattress lengthwise BO and sacrifice a goat to the knitting gods. WHAT DO YOU MEAN YOU WANT "INSTRUCTIONS," I JUST GAVE THEM TO YOU
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sweetestflow3rs · 1 month ago
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a bump in the day
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charlunday · 3 months ago
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"Finnick Odair? Who's that?"
rip Finnick you would've loved chilling with your kids and not being famous
commissions open!
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sweetieviktor · 2 months ago
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jealous! viktor x reader (headcanons + tiny scenarios)
summary: viktor sees you talking with a friend and get jealous.
content warning: idk if it counts as a cw but jealousy?? also, i made with s1 viktor in mind!
author notes: heyyy, so sorry this one is little, im still trying to find motivation after the end of the series but i think it turned out cute! thank u for the request and hope u like it!! :)
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» it was a common sight to see you walking up and down piltover’s academy, working or just chilling on lunch breaks, but every time viktor would approach you, you were already with someone. sometimes an unknown person, other times with a friend, laughing and joking, touching them in such a sweet way, side by side in the aisles.
» he looked at you both, blood boiling and shaky hands. if you looked at him, it was possible to see his lips forming a thin line, brows furrowing, his left eye almost twitching. oh, he was jealous.
» he felt angry at himself to feel like this, he didn't mean to be jealous at all, but he wanted to steal you away, just for a second, and be the one by your side, be the one you smiled to, the one you’ve been touching so sweetly.
» he wanted to reach for you, to interrupt your silly conversation about whatever you two have been talking about, he wanted to share his new discoveries with you, he wanted to be in their place so bad.
» but he couldn't complain, not when you waved a goodbye at your friend, and turned your body, recognizing viktor, eyes lighting up immediately, smiling from ear to ear.
“viktor!”, you shouted, voice echoing in the aisle while you walked to him, “i’ve been looking for you all day. you wouldn't believe what happened!”
he looked at you, expression softening, eyes shining, mimicking yours, his thin lips now turning into a little smile, “yeah? tell me."
» soon all the jealousy melted away, now, he is the one walking by your side.
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alchemistc · 7 months ago
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There's been something about the woobification of Buck that's been sitting on the tip of my tongue for weeks now, and I think I've finally figured it out.
This is, of course, mostly in reference to the moral outrage about a decade-ish (give or take) age gap between two adult men and the infantalization of one said grown man, so all the puritanism isn't really coming from a place of good faith anyway, but here's the thing that's been bugging me that I couldn't quite put a finger on until now.
Buck has people he goes to for certain things. He has, what are in his mind, experts in the field for most of the things he can't think through on his own, that he goes to for a sounding board.
He went to Hen to talk through the sperm donor dilemma for a few reasons that made sense to him. 1) She's a mom. She has very much had to deal with the reality of 'giving up' children she considered her own. Buck is aware that he would be giving up something that could mean something to him, and he wants to talk to someone who has some insight into that. 2) She's dealt with IVF. She knows the risks, she knows the trials and tribulations, she knows about this thing that he is thinking about agreeing to be a part of so she's going to have a fuller grasp on the enormity of everything this process entails.
And they drink about it. Hen gives him what she can and cautions him where she thinks she should and they continue to talk about it and regardless of what SHE thinks, he makes his mind up in part because he got to talk to his Expert.
Bobby is often his go to when he feels like he's losing his grip on things. He's seen Bobby staring down the bottom of the bottle. He's seen the work he's done to pull himself back into the world, and he's seen the way he fights for his family, his people. Buck leans on him in times of questioning himself because he knows Bobby has pulled himself off the ledge with bleeding hands and a bleeding heart.
He reaches out to Maddie about interpersonal shit constantly. We see it all the way back in S2 when he's starting to question what the hell he's still doing in Abby's apartment, and that never really changes. She's the one with advice for him when he's angry with his parents, upset with the firefam, worried about his friends, or just generally concerned with the way he's perceived by people or how he perceives the world. He goes to her when he's embarrassed, ashamed, because he knows she won't judge him for it. She'll call him out, for sure, but she's not going to look at him differently when she knows he's done something he considers bad behavior.
When he goes to her during the Tommy arc, he's there for one reason he'll admit, and another she has to ferret out. 1) He lied to his best friend and he doesn't know why. 2) Oh yeah he went on a date with a dude that's not strange WHY IS THAT STRANGE I'VE ALWAYS BEEN AN ALLY PLEASE DON'T PULL BACK THE CURTAIN - and Maddie is there with two things: 1) It's not weird but it IS new and something you clearly haven't worked through all the way which is why 2) you'll tell Eddie when you're ready
And Eddie is sort of his go-to to bounce ideas off of. Eddie is his Buck expert. Eddie is the guy who can sort through all the bullshit and who sees Buck for exactly who he is, every time, regardless of what Buck himself is thinking. Eddie is his best friend, and he knows the good the bad and the ugly better than anyone else. He is also, quite frankly, the one Buck seeks out to help him contextualize all of his romantic feelings for people. Eddie's the guy he talks to when he's interested in someone, when he's falling for someone, he's the guy through which Buck filters his love interests into the firefam. I do the same shit with my best friend. It's instinct to want the person you consider the expert on you to meet the person you are interested in, it's instinct to want them to like each other, to get along. Buck knows Eddie loves him (in whatever way you see that love, Buck knows Eddie loves him) and he wants this person who loves him to be at least an active listener as he talks himself through the minefield of relationships. I do also think that up until the events of season seven, Buck considers Eddie sort of an expert on that traditional love-marriage-kids-white-picket-fence relationship Buck thinks he's striving for - in a very naive way, because obviously the wasn't what Eddie and Shannon had and Buck knows that, but he's probably fed some of Eddie's rose colored reminiscences back into that notion.
When he comes out to Eddie he's got two worries. 1) I lied to you and I figured out why but I'm still a little worried you think it's weird and 2) I screwed it up with someone I really like and I don't know where to go from here.
And Eddie (Buck expert) reassures him that just because it's new and unexpected doesn't make it strange, that it doesn't change anything in their friendship. And then he gets right to the heart of it - if you like him you should reach out and tell him that. He doesn't know you like we do but if you give him the chance to, he'll love you as much as we do. If he doesn't give it the same shot you want to he's the idiot.
With all that context in mind, Buck isn't seeking out Tommy's attention because he wants an authority figure, or someone to take care of him, someone to guide him through sex or love or relationship dynamics or any of the other random shit I've seen ppl infantalizing Buck about.
What he's looking for, and what he ultimately tells Tommy he'd like to pursue, is a partnership. Someone to walk (or more likely for Buck, speedrun) through experiences together. The Athena to his Bobby, the Chim to his Maddie, the Karen to his Hen.
So every time I see someone infantalizing Buck for seeking out a relationship with an older man for X or Y reason, I'm just like - no. He has Bobby, Hen, Maddie, Eddie, Chim etc for that. He doesn't want or need Tommy for that. He is a grown ass man who has built these strong relationships with his peers and his mentors and he is so fucking aware of that because he reaches for their help any time he feels the urge for a helping hand.
So yeah, Tommy's older. Yes, Tommy has more experience with his sexuality than Buck. And that - that's really it. Buck's been in the same career for more than half a decade. He's lived on his own since he was no older than 19/20. He's had serious relationships, he has a rich and fulfilling life. There is no power imbalance in the relationship between Buck and Tommy.
And while the age gap may be a bit of a draw for Buck, it's not WHY he's attracted to Tommy. We know because he's told Maddie. He's cool. He's interesting. He's confident. He has a cleft.
Buck isn't going into this waiting for someone older and more experienced to take the fucking reins. He felt like he clicked with Tommy, like there was an immediate connection, and yes, Tommy had to kiss him about it for Buck to actually figure out what it was he was experiencing, but from that point on it was all on Buck (and the people he leans on for advice) to help him sort through.
Tommy didn't do shit other than pump the brakes and try to give Buck the space he thought he needed to decide what he was ready for. Buck (again, with the help of his experts - Maddie for the emotional piece of it, Eddie for the Buck of it all) did the work on his own. Tommy didn't swoop in and overbearingly hold his hand through a sexual awakening. He kissed him, asked him out, realized he wasn't ready, stepped back and then checked in multiple times when Buck came back at it going 120 miles an hour.
And then he did everything he could to prove to Buck he wanted the same thing - a partner, someone to talk to, and lean on, and flirt with and rely on to show up whenever they could feasibly manage it (and sometimes when it's a little unfeasible too).
The narrative even acknowledges that Buck had no reason to go to Bobby in this scenario, when he often would, and lays out exactly why.
Within the canon of this particular arc, we're meant to see this as Buck realizing he has the experience necessary to think these things through on his own. This is Buck finally taking control of something that's always felt like it fell into his lap a bit. This is Buck doing more than treading water until his legs give out.
And minimizing that growth bc you personally don't like the LI he's pursuing is gross at best. At worst it's something much more insidious.
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anewp0tat0 · 6 months ago
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i lied i had like atleast one more weston thought to expell from my brain, before i miss this boat entirely. we're heading to green lands woooo
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beargregor · 19 days ago
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wait i'm curious, what makes you say that gregor doesn't like everyone else (if i read that post right)? just curious since i've never seen anyone else say that
i don't necessarily think gregor dislikes everyone else at lcb but i do think that gregor is an incredibly petty person that isn't nearly as close to the rest of the sinners and even outright dislikes some of them cough cough rodya cough cough which a lot of people just Refuse to see because he's as much of a doormat as he is. there's several examples i could get into to try and prove my point however i'll just focus on what i personally think to be the biggest ones.
additionally, this is going to be kind of long, so i'm adding a read more. read more! read it. sorry for being so wordy. i have several diseases.
Pt1. gregor is the type to try and get along at least decently with everyone, especially if he gets a good first impression from them.
this is less a point in favor of gregor's distance w/ the rest of the sinners and more just a contributing factor to it. once again there's several examples i could point to here but i think the most in your face one happened in canto I with yuri, as several people have pointed out. even before gregor comes clean about growing attached to her as quickly as he did because she reminds him of his sister, we get this interaction.
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i'll go ahead and make the disclaimer now that i don't necessarily think gregor is the most reliable of narrators, especially when it comes to his feelings and interactions with most people, but from the way he acts when the topic of yuri comes up (and the way we still see him act even all the way up to c7, nearly a whole year after yuri's death) i don't see reason to question his sentiment here. gregor immediately got that aya and yuri were close, potentially even taking note of their traded belts, and went out of his way to get something nice for yuri despite hardly knowing her.
i feel like a lot of people have forgotten as much, especially since it's been so long since c1, but gregor actually spent a good bit of season 1 doing the exact same thing with the other sinners! gregor reads a connection between him and ishmael pretty quickly despite getting off to a rocky start
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mostly because gregor can tell that ishmael is pretty sardonic in a very similar way to him. there's been multiple instances where ishmael and gregor have essentially expressed the same sentiment at different moments, most notably gregor's little argument after ishmael got shot with a decay ampule in c4
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and ishmael's response to pilot talking about self-sacrifice in c5
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i could go ahead and pull up more examples, but in general pm has gone out of their way to show us that gregor and ishmael are pretty similar, so it makes sense for gregor to assume that they're friends, right?
this will be pushpin 1. keep note of this for Later.
ishmael's only the first sinner we see gregor trying to do this with in s1, we also see him try it out with heathcliff, sinclair, and ryoushuu
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he's tried to get along with charon, being one of very few sinners that we've seen actually try to establish a connection with her at all
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even rodya, despite my insistence that gregor doesn't like her nearly as much as the fandom thinks he does
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all of these seem pretty fine and dandy, right? sure it frequently leans towards self-degradation, micromanaging, and commiseration, but gregor can at least be pretty chummy with most of the sinners, can't he?
Pt2. hell's chicken was more than just comic relief guys please
i'm fully aware that this is quite the hot take, but i think hell's chicken deserves a lot more credit for character writing than the fandom gives it. hell's chicken gave us foreshadowing for several events, such as the donqui bloodfiend reveal
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heathcliff's distortion in c6 (as well as hong lu's highly speculated distortion at some point in the future)
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and ryoushuu and sinclair's continued connection by making him the odd one out on her team
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which, hey! that implies something about gregor's odd one out, don quixote, too, doesn't it? yes. yes it does. that's pushpin 2. keep note of that for later.
speaking of pushpins, hey! that's pushpin 1!
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splitting into teams is one of the major events in hell's chicken, and most of the sinner's choices are either motivated by very little, backhanded, or motivated primarily by not wanting to be on the opposite leader's side. i didn't include all of the picks, just because i feel like including most of them already gets this across, but i think gregor took one major thing from this: most of the sinners, when push comes to shove, will only side with gregor when they refuse to or can't take his opponent's side.
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now, don't get me wrong, i'm fully aware that this is primarily intended to be comedic relief, but when gregor is being described as having his trust broken by ishmael or nearly crying because no one on his team properly sided with him for him, i feel like it's pretty fair to read into this.
something that i think is pretty important to remember in conjunction with this is that we know that gregor is the type to hold a grudge, both from his general attitude towards the G corp soldiers in c1 as well as his continued distaste for vergilius
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even beyond the splitting into teams of hell's chicken, the sinners have given gregor plenty of reasons to feel bitter. i feel like this is something people have noticed but haven't really put a finger on, but it's kind of wild just how often the rest of the sinners make gregor the butt of the joke
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and sure, we could argue that a fair few of these aren't really made with any ill intent. quite a bit of it could have been meant as harmless teasing, but with gregor being more sensitive than most, it coming from nearly all sides, and as often as it does? yeah, i think he's prone to taking it a bit personally.
Pt3. yes i do still think gregor was the third most important character in canto VII you guys gotta hear me out okay
of course, all of this leads up to the bit of the story i highlighted, doesn't it? c7? i totally get why people haven't really picked up on all the gregor things i did in it, seeing as they were mostly not *directly* said about him or by him.
personally, i think that gregor's distaste for talking about himself on any serious level and thus leading to him getting sort of "sidelined" narratively (which i take issue with that claim, but still. it's effective for getting what i mean across atm) is supposed to lead players to take a deeper look at the times gregor gets held up to other characters and compare and contrast what's being said about them by the matchup. as i showed earlier with his immediate latching onto ishmael, i think this is something gregor himself is at least partially aware of too.
so, that begs the question, who was gregor compared to in canto VII that makes me think it's one of the most critical pieces in understanding his character?
really, i'd like to avoid getting too lost in the analysis of this canto specifically, since i'd like to do a proper post about this later, but i figure i can bury the lede a little before doing it properly.
c7 features several characters being made to perform in sansĂłn's play, acting out the relevant backstory for this segment of the plot. a lot of these characters have rather direct, degrading reasons for playing the roles they do.
outis, a character with an inflated ego who wants her journey to have a purpose, is made to play an aimlessly wandering villager with a single line.
hong lu and ryoushuu, two characters for whom families and the expectations placed upon them are likely going to play a major role, are made to play bloodfiends.
rodya, a character who resents her lot in life and is constantly shown to be eager to leave her destitution behind her and become someone special, is made to play a helpless villager that's too poor to even offer any money to the hero that saves her.
heathcliff, a character that has spent most of his life getting dehumanized by comparing him to beastly animals, is made to play a literal bear whose sole purpose in the plot is to get beat up and then quickly left by the wayside.
sinclair, a character that has two opposed parties essentially treating him as a macguffin to procure for their side, is made to play the character who was arguably the catalyst for this entire canto, not to mention playing a decently major role in ruina.
our star don quixote is made to play her father, the first kindred, but there's someone by their side the entire time, isn't there? don quixote's dear, steadfastly loyal companion. a character which don quixote has tasked themself with getting to come out of their shell?
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hello again, pushpin 2.
gregor has been made to play our unreachable star, sancho. someone had to, of course. you can't really tell a story without it's main character, now can you?
now, i should once again give a disclaimer. i am not trying to say that i think adapting what happens to donqui/sancho in c7 to gregor is the road pm is going to take here, not only would that toe a bit past the line of foreshadowing, but it'd also just amount to rehashing that plotline again, which i don't think would make for a particularly exciting story.
what i DO think is that we can take a lot of the things that are said to either directly be the case for sancho and use them to inform how we see gregor.
and god, does playing sancho have some fucking implications for our favorite ossan archetype.
starting off, the earliest moment we get to see of sancho is quite literally her just waiting for death to take her in a pile of ashes.
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which, i should remind everyone, is actually pretty damn close to what happens to gregor's literary counterpart at the end of the metamorphosis. gregor samsa experiences one final breaking point that pushes him over the edge and makes him decide to just wait for starvation to take him.
gregor and sancho both consider themselves to no longer be human, something which sancho goes out of her way to highlight repeatedly throughout the canto and gregor is quick to get defensive on her behalf for when outis starts really tearing into her
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sancho spends quite a lot of this story denying herself the joys of community and friendship, despite knowing that, even with the rest of the sinners frequently making jokes at her expense and outright insulting her, they were things that she desperately craved.
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and, while this is getting into my "outis is a red herring meant to distract us from gregor's eventual betrayal" theorizing, i also think it's worth noting for this discussion that sancho's fellow kindreds, her family, all seem to be under the impression that she dislikes them and ultimately her departure was an act of betrayal
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and that, despite gregor being one of LCB's resident mood makers and attempted conflict de-escalators, one of the sinners that's most prone to making appeals to the bonds they've all forged together, only him and faust remained silent during everyone's speech
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so yeah, i think there's quite a lot of little details and hints building up to the reveal that gregor's not quite as fond of everyone as he presents himself to be. i do think a lot of this ultimately comes down to gregor getting in the way of his own happiness, similarly to donqui, particularly because he's been frequently portrayed as something of a self fulfilling prophecy, especially by giving him as many christ allegories as they have by way of priest and garden of thorns. gregor is convinced that the rest of the sinners don't like him because he's not convinced anyone could like him, so he convinces himself that he hates them because why should he care if someone that he hates hates him too?
a lot of this ultimately ties back to my personal interpretation of what happens in the metamorphosis as well as my own theories regarding all the times gregor has made weird callbacks and references to lobcorp and ruina, but yeah. i think about this guy and his deeper characterization a fairly normal amount, i think.
to end this off i'll highlight one of my favorite little "gregor is fucking seething and trying so hard to keep it cool" moments, in the credits CG for c7 we see rodya teasing him by drawing a little horse on his window and actively pointing and laughing at it, which gregor really doesn't seem all too pleased about.
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i personally think this ties into the other cruel part of sansĂłn forcing gregor to play rocinante, which is the more literal "he's actually just straight up playing rocinante" side of things. gregor was quite literally made to play something less than human, less than even animal really, as he was reduced to nothing more than the shoes don quixote wore as she got to play the leading role. sansĂłn directly makes jokes about gregor being nothing more than shoes in the play twice, which adds to this reading, i think.
this, imo, really plays into the adaptation of the metamorphosis! i've seen a lot of readings for the book that posit that, despite being the protagonist, gregor samsa can't really be considered the main character due to nearly everything he experiences in it being used to further his family's character development at his expense, which i think fits nicely with limbus gregor seemingly having the most said about him through indirect means by holding him up to other characters. also it's rodya carelessly making fun of His Big Major Insecuritiesℱ again like she did in c1 which i always find fun. rodya i love you but god you're the worst.
#beargregor's property#limbus company#project moon#lcb gregor#something to bear in mind#beargregor's analysis#beargregor's theories#do i bother tagging both of those i feel like i do#oh also.#long post#sorry guys i promised i would try and stay brief when i set out to respond to this ask and before i knew it seven hours passed#my bad#does this give me normal gregor fan cred#i'm fully preparing myself to be screenshotted and posted to twitter or reddit with people making fun of my reading of him but idrc honestl#also i'm really hoping that LCB regular check up has donqui actually like#confront gregor about the fact that he was playing her in sansĂłn's plays#i've seen people insinuate that any deeper reading to the roles they got in them is doing too much#and while i really don't agree with that just due to how much sansĂłn fit the roles to be as cruel as possible to their sinners#i do think at the very bare minimum that the comparisons drawn between gregor and sancho are Very Intentional#despite gregor's supposed lack of proper Deep character moments people love to claim i really do think that we know a lot about him#significantly more than people think we do#just because so much of it has been told to us indirectly or has this aspect of plausible deniability to it#just due to gregor being the way he is#a lot of these smaller subtler details in his proper main writing get highlighted more in his IDs and EGO#like gregor's pettiness and grudge holding in AEDD or the aforementioned self-fulfilling prophecy-ness of priest and garden of thorns#anyway. that's it. gregor is fat by the way did i mention that. also very hairy. refer to my url for more details.#ignore how i just can't shut up about him i promise i'm normal. i promise it's over i can rant about him more another day. i swear.
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rachiebeee · 7 months ago
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they are best friends and siblings and i love them both so dearly. featuring piercings bc i stand strong in my belief that they would
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hunysckle · 16 days ago
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arthursfuckinghat · 2 months ago
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The fight with Tommy during Americans At Rest has always fascinated me. Seeing the way that Bill and Javier are just happy to watch tells us plenty about the kinds of fights that Arthur had likely gotten into over the years, but it's Charles' reactions that interests me.
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He looks.. disappointed. Or at least unimpressed, maybe even shaken.
Charles' reactions are the more telling ones in the scene. Unlike Bill and Javier, who are caught up in the spectacle of the fight, Charles is more distant. He doesn't cheer Arthur on or encourage him, he just watches quietly.
It wasn't even Arthur that started the fight, but by god was he finishing it.
Charles didn't say much during the fight, or even after, he never brings it up again. Part of me thinks less that it was because he was horrified by the senseless violence, but more that he was just disappointed in Arthur for the way he handled it.
There's finishing a fight, and then there's what Arthur did to Tommy.
Needless punch after needless punch, beating that man until he was left permanently damaged after each hit. It wasn't about Tommy anymore, it was about Arthur letting the spirit of the fight get the better of him and doing more damage than he needed to amidst the chaos.
Arthur would have gladly killed Tommy, swing after swing until the man wasn't breathing anymore, and he probably would have if it wasn't for Mr Downes.
It's as if it wasn't just about the fight anymore, it was about Arthur’s internal conflict, his rage, and the frustration with his own life that just manifests in moments like these. It's a way of lashing out at something bigger than Tommy, something he doesn't know how to handle. Maybe his past, his regrets, or maybe just the man he’s become.
And Charles probably sees that. He sees Arthur as someone who is capable of more, someone who should know better, and someone who still has room to grow, even in the few months they've known eachother. But in that fight, Arthur isn't showing the restraint or self awareness that Charles values so much. It's almost like Charles is witnessing a man lost in himself, consumed by the very violence he’s been trying to avoid, and that's what brings out his disappointment.
The whole situation is one of the first few painful reminders that Arthur’s journey isn’t just about external struggles, but internal ones too. He’s not just fighting the world around him, but himself too.
In a way, Charles' disappointment could be a reflection of his hopes for Arthur. He sees Arthur as someone who is more than his role in the gang, more than the violence he’s trapped in, and when Arthur falls into that trap again, it’s not just a disappointment in his actions - it’s a reminder of the potential that’s being wasted.
It's a subtle but very significant difference in how Charles sees Arthur compared to the others in the gang, and it hurts.
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jadewritesficshere · 2 months ago
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Grey
Steve Harrington x fem!reader
Synopsis: Steve gets a wake up call from yall's daughter
Contents: talks of aging, kids being kids, references to smut but nothing explicit
Steve groans as his consciousness comes to. Something is hitting his face. Someone. Repeatedly.
Steve squints his bleary eyes open as a hand smacks him in the jaw again. A small smile appears on his face even though his jaw stings from the impact. "Morning," Steve's voice is still thick with sleep as he turns to look into brown eyes barely peeking over the edge of the bed.
A quiet voice repeats back ,"Morning," to Steve before arms reach up over the edge of the bed to try and grasp something. Small hands grab the blanket and tug it off of him slightly as the child attempts to climb up. At two and half, Amelia Joy Harrington can barely see above the edge of her parents' bed, let alone get on it.
Steve hoists Amelia up and sits her on his stomach. Steve winces as Amelia scrambles, a stray foot hitting his thigh precariously close to his crotch. Arms are thrown around his neck in a hug as Amelia lays her head against her dad's chest.
Steve feels like his heart could burst out of his chest from the joy he is feeling. A hug from his baby? The best way to wake up in the morning. Who cares if his jaw is still stinging and probably red, his little girl loves him.
Steve sighs in contentment. Steve holds his daughter close until she starts to fidget and wiggle. Amelia sits up and throws her hands in the air. "Happy Birthday!" She whispers excitedly, except she has no concept of how quiet a whisper should actually be and says it in a much too loud voice.
"What?" Steve asks, hand hovering near Amelia's side in case she slips. Amelia's eyebrows furrow as she pouts at him, a look that is an exact copy of you. Her arms slowly lower as she stares at Steve. "Happy Birthday. You old." Amelia pouts at him.
Steve blinks at Amelia in confusion but nods his head. First off, rude, he isn't that old. Steve isn't sure where she gets her unfiltered, blunt commentary (it absolutely isn't him). Second, it absolutely isn't his birthday. Not even close.
"Why uh...why is it my birthday?" Steve asks, unsure if Amelia fully understands the concept. Not sure if he can explain the idea of a birthday to a two (and a half) year old. "Grey." Amelia declares giving Steve whiplash. Before Steve can speak, Amelia points at the comforter," Blue." Steve smiles," Yes, blue."
Amelia points to her shirt," Green." Steve nods. Amelia taps under Steve's eye, lashes brushing against her finger causing him to close it. Steve hopes she doesn't attempt to actually poke his eye.
"Brown." Amelia declares. "Thats right." Steve grins, his girl is so smart. Amelia points to his temple," Grey." "That's ri- what?! No!" Steve's mouth drops open as Amelia giggles. "Uncle Dustbin says grey is old. Birthday makes old. Happy Birthday!"
The creak of the loose floorboard in the hall notifies Steve of your approach. You peek into the doorway of the room, seeing your two favorite people. One looking aghast and the other giggling at her father's reaction.
"What's going on in here?" You ask, leaning against the doorway. "Grey. Birthday." Amelia announces, like it explains everything. And it does in her little mind.
You hum in response, looking at your husband who seems lost for words. Amelia slides off of Steve and off the bed, Steve guiding her so her feet land on the ground absent-mindedly. He would never let her fall or get hurt. Or you.
Amelia half walks half dances in your direction. A prance in her step, she stops in front of you and grabs your hands. "It's daddy's birthday," She says before headbutting your leg. You chuckle and pat her head as she dances out of the room, in her own little world.
"You lying to my kid again?" You ask once Amelia is gone. Steve sputters as he sits up," I did not- our kid- did not lie." "Uh-huh, sure," you say sarcastically. Steve rolls his eyes at you as he gets up out of bed.
Steve stretches as he rocks on his feet, back cracking, before strolling over to you. "Good morning," Steve mumbles, hand landing on your hip. You hum back as he leans in and kisses you. Soft. Slow. Sweet. Leaving you longing for more as he pulls back.
"Love you," Steve says, fingers running along the waistband of your pants. "I love you too," you want to melt into him. Curl up in his arms and stay in this moment. Let the love and adoration fill the air around you.
"Do I look old?" Steve is the first to break the silence. Your brow furrows in confusion," huh?" "Amelia she," Steve huffs out a laugh," said I have grey hair." You chuckle as you bring a hand up, fingers threading through his hair," You have some but its nice." "Its nice huh?" "Makes you look distinguished. Handsome." You bite your lip and look up at him.
Steve knows that look. Knows it well. It's the look you gave him the first time you moved past just making out. The same look you gave him on your first anniversary. The same look you wore on your wedding night. The same look you gave before Amelia was conceived.
Steve can't help the smirk that spreads across his face. If getting old gives him that look, well, he won't complain.
"What about me?" You ask, batting your lashes. "Beautiful," Steve kisses your cheek," Gorgeous," he kisses the corner of your lips. He continues to alternate between kissing all over your face and praising you.
"My love," Steve whispers before kissing you softly on the lips. You sigh into the kiss, one hand tangling in his hair, the other trying to pull him closer.
A loud crash from the living room has you two pulling back from the sweet moment you stole. "What was that?" You call down the hall. "Nothing!" Amelia yells back, making you sigh but smile. Steve can't help but grin too. His life was a little hectic dealing with a rambunctious child, but he wouldn't trade it for the world. And he thinks, if life is like this, he can manage getting old with you. He wouldn't want it any other way.
#Steve whines to Robin later who just sits there laughing until she cries#Until he points out she's aged too because she has laugh lines from smiling and then she spirals just a bit#He has to hold her hand and tell her its a good thing and she goes on a rant about anti-aging and its harder for women then men#How there's all this extra pressure and Steve is aghast like he isnt dumb he knew there was but he never heard it all verbalized#He comes home and kisses you and gets on his knees and tells you he loves you#He then begs you to let him show you how much he loves you wanting nothing more then to use his tongue on you#I mean why would you not let him#And when you lay in bed cuddling after he thinks again he doesn't mind aging if he's doing it with you#You wake up abruptly in the middle of the night and startle him awake#“Oh my God Amelia is going to go to high school and get a boyfriend” you whine#Steve just mutters an oh God and immediately starts thinking if it would be TOO much to have the nail bat when he speaks to said boyfriend#You both think about it for a long time meanwhile Amelia is asleep in her room with drool running out of her mouth hugging a stuffed animal#Anyways Steve nation we up??? This has been drafted for awhile but not posted but I am inspired#And I saw this and went oh yeah post that#So here it is...for u...on this fine Friday early morning#Jade is talking#steve harrington x reader#Steve harrington x you#Steve Harrington x y/n#Steve Harrington/you#Steve Harrington/reader#steve harrington x female!reader
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messrsrarchives · 3 days ago
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tiktok has been having a censorship debate for like two weeks now and i need people to understand that "as long as it's not illegal" is not what we mean by fandom etiquette.
there is no ethical level of censorship because when these spaces get taken down for the "immoral subjects"? you will come down with those. when ff.net got scrubbed clean it wasn't just cest fics and proship content etc etc, it was unrelated works because there is no standard of immorality. not here. we lost tens of thousands of works because of puritanical arguments and discussions about morality, and it wasn't just the ones you're debating about.
there is no ethical level of censorship and as long as these works are tagged correctly? you cannot get mad about their existence. you can disagree! you can say you personally do not engage with them, but you Cannot say "ship and let ship until it's -" because that is not how it works.
and i'm not perfect! when i first joined online fandom spaces i was very much like "if you have to change the ages then it's disgusting" "they're related" etc etc and whilst i still don't tend to engage with those themes? we cannot be censoring them either. not without losing these spaces.
it starts with you disagreeing with these things, and it ends with queer media as a whole because there is No Ethical Censorship.
this is less a discussion about fandom etiquette, and more a discussion of Having Fandom Spaces. i beggeth you, don't be part of helping what happened to ff.net happen again 😖
don't like, don't read - including "illegal" and "immoral" things. if they're tagged correctly, you can avoid them.
we also, less of a fandom note and more just a general media note, need to explore these things. yes, there are 100% times where these things get glorified. but on a general basis? we need to explore immoral things in media. we need to explore things to understand them - i'm thinking here about well-known books like the handmaid's tale getting banned because it's Important and it Explains what's going on right now. i'm thinking about morally grey characters/historical figures and how we need to be able to look at their motivations/backstory/etc not necessarily for justification, but for understanding and prevention. even in real life cases, they look at the backstory of the individual because that is how we form and improve preventative techniques and resources.
there is no ethical level of censorship and i've been there, i know it feels good to be like "this is illegal this is bad", you feel like you're doing some good in the world but you're actually causing harm unknowingly to These Spaces.
it is 2025, we do Not need proshipper discourse right now. arguably the worst time for people to be debating what's immoral to read/write about. all censorship ends up as mass censorship, and i really need yall to understand that
block the tags, exclude them from your searches, block the people posting them. do whateverrrr you have to do to curate your own fandom space but for the love of everythingggg, don't be part of the reason we lose these spaces as a whole.
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greensaplinggrace · 7 months ago
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i'm sorry but i'm a buffy apologist at heart y'all are wild if you think her reaction as a literal teenager to faith's accidental murder of an innocent was in any way wrong or bad. in what universe.
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