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itsclydebitches · 2 years ago

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RWBY Recaps: "Altercation at the Auspicious Auction"

Happy, uh... Tuesday, everyone! I'm a little bit behind 😬

Man oh man, but do I have mixed feelings about this episode. While drafting today's recap I kept trying to come up with a summary to start with; an abbreviated takeaway of my overall thoughts - especially for any readers who don't feel like wading through the whole post. Unfortunately, anything that simplistic kinda misses the point, so you all are just gonna have to settle for a, "I'm a glass case of mixed emotions!" while we unpack this episode.

First, a note about our title. Last week I bypassed commenting on "A Place of Particular Concern" for the simple reason that I wasn't sure what to do with it yet. Now, I think I understand the general vibe that RWBY is going for, though it does surprise me a little. The alliteration of "Altercation at the Auspicious Auction" is definitely catchy, but it doesn't have much of a Wonderland feel to it. Carroll's chapter titles were, by and large, descriptively straightforward:

Down the Rabbit-Hole

The Pool of Tears

Advice from a Caterpillar

Who Stole the Tarts?

You get the idea. They're very accessible for a child because although the combination might be new - how does one get advice from a caterpillar? - every element is familiar. They know what a rabbit-hole is, a tart, a pool, tears, etc. just not how those elements are fitting together in new ways. RWBY's titles, meanwhile, are a little more complex. Which isn't a bad thing, they're just not titles that would have fit well into Carroll's original or, arguably, fit the whimsical, fairy tale, 'This is kinda for kids' vibe of the Volume thus far. If anything, what we've gotten reminds me of Lemony Snicket's work. An auspicious auction sounds like it belongs smack dab in the austere academy.

Anyway, let's get into the actual story. Last we left off, Volume 9 was struggling significantly with its tone and I'm sorry to say that things haven't improved in that regard. If anything, the introduction of better written, more emotionally driven scenes means that they're suffering from the endless gags surrounding them and those gags, in turn, feel all the more out of place. We open on the girls all looking out on the world that Blake has revealed to them, though none of the emotion from last week has transferred over. Ruby and Yang are just kinda blank as they stare ahead, whereas Blake and Weiss appear intrigued by what's before them. Blake I can understand - the episode goes out of its way to frame her as the book nerd who's prepared to navigate this world and though I mentioned in a recent ask that Ruby feels more like the fairy tale lover to me, I do really like that Blake is given agency as the bibliophile again - but Weiss spends the entire episode having an absolute crisis over navigating a fairy tale, so why she's animated looking smugly pleased at this development is beyond me.

This is a common problem though, especially is modern RWBY. Unless the story is going out of its way to highlight a particular emotion (such as Ruby's depression at certain points) then everyone is given randomly generic expressions to fill a shot. Rarely do I feel like the smaller moments accurately reflect the overall mood. If a character is angry, they're just as likely to be smiling while someone else talks; if a character is frustrated, they're just as likely to appear content when the focus is no longer on them. In some ways this highlights the difficulties inherent in animation - you can't just let an actor do their job in the background, you have to actively conceive of and construct a characters' every micro-expression - but, the issue of crunch aside, it's still something the show could improve on. If your character is on screen, make sure their expressions actually matches what's been going on.

So we're off to a slightly rocky start and then, of course, we really kick things off with a joke. Yang wants to know if they're just going to stand around thinking about this in silence, or...?

Yeah, we definitely needed the meta acknowledgement that there was a break between episodes and we don't technically know how long the girls were staring at the view in-world. That's absolutely the best way to follow up on Ruby collapsing over the death of a friend🤦‍♀️

It'll come as no surprise to anyone who has seen the episode that this will be a common complaint from me today. Consistently the writing portions out moments for Ruby to be sad about what's happened, neatly separated from the rest of the story, and everything surrounding those moments works very hard to undermine that emotion. For example, in this moment I couldn't help but re-frame what we've been given through Yang's perspective: she saved her little sister and in the process fell into a terrifying void, waking with the thought that she's probably dead. Her arm was stolen from her and she somehow encountered a (meant to be) terrifying beast she wasn't able to fully defend herself against. This led to her reuniting with her team and the realization that them being here meant that they failed spectacularly to defend the world above. Weiss confirms this by tearfully admitting that one of their friends has died and Ruby is so shocked that she passes out.

So how does Yang react to all that? With incredibly bland questions about whether Ruby is okay. No physical comfort. Lots of jokes about their situation and, as we'll see later, an endless desire to punch someone's lights out - but even that is presented as a cute character quirk, not a symptom of her trauma. Yang - and everyone else - is only reacting to the horrors of Volume 8 when the story wants them to react, the Bad Emotions flipping on and off depending on whether the writers want another gag or not.

But I'm getting way ahead of myself. The point is that we begin with this sarcastically cheery tone and segue right into more animation humor. Ruby says that it's impossible that they're in a fairy tale, but Blake points out Little as evidence. (Side-note: how is that irrefutable evidence when the woman giving it is part CAT?) A highlighted mouse and Ruby's sweat-drop convey that yes, this is really happening! Because we can't convince the characters without those humorous details.

Oddly though, Little agrees with Ruby? We see them nodding along when Ruby says they can't possibly be in a fairy tale and right now I'm not sure if that's because they agree with the idea that their obviously real home can't be equated with a made-up story - something Little will outright say in a moment - or if they're just agreeing because, frankly, Little seems confused 99% of the time, but possesses enough emotional intelligence to want to make Ruby happy.

Regardless, with Little acting as (shaky) proof, Weiss revises Ruby's statement to say that it's "improbable" that they're in a fairy tale and we get the trailer line, "Let's look at this more logically, shall we?" You know, I think this line comes across much better here than it does in isolation. It's still not going to be winning any voice acting awards, but the flow of the conversation helps it out quite a bit.

However, I think Weiss', “Okay. I see your point of view. I’m going to go over here now" sounds so much worse.

Before that though she runs through all the plot we've already seen or, in Yang's case, was mentioned off screen while Ruby was unconscious. (And yes, the fact that Yang told everyone about her harrowing journey when the most important person in the world to her couldn't listen in still bugs me.) They all fell from the sky, Ruby met a talking mouse, Weiss and Blake encountered killer vines, and Yang had her arm stolen by a purple racoon. As if the deadpan nonsense of that wasn't enough, the scene needs to inject even more humor by having Little interrupt with a shouted "FRIENDS! :D"

Please note that nothing in this scene emphasizes - or even hints at - Ruby's current emotional state. From the flat expressions as she listens in, to the tiny smile when Little celebrates their friendship, this Ruby is indistinguishable form the girl we've seen for the last four-ish Volumes. As I mentioned above, it's an ongoing problem for me that the Volume is consistently separating Ruby's depression from, well, everything else. I'm not saying she has to be sobbing every second of the episode, but if you can snag a random scene - especially one so soon after her faint - give it to an ignorant RWBY fan, and expect that they'd have no idea based on this animation that she was dealing with the traumatic death of a friend... you need to go back and re-write that scene.

The absurdity of Yang's experience results in Weiss giving up on her logical approach. She gives that line about going over there now, bye-bye, and then we see... uh...

What is this? I have nothing against Weiss struggling with them being here - that actually makes a lot of sense for her character - but do we really need to convey her struggle like this? I literally cannot take the emotional beats seriously when they're surrounded by this Chibi-like silliness. Worse, later in the episode Weiss' comedic grumbling will return and actively interrupt Ruby's grieving.

But we'll get to that.

“As crazy as it sounds, something about this is familiar," Ruby says and then the girls realize that what they've experienced sounds an awful lot like "The Girl Who Fell Through the World." And by "an awful lot" I mean it's nearly an exact, one-for-one recreation. Cool concept! Too bad the viewer barely knew this story existed before the girls landed here. If you'll recall, the fairy tale was mentioned back in Volume 8 when Oscar was captured by Salem, which tells us that the writers realized what they wanted for the upcoming Volume and hastily tried to shove a reference in so this didn't come entirely out of left field. However, this wasn't a successful attempt imo. All we learn from Oscar's conversation with Ozpin is that a) a girl fell through Remnant, b) she wound up in a new world, and c) she returned to Remnant sad because she'd been so changed by her journey. Nothing in that tiny summary tells us what the world was like, or what Alyx experienced there, the two things that would help sell the idea that our characters recognize this environment and the things they've been through. Hell, we don't even learn the girl's name prior to Blake info-dumping the plot. "Alyx" exists only in Roman Holiday, a book I read and 100% did not remember learning the name. How's the average fan not obsessively plugged into every RWBY side-project supposed to emotionally invest in this?

Here then, we see another case where RWBY needs long-term revision. Given that they'd be basing an entire Volume around this fairy tale and putting an emphasis on the girls' knowledge of this story, we needed to spend time actually showing that the girls possess this knowledge; that it's of cultural significance to them. Give us a flashback of Summer reading the fairy tale to a young Ruby. Have the girls reference it during their Beacon days - Weiss makes fun of Ruby for still reading fairy tales when they're unpacking their room, Blake admits that it's one of the few tales she likes because of what Alyx needs to do to survive, Yang reminisces about sharing the story with her little sis. Give us Pyrrha bringing it up when she's asked what her favorite tale is. Ozpin hints during their travels that everything they grew up with is more than it seems, hiding grains of truth. Jaune reads bits of the story to his nephew, they overhear a version while the people of Mantle are trying to find comfort while they wait, there are posters up in Atlas for a movie adaptation coming out next Spring... Obviously some of these aren't possible - I never expected RT to invent a time machine and actually revise the earlier Volumes lol - but if you're going to pull this, "The characters knew this story all along and it was a super memorable part of their childhood" card then there needs to be something to set that up. And if you can't backtrack due to the medium you're writing in, you put off the Ever After Volume until you've done at least some of the work to properly prepare for it. At the very least you do more than have Oscar randomly mention it post-torture session, complete with no identifying information for the viewers to recognize once the Volume 9 trailer drops.

Or, they might have conceived of this as a tale that isn't well known and the girls are damn lucky that Blake is well-read enough to have come across it. But as it stands, Ruby suddenly recognizes where they are, Yang agrees, Weiss casually tosses out that oh yeah, of course they've all read this as kids. Obviously. You just never heard about it until now. Funny that! I found this particularly annoying when Blake suddenly reveals that the entirety of the premiere makes up the plot of this tale: Alyx falls a long distance, meets a bunch of mice, has to deal with killer vines, meets a Jabberwocker (why bother changing the name to little?), and had her knife stolen by a racoon. This is only impactful if the viewer can see the similarities as they're happening and come to the early conclusion that, oh wow, they're reenacting a Remanent fairy tale! What RWBY actually does though is present a bunch of seemingly random events, leaves the viewer for a week, and then comes back to say, "Actually you know what? That was all important!" But, I'd like to emphasize, not in a way akin to foreshadowing. This wasn't deftly planned; a trail of subtle breadcrumbs that the viewer can look back on and go, "Oh my god I should have realized!" We haven't the slightest idea that they're reenacting the plot of a fairy tale until Blake announces that... after its all occurred.

As the girls realize they're living out Alyx's story, there's understandably a bit of push-back. How can that be? It's fiction! (Even though, you know, by now they're well aware that their headmaster lived through a lot of 'fiction' too.) Little pipes up that this place isn't make believe, it's where they live... but doesn't actually provide any useful information beyond that.

Blake then proceeds to lay out the rest of the fairy tale's plot and also, presumably, the basic outline for our season: Alyx beat the Red King at his own board game, met the curious cat, encountered the rested knight (interesting description. I assume that'll be Jaune?), and finally escaped back home through the tree. Of course, if the girl we saw in our opening is really Alyx, then she didn't get back to Remnant (or wherever else she might be from. At this point I'm not putting it past RWBY to introduce a MCU-style multiverse. Especially with the Justice League crossover coming out). Right now, I'm not sure how to reconcile this idea. If Alyx never escaped then how did her story - and all its personal details - make it back to Remnant? Did someone else escape to tell her story? Does Ozpin have some world-traveling powers that we don’t know about yet? Does Alyx?

Maybe that’s not Alyx and this question is pointless.

Ooor maybe this question will simply go unanswered, leaving us with the plot-hole of how her story became a fairy tale so common that everyone from farmers out in Patch to corporate princesses in Atlas grow up on it.

(RWBY has a lot of world building diversity, don’t worry about it.)

Anyway, I do appreciate that this gives the girls a solid reason to seek out the tree. Last week I honestly thought they might be heading there under the ‘logic’ of “Why not? ¯\_(ツ)_/¯” Yes, the tree is massive and at the center of the land, but that kind of marker is only useful if you already know where you’re going - it doesn’t necessarily imply an exit. If anything, my first attempt to get out would have been via the ocean, given that some, like Ruby, appear to have come in with the tide post-fall. Plus it’s the only boundary we’ve seen. But what RT wrote holds together, even if the delivery had problems: Ruby was seeking higher ground and then realized she’s re-living a story where the tree is the protagonist’s way out. Well done, that tracks.

From there though things continue to struggle. Weiss reminds Ruby that she hasn't even found Crescent Rose yet and I thought, foolishly, that this would result in some kind of acknowledgment? Meaning, it's really easy to view this as a symptom of Ruby's declining mental health. As her encounter with Jinxy will demonstrate, she's so hopeless right now that she can't take joy in the things she once loved - or even care about their existence. Weiss is clearly concerned that Ruby hasn't found Crescent Rose, but no one else is concerned that Ruby isn't concerned. There's no mildly shocked, "Oh" from Ruby as she realizes, oh yeah, she's without her beloved, hand-made weapon modeled after her Uncle, perhaps also in connection with her mother, the thing she once turned to for comfort when she didn't know how to make any friends. Ruby: 'I should probably care that I've lost that, huh?' But we get zip in regards to her realizing that this emotionally significant object is still lost in the Ever After somewhere. Worse, no one else reacts to Ruby's lack of reaction. Alarm bells should be going off in Yang's head at the moment, but the episode is too focused on comedy and flirting to let her really check in with her little sister. Yang has come to the realization that Ruby horrifically lost that fight, watched her faint in response to the death of a friend, and now she doesn't even blink at the idea that her prized weapon might be gone for good. By all means, give us bumblebee, I WANT more canonical content (more on that below), but there's a time and a place. Ruby still not having Crescent Rose should be a huge deal for her and when it's not that should be a huge deal for Yang.

Also, I'd like to point that this loss makes Ruby incredibly vulnerable here (as the brief Jabberwock encounter demonstrates), potentially highlighting her less than passionate desire to keep herself safe. So is Yang - or even her other teammates - at all concerned about Ruby's mental health? Her own sense of safety?

Barely. They're not showing much.

I give Weiss props for trying to reach Ruby in a few moments, but Blake and Yang are too busy being wrapped up in each other to bother. (Which could be an interesting conflict/character flaw if the show acknowledged it.) This is the same problem we had in Volume 8: why is Yang worried about Blake when she had a huge fight with Ruby? Because RT can't figure out where to put their bumblebee moments so they don't actively draw away from the other relationships.

Before that though we need to have another gag moment, this time through flashback images of Yang having her arm stolen.

Look at this.

Who decided this was a good tone for the Volume? The contrast between past and present says it all. Yang is looking quite serious as she recalls presumably falling to her death, but we can't take her seriously because the trauma of that is undermined by a circle of cartoon stars over her head. Having her assistive device stolen while she was vulnerable makes Yang furious? Well, it doesn't make the viewer furious because they're too busy laughing at her dramatic reach, Jinxy's equally dramatic, evil design, and the cartoon-y white eyes/exaggeratedly open mouth. Notably, Blake is laughing too, rather uproariously, and I'm surprised that I haven't seen any non-RWDE grumbling from the fandom. After all, weren't people upset when Tai made a joke about Yang's arm, insisting that it was the height of insensitivity? How dare he say such a thing! ... never mind how Yang reacted to it. For me, a father knowing his daughter well enough to help jolt her out of an angry spiral, weeks after the event occurred, is better than a school friend laughing at the traumatic event mere hours after it happened... but that's just me. Apparently, shipping trumps all because it's presented as cute and wholesome for Blake to laugh over Yang having her assistive device stolen after the worst night of their lives. Disarmed, am I right?

Nothing in this scene tells the viewer to take the theft seriously, so... I don't. Yang went through something incredibly difficult after an already horrific night? No she didn't. She experienced an average annoyance, something to laugh at - as Blake demonstrates.

Deciding that they need to track this Jinxy down (I'm not challenging the need for that, especially when it's Yang's arm, but is no one planning to find Crescent Rose too?), the girls head to the nearest town. Cue the already overused joke that Little will lead the way! And then they don't.

We get more info-dumping about this story, including that Alyx accidentally started a war in the town because she went blundering in without understanding their customs. Blake is worried that fictional history might repeat itself which I like because yes, you should be worried about that! Not just because it's basic human decency not to sow chaos in the town you're visiting, not even because they've already seen themselves repeating Alyx's story (fall, mice, vines, theft) and thus have an excellent reason to think that they might repeat her mistakes as well, but because what has this group been doing since Volume 6 except blunder into places and sow chaos? Not intentionally. I am always fully aware that our cast is written to be well-meaning heroes consistently doing the best they possibly can for the people, but even if we believed that they truly had done everything within their power to help (which I often don't), their "best" has still caused irrevocable damage. Intentions aside, the group has tampered with one of the world's few remaining sources of communication, drew a terrifying grimm toan unsuspecting populace, tested the already shaky relations between Kingdoms, lied to their one remaining ally in a way that did nothing to help his declining mental health, risked a major operation on literal, blind trust (which wouldn't be so bad if the story hadn't gone out of its way to paint that as stupid, but only when a non-Team RWBY memeber does it), sat around drinking tea while an actual apocalypse was happening outside, lost two of the magical relics that may well doom the world (a failure that I personally wouldn't blame them for if they hadn't been so stupidly brazen in their "protection": not putting it in the vault, carrying it on their belt, not sending someone through to Vacuo with the Staff, etc.), and to top it all off, made the conscious decision to obliterate two cities, evicting a fourth of the world's population, without even TRYING to find a way to work around that nearly unimaginable consequence. Without even acknowledging it.

Yeah, they should absolutely be concerned about bringing chaos down on these people. The fact that for once they don't when narrative logic says they should is so painfully, hilariously ironic.

What really grinds my gears though is that none of the others care about this possibility when, as outlined above, they should. MAJOR kudos to Blake for being the voice of reason here, but Yang is all, "Yeah, but [Alyx] was kinda a mean person, right? She lied and cheated her way through most of the book."

OH BOY, YANG. HAVE I GOT NEWS ABOUT YOU AND YOUR TEAMMATES.

We don't need a rehashing of all the times they - Yang in particular - have lied, cheated, or been needlessly mean to others, so I suppose all I have left to say is that she's at least consistent? I mean, Yang is by far my least favorite of the group nowadays, especially the version of her that would sneer at Ren for daring to point out that they've made horrific mistakes, but for what it's worth this is the attitude we've come to expect from her. Us? Fuck things up? Never! We're perfect! We're not like mean old Alyx who would do something as awful as lie to people.

Weiss tries to defend Alyx's actions by saying that "she was trying to survive" and grousing that the morals are too simplistic. That's a position I can respect, though I wish it weren't coming from a show that, at the end of the day, pushes such a simplistic perspective. As we've seen plenty of times in the past, RWBY continually claims that it has complex morals while not actually engaging with complex morals.

Just to hammer the point home, I'd like to point out that this conversation about harmful actions and gray morality is broken up by Ruby poking a sleeping Little, trying unsuccessfully to wake them up. After all, nothing highlights the complexity of your story like continuing mouse gags.

Let's put all that aside for a moment though. I've been jumping around just a bit, discussing some conversation pieces out of order because it works better with the flow of the recap. Now, we come to a crucial moment I previously skipped over:

The bees.

Being over a week late with this recap, pretty much everything that needs to be said has been said, to the point where even some non-RWDE folks are tentatively going, "So is that it then? Is it confirmed? Can I say with complete confidence that it's canonical?"

Well... no.

But it's the closest we've ever gotten.

It's also a setback.

Let me explain.

While Blake is laughing it up over Yang having her arm stolen, she gets very flirty. In fact, I think we can make a case that her laughter is exaggerated in an effort to catch Yang's attention, though that doesn't detract from the problem of what she's laughing at in the first place. Regardless, Blake is clearly enamored with Yang in this moment, grinning, leaning real close, teasingly touching their fingers together. They don't hold hands, but the desire is obviously there, and Weiss responds to the flirting with a, "It's about time."

Now, the reason why this is the closest we've gotten to a canonical confirmation is 100% because of Weiss. I wouldn't argue for a moment that this scene wasn't deliberately flirty, but it still holds a certain level of plausible deniability, which is the exact problem all the other Yang/Blake scenes have. Yes, forehead touches, hand-holding, and blushes are all coded as romantic, but until you actually confirm a relationship or interest, homophobes can come back with, "I blush at compliments/hold my friends' hands/they were just overwhelmed after nearly dying! Why do you hate platonic intimacy so much??" (To be clear, I do mean homophobes in this example, not the ace/aro community who might want to see the same things, but for very different reasons.) In fact, I recently came across a tumblr post tagged for arospecs upholding forehead touches over kisses:

Now, I certainly get what OP is saying (and it's worth pointing out the obvious: they don't know anything about my recaps, aren't responding to RWBY, etc. The post just came across my dash). There's an intimacy here that rings as more heartfelt than what we often get with a kiss. After all, kisses are a dime-a-dozen in television, just not for queer people, and largely in response to those restrictions, queer characters have historically been coded through other, intimate touches. So yeah, for some - even those who aren't aro/ace - a forehead touch might mean so much more in a pairing than an outright kiss. But note that the texpost starts with, "sure, fine, your characters kissed, whatever." OP is imaging a scenario in which that confirmation is a given. They kissed. So what? We want more meaningful interactions than just that!

"Just that" being the key phrase. Blake and Yang don't have "just that." They have not kissed. They have not been confirmed, so to argue for forehead-touch supremacy here is insufficient. It's like going, "Who cares about the core outfit. The best part is accessorizing!" Sure, that's a legit opinion, but for anyone who doesn't have any clothes yet, a pair of earrings and a scarf isn't going to cut it.

Despite all this, the line "It's about time" isn't attributed to anything other than romance. If a character looks at two others and says that, they're not talking about anything other than a decidedly non-platonic interest. So this, on its own, is definitely something to celebrate and is by far the most solid piece of evidence that the bees will be 100% confirmed by the end of the Volume.

Nevertheless, I have to ask: why are we still in the flirting stage?

Yes, Weiss makes a 'They like each other' comment that really can't be interpreted as anything else, but the comment itself translates to, 'It's about time they admitted they liked each other.' Now, if Blake had kissed Yang - or asked her out on a date, said "I love you," whatever confirmation we're each personally leaning towards - then we'd be golden. It's about time they did that? Yeah, it sure is! But the actions Weiss responds to are that flirty dialogue and a minuscule hand-brush, both of which we've seen before. A fair bit, actually.

This is what I mean when I say the moment is regressive. Weiss is acting like Blake and Yang have taken this huge step forward in their relationship, but the reality is that they've gone backwards, from full-on hand-holding to tentative brushes. The hand-holding already wasn't enough, as established, but now we're meant to cheer for an aborted hand-holding instead? I suppose it's possible to read this purely from Weiss' perspective. Meaning, she wasn't out in the shed when Blake took Yang's artificial hand. She wasn't at the Adam fight (even though she should have been...) to see their actual step forward, clasping hands as one and promising to defend each other. And though she was there, I doubt Weiss was paying them any mind when they had their moment of comfort on the airship, or even when Yang complimented Blake's new haircut. So yes, from Weiss' limited perspective this might actually be a significant change. Most of the girls' development has occurred in private and they haven't shared these changes with the group, so of course Weiss is going to go, 'Oh wow, Blake is leaning in close and teasing Yang with intimate finger brushes - they've never done that before! It's about time! :D'

But - and this is a crucial 'but' - neither the story nor RWBY's marketing present this as something solely from Weiss' perspective. Despite making this "It's about time" statement to Ruby, she doesn't come back with any additional knowledge to catch Weiss up to speed. There's no moment when Blake and Yang turn around to reveal that, oh yeah, we've actually been flirting like this for a while - culminating in an on screen admission of their feelings. And the official RWBY twitter puts out stuff like this:

The audience isn't supposed to work through who knows what like I've done above, they're just meant to celebrate that omg, the girls touched fingers!! Never-mind that they've gone past that before and, as said multiple times, that's not enough.

Do I think the bees will be confirmed this Volume given that this is the most overtly anyone has acknowledged the relationship? Yes. Do I think it's a problem that after nine years we're still in the barely flirting stage when other, straight relationships - even slowburns like renora - have already been explicitly confirmed? Also yes.

RWBY is writing this badly and I again question where most Yang/Blake fans are coming from. Either you're old enough to recognize queerbaiting and are likely wary as fuck that we'll get a repeat here, or you're young enough that you've grown up with queer ships that are unambiguously canonical within the first few seasons - if you even had to wait that long - in which case this 'Are they or aren't they?' dance should seem ridiculous. All I can imagine is that the RWBY fandom's tendency to rewrite canon has led to a legitimately inaccurate reading of the text. The same way that people will claim that their headcanons 100% happened on screen and will not be dissuaded even when you stick screenshots under their nose and go, "Look! That's literally not happening here!" I wonder how many fans imagined up a romance and just... honest to god think we've already gotten it. Not that anyone is literally hallucinating or anything, just that there's this pervasive trend of imprinting what one imagines onto the text. What do you mean Ironwood wasn't a dictator the whole time? What do you mean Ruby is repeating the actions she's criticized others for? What do you mean Blake and Yang aren't dating? We've spent so long rewriting the canon online that it's now hard as hell to differentiate between those creative hopes and what has actually happened on screen.

So yeah. I want to praise this moment. I am praising it just because this is the most we've ever gotten out of RWBY in terms of non-background character queer rep, but damn is it still falling short of what it could be.

It's worth pointing out that Ruby has no reaction to her sister almost-dating her teammate, but I give this a pass because Ruby is so obviously lost in her own, dark thoughts. In fact, she doesn't even seem to follow what Weiss is commenting on. As we'd expect, their semi-private conversation turns dark and Weiss stops walking. “It’s all gone. There’s nothing left for me to go back to," she says.

I'm really glad they're acknowledging that Weiss didn't just broadly mess up along with the rest of the group, but that she, specifically, has lost her home too. I honestly thought the acknowledgements would end there, but when Ruby tries to comfort with a, “You did the best you could for Atlas, Weiss” she shoots back with, “We hatched a crazy plan that put a whole kingdom at risk!”

Yeah you did! Thank you for finally saying that!! If we can't have heroes weighing the repercussions of their actions prior to engaging with them, at least give me heroes who will grapple with their mistakes after the fact. I mean, like with Yang I have a very hard time taking Weiss' grief and self-recrimination seriously when the majority of her struggle has been depicted through absurd gags... but beggars can't be choosers. This, coupled with Ruby's closing line of the episode, gives me more hope for the girls' development than I've had in years, certainly more than we got from Ren's argument with Yang.

As a sidenote though, I wish they hadn't hidden Weiss' face for the majority of this scene. I liked it when this cinematography was used to emphasize how she was hiding from her teammates - AKA when she was keeping Penny's death a secret - but now? Everyone knows everything (for the most part, anyway) and it would add a hell of a lot for the viewer to be able to see the struggle taking place on Weiss' face. Of course, the animating of emotions this Volume has been iffy, as acknowledged earlier, so maybe it is for the best that they didn't try and then fail to depict that kind of sorrow. Not when vaguely wet eyes and mostly blank expressions have been our norm. Still, when we have this important a character moment I don't want to be staring at Weiss' back, or her ridiculously complicated belt. Let me see her.

(I just realized that combining those screenshots makes it look like Weiss has messed up shoulders and a head turned round backwards whoops lololol.)

Another weird detail is that Weiss seems to be under the impression that Jaune may have saved the Relics. Sorry, but what? I'd buy this as a holding out hope situation if the whole group didn't know that Cinder had the Lamp and if Weiss, as the last to fall, wasn't at least vaguely aware that Cinder had snagged the Staff too. I mean, I'd have to re-watch the finale to get the exact timing, but I don't think it was that long between Weiss falling and Cinder flying off to make a new wish. Besides, what's the healer of the group going to do against a fully powered Maiden, especially without the rest of his team? It's not a literal mistake/retcon, just a really weird thing to have your character believe. I'm kinda getting the vibe that the writers didn't want to list all the ways the group fucked up - because yeah, that's overwhelming. That's what we've been saying! - so some mistakes are just kinda... glossed over. 'Well sure, we destroyed a Kingdom, Penny died, and we're now lost in this world, but maybe the Relics are still safe!' Mmm no, sorry. The only 'Well maybe' I'll accept is in reference to the people of Atlas being safe because yeah, there's no reason for Weiss or the others to know that they wound up in a grimm-infested sandstorm. I definitely give Weiss a pass for not realizing how her wish screwed them over - "One way ticked to Vacuo" - because it literally took Oscar summoning up a memory he didn't have to figure that out. I mean, I'm in full agreement with what others have said: it would be great if Weiss did realize/learn that at some point and was forced to grapple with the fact that the lack of help she's so angry over was, in fact, her fault... but I don't expect her to realize that on the fly, especially not when she's dealing with so much else in the Ever After.

I mean hell, I can barely remember the last sentence I wrote here. If you wanted me to backtrack through a conversation I had hours ago to find a linguistic mistake I made - when I don't even know there is a mistake I'm looking for - I'd be screwed lol.

As the conversation continues Weiss also acknowledges that learning about Penny's death must have been "a lot to hear" and - pushing back against my earlier frustration with the characters' expressions - Ruby actually looks affected by this. By and large I think this is the best interaction we've gotten in a while, right up through Ruby just walking away, unable to even respond to that statement yet. Unlike hiding Weiss' face, or Ruby fainting instead of otherwise reacting to the tragedy, this doesn't feel like a cop-out, but rather a legitimate, believable response. She's not capable of processing this yet, let alone chatting it out with Weiss.

Unfortunately, this engaging emotion doesn't last for long. As expected, I've seen posts in the larger RWBY fandom criticizing our criticisms, claiming that all RWDE folk want are "doom and gloom" for the girls; something "edgy." To which I can only respond with a "Nah." I like horror and tragedy and morally gray storytelling, but if we're defining "doom and gloom" as a work that has nothing but hopeless pessimism to impart, I'm not here for it. All I want is a Volume that appropriately engages with the darker tone introduced in Volume 3 and ramped up like WHOA in Volume 8, without cracking its foundation with constant, contradictory jokes.

In short, we have really done without another, humorous' moment where Little proves themselves useless - they have no idea what lies beyond the bridge, despite offering to guide Team RWBY on this journey - as well as a long sequence (long for a 15-20 minute episode, anyway) wherein Little tries to build themselves a home because...? I mean, I get that they don't know their way back to the village, but what made them think they weren't continuing on with the girls in the first place? I think the logic is loosey-goosey because the writers just wanted an excuse to have Little build a rickety home to fall apart. While singing. While the group has over-the-top reactions to that. Gags upon gags upon gags.

Continuing on, they arrive at the town and I've gotta say, I really like the design here. The red of the architecture pairs nicely with the deep green sky. As a fantasy aesthetic, I mean. I do wish this had carried over onto the actual streets though. We loose that cohesion among the townspeople and, frankly, they look bad in comparison.

We get a little discomfort from the girls as they navigate among sentient game pieces and we're shown a closeup of a flyer advertising the birthday of "His Most Royal." I'm writing this paragraph having seen Episode 3, so kudos to RT for keeping that title vague. As the groups awkwardly move through the crowd we get what is, hands down, the best line of the Volume so far:

Blake: "Just act like you belong."

Little: "I've always wanted to be long, but I'm still just small."

Hilarious. Witty. 10 out of 10. That's the kind of Caroll-esque humor that could permeate the Volume without undermining the darker tone. Too bad this is currently a one-off moment.

They spot Jinxy's caravan. “So what’s the strategy?" Yang asks, eagerly looking back at her teammates. "Just start roughing 'em up, or what?” Ah yes, Yang. Start an attack with innocent, defenseless civilians all around you. I honestly hate how her solution to everything is still 'Get angry and punch things.' Not because that's a bad trait in a character, but because Yang specifically went through an arc to get better at that. Yet instead of improving, or have a story that engages with her failure, she's just as impulsively violent as she's always been, but now it's treated as a justified response at best, a cute quirk at worst. Here we've got Option #2 with Yang smiling, acting like beating up Jinxy is a fun outing for her and her friends.

And you know what? No, I don't really care that this is all to get her arm back because as the girls should have learned by now, the Ever After doesn't follow their rules. We know, post-scene, that Jinxy is legitimately a conman who knowingly stole Yang's arm, but crucially none of the characters know that. Not for sure. This is a world where mice talk, vines move on their own, people are made out of wood, and most don't even know what a human is. The group should at least be questioning Jinxy's motivations in a world where everything is (supposedly) so topsey-turvey and, in turn, questioning whether it's right to go in gun's blazing. Hell, I actually would have liked that better. Give me a Jinxy who honestly didn't realize he was doing something wrong. You were just lying there, possibly dead, that metal thing is clearly not a part of your squishy body - it detaches! - and as your mouse friend will clearly tell you, it's not stealing if no one sees you do it. What are you so upset for? Give me a scene where Yang has to acknowledge her, 'Attack first, ask questions later' response to every. single. problem. Give me a RWBY where Yang is allowed to be wrong again.

Blake at least tries a peaceful approach. She looks as uncomfortable with Yang's attitude as I am (is that ever going to come up in their budding relationship?) and reminds her that Alyx bartered for her knife back. Yang's response?

"Yeah, I think I'd rather hit him :D"

We get our first real look at Jinxy when he comes out to start his auction. I'll admit this never even crossed my mind while first watching, but uh... yeah. I see what people mean about the Romani stereotyping. The brightly colored, free-flowing clothing. The caravan. The travel (the fact that Jinxy can trick these townspeople implies that he's never been here before; never staying in one place for very long). The characterization as a dangerous charlatan scamming unsuspecting innocents. It's not a one-to-one comparison - stereotypes very rarely are - but there's enough there to catch a glimpse of the writers' bias. It's unfortunately a rather common bias and, as said, one that those like myself won't always immediately spot, but that's why it's important to point it out. There are so many ways of depicting a conman. Why did you choose the version that looks distinctly like a marginalized ethnic group?

The answer is likely just ignorance but again, that's why we discuss such things. We need to help others - and ourselves - do better in the future.

Obviously unaware of the uncomfortable implications, Weiss exclaims that Jinxy is oh so cute and Blake comments that he looks older than he appeared in the book, perhaps providing evidence that a significant amount of time has passed since Alyx fell. We learn that Jinxy screws over people by selling trash disguised as treasure, so Yang will have to let her heart tell her which is her arm.

Spoiler: Yang doesn't use her heart to find her arm. Oh, she correctly identifies her arm, but only because it's the most arm-shaped, yellow colored thing on the stage. I honestly expected that not to be her arm because that's how situations like these go in stories, right? It's never the most obvious choice... but in this case apparently it is! I want to emphasize though that Yang does not choose this because she has an emotional connection to the object. We are explicitly shown what that connection looks like via Ruby and Yang, in comparison, basically points and chooses at random.

So that's an awful way to depict her relationship with an assistive device, but it is consistent. We see Yang first emerge with her arm with very little fanfare - the audience doesn't watch her decide to put it on for the first time, nor do we see her actually experiencing those first moments. From there her arm is used largely for jokes - scaring Nora, new puns - or is left behind to get an advantage in a fight. (Which, I'd like to clarify, I don't dislike on its own, but it is relevant in the grand scheme of how Yang approaches her prosthetic.) Last Volume she's given a line about how it is not an important part of her identity, it continues to be used for humor purposes now, and when a fantasy mouse says, 'What does your heart tell you? Which is your arm?' Yang's response is a straightforward, 'I don't know.' For me, this moment perfectly encapsulates how hollow Yang's disability journey has been, all the way back to her simply not caring that another disabled ally procured her a state-of-the-art device. Though it makes for a lackluster scene, to put it mildly, I admittedly would have scoffed if Yang had felt some call to her arm because when has RWBY ever established that? It hasn't, so yay keeping things consistent I guess?

Also, just the fact that all of Jinxy's wares are bits of trash disguised as treasures says a lot. Unlike my little rewrite above, we don't get any exploration of Ever After's culture that reveals that Jinxy has no idea what this arm is, why it might be important, etc. So literally the narrative is just saying, 'Others think Yang's assistive device is trash' and we leave it at that. Fantastic.

As said though, Ruby does feel a pull towards the little doll on the stage, though she can't say why. As she stares, Jinxy sells his first 'treasure' for... a hug.

...

.....

..........

"And what happened, then? Well, on Tumblr they say that Clyde's small heart grew three sizes that day. And then – the true meaning of RWBY came through, and Clyde found the strength of ten turtles, plus two!”

I'm not gonna lie, I thought that detail was super fucking cute. Hugs acknowledged as incredibly valuable? Hell yeah! I like that the townspeople are paying in ways beyond handing over [insert fantasy money name here]. That's a nice world-building detail and when Jinxy has to give the hug back when his con is exposed? Fantastic. This scene might be struggling like whoa with the larger concepts, but many of the details are really nice.

When it's time to sell the arm both Yang and a nearby royal guard raise their hands. However, Jinxy asks for "knowing what it is to feel love" and, with a glance at Blake, Yang gives up the bid. If they were going to tease the ship some more, maybe specify romantic love? As it stands, Yang should be backing down regardless of whether there's a relationship in the works because love as a broad concept would have her losing everything: love for her sister, her teammates, her family, her home, for adventure. That's not a Blake specific thing, that's a, 'Holy shit he's asking her not to be human anymore' thing.

So it makes sense then that a wooden puppet, nameless and identical to every other guard, existing only to serve "His Most Royal" would be able to pay that price.

Of course, losing what she assumes is her arm (because remember, she doesn't actually know that yet) makes Yang angry. Check out Blake's totally chill, not at all worried, definitely not uncomfortable look.

Finally we come to the doll, which Ruby immediately bids on. However, like Yang's, Jinxy asks too high a price: fill this jar with hope. It's a bit on the nose, but I like the idea, as well as the shot of the doll sitting dejectedly through the jar's reflection.

However, I think this moment would have had far more of an impact if Ruby had tried to fill it. Sure, she's clearly struggling right now, but why doesn't Ruby at least make an attempt? Especially given that one of her most defining traits lately is to sink deeper into denial: I'm fine, everything's fine, we're going to get home, we're going to fix things, why would anyone be doubting that? Of course I can fill the stupid jar! Let her angrily charge up to the stage, snatch the jar, glare in annoyance because duh it's going to fill... but then it doesn't and her expression falls. That's when Jinxy can say, "You can't, can you?" Simply announcing that to the audience is probably the least compelling way to go about this. Oh, our story is telling us things again rather than showing them? Groundbreaking.

While all this is going on Little has scampered up on stage to fucking steal the doll and you know what? Good on Little. That's the first thing they've done that hasn't felt like a waste of time. I especially like that this calls back to the Ever After rule that it's not stealing if no one sees you do it. "Fairs fair," they say.

Given that Little took the 'treasure' before Jinxy received his payment, his spell is broken and all the objects are revealed as the 'trash' they always were. The random citizen finds a mouse in his hands, the guard screams as he sees Yang's arm in his hands, and the doll turns into...

Penny's sword.

(Get it? The green doll was a green sword belonging to a not-real girl? Everyone got it, right?)

Say, did anyone else expect it to be Crescent Rose? Ruby feeling an emotional connection to an object while her beloved weapon is still missing, lost in a world where a Racoon picks up any random objects to sell? That would make a LOT more sense than Penny's sword winding up in the Ever After. As I explained in an ask, Penny made those swords out of her Maiden powers and they disappeared as soon as Cinder struck her in the chest. Of course they did, she likely lost control of her aura/magic as soon as she took a killing blow. But apparently the swords actually hung around despite Penny passing her powers to Winter, despite being dead, and were... blasted? All the way to the edge of the bridge?? From a blow that didn't have any force behind it??? Yeah sure, totally believable.

So instead of resurrecting Ruby's love for the weapon she designed and re-arming her before the team faces any real danger - because there are no battles these first two episodes - we get another emotional moment without a real foundation underneath it. The writers were so eager to continue Ruby's grief arc specifically through Penny (even though SO MUCH has happened that she could be triggered in any number of ways) that they just kinda... forgot to set that up...

I do like the moment itself though. I think Ruby's frantic run to the sword, her gasp, her clutching the sword to her chest and crying over it - all that is well done. Certainly better than much of what we saw in episode one. I just wish this wasn't so freaking contrived.

In the realm of not setting things up, we get another severely awkward moment as the group "escapes." I put that in quotation marks because, well, the problem is that they're not escaping from anything. Jinxy isn't trying to attack them for revealing his con, the townspeople don't mistakenly blame them for things, and though the guards will show up in a bit, they're notably not seen chasing them yet. So we've got Yang and Blake booking it out of there, Weiss walking leisurely away, Ruby barely paying attention, all of it with nothing seemingly happening in the background.

Then they wind up back in the forest with:

Yang [out of breath]: "Those people... take auctions... VERY seriously”

No they don't? This implies that the people were turning on the girls for ruining their auction, but none of the civilians were paying them any mind. The most we see is the guy who bought the bunny getting his hug back which, you know, is kinda the opposite of a mad crowd threatening violence for this deception. Yang functions more as a threat at the start of all this than the group they're supposedly running from. Blake literally starts freaking out about how they're "ruining everything!" and I'm like you didn't? Nothing happened?? I mean, yay Blake continuing to take responsibility for their actions, but in this case the girls legitimately didn't cause any problems. In the story Alyx started a war because she didn't know how to properly deal with the townspeople, so I expected the team's visit to go equally as bad; something to explain Blake having a crisis once they'd left. All they did was reveal a conman though, a conman everyone is only passively angry at. Please give me my hug back, sir, and shame on you for tricking us. We will all calmly disperse now.

I know it's years too late, but RWBY really needs to learn how to show what they want depicted on screen.

We learn that the theories were right about the weather being influenced by others' emotions - or at least Ruby's emotions in particular. As she sits down with Penny's sword a localized storm starts and, in a few moments, we'll hear a guard shout that someone's sad over there. So this is a useful tool for showing (good job!) that Ruby is really struggling right now, even if she appears calm on the outside, and I'd have so much more to praise about the scene if it hadn't been ruined by freaking Weiss.

Seriously, forget Little. Weiss is by far the most annoying character this Volume.

So after Ruby fainted at the news that her dear friend had died, unexpectedly discovered her sword, and now sits with a grief so heavy it magics up a storm to drench them all, her teammates do... nothing. Honest to god they do nothing. Yang has a single, "Ruby?" before the scene is stolen by Weiss having a temper tantrum. She doesn't like Blake's idea that they're following in Alyx's footsteps - even though everything they've done has followed in her footsteps - and starts ranting about how "We are not in a book!" and even if they were, they know the ending takes place at the castle, so let's go. Does Weiss care that Ruby is sitting there in shock, even after she tried to connect with her earlier? No. Does Yang care that her sister is loosing it two feet away? No. Does Blake? Nope. Does the narrative? Absolutely not. Ruby sits in background while Weiss has more stupid comedy moments, getting trapped in a loop and hitting herself in the head with a rock.

I keep seeing celebratory posts about how the show is tackling Ruby's grief, but it's not? It's introducing her grief and then immediately ignoring it. Ruby cries and then finds a cute mouse to distract her. Ruby faints and just brushes past that - she's fine. Ruby finds her dead friend's weapon, but why would we focus on that when we can watch Weiss hilariously knock herself out? I feel like the stock answer to these complaints is always something along the lines of, "They're working up to Ruby's breakdown," but frankly I don't care if they are. The execution is atrocious now and a sudden swerve into respectful storytelling isn't going to change that.

Plus, as I've mentioned previously, these moments don't help convince me that the girls care for each other outside of the dramatic, self-sacrificing actions added to finales. Bad enough that everyone ignored Ruby's faint and extended no care towards her, but now they're literally just standing there as she suffers. This is by no means a new problem, but the heroes have become so passive the last few Volumes. What happened to Black who marched right up to Weiss and let her how important the faunus are to her? The Yang who squared off against her mother just to reach her little sister? Weiss delivering a cup of coffee and checking in with her newly acknowledged leader? Say what we will about Volume 8 - and we've all said a lot - but at least there Yang puts her arm around Ruby and tries to comfort her on the steps, no matter how much denial that comfort required. Now? Now Yang just stands there because again, why comfort her little sister when Weiss is making a fool of herself?

At least this has some basic care and human decency behind it.

"This way!" the royal guards yell. "Someone's sad!" Yeah and her teammates don't care. Sure, we know in the way someone knows who reads the script, or who knows the writers' intentions, that of course Team RWBY all love each other so, so much... but man, would it kill them to show it more?

As the guards show up we get an interesting shot of Ruby that mirrors the one with Jaune's blade--

--and then she pulls herself together enough to face them, deciding that if Alyx went to see the Red King then they will too.

Ruby offers to give the guards “the weapon of a powerful warrior," AKA Penny's sword, and what follows is a legitimately emotional speech:

"[She was] the most powerful [warrior] to ever live. She was touched by magic and she gave her life for thousands. She took a message of hope to the stars and she saw the world through better eyes."

At least, it would be legitimately emotional if it hadn't been undercut, again, by all the comedy. We just had Weiss loosing it. The guards all "OOOOOO" loudly over the sword. Then they burst into exaggerated tears at Ruby's words, complete with their toy horses crying too. I've said it a million times now and I'll say it again: you can't expect me to take these moments seriously if the story can't take them seriously.

Also, I have to ask... why is Ruby giving the sword up? The logic is that they're trying to get to the Red King, but they were already heading to the Red King. That is, the guards were after them, trying to take them into custody for ruining the birthday present. So why bother with this bribe? It's simply not necessary, especially since they're still basically escorted as prisoners, guards on all sides. It's not like these guards are presented as terribly intelligent. All Ruby needed to do was go, "Oh, we're so sorry for ruining His Majesty's special day. Yes, please take us to him so that we can apologize in person. Your Majesty, can we please make it up to you by playing some games? Etc. etc."

The sword is a needless addition and that wouldn't be a problem if it didn't (supposedly) have such emotional impact. Ruby just found this piece of Penny. This is, likely, the last bit of her she'll ever encounter... and she's going to just give that up? Literal minutes after she found it? To a bunch of identical goons who snatch it up and run off in another, stupid gag? Once again, this is not convincing me that Ruby is having an authentic grief arc. She might be sad for the whole Volume, but each individual moment is ignored or "solved" almost instantaneously. To say nothing of the fact that Ruby is without her weapon. She has the PERFECT, practical excuse to hang onto Penny's sword with everyone, characters, and audience alike realizing that her logic is hiding a harder truth: she can't give it up. Not yet. Maybe not ever. But then sure, give me a moment at the end of the Volume when Ruby must part with the sword for some reason, to save another, or further their cause. Giving it up now, especially when it's not necessary, makes the supposed attachment she feels to it ring hollow.

This is just so... meh. I honestly thought we'd be getting an updated version of this for a second.

As they follow the guards to the castle Ruby bitterly tells the girls that they need to "stop pretending we know what we’re doing." Hell yeah, Rubes, that's the first time we've agreed in a while. Whether or not anything comes of this line is still to be seen, but I'm happy that their failure - stemming from arrogant complacency - was at least acknowledged. It's definitely a hard-hitting line to end an otherwise goofy episode on.

Now! I'm off to try and write up "Rude, Red, and Royal" in... three days🙃

Thanks for reading! <3

#rwde #rwby #mymetas #RWBY Recaps

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