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#anyways these two games are great
jazzy-flowerr · 29 days
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Y'know if I had a nickel for everytime I really liked a horror game where the main character is a small child with a talking toy as a companion and the game is also really relatable to me due to its depictions of alcoholic and/or verbally [sometimes even physically] abusive parents,
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I'd have two nickels.
Which isn't a lot, but it's weird that it happened twice, right?
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zarnzarn · 20 days
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The doors to Olympus are sturdy and strong, given everyone's preferences for drama and slamming said doors open and sending them cracking into the wall whenever the opportunity arises. Which is why it's a surprise when they creak open during the once-a-decade pantheon meeting; less so because no entity worth their salt would take so long to open the doors, and more so because everyone who is anyone is already there.
But if everyone is being honest with themselves- which no one is, usually- these gatherings are boring enough that the bland conversation is dropped immediately in favour of craning their necks to catch a glimpse of whatever is coming to relieve them of their boredom.
When the doors finally open however, several of the pantheon murmur in surprise.
"Odysseus," Athena whispers, wide-eyed as she pushes herself off her throne to her feet. It is him- in the king's garb he was buried in but the face he has when he reached home, hair till the shoulders and speckled with grey, face oddly blank. His feet are transparent.
"What are you doing here, sceptre?" Poseidon booms, hair the color of a stormy sea. Zeus, beside him, looks reserved, observing the ghost with something approaching curiosity- eyes flicking to the lightning scars on his daughter's face and back. "Your time has long passed, and Hades-"
"It is a temporary agreement," Odysseus says curtly, barely sparing him a glance as he approaches his patron. "Athena."
Her armour clinks as she steps forward and the gods all twitch, trading glances. Owls are silent creatures- to have her aspect so affected to make noise was... uneasy to say the least. She even holds herself different than usual, something like confused delight shining in her eyes. "How did you-"
"Did you sleep with my wife?"
The throne room is silent. Several jaws drop.
Athena straightens back up, blinking in surprise. She looks a bit shifty, some of the nymphs closest whisper to each other, which- well, almost every single god present owed some part of their existence to the mere story of Odysseus loving his wife.
Would he fight his own patron goddess over it in front of Mount Olympus, though? He certainly was unbalanced enough; Athena herself looked rather uncertain of her odds, even though-
"Are you addled in death, King of Ithaka?" Artemis drawls, looking amused. "Did you forget that your own patron is celibate? Whatever rumor you-"
"No, I-" Athena says suddenly, shifting her spear to her other hand. "I did."
Artemis chokes on her breath and several assorted divine beings gasp in shock and the rest shouting for explanations, although everyone is nearly drowned out by Aphrodite's loud, "WHAT?"
Odysseus inhales sharply and pinches the bridge of his nose. "I cannot believe you."
"She asked-" Athena starts, only to be drowned out by the din of various beings screeching and shouting about the scandal.
"ATHENA!" Hera hisses, peacock tail fanning behind her sharply as she pushes herself up. "Explain yourself!"
Athena half-turns to face her, face creased in a frown. "Mother, I-"
"LET ME REPHRASE!" Odysseus cuts in loudly, and the shouting settles down into silence. He walks to his patron, eyes blazing. "I cannot believe," he throws his clenched fists wide as he growls the last word, "-you took Penelope to bed-" Athena surprisingly stays still as he reaches her, mouth falling open as he grabs her by the chiton to yank her down, uncaring of the gasps of horror from all around as he snarls, "-before you ever kissed me."
And then Odysseus grabs Athena by the face roughly and kisses her.
This time Aphrodite's shriek cannot be escaped by anyone.
"Aphrodite, please," Zeus says a few moments later, wincing as his throne reforms around him, stained oddly pink. Quite a few minor entities have discorporated, and the ones nearest to her are still trying to regenerate their hearing. "Control yourself."
Their eyes land back on where Athena has dropped her spear- dropped her spear, Ares in the corner seems to be having some minor hysteria over this, well warranted- and is also on the floor, still being thoroughly kissed by that insufferable, mannerless hero of hers, perched on her stomach to reach. Zeus inhales in fury, Poseidon close behind him as the shock wears off, lightning crackling around his fingers as he opens his mouth to shout- of all the indignities-
"If you two ruin this for me," Aphrodite thunders, warping in front of them and glaring. "I will make you both regret it."
Both gods visibly blanch at the threat, taken aback for one brief moment. Threats from Aphrodite are far worse than any of her more violent siblings, at the end of the day.
Zeus visibly gathers himself just as Athena's helmet clatters to the floor, and he gains a second wind immediately, eye twitching as he spreads a hand to the spectacle in the middle of the hall. "WHAT MANNER OF DISRESPECT IS THIS? TO BARGE INTO OUR MEETING AND THROW ONE OF THE OLDEST GODDESSES TO THE FLOOR LIKE A COMMON WENCH-"
"Zeus," Hera says quietly. Everyone falls silent, although it's not quite enough to stop the two tangled together on the ground. She clears her throat, which finally seems to get through to Athena, who had finally seemed to have gotten over her shock enough to reach out, hands hovering over Odysseus hesitantly. Still, at the noise she seems to remember herself, pushing herself up on an elbow and dislodging him enough to break their necking. He pouts at her, but Athena's eyes are too glazed over to notice, heaving for breath.
Hera opens her mouth to speak, crown manifesting on her brow as she steps in front of the throne, but closes it as the door rattles again.
This time, the spectre shimmers with a faint hint of scales that comes with a freshwater nymph's heritage and excited whispers starved for drama explode across the room as the Queen of Ithaka steps into the room, skirts hitched in her hand and panting as if she'd been running.
"Your Graces," She bows respectfully before entering, Spartan princess through and through, until she catches sight of her husband and Athena, the former of whom seems to have taken the opportunity to start kissing the wisdom goddess again, fingers in her curls.
"What are you doing?" She snaps, rushing over. The entire courtroom holds its breath. She slaps her husband upside the head, making him yelp and move back to shoot her a betrayed look. Athena looks even further dazed than before, cheeks red. "Argos has more manners than you! No wonder Lady Athena wanted nothing to do with you- ah, hello, darling, by the way."
"Penelope," Athena murmurs hoarsely, and the Queen of Ithaka leans down to kiss her as well.
Odysseus chuckles, then jumps with everyone else as Hera slams a hand down on the throne elegantly, cracking it to the base.
"Ah, goddess-" He says, clambering off Athena to bow.
"Silence," Hera interrupts, holding up a hand, eyes cold. "You will not say anything to me apart from an explanation. My agreement for your release from Ogygia was due to the assurance that your marriage was one of the truest I have ever witnessed, conveyed by Athena herself when bartered with all of us to let you go. Tell me, was it a ploy? Because from the disgraceful looks of it, this seems to not be the case in the slightest."
Odysseus frowns, face twisting in confusion. "Athena bartered with...?" He turns to look at his patron, who stares back, unspeaking. His eyes flicker to the lightning scar over her right eye as Penelope traces it with horrified eyes and a gentle thumb, and understanding seems to dawn.
For a moment, rage seems to fill him, glaring with a hatred towards Zeus that everyone whispered later wasn't met by the god king with anger, but a flicker of remorse- before he visibly throws it away behind Athena's old smile and bows.
"God-queen," He says formally, gracefully. Hera twitches a bit, and they'll all talk later about how odd it was to so clearly see Athena's younger mannerisms in the man, down to the curl of the letters. "My marriage to Penelope has never been false, never been broken, this I promise you." He takes Penelope's hand and squeezes it for emphasis, and she raises them as acknowledgement. "But... can you not argue that Athena has been part of our marriage all this time? From its start, where she advised me on courting and her on what to look for, to the twenty years she spent with both of us- me on the battlefield and Penelope in the court; to say nothing of how she helped raise our son and lived in our palace in the days after. And is she not so unbearably beautiful that even my Penelope couldn't wait-" He shoots a glare at her, which Penelope returns with a smile. "-when the chance was presented? How can you fault us for disgrace, after being so long apart from our wife?"
Hera raises both eyebrows at the impudence, the kind of disbelieving expression that hides a warning to tread carefully. "So you claim to be both married to Pallas Athena?"
"In every way that matters except legality," Odysseus says, fearlessly. He is dead, after all, what much can you do to a shade that they didn't already put him through when alive. He is sort of worried about Athena, though, as they both help her back to her feet, Penelope busy whispering compliments and updates and endearments in turn- she's not usually one to be quiet in face of a problem.
Hera tilts her head. "Ah, but you see. I need the legality, if I am to finally-" A helpless, excited smile pulls at her lips once, twice, before unfolding into a bright grin, peacock tails unfolding to their full wingspan. "-finally arrange for a marriage for my eldest daughter who has not once- oh finally, I can hardly believe this day has come-"
"I do not like the way you grabbed her, Sacker of Troy," Ares steps forward as Hera starts ranting half to herself, half to an equally loud assemblage of joyful entities about wedding arrangements, eyes narrowed.
Odysseus barks an incredulous, loud laugh, gesturing to Athena with a slightly crazed look in his eyes. "This lady has broken- and I do not exaggerate- every single bone in my body before I saw my sixteenth year. I have punched her a hundred times in the face when she taught me how to fight. We'll survive, thanks."
"That is fair," Ares steps back, hands raised.
"What duties will you provide as spouses, Ithakan Queen?" Hestia questions, stepping forward.
"Oh, the same we did when we were living," Penelope huffs a laugh. "Keep her busy, make her laugh, be of mild frustration to her, love her well, worship her-"
"I do not. Need to know," Hestia closes her eyes and raises a hand to cut her off, stepping back. Around them, the din catches speed and volume as no further objections arise, excitement spilling into the air.
"What is happening?" Athena says faintly, looking around as if she was just waking up.
"-oh, and we can get out the decor once more! Hebe, Aphrodite, loves, do you remember where we kept the fountains-"
"-finally, a reason to celebrate! Call them all out of hiding-"
"-can't believe this is finally happening, oh sister, what songs should we-
"Why am I getting married," Athena says with much more alarm and horror. She turns to Odysseus and shakes him by the shoulder, eyes wild. "What did you do?"
"Nothing!"
"How is this nothing? Do you have any idea the headache-"
"Athena, sweetheart, will you consider changing into that beautiful piece you made for the ceremony?"
"Oh, I'll make a deal with Hades or something, you hush!" Aphrodite leans forward and snaps, before her irritation melts back into a manic joy. "Oh, what paint shall we do?"
Creakily, she turns her head to Hera, disbelief pasted across her face. "Mother," She says slowly. "They are both dead."
Paint, Athena mouths, looking afraid for possibly the first time since her conception.
Penelope laughs and tugs on Athena's hand to make her turn, tucking dishevelled curls behind her ear. She wonders if the goddess knows how beautiful she is when she's flustered. "Take us away," She whispers. On Athena's other side, Odysseus leans against their patron with a besotted, helpless smile as he stares up at her, her helmet and spear in hand. She'd missed Athena like a limb, missed her deep laugh at night when they'd discussed the day's court, the dry jokes, the hands over hers as she weaved- but Odysseus wasn't himself without her, happy though they were in Hades' lands together, all of them.
"I'm-" Athena wavers, then looks around once more at all the excited screaming, something unreadable flashing in her eyes. Almost against her will, her eyes fall to Zeus, who is sitting silently and staring back at her. Poseidon looks like he still wants to start a fight, but clearly by his wary looks below can tell he will be heavily outnumbered by the overexcited crowd to not try, but Zeus just stares back at her, face blank of any emotion.
"We ask you formally this time," King Odysseus says, walking in front of her to take her attention away, holding onto her hand. His voice has strength in it, drawing the eyes of the murmuring crowd, but he's deaf to it as he stares up at her.
"Will you be our wife?" Queen Penelope asks, joining him, watching their beautiful patron shudder for breath she does not need as her eyes flick to one of them and then the other.
"Yes," She whispers and cheers erupt all across Mount Olympus.
"Finally!" Odysseus complains, and then pulls her down once more to kiss her, all three of them fading at the edges as one of the generous gods present there- who seems to realize that they're not very inclined to stop anytime soon- thankfully teleports them away into a nice room with a large bed.
"Finally," He whispers as he breaks apart to lay her down, cupping her face, voice heavy with the longing of a full lifetime and more. Penelope circles to the head of the bed and starts undoing Athena's braid, staring at them both lovingly.
Later the ones closest will murmur, as the silhouettes faded away, that tears had slipped from proud Pallas Athena's eyes as she placed one hand against Odysseus' cheek, trembling.
"I missed you," She will whisper back, and all three of them fade away to their own story, yet to be made.
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hydrachea · 14 days
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Explorers of Sky is a good game.
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doctorsiren · 1 month
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I think he would play baseball in high school 😁
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kacievvbbbb · 2 months
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I think there's a lot of evidence in canon to suggest that Mihawk doesn't want to be lonely. But he doesn't know how to be around other people without expecting too much of them and always ultimately ending up disappointed when they fall short.
Sometimes when he looks at Shanks, all he can see is failed potential and broken promises he made with no one but himself.
Even now he tries not to linger longer than he has too;
Shanks' future no longer has any room for him and so Mihawk remains stagnant stuck 10 years in the past, alone. He doesn't know how to be anything else.
That is until a couple of pesky cotton candy haired children barge into his castle and into his life and drag him head first into the future too
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sunlitriddle · 2 months
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On That Day, Five Years Ago
This is based on OG more than anything, using updated Remake visuals. But, since I haven't finished Rebirth, any spoilers are from the original game. I have no idea what shenanigans they have for the climax of part 2 and all of part 3.
I always loved Mideel and finding out the True Flashback of what actually happened in Nibel. This moment, where Cloud is Just a Guy filled with a righteous fury, he has the strength to wield the Buster Sword, avenge his hometown (including everyone who didn't think much of him) and kill* Sephiroth.
I wanted to contrast just how weak Cloud is, how average, how utterly human; and how heavy the Buster Sword is... and duty, and honor, and sacrifice, and all the other meanings it's accumulated through time. And somehow, he has the strength to wield it.
I also wanted to give a twisted, holy vibe to the Nibel Reactor, with bundled wires hung like a vaulted ceiling leading to the altar and the sarcophagus of a false god.
*death doesn't seem to inconvenience him much, let's be real.
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cinnamon-flame · 10 months
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Concept for a lynx piñata cause I love Viva Piñata and I love lynxes and I think those two things should go together.
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I also love moths so totally self indulgent drawing of the lynx and a mothdrop
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emilylsart · 3 months
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I watched a part of today's Nintendo Direct and RAMONA FRIGGIN' FLOWERS FROM SCOTT PILGRIM IS GOING TO BE A PLAYABLE CHARACTER IN THE NEW FUNKO FUSION GAME LET'S GOOOOO!!
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Bonus: SCOTT, STEPHEN AND GIDEON ARE GONNA BE HERE TOO AAAA I'M DYING OF HAPPINESS
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Bonus 2: two more Scott Pilgrims (the original and the back of his head for no reason)
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Bonus 3 (6/19/24): I JUST NOTICED THAT THE FRIGGIN' KATAYANAGI TWINS STAGE FROM THE MOVIE IS IN THE GAME TOO GAAHH HOW DID I MISS THAT?!
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And big dragon too...There they are if you want proof :) You can just see part of the twins' heads for now...time to update my tags 😅 Can't wait to see what Funko!Scott's world looks like!!
Just wanted to share them all because AAA SO EXCITING!! 😄
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kagoutiss · 1 year
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*complaining for no reason again because i am bored* i need more ppl to know that these. are all the same person these are literally canonically all the exact same individual person im begging u
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literally almost all the ganondorfs are the exact same individual and almost all the ganons are the exact same individual, almost all the ganondorfs & ganons are the same exact person just in different forms and circumstances. except for FSA and maybe whatever the fuck is going on with TotK ganondorf but i still think it’s weird that he still has golden eyes & rounded ears when even the gerudo in TotK’s ancient past dont, but anyway ashfjsbfjsn
#not like you always have to subscribe to canon because it’s often impossible to know the truth of certain things#or some things that are canonical just suck and should be changed anyway but like#of all the things that are like relatively basic facts for ppl engaging in the Lore or whatever#ppl are like always. Always talking about ganondorf as if every iteration of him is a different person just like link & zelda#but so much of his character development stems from the fact that WW ganon and TP ganon are both different timeline offshoots of OoT ganon#i’m ​not even citing the ‘Official Timeline’ on this because it is silly & confusing but i just literally mean#in terms of basic canon continuity#that WW and TP were conceptualized even in the early 2000s to be the events that occur distantly after the two timeline splits OoT created#because OoT is a game about time travel and the entire concept of the split timelines in this series#originated from the two different scenarios that are created by link & zelda’s use of the master sword and the ocarina#WW ganondorf and TP ganondorf are both literal older versions of OoT ganondorf in 2 different futures#not to mention all of the ganons in the early games. OoT was made as a prequel that both literally and figuratively#attempted to humanize the main antagonist of the series#OoT ganondorf at the time WAS the ‘ganondorf with character development and an actual motivation’#WW ganondorf (who is the same person.) just actually got to vocalize what specifically his motivation was#which is great!! and also retroactively gives OoT ganondorf more context & depth#can u tell i am off my meds at the moment and have nothing better to do with my time ahsjfhskfhdj
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lavender-rroses · 6 months
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gay blindness
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svtskneecaps · 8 months
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i should be sleeping but i do want to reiterate how much i love that our collective fan community and also the streamers are constantly like, so new members when? new language when? a teaser drops and we're all like germans???? german time????? asiatic language time??????? new faces??? new friends?? new communities????
i've said this before but it just constantly makes me feel all warm n fuzzy to see it. i'm really happy we're all so excited and united in this.
#qsmp#shut up vic#block game brainrot#this was also why purg2 was great for me specifically#like goddamn was that such a chance for me (and others) to meet streamers in an accessible setting#i only really speak english and half french so this was the first time i actually got to watch any aldo and understand more than every like#tenth word out of his mouth lmfao i get SO LOST#also was extremely fun bc goddamn for a while i rly thought i just Did Not Understand French#bc hearing the qsmp french speakers i'm like. damn. i'm lost. i get lost after like a sentence or two idk i'm so bad at understanding them#but dude holy shit i had kenny on while i did work fully like 5 ft from my phone and i was FOLLOWING#I WAS KEEPING UP???? LIKE THAT WAS INSANE so shoutout kenny for speaking french i can understand i rly appreciate the confidence boost#anyway i hope hope hope to see new members soon yesyes#be it purg2 returners (i have my wishlist but the wishlist does have Everyone soooo i win) or a new language!!! OR MULTIPLE 🙏 WOULD BE NEAT#i have said before that i think it would be fun if they drop two+ languages in at the same time#have the new languages work together to do puzzles and get used to the translations before dropping the full force of like#20-30 odd streamers who are unbelievably loud and extremely excited to meet them#would mayyyybe mitigate some of the french arrival where everyone DESCENDED on them and it was SO LOUD lmfao#anyway i will now sleep it just makes me happy to see everytime i see it#i'm excited to meet (hypothetical) everyone too <3
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arty-cakes · 9 months
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the king had forsaken everything he ever did and fled into his dreams leaving only his dead selfdom and unheard repentance, littering the land in the forms of statues and black eggs and failed tramways and dead children. his corpse somewhere at the end of the world where you can follow his spine to the top and then back, his dreams locked so tightly behind his shame you have to shatter numerous other stories around you just to gain access to his, an act parallel to his reign and his life. you have to fight and you have to demand to get to the pinnacle of what he was so ashamed of and it was love, it stained the sacrifices everyone made in his name, once done with resolution and trust now in vain. the king had a clear beginning, peak, and ending whether in dream or death it wont matter because now he's gone, and the world moved on without him and despite him.
the queen is still there. she imprisoned herself and had a limited view of what was happening on the outside but she knew enough to tell that the plan she played such a big part in has failed. yet somehow, within minutes of meeting you after so long down in her paralyzed kingdom she asks you to do it all over again. the fate of her kingdom is up to you and she makes that clear. she reminisces the past and she does not acknowledge its death. the king's story had an ending, you could argue that he gave it to himself. the queen's is in limbo, she absolutely gave it to herself. you could not change her mind and neither could flowers. and you could not make her face what she has done.
you leave her there.
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veryaren · 1 month
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here.... Take this bwforei go..... (To bed)
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cautiously0ptimistic · 3 months
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when we met, I could see dark signs— alarm bells in your eyes.
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I don't get why people hate the timeline so much, its not like you can't pretty much completely ignore it when you play the games. The only time it even approaches mattering to the story is when there is an explicit sequel like botw and totk or zelda and zelda 2
Hey sorry your ask got lost in the sauce of my broken tumblr, but: yeah!
I mean, I get why in some sense. It's been a heated point of debate and I think some people understandably resent the space it has taken not only in fandom discourse, but in how people began to understand the game and its narrative aesthetic choices. There is such a thing as over-rationalizing everything to hard logic, and sometimes it's just not the fandom for that --especially when you begin to forget it's all just fan theory and start to forget what the games are supposed to be like and evoke beyond just strict facts displayed in a linear way.
What I think bugs me with TotK in particular is that it both evokes and relies on continuity and the idea of a timeline, of archeology, of history itself, while being so loose and vacant with it that it both is doing Timeline Shit while also completely failing to understand why some parts of the fandom were invested in Timeline Shit to begin with.
But that's just my two cents of course!
#asks#tloz#timeline#totk critical#thanks for the ask!#I do... feel two ways about that myself#I think pure evocation is genuinely one of zelda's greatest storytelling strengths#that mood is sufficient and enough in itself and doesn't always need justification#it is the way the games center story --and that's genuinely wonderful and a strong take on narrative in games#as something freeflowing and accompanying gameplay rather than the opposite#and to ignore that and focus on hard facts all of the time kind of misses the point of the games' stories to a degree#BUT#I also get quite annoyed at the weird condescencion towards fans that do decide to engage with the stories more factually#especially since this is either revelatory regarding some of nintendo's choices#(that the aesthetics of evil are so tied to The Desert TM while taking so many inspirations from european fairy tales for example)#(it's not neutral even if we ignore ingame “lore”)#or just a great fodder for creativity and narrative play#and it is a part of the IP too!! just as much as dungeons and items and musics and curiosity-driven exploration!!#I do have beef with people not resonating with that aspect thinking others that do so are just stupid or childish#and that you can only have an enlightened relationship with zelda if you like it “the right way”#(which is somehow always mechanics/logic-driven which is. interesting to me.)#(or in a completely passively aesthetic way as in “I like fairies they're pretty”)#but you know it's the weird Triforce Shirt Dude stigma thing#that notion that you can (and must!) Love Zelda Deeply and Defensively#but you cannot be *passionate* about Zelda#then it's weird and immature#I don't know I feel like there's a lot to analyze in that arbitrary dychotomy#anyway sorry for the mega novel in the tags!!
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leupagus · 5 months
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Say what you will about Martin's writing style (and I've said plenty) but I do think he's got the White Walkers' mythos worked out for a future book and IT WOULD HAVE BEEN SO NICE IF THE SHOWRUNNERS HAD DONE 1/100TH OF THAT WORK SETTING THEM UP
Gus: I am mad all over again that there was absolutely zero explanation given as to why/how the Night King operates or how his powers work or why he chose now to attack or ANYTHING ELSE
Gus: on the plus side it means I get to make up a whole subplot that, not to brag, I'm comfortable saying is at least as good as anything D&D could've made up IF THEY HAD EVER EVEN BOTHERED
Gus: but like - okay so craster's infant sons get sacrificed to the Night King, who them magics them into White Walkers as babies
Mardia: Yep yep
Gus: so does that mean there's a white walker nursery
Mardia: Omg
Gus: do they have to change diapers
Mardia: LOOOOOOOL
Gus: is there a white walker daycare center
Gus: how does the night king TEACH his lil adopted monster babies
Gus: is there like storytime around the - well not fire
Gus: does the Night King remember what it was like to sit around a fire?
Gus: does he miss being a human and all his rage at the spell the Children of the Forest put on him to kill the First Men has curdled his brain?
Gus: what was he DOING for like 8 millennia, just hanging out?
Gus: did he get really good at ice fishing?
Gus: DO THEY EAT?
Gus: where the fuck do they get their snazzy outfits from
Gus: are there white walker tailors
Gus: what's the currency situation
Mardia: Lololololololol
Gus: I'M JUST SAYING
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