#anyways the short answer is that i dont know.

[branmuffins22]

If you write fanfiction, how do you get people to care about you as a person as well as your work? What do you need to do? Also, how do you make writer friends for the fandom you're in and meet really cool people who treat you like a celebrity?

um. what

[ganondoodle]

still thinking about how even just the decision to basically act like the shiekah tech never existed is just ... so baffling to me

bc again you could have done all the sonau tech does with shiekah instead, and they were perfect to be explored more in a sequel, why wouldnt you grasp that potential, the literal building blocks for more??

if you are that tired of shiekah tech .. dont make it a fuckign sequel to the game prominently featuring it???? totk doesnt take place generations after botw in which things could have changed drastically, its just a few years afterwards??

you want to reuse the map and get rid of shiekah tech? ok fine take LINK into the past then and the focus is for you to find a way to return; do some neat twist where its revealed that link was the one who sealed gan bc he couldnt defeat him without zelda or something if you dare (they wouldnt)

want less work than that and still reuse the map and get rid of shiekah tech AND reuse characters? ok then make it some alternate universe thingy like majoras mask in which everythign is the same but also isnt, its weird and creepy how characters you thoguht you knew suddendly dont act like themselves, shiekah tech doesnt exist, malice is now miasma, etc, it would give reason to why you feel so much like something about this world is familiar yet also very wrong

as far as im aware every "sequel" we have had so far were either generations apart from the first one, some alternate universe or a different location altogether- in all of which its plausible that things are different, things seem weirdly familiar but also wrong, or that another continent just works different from hyrule

but totk does none of that, its supposedly just a few years after the first game, same world same character, but its BUILT like some strange jumbled mess of stuff from botw and new stuff out of nowhere that just .. doesnt fit, but feeling a strange sense of otherness, a déja vu of something you know but it acts off, like an imposter, thats NOT intentional and it shows, its a mess of botw stuff, from stuff that people missed from the old games and entirely new stuff; i dont doubt it CAN work but the way it turned out is like a mix of 3 different puzzles forced together and being told 'see it fits!' even tho you can clearly see the pieces dont look right in these places

again it feels like a sequel that desperately wants you to forget the first game happened, that anythign from it mattered at all

and that isnt really ... the sense of a sequel? why insist on it being one when it only creates problems? is it marketing?? just like it was marketing to call age of calamity a telling of what happened before botw but then it wasnt that at all and that is still the sole reason why i dislike it? bc i was lied to? totk is like 10000 times worse than that, its a main title and doesnt even have the excuse of yeah its basically an excuse to play all your fav characters in fun ways and the game beign well aware that being its main appeal; what is totk appeal? a toybox with botw aestethic and none of the flavor?

(on a sidenote; the sonau tech doesnt even .. matter? in botw at least calamity ganon was made of shiekah tech parts and him overtaking other tech is a big point, the sonau tech doesnt serve anything but .. idk minerus useless mech? gan doesnt even aknowledge it, he doesnt care, all it is is toys for the player, not link, but the player. the monsters mining the tech materials? what for? gan doesnt give a damn and they dont work for the yiga either??)

i said it before but it gives me the feeling that the way botw invited you to theorize, to look beneath the surface, the way it intrigued you and laid the groundwork for so many interesting things without denying anything.. was accidental? or perhaps put in the game without the directors noticing? i cant stop thinking about them saying sth like "after botw zelda wondered if the kingdom of hyrule needed to keep existing the way it had been before the calamity, but then totk happens" bc it just feels like they realized too late that botw naturally led into questioning the status quo and they scrambled to fit it back into a flat and boring road we have seen so many times before (or even worse really) with totk

zeldas character naturally leads into her questioning and reexamine their history and set of rules? we gotta teach her a lesson of why she is importante god given monarchy girl that has to keep it bc what if evil brown man shows up again for no reason

maybe im grasping at straws here but looking at it this way the sonau .. make more "sense"; the shiekah were a group that was under the rule of the royal family, and misstreated before (oh no look soemthing interesting) so they dont lend themselves well to be used for teaching zelda that lesson- the sonau however are tailored really to be just that; they are a supposedly godly race from the literal sky that founded this version of hyrule, that had tech even more advanced and better than the shiekah, she gets put in the past to meet the perfect god king of goodness personally, also his very fridgy wifey that zelda later replaces in a way, shes put there and treated like family and then gets to see just how evil that evil big man from the desert is, sonia is falcon-punched to death solely so zelda can feel obligated to take over her role, have her new, better 'family' hurt by gan; similarly so raurus sacrifice, look what a noble and good king he is, he payed the ultimate price to lock that evil man away, now zelda you cannot let their sacrifice go to waste, rebuild that divinely good kingdom like it was!!

and even though they go so much out of their way to put the cart back onto the rails of black and white-good and evil in an even flatter way than the old games, it still doesnt feel right, at least to me, it still feels like zelda shouldnt have gone along with all of that, it feels like even her character from botw was walked back entirely, except for the intro, it made her feel like a stranger to me-

because this is a sequel, i know this zelda, she wouldnt act like that after all that shes been through, this feels ... off

and it all just insulting to anyone who cared about botw more than surface level, or the zelda lore in general, i dont even care much about the timeline, but theres alot of lore and themes beyond it that felt ignored, especially so given that .. its a damn sequel, non AU, not generations apart, directly part 2-

but its not.

it even feels very "corporate", put zelda in a dress again, people liked that, put crazy abilities in the game to flashbang people with how insane it is even if its not the best for the gameplay or the story, put a new asthetic into it out of nowhere bc its 'new' and act like its been there the whole time, put gan in there bc people miss him and find him sexy even if his role is just as flat as that of an evil cloud monster-

*sigh*

you know, i saw a post that said aoc was like a bad fanfic (affectionate) and totk was like a bad fanfic (derogatory) and tbh thats like one of the best comparisons/summaries i have seen ..

[luck-of-the-drawings]

OH ARTHUR BENNETT.. such a gorgeous and intriguing character. terribly burdened by a GRUESOME set of crimes, his light suffocated by a HEAVY century of GUILT. so tragic, so dark and broody, and yet PAINFULLY awkward in any social setting ever

[xxlady-lunaxx]

*Slides in but falls.*

Hi can I get Modern Sanegiyuu with trans (ftm) Sanemi suffering through cramps and Giyuu helping him through them?

catches you

giyuu, ever the sweetheart, had actually done his research on periods after they moved in. apparently he was very stressed about it, looking in a much worse state than sanemi, somehow. so, now, several years into the relationship, he was a bit better toned to the situation. mostly.

sanemi lay on the bed, surrounded by blankets. he was curled up, a pillow tucked between his chest and knees. his head was ducked down, a whine muffled against the blanket. giyuu entered the room with a hot water bottle. he sat down on the bed, coaxing sanemi’s arms away from where they clutched the pillow. gently, he placed the bottle on his stomach, helping him adjust it. immediately after, sanemi curled back up, pulling giyuu down with him. giyuu yelped, forced into an awkward position as his hand was smothered by sanemi and his body contorted uncomfortably on the mountain of sheets.

“…sanemi, please let go,” he said, sighing.

“no.” sanemi shifted, holding giyuu tightly.

“it’s uncomfortable,” giyuu complained.

“i’m the one in pain, shut the fuck up,” sanemi retorted, though he loosened his hold.

giyuu managed to get out of his vice grip, moving quickly to envelop him in a hug before any complaints were raised. “is there anything i can do?”

“jus’ stay here,” came a mumbled response. sanemi’s eyes had closed, body relaxing as the warmth from the bottle seeped into him. “i’m tired.”

with a soft hum of understanding, giyuu pulled the blankets over them, making sure sanemi was tucked in before moving back to hold him. they lay like this for a long time, enough so that sanemi had fallen asleep. giyuu followed suit quickly after, relieved that sanemi seemed alright.

several hours later, he woke up to a pissed off sanemi who had apparently gotten up a while ago, stomping around. giyuu sighed, moving the blankets aside to make sure he was alright, preparing himself for a restless night.

[doodlebeeberry]

what implications do u think the amelia investigations episode (possibly) being last has......

thinking about it im not sure implications is the word i was really looking for, rather i think theres like. a particular weight, to me, in placing her episode as the last one (presuming, of course, that there are only 5 episodes in investigations like is generally whats being assumed. for all we know though there could be more than that but thats the assumption im working off of)

ive always read the lack of any particularly tangible details about her pre-plane life, let alone the lake of an actual disappearance scene for her, as a means of further alienating her from her previous life. It drives in this wedge between Amelia and Scenty, such that even though shes probably the most vocal (at least throughout s1) about wanting to go home, her desire is countered by the fact that pretty much her entire existence in the show is defined by exclusively her time on the plane. The lack of a background for her (as absolutely crazy as it drives me) does play a pretty notable role in how her relationship to earth and the plane and herself are laid out.

This, in my mind, creates a bit of an interesting situation for investigations to play with. seemingly, investigations kinda requires an exploration into everyone's pre-plane lives, a certain insight into their lives that amelia just doesnt have. so, unless they do something a bit radical in the presentation of that episode in particular, youd have to explore her old life on some level without undermining the dynamic with it that we already have. I guess the most obvious answer is that it wont be amelia telling her own story to the audience. We wont be hearing her explain or be in her perspective, we'll be hearing from (presumably) garret. Its a story about her that isnt her story to tell. even when we do finally get to see it, her life, her disappearance isnt hers. not really. and i think placing it last in the sequence, the final mystery to unravel, the hardest answer to get, implies at the very least an acknowledgement of that.

but i do have a degree in Reading Into Things so like. who knows. maybe thats just what i want

[absurdumsid]

what's your favorite song?

sorry man i couldnt decide on just One

so i made a playlist <- i DONT recommend listening to it on shuffle some of these songs are so soft and some are so LOUD

[razzafrazzle]

2 outta 4 of the main characters of. whatever this story i have in my brain is. weird gay cyborg cowboy and the clown baby she brings with her everywhere (said clown baby can also transform into a motorcycle but thats a secret)

[image description: a drawing of two original characters. the first is w, queer person who uses any pronouns, who is a tall, thin, and dark-skinned person with short dark purple hair. his face is mostly covered by shadow or the pink bandana wrapped around the lower half of his face, with the only feature visible being his eye, which is pink with yellow sclera. her right arm and leg have been replaced with light blue cybernetics. they are wearing a white bodysuit which is unzipped at the chest and with gold fringes on the sleeves, a matching cowboy hat with a crown-shaped gold plate on its front, matching thigh-high boots with pink hearts on the knees, pink heels, and a gold angel wing-shaped accent on the sides, and a bright blue harness around their torso with a pink heart the waist. the second is lil plum, who uses they/them pronouns and is a small, purple, cow-esque robot. they have horns, blue and yellow eyes, and a clown nose. they have small angel wings where their arms should be, and they are painted to look like they are wearing a white, pink, yellow, and blue clown outfit. they are also wearing a white frilly neckpiece and a small gold crown. both characters are surrounded by doodles of sparkles. end id]

[pikkish]

idk if this is a good prompt but put doomguy in myhouse.wad I think he would find it enriching

Right, so I've been mulling on this one for a little bit now, n I'm not opposed to writing something for you, I'm just not... entirely sure what to write? Because the thing is, myhouse.wad doesn't actually really have anything to do with Doom as a story. Sure, Doom is important in that it's the vessel through which the story is told and one of the connections between the narrator and his dead companion. But as far as Doom itself goes, and the story about a man who was too angry/stupid to die, fighting demons and saving earth, none of that is at all relevant to myhouse.wad and its story. For all intents and purposes, Doomguy isn't actually a character in myhouse.wad. So I'm not really sure how exactly to fit him in there.

[finelythreadedsky]

having a latin vowel crisis

[lavenoon]

Lave-san i need help i desperately need fics where the DCA does not like you initially/straight up dislikes you and avoids you. Bonus ppints for mechanic y/n

So I'll lead with the disclaimer that I crowdfunded this reply because I am a pitifully slow reader, which translates to me actually reading only very few fanfics. However, I trust my sources (from the Sleepy Cove Server <3), so I'll wholeheartedly recommend these!

First the two I have actually read:

Our Orbit is Elliptical by @sycopomp and @madame-mongoose

The Daycare Attendant is very protective of his role in the Superstar Daycare; he was made for this job, after all, and he finds it insulting that management seems to think he needs help. They insist on saddling him with human assistants, over and over, no matter how many quit. Not that he does it intentionally, of course... but if they can't handle the stress, then perhaps they aren't fit to be working with children. Hmph.

You are the new Daycare Assistant at the Superstar Daycare! Despite some reservations, you're determined to do your best and prove-- mostly to yourself-- that you deserve to be here. You're inspired by Sun and the ease with which he gets along with the children, and you hope to impress him with your go-getter attitude and unflappable confidence! (Even if both of those things are about as flimsy as construction paper...)

aka: Sun is passive-aggressive to his new assistant, whom is so determined to do a good job that they're too oblivious to notice.

Almost Human by @vilz

“I cannot make you understand. I cannot make anyone understand what is happening inside me. I cannot even explain it to myself.” ― Franz Kafka, The Metamorphosis

---

You get a new job. It's a struggle.

And now the ones that make me wish I could read faster or simply have more time in the day:

Two Choices by @thelonereni

You chose this.

There was regret of course, but turning back wasn't an option anymore. You couldn't lose this new game you found yourself in, and somehow you managed to feel more and more alive the longer you played...

You have worked in sanitation since the pizzaplex opened, but that all changed when you had a bit of a mishap in the kitchen. With the only real option left being an assistant in the daycare, you decided it couldn't be worse that your previous position.

Between the surly daycare attendant, bosses breathing down your neck and the corporate overlords coming for a visit, your starting to think you make really shitty life choices.

What's The Moral Here? by @/siquieres on ao3

Your little brother is invited to a birthday party at Freddy Fazbear's Mega Pizzaplex, hosted inside the Superstar Daycare. The Daycare Attendant takes a disliking towards you, or at least, that's what you think it is. Despite this and the violent nightmares of a sun god that plague you, you keep letting your brother bring you back. You keep coming back.

A sort of mean-spirited take on the Sun/Reader dynamic. Reader is often injured, intentionally or not.

What's It Called When Light Hits A Prism? by @/TooManyPsuedonyms on ao3

The PizzaPlex has been running--and the Management needs a new operator for one of their salvaged animatronics.

You are just trying to live independently, so of course, you'll take the job.

You have no idea what you're in for. Granted, you never really know what you're in for, but this can't be much different than working with regular human people… right?

And perhaps one where the DCA doesn't outright dislike Y/N, but the premise still causes tension in their dynamic (and you get mechanic Y/N!):

It's Curtains For You! by @muzzlemouths

|| “You will be befriending, then dismantling the animatronic,” he gets right to the point, “and you’ll have about a month to do it.”

You're not here to make friends. You're here to earn what you can, smile and nod with simple Yes Sirs, and keep your head down low. An open position as the Daycare Attendant's newest 'mechanic' doesn't change any of that. You're on a tight schedule with the disassembly and you can't afford to be getting attached.

But what happens when you do?

[dawning-day]

what if i said kevin day was one thousand million percent a piano kid growing up. what then

[opens-up-4-nobody]

...

[whomturgled]

:^(

[seilon]

i usually dont comment on these kinds of things because they shouldnt be treated with the level of weird parasocial interest they tend to be on social media generally but. claire (lil tay) was so fucking young. it doesnt take knowing her personally to feel just how jarring and genuinely tragic her sudden death is. like shit. she was only 14. she didnt even get to live her own life. sorry if this is pointless and theres no call to action or anything here but. jesus.

[moonlitwalkss]

It’s Lexi ask time. What clothes/style do you think time jump Lexi would wear in season 3??

so I don't think we're getting a big time jump, maybe senior year or summer before college, either way I can see lexi still wearing her preppy style but maybe more form-fitting

And we can't forget miu miu of course (not the complete first outfit, mostly the sweater)