#anyways idk I just wanted to share!

[adashofniallandasprinkleoflunacy]

okay so I bought the acotar series (before I knew the author was a freak and I’d already thrown away the receipt PLS DONT CRUCIFY ME) and I’m almost done with the second book and the series is good yes Rhys supremacy did I cry during chapter 54 yeah what the fuck about it I didn’t get it before but I get it now y’all know I love a sarcastic morally grey asshole I eat it for breakfast lunch and dinner!! “there you are, I’ve been looking for you” I get it now!!!!!!

HOWEVER!!! the way everyone was claiming these books were like the end all be all of literature…..like yes they’re good but they’re not earth-shattering, there’s a lot of parts that are….💀 like i’ve found myself making faces so often bc some things are just so….weird

like the whole animalistic mating trope has always been kinda eh to me especially when it’s overly dramatic like him getting into a fist fight with his best friend for an hour bc the mating bond thing makes him insane was so……grow up maybe?? 😭 IDK IT JUST GIVES ME THE ICK like I get the idea of it I understand what the appeal should be but for me it’s Too Much!!

[lucabyte]

heres your highly requested fluff you fucking animals

[mattodore]

12 p.m.

[deoidesign]

Doing master studies the only way I know how: Stealing them and making them my guys.

(Barberini Faun)

(The Fallen Angel - Alexandre Cabanel)

(Covent Garden - William Bruce Ellis Rankin)

[xxplastic-cubexx]

just wanted to make a color ref for Brain Therapist Magneto from 309 but i needed lights too for some reason

bonus The Flats Only Version

[hayaku14]

happy birthday kudou shinichi and edogawa conan!!! 🥳💙

anyway, here's a little interesting shinichi easter egg on google, something happens when you click the aptx 4869 icon on the right:

pretty neat and silly lol

[amogus-real-not-clickbait]

part 1 of a little comic / art sequence that i've been working on! :D it's part tribute, part experimenting with brushes n colors and trying new thingz :]

| 1 | 2 | 3 | ... |

and thus continues my endless quest of spreading the carrot fics like a plague! if you've seen my art floating around you probs already figured that this au holds a very special place in my heart, forever and always!!

if you haven't heard of it, it's a fic series by @crowned-ladybug called carrot soup!! it made me wish i could speak colors and i need more people to share my struggle xd

go check it out if you're into sweet voice lore and qpr level gayness and just wanna feel warm and soft and warm (hurt/comfort my beloved) <333 there are some heavier themes cos everyone's traumatized but they're working through it! be sure to check the tags and stay safe! <3

[tornado1992]

I get the appeal of Sonic the Hedgehog being its own urban legend in his world (IDW can we now call it earth) like, a blue blur that appears out of nowhere, destroys some robots, maybe picks up some wildflowers while he saves entire civilizations like it's just a walk in the park and just a few people get as much of a glimpse of him from up close (and that means you're also getting a close glimpse to this week's god of destruction so maybe be careful with that)? it is really cool, but the side of Sonic that is well renewed, the one that it's known by the world as a protector, a hero to some level, the side thay annoys restoration members, the side that gets recognized by the masses, praised by children, feared by villains and admired by almost everyone to a certain level... one that is big enough for him to get bootleg merch? It's just really funny to me like

Popular is an understatement

[softredrobin]

them...

[yupuffin]

I think the aspect of the 2.7 story that felt most impactful to me was something that was previously addressed in the Penacony main story, but was reemphasized and expanded upon with Sunday being the narrative focus of this update:

Sunday is scared.

His motivation to protect the people and things important to him -- Robin is an excellent example -- manifests as a desire for control, to eliminate potential dangers. This motivation is based in fear; he's afraid to lose what he has to factors beyond his control, like the bullet that nearly took his sister's life.

And part of the "true paradise" he longs for involves preventing the sense of powerlessness that accompanies that fear. He believes that humanity sleeps because "we are afraid to awaken from our dreams." Indeed, the appeal of the "sweet dream" of Penacony is freedom from the uncontrollable and inevitable tragedies of the waking world.

It's part of what made him such an effective villain in the Penacony arc; even though you may disagree vehemently with his actions, you can understand with and sympathize the rationale behind them. In his mind, absolute control over the Dreamscape -- the elimination of frightening unknowns -- is the most effective way to keep everyone safe and happy. However, this undermines the real freedom and autonomy of the affected populace, many of whom are unaware of the Dreamscape's true nature.

In the 2.7 update, Sunday is "nerfed after turning into a good guy," to use March's words. Previously, he enjoyed immense social status as the head of the Oak Family -- and as the imposing, invulnerable, "final boss"-style antagonist. Now, his role is effectively reversed; he's a fugitive who has to disguise himself to evade the potential consequences of simply being seen.

He's an incredibly vulnerable position.

Not just physically -- as the audience, we also get intimate insights into his feelings and thought processes. Now he recognizes the scope of the harm he was previously willing to cause in the name of absolute control, and shoulders the responsibility of dealing with the repercussions.

His newly evident guilt and shame is emotionally moving on its own...

...and becomes even more poignant when you realize that guilt and shame and vulnerability has been a crucial aspect of his character from the very beginning. After all, so much of his deep-seated fear of the unknown stemmed from him blaming himself -- his lack of control over the situation -- for Robin's unforeseen injury.

I found the scene at the Dream's Edge the most touching in this update. Sunday's conversation with Robin is a bit of a paradox: he is deeply sincere and vulnerable in speaking to his own sister, yet guarded because he must avoid revealing his true identity. And Robin, in turn, directly provides an alternate outlook on Sunday's character, describing him as though to someone who's never met him, as though he isn't there.

And Robin's perspective reaffirms that Sunday's apparent invulnerability was essentially a facade. He may have been the head of the Oak Family, and the imposing final boss, but at the same time, on the inside, he was continually paralyzed by fear.

Sunday has always been vulnerable. He has always been scared.

And I think what makes the conclusion to the 2.7 story so satisfying and triumphant is that Sunday begins to properly address his fear, his persistent guilt and shame. He moves beyond simply acknowledging it, and recognizes not just how indulging his fear can bring further harm, but also what good things (that otherwise wouldn't occur) can happen when he overcomes it -- as it were, when he doesn't let his fear control him.

I'm going to be real, I probably had an intelligent-sounding conclusion for this, but... it took me several weeks to write this and I've forgotten any idea i might have had previously, so let's just say he definitely hit me right in the feels. 🤣

[satsuha]

when i see aa fans not even giving aa5 and 6 a chance it's just so. sad to me. like you can never know what your opinion on something is until you give it a try and why wouldn't you do that for a series you love? i understand that pre-AJ trilogy remaster it was more difficult to play 5/6 but that's also not the case anymore since they're now on all platforms

it's especially bizarre when it seems to be purely a fandom echo chamber perspective like.. aa5 and 6 have the same metacritic score as aa3, one of the most beloved games in the fandom. aa5 is the highest rated aa game by famitsu. i know critic scores are rarely the best indicator for a game's quality but these games don't even have mixed critic/audience ratings and yet they're treated like the worst things to ever happen to the series by large groups of fans?

and it isn't like the older games don't have parts that are heavily criticized but for some reason flaws are just. impermissible for these two games. i don't know it just sucks i wish more people would trust their own judgments instead of blindly following others... everyone has different tastes and will experience things differently!!

tl;dr can you at least hate on aa5 and 6 after playing them. PLEASE

[royalarchivist]

[A sad violin song plays over an image of a sad hamster]

Pac: This doesn't have anything to do with me – I wear a blue sweatshirt, you're crazy, this mouse doesn't even have a sweatshirt, this hamster! [Reading chat] Am I a depressed hamster?

[ Transcript continued ↓ ]*

–

Pac: Actually– that's fine! I embrace that idea – of course I'm going to be depressed, are you crazy? [He hits his desk, then starts counting off people on his fingers] Fit is gone, Richarlyson is gone, Ramon is gone, Bagi and Empanada who were always there when we were there are also gone, I haven't seen them! It's just me and Tubbo, and sometimes Philza shows up.

Pac: I lost Chume Labs, I lost the Favela, I lost Murder Mystery, I lost Ilha Chume Labs, it's crazy! Look at how much I've lost, and I've gained nothing! Of course I'm going to be depressed, are you crazy?! How am I supposed to be happy?!

Pac: [Reading chat] "You have us Pac," that's true, thank you. No, that's true, sorry.

* NOTE: Please note that this is an incomplete transcript, as I was primarily relying on Aypierre's translation mod at the time and if I am not confident of the translation, I do not include it. As always, please feel free to add on translations or message me corrections.

[crumbpigeon]

the time is out of joint

[glomofnit]

Attention non-Canadians!

Inspired by this poll on the subject, which (if any) of these other Canadian bands/musicians have you heard of?

(if you recognize more than one, vote for the one you think is the most niche and then tell me in the tags)

I tried to get a decent genre spread, but I almost certainly missed something important. Canadian mutuals if you have any other suggestions hmu, drop your music recs in the tags!

[xxplastic-cubexx]

erik will genuinely jump at any chance he can to steal charles' last name and be so catty about it i know this for a fact WHAT is his deal

[Magneto (2011)]

[veifei]

notes on veifei and reciprocation of the gaze

(or, rethinking the PVS as taking place After yingdu, and thinking about vein and xf looking at each other, basically. is this even anything)

- xia fei's PV — in a post Yingdu context we see 'influencer' xf, the news report at YE6 refers to him as such, prior to that he's just a part time model:

- liu xiao's appearance in XF PV is transactional; conversely vein's appearance doesn't have that implication — its one sided; vein gazes upon XF with a smirk/smile, a look of (personal) interest

- what's the point of showing this scene?

- POST yingdu context/interpretation — vein is overseeing/watching over (an unaware) XF? Amusement? (endearment?) (veifei stonks are UP because xf would have to have really captured vein's attention for him to still be looking at him 'beyond the grave'/from the shadows)

- other instances of the (un)reciprocated gaze? the ED; vein looking towards the light, XF looking out towards the rain; the first meeting in which there is a reciprocal gaze (tho really the focus/framing is on vein looking down at XF); XF 'looking up to vein' in the metaphorical sense (what he says to shiguang in bahati), gazing up at the clocktower (which vein is atop of in the OP)

- XF is Unaware of vein's gaze, but looks at him/up to him regardless; vein is Aware of XF's gaze, and does seem to gaze back (reciprocation of the gaze)

- the role of surveillance -- suggesting control/dominance (vein's PV, and his appearance in XF's) - but we see XF's 'self surveillance' in his PV too - submission/acceptance/...reciprocation? A 'please watch me' - XF is looking For vein/looking AT vein -> what he does ("i got nothing left to lose / all i do is pursue") is for vein's return(ed gaze)