#anyways I like thinking about him keeping the scar

[blu-xp]

ok i wanna yap abt WL ep 4 specifically abt scarian so im gonna

i know scar never plays into the "angry revenge skeeker" type character in the life series and even when he has targets he always keep his character light hearted and straight forward, which i appreciate! but it's so silly that after grian blows up his rep board and says to his face that they're enemies and he will kill him and Jimmy when he gets the chance all he has to respond with is pretty much "nah u love me too much to rly hate me :J"

like this feels so much like some silly couple banter over actual scarian angst BECAUSE scar remembers everything since he won SL it's less off "Oh scar really just thinks grian couldn't hate him so much" it's "we've been through this before we've danced this dance i know grian more than I know myself" and I LOVE IT

grian claims their enemies and while yes I fully believe grian will forever hold that grudge against Jimmy at the very least I don't think he truly means that he'll ever target scar unless fully prompted to

and! if he did end up targeting scar! I really feel like Scar would brush it off like he has been and just smile his silly smirk

plus how many times already this season has it seemed like the bamboozlers and sub oners were gonna become enemies?? and technically haven't? they live right on top/underneath one another itd be pretty tricky staying enemies with someone who lives in your basement

then again if I'm being honest it doesn't really seem like anyone's made true enemies (yet) so who knows maybe next week's episode will make me eat my words

anyways tldr I'm still crazy about scarian i never left that desert

[peppered-moths]

strangler fig

cw: mildly dubious consent

That’s how little that reputation board meant.  Grian’s fingers curl around the flint and steel.  He lights sparks absently, watching as they char small holes into the already flimsy bridge he’s sitting on.  The moon rises, slow and languorous, washing the server in shades of pale gray.  He kicks his feet over the edge. 

It’s what he’s been wanting to say to Scar since… since.  Well, he’s said it now, and that’s all that really matters.  Grian shakes his head, clearing the thought from his mind.  Sparks jump as he drags the flint and steel together.  One lands on his hand, burning into his skin.  Grian winces, half-hearted.

“Careful,” a voice chides.  Danger flashes in his mind faster than he can think, and he’s already on his feet, whirling to point his sword towards the intruder.  

Scar grins back at him from the shadows, green eyes flashing.  “Wouldn’t want you getting hurt.”  He raises a hand, dotted with pale scars across the knuckles, as an example.

It takes a moment for Grian’s brain to catch up with everything.  He doesn’t lower his sword, even though his wrist aches and he knows the point is trembling.

“Like you’d care about me getting hurt,” he grits.  “Go away, Scar.  It’s the middle of the night.”  He can’t deal with this right now.

“What, I can’t make a friendly visit to my neighbors?”  Scar’s using that smooth, salesman’s voice, the one that always makes Grian wrinkle his nose.  He steps down from where he’s been sitting on the railing, not unlike a cat, and smiles even wider like he thinks Grian will fall for it.

“You have to schedule an appointment,” he tells Scar flatly, waving his hand in the direction of the top of the mountain.  “We’re not available.  Go home.”

“Aw, can’t you make an exception?”

“No,” Grian snaps, this time gesturing with the point of the sword.  Scar pouts, but moves closer anyways.

“Hey,” he says, “I mean it.  Leave.”  This should be the part where Scar goes.  Sometimes with head hanging, sometimes with tight, angry shoulders, sometimes with someone else, but he always listens.  Grian can count on him for that much.

Scar does not listen.  He tries to skirt the edge of Grian’s blade, but he turns the point back on him.  He’s seething now, and has half a mind to plunge the sword into Scar’s heart, green name be damned.

Still, he gets closer, until Grian’s sword is hovering above the fragile skin of his throat.  It’s too much, and he shuffles a half-step back, only for Scar to keep following, to deliberately press the underside of his chin into the sharp point.  A thin rivulet of blood, dark in the night, spills down Scar’s collarbone, soaks into the edges of his vest.  It makes Grian feel a little dizzy.

“What’s your game?” he hisses, like he’s the one in control of where the sword ends up.  “Or do you just have a death wish?”

Grian can deal with Scar on the other side of a blade.  He can hurt him on the other side of a blade.  Any closer, and he starts remembering bruised knuckles and blood at the corners of his mouth.  Any closer, and Grian starts wanting to touch him.  So he holds Scar at swordpoint.  Whatever mind game Scar thinks he’s playing, he won’t back down for a little blood.

He just smiles again, the scars on his face rippling silver, and Grian wants to scream.  He’s not sure why he doesn’t really; Mumbo and Skizz would be awake in seconds, and Grian wouldn’t have to deal with the danger that is Scar in the moonlight.

“What if,” Scar says slowly, “I said I was apologizing?”

“Then you can do it in the morning.  But you’re not here to apologize.”  That much is obvious by the way Scar continues to grin, like it’s all some massive joke.

It does stop him continuing to inch towards Grian, though, and he looks like he’s contemplating for a moment.

“You’re right.”

“Hn?”  He’s distracted by another bead of blood tracing the hollow of Scar’s throat.  Remembering what it’s like to wrap his fingers around it.

“I’m not here to apologize,” Scar tells him cheerily, and there’s something in his eyes that stops Grian short, struggling for something to say.  He places two gentle fingers on top of Grian’s sword, pushing it down, away from his neck.  Grian’s hands are shaking.  He offers no resistance.  Scar presses forwards.

“Stop,” Grian says.  He doesn’t beg.  He doesn’t.  “Stop.”

“But you don’t really want me to, do you.”  Scar takes another step closer, something intent in his eyes.  Grian moves backwards in tandem, until there’s nowhere else to go, just the two of them on an unsteady bridge, his heart pounding in his throat.

“I don’t think you really even care that I killed you,” he continues, and Grian presses his hands against the wooden railing, desperate for something to ground him.  He doesn’t know when he dropped his sword, only that it’s shimmering on the ground far away from him and far too close to Scar.

“I hate you,” he says.  “I hate you.”  It’s something not unlike a prayer, something that he wants to be true so very badly.

With a careless movement, Scar kicks the sword off the bridge.  He stares in dismay as he watches it hit the ground far below, then realizes too late he’s taken his eyes off Scar.

“I think I know exactly what you want.”  And then he’s too close, armorless and throat bared, blood still running, and Grian wants to kill him.  He wants to run away.  He’s pinned down by green eyes, too knowing.

“Don’t,” and it’s barely a shaky breath.  He can’t muster up the force to say anything else, to want anything else.  Scar leans close, intent as ever.  

Scar’s lips are still soft.  It feels awful.  Grian hates it, even as he returns the kiss, heartbeat staccato.  The wooden edge of the railing digs into the small of his back.  He’s never felt so trapped.  He presses his thumbs into the divot of Scar’s collarbone, settles his fingers around his neck, tries to feel in control.  It’s even worse that Scar lets him, humming against his mouth.  Grian doesn’t know why he’s doing this.  He doesn’t know why he’s letting Scar do this.

Scar tilts his head against Grian’s hands, brings his own down to settle on his waist.  It’s this touch, somehow, that jolts Grian out of whatever fugue he’s in.  He presses harder into Scar’s throat, forces him away from his lips.

“What the hell do you want, Scar,” he says, voice rough from kissing.  His mind still swims a little bit, but he’s aware enough to recognize the fact that Scar is trying to seduce him and desperate enough to want to fall for it.  He wonders, vaguely, if this is Scar’s way of convincing him not to hunt him down the moment he goes red.

Scar just swoops in again, even though Grian bites sharply at his bottom lip.  He doesn’t want this–not right now, not like this, not here, whatever it takes to make him go away and let Grian lick his wounds.  Scar’s fingers curl, near-possessive, into his waist.

When they finally come back up for air, Grian takes his chance and shoves Scar away from him, immediately moving a few steps away.  Scar’s hand goes to his throat, smeared with blood and already darkening fingerprint-shaped bruises.  Grian steadfastly ignores the way that makes him feel, the twist in his stomach and the nonexistent matching bruises on his knuckles.

“Go,” he says, trying to minimize the shaking of his voice.  “I don’t care what you want.  Just leave me alone.”  Scar opens his mouth.  Stops.  His lips are reddened, probably from when Grian bit him.  He doesn’t look like Grian thought he would, like the cat who got the cream.  He just looks a little lost, as if he’d expected something more.  Too bad for him.  Grian can admit to Scar being a damn good kisser, but he still remembers hitting the ground, the pain that still lingered in his jaw as it fractured.

“I– Grian–”

“I really don’t know what you’re not getting,” he spits.  Scar stares for one more second, eyes brilliant in silver etching.  And then he turns away.  Grian does his best not to watch him go.  He wipes his mouth with the back of his hand, and tastes a hint of coppery blood.  It makes him grit his teeth.

He can’t help remembering the way his hands fit around Scar’s throat as he starts the trek down to recover his sword.  Next time–there wouldn’t be a next time.  Grian had hated it, every moment of it and the way it made him feel.  The copper in the back of his mouth stings.

He’d show him.  He’d show him what it’s like to fill his mouth with blood, to get stabbed in the back.  What it was like to feel helpless. Next time, he thinks, staring at where Scar’s back had vanished.  Next time.

[legally-allowed-to-slime]

Can’t even lie man I’ve been offline all day and i immediately went to your blog to read your takes on the session and Pearl n gem n co. after watching some wild life. Thanks for having the best takes lol

genuinely, it’s an honour. crazy to me that anyone would come to this blog for good takes, they never make any sense and i’m always suspiciously resentful towards c!scott. i’ll take this opportunity to lay out my gempearl thoughts as well

first of all, it drives me insane the way pearl usually goes along with whatever scott and cleo says, but the only thing she consistently, and has repeatedly, contradicted them on is that she’s been antagonising gem. in fact at the start of the session scott poked her about it again and she laid out a short monologue to assert that his claims were invalid. funnily enough she goes back on this a few seconds later saying that “i’ll make her have a reason to hold that grudge” which honestly is not helping her case. however if gem can make vague threats about impulse i don’t see why pearl can’t do the same. women’s wrongs and all that.

and then after that scott tells impulse and pearl to apologise to gem and joel. again, it’s a bit odd to me how they keep harping on this bit, but every time they do, all they do is scold impulse for rightfully constantly accusing gem over the cows, and then impulse apologises, yet pearl is still implicated (for NOTHING). pearl did protest this point earlier that she was “just existing”, scott counters that “i don’t know what you’ve done but you’ve annoyed her”, so “keep your distance”.

and to think that the argument only happened because scott made a throwaway comment about a “request” he had for pearl if she wanted a life from him. i feel like he meant it as a funny aside and expected pearl to just shut up and take it, but pearl never shuts up and takes it so that’s the problem there.

also, on secret life: pearl argues that she was right to ally with scar, which like, okay, fair enough, but scott says that “it takes time” and that “look we’re together” i’m not sure why he’s under the perception that GGG is in anyway functional or healthy considering he himself is trashtalking impulse and pearl with gem geminitay (ok sorry i’m just salty over him being buddy buddy with gem). at one point cleo goes “we have to be enablers” (lowkey incorrect because pearl hasn’t done anything, you can’t enable someone to just do nothing, but i appreciate the sentiment) and pearl just starts. throwing eggs at the ground. really funny out of context.

now for the actual gempearl interaction (we get like one and a half per episode i’m actually starving). they’re so obsessed with each other. trust me i said so. pearl beelining to gem to say “hi gem! :D” and gem beelining to pearl to punch her and say “go home pearl” oh they make me ill i feel like they’re just constantly on each other’s minds. the problem is that we haven’t gotten a good gempearl interaction because when they’re near each other their allies are also hanging around, so it always ends up with gem getting glazed by scott or pearl getting distracted by bigb or something like that. it’s such a pity because gem specifically went to find the 4Gs’ base but she went to the old one instead of the new one where pearl was hanging around so we could have potentially gotten a 1 on 1 shiny duo interaction this session (i’m not sure about the timeline there) but we DIDN’T because gem’s not talked to the 4Gs enough to know that they moved bases. grrr.

and then gem drops the anger for a bit to encourage pearl to kill grian. i have NO idea what that’s about, i feel like she’s just into bloodthirst in general but what it does remind me of is her trying to convince pearl to kill the ender dragon in SL, coincidentally, when pearl was impulse’s butler. and now she’s encouraging pearl to carry out what impulse wants. i don’t know. maybe her type is murderers and she’s trying to give pearl a chance. or something

anyway as for the other half an interaction where gem finds etho pearl and cleo at her base, gem reverts back to loudly disparaging pearl within earshot. i feel like she’s nailed “ex who really wants you to know that you’re exes”, and pearl getting so indignant about it she can’t even form a sentence for a few seconds is great actually. might be a reach but whether on hermitcraft or life series, pearl tends to stumble over her words a lot when directly challenged by gem, which is probably just because she’s thinking hard on what to say and is sleep deprived half the time. but i find it pretty telling that pearl doesn’t say anything back to gem and just. leaves. it’s very obvious she’s still down bad for gem in a way but gem is intentionally making it very hard for pearl to remain so.

last paragraph. when joel visits pearl at their new base, joel is happy that pearl called his build a car and said she liked it (pearl likes cars fork found in kitchen). so joel and pearl are on good terms, which i expect would lead to interesting dynamics but at the same time joel would definitely follow gem’s lead over maintain that friendship but still his perception of pearl now is positive. so that’s intriguing

song of the day is down bad by taylor swift. trust me guys they want each other so bad

[tubbytarchia]

Wild Life Session 4 smallidarity thoughts (+ some Scar and Lizzie)

See it was all fine, nothing to worry about!! Joel couldn't bring himself to kill Jimmy, he barely even harmed him. I'm pretty sure he shot him just once (after Jimmy trampled their crops so. fair)? Joel calmed down, he rebuilt his car, everything is fine. He says at the start that he's wary of Jimmy because of him going after Joel last time, and that's about it for the time being

Jimmy dies and Joel makes a deal out of it and calls him a muppet. As per usual. Meanwhile Jimmy is still adamant to get at Joel whilst Scar tries to deter him because they want to be an alliance

He and Jimmy meet up at some point after their brief interaction at the start where Joel shot him, and they just banter. And Gem and Scar are just standing there like "guyss we're a family come on" meanwhile Joel and Jimmy's exchange goes as follows: Jimmy: "you're the ones with tasty lives!" Joel: "yeah bet you wish you could have a chunk of me!" "Oh I'm having a chunk out of you!" "Yeah and you know where to take that chunk out of!" "Oh I'm gonna take it! I'm taking it!" "You should!" And then Gem and Scar tell them to break it up and Joel goes "we're just flirting!!" ? what the fuck? Genuinely WHAT are they talking about. is this an innuendo of some sort. is this another ambiguous smallidarity sex scene sorry who said that

Jimmy gets a double kill (in the most adorable way btw. The way he weasels his way in there and backs off and comes back to try again all crouched. animal) and goddd people hyping him up is so so sweet. He deserves this. He's also a little bit evil, he's getting the murder rush but I'm happy for him. He needs to kill more people, he needs to get this out of his system, he deserves this, things need to get worse before they get better. ANYWAY Scar all "that was the greatest kill ever on the life series" is so cute. And man I gotta agree. There's more unique and funny and impressive kills but I would not mind calling this the best just for the fact that it's Jimmy. He's competent, he can do shit like this, but it feels like most everyone and the world is continuously against his survival, but here he is... my son...

And then Joel coming up to congratulate him... Really blummin cute. In Joel's POV also, he says "I went to congratulate Jimmy and we had a moment" which I wager he might be referring to the creeper incident as 'the moment' but that'd make no sense to call it that. With that tonation. Why did he say it like that. Stop being cute

But yeah Scar tries to blow Joel up with creepers only for Joel to save him from his own creeper and he's so casual about it. He is incredibly kind to the bamboozlers, it's really cute...

And then Jimmy does it!! He gets Joel!! And he gets him real good!! And can you believe that the first person to kill either of the family duo is Jimmy, of all people. Scott has died by this point too and Jimmy is the one to make a dent in the full 6-life alliance. Crazy. I'm so proud of him. It was seriously really good too, see, when Jimmy puts his mind to something and is able to focus he excels, he really does. And Joel, oh Joel is such a good sport about it. He keeps saying how it was good and fair and that he still wants an allyship with him. Tells him "welcome back to green" aww. And they make a truce, Jimmy got it out of his system and now they can be friends and go kill other people instead and Joel is proud of him... Jimmy "Joel, I finally got you, so I will stop now, so let's do the perfect dap" and then they both count down and clap their hands to simulate slapping palms. Awesome. All of Joel and Jimmy is just really cute this time around. Very happy about them being a more proper alliance now, but we'll see if it sticks... Joel can only be so mean to Jimmy at this point though I don't think he has it in him to betray him or anything lol. Can't speak for the rest of them but not too worried for the smallidarity, it's a plentiful crop...

Also a very important exchange between Lizzie and Jimmy at some point: "I just finangled a load of diamonds off of Joel" "Oh? How did you do that?" "I asked him just really nicely" (lie btw she was moreso extorting Joel) "Oh, that doesn't work when I... I guess... you are his wife, I guess..." "Yeah..." "Lucky for some I guess- right (unrelated topic)" I'm not 100% confident that's what Jimmy said at the end, it's a bit hard to make out but. what? Hello?

I also extend gratitude towards Lizzie for being so nice and supportive of Jimmy, she was the one to suggest the cobweb creeper trap that ended up taking Joel out, but she also insisted that he drink a health restoration stew beforehand in case anything went wrong. Jimmy didn't end up doing so (he was full) and Lizzie is all "why?" and "something could have gone wrong". man. Nice to him...

[secondhand-lions]

looks @ u like this

using this as an excuse to talk about sirenity because they're easily one of my Guys Of All Time and iiiiii don't get to talk about them a whole lot

- is an excellent musician (virtuoso! but primarily anything with strings!) and artist! he also has synaesthesia (which, like their dyslexia, was less severe before The Benny Incident) and perfect pitch and they're an uncannily good mimic.

- fully knows and understands RobCo Termlink code and can, therefore, talk with the vast majority of robots/androids/computers in the wasteland

- there is not nearly enough time to go into their sex life. they've been around. very casual about sex and relationships to the point where it circles back around to become an intense soul-rending need for People and Connection and then it circles back around AGAIN to being very casual. two things can be true at once

- met and talked with benny -> "well. goddamn that's a lot to think about" -> met with House -> "even more to think about. shit." -> Courier Walking Instinct kicks in -> muscle memory takes them back to Primm -> Johnson Nash knows enough about them to recognize the Walk To Think state they're in, accepts that this is a short meeting -> Sirenity keeps going, still on muscle memory to the entrance to the Divide -> thats the thing that snaps them out of their sorta half-dissociative state -> "fuck i'm hungry" -> back to Primm for Ruby's casserole -> turns around, sees the ruined drive-in -> "y'know what? yeah. a movie sounds good right now." -> OWB (during which their mental state is surprisingly good! a creeping dread of familiarity at the sight of the painted old world flags and the descriptions of the other visitors, but yknow! that's fine! then they have a breakdown upon hearing Ulysses' voice again.)

- indeterminate amount of time and gameplay -> Dead Money -> stick around in the mojave for a bit before finally relenting and admitting that they have to back out and recover from the Cloud for a bit ("i have to go clear my lungs") -> Honest Hearts

- casual friendly situationship/QPR with Arcade, kinda a cool older cousin/sister figure to Veronica, good friends with Cass and Raul, visits Lily as much as they can. i'm not really sure of where they stand with Boone. they very badly want to tell him "i think you can be proud of the work you put into something without being proud of what the thing was or did or became" but like... Boone wants an ending, a neat little all-loose-ends-are-tied finish, and Sirenity is living proof that that sort of thing doesn't just Happen. they never were good at delivering endings, anyway.

- post-game otp is sirenity/ulysses but it's open because they both know that they can't always provide what the other needs/wants and love is more of a verb than a feeling anyway

- good friends with the Khans, Followers, and Kings!

- was genuinely really hoping that Benny would stick around after their conversation. not even mad about getting shot or jumped by his bodyguards.

- uhhhhmmmm OH YEAH Mobius was. such a refreshing presence for them. even if they do have to stand weird to keep eachother out of their blindspots. "crazy fuckers missing an eye who experience more visual inputs than should be there" solidarity. she helps with his messed up sensors :]

- honestly i think Sirenity's VERY very postgame jaunt to the Commonwealth is. just straight up in their canon now.

- scars from the Big Mt Spine Removal and Subsequent Un-Removal look like train tracks :) because i think it's cool

- whenever someone gets incredulous about how much stuff and people and places they know of or about or just straight up know their reply is "i have Lived a Life"

- that post about aragorn son of arathorn being sad(lonely) BECAUSE he knows so many people, not despite knowing so many people or knowing so many people despite being sad(lonely)? yeah that applies here. always missing someone. pulls them in so many different directions and yet! and yet! they wander down a new path. courier walking instinct.

- oh yeah they definitely have something set up so the Followers can use the resources of Big MT. that's probably their most regular delivery

- ANOTHER THING! pre-benny incident, the NCR had put a bounty on one of the Khans (haven't thought of a specific person) and Sirenity just. took the wanted poster and moseyed on over to their camp to warn them ("you...? why would you do this?" - "well, if someone i cared about had a hit put out on them, i'd sure as shit want to know about it") and that's how they meet Jessup and McMurphy

- and then DURING the Benny Incident, during the "maybe the Khans don't look the people they kill in the eye-" line, Sirenity shoots Jessup a Look that says "you work with this guy???"

- needless to say they were. very blasé about mortal danger. still is. if there's a multi-perspective story they're really going to try and find the other perspective(s)

yayyyyy okay i think that's it!

Nobody including me posts about their ocs enough so please please please reblog reply or whatever with some oc tidbits!

[saintkillerivy]

The cost of freedom

Alternatively, I saw a post talking about Katakuri’s tattoo being a birdcage and it made me think about him jamming Mogura through the bars of the tattoo and asking Luffy if he was gonna come back to defeat Big Mom and I got ✨emotional✨

[ruporas]

invisible scars (referenced previous talk here)

[ID: A colourless, digital Trigun comic of Vash and Wolfwood talking about Wolfwood's scars. They're both laying in bed and topless. Vash lays on top of Wolfwood, playing with the rosary around his neck. Then, Vash kisses a spot on Wolfwood's chest. Wolfwood asks, "What are you doing?" Vash smiles sadly, "You got shot here. In the last town we visited. You didn't even bother moving."

Vash props himself up over Wolfwood, who frowns slightly. Wolfwood is quiet for a moment before he says, "You remember that, huh?" Vash grabs Wolfwood's left wrist and brings it to his face. "And here." He kisses another spot there. "When you helped free the hostages from that robber..." Wolfwood dismissively says, looking away, "Was a lucky shot." Vash huffs, “Don’t brag. Jeez.”

Half of Wolfwood's expression is shown, eyes returning to Vash who is now sitting up, continuing to say, "And..." Vash goes on and kiss Wolfwood's right palm. "You got cut here, even though that girl was aiming at me." A moment from the past flashes, of Wolfwood grabbing a knife aimed at Vash, his hand bleeding.

At present, Vash moves down and puts another kiss on Wolfwood's right shoulder. "And here, from watching my back." Another memory flashes of Wolfwood and Vash back to back. Vash looks back as Wolfwood grins while holding Punisher, bleeding from multiple gunshots in his shoulder.

"And," Vash combs up Wolfwood's hair to reveal his forehead, "Here." A final memory shows Wolfwood with a regeneration vial in his mouth while getting shot on his temple. The next panel is framed in blood with Vash at the center, eyes wide and stunned in horror. The next panel is a closed up shot of Wolfwood's eye, locked on Vash's face.

Back to present, Vash’s head is bowed down as Wolfwood raises a hand to his nape and says, “Spikey.”

Wolfwood looks serious and frowns as he says, "We talked about this. Those were my decisions. They're not there anymore. Forget about them." Vash looks very sad before he smiles ruefully and says, "I still see them. All the time." He leans down so they touch foreheads. Wolfwood’s sorrowful expression can be seen as Vash says, "You protect so much. I could never forget what you've done to me. And many others..."

In the last image, they're drawn more cartoonishly. Wolfwood sweats and asks, "You don't actually remember every wound, right?" Vash points at a spot on his chest. "Kuroneko left a scratch here 7 times." Wolfwood, startled, says, "Why the hell are you keeping count—" End ID]

Credits for ID here and here

[heph]

Call me crazy for reading so much into a show like House MD but I think the main theme of House is that despite doing everything perfectly and being a good person, shit happens.

Sickness and pain will be inflicted on you and your loved ones and there's nothing you can do about it, but to persevere, to fight for your life, to keep living despite it all - to love is a part of the human condition; our capability of love is what makes life worth living, despite all the pain that you will inevitably experience.

This show exemplifies the pain of living and the needs and desires of human beings to keep going despite it all

And idk... There's something beautiful about how a show with so many stupid whimsical dumb scenes can impart something so profound in my stupid little brain

[gods-perfect-idiots]

❤️💛

[p1nkc4lyps0]

Damn these twinks built completely identical huh, wonder what that’s about

[tarantula-hawk-wasp]

Oh do not seek to know what lies Behind these mild and patient eyes For I have seen the demons power And even let the monster run In certain unforgotten hours

The fire that sleeps within the blood Can waken to a burning flood That sweeps away whatever moves Before the wordless killers eyes

Shiro's time as Champion lives rent free in my head but the show said you get crumbs and nothing more

[ccbatman]

actually so evil how much of hal's internal world gets obliterated with the rewriting of his relationships with jessica and martin.

[ty-bayonet-betteridge]

3l!grian is frequently depicted as a tragic figure and sometimes i wonder if we even watched the same series

[sysig]

Spoiling for a fight, spoiled for choice (Patreon)

[fullmetal-scar-simping]

Last one: A sketchy mangahood Scar, barely handling the situation

[sidesteppostinghours]

having a normal time this fine morning <- is making up an au for an au