#anyways I like how the video turned out

[a-stars-art-blog]

The duality of wanting to respect canon/the authors choices but also saying FUCK CANON I want everyone to be happy

[teh-inggris]

pvp civ nation...... this aint much but pls take my contribution for this series bc im going insane i love hate this man so much get him out of my head

[hinamie]

theyre soft your honour

[mintjeru]

"but there is nothing more beautiful and terrifying than innocence."

open for better quality | no reposts

[sforzesco]

something. about. the horror of being sent on an impossible (death) quest and obligations and hospitality politics. the trauma of not having a home, and then the trauma of being in a house that becomes actively hostile to you, one that would swallow you whole and spit out your bones if you step out of line. all of this is conditional, your existence continues to be something men want gone.

it's about going back as far as I can with the perseus narrative because there's always a version of a myth that exists behind the one that survives. the missing pieces are clearly defined, but the oldest recorded version of it isn't there! and there's probably something older before that!! but it's doomed to forever be an unfilled space, clearly defined by an outline of something that was there and continues to be there in it's absence.

and love. it's also about love. even when you had nothing, you had love.

on the opposite side of the spectrum, this is Not About Ovid Or Roman-Renaissance Reception, Depictions And Discourses On The Perseus Narrative.

edit: to add to the above, while it's not about Ovid, because I'm specifically trying to peel things back to the oldest version of this story, Ovid is fine. alterations on the Perseus myth that give more attention Medusa predate Ovid by several centuries. this comic is also not about those, either! there are many versions of this story from the ancient world. there is not one singular True or Better version, they're all saying something.

Perseus, Daniel Ogden

Anthology of Classical Myth: Primary Sources in Translation, edited & translated by Stephen M Trzaskoma, R. Scott Smith, Stephen Brunet

[kbsd]

webgott // "what is this feeling?" from wicked

there's a strange exhilaration in such total detestation

[i-just-want-to-destroy]

THE LAST THING I NEED IS ANYONE TO COME FUCKING TAKE CARE OF ME!

[autisticandroids]

CASTIEL: Stop. What's the point if you don't mean it? You fear me - not love, not respect, just fear.

[youtube with closed captions]

a godstiel pity party. i'd like to thank an anon i got way back in february of 2021.

[lizzybeeee]

I didn't like every map in Inquisition, but the elven ruins were some of the best parts of it. Sometimes I think about how Suledin Keep was laid out where you're running through this kind of mazelike environment and then you can glance up at one point and there's this GIANT dread wolf statue watching you from the mountains. that was neat. Arlathan has giant statues too but imo they aren't framed in a very fantastic way where you can get startled like that. and where are the elven prayer puzzles. why can we not show our obeisance to the Evanuris with logic and whimsy :<

I loved Suledin Keep as well!

Especially since, by that point, you've fought your way through red templar camps and the giant behemoths to get to the *heart* of the operation at Suldein. There are red templars, rifts, the people/quarry operation, and then you get to the Keep and, like you said, there's that cool moment where you look up and the Dread Wolf is just LOOMING over you (like Solas in the story!).

Something that really appealed to me with this world was the tangible sense of the past, the consequences of decisions made ages ago, looming over you - the Blights, the Ancient Elves, the Dwarven Empire, Tevinter...the world never let you forget it.

And that's the whole game of DAI - wherever you go there's always traces of the people that came before you, unable to swept away by time or conquerors...and sometimes those people claw their way back to the present like Corypheous or Solas. In Ferelden you find traces of the Avaar and Chasind, In Orlais you find the remnants of the Elves, the Western Approach is dotted with Old Tevinter outposts and the Wardens, and the Hissing Wastes/Storm Coast with the dwarven ruins on the surface! I loved discovering every inch of those maps (large as they were lmao) and it added so much to the world. It made the world feel large! It added to the idea that this world had so much mystery to it - so much lost history.

And Arlathan?

It's a maze, not in a good way, but because parts are cut off only to be opened 'when allowed', and not like in Inquisition where there was a rock-slide or you needed a bridge etc... You're boxed in with glowing doors that tell you 'not now come back later' or water that instantly drowns you, and it's hard to not be taken out of the experience when the game is so very upfront with you that you are not supposed to explore until we say you can.

This game doesn't reward exploration, it has fast travel spots all over the place that seem to discourage it once you find an area. Camps in Inquisition were spread out over large maps but sparingly used in comparison - it still made certain that you explored the world to find new things on your journey from a to b. The quests train you to fast travel, to get to where you need to go - kill, talk, repeat. The game teaches you to look out for crap to break and so my eyes are rooted firmly on the ground because of it. The game can look gorgeous at times, but it doesn't feel like it wants me to look at it too hard, like it will break the illusion of this game lmao.

It's a personal opinion, of course, but my experience with this game was that it made the world smaller, less interesting, and devoid of that mystery and reverence that made this series so compelling. Like you said, there are some cool visuals like those giant statues in Arlathan, but everything else in the map is so condensed and twisting on each other that it's hard to notice them naturally while playing the game.

'Why can we not show our obeisance to the Evanuris with logic and whimsy'

That would be so cool! I can get Andruil's alter having a hunting test - like with the Vir Tanadhal (the way of three trees), which is a hunting philosophy the Dalish have relating to Andruil who is the Goddess of the Hunt. That makes sense - you show deference to her by hunting according to her way.

...but for all of them?

It's a game design choice, I get that -> make it simple, keep it the same...it goes with the repetitive combat and exploration loop of this game. But they really lost out on showing us how the Evanuris differ to each other - how each of them had their own little 'aspect' they had dominion over in accordance to their lore. Why not have a little puzzle for June, God of the Craft? A riddle for Dirthamen, God of Secrets? Have some sort of brazier lighting puzzle for Sylaise, the Hearthkeeper, who gave the elven people fire?

From what we learn in DAI with the veilfire and temple of Mythal we know that they were massively egotistical assholes for the most part, some way more than most. They had their own temples, their own valaslin, their own mythology/legends...giving them all the same prayer puzzle is pretty dull when you consider how different they all are and the efforts they went to to distinguish them. Not that you'd really know in this game - for a game about the 'Elven Gods' there's very little discussion about the rest of them.

But, yeah, to sum it all up: Elven ruins in Inquisition were gorgeous, encouraged you to explore and interact with the lore with veilfire runes, and gave you some gorgeous set pieces like with the giant Dread Wolf statue in Suledin. Inquisition may not have been everyones cup of tea, totally get that, but for me it really captured the wonder of Thedas - the depth of its history...datv unfortunately did not.

[pepperpixel]

💖STRANGE LOVE!💖

“the lightening’s not frightening when u r w me, oh cuz love is not always what u think it’ll be!”

CROMA!!!! Croma art!!!! Cuz I forever and ever adore these two together….. they’re so good…! 🥺

[fantasmadelaciudad]

despite having spent about half of my life on the internet it still surprised me when i found out people were sexualizing and objectifying british comedian & taskmaster assistant alex horne

[daily-tango-doodles]

Day 83: tango 👍

[somereallygreathair]

[jamietwat]

Thinking about how Jamie left Richmond with friends on the team and probably came back expecting to have to prove himself but to still have a few friends just to come back to everyone openly hating him and mad at him and not wanting him there or to acknowledge his

Thinking about how in that interview when he was on Man City he was his usual cocky self talking about carrying his team, but he actually didn’t say anything bad about anyone outside or Roy and Ted. He talked about how all of the players on Richmond were good lads except for Roy Kent and called Ted a rodeo clown and Nate showed the team it and they all hated him enough to start throwing shit despite the fact that he wasn’t saying anything he wouldn’t have to their faces if he was still on the team and despite the fact that he was actually nicer to all the players except for Roy than he ever had been in person

Thinking about how Isaac went from being his friend and starting shit with him to breaking a TV because of his hatred toward him when Jamie really hadn’t even done anything to him and Jamie coming back to Isaac hating him as if they weren’t getting up to the exact same shit together when Jamie was there and if Isaac thought he himself was a way better person now and so was Colin but there was no chance that there could be anything redeemable in Jamie

Thinking about how Jamie left and DIDN’T talk shit about the team or make weird personal comments outside of the ones about Roy and Ted that he would have made to their faces if he was still there

Thinking about the way Nate left of his own volition and talked shit publicly every chance he got

Thinking about how Nate came back trying with everyone letting him that easily when HE was a dick in person too, left them of his own volition, and slandered them and made them a public joke for fun

Thinking about how Jamie got kicked out, DIDN’T talk shit about his friends, had to beg Ted to come back against the whole team’s wishes, and then got iced out by everyone whether it was people with a right to it like Sam or people like Isaac and Colin that had been friends with him and decided to treat him like the worst man alive to distance themselves and make themselves look better by comparison

Thinking about how Jamie think his friendships are all dependent on his spot on the team and he’s seen them disappear when he got kicked out before

Thinking about how Jamie still calls Isaac his best friend after this because he thinks he deserved all of what he got and that he was the one and only problem in that situation and how really we never see Jamie and Isaac as close again as they were in season one and there are plenty of other teammates I would have expected him to say over him

Thinking about Jamie watching Nate come back and forgiving him and knowing what it’s like to be in his place but also Jamie watching everyone else forgive him and care about him as a person that easily again while he had to fight for even Ted to let him come back and had to fight to have people even accept him being on the team again and to get them to acknowledge his existence long before he earned their friendship

[steviewashere]

Do we think Steve's family would've had a collection of Laserdiscs and a projection TV set up? Or would they think it all as a waste of money?

Because if they have money—and I only say this due to how nice and expansive his house is, the fact he constantly has a new wardrobe, and the added bonus that he most definitely has some sort of watch collection—then I feel like they would. Like. It would be kind of a point of bragging, y'know. They have the newest available technology. They've got imported movies; some with German dialogue only, others with Japanese only dialogue—Steve doesn't understand a lick of it, but Robin's fascinated. He's got Billy Joel's Video Album on LaserDisc, one of his personal favorites to put on.

I feel like they'd have the LaserDiscs, the projection TV (maybe in the sun room?), a VCR with an impressive video collection, vinyls/records (whatever you wanna call them), impressive speaker set up and stereo sound. They eventually have a CD system, a tower of discs. Maybe Steve buys a Nintendo system at some point—either the NES or the SNES—and a few cartridges he picked up, clueless as to what they were; he knows Donkey Kong and Mario Bros., though.

I just feel like the Harrington family would have the latest in technology, despite some of it just becoming completely obsolete once there was something better to replace it. (Looking at you, 8-tracks)

[ganondoodle]

i have grown kinda tired of all the studio ghibli and totk comparisons bc i love most of miyazakis movies and its so annoyingly obvious that if totk actually took inspiration from them its all just the surface level aesthetic and none of the good story telling