#anyway this was such an interesting message to read

[quintessenceofdust88]

perfect (it's not all it's cracked up to be)

Hello everyone! I promised you guys that the sequel for this prompt would be up by the weekend, right? Turns out I only sorta lied cause it's still Monday hehe. I hope you enjoy it!

You can read it on AO3 if you'd prefer! ❤️

When Tommy wakes up, it’s like his body is on fire and freezing at the same time; half of his body feels numb, and the other half is hurting like never before. Huh, maybe his father had a point and all queer freaks end up in hell. Then again, considering one of his last deeds on Earth was walking out on sunshine itself, maybe it’s not about his queerness after all; it’s about Tommy himself. 

He hears a heart monitor at his side, and that gives him pause; he doesn’t think the afterlife bothers with medical devices, so… So maybe he’s alive? If only opening his eyes didn’t feel like it would hurt so much, Tommy could try and find out (not that he knows what hell looks like; it could be like a hospital room, for all he knows). He tries it anyway, letting out a grunt as it, indeed, hurts like a bitch. 

“Oh my God, you’re awake!” A voice says to his right side, and yeah, now Tommy’s pretty sure he’s not in hell. Evan Buckley doesn’t belong in hell, not even as part of Tommy’s eternal torture. 

As his vision clears, Tommy sees Evan is on a chair by his side, and he looks… Rough. There’s stubble covering his cheeks and dark circles under his eyes. He’s looking at Tommy with despair clearly written in his permanently wet eyes, as if he’s afraid Tommy will disappear if he looks away. And to Tommy, it’s still instinct to comfort Evan, to try and find something to say that’ll make him feel better.

“You found your present” He says dumbly, his eyes not leaving the burgundy hoodie that’s so beautifully wrapped around Evan’s frame, making him look as cozy and adorable as Tommy expected. And, well. It might not have been the smartest thing to say, but he supposes there’s a lot of morphine going through his body right now. 

“Well, yeah, after you told my sister where it was as your helicopter crashed? After you wished me Merry Christmas and Happy New Year as your parting words?! It wasn’t so difficult” He answers with a somewhat hysterical chuckle. “What the hell, Tommy?! You’re too much of a coward to actually let yourself be loved and see a future with me, but not to send a farewell message to me through dispatch?! You’re unbelievable!”

“Buck…” He starts, but it’s clear he won’t get to say anything this time. For one, his brain is still working a little too slow to translate thoughts into words. Evan seems to notice it, and lets out a defeated sigh. 

“We… We’ll talk later, ok? Let’s get a doctor to check on you first. Sorry, that should have been the first thing I did” He says grumpily, and presses the button by Tommy’s bed. 

From them on, it’s a flutter of doctors and nurses, and Tommy learns the extent of the damage: a broken femur, at least five crushed ribs and a small concussion, not to mention the thousand bruises that turned his whole left side black and blue; he hasn’t looked at a mirror yet, but it can’t be pretty. 

“Yeah, well, you should’ve seen the other guy, doc” He attempts to joke, and Evan’s scoff and the doctor’s exasperated look make it clear it wasn’t his best attempt. “So, let’s talk business, doc. Will I fly again?” Tommy asks, because that’s the question that matters the most. 

He realizes with a treacherous skip to his heart that Evan looks as interested in the answer as Tommy himself. During the whole time the doctor is talking to him about treatments and physical therapy and his perspective to get back to work, he stays by his side, nodding attentively at everything the doctor says (as if he’ll be involved in your treatment, a hopeful part of his brain that should have quieted down weeks ago supplies, and Tommy does his best not to listen to it, because it’ll hurt so bad when it’s not the case). 

When the doctor makes it clear that Tommy will not go back to the air for at least six months, Evan squeezes his hand and gives him a look of solidarity that goes a long way to make it not feel like the end of the world. And when the nurse comes to up Tommy’s dosage of morphine and redress his wounds, he doesn’t let go of his hand. Tommy wants to say something, anything, but he’s received a lot of information and the morphine running through his veins makes it difficult to put his thoughts into words. But he doesn’t want to fall asleep; he doesn’t want to let Evan go. 

“Sleep, Tommy” Evan tells him in a firm tone. “I’ll be here when you wake up. Then we’ll talk”

It sounds too good to be true; Tommy refuses to believe it. Evan would have every right to leave him to fend for himself; he wouldn’t blame him in the slightest. He closes his eyes, fully expecting to find an empty room when he wakes up.

But contrary to all expectations, when Tommy opens his eyes again, feeling slightly more like a person and less like a shapeless bruise, is to find Evan in the same chair, only with the black hoodie this time, and a cup of coffee in his hand. 

He’s impossibly handsome in black, Tommy thinks dazedly, taking advantage of the fact Evan’s looking down at his phone to take a good look at him. There are dark circles under his eyes, and Tommy wonders if he’s been home at all. 

His heart does another one of those treacherous leaps, and Tommy is having a hard time keeping the hope from bubbling in his chest. Because if this man saw Tommy at his worst, physically and (especially) emotionally, and was willing to stay this long by his side, who’s to say he won’t stay longer? He was willing to; Tommy was the one who fled, thinking it was about the excitement of a new relationship, but staying by his side after a helicopter crash is something entirely different. Who’s to say he won’t just… stay?

Tommy has to be brave; hell, he’s been brave before, on that glorious night where he took a leap of faith and placed a kiss to the man who had maimed his best friend for Tommy’s attention. Evan had been brave, if a little misguided, when he invited Tommy to move in with him. He owes him some bravery right now. If nothing else, he owes him some honesty after everything.

“You were right” He blurts out, and Evan looks up from his phone, staring at him with widened blue eyes. 

“H-hey, you’re up! Do… Do you need anything? I can call the nurse…” He trails off when Tommy’s hand, the one which is less covered in scrapes and bruises, reaches out to lightly touch his.

“I just need you to listen to me. You… you were right, Evan. I was a coward. I am a coward. I… I don’t know how to be loved. I never was” He admits it, and hates himself for choking up as he says it. This isn’t a pity party; he’s just stating a fact: the sky is blue, alcohol is flammable, Thomas Kinard was never loved. He hates how it makes Evan’s whole demeanor soften, because Tommy doesn’t deserve it. 

“Then let me love you” Evan whispers, taking Tommy’s hand in both of his. “Let me teach you how it feels. It’s… It’s not like I’m an expert at it, ok? I… I haven’t always been loved either. But… but I love you. You broke my fucking heart, Tommy, and I still love you. Do… do you love me?”

“With all of my heart” Tommy whispers back, and he can’t keep a tear from running down his face. Hell, he almost died, he’s allowed to be emotional. “T-that’s why I had to leave, Evan. If… If you didn’t love me back… If you found out I wasn’t perfect…”

“I know you’re not perfect, Tommy. But guess what? I love you anyway, you idiot” He says, pressing a kiss to Tommy’s forehead, another to the tip of his nose, and a very tender one to his lips. “You… You always wanted me to see you as perfect. You barely let me in all the time we were together. But I saw it anyway, Tommy, and I still wanted you. I still want you”

“I… I was so afraid of being hurt that I didn’t think I’d be hurting you” Tommy admits with a sigh. “A-actually I didn’t think you’d be hurt. I… I thought you’d be okay. I’m sorry, Evan”

“Well, I wasn’t okay. Just ask all of my friends and the thousand loaves of bread in their pantries” He says with a chuckle, and then looks Tommy deeply in the eyes. “Next time, talk to me instead of doing a dramatic exit. And don’t wait till you almost die to let me know where my Christmas presents are”

Tommy chuckles, and squeezes Evan’s hand. He wishes he could sit up and kiss him within an inch of his life, but it  sounds a little out of his physical abilities right now. He’ll content himself, with a peck on the lips before Evan sits back down, still holding Tommy’s hand in his. 

“I promise Christmas will be perfect” He says, and Evan shakes his head.

“I don’t need perfect, Tommy. I just need you”

–

And Christmas is not perfect. Tommy’s still mostly on bed rest and his leg’s still in a cast. Buck’s staying at his place for now to help him around, but they decided to leave any serious conversations about moving in to after New Year’s. They haven’t really decorated (Tommy was too depressed to bother, and Buck didn’t really have the time between his shifts and taking care of Tommy) and their plans for the day mostly consist in staying in bed and alternating between cheesy rom-coms and documentaries. 

It’s not perfect. They are not perfect. But they’re together, and Tommy finds himself thanking any deity out there for his accident. That it brought Evan back to him, and more importantly, him back to Evan. 

Buck’s wearing his new burgundy hoodie, and he gives Tommy the airplane model that he stubbornly kept in the hood of the Jeep all this time. They assemble it together, and it’s not the best, because Tommy’s hands are still a little sore and Buck’s not very good at the whole arts and crafts thing, but Tommy puts in his nightstand with adoration anyway. 

And if there’s no tree, no Christmas dinner, no cheesy sweaters, well. They can always make up for it next Christmas.

--

Tag list: (let me know if you’d like to be removed or if I missed anyone! Also if you'd rather only be tagged on Little Blobs' verse, also let me know! ♥)

@bidisasterevankinard @unhingedangstaddict @silversky9 @music-is-the-voice-of-the-soul @asmugfirefighter  @rubydaiquiri @racerchix21 @actuallyitsellie  

[dunmeshistash]

Greetings, Mr. Meshi!

This is perhaps a bit of an unorthodox question, but one that has been bothering me for an unreasonable amount of time.

Now, here's the thing: I OBSESS over Marcille outliving everyone she holds dear. It's a theme very close to me, but even beyond that I just find it to be one of the most interesting elements of Dungeon Meshi's story for me personally. I've written an embarrassing amount of lengthy essays on it that will never see the light of day - that's how obsessed I am over this specific element of her character. But, there's something that bothers me...

A lot of poignant stories and artworks that tackle this topic get comments on 'em whenever Falin is the subject of aging, each one some variation of "Everything points to Falin having an extended lifespan after her revival!" which... Seems weird to me?

I don't know why this bothers me so much, but setting aside my personal annoyances, I don't remember anything pointing to this at all. At least, nothing concrete.

I don't know if this is a question you'd want to answer or not, but since your blog is a hub for all sorts of opinions and headcanons, I'd love to know where this line of thought could originate from.

I really wouldn't blame you if you didn't answer this question, though. Part of me feels I'm just asking this because I want to see if others share in my confusion or not.

Rrrregardless, though! Lemme take the opportunity to say that your blog is delighful. Love it! Also, that mushroom man with the funny face that sometimes responds to you with lengthy essays is also really cool. Everyone is cool. At least here on the northern hemisphere! It is smack dab in the middle of fall, after all! Coolness all around! Stay frosty! Or don't! Maybe warm up at a fireplace. I don't know!

Hi there! Thank you for the kind words, I love reading other's opinions on what I post so I also love the additions by the mushroom <3

It's quite hot over here in northeast Brazil, send some coolness my way please I'm dying.

Your question isn't strange at all! And I don't mind answering anything (unless it's rude or sounds like shipping war bait) so don't worry.

(Decided to put the rest under a readmore, TLDR: Kui said "maybe so, right?" about Falin having a longer lifespan but I have arguments why I don't think this actually confirms it. Anyway if you're someone who likes the headcanon you might want to skip this post)

To be honest those type of comments bother me too because I also LOVE Marcille's struggle with mortality and sometimes "Falin will live much longer!" feels undermining of the lesson she had to learn. I don't mind it in the headcanon sphere where everything is allowed and happy endings grow on trees but when it becomes intertwined with canon it starts to make me a little disappointed.

Just a reminder of the lesson she has to learn

She has to come to terms with the cycle of life and death, that something she wants (everyone to live longer) shouldn't be forced upon others just because it causes her grief. So, to me at least, Falin being made into something that will end up outliving other tallmen would undermine the message? In a canon sense ofc, if you're writing a wish fulfillment story then her living longer would have a different meaning, I just wanna be clear I have nothing against it in that sense, it all depends on what story you're trying to tell.

Anyway, actually answering your question that idea comes from the fact she was fused to a Red Dragon, and the fact her body has been affected by it, her sight was fixed and she grows feathers for example, so people theorize maybe her lifespan has been affected too. But we don't really know how long dragon's live so it's hard to say how much it would have been affected if at all.

It also comes from this answer Kui gave in a QnA

Q: Would Falin have an extended lifespan after the whole chimera thing? A: Maybe so, right?

To me this reads as the usual non-answers Kui gives, like, "I'll leave it up to your imagination" but for other people this read as a confirmation of the headcanon, in another questions she answers "I hope so" about Thistle leading a happy life after having his desires eaten and it's even debatable if Thistle survived at all so I don't think those comments indicate much of canon (I'm that way about most QnA answers tbh, unless it's something inconsequential like confirming Mithrun's Brother's name or stuff about very minor characters)

Another argument I have against her having a different lifespan is Izutsumi, Izu has been mixed with a monster but continues to age at the same rate a Tallmen would, even tho she also has different biology because of the Great Cat she's fused with (ears, reflexes, eyes etc etc) she is still a tallman

Falin isn't really the same thing as Izutsumi tho, I understand, but it's the closest example we have, if we believe the AB descriptions and demi-humans are really mixes between humans and monsters that's also another argument about it not affecting lifespan, since all of them are short lived and have an average lifespan of 55.

All of this *can* be dissmissed tho, the other demi-humans and beastmen are all mixed with mammal monsters and nothing nearly as powerful as a Dragon, so there is arguments to be made that Falin is different and that she *might* have an extended lifespan, all I'm saying is that there's no solid confirmation of it, it's fine to believe it but going around "correcting" other people saying it's a fact wouldn't be right I don't think, especially if you're saying that in a conversation about Marcille journey of death acceptance.

Death is a touchy subject and everyone is at different stages of their own journeys with it so I really don't want to judge those who would rather have Falin or even Laios live longer. I'm not really sure how to talk about this in the proper way, but I hope I didn't make anyone upset!

[thebookewyrme]

Gonna suggest if you’re into podcasts to listen to Maintenance Phase with Michael Hobbes and Aubrey Gordon. They tackle health-related topics with lots of misinformation, dig into the science, and explain the misinformation, the grift, where it is fatphobic, racist, misogynist, classist, and etc, and give good advice for navigating a lot of the messaging pitfalls. Also, they’re both very gay and very funny and they look at some of the most blandly evil people (Dr Oz) and their works through a lens of dark humor.

If you don’t like podcasts, Michael Hobbes has also written several articles about health grifts in various publications (he is a professional journalist) and Aubrey Gordon has a couple books and a Netflix documentary focused on anti-fat bias in health and “wellness” circles. I haven’t read her books yet (soon I swear!) but she’s done a lot a lot of research and draws on her own lived experience as a fat woman with experience in dieting/wellness spaces, and her thoughts are always very thoughtful.

Some things I’ve learned from the podcast:

-The BMI was never meant to be used as a diagnostic tool on an individual level

-How certain dangerous diet drugs have managed to get approved by the FDA

-That weight loss is impossible in the long term for 98% of people and we still don’t know why

-what the fuck Moonjuice and Sex Dust are

-All the extremely shady shit Dr Oz has pulled in his grift, despite being an extremely respected and accomplished heart surgeon?

-What ketogenesis is, what it can be an actual treatment for (epilepsy), and why it is generally a BAD IDEA for most of the rest of us, and also extremely hard to achieve

-some truly WILD diets from back in the day

-That Angela Lansbury made an exercise tape in like the 80s and it’s less hostile than most and also weirdly softly erotic?

Anyway, you can listen wherever you find podcasts.

It feels like the line between "alternative medicine scams" and legit medical info is crumbling apart and it scares the hell out of me.

I was on youtube looking up some stuff for my friend, to see what unreliable stuff they might have to watch out for, and there are a lot of scams being pushed by people who are using academic-sounding terminology and appear to the uneducated outsider (me) to actually have an understanding of the science. A lot of these people either are medical doctors or are posing as medical doctors using a sketchy bullshit degree from some obscure illegitimate institution.

What's more, there's a lot of content creators enabling this by building their channels around vague, essentially benign claims that are too unspecific to be labeled misinformation, like "Avoiding these foods could help with this condition!"

Like yeah, in the broadest sense, maybe eating less "refined sugars" could make you feel better, but once you watch this video, the algorithm immediately starts pushing other videos with similar titles making similar claims, except those claims are "Refined sugars cause disabilities and cancer," and that will bring you to "Sugar is a drug more addictive than cocaine and you can detox by eating only raw beef and butter."

I got recommended a Jordan Peterson video within 3 clicks of simply putting the name of a chronic illness into youtube search.

[bookshelfdreams]

do it. gimme the Izzy straight-coded meta 👀

I feel like I need to preface this by saying that Actually, Izzy Is Straightcoded would be the inflammatory clickbait title I'd give this if it were written to draw traffic & ad revenue to my shitty website. So don't take that term too seriously.

There has been a lot of ink spilled about Izzy thinking he's in a story where one can only be subtextually queer. Some even by yours truly, but the more I think about it, the less sense it makes. What would be the purpose of queercoding Izzy?

In general, villains* aren't queercoded to show that men being attracted to other men is bad. It's often the outcome; but it's not why the trope exists. It exists because cishet people tend to be (and are encouraged to be) profoundly uncomfortable with gender nonconformity, and so, making a character gnc becomes a quick and easy way to make him appear twisted and untrustworthy. If he** can't even obey the fundamental rules of his own gender (rules that are inherent and unchangeable!) what other rules does he disobey?

Or: If a man is insufficiently masculine, he can't be trusted to have morals. The villain isn't gnc because that's an evil trait to have; rather, the gender nonconformity is a symptom of his evilness. Being evil is what enables him to embrace his feminine side, and embracing his feminine side is what others him and marks him as a villain.

This only really works when he's contrasted with a hero (or heroine) who is Doing Gender Correctly. The villain is foul to highlight how good the hero is. The Hero will be honest and straightforward, brave, physically powerful; the Queercoded Villain treacherous, cowardly, and physically weak. The hero is a Proper Man, a Good Person. The villain an Improper Man, and therefore, a Bad Person.

Of course ofmd fundamentally rejects this. The shorthand wouldn't work, because ofmd simply doesn't think effeminacy is creepy. It's uninterested in moralizing self-expression; it just lets people be how they are. There's a wide range of expressions of masculinity on this show, and none of it is inherently bad. People are allowed to be hypermasculine, flamboyant, and anything inbetween, can express their gender in whatever manner they want, and it's all fine - as long as they are authentic about it. Be however you are, but be yourself, and this is what Izzy fails at. The repression marks him as a villain. The strict adherence to what he thinks a Real Man Pirate ought to be like. He's very preoccupied with enforcing a traditional (and toxic) masculinity on himself and others. It's no coincidence the characters he antagonizes the most - Stede and Lucius - are also the most effeminate ones. And I know, I know anglophones have a much more casual relationship to twat and cunt, those don't nearly feel as uncomfortable for y'all as they do for me, so I don't want to assign too much significance here, but he is the only character who constantly uses this kind of language, and also the one who uses the most gender&sexuality based slurs (as far as I remember).

All of this while being clearly, obviously queer himself! I do not feel like I need to explain this; his flustered reaction when Lucius asks him if he's ever been sketched speaks for itself. The fact that he meets Stede and immediately slices his shirt off of him, speaks for itself. And so on.

Izzy isn't straightcoded in the sense that the story wants us to believe he's exclusively attracted to women. Much like a queercoded villain doesn't need to be shown to be attracted to men (and can even be shown to be attracted exclusively to women!) to still be queercoded. He's straightcoded in the sense that he's a stand-in for restrictive and toxic gender roles that society enforces on people. He buys into the idea that there's a way of Doing Gender Wrong, and this is presented as a tragic character flaw. Something he has to overcome to be able to do the thing that actually marks a hero in this show: express himself authentically.

Part of why I found his death so moving is because it enables him to set right the toxicity he spread. His rehabilitation arc was about himself; about finally allowing himself to be, accepting love, accepting community. His death was about taking responsibility. About fully recognizing the hurt he caused. Looking death in the face enables him to finally abandon the last shreds of that toxicity, to apologize and be granted forgiveness. In the end, he was not beyond saving, and the harm he has done will be healed.

*Izzy is introduced as an antagonist to both Stede and the central romance of this romcom. I'm not gonna debate this; if you disagree, fine, but you clearly have such a fundamentally wrong different view of the show that it's pointless for us to try and convince each other.

**of course Queercoded Female Villains exist s well, but they are a whole different can of worms and less relevant to this discussion

[evidence-of-the-unknown]

[ID: The cover of Evidence of the Unknown. Murphy, a pale woman with white hair in a green jacket, stands in front of a cork board covered in papers and red string. On the floor around her are boxes, more scattered paper, and other discarded objects. She is lit from light coming through a doorway behind the viewer, and a shadow of an unknown creature is cast on the floor. The text, on the top and bottom of the page, reads "Telebeast's Evidence of the Unknown." End ID.]

I'm excited to bring this comic to everyone! EotU is a science fiction story focused on aliens, conspiracies, biology, and weird women in the desert. Every Wednesday, beginning next week!

[schumi-nadal]

Wow, I didn't think that post would get me even more hate to be honest 😅

First of all, I wasn't talking about ALL Carlos fans but about some "fans" (you can't call them like that, not after the really harsh words I received) who came into my asks when i asked nothing: I never was mean about Carlos, i didn't even defend Charles. I only posted 2-3 things related to this Charlos gate or whatever the fandom is calling it.

Here are some of the posts in questions:

After the first one, I received insults (anons and non anons, I don't know what is worst, that's what I was talking about them being younger and not knowing how the Schumi era and baby Shumi era were, (the non-anos were 17-18) because people misunderstood it (or understood what they wanted to understand).

After one or two more posts after the end of the race, it escalated very quickly, I received death threats! That's very serious! How can it come to this for a FUCKING sport? There are more serious things in life!

So, yeah, I was quite pissed after that.

Also, I didn't even defend Charles in my post, rereading now and I undertand I may have sound like I did but I'm French and I may have translated word by word what i wanted to say (it's a bit complicated but we sometimes use "you" to talk about people + ourserlves in some sketchy expressions). Anyway, what he said was definitely inappropriate and very "childish" in a way. Those words should had been spoken in private with his team and Carlos, not in front of million of people; and I think if FIA penalised swear words, they should start looking at those kind of statements.

Also, for those saying that I would be the kind of person to insult their favorite driver(s), you don't know me, you can even check my blog if you have nothing more interesting to do (lol), I never insulted anyone like some people do in f1blr. We can dislike or even hate a driver with our whole being, that's ok, for each their own I guess. We can't love everyone, you have the right to defend your favs, that's our choice too, but don't go and roast people when they didn't even say something wrong in the first place. (again, i hope those anons are reading it)

I never got haters before today (just one a few months ago with tennisblr but it was more a troll more than anything else) I usually don't interract a lot because I don't like conflicts but receiving multiple insults for something I can't control: I'm not Charles, I can't control what he says, I'm not a Carlos hater neither, i'm just here, blogging and reblogging stuff I love, mostly sports, sometimes with my particular sense of humor.

Nobody is perfect for sure, and I'm sorry if some of you thought I was just calling out Carlos or defending Charles. He may be one of my favourite drivers, just like other drivers can be yours: all of them are not flawless and we may continue to like them or not after different sorts of situations, that's up to us.

To finally finish my thesis (sorry if you're still reading), I didn't know that I would be so stressed on tumblr one day (call me a sensitive person) but this website is my sanctuary, I hope it will stay like that for a very long time but you can't be appreciated by the whole world, I lost some of my mutuals and i accept that. This morning's messages went too far and that's not normal to say thing like that, no matter how peacecul I am, I had to call them out. Also, on my other fandoms, you can share thought without (or almost) getting attacked verbally, that's sad that it's not the same anymore here, but yeah, football is the same.

You can choose to answer or not, I won't block anyone because I don't feel the need to, opinions can be shared but respectfully, I would be happy to talk more if some of you are up to.

So, I don't know what to add, have a great end of the season, everyone!

i don't know if everyone who reblogged or commented can see it when I reblog it so i'm tagging y'all: @midesastremanifiesto , @janesurlife , @gaypoetsblog , @katarf1a , @chaitalinath , @danieldrivesfast , @landhoe-norris , @eightsixtiism

One thing is funny about being insulted by all those Carlos "fans" (won't call them real fans tbh he deserves way better than toxic people): I was already watching F1 that they were not born, if you think that Charles was shitty today, just remember we had Michael Schumacher as the most dramatic queen ever and Sebastian Vettel was a little Gremlin at some points. REAL FANS WERE NOT FIGHTING FOR THAT!

[fromtheseventhhell]

The majority of Rhaegar/Lyanna stans here are minding their own business but for certain people here (especially "martell stans") is not enough

They keep bashing these characters and they are acting as if they are "oppressed" by Rhaegar's stans

It's boring

This is sooooo true, and why I find Elia/Martell stans to be so annoying even though I love several Martell characters (same with house Stark stans tbh). They love throwing stones and then hiding their hands. They put their hate in the main tags and call Rhaegar a pedophile/rapist/racist/abuser/etc., Lyanna a spoiled brat/heartless temptress, and shit talk shippers cause they think the fanon they invented justifies it but the second a Rhaelya gives a fraction of that energy back, they play the victim. Cause you're right, it's not enough for them. At the root of it, they're forever going to be mad that Rhaegar, Lyanna, and their relationship are popular + important to the story. They swear they don't care but then they never shut up about them. Just another case of people wanting to be morally superior and getting pissy when things don't go their way.

[icewindandboringhorror]

I occasionally wish to reach out to old friends/acquaintances I haven't spoken to since high school/some other even earlier time in my life, but I have SOOO little social energy even for required tasks (like making dr phone calls or etc), I never have any leftover for extra ones, and it would be very odd to message someone I haven't spoken to in like 5 years out of the blue but then take 4 entire months to respond back lol.. My natural curiosity with nostalgia/collecting details of the past/etc. (literally if I were born a little earlier I would definitely do scrapbooking or something lol) is very strong, but, alas, not strong enough to beat out the Social Issues Demons apparently

[allygatoor]

i think it's time that we as a society realized that actually eternals wasn't bad it was just not standard marvel fare and that's okay

[silverwhittlingknife]

hi anon <333 okay so uhhhh listen when i got this ask which i think was... a month ago? a couple months ago? i did not have a dick & tim reading guide

BUT i read this ask and i thought WOW WHAT A GOOD IDEA, a dick & tim reading guide, i wish i'd had one of those when i started reading!! and also i had a lot of work that i didn't want to do so i needed a project to procrastinate on dsfdsfs

so i have been working on a reading guide spreadsheet and it is ALMOST DONE so i will post it soon-ish. <3 if anyone wants to check out the unfinished version and tell me if it's readable dm me <3

also below i have rambled a lot about the makings of the spreadsheet if you also like spreadsheets a lot

this is only sort of tangentially related to the reading guide but it is the SECRET ORIGIN of the reading guide. i think many comic fans eventually end up with a spreadsheet story because comics are bonkers and difficult to keep track of, so either you sensibly engage with your hobby in a reasonable fashion or you slowly go bonkers yourself and end up with a spreadsheet story. this one is mine.

so a year or two ago, when i got first got deeply deeply obsessed with dick & tim, i was desperate for content and i wasn't able to find much on tumblr

so out of a combination of deep affection for the boys and also an extremely strong desire to procrastinate the things i was supposed to be doing, i went through dc.fandom's list of dick's appearances and of tim's appearances.

and i cross-referenced them all to find the comics they both appeared in, and then i started kinda randomly reading through those comics looking for good art/panels that they both appeared in and taking notes on whether they appeared in the same panel or not:

and then as i became even more obsessive i started adding in a bunch of their solo appearances so i'd know the context of their team-ups, and i started color-coding blue-for-nightwing, red-for-robin, purple-for-both-of-them:

and then i started trying to make lists of Significant Events so that i'd know e.g. when characters died or got married or broke up:

and then i got tired of having to search for dc.fandom pages every time i wanted to check something in a comic, so i started adding links to dc.fandom and to dc universe:

and then i thought, you know, it'd be nice to have comic titles and to know if it's part of an ongoing story:

and sometimes when i was reading, i started taking notes on quotes or whatever was going on:

and that's about when i got this ask, and i thought, you know, i really should make a reading guide.

and i started thinking, okay, is there any way to take my spreadsheet and make it slightly less convoluted and a bit more like a reading guide?

and the answer was, probably not!!! but that did not stop me from trying sdfdsfds

so right now i have a spreadsheet called "Dick & Tim Reading List" and it's got a section that looks like this which has about 200 recommended-read comics:

but ALSO there's a tab that's really really long that has all of dick's solo comics and also all of tim's solo comics (from 1987-2011, not of all time, but still):

and also you can just get a list of all (post-crisis) comics dick&tim have appeared in together:

and also as i was working on this i discovered FILTER VIEWS and simultaneously got curious about all the quotes in grayson 12, which taunted me with the possibility of getting post-crisis continuity back before not giving it to me >:(((((( but anyway they're still good quotes so i made a list of all of them

anyway then i looked at all of that and thought ehhhhh okay but that's very complicated!! maybe i need some shorter reading recommendations. so then i started making a list of those:

basically you should picture the spreadsheet journey like this puppy:

anyway i'm still kinda distracted but i do intend to clean it up a bit more and then post a link, so that will happen soon-ish hopefully <3

[bunnyboy-juice]

spent the first hour and change at work deleting some old files and am having a grand ol time laughing at myself for not realizing i was a lesbian sooner

[front-facing-pokemon]

[no-pasaran-99]

my skin is about to be so smooth & i am so ready to have a hoe phase but oh my god....... i hate them apps

[orcelito]

Took a few months but the situation at work is finally truly blowing up

I may or may not join in a workplace abuse claim against my old boss using old blog posts and discord messages of me venting as proof ☺️

It'd be me burning the bridge of having him as a reference later down the line, but honestly I think I can get by without him.

[applestorms]

morality in the world of good omens

so i wrote another (admittedly very messy) essay on good omens not long ago right after watching season 2 but after finishing that, rewatching all of both seasons multiple times, and reading through the book, i have a couple more distinct ideas to get out...somewhere...if only for my own sanity. this is me throwing my thoughts into the internet before i pop, if you will. just 3 sections, below the cut.

1. environment, characters, & transformative fandom creations

to start this post off a bit more broadly, i've been thinking a lot recently about transformative fandom and the reasons why we write fanfiction/create semi-original works in the first place, as well as why certain aspects of fandom (writing, art, analysis, etc.) will be more appealing to me for certain shows/series than others. correct me if you have a totally different view of this, but in my experience i've found that i tend to naturally gravitate towards different parts of fandom depending on what the original medium of the story was- podcasts tend to lead to some of the most interesting art trends, for example, since there's more room for interpretation and character design tends to be more of an ongoing community project than something set in stone like for a tv show with live human actors.

in my own observation, i've noticed that a lot of the really big & excitable fandoms, the ones that generate tons & tons of fanworks more naturally (a.k.a. just because of the story itself & not other factors like a pre-existing franchise or hype about new great gay representation, etc.) tend to surround stories that fall into a kind of "sweet spot" that makes the creation of fanworks really appealing. if you've ever wondered why there are so many ravenous artists bending over backwards to draw gorgeous fanart for stuff like homestuck or south park or even minecraft youtubers, it's likely because those stories all fall into a sweet spot for drawing, with character designs that are recognizable at a glance and yet still simple enough that there is plenty of room for personal creative touches. (think also, if you're familiar with such kinds of homestuck terms: hyperflexible mythologies, A4:1524, and/or this archive link cause the official thing is down now for some reason)

the conclusion i've come to is thus that even something as basic as the original medium of a story can dictate a lot about what kinds of fan activities are more common or popular within said story's fandom.

so, back to good omens- for me, this all relates back because of a question i've been messing with in my head recently, about why i've been less interested in fanfiction for good omens than i have been for the last few fandoms i've been, almost all of which have basically broken my ao3 bookmarks.

this question has been fucking with me for a while now, largely because i'm not entirely sure what's motivating it. a lot of times i can figure out pretty easily why i might personally not be interested in some parts of fandom, but that's not really the case here. from what i've seen this fandom seems to be pretty mixed in terms of age, & the writing that i have read is certainly no worse than i've seen elsewhere, perhaps even better in some places- and yet, i can't seem to get entirely into it, even getting frustrated as i can't find something to my tastes for an ao3 bedtime story as i've grown so accustomed. what caught me off guard is that this was an issue that i ran into while watching season 1 as well, back when the series was still quite popular but not blowing up like it is right now.

a lot of this may seem like (and likely is, at least in part) basic overthinking, but i mentioned it all here because the answer i eventually came to is reminiscent of my previous reflections above on the nature of fandom & how/why fanworks are created.

a couple paragraphs above, i used the example of art as an example of how fandoms that generate a lot of original artwork will often do the most when the original story falls into a sweet spot of character design, but notably i think that this sentiment applies to a lot more than just art. if you've ever seen the copious amounts of kpop & hockey rpf fanfiction that lives on ao3, it should be clear that this applies to writing too.

i wrote this essay a while back responding to an observation about the lack of a more extensive symbolic language in fanfiction & i've toyed around with the idea more since, particularly in considering the question of why a lot of what we see as the staples of fanfiction exist in the first place. in that post, my response largely revolved around an argument of why we create fanfiction- namely, that fanfiction is created as in tandem with deeper analysis of the original story/series, as a way of trying to practically apply character analysis to a new context.

the key part of that last sentence to me is how a lot of this revolves around character analysis (and shipping, but really it's the characters that motivate the shipping in most cases so. same difference).

i tend to instinctively separate fanfiction into two separate categories: fanfiction that is based out of the original world/canon of the story (including but not limited to fix-its, deeper analysis fics that take a scene & extrapolate from it, continuations, etc.) and fanfiction that takes the characters from the original story & plops them in an alternate universe/AU. while i separate these out as two distinct categories of fanfiction, i should also clarify that i don't think these two groups are necessarily equal in terms of number of fics- rather, the vast majority of fanfiction tends to be AUs, keeping the original characters & changing any & all aspects of the world around them. again, this may vary depending on the story & Vibe of the fandom at the time, stories like game of thrones or harry potter or homestuck might have a lot more in the canon category by nature of any major dissatisfactions the fandom has with how the original story was told, but in most cases AUs are more popular. this was a lot of the basis behind my argument that fanfiction is created as character analysis in fact, since the characters are the most important part that carries over from original story to fanwork, as well as can end up being one of the most debated/scorned parts when it comes to fandom drift (i.e. "that's out of character"/"he wouldn't do that"/and all other such arguments about fanon vs. canon characterization).

basically, my conclusion in this case was that i was a lot less interested in gomens fic largely because i have a really hard time separating the characters from the world in the case of this particular story. aziraphale & crowley being an angel & a demon and dealing with all of the bullshit of their world when it comes to heaven & hell are such integral parts of their characters in my mind that i have a much harder time getting behind AU fanfiction that plops them in a totally different context. it's just a much harder sell for keeping the characters in character for me. (i also tend to not like s2 fix-its just cause, idk they're just not my style, which is where a lot of the recent blast of energy has led us.) to clarify, this is not a judgement, just a matter of personal preference and a reflection of why, even if a lot of fandoms will look the same from the outside/involve the same things like art, fic, etc., an individual's mileage can vary wildly when it comes to how they interact with different things online.

*additional note, also for clarification: i do want to acknowledge that a lot of this depends on pure popularity as well, popular fandoms will often end up with basically everything in terms of fanworks just by nature of how many people are interacting with & thinking deeply about the story. my point here is more along the lines of the fact that even within the more well-populated fandoms, certain types of fanwork will often Stick Out more to me than others, or even be visibly much more common than in other fandoms, due largely to the original medium/structure of how the story.

so, speaking of aziraphale & crowley in more depth now- why does the world of good omens feel like such an integral part of their personalities when it comes to characterization? up next, let's talk about morality within the context of good omens' perhaps surprisingly secular take on heaven & hell.

2. the amorality of heaven & hell (ft. the crowley quote apples you know the one)

(warning in advance that this section may be a bit limited since i'm not going to get super far (or very far at all, really) into the whole religious-analysis aspect of good omens.)

i've been binge-reading the original pterry & gaiman book for good omens over the last few days and it's been very fun seeing all the slight changes between the tv show & the original. you can really see the hand of the original creators in how the tv show was translated, even just by looking at which parts made it and which parts were deemed worth cutting out. i suppose having one of the original creators right there helping build everything really helps make a book -> show translation work, since the ASOUE tv series was also pretty well received- something about knowing what's the core of the series & truly important to keep in, and having more time to tell the story itself?

anyways, i have a short list of notes that i've been taking as i read, conversations that stand out to me or footnotes that particularly amused me, but i keep coming back to one line that stood out to me quite early on. in context, this line comes from crowley during the conversation where he is first attempting to fully convince aziraphale about stopping armageddon, specifically when they're talking about exerting equal forces on warlock to make him normal:

"You're saying the child isn't evil of itself?" [Aziraphale] said slowly. "Potentially evil. Potentially good, too, I suppose. Just this huge powerful potentiality, waiting to be shaped," said Crowley. He shrugged. "Anyway, why're we talking about this good and evil? They're just names for sides. We know that."

(pg. 67)

"They're just names for sides." if i had to pick one line to sum up the view on religious morality of this series, this would likely be it.

on the one hand, i tend to interpret a lot gomens' take on heaven & hell within the context of its political stance, something that is particularly obvious through a line from gabriel in s2e2 where he tries to clarify to aziraphale that heaven isn't trying to hurt job directly, but instead is just not stopping hell from doing horrible things to him. while there may be some additional nuance to add to this take within the context of british politics that i don't really know well enough to add about, i'm inclined to see this from the side of my own familiar american politics, which might hold some weight considering how long mr. gaiman's lived around here. point is, my current interpretation of that line is that it helps in more clearly establishing the analogy of heaven & hell as the story moves forward into newer seasons and thus more contemporary politics, equating heaven with mainstream liberal politics & politicians and hell with conservatives.

this stance seems to be emphasized even more in the tv show than the book which makes sense considering its been coming out more recently, and especially in season 2 which is still quite caught up in a lot of quarantine-based reflection. (the tv show puts a lot more emphasis on heaven & hell in general, actually, perhaps initially a byproduct of actually being able to see those environments in their entirety and all the angels & demons that populate them- but we'll get to that.)

the book takes a slightly different stance that, fittingly, seems more reflective of the time it came out. in particular, i was struck a lot more when reading the book by adam's rise (fall?) to power, and how much of it was motivated by a burgeoning nervousness/pessimism about climate change and the anxieties of younger generations that comes with inheriting an earth that feels so fucked up. honestly if anything it's only gotten more relevant in that respect, what with the current vibe on the internet & the hopelessness of the doomer gen z gang, but it also has a distinctly different flavor to me from the tv show, which i think is largely because it's less connected to Formal politics since again we see a whole lot less of heaven & hell as such distinct, bureaucratic entities.

instead, there is a very distinctly amoral aspect to heaven & hell that we get through lines like the one above and especially from characters like crowley. this is why i argue that good omens, despite having so many religious elements, is such a deeply secular take, especially when it comes to its ethics & morality- Good and Evil, notably with the capital letters in this case, has very little to do with actual actions and much more to do with the name that you stamp on top of said actions. heaven & hell and the angels & demons that we see directing and watching and generally fucking with aziraphale & crowley throughout the story are distinctly separate from humanity, and as we see even more as the story progresses, distinctly unaware about what it even means to be a human, in both a deeper philosophical & very basic and literal sense. Good and Evil is simply another name for the sides- and thus the true ethics is something separate, and based in a deeply human experience.

in my opinion this is also why aziraphale & crowley, lovers of humanity and also to some degree spokespersons of it from how much they've "gone native," tend to be so deeply at odds with both heaven & hell and always end up agreeing with each other over their own supposed sides. what makes aziraphale & crowley so distinctly different is that they ascribe to the same ethics & morality that humanity does, or at the very least are trying to figure out ethics & morality & How to Be a Good Person in the same horribly messy way that humans do, separating them from the black & white "this side Good & this side Bad," logic that the rest of heaven & hell instinctively ascribe to.

there's a lot of nuance here, which is also why i think there is such an emphasis on moral ambiguity (and love, but we'll get to that) throughout season 2. the story of job, grave robbing, & questionable attempts at matchmaking- aziraphale is working through a lot of Shit right now when it comes to trying to figure out what the Good thing actually fucking is, and i think it's key that a lot of that is motivated by crowley himself. crowley might'e been cast out of heaven for asking too many questions, but aziraphale is there & listening to them & giving them the serious thought they deserve, and that can't be overlooked.

sidenote: i couldn't figure out a place to shove this in, but i also wanna point out that a lot of this is tied to the idea of growing over time too. on the same page as the quote transcribed above is another line from crowley leading up to aziraphale's question that puts a lot of emphasis on the fact that warlock is going to be a product of nurture, not nature. again, this is an argument against basic black & white assigned-at-birth morality for the ability of humans to grow & change over time and be influenced by the people around them.

it's notable that despite adam's supposed origin as a Son of Satan, what really gets him to stop the apocalypse in the end is the fact that he doesn't really give a shit about all this big plans but instead just wants to hang around his friends. there's a lot of emphasis in the book placed on how beautiful & nice tadfield is as a place for a young kid to grow up, how well loved & fiercely protected it as as something beloved to adam. while he might be overwhelmed when faced with the full picture of how horrible the world can be, ultimately what he cares about is loving & taking care of the people & places that he grew up learning were precious, and the only way to do that is to keep growing & changing yourself within that world and trying to help it also grow into something better, not throw it all away just for the slightest chance that you could restart. a message worth taking the time to think about, at the absolute very least.

3. finding morality w/in humanity: crowley & aziraphale and speculation for s3

i have complicated feelings about both aziraphale & crowley throughout a lot of the show and especially in season 2. i think a lot of people, myself included, are inclined to see crowley as the voice of reason in this season, and for good reason- as i mentioned before, a lot of aziraphale's deeper questioning of the status quo and goodness (Goodness) as a whole is motivated by questions from crowley.

i kiiind of mentioned this in my previous essay, but to state it more clearly, my take on crowley is that he's arriving at the right answer for the wrong reasons, and, conversely, aziraphale is arriving at the wrong answer for... kind of also the wrong reasons but also slightly for the right reasons. let me explain.

crowley is clearly much more aware of the flaws in both heaven & hell than aziraphale is, which seems to be the basis behind a lot of his motivation in asking aziraphale so many questions in the first place. he's also, as maggie & nina point out in s2e6, deeply lonely, often running away or getting ready to fight literally anyone that isn't aziraphale (or humans, but that's a little more complicated). from his reaction to beelz & gabriel getting together, i think it's pretty clear that he still hasn't entirely given up on the whole alpha centauri idea, and it makes sense- as i said in that last essay, crowley basically won the argument at the end of the previous season when it comes to aziraphale & crowley, "making [their] own side," so he doesn't have much reason to face any of his personal fears until maggie & nina basically point out that they exist directly to his face. once they do point it out, however, he's very motivated to act & does so almost immediately, even after hearing what aziraphale has to tell him and being pretty thoroughly devastated by it.

my point here is that crowley is correct in seeing the toxicity of both heaven & hell, he's just flawed and largely motivated by fear (up for debate if that's all it is, but i certainly think it's a big part of it) in his desire to run away from it all. it's not quite armageddon, again he's going more flight > fight here, but he's still ultimately giving up and that's not a great conclusion.

on the other hand, as some others on this site have pointed out, aziraphale is certainly showing a lot of strength in his willingness to keep fighting & try to change things for the better, but it's not hard to see how that belief has been twisted. one of aziraphale's biggest flaw in motivation at this point imo is that he doesn't just believe in goodness but Goodness, the kind that's tied to heaven always being right & all actions being morally Good so long as they're done under the name of heaven, and that clearly also isn't great.

thus what i think the both of these two really need ultimately is that deeper connection to humanity, and the ethics born from humans interacting with humans. we can already see how strong these two are when they collaborate, even when they're doing their absolute best to be as subtle as possible, but what i think they need is to once again be grounded by humanity, not to get so caught up in the bullshittery of heaven & hell and Good & Evil, but once again find a goodness defined by the world that they mutually love so much and stick with it.

i keep tossing a question around in my head about whether or not aziraphale & crowley are going to end up human by the end of this series. it feels natural that they would, they're already so at home and in love with earth & around humanity, but i'm also not entirely sure if that would be a happy ending for them considering how long they've watched & loved the world as it's changed. perhaps taking this post into account is another push towards humanity as a happy ending, not running away to a cottage to get away from the world (i just can't see running away to a cottage to be together as as happy ending, sorry- it might work for beelz & gabriel but not for aziraphale & crowley), but choosing to settle down within that world that is so dear.

[agnesandhilda]

bathroom stall graffiti is an art form. I'm not joking about this