#anyway regular tags now

[askcookierun78]

Pitaya’s reaction to getting called hot by fancookies? (My bestie is one of them so beware)

”Really?”

“…..Do they mean it?”

“Hmph. In that case.. thank you.”

Reblogs and asks are greatly appreciated!!

[marigraphia]

I've had this pose ref saved for a while and the Superman set photos just gave off the same energy 👉🏻👈🏻

The reference is this photo of Katharine Hepburn as Antiope and Colin Keith-Johnston as Theseus in the 1932 play 'The Warrior's Husband' (and I'd love for people to turn into a draw your otp meme pls pls pls this pose is so good)

And also, of course, the Superman (2025) set photos

[teammateswap-au]

Susie and her friend who is completely real and normal :-]

[peterrrei]

that one charmuro illustration but its ⚢

[loving-delusions]

septmeber.........

[sforzesco]

I was reading a footnote to Themistius' Brotherly Love Oration and ended up doing a quick painting of Seleucus II Callinicus while looking all these people up

⭐ places I’m at! bsky / pixiv / pillowfort /cohost / cara.app / tip jar!

[arcanegifs]

[zellk]

Forgot to share here.... old doodles of when I finally came around to finding a design I like for Qalaari's mom !!

[front-facing-pokemon]

[demigod-of-the-agni]

Spider-Man India, but... where from India?

A SUPER long post featuring talks of: cultural identity, characterisation, the caste system, and what makes Spider-Man Spider-Man.

I’m prefacing this by saying that I am a second-generation immigrant. I was born in Australia, but my cultural background is from South India. My experiences with what it means to be “Indian” is going to be very different from the experiences of those who are born and brought up in India.

If you, reader, want to add anything, please reblog and add your thoughts. This is meant to be a post open for discussion — the more interaction we get, the better we become aware of these nuances.

So I made this poll asking folks to pick a region of India where I would draw Pavitr Prabhakar in their cultural wear. This idea had been on my mind for a long while now, as I had been inspired by Annie Hazarika’s Northeastern Spidey artwork in the wake of ATSV’s release, but never got the time to actually do it until now. I wanted to get a little interactive and made the poll so I could have people choose which of the different regions — North, Northeast, Central, East, West, South — to do first.

The outcome was not what I expected. As you can see, out of 83 votes:

THE RESULTS

South India takes up almost half of all votes (44.6%), followed by Northeast and Central (both 14.5%) and then East (13.3%). In all my life growing up, support towards or even just the awareness of South India was pretty low. Despite this being a very contained poll, why would nearly half of all voters pick South India in favour of other popular choices like Central or North India?

Then I thought about the layout of the poll: Title, Options, Context.

Title: "Tell us who you want to see…"

Options: North, Northeast, Central, East, West, South

Context: I want to make art of the boy again

At first I thought: ah geez. this is my fault. I didn't make the poll clear enough. do they think I want them to figure out where Pavitr came from? That's not what I wanted, maybe I should have added the context before the options.

Then I thought: ah geez. is it my fault for people not reading the entire damn thing before clicking a button? That's pretty stupid.

But regardless, the thought did prompt a line of thinking I know many of us desi folk have been considering since Spider-Man India was first conceived — or, at least, since the announcement that he was going to appear in ATSV. Hell, even I thought of it:

Where did Spider-Man India come from?

FROM A CULTURALLY DIVERSE INDIA

As we know, India is so culturally diverse, and no doubt ATSV creators had to take that into account. Because the ORIGINAL Spider-Man India came from Mumbai — most likely because Mumbai and Manhattan both started with the same letter.

But going beyond that, it’s also because Mumbai is one of the most recognisable cities in India - it’s also known as Bombay. It’s where Bollywood films are shot. It’s where superstar Hindi actors and actresses show up. Mumbai is synonymous with India in that regard, because the easiest way Western countries can interact with Indian culture is through BOLLYWOOD, through HINDI FILMS, through MUMBAI. Suddenly, India is Mumbai, India is a Hindi-only country, India is just this isolated thing we see through an infinitely narrow lens.

We’ve gotten a little better in recent years, but boy I will tell you how uncomfortable I’ve gotten when people (yes, even desi people) come up to me and tell me, Oh, you’re Indian right? Can you speak Hindi? Why don’t you speak Hindi? You’re not Indian if you don’t speak Hindi, that’s India’s national language!

I have been — still am — so afraid of telling people that I don’t speak Hindi, that I’m Tamil, that I don’t care that Hindi is India’s “national” language (it’s an administrative language, Kavin, get your fucking facts right). It’s weird, it’s isolating, and it has made me feel like I wasn’t “Indian” enough to be accepted into the group of “Indian” people.

So I am thankful that ATSV went out of their way to integrate as much variety of Indian culture into the Mumbattan sequence. Maybe that way, the younger generation of desi folk won’t feel so isolated, and that younger Western people will be more open to learning about all these cultural differences within such a vast country.

BUT WHAT DOES THIS HAVE TO DO WITH SPIDER-MAN INDIA?

Everything, actually. There’s a thing called supremacy. You might have heard of it. We all engaged with it at some point, and if you are Indian, no matter where you live, it is inescapable.

It happens the moment you are born — who your family is, where you are born, the language you speak, the colour of your skin; these will be bound to you for life, and it is nigh impossible to break down the stereotypes associated with them.

Certain ethnic groups will be more favourable than others (Centrals, and thus their cultures, will always be favoured over than Souths, as an example) and the same can be said for social groups (Brahmins are more likely to secure influential roles in politics or other areas like priesthood, while the lowers castes, especially Dalits, aren’t even given the decency of respect). Don’t even get me started on colourism, where obviously those of fairer skin will win the lottery while those of darker skin aren’t given the time of day. It’s even worse when morality ties into it — “lighter skinned Indians, like Brahmins, embody good qualities like justice and wisdom”, “dark skinned Indians are cunning and poor, they are untrustworthy”. It’s fucking nuts.

This means, of course, you have a billion people trying to make themselves heard in a system that tries to crush everyone who is not privileged. It only makes sense that people want to elevate themselves and break free from a society that refuses to acknowledge them. These frustrations manifest outwardly, like in protests, but other times — most times — it goes unheard, quietly shaping your way of life, your way of thinking. It becomes a fundamental part of you, and it can go unacknowledged for generations.

So when you have a character like Pavitr Prabhakar enter the scene, people immediately latch onto him and start asking questions many Western audiences don’t even consider. Who is he? What food does he eat? What does he do on Fridays? What’s his family like, his community? All these questions pop up, because, amidst all this turmoil going on in the background, you want a mainstream popular character to be like you, who knows your way of life so intimately, that he may as well be a part of your community.

BUT THAT'S THE THING — HE'S FICTIONAL

I am guilty of this. In fact, I’ve flaunted in numerous posts how I think he’s the perfect Tamil boy, how he dances bharatanatyam, how he does all these Tamil things that no one will understand except myself. All these niche things that only I, and maybe a few others, will understand.

I’ve seen other people do it, too. I’ve seen people geek out over his dark brown skin, his kalari dhoti, how he fights so effortlessly in the kalaripayattu martial arts style. I’ve seen people write him as Malayali, as Hindi, as every kind of Indian person imaginable.

I’ve also seen him be written where he’s subjected to typical Indian and broader Asian stereotypes. You know the ones I’m so fond of calling out. The thing is, I’ve seen so much of Pavitr being presented in so many different ways, and I worry how the rest of the desi folk will take it. 

You finally have a character who could be you, but now he’s someone else’s plaything. Your entire life is shaped by what you can and can’t do simply because you were born to an Indian family, and here’s the one person who could represent you now at the mercy of someone else’s whims. He’s off living a life that is so distant from yours, you can hardly recognise him.

It shouldn’t hurt as much as it does, yeah? But, again, you’re looking at it from that infinitely narrow lens Westerners use to look at India from Bollywood.

AND PAVITR PRABHAKAR DOESN'T LIVE IN INDIA

He lives in Mumbattan. He lives in a made-up, fictional world that doesn’t follow the way of life of our world. He lives in a city where Mumbai and Manhattan got fucking squashed together. There are so many memes about colonialism right there. Mumbattan isn’t real! Spider-Man India isn’t real!! He’s just a dude!! The logic of our world doesn’t apply to him!!!

“But his surname originates from ______” okay but does that matter?

“But he’s wearing a kalari dhoti so surely he’s ______” okay but does that matter?

“But his skin colour is darker so he must be ______” okay but does that matter?

“But he lives in Mumbai so he must be ______” okay but does that matter?

I sound insensitive and brash and annoying and it looks like I’m yapping just for the sake of riling you up, so direct that little burst of anger you got there at me, and keep reading.

Listen. I’m going to ask you a question that I’ve asked myself a million times over. I want you to answer honestly. I want you to ask this question to yourself and answer honestly:

Are you trying to convince me on who Pavitr Prabhakar should be?

... but why shouldn't i?

I’ll tell you this again — I did the same thing. You’re not at fault for this, but I want you to just...have a little think over. Just a little moment of self-reflection, to think about why you are so intent on boxing this guy.

It took me a while to reorganise my thinking and how to best approach a character like Pavitr, so I will give you all the time you need as well as a little springboard to focus your thoughts on.

SPIDER-MAN (INDIA) IS JUST A MASK

“What I like about the costume is that anybody reading Spider-Man in any part of the world can imagine that they themselves are under the costume. And that’s a good thing.”

Stan Lee said that. Remember how he was so intent on making sure that everybody got the idea that Spider-Man as an entity is fundamentally broken without Peter Parker there to put on the suit and save the day? That ultimately it was the person beneath the mask, no matter who they were, that mattered most?

Spider-Man India is no less different. You can argue with me that Peter Parker!Spidey is supposed to represent working class struggles in the face of leering corporate entities who endanger the regular folk like us, and so Pavitr Prabhakar should also function the same way. Pavitr should also be a working class guy of this specific social standing fighting people of this other social standing.

But that takes away the authenticity of Spider-Man India. Looking at him through the Peter Parker lens forces you to look at him through the Western lens, and it significantly lessens what you can do with the character — suddenly, it’s a fight to be heard, to be seen, to be recognised. It’s yelling over each other that Pavitr Prabhakar is this ethnicity, is that caste, this or that, this or that, this or that.

There’s a reason why he’s called Spider-Man India, infuriatingly vague as it is. And that’s the point — the vagueness of his identity fulfils Lee’s purpose for a character that could theoretically be embodied by anyone. If he had been called “Spider-Man Mumbai”, you cut out a majority of the population (and in capitalist terms, you cut out a good chunk of the market).

And in the case of Spider-Man India? Whew — you’ve got about a billion people imagining a billion different versions of him.

Whoever you are, whatever you see in Pavitr, that is what is personal to you, and there is nothing wrong with that, and I will not fault you for it. I will not fault you for saying Pavitr is from Central due to the origins of his last name. I also will not fault you for saying Pavitr is from South due to him practising kalaripayattu. I also will not fault you for saying he is not Hindu. I also will not fault you for saying he is a particular ethnicity without any proof.

What I will fault you for is trying to convince me and the others around you that Pavitr Prabhakar should be this particular ethnicity/have this cultural background because of some specific reason. I literally don’t care and it is fundamentally going against his character, going against the “anyone can wear the mask” sentiment of Spider-Man. By doing this, you are strengthening the walls that first divided us. You’re feeding the stratification and segmentation of our cultures — something that is actually not present in the fictional world of Mumbattan.

Like I said before: Mumbattan isn’t real, so the divides between ethnicities and cultural backgrounds are practically nonexistent. The best thing is that it is visually there for all to see. My favourite piece of evidence is this:

It’s a marquee for a cinema in the Mumbattan sequence, in the “Quick tour: this is where the traffic is” section. It has four titles; the first two are written in Hindi. The third title is written in Bengali*, and the fourth title is written in Tamil. You go to Mumbai and you won’t see a single shred of Bengali nor Tamil there, much less any other language that's not common in Maharashtra (Western India). Seeing this for the first time, you know what went through my head?

Wow, the numerous cultures of India are so intermingled here in Mumbattan! Everyone and everything is welcome!

I was happy, not just because of Tamil representation, but because of the fact that the plethora of Indian cultures are showcased coexisting in such a short sequence. This is India embracing all the little parts that make up its grander identity. This scene literally opened my eyes seeing such beauty in all the diverse cultures thriving together. In a place where language and cultural backgrounds blend so easily, each one complementing one another.

It is so easy to believe that, from this colourful palette of a setting, Pavitr Prabhakar truly is Spider-Man India, no matter where he comes from.

It’s easy to believe that Pavitr can come from any part of India, and I won’t call you out if the origin you have for him is different from the origin I have. You don’t need to stake out territory and stand your ground — you’re entitled to that opinion, and I respect it. In fact, I encourage it!!!

Because there’s only so much you can show in a ten minute segment of a film about a country that has such a vast history and even greater number of cultures. I want to see all of it — I want him to be a Malayali boy, a Hindi boy, a Bengali boy, a Telugu boy, an Urdu boy, whatever!! I want you to write him or draw him immersed in your culture, so that I can see the beauty of your background, the wonderful little things that make your culture unique and different from mine!

And, as many friends have said, it’s so common for Indian folks to be migrating around within our own country. A person with a Maharashtrian surname might end up living in Punjab, and no one really minds that. I’m actually from Karnataka, my family speaks Kannada, but somewhere down the line my ancestors moved to Tamil Nadu and settled down and lived very fulfilling lives. So I don’t actually have the “pure Tamil” upbringing, contrary to popular belief; I’ve gotten a mix of both Kannada and Tamil lifestyles, and it’s made my life that much richer. 

So it’s common for people to “not” look like their surname, if that’s what you’re really afraid about. In fact, it just adds to that layer of nuance, that even despite these rigid identities between ethnicities we as Indian people still intermingle with one another, bringing slivers of our cultures to share with others. Pavitr could just as well have been born in one state and moved around the country, and he happens to live in Mumbattan now. It’s entirely possible and there’s nothing to disprove that.

We don’t need to clamber over one another declaring that only one ethnicity is the “right” ethnicity, because, again, you will be looking at Pavitr and the rest of India in that narrow Western lens — a country with such rich cultural variety reduced to a homogenous restrictive way of life.

THE POLL: REINTERPRETED

This whole thing started because I was wondering why my little poll was so skewed — I thought people assumed I was asking them where he came from, then paired his physical appearance with the most logical options available. I thought it was my fault, that I had somehow influenced this outcome without knowing.

Truth is, I will never really know. But I will be thankful for it, because it gave me the opportunity to finally broach this topic, something that many of us desi folk are hesitant to talk about. I hope you have learned something from this, whether you are desi or a casual Spider-Man fan or someone who just so happened to stumble upon this. 

So just…be a little more open. Recognise that India, like many many countries and nations, is made up of a plethora of smaller cultures. And remember, if you’re trying to convince Pavitr that he’s a particular ethnicity, he’s going to wave his hand at you and say, “Ha, me? No, I’m one of the people that live here in the best Indian city! I’m Spider-Man India, dost!”

(Regardless, he still considers you a friend, because to him, the people matter more to him than you trying to box him into something he’s not.)

*Note: thank you dear anon for letting me know that the third title was Bengali, twas my mistake for literally completely forgetting

[kkolg]

Look who made their boyfriend a fursonaaaaaaaa

meeeeeeeeee

[mochaccino-river]

should've gone to a professional man smh

inspired by a piece of osomatsu-san fanart that i can't find anymore for the life of me😭 if i ever do, i'll link it in a reblog

[misspenguinchaos]

let my boy paint :(

there ain’t enough art of p.AI.nter,,,

[crumboat]

Vers w and w/o backrounds

[captainschaos]

< CAPTAIN'S SLIMECICLE CINEMATIC UNIVERSE TIMELINE >

It's here!!! This is it!!!!! well okay tbh it's still very rough, there's a lot of detailwork that is kind of loose and stuff I'm still theorizing/thinking about, but this is the big look! I also cut down on a lot of the stuff about characters to focus on the timeline itself, so I might make a follow-up post with that stuff because ily council. But this is my interpretation of the scu timeline! I know there's a lot of malleability when it comes to the scu, but even within that there's certain parts I kinda took and ran a bit far with, so hopefully it all makes sense. The line between interpretation of canon and creation of headcanon is thin. Also, since my timeline isn't actually a line, it'd be a bit hard to watch along with, but I'll link the playlist of my personal preferred viewing order anyway HERE! And without further ado, here's my timeline :]

[Long post below the cut- enjoy!]

The Slimecicle Cinematic Universe follows the path of Slimecicle, one of many players who wish to achieve god-power. Players are able to travel between realms with ease, but altering those realms? That takes a considerable amount of power. However, this is not unachievable, and Charlie is one among a group of players attempting to become godlings.

VOCAB I USE: 

Godling: A being of god-power that can alter realms, and primarily uses it for creation.

Demonling: A being of god-power that can alter realms, and primarily uses it for destruction. 

Realm: What we would think of a minecraft world, a separate place that players travel to when they find new places. 

World: Within a realm, it is the earthen spirit itself. More abstract, but a powerful force to be interacted with, and has some semblance of life, magic, and almost sentience itself. 

Dimension: The Overworld, Nether, and End are different dimensions. 

Player: a person who largely interacts with realms, able to move between many, and able to become a godling if powerful enough.

Wild spirit: a spirit somewhere between a person and a beast, connected to the world as opposed to the way players can interact with realms. While both players and wild spirits can be connected to mobs, the connection is generally stronger and more widespread for wild spirits. 

God-power: Expressed by things like creative mode, op, and VR, powers that can alter realms and enforce some kind of control over players within them. 

Plight: What happens to a godling when they are forced to die without respawning or in an otherwise more permanent/impactful way, an effect other than a mortal death. Can be broken out of, but is incredibly difficult, and can have lingering effects unless truly ended. 

< PRIMARY CHARACTERS >

Charlie “Slime” Slimecicle:

Godling of food, enchanting, crafting, and smelting

Plight: DEATH (if worn down enough, he will not suffer a normal plight as other godlings would, but would become mortal and truly die)

Middle child

A shapeshifter by nature of being a slime, and his natural adaptability seems to be related to his proficiency with god-power. 

“Condi” Condifiction: 

Godling of other dimensions

Plight: caged (trapped in a location/pocket dimension of his own, and more importantly, trapped in his own mind in a whirl of penned-up hyperactivity that brings insanity)

Eldest

Condi, Charlie, and Grizz don’t remember if they’re biological brothers or not, but they grew up together, and Condi was always the most adept, the “alchemist assassin,” who kept them safe. 

Grizzly(plays): 

Godling of nature, weapons, and tools

Plight: shackled (forced to comply to the orders of the being that killed him, though it may appear as if he has respawned as normal. Can also more generally inhibit his ability to use his own power as he wishes)

Youngest (twin with Bizly)

Has gained animalistic traits from swapping power with Bizly, mainly vaguely bear/doggish. Since meeting they called themselves twins, and through this exchange have no reason to say they do not fit the word. 

Bizly(channel): 

Godling of mobs

Youngest (twin with Grizzly)

Plight: muzzled (at the most extreme is forced to disappear completely, being entirely unable to be heard or perceived by anyone. Can also more generally cause his words to lose meaning, and it is supernaturally difficult for him to be taken seriously or listened to.)

The only member of the Council who did not grow up with the group: he was a wild spirit (wolven) that was discovered by Grizzly, and slowly honed shapeshifting powers and traded bits of magic with Grizz to walk with players. 

(J)Schlatt: 

Demonling of food and nature

Grew personally slighted by Charlie and the Council, and eventually trapped them in a separate timeline of his own creation to attempt to kill Charlie. 

< TIMELINE OVERVIEW >

Begins with IF ONE PERSON DIES EVERYONE DIES

The VR SERIES (videos marked with vr.) and CHARLIE’S ESCAPADES (videos marked with esc.) then happen at the same time, with the final video of the VR Series being when Schlatt’s timeline is created.

Charlie's escapades then repeat in Schlatt’s timeline, followed by NATURAL DISASTERS, HARDEST DIFFICULTY, and 100 DAYS. 

At the end of 100 Days Condi activates the time loop, which he cannot use to break out of Schlatt’s timeline but he can use to bring everyone back to the beginning of it.

CHARLIE’S DREAMSCAPE ESCAPADES (videos marked with drm.) take place in the haze between his death at the end of 100 Days and him fully being transported by Condi to the beginning of the time loop.

< THE TIMELINE >

MINECRAFT, BUT IF ONE PERSON DIES EVERYONE DIES: 

The conflict between Charlie and Schlatt begins here. Charlie is a trickster spirit at heart, and it is consistently seen to overlap with his joy in experimentation and creation, leading his pursuit for godly power.

This is one of the first places Charlie goes to try and hold his own among others who are growing in power like he aims to, and he at first struggles, as seen in how he fails to survive for long. However, he quickly makes use of this mechanic in his own way, and uses the forced respawns to tease the others. When Schlatt joins, this is especially targeted at him, to his infuriation. 

Schlatt goes to Carson, who appears to be the leading godling of this realm, to ask for Slime’s removal, but he says that “I’m not sure that I can really do that.” This hints to some sort of power Charlie has that is potentially greater than even Carson and Schlatt, the most powerful entities there. In the same conversation it’s said that Schlatt is a broken record, hinting that he has trouble often with wanting to control others and remove them if they bother him. 

This showcases the conflict of the whole series: The rising godling Charlie Slimecicle threatening the power of the demonling Schlatt. 

MINECRAFT IN VR IS ABSOLUTELY TRAUMATIZING (vr.): 

Charlie, Condi, Grizzly, and others begin working in a realm where they start experimenting with more control over their world, specifically by exerting control over themselves and their physicality in the plane (expressed through vr use). 

Narwhal is notably present from the very beginning, as a figure of power among the group, and Wheatie is also a member from the start. 

The excursion near the end of the video to the Nether is most notable as it is recalled in a flashback during the 100 Hunters video, specifically when Condi falls into the lava while bridging. 

MINECRAFT IN VR WILL HURT YOU IN NEW WAYS (vr.): 

Notably Schlatt joins this world, and it’s clear Charlie has a slight position of power over him in this place, and it makes him uncomfortable. 

Bizly also enters the scene in this video, first in a beastly purple and gold skin, then mimicking Herobrine, slowly changing from a more beastly form to that of a player. He was a wolven wild spirit found by Grizzly, and as he gave some of his power to Grizzly to assist his path toward godhood, he gained power from Grizzly that helped him act as a player. 

At the end of this video, Charlie, Condi, Grizzly, and others all partake in first a spleefing tournament, then a “gladiatorial bloodbath” which Charlie wins. Bizly watches this battle, and Narwhal and Wheatie both appear to have been utilizing god-power (creative mode) to create the arena, pouring power into it that Charlie proves himself best suited for. This is another of the beginning signs that he excels in this power.

Schlatt is not present for these later events.

I INVITED YOUTUBERS TO PLAY MINECRAFT VR AND THIS HAPPENED (vr.): 

The rest of the council is not present, but Schlatt and other figures on the server are. 

This video is largely just an example of Schlatt attempting to show he’s more powerful than Charlie, and Charlie continuing to fuck with Schlatt and generally make things worse. 

Poppies make an appearance in the video, as an attempted and rejected peace offering from Charlie to Schlatt. 

MINECRAFT VR HAS DRIVEN MY SOUL FROM MY BODY (vr.): 

The video immediately starts off with Charlie and Travis claiming that Schlatt seems upset, while he vehemently denies it. 

Schlatt also seems to be using the same kind of worldbending power Charlie has been utilizing in this video (VR), potentially as yet another way to try and maintain power over him. However, Charlie continues to prove he has greater knowledge and control over this power, and then Schlatt injures himself while utilizing the physicality-altering power, and this pushes Schlatt over the edge. 

Schlatt gives an apple to Travis, taking control of him, though the power of the fruit isn’t known to anyone but the goat demonling yet. Travis begins to follow Schlatt and work with him to attempt to capture Charlie and then kill and cast a spell on him. It is with the symbolic death in the grave that Schlatt manages to latch onto Charlie’s spirit and begin creating a separate timeline in which he has control over Slime and the Council. 

The rest of the video is a semi-hallucinogenic experience Charlie has as the spell is cast and he, along with his friends, are trapped in Schlatt’s timeline. 

Travis is killed, and with this lifeforce and the ritual he enacts over Charlie, Schlatt puts his foot in the door to start working toward making Charlie mortal, and finally get back at him for the ways he’s taunted him.

ROLL (esc.): 

Narwhal is given power in a realm of Charlie’s, a compromise to utilize Narwhal’s power and allow Charlie to attempt to expand his own. This was an idea proposed to Narwhal by Charlie not long after the creation of the VR realm, as Charlie started to come into his own in that kind of power and became more and more excited about the possibilities. 

Flowers make an appearance as a protective entity. 

During this video a site reminiscent of Molympus is also created, as an island floating above the land is created by the die. 

Near the end of the video the die is dropped by Narwhal and Charlie gains control of it, and more of Narwhal’s power is passed to him. He is immediately able to use its power far more rapidly than Narwhal, and the world is destroyed by their battle. In the destructive blast, Condi, Bizly, and Grizzly are able to escape with the more powerful Charlie, but the weakened Narwhal and Wheatie fail to escape, and are destroyed, their power shattering and being absorbed by the newest godlings, the Council. 

MINECRAFT, BUT IT’S PAY-TO-WIN (OR LOSE) (esc.): 

After the blast, Charlie blames himself for Narwhal and Wheatie’s deaths, so he sets out to experiment with his newfound power on his own. 

This is the most raw of Narwhal’s remaining chance power, which Charlie begins to learn to harness by not being able to control exactly what it does, but by being able to shift how likely each effect may be (changing prices).

MINECRAFT, BUT EVERY BLOCK FIGHTS BACK (esc.):

Condi and Grizzly, concerned for Charlie, ask him to let them help with his experimentation, and suggest they ask Schlatt to come into the equation as another power on par with Narwhal to help. However, they decide that all will be on equal grounds to hope to preserve everyone equally, so Schlatt is not put in godly status. Bizly is missing from this video, having been pushed to the side by Schlatt, unbeknownst to the others. 

Charlie is the only one with god-power (op) to begin with, but he is walked through much of it by Schlatt.

Grizzly is at one point cornered by Schlatt, and threatened with an apple. Grizzly would have no way of knowing of the fruit’s power, and yet he immediately recognizes it and reacts with intense fear. This is some of the strongest evidence for a time loop, with residual memories that would allow Grizzly, the most affected by Schlatt’s use of apples, to remember it when face-to-face with it. It is also important to note that while Charlie does not seem to remember as much as Grizz, he is the one to send Schlatt away by overpowering him with more apples. 

After this, Charlie says he has given god-power in the realm to all members (op), which Schlatt immediately makes use of to try and seize power. 

After this the whole group slowly devolves into using their power more and more. It’s clear Condi, Grizzly, and Charlie have become just as adept at it as Schlatt, using it for jokes and cheats. 

MINECRAFT, BUT IT’S WAY MORE TRAUMATIZING (esc.): 

After the last escapade, Condi and Grizzly suggest they go to their own realm without Schlatt, and Charlie agrees. Because they do not have quite as much control the world becomes far more dangerous. 

This also could be the way they searched for Bizly after he had been missing for some time, as he is more beastlike in origin. This world may even be his creation, not Slime’s, which would further cement why they did not utilize creative god-powers. 

This video also showcases the tendency Charlie and Grizzly are characterized by in wanting to find ways to live amongst the challenges that face them, not necessarily fight to escape. They are far more inclined than Condi to settle in their tower and hunker down there and learn to live with the dangers around them, which is an attitude they continue to showcase in how they handle the timeloop. 

MINECRAFT, BUT 100 PLAYERS ARE HUNTING ME (esc.): 

Bizly has returned to the group, and goes along with Condi and Charlie for the next of Charlie’s exercises in his power. 

This is another example of Charlie’s experimentation with randomized power, as a bunch of random people are spawned in and create entropy in their path. 

Halfway through the video, after all three of them have died, Charlie resorts to using his god-powers, but it is too explosive and causes the world to crash. He shows his growth by reining in it quickly though. 

There is an explicit flashback to the escapade to the nether in the VR series, when Condi fell before. This time, he does not fall. 

Thatoneperson is an important figure, and is clearly more than just a hunter. They exhibit godlike power that hints at them potentially being Schlatt in disguise. This would be the chance used to muzzle Bizly, when the ordeal with Thatoneperson being killed leads to his being pushed off the fortress, a death that could be latched onto to muzzle him. This takes gradual effect, and he remains for the rest of the video, but is missing from Natural Disaster. 

In the End fight with the dragon, Charlie yet again exhibits god-power to summon every hunter to fight by their side. 

<< THE TIME LOOP BEGINS. >>

Charlie’s escapades all repeat in this timeline but under Schlatt’s watch, no longer as a way for Charlie to grow, but a way to torture the Council and weaken them. 

MINECRAFT, BUT EVERY 5 MINUTES THERE’S A NATURAL DISASTER: 

When Charlie eats the apple early in the video, it accomplishes what Schlatt began doing right before the time loop was created: it makes him mortal. He can now truly, fully be killed, if done in a way powerful enough to stop his respawn. 

Immediately after this Charlie is notably able to give Grizzly an apple as a help, not a hindrance, which could be tied to his emerging domain over food. Grizzly’s domain over nature also begins to emerge as he gives poppies that begin to work as protective symbols. 

Schlatt quickly gets them to build him a church, showing how he’s trapped them in a state they forget their own emerging god-power, and taunts them with the light to the command blocks later, showing the torturous pointlessness of the whole experience. 

Grizz becomes shackled by Schlatt at the final volcano, but Charlie is able to take control of the realm from Schlatt and Grizz is able to break out to an extent. Schlatt does still remain in power over the timeline as a whole though, and retreats to regroup.

THE HARDEST MINECRAFT DIFFICULTY: 

With picking the chests at the start of the video, the Council solidifies their domains of power as godlings. They had already began developing these, but this used some of the last chance magic Charlie had from Narwhal to allow them to concentrate their power into stronger, more specific areas. This whole video is an example of the Council going all out with their powers, and truly testing their limits. 

When the apple is given to Grizzly and he falls, he becomes shackled again. Though Schlatt is not in this world, he is pulling the strings as this happens in his timeline, and so the shackled Grizzly is still forced against his brothers. However, he strains against his restraints, and manages to make the fight fair enough that his brothers can beat him. 

The wolves were supposed to just be a joke. A joke between twins. Bizly’s wolfish, he wouldn’t really hurt them. If Condi hadn’t spawned them in the nether, it would have just been an illusion, a prank. It was just bad luck. “I may have been the boy who cried for the wolves, but I will not cry for you.” When shackled, and with Bizly muzzled, Grizz forgets that Bizly was the dearest wolf he cried for. 

In Grizzly’s last moments, Bizly, who had been fighting against his own plight for a while now, sees that Grizzly’s being controlled by his own and he can either be shackled in the mind as his body fights his family, or he can be shackled fully as a ghost that cannot act against them. In saving Grizzly, Bizly has to kill him to turn the shackles to a kind Grizzly can fight out of. He barely manages to reach through enough to help them get to the end, but his shackling means he cannot be in the world with them, and even that small effort to help them doesn’t have any real use.

WE SPENT 100 DAYS IN HARDCORE MINECRAFT: 

Charlie has forgotten everything. After Hardest Difficulty, the Council continued to try and live their lives, but in the wake of Grizzly’s absence Condi threw himself into research, locking himself in his labs for long stints of time, feeling something was off about Grizz’s “death.” He was eventually caged there, and Bizly faded further under his muzzling as Schlatt used this opportunity to take them all away from Charlie. 

Schlatt then created an environment filled with death: a zombie apocalypse. Natural disasters also, notably, play a large role. This would be the final trial where he wore Charlie down to the point he could kill him.

Each of the Council appears in a diluted way how they can through their plight, and Bizly, having fought his off the longest, is able to work through his in many ways. He appears first out of the Council as Florida Man, accompanied by wild animals that he can interact with as a wild spirit.

Tommy enters, a wild spirit (zombie) who has started to move toward a player form and demonling power very similarly to Bizly. Grizzly ended up trading power with Bizly because they were at similar power levels, but Schlatt is able to give without any side effects because of his immense power, and Tommy comes into power over the 100 days as a demonling under Schlatt.

Charlie finds Condi’s lab where he’s been caged, and reads hints in Condi’s diary that he remembers what was done to Grizzly and is trying to fix it by recreating the world. His caged mind does not recognize Charlie, but Charlie is able to help Condi partially break out of his cage, and he is able to go out into the world though much of the mental caging effects linger. 

“In the new world, Charlie, everyone will be happy. Because I’m going to be a god.” He knows.

Condi is not successful in hopping worlds- he hops times back to the beginning of Schlatt’s timeline. He can’t escape it completely, but can form a time loop so they can try again. It doesn’t seem like it’s worked at first, but it is in the moments between a death and respawn that he can transport them, and so he is able to go back when he “dies.”

The Blood Bachelor’s arena somewhat resembles the arena from the VR series, yet another ritual to whittle down Charlie’s mortality. 

Ranboo is another upcoming godling/wild spirit, this time pulled in by Charlie, talked about more in the section for Beating Minecraft w/ Ranboo. He may have some idea of the fact that the apocalypse was created by Schlatt, twisted to be expressed by his conspiracy. 

Wizzly is the still shackled Grizzly, fighting to regain control of his powers. He has some version of his own knowledge of the timeline as a whole, knowing that Charlie is the “protagonist,” the focus of Schlatt’s attention. 

On day 99, Schlatt comes with apples, his strongest weapon. This is when Charlie starts to remember, and fears him, but the reminder of Bizly and the others pulls him away just before he eats. Bizly, who Charlie can barely remember, but with the knowledge Schlatt forced on him he now realizes has been working to keep him safe even though he’s a faded version of himself. Charlie then goes back, hoping he can bring him back before he’s faded completely, and he’s able to call him and the others for the final battle.

In this fight Tommy is seen wielding god-power, as he has become a demonling over the 100 days.

Charlie uses Condi’s machine to world-hop, and here, in a realm of Condi’s power, Schlatt attempts to finally, fully, kill Charlie. But in the moment where Schlatt kills him and attempts to stop him from respawning, Condi’s power is able to take Charlie not to mortal death, but back to the beginning. They will try again until they are all saved. Until Bizly is unmuzzled, Grizzly unshackled, Condi uncaged, and Charlie survives. 

It is also worth noting that Bizly, Grizzly, and Ranboo were left behind, but at the mention of Charlie, Grizzly summons zombies, saying “let’s do it all again, run it back from the top”, and they are killed too, allowing them to be transported as well as Condi begins the timeloop.

<< THE TIME LOOP IS ENGAGED. >>

BEATING MINECRAFT AS A SLIME (drm.):  I FINALLY BEAT MINECRAFT FOR THE FIRST TIME… (FT. RANBOO) (drm.): 

Both of these videos serve roughly the same purpose, as hallucinations/dreams Charlie experiences between time loops. There are many variations of them, all being very rudimentary ways of him changing a world and seeing how he fares, similar to his original escapades when growing his god-power. He begins to encounter Ranboo, a wild spirit of the place between dimensions (hence the enderman/End and ghast/Nether influences) that manages to interact with these dreams as Charlie moves between dimensions/times, and is eventually pulled into the timeline through Charlie’s power. However, he also begins to move toward godhood as a result of being gifted some of Charlie’s power. 

These are the beginning of Charlie potentially being able to not only alter a realm, but create entire realms of his own.

[paintedsand]

I’m gonna be honest, whenever I read people’s posts talking about dead boy detectives i immediately think of lawlight, because if that isn’t like the best description of them idk what else to tell you

(I don’t know what dead boy detectives is I’m sorry)