#anyway read space opera by
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Alright obviously the plot has to include a journey around the (eurovision) world. Undertaken by a ragtag group of humans and aliens looking for someone to replace Decibel Jones and the Absolute Zeroes in the next Metagalactic Grand Prix
Anyway I'm tempted to nominate "Tausend Fenster" for Austria but I'll leave that decision to the followers and mutuals-in-law who might have more informed opinions
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hey tumblr let's make a eurovision jukebox musical, one song from each country, no winners allowed
I don't know the plot yet but on behalf of Norway I nominate this glorious quintessence of the eighties
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#look I think it might slot nicely into some kind of plot#anyway read space opera by#catherynne m. valente#if we do go with the aliens or even just humans obviously they end up being the band against all odds and intentions#eurovision#Youtube
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2024 reads / storygraph
The Principle of Moments
start of a scifi space opera series
a teen girl in the far future where humans are oppressed learns she has a destiny & a lost sister and escapes
and a young time traveler who’s given up trying to find his father through time, and is about to settle in 1812 with the prince he loves, but is unwillingly thrust into the future
they both learn their fates are entangled by a prophecy, and have to race across the galaxy, followed by a galactic emperor and the legacy of heroes from an ancient religion
#The Principle of Moments#aroaessidhe 2024 reads#this started off pretty good - interesting characters and worldbuilding; easy to read#but it felt like a bit too much was going on and I kinda checked out from the last third and didn’t care anymore.#It felt very much like the plot was just happening to the characters and they didn’t have much effect on it all.#It’s very classic space opera chosen one story! it’s fun and ambitious! a lot of doctor who vibes -#but also like if you tried to fit the entirety of timelord lore into one or two episodes haha.#It also had a couple classic space opera pitfalls.. like how this evil alien race was described as looking evil (in various ways). hm.#I actually really loved the writing style of the excerpt snippets in the beginning and would have been keen for most of it to be like that.#but also probably with the book being shorter.#there’s humor thrown in there that was sometimes funny but also sometimes awkward.#The time travelers speak very modern (despite none of it being set in the present) which like - obviously anachronism is gonna be inherent#to time travelers but sometimes it felt awkward. or like.. the other characters didn’t comment on it?#There were a couple moments that felt like a tv script gag that just came across badly on the page#gay prince romance was cute but kinda was thrown in the deep end then it’s barely relevant for most of the story.#The whole london subplot felt unneccesary. The random romance subplot the girl gets felt out of nowhere.#anyway it's decent! just fell apart a bit and didn't live up to my expectations
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please sweetie why would you let them market it like that
#sorry just losing it at the concept of queering the incredibly queer space opera genre.#of all the genres space opera has got to be the queerest.#[identity] [occupation] in [setting]... pleassse why.#robin hobb ouvre i.e. straight guy bisexual assasin in fantasy land. you want to read it#anyway nobody take this to heart im in my weekly 15hr workday bad mood#AND remember i am biased because i would never even look at a straight space opera#lesbian furries of star trek book the entropy effect rise up etc#oh wait being mean again stop reducing important scenes to snappy clickbait
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new year new me i've heard of a date with death since last fucking year due to at least 3 friends but then start in the new year and immediately get obsessed and finish everything way too quickly. happy 2024!
#⋯ ꒰ა starry thoughts ໒꒱ *·˚#hey. at least my writing inspo is back.#even if my writing is a tad diff... as it always becomes :3#i need to read more again... my poetic touch is turning into comedy... which isn't bad but it isn't what i Need.........#but i'm reading more non-fiction sciency space books at#ATM*....... god#and then phantom of the opera and then the aenid#aeneid*.....!!!!!!! god x2#and then the nicomachean ethics so uh. yeah#oh... i will learn tarot cards :)) got a set from my teacher bcs he was my gift exchange LMFAO insane#it's kinda cyperpunk themed so it was funny. bro put a note 'haha don't open at school'#some of the cards sus af...!!! i wonder how he knows of this. anyway. cool teacher i love him normally
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Short stories and novellas are not a big thing into french literature. Basically the "noble" form of writing is a full novel here. So anyway, I still read short stories, because it is a part of SFF culture, and also it's a nice introduction to an author, when you're not sure if you want to dig into a 10 books saga. But upon reading short stories and novellas, I've found out that I often have the same problem with a lot of them: I often find them to be underdeveloped. Not bad at all, but I just need to have more you know. I think everything is happening too fast for me. I want to know more about the characters, more about the world... Obviously when it's short stories into an established fantasy saga, I do understand why the worldbuilding is not the focus. But yeah, I always wants to know more about the characters because I get attached to them, and for that I really admire writers who manage to make me attached to a character within a story under 200 pages. I mean it's the strength of short stories to get you emotionally invested with minimalist text. But yeah I think I've been too much fed with french novel elitism lmao.
#misc#books#just finished passing strange#it was overall good and very touching#but girl i forgot the magic part until we came back to it for the last two chapters#also i wanted to know the other characters more#also the empress of salt and fortune was so fucking good#should have been a whole novel#i've recently started reading some Ursula K Le Guin#because believe it or not#in France she's not that famous#i mean she's famous in sff spaces#but like she's been recently reedited and retranslated#and so im catching up on this massive hole#and i start with some short stories#which obviously didn't give me the whole story about her space opera universe but really made me wants to read more#anyway im definitely not anti short stories#i'm just not that used to short stories especially in sff#under 400 pages it's short#also while we're at it#why tf did french and english have a fight over so much literature terms???#short story= nouvelle#novel=roman#library=bibliothèque#bookstore=librairie#why are we like this
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OH BOY IS THERE. YOU HAVE ACTIVATED MY TRAP CARD. first of all, the reblog to this post is helpful for what i was specifically talking about--rome and egypt are set up as masculine and feminine respectively, figured by octavian and cleopatra, and antony is constantly vacillating between the two, which, no, does not make someone nonbinary, but i'm being silly. but the reason i'm being silly in this particular way is because antony's gender is HUGE in a&c, which is on some levels a play about the way gender is performed, especially masculinity. there's an absolutely fantastic essay that i will never fucking shut up about that examines the idea of antony's "dissolving" masculinity and his increasing inability to perform Manhood, which of course gets blamed on cleopatra (and on a metatextual level is commentary about performance and theater and how all of that makes gender lines squiggly). the quote i really like and never stop thinking about from said essay is:
If Troilus and Cressida is his [Shakespeare’s] vision of a world in which masculinity must be enacted in order to exist, Antony and Cleopatra is his vision of a world in which masculinity not only must be enacted, but simply cannot be enacted, his vision of a world in which this particular performance has broken down.
to quickly and probably poorly summarize Coppelia Kahn's essay on JC in Roman Shakespeare: Kahn says social life in Rome is driven by male-male rivalry/emulation, where you want to outdo the other guy so much that it becomes homoerotic. in this reading, portia and brutus and cassius are all terrified of being "penetrated" by weakness and thus showing themselves to be womanly. and i think there's SOMETHING there with antony as the guy who beats brutus pretty roundly in JC and thus proves himself effective/powerful = MANLY, and then some years later (in-story and on shakespeare's timeline) we get A&C, where antony is an absolute fucking failboat who gets compared to a eunuch and "bewitched" by a scary powerful hot woman (bucketloads of orientalism in the way this is portrayed obviously). i don't entirely know what it is! but there's something there! especially considering, well, y'know,
[image description: tags on this post left by @ganymede-time, reading: #antony and cleopatra #if ur such a man then why did you penis fail so hard at stabbing urself... with ur big dick sword... /end description]
remember how he stabs himself and DOESN'T DIE and then someone STEALS HIS SWORD it can't get worse than that
anyway, obviously it is not apt or even progressive/transpositive to call this "antony's nonbinary arc" but have you considered: i think it's funny
“mark antony in antony and cleopatra is nonbinary” is not really an ideologically coherent way of describing the section of my thesis on antony but it IS really funny to say out loud
#max.txt#antony and cleopatra#SORRY FOR BEING BONKERS IN YONKERS ABOUT THIS PLAY IT'LL NEVER STOP.#one of the reasons this is all relevant (allegedly) to my thesis about cleopatra (allegedly) is emery robin's The Stars Undying#which is a space opera retelling of the cleopatra/caesar love story#and the mark antony character is a butch lesbian. which is something i have Many Thoughts about#does butch mark antony make sense on a thematic level? hard to say. but it compels me.#anyway read the stars undying it's really really really good 100/10 very bisexual and SO fun if you like roman history#thesisposting
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a lover's pinch | seven
joel miller x f!reader
pairing: professor!joel miller x f!reader rating: explicit, 18+ mdni summary: things get a little messy after returning home. a confrontation sparks the beginning of a new stage in your relationship with joel. warnings/tags: au, university professor joel, age gap [20 something years diff], ethically dubious relationship due to inherent power imbalance, angst, miscommunication trope, self-doubt, alcohol consumption/hangover, joel is 50 and he texts like it, les mis spoilers???, phantom of the opera spoilers???, jealous!joel, food/eating, hurt/comfort, professor DAD, professor COWBOY, soft emotional smut, unprotected piv sex, cream pie, oral [f!receiving], joel says dadgum cause i think it's so classic him and so cute. word count: 11.1k jesus series masterlist | main masterlist chapter moodboard a/n: merry christmas to all that celebrate. as always, thank you for your patience and kindness. the love for this series is nothing short of mind blowing, and i appreciate you all endlessly. i hope you enjoy this angst and potentially the most flowery + emotional ALP smut yet [if that's even possible]. also rachel i love you i'm sorry. without further ado, the beginning of our descent into The End Times x follow @hier--soirupdates if you'd like to be notified when i share my writing this is part seven of ALP. you can read the previous parts here: one, two, three, four, five, six.
Tuesday.
It's nine thirty in the morning and you buy a Coke anyways.
It’s raining heavy outside; fat droplets of water that splatter against the windscreen of your car and dribble down, slipping through the crevice at the top of the bonnet, searching for the engine, for the oil gasket, for somewhere undercover to dry out.
You tuck your legs beneath yourself, sit criss-cross in the driver’s seat, and take small sips of fizzing black sugar. Allow it to moisten your lips, coat your tongue and your teeth in that sickening, viscous way soda always does, before it slips down your throat.
There’s something unearthly about the day, unnerving—it’s Tuesday morning and you’re hungover. A dull ache behind your left eye, a kink in your neck. You check your phone.
Thick, rolling clouds loom across the sky. Occasionally, a flash of lightning, a thrum of thunder. You tear open a packet of peanuts and pluck one out, and then another. Eat until your lips are dry and puckered, and then take another drink. More peanuts then. Salty, sweet, salty, sweet.
It’s all you can stomach as your liver pumps and spasms, still working to cleanse your blood of the night before, spent sprawled on the couch with Trin and Nora.
Wearing sweaters and thick socks, gripping full glasses of wine, and watching Les Misérables. Nora, tears on her cheeks, had sung along with Hugh Jackman—'This innocent who bears my face, who goes to judgement in my place, who am I?’—and you, bleary-eyed and tipsy, had discreetly checked your phone.
You didn’t cry during I Dreamed A Dream but you’re crying for this? Trin rolled her eyes.
He sacrifices his freedom to save that man, Nora whimpered.
You woke up starving and the traffic was slow. At every red light and stop sign your fingers itched against the wheel, desperate to press inside your bag and pull out this little packet. And now, safe in the campus parking lot, you feast. Salty, sweet, salty, sweet. You feel a fleeting moment of pity for people with peanut allergies, and then you check your phone.
Still nothing.
Since you left New York on Monday morning there’s been no sign of life from Joel. No get home safe, no see you on Tuesday; no acknowledgement at all.
You stare dejectedly at the messages you’ve sent him.
First from yesterday afternoon:
Home now. Enjoy your last day in the big apple x
And then from late last night, two bottles of wine deep:
It’s raining and miserable here
Wish I was still in new york
With you
Sitting in your car now, glowering at the blank space where his response should be, you reconcile with the thought that perhaps he wants what happened in New York to stay in New York. Stolen glances and all-too-brief touches in a conference hall, his hand on your wrist at the museum, skin against skin in his hotel room, and in yours—perhaps it was supposed to happen there, not here. The lowering of walls came with a change in location, and maybe that was his intention. But those thoughts don’t ease the sharp twist in your chest when you think of him. Doesn’t take away how much you wish he would give you something – a morsel of communication, even a single word of acknowledgement. For as hard as you try to understand, you can’t forget the look in his eyes when he touched you at the cloisters, the way he breathed your name into your mouth. Sewing the seed of JoelJoelJoel into in the soft folds of your brain, impossible to forget.
You don’t think about his dinner with Rachel. Don’t consider that something may have happened that night, something that changed his mind about you. Something that made him rethink the entire weekend as you slipped into the shower and out the door, leaving him alone in your hotel bed while you headed to the airport.
No. You don’t think about that at all.
When you make it inside, clothes wet and cool from the rain, you shake your hair out like a dog. Let droplets fly across the hall as you make your way into the lecture theatre; a drizzled trail left in your wake.
The room is full when you step inside, but there’s no sign of him yet. You collapse into an empty chair in the front row and wait. The final few students filter in through the door, shaking out umbrellas and wiping their feet. And for another ten minutes you, foolishly, still expect Joel to show up.
It’s only when the door creaks open and an old man walks through, that you let the hopeful feeling rest.
He lays a worn old satchel against the desk and turns to smile at the room.
“Hello,” the stranger smiles, and his jowls quiver as he speaks. “I’m Jerry Dorfman, a Professor from the literature department, and…”
You zone out for a second, eyes darting down to your phone screen. Nothing.
“Oh, and Professor Miller,” Dorfman says, as if he’s just remembered that he shouldn’t be here. Shouldn’t be standing up there, in his spot. “Is tied up with a family matter. I trust he’ll be back with us later in the week.”
A family matter?
Slick with rain, staring at this stranger stood in Joel’s place, you feel like a kind of newborn. Some fresh lamb, soaked in the blood and amniotic fluids of her mother’s womb, staring through unseeing eyes, hoping to glean some understanding of this moment. This sudden burst of light, this shocking cold after so many weeks of warmth, of sweat and strong hands on your skin, holding you close. But this is Eros; the blacksmith, the limb-loosener, the crusher. A deviation from stoking the flame to the suddenly desperate, grasping loneliness of feeling as though you are standing by a lover’s window, staring helplessly through the glass, and watching them from the outside. Alone.
Dorfman tries and fails to connect his laptop to the projector.
Numb fingers type;
Are you okay? Where are you?
But no response comes.
No, not until later that night, not until you’re tucked beneath the covers of your bed, showered and sleepy, does he finally reach out.
The clock has just ticked past midnight when your phone vibrates.
Hey, I had to stay in the city another day. Just landed at PWM. See you on Thursday.
A hot, jagged feeling swims in your gut as you read the message, and then reread it. Twice, three more times, searching for some hint of familiarity. Some indication that he has been thinking about you as much as you’ve been thinking about him. That the past weekend meant something to him, like it meant to you.
Minutes pass, and when you don’t find what you’re looking for, you fall asleep without responding.
Thursday.
Nora wakes up with a stuffy nose.
This always happens to me, she sniffs. I hate being sick.
The tiles in the kitchen are cold beneath your bare toes and rain smears heavily against the windowpane. You can hear fat blooms of thunder bellowing outside. Nora’s sullen, husky voice paired with the steam rising from your mug are all it takes to convince you to stay home with her.
The two of you spend the day curled on the sofa beneath blankets. You stare at your laptop, a document open on your screen with the title of an essay sitting pretty at the top. The cursor blinks and blinks at you, taunting you, daring you to write something, anything. But Sex and The City is playing on the tv, and Nora is snoring at the other end of the sofa, and you can’t help but watch the minutes tick by on the clock. Listen to Carrie and Miranda argue about Big, and wonder if Joel has even noticed your absence.
Trin gets home from class, and you follow her into the kitchen. Peel and slice oranges and apples and lemons while she tells you about her day. Boil them in sugar with cinnamon and star anise while she complains about an argument she had with her boyfriend. Add red wine and brandy while she tells you that her Dad sent her some money, and she’ll order take out for the three of you.
So together you huddle in the lounge and eat hot Indian food with your hands. Soak pieces of naan in tarka dal and saag paneer and top if off with mulled wine, unphased by the clashing of flavours in your mouths.
And you don’t check your phone, or look at the time, and you don’t complain when Nora asks, with glassy-eyes and spinach in her teeth, if she can put on another musical.
He’s a freak, Trin frowns at the TV.
He loves her, Nora implores, staring doe-eyed at a masked Gerard Butler.
Nor, Trin scoffs, he put a wedding dress on a mannequin that looks just like her. In his fucking lair, no less. That’s freak behaviour.
He has amazing sideburns though, Nora grins. So he gets a pass.
Your phone vibrates as Erik strokes a passed-out Christine’s face, singing help me make the music of the night.
Careful that Nora won’t notice, you pull it from beneath your thigh.
Where were you today?
You stare at the words for a moment and feel your lips curl into an disbelieving sneer.
“Oh, fuck off,” you mutter, and shove your phone into the crevice between the sofa cushions.
Wednesday.
A week goes by with no word from Joel.
No word from you either.
You stay home every day. Write and read and catch up on work and take Benadryl and sip soup and then you wake one morning, relieved to find that Nora’s cold has finally left your system.
So you tug on jeans, a sweater, and share a pot of coffee in the kitchen. Share quiet conversation with Pete in his shitty old Beamer as he gives you a ride to campus, and walk into Rachel’s lecture with zero expectation that today will be the day you finally see Joel again.
“We understand that Antigone is a victim of her father’s sins,” Rachel explains. “In the wake of patricide, of incest, every one of her actions is seen as a direct consequence.”
“Even her fate to be buried alive was sewn by her father’s unwitting actions,” she pauses, eyes searching the faces across the room, gauging reactions. “And, of course, this concept isn’t unique to Greek mythology. We see it plainly in the Bible, in Exodus; the sins of your father are to be laid upon the children… these themes of ancestral curses, of the inevitability of fate – they are integral to understand when looking at our tragic heroines. We saw it with Medea, we see it with Antigone, with Iphigenia, with Electra. Electra herself said, we are bound to acquiesce—”
An interrupting knock sounds against the door. Rachel’s head swivels around, eyebrows knitted in frustration as she calls for whoever it is to come in.
The door creaks open and her expression lifts. A saccharine smile spreads across her face, shoulders loosening.
“Joel,” she says warmly. “What can I do for you?”
A shiver wracks down your spine, toes curling in your sneakers.
The broad mass of him rests in the doorway. His head peeks past the wood, just a glimpse of his curls, his glasses, visible from where you sit. Your heart thunders in your chest, palms going damp at the prospect of this being the moment you finally see him again.
He speaks a few words in her direction, too quiet to catch, and then he’s taking a step into the room. His hand grips the edge of the door, keeping it open, and he casts a glance out towards the audience. Dark brown and searching, those eyes filter through countless faces until they finally land on yours.
And for a second, he doesn’t say a word. Just gazes out at you, eyebrows pulled together in the middle of his forehead, and then—and then he fucking looks back at Rachel. Your stomach goes hollow when you see the smile on her face. She lazes against the corner of her desk, and it feels like minutes go by as the two of you stare at him. And there’s something about waiting, you think, that feels like torture. That slow, painful build-up of pressure as you sit and stare and prepare yourself to discover who he’s here for. You or her.
You’re reminded painfully of a Graham Greene quote. A passage from The End of the Affair – one you’d, perhaps foolishly, found romantic when you read it that first time. Chosen words that had warmed your chest and made you feel light, lighter than air; the way only words could do sometimes.
‘Yes, Henry?’ and then ‘You?’ She had always called me ‘you’. ‘Is that you?’ on the telephone, ‘Can you? Will you? Do you?’ so that I imagined, like a fool, for a few minutes at a time, there was only one ‘you’ in the world and that was me.
Now, as you stare at Joel in the mouth of the doorway and memory of that passage sinks its hooks in, you feel only contempt for Greene.
For you had always read that passage imagining yourself as Sarah. And someone else, some misfortunate Maurice Bendrix, had fallen into your lap, and he was the ‘you’. But not you, never you. And it’s that pride which deceives. That pride which lulls us into false senses of security.
Joel says your name then.
Says, “Can I speak with you?” You, you, you.
And it should feel like relief, to hear your name on his lips again. But you catch the way he spares another glance, soft and sympathetic, in Rachel’s direction, and that sickly hurt isn’t abated.
Her face falls, but she smiles at you. Nods her permission for you to leave the room, and only when you’re halfway across the lecture theatre, bag swung over your shoulder, does she continue speaking to the class.
Palm flat against the door, he holds it open for you, making you press against him as you slip out of the room. It clicks shut behind you and he begins to move down the hall, leaving you to follow behind with no explanation. You assume that he’s going to lead you to his office, or anywhere more private than this, but a metre from the door Joel pauses abruptly, turns, and you slam into his chest with a huff.
“Jesus,” you mutter, stumbling a few steps back.
“Where have you been?” he glowers, brows drawn tight and angry over his eyes.
“What?”
“I’ve been busy,” you grit, glaring back. “Where have you been?”
“Busy?” he scoffs, shaking his head. “Yeah, I’ve been busy too. Busy teachin’ the classes that you don’t even show up for.”
“I’ve been sick,” you roll your eyes, unable—or perhaps just unwilling—to stray from nastiness, from spite. “My apologies, Professor.”
“Don’t—” Joel snaps, and flinches as quickly as the word comes out of his mouth, surprised by how harsh it sounds in the air between the two of you. He takes a step closer, voice low now—“Don’t call me that.”
“Fuck, what is your problem?” you huff, eyes widening, exasperated. “I missed two classes, it’s not a big deal.”
“And the silence?” Joel takes a step forward as he says it. Close enough now to see the smudges on the lens of his glasses. Close enough to see the muscle in his jaw twitch. Too close for public; too close for here. “Can’t even text me back, huh? What the hell is goin’ on with you?”
Your body pulls taut at that, hands balling into fists at your sides.
“Oh, you don’t like silence?” you hiss, matching his volume. “You can’t be serious. Joel, I didn’t hear from you for days after New York. Why would I waste my breath when it’s obvious you don’t want to fucking hear from me?”
“It was barely two days,” he shakes his head, shakes off the insinuation, shakes off whatever blame you’re trying to put on him.
“Two days,” you nod, smirking angrily. “Two days after we spent an entire weekend together. Two days after we kissed and fucked and practically went on a date.”
And the word date must elicit something in him. Some minute, man-brain trigger that snaps him to attention and helps him understand the hurt on your face, the tremble in your hands. Because he says your name, voice softening, posture loosening, every bit of his body language screaming out that he wants to step forward and touch you.
And he’s speaking again, voice low, but there’s people coming down the hall, heading your way. Two figures that you can’t make out through the haze of Joel in your immediate vision. So when he reaches out and touches your hand you flinch, jutting your chin over his shoulder. A warning. Don’t do this here.
One of them calls your name and you pause, mouth open. Drag your eyes away from Joel’s features to watch the figures get closer.
“Pete,” you force a smile. “Hey.”
You realise quickly how it must look; your sullen expression, Joel staring down at you with his shoulders hunched. He must understand at the same moment, because he takes a quick step away, folds his hands behind his back.
“Hey,” Pete takes a step closer. He glances warily between you and Joel, confusion colouring his face. “Everything cool?”
Stony faced, Joel looks between the two of you, posture stiffening the longer he stares at Pete. So much larger than him, taller and broader and far more intimidating. But a man with a secret to keep isn’t one to jump quickly at confrontation, so he keeps his mouth shut. Let’s you do the talking.
Ian catches your eye over Pete’s shoulder and offers a sleazy sort of smile. You swallow down a glare and hold Pete’s gaze.
“Everything’s fine,” you lie, taking a step towards them. A step away from Joel. “What’s up, what are you guys doing in this building?”
Pete’s eyebrows pull together, and he cocks his head at you. “Said you needed a ride home today. This morning, remember?”
“This morning,” you repeat, nodding slowly. You raise your hand and pinch the bridge of your nose, thinking quickly, mind a mess. “I, uh… right, look, Pete, I actually forgot I have a meeting with Professor Miller about my final essay this afternoon.”
“Your final…” Pete trails off, frowning. “Isn’t that due in like a month?”
“Yeah,” you say vaguely, and do not look at Joel. “I’ll find a way home later, okay?”
“I mean, sure. I guess,” Pete agrees reluctantly, reaching up to grip the strap of his satchel. “Call me if you need me okay?”
And Joel’s face turns to stone at the insinuation in those words. The idea that Pete could give you anything he couldn’t. That anyone would need to swoop in and save you from him.
The pair of you stand in silence for a moment, eyes trained on Pete and Ian’s retreating backs as they head down the hall. You watch and watch until they turn the corner, disappearing from sight, and only then do you exhale a breath of relief.
You contemplate leaving him there. Turning your back on him and returning to Rachel’s lecture, ignoring his texts and letting this all fade into some painful memory. But when you look at him again—at those big brown eyes that gaze back at you—you know you couldn’t if you tried.
“You look tired,” he frowns, and it’s not angry anymore. A little sad, maybe.
“I am,” you admit, and wonder if your face betrays how much of a role he plays in that exhaustion.
“Are you hungry?”
You stare for a moment, blinking slow, and then say, “Yeah.”
Joel nods, attempts a crooked smile, and says, “Let me take you to get something to eat.”
It’s silent in Joel’s car, aside from the soft patter of rain against his windows and the dull squeak of his windscreen wipers sliding it away. The truck glides through the winding streets of Biddeford, cruising down the main road and into the left lane of a fast-food drive thru. Orders you a burger, fries, nothing for himself, passing the bag into your lap and then continuing to drive.
The bun is soft beneath your fingers. Grease soaks your skin, and you taste beef, taste onions so soft, so sweet. A crimson dot of ketchup spattered onto your pants; a bright shock of mustard on your tongue. A fry here and there. Joel’s hand, outstretched fingers, sneaking across the centre console to steal one. You shift the paper bag on your lap, tilt the opening so it faces him, easier to access, but he doesn’t take another.
He grips the wheel and asks, “Do you want me to take you home?”
You think about Pete waiting for you at the house. Think about if Ian and that filthy smirk on his face and whether or not he’ll be there too. Think about having to flesh out your excuse, your lie, and finally say, “No.”
Joel keeps driving. You eat until your pants feel tight and the greasy brown bag is crumpled in your fist and he’s pulling his truck off the road and into a short driveway.
“Full?”
“Very.”
“Good.”
“Is this your house?”
“This is it.” He drags the keys out of the ignition and knocks the door open. It’s not long, barely a second, before he’s pulling yours open with a rough yank and a soft, “Door always sticks on this side.”
A vague sound spills from the back of your throat, and he guides you up a path towards the small home. Single storey, with a large brown door and windows decorating the outward façade. Your immediate thought is that it’s very Joel, but you stop the idea in its tracks. Remind yourself that maybe it isn’t your place to think things like that.
Inside it’s even more silent, even more tense. The two of you stand in the entry way, toeing off damp shoes. Your eyes flit around his front room, but it’s difficult to focus on anything. Too much to look at, too much you want to know, and you find it easier to just look at him.
“Realised you’d never been here,” Joel murmurs after a while. He shifts awkwardly on his feet, decidedly unsure of what to say as he rests beneath the weight of your stare. “This is the, uh, the livin’ room. Kitchen’s over there.”
When you don’t respond, he clears his throat, ticks his head towards the hallway. “Bathroom is down the hall. Bedroom too.”
You feel your face shift. Deadpan stare turns to surprise, to incredulity, to blatant anger.
“Oh, the bedroom, huh?” you smile, sardonic, cutting. Your throat feels tight. “S’that seriously why you brought me here? Ice me out and then come crawling back when you want something to fuck again?”
“Woah, hey,” his eyebrows shoot up, hands drifting forward like he’s trying to calm a startled animal.
“Don’t,” you hold up a shaking hand, eyes wide and wet suddenly. “Just… don’t touch me right now, okay? What are we doing here, Joel? Seriously.”
He says your name hard and fast, surprised by how quickly it’s all unravelling, spilling from you in a tidal wave.
And spill it does. The words are wet and watery, a tsunami of pent up emotions pouring from your mouth without permission, without forethought.
“I mean, we haven’t seen each other since New York. And I… I thought being there changed things between us. But maybe I was wrong… and then you pull me out of a lecture, bring me here and say my bedroom is down the hall? Am I just… do you just like having someone to fuck whenever you want? Is that it? Someone at your beck and call?”
Joel repeats your name, sharper this name. “Don’t put fuckin’ words in my mouth.” His face pinches in anger, hands dropping.
“When it’s not convenient you try to shake me off, but when it is—at a bar, or out of town—” you list them off on your fingers, eyes growing wider and wider. “Oh, you want me then?”
“That ain’t fuckin’ true and you know it—”
“Do I?” you scoff.
“I came that night when you texted,” he implores, voice raising, all wild-eyed and pleading. “You were drunk, and textin’ and you needed a ride.”
“I didn’t ask you to do that—”
“You didn’t ask me not too either,” he crosses his arms across his chest. “You wanted me to come. Don’t fuckin’ deny that now.”
You open your mouth but he’s too quick, matching your spill with his own now.
“And as if you’re any better?” he bares his teeth now, voice low. “As if you didn’t find out I was your teacher and keep fuckin’ me just for the thrill of it. As if you actually wanted me, and you weren’t just gettin’ off on chasin’ some forbidden fantasy.”
“I…” you gape at him, unafraid to let the hurt show on your face. “Is that really what you think of me?”
“What the fuck am I supposed to think?” he hisses, exhaustion evident in the way he runs a hand through his curls and sags against the door. “You tellin’ me I should believe that you just want me for what I am? A fifty-year-old teacher who spends his time giving fuckin’ speeches to people that are hardly listenin’? Who goes home to an empty bed? That’s what you want?”
And it deflates you, a little. The wounded expression on his face – the devastating truth in those words, splashed across his expression so plainly for you to see. Disbelief.
“Is that such a crime?” you ask quietly. “To want you… and have it be that simple?”
“You shouldn’t,” he shakes his head. Grimaces. “You shouldn’t want me, I’m—I’m no good for you.”
You swallow. Feel tears hot and sharp behind your eyes.
“Then why do you keep letting me?”
“Jesus,” he exhales, and his hand is on the hem of your shirt, pulling you closer, closer, until you’re pressed against his chest, hands coming up to grip his shoulders and steady yourself. “Because I can’t fuckin’ quit you, alright?”
“Because I don’t just want you when it’s convenient,” his lips curl around the word, disgusted by the insinuation. “Because I think about you all the god damn time and if I can only have you some of the time then I guess I’ll take it. Because if you want some fucked up fantasy, then I’ll play my part if it means I get you, I don’t care—”
You cut him off, lips firm and searing against his. He goes still for a moment, mouth parting with a surprised exhale, warm when you press inside with your tongue. And then warmer, salty; tears on his cheeks, on yours.
“That’s not what this is,” you whimper into his mouth, desperate for him to believe it. “It was never about that, it was about you, Joel. I want you.”
He kisses you again, slow. All of the anger and hurt and frustration pools out of the both of you, spilling from your mouths and into the air. His lips mould over yours and his hands are warm on your waist, your back, holding you tight against his chest. When you sniffle, he pulls back, forehead heavy against yours, and sighs.
“I’m sorry,” he rasps, eyes closed. “I missed you, I’m so sorry, I didn’t mean for—"
“Where were you?” you interrupt. “What happened in New York?”
He hesitates for a moment, nervous and calculating as he stares you down.
You wilt a little; dejected all over again. Recoil from him and quietly ask, “Why won’t you let me know you?”
Joel’s hand hovers in the air, as if contemplating reaching for you again, but then it drops and he says, “I was with my daughter.”
You blink.
Daughter.
Daughter?
“She lives there now,” Joel sounds a little breathless, cheeks pink as the words spill from him. “In New York, with her girlfriend. I’d planned to spend an extra day there with her, and then Nina—Nina cut her hand open at the studio and we had to go to the ER, and she had to get stitches and—” He pauses, waiting for you to jump in, to interrupt, to say anything. When you don’t, he takes a breath and continues. “And I wasn’t gonna stay any longer but Ellie was worried, and she needed me. She needed me there, and—and I’m never fuckin’ there, because she never needs me anymore. So I stayed, and I’m sorry I went silent but I was… I was takin’ care of my kid.”
You think it might be the longest—and the fastest—you’ve ever heard him speak outside of a lecture hall.
His eyes drift to something over your shoulder and his entire body seems to sag a little. But it isn’t sad. It’s a resigned, sort of relaxed thing that happens – the corners of his mouth tilt up and he smiles weakly.
You turn, follow his eyeline until you see them.
Pictures, so many pictures, lining the walls of his home. Ones you’d paid no attention to when you first stepped inside, but can now see clearly. Bright eyes and wide toothy grins.
Some of Joel younger, leaner, smiling beside a little girl with curly hair. Some of him as you know him now; scruffy and greying, beside a different girl. This one lanky and pale and grimacing toward the camera as if she were forced into being placed in front of it.
There’s one picture of the girls beside each other, teenagers maybe, sat on either end of a seesaw. The curly-haired girl is on the upper end, grinning madly at the lens, while the other sits with her feet planted firmly on the ground, laughing up at her. Two of them. Two daughters?
“Please say somethin’.”
There’s a picture of Joel and he’s holding a tiny little bundle in his arms, and he looks so young and so fucking afraid. Dark eyes wide and teary as he gazes down at chubby cheeks, his index fingers crooked around the edge of her swaddle. A warm feeling swells in your chest and your body softens the longer you look at it. He’s a father.
Joel says your name and when you turn his face is all twisted up, and he looks the smallest you’ve ever seen him. Almost curled in on himself.
“I should’ve told you,” he nods, brown eyes darting across your face in an attempt to decipher your silence. “I know that, and I—”
“I’m an asshole,” you interrupt softly, and the tears never left but now they feel heavier on your waterline. Begging to spill over again.
“Hey,” he frowns, hand coming up to cup your cheek. His thumb swipes at the soft skin beneath your eye, begging the wetness there to disappear. “Hey, hey, no—”
“I didn’t think…” you trail off, sniffling. A sickly cocktail of embarrassment and guilt and shame swirl in the pit of your stomach and you try to swallow it down, try to send it away, but it’s persistent. “I never stopped to think that something had actually happened, that you had… I feel selfish, Joel, I’m sorr—”
“You’re not,” he hushes, fingers curling into the hair behind your ear. “You didn’t know. I should’ve told you before, and I’m sorry.”
“I thought you were staying away because of me,” you offer a watery smile. “I thought maybe you and…” You can’t bring yourself to finish the sentence. Can’t make your lips form the name Rachel.
“No,” he shakes his head, jaw tight, as if reading your mind.
“Is she okay?”
“Ellie?”
“Ellie,” you roll the name around in your mouth. His daughter. “Yeah.”
“She’s okay,” he smiles, nodding. “They’re both fine.”
“And…” You look back at the pictures. Two. “And the other girl?”
“Sarah,” Joel says softly, pointing at wild curls and brown eyes that look just like his. And he must see the questions swirling in your brain because he speaks again. “I was twenty. My, uh, my girlfriend at the time didn’t know what to do. Didn’t wanna be a Mom, but didn’t agree with abortion, and we were so young and… well, I asked her to marry me cause it felt like the right thing to do, but she didn’t…” he shakes his head a little, a faraway look in his eye as he remembers it. “She said no. She never wanted that… so, after Sarah was born, I told her that she didn’t have to.”
“Didn’t have to?” you repeat the words, eyebrows furrowing.
“Didn’t have to stay,” he clarifies. Your lips part, surprised. “So, she didn’t, and we ain’t seen her since Sarah was a few months old.”
“Shit,” you whisper, eyes widening as the information finally starts to sink in.
“And Ellie,” he laughs then, gazing at a picture of auburn locks and shock grey eyes. “Well, that one showed up on my door some time fifteen years later. Been in ‘n’ outta foster care for years, and just started followin’ Sarah home from school one day. We did this little dance for a while; dinners and sleepovers and me slipping money into her backpack so she could buy lunch at school. And then one day she just… begged me not to make her go back to her own house. So I didn’t.”
“Wow, I…” you blink. “You adopted her? Alone?”
“I…” Joel pauses. Wets his lips, frowning as he collects his thoughts. “Alone is… I don’t think that’s the right word for it. You see Ellie was… Sarah and me, we just knew. She was family so fast. It was the only thing that made sense, you know?”
And it does, you suppose. The image isn’t hard to conjure. Joel at the dinner table with two teenagers on either side of him. Arguing over homework, over curfews, over what movie to watch. You can see the fondness in his eyes as he talks about them – the emotion laced through his words; we just knew.
“Tell me what you’re thinkin’,” Joel says, and that line between his eyebrows is back and it’s so deep that you can’t help yourself from reaching up and smoothing it over with your thumb. He catches your hand and holds it against the centre of his chest. Lets you feel the way his heart thuds heavily beneath the skin, a sturdy rhythm against your palm.
“It’s… it’s a lot to take in,” you confess, and his hand tightens over yours. “But I’m glad you told me.”
Brown eyes search yours, gaze heavy. “You sure?”
“Yeah,” you nod. “Yeah, I’m sure.”
“Okay then.”
You flex your palm against his chest. Dig your fingers into the flesh there a little.
“Can I…” he hesitates, eyes flickering down. “Do you… Can I kiss you?” You, you, you.
Your heart beats fast, and you feel his do the same, and Joel is a father, and two daughters, and I can’t fuckin’ quit you, and you’re breathing into his mouth yes, yes you can kiss me, please kiss me.
It’s warm and it’s gentle and it feels like such a kindness to kiss him now and feel less space between the two of you. Feels like a thousand apologies and explanations slipping off his tongue and you opening your arms to him, saying I understand, saying thank you for telling me.
And when you pull him closer, wrapping an arm around the back of his neck, he meets you in kind, pressing your back against the wall. He shifts his hips between yours and shows you how much he’s missed you, and only when his hand drifts beneath the hem of your shirt do you pause.
He stills, warm breaths drifting across your mouth as he looks into your eyes.
“Talk to me.”
“I’m exhausted,” you admit shyly, twisting a finger through a frizzy lock of hair at the nape of his neck. You tug at it, not meeting his eye, and watch it bounce back into a curl when you let go. He nods and kisses you again, closed lips soft and not asking for anything, never asking for more than you want to give, before he takes your hand and leads you through his house for the first time.
He runs you a bath. Makes you sit on the edge while he lays out a towel and checks the temperature every few minutes. Only when he’s satisfied that the water is perfectly warm does he help peel the clothing from your body. He grips your hand and helps you step into the tub, lowering you down into sudsy water. And when you’re settled, he pulls a stool nearby and sits, keeping you company as you soak.
“S’nice,” you tell him quietly, dragging a foamy sponge across your arms. “Thank you, Joel.”
The weight of before hangs over you a little, pressing down against your shoulders as you watch him. Gauge him. But he doesn’t seem angry or upset anymore. He leans over the lip of the tub. Runs his hands through the water, over the skin of your calf, your knee. Feels the coarse hairs that have grown there over the past fortnight and smiles when they scratch against his palm.
“Said you were sick?”
“Mhm.”
“What kind?”
“Just a cold,” you whisper. He squeezes your knee, palm against your patella, fingers soft in the flesh around it. “M’fine. Past it now.”
In the soapy water, his skin feels like silk against yours.
“Changin’ of the season,” he muses with a nod. “Normally gets me too.”
And you laugh a little at that, because it’s such a fatherly thing to say and you can’t believe how naïve you’d been to not see it before. Can suddenly picture him doing this a thousand times over; resting by the bath while one of his little girls floats in the water, nose all stuffy from the flu.
At the sound of your laughter he smiles, gaze dropping to your mouth, and the skin beside his eyes pinches. Little wrinkles, so soft and so beautiful that you want to reach out and brush your fingers across them.
“You’re so beautiful,” Joel murmurs, and his voice is hushed, so low in the small bathroom.
His fingers skirt against the inside of your thigh and you splay your legs open for him, knees knocking against the sides of the tub. He glances down through the water to where you’re spread open for him to see, shameless, and smiles.
“So fuckin’ beautiful,” he repeats.
“So are you, Joel.”
“Psh,” he rolls his eyes, offering a delicate little smile. So shy, so feeble, and so desperate to believe you. A little glimpse of that wary weight, still pressing down on him as well.
“Mean it,” you insist in a whisper. You lift a hand from the water, wet thumb grazing the corner of his mouth. Feel the bristles of his moustache, the hairs on his cheek, prickling against your skin.
“Swoony type,” you say, smiling when recognition flashes in his eyes. Stroke the fresh blush on his cheeks. “Long hair, bedroom eyes, cheeks like wine.”
“Hmm,” he murmurs, turning to press a kiss against your palm. “Can’t get away with plagiarisin’ Carson in this house, baby.”
“She just said it so well.”
“She did,” he agrees. “So did Tartt.”
“Tartt?” your mind wanes, the warm water lulling you into a sleepy sort of daze. You rest heavy against the side of the bath, gazing up at him
“Beauty is terror,” he quotes tenderly, eyes bold and earnest as he holds your stare. “Whatever we call beautiful, we quiver before it.”
You wrap an arm around his shoulders, water droplets staining his shirt where your fingers grip the material, and pull him forward to kiss you. Joel grips the inside of your leg and kisses you until your skin prunes and wrinkles. And when he notices he laughs with you, gripping your hand to press his lips against fingertips that look like raisins. Worships the soaked skin of your fingers until you pull his face back to yours; jealous of your own hands, fearful that they might come to know his kiss better than your lips.
And when the water goes lukewarm and you don’t know what time it is anymore, he dries you off with a soft towel and offers once more to take you home. But you say no, so he smiles and kisses you again—your lips, your cheeks, your eyelids—and leads you to his bedroom.
He drags a too-big shirt over your head, helps you loop your arms into the sleeves. Dark blue and warm, so warm, against your skin.
The two of you slip beneath the covers on his bed and he drags you against his side; lets you press your cold toes against his shins without so much as a flinch.
Facing each other on your sides, those hands slink beneath the shirt, rough palms cradling your ribs, your back, holding you tight against his chest until your breathing falls in sync. And those hands don’t stray, don’t move down, they just embrace you. A carefully held apology that promises I want this, to hold you, to be with you, too.
It stays like that, nothing more, until your eyelids are heavy, and his breathing has evened out. Stays like that until your hand drops from his back to the band of his boxers, sleepy little fingers plucking at the material, trying to slip underneath.
“You should rest.”
But you whine softly; needy and insistent as your fingers press harder.
“What do you need?” Joel rasps into your neck, helping you shift them down his legs.
“Need you,” you whisper back into the darkness of his bedroom. “Wanna feel you, I—”
His mouth is soft against yours, plucking those words from your mouth and swallowing them down. He sucks your bottom lip between his, prying your mouth open so he can slip his tongue inside.
His hand in on your knee, pulling your leg up until your thigh rests heavy around his hip and you can feel the hot weight of him against your core, still slick and warm and needy from when his hand rested on the inside of your leg in the bath.
And if you’d ever subscribed to the meaning behind words like sin you suppose that once this might have counted as one. An act worthy of being sent to reside in that second circle of hell, reserved solely for those overcome by lust; left to blow back and forth in the storm of their own desire. Two people who cannot touch, should not touch, who hold their hands out to feel anyways. A touch once spiteful, once desolate and removed, now so forthcoming. A touch that says this is the only way it could have ever been. And there can be nothing sinful about it anymore. No more shame or derision behind heavy eyelids, no more you shouldn’t or I’m no good for you. Here you rest comfortably in the hurricane of that second circle, and you welcome the breeze as a comfort.
Lips against yours, Joel feeds his cock to you in slow, careful passes.
Ensures you feel every ridge, every hard line of his body. And with each gentle press inside he murmurs against your mouth. Incessant, low nonsenses of so fuckin’ beautiful and god I missed you and that’s it, baby, I know, I know. His kiss smooth as an almond, tender as a fig. Ripe and wet and tremulous as his tongue finds a home against yours, over and over.
The comforter on his bed stays pulled high, up to your shoulders, and it traps the warmth of your bodies between you.
He coaxes rough, gasping sounds from you with every shift of his hips.
Long fingers grip the back of your thigh, using his hold there to rock your body into his over and over again, slowly, making sure you feel every second of it. Slick seeps out of you around his length, smearing against the inside of your thighs and his, and he groans at the wet sounds that slip from where the two of you are connected.
Joel says your name, low and gravelly, praising every syllable. He tells you how good it feels, how perfect you are, and every word is like an undressing of the flesh. Like you’re some tender butcher, peeling back layers of his skin to let the air hit hot, red, pulsating matter, flashes of thick, porcelain bone swimming amongst it all. He keeps you close, hardly an inch of your body not touching his, and yet you can see all of him. The whole surface and everything underneath it now too. And when you say his name in return and he moans, begs you to say it again, say my name again, it’s hearts on wings, thin fire racing beneath the skin, eyes unseeing, drumming filling your ears. It’s the cold sweat on his hands that hold you shaking, that feel the way you tremble and grip tighter. It’s wanting to take those bones of his and suck them clean; lick past the gristle and taste the marrow beyond it.
It's everything and it’s nothing and it’s that silly little four-letter word that you can’t bring yourself to say, let alone think, and it doesn’t even matter because he’s here and that’s enough.
His nose rests in the hollow above your collarbone and he inhales, smothering soft kisses to skin and bone there.
He says, “You smell like me,” and when he looks up and presses his forehead against yours, he almost looks wounded by it. He stills, holds himself deep inside and just stares, and his eyes are screaming I can’t fuckin’ quit you, so you lay your thumb over the dimple on his cheek and smile. “S’my clothes, my soap…”
Your body flutters and tightens around him, and your mouths fall open in soft moans, lips slotting together again.
“You like that?” you breathe into the kiss, and he tightens his fist around the back of the shirt, pressing inward until your back is arched, and your stomach is flush against his and he’s groaning yes.
“Want you in my clothes all the fuckin’ time,” he pants, and the tip of his cock presses so deep inside that you’re gasping, mouth hanging wide open. “And when you give ‘em back I’ll wear ‘em and smell like you, and then we’ll be even.”
“Even?” you laugh a little, nipping at his bottom lip. He smiles, eyes glinting in the darkness.
“Yeah, even,” he repeats it and presses forward in a sharp thrust to emphasise his point. You don’t need to hear it again to know exactly what he means.
“Tell me you’re mine,” you whisper, and he grunts, hips shifting a little faster against yours. You feel him pulse inside of you, his stomach tightening against yours.
“M’yours,” Joel murmurs, voice like velvet and honey, so soft as he leans forward to kiss you, licking the words into your mouth. You say it back, spell it out against his teeth, his lips, his jaw. Yours, yours, yours.
He says something else then, lips soft against your chin, and you’re so close; can feel it hot and burning in your gut, almost at tipping point.
“Hmm?”
“Baby,” Joel nips at your jaw, sharpening your senses. “Tell me you’re on the pill or somethin’.”
“I am,” you whimper honestly, and his body seems to sag against yours, hips shifting in sluggish, tired movements.
Something snaps at the base of your spine, and you tremble against him, gripping the back of his neck. Soon enough he’s shuddering into you, arms going tight around your back, trapping you against his chest as his cock pumps inside your core. And it’s warm and wet and sticky and his seed drools out of you, down to your asshole, smearing against the inside of your thighs, his sheets. Your legs wrap around his waist, holding him to you, keeping him there as long as you possibly can. Riding out your highs, and then the trembling, stuttering aftershocks in each other’s arms. He pants into your mouth and all either of you can say is mine or yours, until the words mix together and become a meaningless blur of sound murmured between locked lips.
It could be minutes or an entire hour before you manage to separate from each other. All eager little kisses and whines as his soft cock slips from your hold, thick spend seeping out of you in his absence. And you just want to sleep, want to curl up in his arms and never leave, but you slink off to the bathroom first. Wet your face and drop down on his toilet. Urinate and feel his come drip out of you. And where once, with someone else, you might have cringed at the feeling, you only feel warmth; calm.
In the bright lighting of his bathroom, you can see yourself reflected in the mirror above his sink. Hair a wild mess, cheeks and lips swollen with warmth. This woman in the mirror stares back at you and she has bright eyes. She smiles at you, and you feel your lips peel back, teeth on show just like hers. You stare at her and think god, she looks happy. When you wipe between your thighs and stand, she does too. And with your finger on the light switch, a wet handtowel clutched in your other palm, you give her one last look before turning out the light, feeling lighter than you have in weeks.
Thursday.
Joel sleeps on his stomach. At least, that’s how he ends up overnight.
Face buried deep in a pillow, one leg slung outside of the covers, with a heavy arm out to the side. When you wake, at first, you’re careful not to move. Not to breathe too heavily, not to cough or jostle him awake. He looks so peaceful like this. Heavy breaths puffing from chapped pouty lips, forehead smooth and devoid of the stress and exhaustion that often lines his face. A large hand rests close to you. Despite you drifting a part in the night, the body heat getting too much for you both, his fingers remain outstretched in your direction. The tips just grazing the skin of your stomach as you lie on your side and watch him.
A low murmur escapes from his mouth, face twitching a little, and then he’s relaxing again, humming in his sleep. You smile, and let your eyes wander.
There’s a pile of books on his bedside table, reading glasses dropped haphazardly atop them.
An Idiot’s Guide to Space, one of the weathered spines reads. Interesting.
A framed painting rests above a set of drawers on the side of his room. A vast landscape with a herd of horses galloping across it. Gorgeous hides of orange and brown and black splashed across green grass and blue sky. And on the back of his door… hangs a cowboy hat.
You move slowly, careful not to wake him as you rise and tip toe across the room. Coming to rest directly in front of the closed door, you slip it off the hook and admire it. You don’t even hear his breathing change as he wakes up.
Dark brown with a curved brim; the felt is soft beneath your fingers. The image of Joel wearing it, perhaps often, while living in Texas flits through your mind and you can’t help but smile. And then warm hands are on your hips, arms snaking around your waist to pull you back into a warm chest.
You gasp in quiet surprise, but your smile only broadens when Joel rests his chin on your shoulder, peering down at the hat in your hands.
“Mornin’,” he murmurs, voice gruff and deeper than usual. A pang of arousal swims in your core at the sound of it, but you ignore that, turning in his grasp.
“Good morning, cowboy.”
Joel groans, sleepy eyes drifting closed as he hugs you to his chest, swaying the two of you from side to side.
“Wanted to lie in,” he grumbles. “S’too early for this.”
“For what?” you blink in mock confusion, holding the hat against your chest.
“For you to see that.” He moves quick, tugging it from your grasp.
“Hey—” You gasp, wide eyed and ready to steal it back. But before you can Joel just lifts it onto his head with a heavy sigh. “Oh.”
“Oh?” he repeats, eyes narrowing.
Warmth simmers in your stomach and you smirk, stepping back to give him a quick once over.
“I could get used to this.”
“Jesus,” he rolls his eyes, moving to take it off but you grip his hand, shaking your head fiercely.
“Not so fast,” you coo. “I want the whole experience.”
“And what exactly is the whole experience?”
“You know—” You shimmy your hips a little. Imitate twirling a lasso in the air, wiggling your eyebrows. “Show me some tricks.”
Joel laughs at you, and you can see the desire in him to say no, to refute it, but the longer you stare him down, the more it cracks and fizzles away.
“Go on, cowboy,” you try out your best Texan drawl, falling down to sit on the edge of his bed.
He adjusts his legs, elbows bending as he waves two finger guns in your direction. You suck your lips into your mouth, swallowing down a laugh as he makes a small pchew pchew noise out the side of his mouth.
“Oh,” you smirk. “Is that all you got?”
“I’ll have you know,” Joel huffs, pretending to holster one of his guns. Hip cocked now, still dressed in nothing but his sleep shirt and boxers; he stares you down. “I’m startin’ to think this town ain’t big enough for the both of us.”
And that gets you. A sharp, barking laughs slips from your mouth, and Joel grins in return, the skin beside his eyes creasing as he adjusts the Stetson over his curls.
As your giggles calm, he just shakes his head, still smiling, and murmurs fondly, “Dadgum, you got a good laugh.”
Your face warms beneath his stare, and you just shake your head, bottom lip snagged between your teeth. Moving quick, Joel pinches the brim of the hat and places it onto your head. It’s a little big, and the brim falls down, obscuring your eyesight before he adjusts it for you. Then he takes a step back, hands on hips.
“How do I look?” You bat your eyelashes up at him, smiling shyly.
“I don’t know,” he fakes an air of contemplation, giving you a long look up and down. “Think you might be all hat ‘n’ no cattle.”
“Hey,” you pout. “I’d make a great cowboy; just need a pair of chaps.”
“Well, you can wear the hat and the chaps all you like,” Joel murmurs, gaze heavy. “But you ain’t a cowboy ‘til you prove you can ride like one.”
Your thighs tense and you arch an eyebrow, trying to remain nonchalant.
“Is that right?”
“S’right.”
“Mm,” you hum. You lick your bottom lip and watch the way his gaze darkens, eyes trained on the movement. “Gonna let me show you what I got?”
And so you end up back in bed, straddling Joel while he smirks up at you, long fingers twisting around the hem of your t-shirt. But when you slip a finger inside the hem of his boxers, the movement so reminiscent of last night, he laughs a little and gives you a look that says, really?
You pout, confused. “I thought you wante—”
“Uh uh,” Joel shakes his head. “Not what I meant.”
“Then what?”
“Get up here.” He lifts his chin upward.
Your eyes widen, stomach tensing a little.
Desire warms the inside of your thighs, and you murmur, “You want that?”
“Do I wa—?” he cuts himself off, eyes darkening a shade. “I said, get up here.”
Heart racing, you shimmy up his chest until your knees are planted on the mattress on either side of his shoulders. He smiles, encouraging, and you grip the hem of his shirt, prepared to pull it over your head, but he stops you.
“No,” he exhales, hand quickly gripping yours. “Leave it on for me.” And then he leans in and presses a kiss to the inside of your thigh, and you can only nod, holding your breath as you wait for him to reach where you want his mouth the most.
Face tucked in the cradle of your hips, Joel sighs your name. A rough exhalation, nose pressed into your skin. And it feels a little silly at first – your face is warm as you stare down at him, the wide brim of the cowboy hat tilting forward.
But then, breath hot and heavy against you, he mouths at the crease where your hip meets your thigh. Slow, drawn-out kisses that have your legs tensing over him, his hands slip beneath the shirt, tracing light patterns into the skin over your spine, all the way up to your shoulders. He keeps going until you’re shivering, a wet trembling mess in his hands, hips twitching forward with every touch of his mouth to your skin until he finally glides his tongue through your folds.
Your breathing hitches as he pants against you, chest vibrating with low sounds as he licks thick stripes up the entire length of your pussy. Eyes closed, he tastes all of you; tongue slipping over every piece of exposed skin that the position grants him. And with every broad stroke of his tongue, he dips inside your weeping hole and finishes with a gentle flick against your clit. So soft and so slow, building you up over and over until finally you break and begin rocking your hips into his face.
Joel grunts at first, a little surprised maybe, but in a second his hands are dropping to grip your thighs, locking you in place against his face.
At first, he guides you. Helps you find a rhythm that works, that feels good. Flattens his tongue and uses his grip to rock you back and forth over his face, groaning as you roll your clit against him, huffing and panting quiet little pleas. But soon enough your fingers are carding through his hair, holding him tight against you as you grind down into his mouth. Sharpening his tongue, he dips it inside of you and then drags upward, pulling your clit into his mouth and sucking gently.
You gasp, vision going hazy as you try to keep your eyes on him, try to watch, but it’s too good. He knows exactly what you like, and it all moves far too quickly for your liking. You can already feel your hips winding faster and harder against him, breaths falling shorter, everything in your stomach pulling tight and hot.
Joel can tell – he can always fucking tell – and one of his hands drifts over your ass, fingers slipping between your thighs from behind until his middle finger is circling your entrance.
“Fuck,” you inhale sharply, jaw going slack as he prods at your cunt, tongue lapping lazily over your clit all the while. “Please, your fingers, yeah, ohhh—”
A long finger sinks inside and you moan, head falling back.
“You like that?” he murmurs, pulling back to graze his teeth along the inside of your thigh. A second finger presses inside, and he curls them against that soft spot, fucking you slow and steady until you acquiesce, whimpering yesyesyesfucksogood towards the ceiling.
“Good girl,” he hums, slick tongue finding its way back to your clit.
He eats at you so lovingly. So generous as he lathes firm circles around your nerves, only ever pausing to suck you into his mouth again or press wet, open-mouthed kisses against the entirety of your cunt. Nose buried in the short curls over your mound, he doesn’t let up until your moans turn high pitched; strained little whimpers of his name falling from your lips as you press down harder and harder.
“Oh fuck,” you cry, hips rocking back and forth, faster now. He breathes you in, jaw shifting from side to side, matching the intensity of your movements with sharp flicks of his tongue. And when you fall apart, shoulders sagging forward, he moans, taking and taking and taking every last drop of what you have to offer.
And what an image it must be – you, wearing a Stetson, riding Joel Miller’s face. You almost wish you’d filmed it, for posterity’s sake.
He presses a small kiss to one swollen lip of your pussy, and then the other, before his head is falling back into the pillows and he’s smiling up at you.
The lower half of his face shines, lips and facial hair slick with your come, and you can’t help but grin back, a tired snort of laughter slipping from your mouth.
“How’d I do?” You grip the brim of the hat, tipping it down at him.
Joel smirks, hands squeezing your thighs, helping to shift you up and onto the side of the bed so he can sit up.
“I’d say you more than proved yourself,” he hums, leaning in to steal a kiss. You sigh, whining against his warm wet mouth, and reach a hand down to press it against his abdomen. Shifting lower, you trail your fingers over where his cock strains against his boxers, but Joel just tuts, pulling away and slipping off the bed.
“Hey,” you huff, gripping his shirt and trying to pull him back down, but he just shakes his head, laughing, and drags you to your feet.
“Gonna be late,” he tells you, squeezing your hips and pressing a kiss to your temple. “And you needa eat.”
Late. You’d almost forgotten that you had a lecture this morning. Joel’s lecture.
He turns, rifling in the chest of drawers, pulling out clothes, a pair of socks, while you stand behind him and watch, knees still shaking, with a fucking cowboy hat on your head. After a moment he turns, stares, and a rough laugh hits the air. Shaking his head, Joel grips the brim and tosses the hat back up on its hook before pointing towards the ensuite, telling you to shower.
“You coming?” you ask, and he just shakes his head, tugging on socks before padding towards the hallway.
“Cowboys don’t shower, baby,” he flashes a smile over his shoulder at you and winks. “They just dust off.”
When you make your way out of the shower, Joel is in the kitchen. Ironed black trousers and a neat white shirt cover his frame, and from across the room you admire him. That strong back, the pert rounded muscles of his ass. Fuck.
He manages to over scramble the eggs and burn the bacon because he can’t stop looking over his shoulder at where you rest at his dining table. Head resting heavy in your palm, you smile back at him. And when he puts a plate of food in front of you, you don’t have a single complaint.
The two of you eat fast, plucking little pieces of eggshell out as you go, smiling and laughing shyly as your feet tangle beneath the table. He watches you; makes sure you clear your plate before he takes it to the sink, murmuring something about how he won’t make you sit through me talkin’ for hours on an empty stomach. Says he’s pretty sure that counts as torture somewhere, baby.
And when he turns, dirty dishes forgotten in the sink, you’re staring at him, heart on your sleeve, and he must see it in your eyes. You know that it has to be clear as day; that forbidden four-letter word blazing across your forehead in bold letters.
Joel clocks your gaze and moves to hover over where you sit, wordlessly cupping your face in two broad palms and slotting his mouth over yours. And as he licks into your mouth, tasting the remnants of eggs and bacon and every unsaid word, you start to believe that maybe confessing wouldn’t be so bad. That maybe forbidden is a word you’ve prescribed to this feeling all on your own – that he might just be feeling the exact same way.
But he pulls back, presses two more quick pecks to your mouth and tells you to get ready, says he’ll drive the two of you to school, and the moment slips from your grasp.
Back in his car, you feel relieved to replace the memory of yesterday with this one. Windows down, the air is cool and calm against your skin as he drives you through town, sated, dopey smiles across both of your faces.
A Bob Dylan song drifts from the speakers and Joel sings along under his breath.
“We’ll meet again someday on the avenue. Tangled up in blue.” Voice low and breathy, left hand on the wheel, right hand on your thigh. You nod along to the lyrics, your fingers tracing the veins and tendons on the back of his hand all the way until he pulls over.
“Shouldn’t be seen walkin’ in together.”
“Yeah,” you agree, understanding. “Best not.”
The truck idles on the side of the road, somewhere inconspicuous down the street from campus, and you slip out his passenger door. Close it with a thud and peer in at him through the open window, eyes devouring every part of his face as if you won’t be seeing him within the hour, stood up in front of the room giving a lecture.
The truck peels away from the curb, Tangled Up In Blue still whining from those speakers, and Joel sends a quick wink out the window at you, his face a blur as he drives off. And you just smile, chest warm despite the cool Spring air on your face, walking along in the same direction – because you know exactly what that wink means. And you love it.
Our little secret.
a/n refs:
in Dante’s Inferno he said that those overcome with lust were doomed to the second circle of hell, wherein they would be buffeted back and forth by the terrible winds of a violent storm, without rest. slay.
the bacchae tr. by anne carson [read if you have mummy issues, a massive ego, or just like the idea of frolicking in the woods for a while...]
the secret history by donna tartt [read if you like unreliable narrators, strange professors and stranger students, and the nursery rhyme 'the farmer in the dell']
the end of the affair by graham greene [read if you like weird intense guys and angst and infidelity]
eros the bittersweet by anne carson [read if you're cool as fuck]
thank you for reading! x
#finally am i right?#my writing#fic: a lover's pinch#joel miller fanfiction#joel miller x reader#joel miller smut
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I want to take apart the use of the word, "dramatic" in the fandom a little and try to understand why it gets applied to Stolas so often and not to Blitz. Because, honestly, they both sort of are . . .
If dramatic means "oozes emotions and makes the audience feel something for them." Both have really intense emotional moments in the show.
The truth is, they also both hold back quite a lot though. (So maybe neither is dramatic?) There are tons of examples, but to save space, here's one of each. We see Stolas forcing his face serene in the middle of a drunken crying session in Apology Tour, and we see Blitz leave rather than let Stolas see him cry in Ozzie's.
And they BOTH don't let the people in their lives see that they're hurting. Stolas wears a mask for Octavia, and Blitz wears a mask for . . . everyone in his life, really . . . Until recently, both wore masks for each other pretty much constantly too. But when they're each alone, we see the truth.
Okay, so obviously it comes down to presentation, right? Specifically gender presentation . . .
Stolas gets judged as dramatic (and even whiny or self-absorbed in anti circles) because he laments in deep, lofty ballads, with make-up dripping down his face, which is honestly such a win for all the grown-up emo kids watching. He relates to soap opera protagonists and wants to be chased after while he's boarding a train. He reads romance novels.
In short, when he expresses emotions, when he consumes media about romance . . . he's being traditionally "feminine." (A note: this is also why he's often portrayed by fans as "the woman" in the relationship- and that can have its own problems, since, yes, this is a gay relationship between two men, and regardless of gender presentation, neither needs to be "the woman.")
Blitz on the other hand . . . well. He's not masculine in every way either, is he? He loves to crossdress for fun work. When he's enjoying his down time, he's watching two cutesy horses kissing.
But he expresses emotions in ways that are socially accepted as masculine. Namely, anger. It's not dramatic to do any of this, is it?
He calls listening to love ballads "gay . . ." oh, and he uses the same insult for Stolas . . . you know . . . trying to talk about emotions with him. So, for better or worse (worse- this is a bad thing), he's pretty deeply entrenched in society's expectations of masculinity. Or anyway, he performs it more convincingly than Stolas does. Well enough, it seems, to convince some viewers that he's 1) just an asshole with no depth and/or 2) just a chill and badass regular dude man.
But here's the kicker. NEITHER of these characters are wrong for having emotions and expressing them. It's a good thing actually.
In the world of the show, expression heals. Singing helps Stolas process the changes in his life. His decision to tell Blitz how he feels WILL ultimately help them both with their character development. Blitz ends up happier than he's been in a long time and manages to repair a friendship after 15 years apart once he explains his emotional experience to Fizz and cries. Accepting some emotions other than anger in Apology Tour (even if he's far from finished processing them) enables Blitz to grow profoundly as a person.
This blog is in favor of being dramatic.
#stolitz#blitz#stolas#stolas goetia#blitzo buckzo#blitzo#I love them both so much#helluva boss#my helluva meta
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PRODIGAL SON "PUSH BUTTON"
Years ago, I promised Prodigal Son fans, aka the Prodigies, that once the show was done, I'd publish my unproduced episode (cancelled because the COVID19 pandemic hit on day two of filming). And then... I kinda forgot because I'm a bad person. Also the COVID years morphed into my gig on The Irrational and then the strike and then Season Two and... you get the picture.
Anyway if you go to my WGA profile page, I added a PDF for my episode, "Push Button." Please enjoy! (You might have to hunt for it a bit, but it's there.)
Also worth noting, on the same page you can read the script for episode 308 of Elementary and my unproduced space opera Morningstar.
So... promise kept!
Eventually.
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10. What is your favorite genre book to recommend to someone who doesn’t usually like that genre?
Usually when people ask me for a rec for a genre they don’t usually like, they are asking for sci-fi, and I start by trying to figure out different access points based on what they already like. I’m not much of a hard sci-fi person, tending more to the space opera and political thrillers, so here’s a few “if you like x, maybe try y”:
If you like romance, give Everina Maxwell’s Winter’s Orbit a try. It’s definitely sci-fi in setting and plot, but it also hits nicely in the formulaic patterns of a arranged-marriage, strangers-to-lovers story that will help you through it even if the sci-fi elements are throwing you off. The author has another similar book that increases the sci-fi elements and is enemies-to-lovers as well, so if you like Winter’s Orbit, Ocean’s Echo is a good next step.
If you like non-fiction, The Martian by Andy Weir is a great pick. I have multiple friends who got into reading again as adults via The Martian. It’s well-written, well-grounded, funny, and very sci-fi. If you’ve already read it, then maybe give To Be Taught if Fortunate by Becky Chambers a try. It can be described with all the same adjectives, plus it’s a short novella, so if you’re hesitant, it’s less intimidating.
If you like mysteries or political thrillers, boy is there a lot of great sci-fi out there for you. The crux of a lot of sci-fi is space or high-tech settings with a plot that asks questions about personhood, and that mixes really well with detectives and spies wandering around trying to solve problems and find truths. Try Fugitive Telemetry by Martha Wells (it’s partway through a series of great books and novellas, but that one’s the most traditional mystery plot) or A Desolation Called Peace by Arkady Martine (ambassador solving her predecessor’s mysterious death while trying to do his job)(I’d also recommend this one if you read a lot of classics) EDIT: just realized I mistyped - book 1 by Arkady Martine is A Memory Called Empire.
If YA/ Bildungsromanen/ New Adult figuring the world out through trial and error is often your jam, try Provenance by Ann Leckie (for the kid who really wants to do things right) or The Warrior’s Apprentice by Lois McMaster Bujold (for another kid who wants to do things right, but is also a high-energy chaos gremlin).
If you like fantasy, you probably already have read some sci-fi; it’s all under the speculative fiction umbrella and genres are vague anyway. All the same, I know this is the Locked Tomb Website, but give Gideon the Ninth by Tamsyn Muir a shot (it’s got magic and mayhem and an epic locked-room whodunnit mystery). The Best of All Possible Worlds by Karen Lord is also good - it has a team of people traveling together and thinking about morals and discovering new abilities, plus some romance.
I’m sure there’s lots of genres I’m forgetting right now, but feel free to send me another ask for any specific one!
#readers asks#winters orbit#oceans echo#everina maxwell#the Martian#andy weir#to be taught if fortunate#becky chambers#fugitive telemetry#martha wells#the murderbot diaries#a desolation called peace#arkady martine#a memory called empire#provenance#ann leckie#the warriors apprentice#lois mcmaster bujold#gideon the ninth#tamsyn muir#the best of all possible worlds#karen lord
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So this is just Vox, with a classic limbless situation (I love it when people draw him like that, Idk. I mean he's small and has a rectangular head, so he's super easy to put in a suitcase or something. And he probably also trembles a lot, like a weird chihuahua).
If you want to read what it's written in the picture i suggest you to read the second image, my cursive writing is barely understandable and my English is cursed so i tried to fix it a bit.
((((This is basically just vent art, I have some drawings of this, I don't know if I'll share everything (because I'm shy and a little embarrassed about it eheheheh) but I'll probably do a couple posts about it (or more if I feel like it).))))
Anyway, some initial lore if you are interested:
(My English is bad, so sorry about it in advice)
The concept is basically Val cutting off Vox's limbs (they were both very drunk, so the stumps are different lengths). He then cuts two clean lines over Vox's eye and mouth. And then he precisely cuts off Vox's antennas (he put in a lot of effort, so they're the same length).
All with an angelic blade, of course.
Initially it was just a foreplay accident because Val accidentally took the wrong tool from his closet (it also happens to the best of us).
And at first Val felt a guilty about it. But then discovered that he liked quite a lot having Vox crawling around like a little worm and that he liked a lot taking care of him and fucking him. So Val continued to make him even more helpless and began to take care of him even more.
And Vox (after his initial completely justified anger) was absolutely flattered. He had always dreamed of doing something like this to Alastor and knowing that Val cared enough about him to actually do it was truly a mind-blowing experience for Vox. And it made him realize that Val really really cared about him a lot.
Everything was fine, dandy even.
Except that Vox started to get bored (he had nothing to do during the day, not being able to work or connect to the network anymore) and one day he woke up to find Kitty dusting him as if he were a knick-knack, so he started to feel that something was kinda off.
So he did what any other mentally stable person would do in his position. He decided that he would go back in time to ask Valentino to marry him before the "limb incident", so everything would obviously be fixed. Marriages solve everything, everyone knows that (and coincidentally it was also exactly the plot he had written for episode 56 of season 17 of the popular soap opera "I fucked your sister, so what? IN SPACE!")
But he couldn't just break up with his current Valentino because he felt guilty about leaving him, so he just ran away and went MIA (much better, right?)
He was a smart guy after all. Time travel? No problem for the great Vox at all (he ended up living in a dumpster)
Did Vox lose his mind? Not exactly, but probably when Val cut his screen he used a little too much pressure and prooooobably accidentally cut something he shouldn't have
Velvette was a little worried about them at first, but she saw that both Vox and Val were quite happy, so she was like "meh, whatever"
She also found Vox without limbs adorable, and designed hundreds of clothes for him (plus Vox was shorter than her and he couldn't even complain, so 10/10)
The plot probably doesn't make a lot of sense but neither do my mind so it's alright
#vox#vox hazbin hotel#the vees#hazbin hotel#staticmoth#valentino hazbin hotel#vox the tv demon#hazbin valentino#voxval#vox fanart#hazbin vox#putting these tw here just in case: tw: gore#tw: self harm#tw: violence#stay safe friends!#Anyway#This past month or so I've been feeling pretty down#like baaaaaad#just mentally and emotionally tho#nothing serious don't worry#but drawing Vox miserable probably helped me#or probably not so much#but hey i am back now!!!#so yeaaaahhhhhhhh!!!!!#anyway#have a nice day.#is this an AU?#idk it feels like an AU#probably AU tag#my art
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Hi!! I really really want to get into the academy era eu stuff, but I just have no idea where to start 😭😭😭 do you have any audio/novel/etc recs to start off with? Thank you so much!!
-✨️🪐 anon
Hello! So sorry I didn't see this sooner - I've been quite busy lately (busy enough I forgot to submit my Big Finish Short Trips this year...)
Anyway, for the Academy Era, the starting off point is generally Divided Loyalties. In this novel, there is a long dream sequence of the Academy Era. Since it is a dream, it might not be 100% accurate, but it's what we have.
Otherwise, most of the information we have on the Academy Era comes from the occasional reference in a bunch of different stories. Some of them have more Academy Era material than others...
We can get some pretty good insights from some DWEU material (beyond what is in the TV show). I won't list spoilers here just in case that wasn't what you were looking for (though I have other posts that do entail this information), but here's the list I can think of off the top of my head. Some of these are stories with just general young-Time-Tot era references (not necessarily at the Academy but still the itty bitty, pre-leaving Gallifrey guys), but I'll include them anyway. And some of these references are quick, so be prepared.
Novel: Divided Loyalties
Novel: Tomb of Valdemar
Novel: Deadly Reunion
Novel: Lungbarrow
Novel: The Death of Art
Novel: The Dark Path
Audio: Time in Office
Audio: Darkness and Light
Novel: The Time Lord Letters
Short story: The Nameless City
Audio: Planet of the Rani
Audio: Master
Comic: The Glorious Dead
Comic: Weapons of Past Destruction
Comic: Space in Dimension Relative in Time)
Short story: The Three Paths
Audio/Novel: Mission to Magnus
Novel: The Eight Doctors
Audio/Novel: Cold Fusion
Audio: The Eleven
Audio: Blood of the Time Lords
Audio: The Widow's Assassin
Audio: Crossed Lines
Short story: Celestial Intervention - A Gallifreyan Noir
Short story: The Legacy of Gallifrey
Novel: Timewyrm: Exodus
Novel: Goth Opera
Audio: The Toy
Short story: Birth of a Renegade
Short story: Rebel Rebel
Audio: Neverland
Audio: The Next Life
Novel: Island of Death
Novel: Unnatural History
Novel: Christmas on a Rational Planet
Audio: Disassembled
Comic: Flashback
Audio: Together in Eclectic Dreams
Audio: The Last Line
Short story: Report on Term's Work
Audio: The Wormery
Audio: Storm Warning
Novel: Cat's Cradle: Time's Crucible
Novel: The Infinity Doctors
Short story: Seven Deadly Sins
Audio: Order of the Daleks
Audio: The Apocalypse Element
Audio: Prisoners of Fate
Novel: Original Sin
Novel: The Twin Dilemma
Anyways, these are the ones that immediately pop to mind when I think of stories that have references. It's not a complete list, mind, just the ones in my head at the time of writing. They are also not in any order, just the order I thought of them.
Regardless, most of these are just references, and you may not want to read an entire novel for a single reference...If that is the case, let me know, and I can explain some more!
#doctor who#dw#dr who#new who#classic who#big finish#big finish doctor who#big finish audios#dw eu#doctor who expanded universe#doctor who eu#academy era#doctor who academy era#ask#asks#so sorry i didnt see this!!!!!!!#didnt include the content of the references in case you wanted no spoilers but lmk if you dont want to read whole books for 1 reference lol#the deca#theta sigma#koschei#the master#the doctor
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2023 reads // twitter thread
A Song of Salvation
YA space fantasy adventure
a reborn god in the body of a girl on an isolated planet, a grumpy space pirate, and a famous space-radio podcaster end up together on the run in the middle of an intergalactic war - and they might have the key to end it
m/m and pre f/m, demi MCs
#A Song of Salvation#aroaessidhe 2023 reads#alechia dow#this is. also fine#I like the characters; they’re cool! I think probably my favourite set out of the 3 books.#though it’s very much like; platonic insta-love#i think; as with the other books; the space opera/worldbuilding/vibe is a little too YA for me#FOR ME obviously that’s not a fault of the book since it is YA#something about the brutality of the start of the sound of stars being like………..almost retconned tonally? feels odd.#possibly it’s just that it’s a fun ya series that can’t get too dark but like. it was dark. and then everythign after that....isnt as much#the demi-ness is also p understated but is there#I don’t know what the point of putting zahra with x at the end like…….random as hell soulmate shit. idc#I do also appreciate the existence of a series of 3 books with like four main character couples with fat Black ace-spec/queer people!#like what other YA sff books have that lol#yea so anyway there's lots of good things in here [all 3 books] but i think the overall execution isn't quite for me!
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This might be kinda controversial but at the moment I think I like League of Dreamers more than Romance Club 😭 like RC might be better with their translations, events, and interaction with readers but League of Dreamers wins me over with its variety.
LoD has space opera, supernatural, fantasy, mythology, horror, and superhero books all currently releasing, meanwhile RC kind of just has fantasy, supernatural, and a little bit of contemporary drama.
I think exploring different genres could be good for RC because their currently releasing books are getting a bit dull with all the fantasy and supernatural. I used to feel so excited when looking at the teasers for new RC books but now I just know they'll likely more fantasy and it takes the excitement out of it. Keep in mind, I'm someone who loves fantasy/supernatural but it gets tiring reading about such similar things (witches, elves, demons, etc.)
Anyway I don't mean this as a dig at RC of course, and adore both apps <3
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MERTHUR AUs
A collection of my Merthur fics that I thoroughly liked. This started out as a fluffy collection, how did this turn out to be a goddamn AU collection?? Also can I just say “Arlin” is such a stupid alt ship name. Glad we stuck with Merthur, christ. This list is a bit shorter than my last one, sorry about that!
If there are fanfiction you cannot access and you do not have an ao3 account then that probably means the fic is restricted, sorry! I highly recommend you to create an ao3 account.
Click “Keep Reading” for the list. ( dividers © )
How (Not) to be a YouTuber: A Comprehensive Guide by Idiots by Imagined, Scarlet_Ribbons ( T | 7k words | one-shot )
Arthur has a gaming channel. Merlin has a gardening channel. The only thing they have in common, it seems, is the fact they're both successful YouTubers, and that their followers want them to do a collab in spite of how different their content is.
Or: In which Arthur and Merlin flirt (despite Merlin’s mysterious fiancé), Morgana dishes out the hottest gossip, Gwaine keeps trying to fight the entire internet, and their fans are maybe just a little too overbearing.
Merlin/Arthur Pendragon | Youtuber AU, Secret Relationship, Social Media
twitterature by cominupforair ( T | 5k words | one-shot )
Arthur is Camelot FC’s star striker. Merlin is Ealdor FC’s starting goalkeeper. And the whole world thinks they’re rivals, but are they?
aka the Social Media/Football/Wedding AU nobody had asked for
Part 1 out of 3 : Camelot FC
Merlin/Arthur Pendragon | Football AU, Idiots in Love, Secret Relationship
Shadowlord and Pirate King by Footloose, mushroomtale ( E | 169k words | completed )
A fast ship, a good crew, a treasure, a Clan to lead -- that's all Arthur Pendragon has ever wanted. He sits on the Council, he supports his father's kingship, and he keeps an eye on the Imperial Conglomerate when they come too close to Pirate space.
One day the Conglomerate infiltrates the Clans and poisons the King. Arthur must search for a cure to keep his father alive and the Clans from civil war.
An escape route, a sharp knife, a target, the shadows at his command -- that's all Merlin has ever needed. He fulfills his assignments, he uses the Sterling to sustain his once-royal House in their exile, and wages a private war against the Imperial Conglomerate.
When he learns of an elaborate plot to assassinate him, Merlin does the opposite of what's expected. He flees onto a Pirate ship.
There's a saying among the Pirates: that one's fate is written in the stars. Destiny will always set to rights what has been made wrong.
Arthur and Merlin know that they were meant for the other from the moment they meet. They can feel it from across the galaxies separating them. Nothing can stop them from being together or from fulfilling an ancient prophecy.
Merlin/Arthur Pendragon | Space / Original AU, Space Opera, futuristic warfare
Noodles Save The Day, Even In Mysterious Ways by Dream_Me_A_Song ( T | 12k words | two-shot )
Arthur has been having a very bad week. Arguments with his father, sister and his best friend. Just got laid of his job. And now made a fool of himself in front of the cute boy from his favorite coffe shop.
Merlin/Arthur Pendragon | Modern AU, Getting Together, First Dates
It's Nice to Finally Tweet You by Pendragons Dragonlord ( T | 15k words | one-shot )
Merlin's eyes scan the headline.
Arthur Pendragon reveals mark in attempt to find the one.
"I pity the guy who's unfortunate enough to get him as a soul mate.”
In which Arthur is a famous celebrity, Merlin is a beloved teacher, and they break Twitter once. Well, twice. Okay so it's a whole bunch of times actually but it's not their fault. Really it's not.
Merlin/Arthur Pendragon | Modern AU, Soulmates AU, Twitter, Angst and Humor
True Love by platonic_boner ( T | 6k words | one-shot )
AU where soulmates can’t lie to each other.
(That’s okay, Merlin wasn’t planning to lie to Arthur anyways! Haha.. ha.. ha…)
Merlin/Arthur Pendragon | Soulmates AU, Angst with a Happy Ending, Mutual Pining, Misunderstandings
Moonlit by TheDragon ( M | 3k words | one-shot )
Prince Arthur is a werwulf—the one thing Camelot hates more than sorcerers. He was bitten back when he was 19, and he vividly remembers spending his first full moon running through the forest, killing every animal in sight.
Nowadays, Arthur hides away on full moons. There's a corridor in the dungeons, with many cells that have certainly seen better days. Arthur spends the whole night locked and shackled in a cell at the end of the corridor, praying to any god that will listen that no one hears his snarls.
He's been lucky these past few years. Very, very lucky.
Unfortunately, it seems his luck has run out. [...]
Merlin/Arthur Pendragon (Merlin) | Werewolf AU, Canon-Typical Violence, Captivity
The Prince's Mistress by mayfriend ( M | 97k words | completed )
When Uther declared war on the Old Religion after the death of his wife in childbirth, he was warned that there would be consequences to his crusade beyond his worst nightmares. But Uther ignored these warnings, and the purge continued. If he'd known the price his people would pay for his vendetta, perhaps he would have been more wary.
Twenty years have passed since the great purge began, and Uther's subjects have grown barren. Fewer children are born with each passing year, until the very future of the Kingdom was endangered. In a final attempt to save Camelot, Uther decreed that men of the noble class were allowed to take mistresses without fear of condemnation. The social class from which the mistress originated didn't matter, as long as she was able to bear an heir - an heir that would be recognised and legitimised by the court.
Merlin, having been raised outside Camelot, knew little of these problems. If she had, she'd have thought twice before she saved the prat of a prince's life and was made his mistress as a 'reward' by Uther.
A fill from a kinkmeme prompt, which focuses on an canon AU where Merlin is a girl, Arthur's mistress, and the only hope for a waning Camelot.
Merlin/Arthur Pendragon | Gender Swap AU, Canon Divergence, Female Merlin, Assassination Attempt(s)
a half of a whole (cannot truly forget the other) by Steamcraft ( T | 99k words | completed )
From the majority of the patients in Camelot Mental Health Institute, Colin Morgan - or Merlin as he insists to be called - seems the most normal aside from the delusions. Bradley only wishes he'd stop calling him Arthur for gods sake because now he dreams of legends.
Merlin/Arthur Pendragon | Mental Institution AU, Modern AU, Reincarnation, Immortal Merlin, Hospital Malpractice
I Will Share Your Road by PinkGold ( E | 7k words | one-shot )
‘Who is this?’
Arthur’s heart was beating fast. He didn’t know what to expect, but whatever he was doing, it felt wrong. He checked to see if the doors had been properly closed, and when he looked down at his forearm again, he had a new message.
‘They call me Emrys.’
Emrys, Arthur mumbled. Weird name.
‘How are you doing this?’
The answer took a while to appear in his skin, right on the inside portion of his upper arm.
‘Magic.’
OR
In which Arthur and Merlin are soulmates who can write on each other's skin.
Merlin/Arthur Pendragon | Soulmates AU, Druid Merlin, Two Person Love Triangle, Insecure Arthur, Idiots in Love
leaves on a pear tree (the you're so young remix) by coricomile ( T | 1k words | one-shot )
“The magic,” Merlin says. “Isn’t it funny that it’s you with it this time around instead of me? Imagine what Uther would say.”
Merlin/Arthur Pendragon | Hogwarts AU, Modern AU, Reincarnation
Deeds by the5leggedCricket ( T | 6k words | completed )
Arthur is coming of age, and that means he’s about to get Deeds—marks on his body telling him of his soulmate’s greatest accomplishments. But as he tries to find his soulmate, he also makes some worrying discoveries about the kind of person his soulmate is.
Merlin/Arthur Pendragon | Soulmates AU, Canon divergence, Oblivious Arthur, Fluff
#ao3#ao3 fanfics#bbc merlin#merlin#arthur pendragon#merlin x arthur#merlin emrys#merthur#merlin bbc#fanfiction recommendation#merlin fanfic recs#merlin fic recs#era 0
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Reading sci-fi books is often like: ok I get it, interesting questions about the world using anticipation... and then the last ten pages are making me question my reading comprehension or wondering if the writer was taking drugs when writing (if it's Philip K Dick the answer is yes).
#misc#just finished lovestar#it's an islandic scifi book#about a future in which humanity has mastered the way of communicating like birds#and basically everyone is ultra connected without any phone or anything#and most importantly it's about consumption society#basically they are bombarded with ads#and they can be ads themselves (to pay debts)#and i really loved this criticism of capitalism obviously#but by the end it's leaning into the absurd (which it has been since the beginning)#that I'm like wtf am i ready#that being said#if you read a scifi book and don't end up having to analyse the end#and question your entire existence#it's not a real sci-fi book#(excluding space opera from this take because it's not the prime purpose of space operas stories)#anyway i feel like i read a Dick book lmao#imma think about it while washing the dishes
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