#anyway oops that got long

[vinelark]

hello!! out of curiosity, do you have a favorite scene you’ve written so far in bbts? and any headcanons specific for this au?

hello hello! so far my favorite scene is 100% the one in chapter 2 where tim calls jason to pick him up from the marina and kon goes full snarlbite at jason while tim regrets every choice he's ever made. i had that scene zerodrafted before i'd even finished the beginning of chapter 1 and had way too much fun adding to it as i went. second place might be an upcoming scene in chapter 4 where dick gets another crack at the title of Most Annoying Big Brother Ever (honorific). 😌

some headcanons for buy back the secrets-verse:

bruce's romantic life is a thorny, tangled web but he does have a steady thing with clark that lois is also aware of/sometimes involved in. it works very well for them. tim is aware of this enough to use it against bruce if need be but otherwise Does Not See It

duke does not join the crew yet in the timeline of this au but right now in his pre-batfam era i imagine he's running a semi-viral tiktok account where he posts skits making fun of various gotham rogues. (he does have a cameo in chapter 4!)

idk if this counts as a headcanon or as canon at this point but bruce is jewish in this au! this also make a brief appearance in chapter 4. and it is alluded to earlier, iirc.

of all the teen vigilantes running around steph is the one who worries bruce the most. not because she has shown any particularly evil or destructive inclinations, but because she's had the gall to 1) be robin 2) be robin as like, an internship, and 3) date one of bruce's kids twice. there is nothing bruce can do to intimidate her. she's too powerful.

re: the above: stephcass real.

after tim learned about ghost-maker he started logging all of khoa's safehouses in his not-at-all-stalkery bats-and-bat-adjacents database and sometimes shows up at them unannounced 😎 khoa finds this hugely irritating. tim is also khoa's favorite batkid. the two facts are not unrelated.

in a slight au of this au (some minor shifting timelines re: identity reveal) i like to headcanon that bbts could take place in the same universe as Lipstick on the glass

i think clark is genuinely jealous of kon's TTK (in a, like, "that ability is objectively really cool" kind of way), and he lets it show because it makes kon feel good about it. (it also, early on, made kon more determined to train his TTK so he could do cool tricks with it, which in turn helped him strengthen his control/range of abilities.)

kon is relatively popular at school in smallville but doesn't have many close friends there, because kon already imprinted hard on young justice / teen titans crew by the time he started school. he likes people at school just fine but his mind is usually elsewhere.

meanwhile tim has some civilian friends he genuinely cares about but purposefully distances himself from emotionally. everyone else at school at this point either does not think about him, dislikes him, or is morbidly fascinated by him re: his parents + getting scooped up by bruce wayne.

jason does not know how to turn off autocorrect on his phone and is too annoyed to look it up. tim messed with the settings one time and nearly got titans tower 2'd because of it

[hinamie]

i don't normally participate in these redraw challenges but it's megumi so i'll make an exception

[applestruda]

Summer, Spring, Autumn, and Winter

(Aka hermit ladys as mucha's four seasons for week 3 of the design challenge)

[ejga-ostja]

six of bunny hare rabbits

[blindmagdalena]

What ways do you think he’d boundary test in the very intial stages if the relationship?

(Diff anon bouncing off the flirting ask—i love your insight!! “Chokes on anything more than scraps” is SO poignant and real wrt homie)

aahh thank you! re: this ask

it would be subtle at first. little things like not fully respecting your other relationships or your time commitments. he'd ask when he could see you, and you could say, "How about you meet me after my shift?" and while he says sure thing, he actually shows up on your lunch break and tells you he's going to treat you at the fancy italian place that opened up downtown.

that's very sweet of him, but you only get 45 minutes for your break, and it's not enough time to go somewhere to eat. you're free for dinner after your shift, though. he waves it off. he insists.

"C'mon," he pushes. "We'll be gone an hour tops. I promise they won't miss you for those fifteen minutes as much as I will."

naturally, you're gone for two hours.

and he'll do this often. he'll consistently put you in situations where he's asking you to choose between something else in your life and him. he's testing not only to see how much pushing he can get away with, but self-soothing his own frayed nerves with the dopamine he gets when you do choose him.

and you probably would choose him! a lot. especially when the relationship is new and you feel that excitement and that pressure to deepen the relationship and prove yourself.

he lavishes you in love and affection for it every single time. sure, you bailed on that thing with your friend, but you were with him, you two had fun, you're so in love, and that's what matters!

it's only a problem when you don't choose him. when those boundaries become less lenient. when you tell him, "No, I'm serious. I can't tonight." how dare you reject him. why are you hurting him like this when it would be so easy to choose him? when you should choose him because he's yours, and you're his.

that's when the gaslighting starts. the snide comments about how you're always making these plans without even talking to him. how he sacrifices so much for you, bends over backwards to fulfill your every wish and whim, but you're never willing to do the same for him.

he WILL turn it into a fight. he will push and push and push until you either relent or apologize. until you choose him. and if you don't, he'll sulk. he'll be miserable. there won't be a retaliation per se, but he WILL expect something grand to make up for it. he will turn these moments into such an exhausting ordeal that next time, and every time after, it's so much easier to just... choose him.

and god, does he ever love you for it. downright smothers you with it.

[horribluh]

hilarious mpreg zosan thought, sanji has a kid that has green hair but its not zoros kid. he has in fact never disclosed who the other father was (choose ur own adventure dead beat dad edition) and his siblings already have amazing technicolour hair so its not outside the realm of possibility for his biological children to also have weird hair colours. but when the kid pops out with green hair everyone immediately connects the dots that hey, doesnt the strawhats first mate that sanji famously doesn't get along with also have green hair? is this why sanji never said who the other father was? hes a fucking dead beat! get his ass!

this misconception integrates into everyones mind bc it makes too much sense to not be true and everyone is suddenly deadset on "protecting sanjis honour" and making zoro "take responsibility"

sanji is screaming crying throwing up disgusted bc no!!! the shitty mosshead is not the father!!! stop saying that!!!! but since he still wont say who the actual father is, everyone is just like its ok sanji, you dont have to defend a deadbeat even if he is your crewmate and sanji has no choice but to kill himself and also zoro for daring to have green hair

when the strawhats show up for sanjis baby shower they also unanimously come to the misunderstanding that sanji and zoro totally boned. franky goes as far as to call the kid mini marimo. brook makes a hundred innuendos, chopper is upset at the implication of them having unsafe sex, and robin alludes to "knowing all along" in a very ambiguous way. usopp is the only one who refuses to connect the dots and he is sanjis favourite strawhat fr. jinbei pats sanji on the back and says he hopes they work through their differences for the sake of their kid. sanji is dying, youre killing him, you're killing your cook

even more shenanigans ensue when zoro shows up 3 whole days late to the baby shower and is gaslit into thinking hes the father by everyone in attendance despite being Pretty Sure that he and sanji never fucked. zeff gives a pretty good shovel talk and nami gives an even better one (debt increment is involved) while zeff nods approvingly behind her and then luffy slingshots in all parents should be married right? and doesnt wait for an answer

anyway, like 2 hours later zosan find themselves standing at a makeshift altar on the thousand sunny, saying their vows. sanji insists to the very end that zoro is not the father so they dont need to get married but alas luffy isnt giving him a choice in this (he wants to eat wedding cake)

to sanjis eternal despair, the kid grows up to really like swords

additional zosan thought, sanji does not help things by shouting "this is all your fault!" the moment he sees zoro. zoro is futher gaslit

[meamiki]

5% of a color headcanon.... two versions since b&w emphasizes the dagger more i think but i still like the warm tones ASFSADA

i am not biased towards rainbow daggers whatsoever i promise (lie)

((also friend is streaming now and im there too!! bit more info linked here, its rated mature tho))

[biblically-accurate-dca]

super disorganized sketch page because i do what i want

[mystical-salamander]

rules — shuffle your “on repeat playlist” and list the first ten songs, then tag ten people

Thanks for the tag @friendly-jester !!

New Genesis – Ado

Mortal Reminder – Pentakill

The Whole "Being Dead Thing" – Beetlejuice Original Broadway Cast Recording

That Beautiful Sound – Beetlejuice Original Broadway Cast Recording

Prologue: Invisible – Beetlejuice Original Broadway Cast Recording

Rell, The Iron Maiden – League of Legends

Money – Mystery Skulls

Dead Mom – Beetlejuice Original Broadway Cast Recording

Backlight– Ado

A Pizza the Action - The Stupendium

No pressure tagging: @digital-gargoyle @thatonegreyghost @astudyinpanda @astralalmighty @foxxxtransformer123 @seth-shitposts @never-ending-fanfic @ahsoka-its-all-of-us and anyone else who wants to play

[deku-verde]

“Is This A Date?” Part 2

(part 1)

the end~

[pearl-kite]

So I came to the realization today that I am not going to get anymore work on this trunk done this year. I still need to finish stripping the paper inside and redoing that, but it's just. Not happening until spring. With that realization, I decided it's time to finally bring it back inside, put all the junk on my floor that used to be in it back in it, and guys

It looks good.

This is going to be a summary post of the project, so let's go back and remember what I started with. Back in, like, 2015 or something, I bought this dome-top steamer trunk at a missionary shop for $65

Yeah. Rough. But underneath that paint it was sturdy, and the only thing missing was the lock and the right-side hasp. While I lived overseas this sat in my parents' house, and when I got back I kept meaning to do something while storing all of my yarn and cat food in it. When I finally got my own space (almost a year ago now!) with my own garage, I finally decided: it was time.

Heads up, this is a long post under the cut.

Did a lot of research online, grew to hate how generative AI has even permeated niche topics like how to refinish a vintage steamer trunk, WHY is there generative AI for that, PLEASE stop, went to Lowe's and bought some supplies (I used Citristrip for the paint stripping, it worked VERY easily), and started stripping that hideous brown* away.

Almost instantly I could tell how good it could be. The tin looked amazing, and for most of the stripping process I wondered why on earth someone would cover it with any color. It took multiple layers of stripping, and I got better at it over time.

I did also start to see some oxidation issues with the tin that made the purpose behind the paint job a little more understandable.

One side was particularly bad, but I will never forgive the decision to paint the entire thing one single color.

At first, the flat metal seemed okay, but the longer I worked on stripping, the longer it was exposed to air, the rustier it started to get. I had already planned on coating it, and I ended up getting some Rust-Oleum Rust Reformer spray paint. Instead of removing the rust, it bonds to the oxide and stops the process from continuing. It also happens to leave it a nice matte black that didn't need additional painting. I taped everything off, then sprayed.

Then it was time for the tin. I looked for ideas, and the best one I found was Rub'n'Buff. It's not so much a paint as a pigmented wax, with the idea that you can buff it to a higher shine. As I was stripping paint, I found a spot under one of the slats that the painter missed, and the original tin had been painted a gold color, so I used that to decide on color. I decided on Grecian gold, though I used the antique gold as a kind of base to make sure the Grecian stretched far enough.

I originally started applying it with some craft foam brushes, but they didn't really want to work for me, so I ended up buying a pack of makeup sponges, the little disposable wedge ones, and the finer texture worked much better. I had to trim them down pretty frequently, because the wax would build up and stop applying as nicely, but there were more than enough in the pack to finish the job.

The coverage is amazing for this stuff. This side was the worst of them, and one layer of the stuff was almost perfect. The Grecian gold was almost a bit runnier, though, and ended up needing a second layer to cover some patches that were almost too thin, thus the other underneath.

This tin is so pretty though. I still kind of regret that it needed it; the places that weren't oxidized were so bright in a way that the Rub'n'Buff had no hope of emulating. There are some places you can still buy the embossed tin for rehabing trunks like this, but I haven't found one with a pattern quite like this, and this one is so much nicer than the ones I've seen. I'm very glad that it was all intact except for where the lock goes.

After the tin came the slats. I knew from sites like Brettun's Village that I wanted to use tung oil, so I had bought what I thought was tung oil. Turns out Minwax gets to call their tung oil finish that even though there's. No... tung oil. in it. ? So uh, if you want actual tung oil, do NOT listen to Minwax, they're lying, I don't understand why it's allowed. It still looks nice enough, but quite annoying.

Speaking of Brettun's Village, they not only do their own restorations AND provide a guide, they have a very extensive supply of recently furbished and original parts. They happened to have a nearly identical hasp to the one that was missing (so nearly identical I only noticed after my dad pointed it out) and an old lock also similar to my original, made in the late 1800s/early 1900s.

The next step was to tackle the inside. Instead of just adding more paper on top (like the last people did, so now there are two layers, one of which hides some original stickers ;3;), I decided to try to scrape that out, and I've found some structural issues that the metal and slats outside have held together and kept hidden.

The top split in the wood is an actual crack on the front that needs fixing. The middle split is just the gap between the planks. The bottom is also a crack, but not as extensive as the top one.

So the final steps, when I get the motivation again come spring, is to finish getting as much of the paper off as I can. Then my dad is going to help me use some bondo to hold the cracks, and I'll find a removable wallpaper I like. Then I can sort out what I'm going to do with the lock. That top split runs right through where the lock should go - you can see some of the wood filler we already put in from where the original was ripped out - so we can't try to put anything there or it'll crack worse.

But I brought it in today!

It looks so good, I glance over and get to feel so satisfied; I did that.

*I don't like to call any color hideous, because a lot of the time it really depends on the context, and it's an okay brown. But for THIS? It was probably the worst brown they could have picked. Mixed with the orange of the paint stripper it looked like I was scraping diarrhea.

[maingh0st]

@belabellissima's tags on this post deserve a post of their own, i—

[honkowo]

OK NEXT SKETCH DUMP: EMPIRE HARPIES!!!

frop the top we have: harpy king Brutus + her outrageous dinner behaviour(feat skinny aka the current emperor(kadan)), a normie harpy next 2 the previous harpy king & skinny legend Night Hawk, & then multiple pics of misc harpies(tryna get used 2 how i wanna draw them) + a bit of harpy clothing & a npc harpy im yet 2 name

[cuz-reasons]

Summary: Elesa is invited over to Ingo and Emmet's parents' house for the weekend. Honestly, it's about time she met them. Doesn't make her any less nervous about it.

This makes 80 published works! How did this happen?

[taskmastersource]

TASKMASTER EPISODE TITLES — Series 14

[the-red-thread-that-strangles]

Rei is late for the first time since he's started working at Poirot.

Neither terrorism attacks nor hostage crises have affected his being on time. Not even a runaway horse managed to keep him.

But he spends one night with Akai Shuichi, and his perfect record is ruined. Asshole.

Despite his calling ahead, Azusa gives him a worried look. He stops briefly to give her a mock-embarrassed apology, turning up the charm. Promises he won't be late again. Then he's off to the storage room.

He needs to fetch his ingredients and get to baking.

Rei's going to find Akai and strangle him, just as soon as his shift is over.

.

Roughly 12 hours earlier.

There's a gun aimed right between his eyes.

That in itself is nothing unusual. The situation could be worse, really.

After all, his own gun is pointed right back at Akai Shuuichi's annoyingly smug face. At this distance, he'll be able to read his movement, react in time. He'd rather talk, but if the sniper fires, Rei will drag him into hell too.

Blood for blood. Mutually assured destruction.

(His excitement is slightly dampened by the fact he's rather certain Akai won't kill him.)

"Caught you." Rei can't help the satisfaction slipping into his voice.

Finally. After three years, their game of cat and mouse is over. He'll have his answers.

The most pressing of which-

"Where's Scotch?"

The words cut into the silence, sharpened by fear. His best friend might still be dead, after all. (If he isn't, why hasn't he contacted Rei?)

It's not like he has much to go on to suspect he's alive, besides the fact that Akai himself came back from the dead. Rei can only hope he brought Hiro along.

Before Akai answers, there's a click. The world becomes dizzyingly bright, expanding past the muzzles of their guns.

Rei blinks the disorientation away. Spots silhouettes from the corner of his eyes. He hasn't met them before, but he's familiar, of course, with the owners of this house. How long have the Kudos been watching them?

While he's busy processing that revelation, Akai holsters his gun. Part of Rei hates how nonchalant Akai is about all of this, exposing himself so easily. Like Rei isn't a threat, won't put a bullet in his head because of a couple of witnesses. (Hates that he's probably right.)

"I propose a trade. For old time's sake."

(The words leave a bitter taste with Rei. They haven't exchanged anything, not goods, not words, not warmth, in years.)

Akai snaps open a cheap flip phone - likely a burner. His thumb hovers over the call button. The fingers of his other hand, long and dextrous, wrap around the barrel of Rei's P7M8, tugging gently, but insistently.

Rei considers his options. He holds no illusions - without his gun, he won't be able to dispatch Akai. But he's more than capable of holding his own for long enough to escape, if need be.

(He could just fire, right now. It wouldn't have to be lethal. Could take the phone by force. But chances are, whatever information Akai has, he'll be much less willing to share it with a bullet wound.)

Rei looks up at Akai, meets his green, green eyes. The part of him that shows genuine emotions, some days. (Not that Rei is one to talk.)

Finds Akai looking...tired. He wears a small smile, but it's worn around the edges. There's no open mockery, no quiet amusement. It's just the two of them, and an offer.

Rei lets go of the gun. He hopes he won't be needing it, tonight.

.

Akai helps him up, his hand warm and steady. As soon as he's upright, Rei lets go - he can walk perfectly fine by himself, thank you very much.

The FBI agent shows him to the living room, tells Rei to make himself a home. After all, the Kudos have promised to give him some privacy, for his chat.

For a moment, the sniper lingers, gaze caught by the phone. Then Akai casts his eyes down, and leaves Rei alone.

Silence, if not for the crackle of the damned fireplace, fills the room. Rei hesitates for a moment. Then he presses 'call' for the only number in the directory.

The phone crackles with static, beeps as it establishes connection, then-

"Hi, Zero."

The world stops moving. Relief floods his system, sapping the tension from his muscles. He leans against the soft backrest, breathing freely for the first time in a good long while.

.

Their talk is short. Rei asks some questions to establish it's truly Hiro, not an imposter (though that would make a very poor basis for the negotiation the Kudos have planned).

Hiro tersely explains some things, although he isn't allowed to give away much. He's in the FBI's witness protection program. That they're talking at all is a massive bending of the rules, authorized only because of Akai's insistence. He claimed it was of critical importance to their mission.

It certainly is, to Rei.

.

The next hours are a blur.

The sofa dips when Akai sits down at his side, the Kudos already having taken their seats on the other side of the small coffee table. (He wishes Akai would sit farther away. That he be less reasonable in his assumptions and demeanour.)

It's somewhat surreal to think that celebrity actress Kudo Yukiko of all people gives him a steaming cup of chamomile lavender honey tea. Good thing working with Vermouth has knocked most of the starstruck behaviour out of him; his younger self would have made a fool of himself.

He can't afford that. After all, they are seeking him out in an official capacity, requesting PSB senior agent Furuya Rei's cooperation.

It certainly is strange for them to reach out through him, considering his known enmity of Akai. But he's a professional - he might be reluctant to work with the man, but it's not his decision to make. He'll relay the offer, unless it's utter garbage.

So he pays attention while they share what they can of their plan to take down the organisation. Listens to their pledge for equal contribution, and their promise of crediting the PSB with a successful operation; an obvious play intended to soothe the wounded pride of the Japanese, after years of illegal activity. But it's the least they can do.

If one were to ask Rei, the offer is certainly worth considering. The PSB has been working the case for five years now, and while they have gathered intel, and managed to place Bourbon as a vital asset, they're barely closer to shutting the organization down than when they started. It's sprawling, interconnected with various businesses, and, worst of all, active internationally. If they don't cut off all its heads at the same time, odds are the members will simply flee to a different branch. Maybe lie low for a bit, and then go about their business with renewed vigour.

It seems like an international cooperation might just be necessary to achieve this task. So he'll be their messenger; it's above his pay grade to decide whether to take them up on the offer or not.

Though privately, he hopes his superiors agree; every day they lose ground to the organization. By this point, Rei doesn't really care anymore whose plan it is that finally does the organization in, as long as it gets done. (And as long as he and the PSB are finally treated with the appropriate amount of respect.)

Still, he can't help thinking they wouldn't be having this conversation now, if these foreign agencies had respected the official channels ahead of time. Maybe Hiro could be hiding in Nagano then, with his brother, instead of being confined to the other half of the globe. In the US, of all the terrible places to be. He shivers.

.

By the time they're done it's very late. Rei is already half-dozing off, despite his best efforts to stay awake. It would be highly irresponsible to drive in this state, so he's asked their hosts for a coffee (he's sure a place housing Akai will have more than enough of it to go around). He'll just rest his eyes for a moment, until they're back.

.

Something light is being dropped on him, almost stirs him to consciousness. But it's warm, soft, and smells of huddling together in an abandoned apartment.

(Of long-forgotten small comforts.)

Not a threat.

Thus satisfied, his body collects its due, and he's dragged back under, into deep, dreamless sleep.

.

Which brings Rei to the reason he's late.

Someone, and he has a very good idea of who it was, put his phone in airplane mode, drew all the curtains shut, and kept the rest of the house quiet.

(Let him sleep for as long as he needed to.)

So Rei wakes up with a start, in a barely familiar place, the digital clock on the wall indicating it's way past opening time for Poirot. Shit.

He grabs his belongings, pistol, clothes and keys and all, and dashes out the door. He swears he can see Okiya - no, Akai, he was right, damn it - look down on him from that favourite window of his. Asshole. Contrary to him Rei has a job, a cover to maintain. He'll get back at him, yet.

.

It should probably worry him that he can perform the drive to Poirot on autopilot. Too many late-night stakeouts turning into impromptu naps, requiring him to drive straight to work after. So much trouble, over nothing. If Akai had just cooperated sooner-

Then, what? Rei hadn't managed to track him down before his supposed death, and the less interaction there is between Okiya Subaru and Amuro Tooru, the better for both of them. He grinds his teeth, barely manages to brake in time for a redlight.

(Hates that he understands the caution, to a degree.)

.

The universe really is conspiring against him, today.

After the lunchtime rush, a certain pocket-sized detective is ushered in through the door, followed by his guardian and her best friend. The kid gives him odd looks all throughout ordering lunch, too sharp in a way that makes the hairs at the back of his neck stand in up. Rei gives him his sunniest smile, and an extra packet of sugar. He's played games with Gin and Vermouth in worse conditions; he won't yield to a particularly precocious six-year-old.

Despite getting more sleep than the last three nights combined, he's not feeling too well. A single good night's rest can't undo weeks of insomnia. If anything, it only makes apparent what he's lacking.

He finds his mind wandering, glad the preparation of food comes automatically, by now. Whisk and mix and pour. Fry, remove from the pan...

"...uro? You seem unwell."

Too-familiar green eyes stare back at him, bags under the eyes and all. Rei barely manages not to flinch.

Of all the people to catch him spacing out, it just has to be Akai's little sister. The gods must truly hate him.

"Ah, miss Sera. I apologize, I was just pondering some new options for our menu." He winks, gives her his most dazzling smile. "The chamomile lavender honey tea cake has me under its spell."

In response, she just wrinkles her nose, unimpressed. Squints at him with those jade eyes that always see through him too easily.

"Are you sure you're not running a fever? It seems a little warm in here already, yet you're working in a sweater."

Rei blinks at that. The temperature seems fine to him. Azusa hasn't said anything about it either.

"I appreciate the concern, but I assure you, I'm perfectly fine. Now, what can I get you?"

One slice of red velvet cake (of course - why did they even keep that on the menu?) and a macchiato later he's rid of her.

For now, at least - she's joined her friends at the window seats, and judging by the way she keeps sneaking glances at him when she thinks he isn't looking, he hasn't seen the last of her yet.

Still, her questions are odd. Surely he doesn't look that terrible?

(Vermouth has taught him some of her secrets; he's been concealing the shadows under his eyes for a while now. Nobody's ever found him out. Why is it now that people notice?)

.

He continues to work mindlessly, unfocused. This damn shift just doesn't seem to want to end.

He just about manages to avoid knocking Ran out for leaning over the counter, into his space. She remains blissfully unaware of the danger she just escaped, smiling brightly, kindly.

"Excuse me, I have a question."

Rei closes his eyes, takes a deep breath, counts to four. Smiles at the girl. "Go ahead", he says, continuing to whisk some cake batter.

Ran leans in closer, conspiratorially.

"Masumi is too shy to ask" - that's a bold-faced lie, if he's ever heard one, and he's something of an expert on the matter - "but she'd love to know where you got that sweater."

Now, Ran's a lovely young lady, always eager to help. It's a pity she's being manipulated for Sera's gain. Because there has to be more to the question, even if Rei can't see it yet.

Of course, he can't tell the girls the truth - Kazami bought it for Bourbon's cover. But the best lies are closest to the truth, so-

"I apologize, but I do not know where it was bought. A friend gave it to me." His best calculated-apologetic smile smoothes the blow, hopefully.

"Oh. I see." Ran visibly deflates. Still, her good manners prevail. "Thank you, though!" And with that, she's heading back to her table.

Strange. What could Sera possibly want with his sweater? If she wanted to track him down, surely there's more efficient ways, and it's not like he doesn't have a dozen similar cream sweaters-

Wait. Cream?

Rei's pretty sure he dressed in black to infiltrate the Kudo manor. He's not been home and he hasn't changed for work.

He manages to supress a groan, but he's sure there's some unpleasant emotion visible on his face.

...he must have grabbed the sweater along with the rest of his belongings in the morning rush.

Now that he's looking at it, it's clearly a little too large for him. It's also warm, fuzzy, soft, and utterly unoffensive. That's probably why it didn't register, before.

The sweater does smell decidedly of Akai - cigarettes and a hint of his obnoxious aftershave. The warm scent of curry is new - though unsurprising, given his foray into cooking. Great. That's why they've been staring at him. Sera likely recognizes the sweater and Conan spends enough time with Akai to know the scent.

His gut instinct is to go change, right now, get rid of the damning piece of connection to the man he has too many conflicting emotions about. But a long-sleeved black turtleneck is hardly appropriate work attire for Poirot. Besides, if he changes now, the pair of detectives watching him will just have their suspicions confirmed.

So he grits his teeth, takes in a deep breath that smells too much like Akai, and gets back to work.

.

Rei does change out of the sweater as soon as he's done with his shift.

(It doesn't help. The scent lingers.)

.

He's tempted to just toss the sweater, but can't help feeling like it would be a waste. It's quality craftsmanship, well-worn but taken care of - this kind of sweater would pill, otherwise.

It really shouldn't be faulted for its owner's flaws.

So he puts the sweater in a bag, intending to have it dry-cleaned and give it back later.

He should really hunt down Akai, too, but if he's honest, he's just too tired. He probably shouldn't even drive, in his condition, but he needs to get to a safe place, to think about the developments of the night.

.

He reports to Kuroda, showers thoroughly, and falls into bed.

.

Rei can't have slept long. The sunset colours the world in blood red hues by the time he wakes up, out of breath, heartbeat too fast.

Visions of smoke and ash cling to him. Explosions, destroying him one by one, until nothing remains but death alone.

Hagiwara and Matsuda, taken by violent flame.

Hiro's remains, crushed and burnt beyond recognition.

Akai's smile, grimly defiant, as he's shot by Kir. He too finds his end in a blaze, lacking glory.

They're gone.

Consumed by the inferno that seems to follow Rei around. Which burns everything he cares about, leaves him freezing in its wake.

(He can't even cry, his tears evaporating in the heat.)

Rei shivers, draws the blankets closer. Hopes for a little bit of cover, a little bit of warmth.

Please. If he could just shake off the nausea. If he could stop his spiralling thoughts. Logically, he knows that's not all true, even if his heart burns. Akai and Hiro aren't dead.

It's a lie, they're alive, it's a lie, they're alive, it's a lie a lie a lie a lie-

A set of sharp barks rips him out of his thoughts, back into the present.

Oh. He's woken Haro.

The little guy stands in front of his bed, ears tucked back and hackles raised. A defiant ball of fluff that cares so much, trying to growl the nightmares away.

(It might just work.)

Slowly, shaking and somewhat off-balance, he reaches down to scoop up his dog. Wiggles the blanket off his shoulders so he may cradle the whining bundle of fur to his chest. It's soothing, to feel the warmth of another living being by his side. They sit, the silence permeated by Haro's huffed breaths. His body heat seeps into Rei's chest, nestles in his heart.

"I apologize for worrying you. I'll be fine, soon."

He's not alone.

Haro nudges his hand, demands to be pet. Rei obliges, of course he does.

He's not alone.

.

Still, the headache is a pain. He won't be able to go back to sleep like this, will need to grab a painkiller.

He makes his way to the kitchen counter, keeping to the walls because he's still somewhat unsteady, carrying his bundle of warmth along.

The dog throws a fit as they pass the bag with Akai's sweater, growling and yapping at it. Despite the circumstances, Rei can't help but smile.

"I'm glad to see we feel the same way about him."

Wait.

Inspiration strikes in the form of a very stupid idea.

Because that sweater, with its stupid mixed scents, reeking of Akai, is proof he didn't just imagine last night's events. Tangible and olfactory and physical proof. If he were to wake from a nightmare, with it by his side...the anger at Akai would surely keep the pain at bay.

It's worth a try.

.

As he goes back to bed, Haro lies down beside him. Rei keeps petting him, one-handedly. With the other, he holds on to a cream sweater that isn't his.

When he breathes, it smells of too-long stakeouts in windy apartments.

Of Rye's extra blankets, the ones he started to bring when he noticed Bourbon always freezing; irritating to no end, how he was always better prepared for cold weather than Rei.

(It smells of Bourbon's cooking, given in exchange for soft blankets.)

Scents of a tentative alliance, as thread-bare as the fabric between them.

Grounded between the warmth of Haro, and the scent of Akai, Rei falls asleep, waiting for the dog days to finally be over.