#anyway little details in this drawing include

[shapelytimber]

Pj party for the gang <3

[BG3 PRINTS] - [COMMISSIONS]

(Please don't spoil me act 3, I've still not got around to play it-)

Everytime I go to camp to clock in for the night, and a good 4 out of 6 of these fuckers go to sleep wearing *leather* outfits- I understand it from a 'this is a video game of course they don't change clothes to go sleeping' perspective..... But on the other hand I slept once in leather pants and that was one of the worst experiences of my life, so to think these people do it voluntarily everynight- freaks. All of them.

So I gave them pyjamas :D that was a lot of fun ! Also I like when characters have a more diverse builds and sizes, so I killed two birds w one stone and drew what the gang looks like in my heart <3 and of course I made a quick little line up !

A lot of yapping about the pj choices and process below vvv

Gale : fancy depressed wizard gets a fancy bathrobe type get up ! I don't think this man was getting dressed a lot in that sad year post his breakup, so why not invest in a comfy cool pj he can slip on in the morning feeling like it kinda counts as dressing up ! And I get that they didn't exactly pack before getting kidnapped by aliens, but Gale is a wizard I'm sure he can just reach into a pocket dimension where he stores some of his belongings (ala my tes mage !) or something

Astarion : I don't think astarion owns many clothes. He isn't wealthy, and well.... Let's not talk about Cazador in the fun pyjama party post- so his ruffled shirt untucked from a pair of looser cotton or silk pants it is ! Also I learned that elves are typically shorter on average in dnd and that's great, that's perfect, that's so funny, I can just picture him insisting this is true (which it is).... And then enters Halsin fjdjdk anyway

Halsin : I just know in my heart that man sleep in his bear form. It's when he's most comfortable, and he doesn't need to talk to other people when sleeping so why not. Also comfy bed mate :) ! Other option is completely nude (yes I forgot to include him in the lineup, sue me but I'm too tired to re open photoshop rn-)

Shadowheart : this is my art, and if I want the resident goth girly to be in a cute little nightgown I can >:( she gets lace and everything let me be a lesbian !!! Also she small and sturdy

Wyll : a slight variation of his canon camp clothes :) made his top less skintight, and once again changed the texture from leather to something less terrible to sleep in seriously why are all these people committed to this lifestyle-

Lae'zel : no pjs, a githyanki must be ready for battle 24/7 only the weak wear comfy clothes and don't commit to sleeping in leather pants and leather underwear. She's a freak and I love her dearly

Karlach : she deserves the best pyjamas of them all : topless in underwear. Nothing comfier than that and it's not like she'll get cold :) also she wears it very well what can I say fjdjdkd

I started working on the lineart like a month ago alongside a commission that I really didn't like working on- so anytime I got work done for the commission (btw not from someone online so it's none of you tumblrinas), I would reward myself with adding more shit to the bg3 drawing djdjdkk which resulted in a lot of details and clutter, that I didn't want to start coloring because that would be a nightmare to figure out and very long to do, so I would continue adding shit instead of starting colors- and the circle kept turning. Also 10 hands..... So this took a while to get right fjdjdk

But on the bright side, it's the most detailed illustrations I've done yet and I'm really proud of it (especially all the little story elements I could include <3)

[erandraws]

The world is frightening.

But you’ve seen it now.

And it’s filled with so much beauty.

And you’re part of that now.

You’re part of what makes it beautiful.

[comvi]

something about you being a map of everyone youve loved but instead its your artstyle being a map of everything youve loved and every artist youved ever wanted to draw like

[jichanxo]

date outfit kitakata save me......... save me....

[skylar-jay]

You have Cat Quest aus?

Fgsgvjthjhj

I do! Well, just one lol

I call it the Second Chance AU It's specifically for Cat Quest 2

Basically the two protagonists are sent back home, but instead of losing all their memories they keep them, and are forced to figure out how to fix things before both fall into all out chaos.

[lucalicatteart]

Poll adventure (paventure? lol) Day 14: read the small story tidbit below the poll for more details, OR just vote based on initial impression

(✦ see past poll results + further information HERE (link) ✦)

Yesterday's poll decided that The Adventurer should relax by spending his afternoon shopping ..

~

He trots down the mossy cobblestone walkway, gazing around in awe as he approaches the central hub of the small city. Tiny shops and stalls and carts are woven through the few clusters of taller buildings, with a modest crowd bustling back and forth between them. Despite much of the land being cleared for structures and pathways, it's still lush with greenery wherever it can be, every blank stone wall or street corner dotted with trailing vines and flowering fruit trees.

After spending a good 25 minutes trying to orient himself at the city map directory, he finally finds his way onto one of the primary shopping streets, eager to spend the afternoon lazily strolling about, trying to ignore his physical aches and just take in all the sights as he hunts for interesting items....

...A few hours (and multiple snack breaks) later, the streets begin to glow with a hazy warmth as lanterns are lit, marking the nearing sunset. Possibly because of the fight yesterday, he's felt shakier, more easily startled than usual, and suddenly realizes an urgent need to be safely inside his room at the inn before nightfall. He wanted to stay out longer, see the lights and the crowds, fascinating scenes of city nightlife he's never been exposed to before.. but, his nerves are impossible to ignore.

Begrudgingly preparing to slink off towards the inn in a sweaty anxious panic, he stops in the doorway, resolving to at LEAST buy himself ONE nice item before he leaves. He doesn't have much money, sure, but it'd be a shame to simply look around all day and not get anything. All travelers need to collect their souvenirs, right? But.. What should he get?

-

-

Additional Information (feel free to skip this part, it's just extra context for people who are interested lol)

just for record (in case it influences what people think he should buy), this is the adventurer's current inventory contents:

small journal + pencil to document his travels (and a few colored pencils for sketching plants or doodling)

a basic travel guide booklet

a simple map of the area

a small glass lantern case you can put candles in

fire starting materials

basic matches

first aid kid (a few bandages, simple antibacterial balm, some dried herbs that can be used for minor issues like stomach aches or nausea)

one metal cup, one metal bowl/plate thing, one metal fork/spoon, a cooking knife, and one metal pot for cooking over the fire

a basic toiletry bag (toothbrush, herbal mixture toothpaste type thing, bar of soap, one towel, a rag, a few disposable paper napkins, moisturizing oil, hair brush, a tiny cracked mirror)

three bottles of various spice mixes for flavoring the plain/bland food he usually forages on the road (+ plain salt)

a glass jar of berries

a container of plain dried oats

a container of dried beans

half a loaf of stale bread

one carrot he found

a bag of dried fruit

about 15 coins (maybe equivalent to $45 USD in our world money lol)

a basic fishing kit (simple lures, hooks, string)

two containers of canned fish just as a back up in case he ever can't find fresher food for the cat

a cheesy fairytale romance novel about people going on a grand heroic journey, to help give him inspiration to continue on his own travels and be the ultimate Super Cool Adventurer Hero

an old folded up letter from his family

a fabric pouch of cool shiny rocks + other trinkets he's collected

one change of underwear, one change of socks, + winter gloves

foldable saw

some twine/string

a basic sewing kit (2 needles, one spool of thread, a thimble)

lawyer's business card (from boat party)

lawyer's fancy expensive giant scarf (also from party)

1 lunchbox of vegetable dumplings (from Innkeeper)

2 canteens of water

a small dagger for cutting rope, vines, multipurpose anything

a little tin of mint & rose flavored candies for when his mouth gets dry

a box of cubed dried chicken as cat treats

a box of fancy tea

one large rope

a roll of fabrics (one thick blanket for padding when sleeping on the ground, some basic tent fabric to make shelter from, a few spare fabric scraps, 2 cloth napkin/towel things, two cloth sacks for extra carrying capacity if needed)

1 pouch of dried meat

5 candles

Innkeeper's hand-drawn map to her brother's hideout

and of course, the Mysterious Egg in a little wooden box

the adventurer's current main quest: follow his map to reach the abandoned castle ruins and see the rare animal specialist about the mysterious egg he has

[aspectpriority]

anyway here's a 5 minute teddybear butch flutteryshy before bed. as a treat :)

[trappedinchemicalplantzone]

SCREAMING MY HEAD OFF SHAKING THE BARS OF MY ENCLOSURE THEY LOOK SO GOOD !!!!! ARGRHRHRHRHRH

comm for @trappedinchemicalplantzone !

[ccl-c]

i procrastinated on this for months and it didn't even take that long to finish lol things got very bad at work this year and i just didn't have the energy but i'm really happy with how it turned out!

(edit: thank you so much to everyone enjoying this piece! i'm so happy there are more people thinking about his prosthetic leg.)

some of my favourite details and long self-indulgent ramble below the cut.

as much as i love the unicorn leg in the show i really wish they gave izzy an actual post-amputation swordfight scene, which probably would imply a more practical prosthesis because honestly that candle scene looks very painful and pretty difficult to adapt in combat. so basically i wanted him to have a prosthesis that could work.

for the poses i mostly just took basic right-handed cavalry sabre movements that would need lots of force and/or mobility from the left leg (actually all of them do otherwise he'd lose stability which is a big no but well i did not consider the basic steps nor special ones such as the palestra because they're not very clear to draw. i included a flèche though because i just really, really want to see him do flèches (no more modern rules aha!!); i doubt he'd like it since it's very risky but it would be so fucking awesome. imagine him just darting full-speed at the opponent and passing through them sliding the sabre right between their ribs. the sabre isn't a pointy weapon especially since his is quite curved which makes piercing trickier than slashing (it would be a lot easier with a rapier or an épée; i like to imagine that stede prefers the rapier and makes every opponent who believes rapiers aren't fit for combat reconsider it) but hell that would just look amazing. although looking at it again i probably drew the footwork more like a pass forward …). now thinking about it i should have included a salute because he'd absolutely do that and make everyone do it in unison at the start of training sessions and it's just a cool series of gestures (i haven't gone through the historical documents yet but the salute our historical fencing club do consists of two appels (striking the ground with the forward foot which in izzy's case is the right foot), then raising the sword to the sky, then pulling the guard of the sword near the jaw with the tip pointing upwards, then pointing the sword down forward, usually a bit to the exterior for single-handed swords. this is the short version; we did the complete version of that salute precisely once and i seriously cannot remember either the year it was formalised or how it was done exactly. i think it was somewhere near the end of the 18th century and there was half a step forward and maybe a step on the spot at the beginning. if i ever find it or we ever do it again i'll update here the complete version from the 1877 regulation under napoleon iii for the french army includes a process of going from standing to a tierce stance in the beginning and it's like this: start from a standing position with heels kept together and the sword to the front pointing downwards, then slowly raise the sword with the arm straight until that the point is about at eye level, fold the arm to end at the third or sixth hand position depending on the sword (sabre and rapier typically use the third while épée typically use the sixth; longsword would use the sixth too but it's not used in the army lol imagine that. and bayonet has a whole different salute), then start folding the legs while keeping the heels together and when you can't go any lower, move the front foot forward to the en garde feet position. and then tap twice on the ground etc.). also i feel like the dagger doesn't really look right ever since i saw the daggers and little swords at the exhibition about knights in nantes … anyway.

the prosthesis is loosely based on those 16th-century moveable leg prostheses by ambroise paré (on a side note, he made hand prostheses too and i think they're good references for spanish jackie's hand), douglas bly's above-knee prosthesis in the 19th century and modern running prosthetic legs (for the need of explosive force typical in lunges) as well as historical fencing and buhurt (full-armour medieval combat) gears. although i'm horrible at physics and have forgotten what little ergonomics i learned at university so it probably won't work in reality lol.

the text is in french simply because i learned fencing in french and didn't want to make mistakes in the vocabulary. the small words from left to right top to bottom are: motion (movement?), knee (front), knee (back), ankle & foot, locked, flèche (as in fencing; the word itself means “arrow”), unlocked (middle french spelling because i like it and it's not completely anachronistic i guess), lunge, en garde position in tierce (i somehow can't find any fixed way to say this in english; it's just the basic stance with the third hand position). the text on the left is probably quite awkward honestly but i can't not put it there because it's fun lol it reads “leg and foot prosthesis designed for first mate hands, by doctor roach with the assistance of frenchie, realised (built? made? constructed? manufactured?) by black pete and wee john feeney and the entirety of the crew of the revenge under co-captains stede bonnet and edward teach, illustrated by lucius spriggs”. so yes any mistake in there is theirs and not mine lmao (no). the font is very loosely based on my memory of jean jannon's regular and italic typefaces. i adore his italics; it's the prettiest, most delicate italics i've ever seen.

i still have other drawing ideas for ofmd but i'm also into a lot of other things now … i'll probably get to them a few months later.

[hivemuthur]

Hey! I was the one who wanted to request an arrange marriage (regency era) au with viktor and reader. I would like the reader to be bubbly and artistic (for painter/drawer), if that’s okay?

If you’ve watched bridgerton, perhaps reader would be apart of that family? But if you haven’t, that’s fine, just ignore this part lol

Hi Anon! So... this is happening. People this is my take on Bridgerton-inspired regency AU :v more under picture!

A Deer and a Man - Ch.1.

viktorxfemale!reader mature (overall explicit) - tho this chapter is a little pornographic, there is some naked wrists, running around in nightgowns and men with loosened cravats, so proceed with caution :v

Ch.2. | Ch.3. | Ch.4. | Ch.5. | Ch.6.

word count: 7,7K (it will be this long, sorry!)

tag: #d&m

summary: You are the eldest daughter of a noble family, soon to be married to one of the most eligible bachelors in the region—Viktor, the adopted son of House Talis. The arrangement is simple: a marriage that secures your family's wealth in exchange for access to Hextech. What could possibly go wrong?

author's note: Anon, forgive me, but I wasn't able to write it precisely into the Bridgerton universe, I don't know it nearly enough. Also, I got brain damaged while writing it and included the artist part as a pianist, as this is the subject I know best. Super special thanks to @mithrava who helped me with details (I almost squeezed our poor girl into a corset, but she fucking hates bras anyways) and to @rennethen who beta reads and brainstorms the ideas with me!

also the artist behind art is here!

Cross-posted on AO3

—

The first look into the mirror in the morning is always suspended between a thing in bloom and a thing fading away. What blossoms is the vision of yourself, wrapped up in a short stay, your form sculpted to society’s liking, cheeks brushed with a becoming rose tint, hair pinned into a careful bun, soft tendrils escaping to frame your face. The self that fades is the girl who may draw a full breath, whose flushed cheeks owe nothing to powder but to joy, whose wild curls defy taming. You greet her each evening and bid her farewell each morning, so that the lady—your family’s prized jewel—might step into the light. Mostly.

That is, when you were not hunched over the piano, playing Appassionata with a furious fervour instead of what your mother deemed proper, like some dull Hummel or Clementi. How utterly boring and soulless they seemed, that you could almost hear your night self scolding you each time your fingers reluctantly touched the keys to play one of those Sonatinas.

Running was also a thing you had to avoid, for the most part. Eating a whole apple was strictly vulgar. As for a whole egg—well, that was something to be done in the strict privacy of the kitchens, once you’d managed to filch one without the cooks noticing. Yanking your skirts up while sitting on the grass and scribbling was also one of those moments when, if your mother had caught you, she would have been most displeased, to say the least. All in all, you had precious little time to let your night self emerge during the waking hours. She was continually suppressed by the version of you that took small, delicate bites, drank tea from a tiny cup, and sat upright while playing agreeable tunes.

Today, of all days, it is imperative that your night self remain firmly in check, while your day self does her utmost to impress the very man you have already deemed beyond salvation—without so much as laying eyes on him. A rare occasion indeed, where both versions of you are in agreement.

He has but one benefit of the doubt, and that is Jayce Talis. A brilliant inventor you once encountered when you slipped away from your mother and sisters while running errands in town. Back then, he had been mocked and overlooked as he tried to preach his discoveries from a modest tent set up on the way to the pharmacy. Someone particularly unkind had flung a fistful of mud in his direction, which Jayce avoided with such grace that your eyes had lit up.

You had been so young then, perched atop a crate of peaches, listening from afar, watching him wave his hands about, utterly bewitching.

"Is this truth you are speaking? Absolutely fascinating," you had said, once you had mustered the courage to approach him and give voice to the questions grinding in your hungry mind.

"It’s all possible, Miss," he had replied with a brilliant smile. "Take a pamphlet. I am here every Thursday."

But before you could so much as tell him your name, your mother had seized you by the ear and dragged you—nearly by force—into the nearest perfumery. Huffing and sighing in disapproval, she had straightened your dress, grumbled about the mud on your shoes, and scolded you for indulging the poor man’s delusions.

Little did she know.

Five years later, Jayce Talis is one of the most sought-after and highly regarded inventors and scientists in the entire region. Yet it is not he whom your family desires—not exactly. His research and the opportunity to invest in it—now that is what truly entices them.

And standing beside Jayce is his partner, Viktor. A stray, adopted by House Talis as though he were its own son. Apparently just as brilliant, undoubtedly just as sought-after.

"A good match," your mother says with a firm tone.

"A bright future for you and your sisters," your father says, his voice tinged with sadness and apology.

Of all men, you had thought him the one who would never betray you. And you tell yourself it is only one part of you that he has betrayed. Yet it wounds you so deeply because it is the part he always claimed to love most of all.

The real part of you.

You push her aside as you tuck a loose lock back into your bun. Fill your lungs with as much air as your short stay allows—nearly not enough. Then you answer your mother’s call with a rehearsed, “I will be right there, Maman!”

One last glance in the mirror—oh, no. You forgot a smile.

So you plaster it back onto your face, let the stale air escape your chest, and run—no, walk—downstairs. And the noise is already there as they all exchange their exaggerated good afternoons—your sweet father, your benevolent mother, your silly younger sisters, Jayce and Viktor. You hear their voices, your mother chuckling politely at Jayce’s remarks about bumpy roads, Viktor’s reserved greeting with a lilt of an accent that makes your ears perk up. Pretty.

Your eyes land on Jayce first—his frame broader than you remember—and something swells within you. Not sultry, just pleased to see this once-boy now a full-grown man, taking up the space he was always meant to claim.

And next to him—oh.

Emerging from your father’s embrace is Viktor, visibly startled by the stark contrast between your official mother and your matey father, who claps him on the back, smiling with flushed cheeks. Happy, relieved, because the boy who will marry his daughter is a slender, gentle man with kind hands and bright eyes. Your father breathes deeply, granting himself absolution for sending his eldest away into the arms of a stranger.

And the man at the bottom of the staircase looks nothing like the monster you painted in your mind. His frame is lithe yet full of quiet strength, supported by a cane. His face, all sharp angles, is touched by shifting light and shadow with every expression he tries to suppress. Lips small and tender, nose a work of the most skilled sculptor, eyes the colour of your father’s favourite bourbon—and your favourite honey, the one from summer flowers. His leg is hugged by a strange contraption of a brace, and you feel a weird sense of camaraderie—both of you constricted in some way.

"Hello," you say in your rehearsed voice, though it wavers slightly at the touch of his hand on yours. Your heart stumbles between beats when his lips press to your glove, his thumb steady on your knuckles.

"I am so glad to finally have met you, Miss. I have heard so much about you," says Viktor, holding your gaze. His composure settles back into place, his eyes drilling into you. And beneath his voice, a hint—suggesting he has heard more than just that you are a sweet young lady.

"Only good things, I hope?" you ask. And truly, the hope lingers in your tone, even though you know Jayce has told him what a wild thing you are when nobody is watching.

Briefly, you wonder—what would it be like to be asked by this man to marry him, had your families not decided your fate for you? Would you say yes, tears in your eyes? Or would you smile gently and tell him a polite maybe? Would you challenge him or take him in without compromise, had you met and known him before everything was resolved for you?

"Only good things," Viktor says with a false, polite smile as he releases your hand. And the falseness of it stirs something within you—a worry, a flicker of fear.

What is this man like when no one is watching?

You have heard almost nothing—only mentions of his brilliance and good behaviour. But if they are as much half-truths as the mentions of your brilliance and good behaviour, then this arrangement could be either a blessing or a curse.

Not that it matters. If you ever wanted to be married, which you still do not. You merely accept your fate for the sake of…

For the sake of your family. Of course.

The exchange of pleasantries has barely settled when the butler steps forward, his voice measured and precise. "My lord, my lady, refreshments are prepared in the drawing room."

"Ah, excellent!" Father claps Jayce’s shoulder in a display of easy camaraderie. "We have much to discuss, Mister Talis. Shall we?"

Mother inclines her head gracefully, extending a gloved hand toward the open doorway. "Come, gentlemen. We shall not let business keep us from our tea."

The procession to the drawing room is orderly, Father leading Jayce in enthusiastic conversation about the boundless opportunities ahead. "A partnership of this nature is unprecedented, of course. An investment in the future—our shared future."

Jayce responds with the confidence of a man accustomed to admiration. "Precisely, my lord. With the right support, we could revolutionise industry as we know it."

You follow with measured steps, Viktor at your side. He has not spoken since the introduction, his expression composed, though his eyes—deep, contemplative—move with interest over the fine furnishings of the room.

As everyone settles, tea is poured, the gentle clink of porcelain filling the brief lull in conversation. You accept your cup, watching as Viktor does the same, his fingers long and careful around the delicate handle. A man of precision, no doubt.

You lower yourself onto one of the chairs as a maid pours the tea, your hands folding neatly in your lap as you watch your father and Jayce fall into an easy rhythm of discussion. They speak of investments, of Hextech’s promise, of the ways in which your family’s patronage will shape the future. You hear none of it.

“You must find this arrangement rather inconvenient,” you say to Viktor, keeping your voice light as you turn toward him.

His eyes sharpen, though his smile remains polite. “How so?” His hand playing with the cane stills, long fingers extend idly toward its wooden pole.

You tilt your head. “To be bound to a wife you do not know. And for science, no less.”

Viktor exhales a quiet chuckle, setting his tea down. “Science is a noble cause, Miss. Perhaps even nobler than marriage.”

A test. You recognise it as easily as you recognise your own reflection.

"Then I suppose you have the better end of the bargain," you say, knowing it’s in fact, the exact opposite.

What Viktor doesn’t know, is that your mother has ensured the bargain benefits your family far more than it does the inventors. And looking at both of them—Jayce, hardly containing the beam on his face, and Viktor, observing everything reverently—you feel a pang of guilt, followed by a flicker of anger at the injustice.

A plan formulates in your wicked brain faster than you can blink.

Viktor’s lips press together, but amusement flickers in his gaze. “Perhaps we both do.”

Whatever he means by that, you don’t get the chance to find out. Your mother’s voice cuts through the conversation, her smile as polished as the silverware. “My dear, do spare Mister Viktor the interrogation.”

You return her smile, though yours is sharper. “I was only ensuring he is as clever as they say.”

Your mother’s eyes narrow slightly before she turns back to Viktor, seamlessly redirecting the conversation to something safer. "Dearest, I do believe Mister Talis was about to ask your thoughts on Clementi’s compositions. Such refined taste in music is most becoming."

A deliberate redirection. A warning.

You inhale, curbing the temptation to press further. "Indeed, my lady Mother." Turning to Jayce, you summon a practiced smile. "I do believe his sonatinas have their merits. Though, some find them rather—predictable."

Viktor’s gaze lingers a moment longer, unreadable. You have tested him, and he has not recoiled. A curiosity, then. A mystery yet to unfold.

You spend the rest of the afternoon refreshments chatting to Jayce about mediocre music, wondering if he is as bored as you are. He is ever the gentleman, offering the occasional enthusiastic nod or agreeable remark, though you catch the way his gaze strays toward the conversation between your Father and Viktor. You, on the other hand, attempt to suppress yawns, stuffing your face with biscuits only to receive a sharp, silent scolding from your mother—her ever-composed expression unchanging, yet her message perfectly clear in the slight arch of her brow and the subtle narrowing of her eyes.

Jayce, for his part, is far less burdened by such silent reprimands, complimenting the food with an easy charm that has even the servants standing a little straighter. "Absolutely delightful," he declares after a bite of pastry. "Your cooks must be geniuses, my lady."

Mother responds with a gracious nod, her practiced smile unwavering. "We do strive for excellence."

Meanwhile, across the room, Viktor exchanges politeness with your father, and—intriguingly—seems to warm to the conversation. While his initial responses are careful, measured, there is a spark of genuine enthusiasm as the subject shifts to research. Your father, less constipated than your mother in matters of etiquette, easily shakes off formality, allowing his hand to linger on Viktor’s shoulder longer than necessary—a gesture of camaraderie and gratitude.

As the discussion unfolds, Viktor’s composure loosens. He leans in slightly, his hands moving as he speaks, his eyes lighting up with the excitement of a man entirely lost in his own world of ideas. His voice, once restrained, now carries a lilt of passion as he explains the intricacies of Hextech and its boundless potential. You watch, fascinated, as the façade slips away—just a little—revealing something softer beneath. And how lovely he looks when he forgets himself.

Dinner proceeds without any great disturbances, save, again, for your mother’s silent rebukes whenever you take too large a bite or drink too greedily. Conversation flows between the three men, animated and full of promise—the future, progress, the shape of the world yet to come. All three desire it in their own way, though you suspect Viktor’s hunger for it is of a different nature than the others’.

And then, of course, comes your turn to be put on display. After dinner, Mother’s hand lands lightly on your wrist, her voice smooth as silk yet firm beneath the surface. "Dearest, why don’t you show our guests the depths of your talents? A sonatina, perhaps? Something refined."

Refined, meaning dull. Predictable. A test, as everything always is.

You rise, crossing the room with measured steps, already feeling Viktor’s gaze on you. He has seen something of you in conversation—but now, he will listen.

And so—you play the godforsaken Sonatina, your skin pulled tight over your face, eyes hooded, fingers moving with all the enthusiasm of a prisoner serving a sentence. Your back aches from keeping your spine stiffly straight, and despite your best efforts, your brows begin to furrow in ironic frustration. You only realise it when your mother clears her throat—pointedly, just a touch too loud.

You correct yourself immediately, smoothing your expression, though you swear you hear the ghost of a chuckle slip past Viktor’s lips. How dare he.

"How lovely," Jayce says, his smile wide and honest. You return it with one of your own—entirely dishonest—as you offer an insincere, "Thank you, Mister Talis," and bow politely. Viktor nods and swallows, and for some reason, you catch the way his throat bobs.

"Gentlemen, I believe it is time to discuss business. Let us move to the smoking room," Father announces, beaming. You can't suppress the sigh that escapes you. Soon—very soon—your night self will be free. She has been clawing at the edges of your skin for hours.

"Goodnight, my dearest girls," Father says warmly, pressing a kiss to both your forehead and your mother’s—a gesture so private, so natural, it earns him a scoff from his wife and a kiss on the cheek from his daughter.

Pleasantries are exchanged, and as soon as the men are out of sight, you bolt toward your bedroom. Your mind is already racing, gears grinding. Your feet slip from your heels, and you clasp them in your hands as you take the stairs two at a time. Every step sheds another layer of constriction—the short stay, the chemise, the pins biting into your scalp, the suffocating weight of your skirts. Off, off, off. The blush, the powder, the pretence. Her watch has ended for today.

You shake your hair loose from its updo before you even reach your door, already calling for your maid the moment you step inside, clawing at the laces of your gown in desperation.

“Miss, why the dramatics?” she teases, catching up with you in the corridor.

“Peggy don’t test me. I can’t breathe,” you whine, slumping onto your vanity chair, hands pressing against your ribs to emphasize the urgency. “I am convinced that in hell, everyone wears a short stay.”

Peggy chuckles but says nothing more as her fingers work deftly at the laces, loosening them with a care that speaks of years spent tending to you. You feel the tension ease, your ribs finally expanding without resistance.

“Well?” she prompts, her voice light but expectant. “How was the evening?”

You hesitate. The words sit heavy on your tongue, as though speaking them aloud would solidify them, make them real. And you are not quite ready for that. Instead, you exhale slowly, composing yourself before replying, “He is… nice.” That is all you can manage.

Peggy hums knowingly. “From what I managed to spy, he’s also rather handsome.”

You scoff, turning your head away. “Is that all that matters?”

“It certainly doesn’t hurt,” she says with a grin, but she does not press further.

At last, the constriction gives way, and you take an exaggerated breath, filling your lungs like a drowning woman reaching the surface. Then, without ceremony, you slide off the chair and sprawl flat on the floor, half-dressed, limbs flung out like a marionette with its strings cut.

Peggy, unfazed, picks up your nightgown and drapes it over you as though covering a corpse. “God, grant rest upon my poor mistress’s soul and let her eternity be free of the constriction of breast support,” she intones in mock solemnity.

Laughter bubbles up from your chest, unrestrained and real. You lift an arm weakly and wave it in her general direction. “Saint Peggy, patron of weary ladies, I thank you.”

She curtsies dramatically. “As ever, at your service. Call on me if you need anything.”

“I expect I shall sleep like a log.”

“Good. You’ve earned it, I think.” With that, she takes her leave, pulling the door shut behind her.

Silence settles over the room, thick and absolute. You are alone.

For the first time since the day began, the weight of it all presses down on you. The evening, the introductions, the expectations—your mother’s sharp gaze, your father’s quiet resignation, the way Viktor’s eyes had searched yours with something unreadable. It is real now. You are betrothed.

You swallow. A part of you wants to dwell on it, to trace every moment back and find meaning in the way Viktor’s lips had pressed to your glove, or how he had looked when he spoke of his work, his façade slipping just enough to let something genuine through. But you stop yourself before you go too far.

No. There is still one more thing to do tonight.

You push yourself up from the floor, shaking away the thoughts. The night is not over yet.

Barefoot and silent, you slip from your chambers, the corridor dimly lit by the soft glow of sconces. The house is quiet, the faint crackle of a dying hearth the only sound accompanying your careful steps. You know this path well—the precise places to avoid so the floorboards won’t betray you, the door handle that needs an extra nudge before it turns smoothly.

Inside, your father’s study smells of ink, aged paper, and a lingering trace of cigar smoke. The large mahogany desk dominates the space, neat and orderly, save for the glass of brandy he left half-finished. You move swiftly, rifling through the stack of documents until you find it—your contract, tucked within a leather folder. The paper is thick beneath your fingers, the ink crisp and unwavering in its certainty.

You sit at his desk, candle alit, quill and ink poised above parchment. The contract lies before you, its neat, formal script a reminder of how little say you had in its creation. Pushed through by your father but shaped by your mother’s precise demands, it is, at its core, a transaction. A business arrangement designed to favour your family above all else.

Your eyes skim over the terms, and irritation prickles beneath your skin. The imbalance is glaring. The investment into Hextech is substantial, but in return, the Talises and your future husband receive only what your mother deems “reasonable compensation.” No direct ownership, no authority over the funds. Your family retains the power, and Viktor and Jayce are little more than beneficiaries at your parents’ discretion. A gilded leash.

You press your lips together. No. This will not do.

Dipping your quill into the ink, you begin to amend.

First, the finances—your father’s control over the investment is reduced. Instead of an allowance doled out at his leisure, the funds will be released in agreed-upon increments, ensuring neither Jayce nor Viktor are forced to beg for what is already promised to them. They will have the freedom to allocate resources as needed, without interference from your family.

Next, ownership. The contract had positioned your father as a silent but permanent stakeholder, yet he has no knowledge of Hextech, no hand in its creation. You strike that out, altering it so that once their research yields results, patents and profits remain in the hands of their rightful creators. Your family will receive a generous return, but not at the expense of their autonomy.

Then, Viktor himself. The terms outlining your marriage are, predictably, cold. Your mother’s hand is evident in every word. You are to be an asset to your husband, a guiding influence, ensuring that he remains focused and socially presentable. It is not about companionship—it is about control.

You set your quill down, flexing your fingers before taking it up again. You cannot undo the engagement, but you can redefine it. The clauses regarding expectations of your role are softened, turned into vague suggestions rather than obligations. Where once it stated that your husband must be “encouraged” to attend events and maintain appearances, you adjust it to read that he may do so at his discretion. No doubt your mother will notice this change, but you will cross that bridge when you must.

By the time you finish, the candle has burned low. You lean back, studying your work. The contract remains an arrangement, a tether you cannot sever, but at least now, it is fairer. A step closer to something tolerable.

You blot the ink, letting the parchment dry. The night stretches on, silent save for the scratching of your quill as you forge your own small rebellion in ink.

Once you deem it ready, you sneak back out, guiding your footsteps toward the guest bedrooms. An unthinkable mésalliance, your mother would say, but you feel that both Jayce and Viktor should be made aware—if your plan is to work. You step carefully, your bare feet growing dirty from crossing the house without slippers.

Muffled conversation filters through the door your mother assigned to Jayce. His voice is slightly raised, Viktor’s quieter, edged with irony. They are discussing the evening.

One proper breath, and then a knock on the door.

The hum of conversation ceases instantly as heavy footsteps approach. The door cracks open, and Jayce’s eyes widen—because there you stand, in nothing but your nightdress and a loose cape that does little to conceal your state of undress.

His mouth falls open, and only a small, startled sound escapes his lips.

“Let me in!” you whisper sharply, glancing down the corridor with nervous urgency.

“Oh, Miss, forgive me, but this… is very inappropriate,” Jayce says weakly, though he makes no move to stop you as you push past him and step into the room.

The air is thick with the remnants of their earlier conversation, the scent of brandy lingering. Viktor sits slouched in an armchair, one elbow propped on the armrest, fingers pressed against his temple as if warding off a headache. He watches you, silent, unreadable.

Jayce, on the other hand, is all frantic gestures and hushed protests. “You must go back to your room. If anyone—God, if your mother—” He exhales sharply, rubbing his jaw. “This is madness.”

You cross your arms, standing your ground. “Fuck the polite society, Jayce. Do you want to be a slave to my mother, or will you read what I brought you?”

At that, Viktor’s lips quirk—barely. “Quite a mouth you have there, Miss.” His voice is smooth, carrying none of Jayce’s flustered panic. He rises from his chair, extending a hand.

It’s only then that you truly take him in. His shirt is undone at the neck, the cravat abandoned somewhere, his hair tousled prettily as if he’s raked his fingers through it too many times. A flush warms his cheeks—alcohol, no doubt, courtesy of your father.

You hesitate for a fraction of a second before placing the document in his outstretched hand. Your fingers brush, and you retreat too quickly, as if the touch burned.

Silence. Viktor’s eyes flick across the page, reading with quiet intensity. Jayce, peeking over his shoulder, mutters under his breath, “Oh, my.”

Viktor lets out a quiet scoff, the amusement avoiding his eyes. “And to what do we owe this mercy of yours, pray tell?” His gaze lingers on the last lines of your text, his tone devoid of the warmth he carried earlier. Now, it is sharp, cold, measured—kindness stripped away as if it had only ever been a mask to wear in polite company. He swallows and lifts his eyes to you, utterly unamused, borderline bored. “I loathe charity.”

Heat rises to your cheeks before you can stop it, a tangled mess of emotions forming beneath your ribs, but anger is among them. You exhale sharply, crossing your arms over your chest, suddenly very aware of how exposed you are. “And I loathe injustice and trickery. This—” you gesture vaguely at the parchment. “Is fair. If I am to be sold to a man I do not know, let it be on terms that are humanely acceptable.”

“How kind,” he says, smiling—mocking. “And how do you expect us to accept this? Who do you think is stupid, me and Mister Talis or your own father?” He steps closer, ignoring the way Jayce’s hand presses against his shoulder as if to restrain him. His weight wavers without a cane, and for a moment, you think he might have to steady himself on you.

“My father is not an unkind man. He simply loves my mother too much for his own good. My mother…” You tilt your head, letting the words settle between you. “Well, she’s a woman.”

The corner of Viktor’s mouth twitches, the ghost of a smile. “Charming.”

“But my father will not read this upon signing, of that I am certain. We will be long bound before anyone notices.”

Viktor exhales, a sound of something between disbelief and amusement. “And who are you doing this for, my merciful Lady?” His voice shifts, the sharpness still there, but beneath it—a spark of something else. The same fervour he held when speaking of his machines, now laced with something darker.

“Myself, my Lord.” You meet his gaze without hesitation. “You just happen to be a casualty of my mercy.”

And something stirs in your chest—a swelling, an exhilaration. The night version of you, the real you, speaking bluntly to the man who is to be your husband. And he does not recoil. He accepts the challenge. Infuriatingly so, but beneath your irritation, something sparks under your skin that you cannot chase away. Excitement.

Viktor blinks, slowly. Then, he turns to Jayce, whose face has gone chalk white during your exchange. “What do you think of this?”

Jayce swallows hard. “What if he notices? Your father, that is,” he asks wearily, clearly tempted by your terms yet frightened of what it might cost your families' alliance.

“He won’t. And if, by some unholy joke, he does—I will take the blame. Tonight never happened,” you state firmly, bravely. You do not let your voice betray the truth: that you have no idea what you would do if your mother ever found out. She would probably cut your hair and throw you in a convent.

They both nod, and you allow yourself a breath. Then, Viktor extends his hand for a handshake.

You stare at it briefly before accepting—his palm is calloused, warm. Bigger than yours, his fingers so long they nearly brush your wrist. His grip is firm, unwavering.

For the briefest moment, his gaze flickers downward—to your chest. It’s so quick you might have missed it. But you didn’t. And neither did he miss the way heat rushes to your cheeks.

His eyes meet yours again, glinting with an unreadable taunt. “I think it’s best you return to your chambers, my Lady,” he says at last. To that, you can only nod.

You slip back into your father’s office under the cover of darkness, placing the altered contract precisely where it needs to be—where it will be signed without a second glance. Then, just as carefully, you retreat to your chambers, slipping past every creaking floorboard with the expertise of someone who has done this many times before.

Once inside, you bolt the door, shrugging off your cape before sinking onto the mattress. The night version of you refuses to rest. She tosses and turns, replaying every moment of the evening—the music, the dinner, the conversation, the challenge in Viktor’s eyes, the brush of his fingers against yours.

And yet, despite all of it, he is still a stranger.

Morning invades you with harsh light pouring through the abruptly opened curtains and Peggy’s voice urging you to get up.

“Miss? You’ve overslept! Up! Up!” she whisper shouts, pulling the covers down from the bed.

You groan and press your palms to your eyes, curling up into a bean. “Peggy, have mercy, I beg of you.”

“Sorry, Miss, no mercy today. Our guests are leaving soon, and you can’t miss breakfast, not today,” Peggy says with a kind smile that disarms you. You roll out of your bed, feet dragging across the floor before you slump down in front of the vanity. You watch as Peggy chases away the night self, pins your hair up, wipes the night drool of your face to make you at least vaguely presentable. She’s merciful with the short stay though­—picks a looser one, from the time before you lost your baby fat.

Your heels clack on the staircase and you can already hear voices coming from downstairs. As you approach the drawing room, a glimpse of the scene within stops you in your tracks. Lurking in the doorframe, you watch as Jayce and Viktor hunch over a parchment, feigning deep concentration as they pretend to read it thoroughly before signing. They do so, exchanging pats on the shoulder—conspirators sealing a silent agreement.

Then, it is your father’s turn. He catches sight of you lingering in the doorway and flashes you a warm smile. “Good morning, love.”

His eyes drop back to the document. He gives it one last cursory sweep, his quill hovering just above the space left to sign.

You hold your breath.

And he... hesitates. A small hmm escapes him. His brows knit together in fleeting consideration, and then—oh.

He looks straight at you.

Heat flares in your cheeks, but you do not waver. You hold his gaze, steady, unflinching. And for whatever reason—be it the bond of blood or simply the fact that he has known you all your life—his expression softens. A knowing smile tugs at the corner of his lips.

And oh.

He signs.

You exhale, breathless, weightless. Laughter erupts between them—hugs, handshakes, pats on the back. Jayce beams, his happiness unguarded. Viktor wears a smile that, for once, looks almost honest. Your father looks content.

It is signed. Done. Sealed.

Your father steps forward and pulls you into a firm embrace. “You’ve done well. I’m proud of you,” he murmurs against your hair. Then, in a quieter, amused tone, he adds, “Now, let us pray your mother doesn’t notice until the wedding.” He chuckles softly.

Oh. Right. You are getting married.

***

A few days have passed since the contract was signed, and to your relief, your mother has not noticed the adjustments you made. She remains blissfully consumed by wedding preparations, entirely unaware that the original terms—so starkly in favour of your family—have been tempered to grant House Talis a fairer standing.

However, your father called you to his study, his expression unreadable as he regarded you across his desk. His words were firm, yet not unkind. He did not scold, nor did he praise, only ensured you understood the weight of your actions.

"You have done them a service," he admitted at last, after a measured silence. "One I hope they will not forget." And though he said nothing further, though his approval was never voiced, something in his tone—something almost like respect—settled in your chest, easing the uncertainty that had lingered since you first put pen to paper.

Now, with a storm in your mind, your fingers fly over the keys, the sharp, cascading notes of Beethoven’s Moonlight Sonata (Presto Agitato) filling the room with thunderous urgency. It drowns out everything—the ticking of the clock, the creak of the floorboards, even the faint rustle of the curtains shifting in the afternoon breeze.

You have not thought about it until now. Not truly. Not beyond the abstraction of ink on parchment and the murmured discussions over tea and candlelight. But now, with only days left before you are no longer just yourself but someone’s wife, it hits you. A shift. A point of no return.

How strange, to know that the house you grew up in, the one you have played in, dreamt in, stormed through in childhood fits of temper, will no longer be yours. That soon, your place at this very piano, in this very room, will be an absence rather than a presence. The thought unsettles you.

So you play harder. Louder. Until the force of it rings in your chest, keeping you from thinking too much. You curl forward, biting your lip absentmindedly, your face twisted with emotion, your torso nearly hovering over the keys like a hunchback.

You do not hear the front door open, nor the sound of measured footsteps in the hall. You do not see the maid, Peggy, curtsy as she leads your visitor inside. You do not even notice when she hesitates, turning to announce him—because before she can, a voice stops her.

"It’s alright, Peggy. Please, allow me."

It is a quiet request, yet it holds the weight of something decisive. Viktor stands in the doorway, smiles for Peggy, but his eyes are fixed on you, considering. The way your body moves with the music, the tension in your shoulders, the way you lose yourself in the notes.

Peggy looks up at him, blinking in momentary surprise, before a small, approving smile tugs at the corner of her mouth. He is not appalled. Not by the passion, the volume, the unladylike ferocity with which you play. And that, she thinks, is a good sign.

So she gives him a knowing look, inclines her head, and quietly slips away—leaving him alone to watch you. And you, still unaware of his presence, continue to play.

He spies your reflection in the window—your face shifting from one expression to another with each rise and fall of the music. Your brows knit in concentration, your eyes clamp shut with feeling, your mouth parts slightly, forming an unconscious little o. Strands of hair have slipped free from their updo, framing your cheeks in wild disarray.

Viktor inches closer, careful to avoid the floorboards that might creak beneath his step. He drinks in the scene—the unguarded display, the sheer abandon with which you play. A thought takes root. Perhaps this arrangement will not be the terrible imprisonment he once feared. Surely, you—with your tempestuous fingers and flagrant disregard for propriety—will agree that freedom is the highest privilege, worth protecting above all else.

He tells himself the feeling in his chest is not admiration but hope. Hope that the two of you might reach an understanding, one that will allow you both to remain unshackled even within the binds of matrimony. He tells himself that your parted mouth is merely amusing, nothing more.

The piece crashes to an end, and with a frustrated groan, you collapse forward, resting your forehead and elbows on the keyboard. A discordant wail echoes through the room. Viktor chuckles and finally breaks the silence.

"Are you not happy with your play, Miss?"

You jolt upright with a sharp gasp, spinning around so quickly that you nearly stumble in your haste to stand.

"Dear God, my Lord!"

You attempt a curtsy, but the motion is so hurried and clumsy that you almost topple over. Viktor steps forward instinctively, his hands finding your forearms to steady you, cane clattering to the floor. His grip is light, his touch like a feather, amusement flickering in his gaze.

"Forgive me, I did not mean to startle," he murmurs, breath quickening despite himself at the warmth and tension in your arms. He holds you wondering whether his fingertips would meet had he closed them around you. The thought gets chased away as soon as it enters his mind.

You swallow hard, your heart still racing from the shock. The room suddenly feels much smaller, the space between you too charged. You are keenly aware of your appearance—loosened hair, flushed cheeks, a dress slightly rumpled from sitting too long at the piano. You feel exposed. He does not seem to mind, still holding your elbows.

"I do not know as much about music as Jayce," Viktor continues, tilting his head slightly, "but this sounded rather… challenging, no?"

"I’m so sorry—you weren’t meant to hear this," you blurt out, lowering your gaze.

"I enjoyed it thoroughly," he replies without hesitation. "It’s rather different to what I heard last time."

Your fingers twitch on his arms. Different was one way to put it.

"Oh, it’s quite different," you admit. Then, lowering your voice, "Also, quite forbidden. Please don’t tell my mother—she will burn my sheet music and make me play that measly Clementi until my fingers bleed."

Viktor smirks, his fingers wrapping just a notch tighter around your arms. "I shall keep your secret, Miss. What’s another one shared between betrothed? I imagine there will be more."

For the briefest moment, you wonder if he is flirting. Your pulse quickens at the notion, but you quickly clear your throat and step back, disentangling yourself from his grasp. You smooth your skirts, willing the heat in your cheeks to fade.

"What brings you here, if you don’t mind my asking?"

He leans to pick up the cane and you wonder momentarily if you should help, before he says, "Oh, I was announced to call upon you today. Have you forgotten?"

You press your lips together, mortified. "Forgive me. It completely slipped my mind—I got lost in thought."

Viktor hums, nodding in understanding. "That’s quite alright. I think I am familiar with the feeling." Then, arching a brow, "Also, why are we whispering?"

Your shoulders stiffen. "Because if my benevolent mother finds us here without a chaperone, hell will open its mouth and swallow me whole."

Viktor huffs a quiet laugh, unbothered. "I was told your mother went to town with your sisters, Miss. No need to fret. Or whisper, as much as I like the sound of it."

His voice is steady, indifferent to the scandalous implication of being alone together. You, however, remain acutely aware of it, your hands smoothing over your skirts once more as if to will yourself into some semblance of propriety. So odd to meet another who cares not about the binding of the rules made up by God knows who. Absolutely peculiar to be the one who leans toward the constriction on instinct, being presented with someone who doesn’t obey. The night self has cackled within you ludicrously.

“What is the reason for your calling, then?” you ask, forcing your voice to remain steady.

“I was told by Jayce’s sweet mother that such is a custom between courting couples,” Viktor replies, his tone unreadable.

Courting. Couple. Be still, your stupid heart. You press your lips together before speaking. “I thought I was considered to be courted by now.”

Viktor tilts his head slightly, watching you as though deciphering a puzzle. “If you do not wish me to visit, do tell. I don’t mean to impose upon you, Miss.”

“Oh no, my Lord, forgive my bluntness,” you say quickly, feeling a warmth creep up your neck. “I am merely not sure if I am able to entertain you in the way you desire.”

Something shifts in Viktor’s expression—his gaze darkens slightly, and his fingers twitch at his cane before he hesitates, swallowing as if choosing his words carefully. “I meant to invite you for a stroll later this week,” he says at last, voice softer, but still carrying that enigmatic lilt. “Apparently, it is good were we to be seen in public together. I thought we could kill two birds with one stone and have an unsupervised conversation while being regarded.”

There’s something about the way he says it—an almost playful contradiction in the idea of a private moment under the scrutiny of others—that makes you pause. He is studying you again, and though you should feel wary, you find yourself intrigued instead.

“Well, I would lie if I said you didn’t grasp my attention. I shall indulge you, my Lord,” you say after taking a long inhale, steadying yourself. The moment of unguarded reaction is gone—you slip back into the polished version of yourself, the one who knows how to navigate these waters. Calm, composed, hands resting gently on your abdomen, back straight, chin held high.

Viktor only smiles, his eyes flickering with something unreadable before he inclines his head. “I am no Lord, just a man. Please, call me Viktor.”

Your fingers twitch where they rest. He is dismantling barriers you had placed with such ease it’s infuriating. “I will be there, Viktor.” The name feels unfamiliar yet strangely natural on your tongue.

In response, he whispers your name softly, like a secret meant only for him to know. A shiver curls up your spine, and before you can stop yourself, your arms move—grasping at your elbows in a defensive clutch. The instinct to shield yourself is immediate, but you smother it, replacing it with a placid smile. If Viktor notices, he does not call attention to it, though something in his gaze flickers. He looks as though he is about to say something, but then he hesitates. Withdraws.

For a moment, you simply stare at each other, the air thick with something unspoken. It feels strange—utterly so. As if you are being assessed, studied with a precision that leaves you feeling exposed. And the duel is not fair. He has some sort of weapon, some unseen advantage, while you stand bare, vulnerable. Like a deer in the forest, ears pricked, waiting for the shot to ring out.

“I shan’t disturb you further,” he finally says, turning toward the door. “I will send a note as to when and where we will meet.”

On cue, the door creaks, and Peggy peeks through the crack.

“Miss, the Lady will be back soon. Shall I make some tea for you and your caller?”

You exhale sharply, regaining your bearings. “Mister Viktor is leaving, but thank you. We should, probably—” You catch yourself before you say too much, before you admit that you need to look as though you have been dutifully engaged in proper, ladylike pastimes rather than playing scandalous music behind closed doors. You glance at Peggy, willing her to understand.

She does. “Of course, Miss! I will be with you in a few moments.”

The door clicks shut behind Viktor.

You release a breath you hadn’t realised you were holding, pressing a hand against your ribs as though it could steady the frantic beat of your heart.

Save for your father, this was the first time you had been alone in a room with a man. The realisation settles over you like a weight, and the two halves of yourself clash within your chest.

The day you—the dutiful daughter—cannot help but acknowledge the impropriety of it all. She knows what is expected, what lines should not be crossed. And yet… she hesitates. Because the unease doesn’t stem solely from being alone with a man. It stems from being alone with Viktor, a man whose manners slip free of societal constraints the moment he is given the chance.

The night you, however, does not hesitate. She roars in satisfaction. This was thrilling. The push and pull of conversation, the glances, the knowing looks. And to do so while basking in daylight, without shadows to obscure the truth of it?

Intoxicating.

[enderlovez]

Late-Night Genius

Spencer Reid x Female BAU Reader WORD COUNT: 1500+

Summary: During a late night in the BAU, reader finds Spencer hunched over his desk muttering to himself about the deranged killer on the loose, and decides that in the midst of all this carnage, he needs someone to look after him, too.

Content Warning: mentions of death, mutilation of the human body, blood and murder, pocket knife used as a murder weapon, intentional sleep deprivation, strangulation, overworking yourself

────── ꒰ঌ·✦·໒꒱ ──────

Nine people are already dead, and nobody has a single piece of useful information on the unsub, only that they are — possibly, not definitely — an old white man, which sums up half the human population.

Most of the team, including yourself, have been staying in the office until stupid hours of the morning recently, to try and figure out what you're missing before this mysterious killer takes another victim.

Some believe he's already done so, but the bodies are still unfound.

There are no connections between the victims, except for the fact that each of them are from out of town, but each of them were killed in similar fashions — strangled with a noose made of fishing line, then their throats jaggedly sliced open post-mortem.

All of them were also missing both hands and both feet, hacked off poorly by a pocket knife found near the crime scene. That, however, was not post-mortem, meaning that these poor people were mutilated while still alive, possibly fully aware of what was happening.

It should be impossible that the unsub left no trace with something such as this, but here you are, struggling in the behavioral analysis unit at two in the bloody morning, to come up with what should be the most basic details.

You sigh dejectedly as you relax into your chair, pressing your palm into your nose with a little more force than necessary and tiredly rubbing your shut eyes with your thumb and pointer finger.

Right now, you think you'd do just about anything to be back home in bed — not that you technically can't go home, you're free to go home anytime you please as long as you're back in... later this morning, but you feel an uncomfortable sense of duty to this case.

A sound draws you out of your half-asleep state on the chair, a soft mumbling from the desk adjacent to yours. You begrudgingly peel your eyes open to find Spencer Reid hunched over his desk in a way that definitely can't be good for his back.

His face is twisted up in concentration as his finger runs up and down the page he's reading.

"You're going to give yourself back problems, Spencer," you mumble, using your hands as leverage to push yourself up from your seat. He doesn't look away from the paper in front of him, but hums in acknowledgement, though you're not entirely sure he heard you.

It's probably a really bad idea to be overworking yourself so much, tiring out your body to the point of exhaustion, considering your line of work. But you don't plan on stopping until this killer is behind bars, and apparently as it turns out, neither does Spencer — you can sleep once the risk of another person dying is handled.

With another near-silent sigh, rubbing your hands over your face once more, you grab a few things out of your bag and start making your way towards the exit.

Spencer doesn't ask where you're going, but you feel the need to specify anyway, albeit vaguely.

"I'm heading out for a bit," you whisper over your shoulder, waving your hand around limply. Realistically, you know you should head home like Hotch suggested, catch some sleep before you're back at work, but you just... can't. Exhausted as you may be, you don't think you could sleep even if you tried.

The cool early-morning air against your skin soothes the heat lingering just beneath as you slowly trudge towards your car, hopping into the drivers seat and pulling away from the building. You shouldn't be driving in this state, but you desperately need something to eat.

If Spencer were here, he'd be telling you all about how many people die while driving tired. Probably lightly scold you and insist on driving, even though he's just as, if not more tired than you are.

You're only half-aware as the car takes you away from the building, mind zeroing in on the music playing quietly over the radio. Boring, not something you would ever listen to on your own.

It's a miracle that you're able to reach your destination without getting pulled over — a little twenty-four hour café you frequently visit. Granted, it's usually at more appropriate hours of the morning.

The girl behind the counter looks bored and tired, just over everything and likely wanting to be at home in bed, much like you. As you shuffle up to the register and see her smile falter, you feel pity.

Poor girl probably doesn't get paid enough for this.

"Hello, welcome to Pine and Pastry," she says in a flat voice. "What can I get for you this morning?"

"Hi there, Caroline," you whisper, eyes halfway shut. For a moment she looks surprised that you know her name, before you point to the nametag pinned to her apron.

She writes down your order in sloppy handwriting as you speak — a plain black coffee with a crap ton of sugar for Spencer, and a hazelnut latte for yourself, along with some extra espresso shots in a cup just in case. You also get a couple of breakfast bagels and a box of cinnamon rolls.

It takes her maybe ten minutes to get everything ready, making the coffee, and even going the extra mile to warm up the cinnamon rolls.

"Your total is $34.79," she says, rubbing her eyes with one hand as you place a fifty dollar bill into her other, murmuring a quiet 'keep the change' and grabbing a handful of sugar packets before collecting your things and stepping back outside.

The drive back to work is easier, you're more aware of your surroundings now that you've been off your ass for a little while.

"You're back," Spencer comments softly as you walk back into the office, though he doesn't even look up from the page — a different one than before, but still one he's looked over hundreds of times.

"I'm back," you agree as you set everything down on your desk. He glances up at you once as you place the coffee and breakfast bagel on his side. "I got you some coffee and something to eat."

He watches you for a second before offering a quiet 'thank you', picking up the bagel and taking a bite out of it — still hunched over.

Spencer's eyes widen when you're suddenly beside him, ushering him out of that horrid position and into a chair, holding him up straight for a moment before returning to your own desk.

"You need to take better care of yourself, Spence," you demand softly, looking down at your own files, fully aware of how intently he's staring at you. "It's bad enough that we're keeping ourselves awake at all hours of the night and into the morning, you can't just not eat."

If you're being honest, you've always had a bit of a thing for the genius boy, so seeing him doing so... not well upsets you a lot little.

A small smile appears on his lips as he takes a sip of his coffee. "You already take such good care of me, though," he snipes back playfully, eyes narrowing suspiciously. "You really shouldn't drive while this tired, it can actually be worse than—"

"—Worse than driving intoxicated, I know, Spence," you finish for him, rolling your eyes and taking a bite of your own bagel. "I think Hotch might put us on mandatory rest, if we don't get some sleep soon."

Spencer hums in agreement, looking back to the files on the desk in front of him, making a sudden thought spark in your mind.

He doesn't look at you as you stand up again, rounding the desks so you're back on his side, but he does give you a side-eye when you place your hands on his shoulders and start pushing his head down towards the desk.

"What are you doing?" he asks, though he doesn't make any moves to stop your ministrations, folding his arms on the hard surface and letting the side of his head rest atop them.

"You've been working so hard," you whisper soothingly, gently squeezing his shoulders in what you hope is a comforting gesture, "just give your mind a minute to rest — and I know you'll say you don't need it, but maybe it'll help you think better."

He bites his bottom lip a little before giving in, letting his eyes close. "Maybe if it's just a minute," he agrees quietly, voice already drifting off into silence. He's out like a light before he can stop it.

With a small, tender smile on your face, you use your finger to brush some of his hair out of his face and let your thumb briefly stroke over his temple.

He's so absolutely, heartbreakingly adorable when he's sleeping, you realize, heart stuttering and eyes watering at the sight before you. His face is no longer twisted in concentration, rather soft and peaceful.

Just because you're tired, doesn't mean poor Spencer needs to be, not if you have any say in the matter.

He might be slightly upset with you when he wakes up, even if it's only brief, but all of that's fine if it means he'll get at least a little bit of sleep.

Humming a quiet little tune to yourself, you return to your desk and continue your work where you left off.

[charliemwrites]

MAW PT 5 HIHIHIHIHIHI U HAD ME YELLIIINGG

nothing makes me happier than drawing on my bday for one of my fav series <<<333 GOD I LOVE THE CATS (also the men, but wtv move i wanna see the cats?)

here's pt 4 scribbles bc i missed it :''')

(cue Sebastian getting yelled at for being on the roof w/o safety gear, sweaty back nikto getting the cats in bfore the vultures pick them and pleased konig seeing his bouquet displayed at the table)

PT 5

It seems to be a trend that Nikto is the appointed meow wrangler hihihi no wonder he's the favourite

ANYWAYS LOVE EVERYTHING THAT BRAIN COMES UP WITH i'll read anything

Aggghhgghgj!!!!! Thank you thank you thank you!!!! I love your fanarts so much I’m in fucking Tears 😭😭😭 absolutely gorgeous. I love how you draw everyone so much and all the little details you include. (Happy late birthday btw 💕)

[manticorecure]

drawings of my second favourite polycule and their son once again inspired by @rhymeswithchronic's mercy for the lamb series! (cropped individual designs under the cut + design notes)

all of these designs are made with details that are included in chronic's mercy for the lamb fic, so the matching jewelery that the polykour trio and boey have are from the fic -> specifically, the earrings that seawatt, emf and evbo wear are from the fic with my own little spin on them (such as adding a hanging amethyst to evbos plain gold studs so now it represents both sea and emf), the bracelets on seawatt and emfs hands (also i forgot to colour the rings on seawatt and emfs hands but . they ARE there)

all of the jewelery that represents emf has star designs on them btw lol

seawatt has vitiligo and tribal(? i hope that im using that right) markings because i just. thought it would be fun for him to have vitiligo but also with the partyloving and very culture centric environment the fighters used to be i felt like giving him those would fit well

he ALSO has heterochromia but thats not normal -> his right eye is black because of revival hjinks, not because he was born with it black

bandages on his chest are there cause of revival too and he always carries around health/regen pots incase his family needs it (and this guy denies being the mother? lmfao get a grip)

seawatt wears chainmail sandals with gold soles because he looks good in gold and he knows it

emfs 'BOOTS' are more like leg guards than anything his grippers are out 24/7 cause of his unique . mmmmmmmonster...??? anatomy and they have designs that are carried over from his former master boots + netherite engravings that evbo put in himself

emfs scars from when he was being held hostage above the void are gold cause he bleeds gold. i think. i dont know where i was going with that

evbos halo and wings are made out of netherite and they glow a little. his boots are shorter than most champions boots because hes a parkour Freak and he needs to be jumping 24/7 (this is not canon to the fic im sorry im projecting)

notice that evbo and boey look extremely similar if you ignore the copious amounts of scarring lmfao yeah thats intentional becasue apparently some people keep confusing evbo and boey ? anyway they both have jewelery from emf and seawatt, boey also has earrings from evbo

boey has grey streaks in his hair. is that from stress or revival am i a former dsmp fan who knows youll never get that out of me

evbos hair is a bit better off in terms of revi i mean grey hair but his hair ends are a little darker and frayed because the fic canon has his hair being in abysmal condition (understandable given. um. the whole state of the noob layer)

boey has his gloves that prevent him from scratching at himself!!! he keeps those on most of the time and a ceremonial sword given by some of the worshippers at the offerings altar

[2kiran]

“I’M IN LOVE WHEN WE ARE SMOKING THAT”

PAIRING: Logan Howlett x Reader Reader is a male. Bottom Logan. KINKTOBER CW: SMUT, shotgunning, lazy sex, saliva as lube, anal fingering, dirty talk

Logan begins to mouth at the skin of your jaw, leaving hot, lingering kisses in his wake. There’s no rush to it—simply the fundamental need clawing at his brain to feel you. He wraps his arms around your shoulders, and your hands grasp his hips to remain still. You grunt contentedly as his teeth ghost over your quickened pulse, your breath catching in your throat.

“Want you.” He murmurs, his thighs on either side of your hips.

“Yeah? You wanna take your clothes off?” You lower your voice enough for it to come out as a whisper, your hands smoothing over the material of his jeans before they grip his waistband.

He nods his head, humming a little ‘mhm’ before raising himself further up. You pull them down—including his underwear—and Logan shimmies out of them before straddling your lap again. He’s alluring above you like this; his cock half-hard, his eyes holding a gaze that’s a note too intense, and his lips slightly agape when he releases a sigh of relief.

One hand of yours snakes along his body, skimming past every detail and scar, until you reach his bottom lip. Without you even getting out a command, Logan slips in a digit into his awaiting mouth. He groans at the taste, his senses intensifying his cognizance of your natural scent, and fuck, the blood from his brain goes straight down to his core. His slick tongue draws your finger further inside, the muscle swirling to smear his saliva around it. His eyes flicker to yours, arrogance glinting within them as he pulls himself back.

Logan takes hold of your wrist, bringing your hand to his hole. As you ease in a finger, he tips his weight on his knees to reach for a cigar. He lights it up, the corners of his mouth downturning when he feels you pause, waiting patiently for him to finish with it. “Didn’t say you had to stop for me.” He grumbles, irritation igniting in his chest.

“You might’ve hurt yourself if I had you take it.” You push it in further, rolling it forward and backward to punctuate your mock-of-a-scolding.

He scoffs, the sound slightly alternated by the whimper trapped in the back of his throat. “I’m not fragile. I can take you.” He presses his ass back as if to prove his point, gasping when the digit slips in all too easily. His walls clench, the intrusion sudden enough to make him throb.

“Fuck...” he swallows, taking deep breaths before impatience settles. To minimize his uncontrollable whines, he hangs the cigar between his lips. Mumbling, “Stop wasting time. Wanna feel your cock.”

An amused huff escapes your nose, but you still comply. You thrust your finger inside of his entrance in and out, in and out—feeling him beginning to relax around you. You add in another, watching his face twitch with micro-expressions of pleasure. Stretching him open so slowly, he almost chokes on the smoke.

When you pull out, believing he’s prepared enough, he’s already inching towards a climax. Logan whimpers in frustration at the loss, puffing a dirtied cloud towards your face to retaliate. You ignore his protests anyway, rushing to sling your belt out of the hoops and to finally unzip your pants.

He’s too horny to realize that you don’t take it off completely. The gears of his brain only clink back together when he registers your leaky tip slowly breaching his hole. Little tremors pass through his thighs, the burn shifting into a pang of want.

“Atta-fuckin’-boy,” Logan groans out, sinking himself down your length, and spreading his legs wider, “always so hard for me.” This time, his words were teasing, careless in their lust-filled nature as he grinds down on your cock. In response, you take the stick from him, greedily inhaling a long drag.

He doesn’t immediately react, but when he does, you feel it. The sight of you smoking his cigar revives an innate possessiveness he had forgotten. Makes him squeeze around your dick like he wanted you to cum inside of him so soon.

Your palm finds security on his nape, pulling him closer to you. Tugging the stick away from your mouth, you pry his lips open with your thumb. You breathe the smog into his mouth, holding him in place and making him endure the sensation of you being merely inches away and the familiar caress of the fume. Logan’s eyes widen, his hips rocking involuntarily. Heat pools in his belly, his cock twitching from it all and he’s suddenly high off of it.

Once you’re done, he swears he’s dizzy with the need of you fucking him until he’s senseless. Logan quickly leans in, capturing your lips in a fervent kiss. The smog passes in between his teeth, and he aches to do it again.

[ckret2]

@space-bowl Hi you didn't ask for an essay on this! But I happen to have a detailed headcanon, canon citations, and a piece of art I'm currently eager to procrastinate on so I wrote one anyway!

I base the headcanon that Bill isn't a very good artist on the canonical self-portraits he makes in Journal 3 while possessing Ford:

That looks like the Euclidean equivalent of stick figures to me. I'm not impressed by his artistic prowess.

We know he didn't smuggle out the book he's working on in Theraprism. The Theraprism staff says "you have been contacted through this book against our rules" and includes a photo of Bill working on the journal—if the book was in their hands when they spied him working on it and confiscated it to write a letter in it, then they wouldn't have let it leave the Theraprism. So TBOB is already outside Theraprism when the staff finds Bill making contact with the readers. Plus Ford already knows TBOB exists at the beginning of the book—meaning it was already out in the world before Bill's death.

And so: the book Bill's working on in Theraprism is a different book, through which he (and then the staff) is making psychic contact with TBOB and manipulating TBOB's contents. TBOB never came into Theraprism, and the book Bill was working on in arts & crafts never left Theraprism.

And he SAYS at the start of the book he's manipulating TBOB's contents remotely. When he describes what the book contains, right beside the table of contents, one of the items is:

"Paper" made from pressed, pureed human brain matter. I can invade anything with neurons, so I can project anything I want in here!

In the photo of him working on his end of this TBOB tin-can-telephone, he's beaming his thoughts straight from his mind onto the page (and, presumably, through that page to our page):

On top of that, note what his supplies are: paper, scissors, tape, and glue. We see a clipped-out picture and bits of paper pasted into the journal. He only has one black marker, no other drawing/coloring materials. The journal Bill's making in Theraprism isn't a sketchbook: it's a scrapbook.

And the one time we see Bill deliberately focus on the graphic design aspect of the book, the end result is...

Graphic Design Is My Passion-looking ass.

So here's what I believe: the contents of The Book Of Bill are made up half of a collage of cut-up papers and pictures Bill pasted into his end of the book (magazine pages, textbook pages, newspaper clippings, chapter 2 of The Great Gatsby, etc) and then psychically altered the text of to suit his needs; and half of images that Bill projected straight from his mind onto the pages without needing to actually do any art (such as every time Bill himself pops onto the page to talk directly to the reader).

Still requires a little graphic design work on his end; but if he's largely just slapping down pages of somebody else's completed graphic design work, that takes a lot of the required skill out of it. Definitely doesn't require him to know how to draw.

[r--kt]

Do you like Kakashi's dogs? Let's talk about why there are eight of them.

another example of naruto's ✨cultural code✨

contents | the eight dog warriors chronicles · legacy · eight confucian virtues. also look at the cuties love them sm

Naruto Vol. 10 CH 90

[ one dog is wonderful, I'm saying as the owner of a sweet little york terrier. two dogs are good, they won't be bored together. three dogs? yeah, cool! how are you going to walk them though? four? yes... look, maybe we have to draw the line h- wha- EIGHT? Excuse Me!? ]

surely, it's worth starting with the fact that eight is a lucky number in Japanese culture — everybody watched Hachi. of course, this is not the only cultural detail where the eight is mentioned. I want to pay special attention to a thing that I didn't know about until I googled it, and this is clearly what Kishimoto was doing homage to with Kakashi's eight ninken.

The Eight Dog Warriors Chronicles

Better known as Nansō Satomi Hakkenden. and it's not just some kind of book, it's a novel, consisting of 106 booklets written by Kyokutei Bakin in XIX century. Hakkenden is considered the largest novel in the history of Japanese Literature. this is one of the main representatives of the gesaku genre, which includes works of a frivolous, joking, silly nature. further I will emphasize a few more times how damn popular this work is and how often it is reflected in culture.

here are some illustrations for these books

now let's talk about the plot. It's weird, but it's weird at samurai-dogs-story level so stay here.

In brief, the story tells about the commander Satomi Yoshizane, whose native lands were attacked by the army of a man, whose forces surpassed those of Satomi, and the samurai in despair swore to a dog named Yatsufusa that the dog would get his beloved daughter Fuse as a wife if he chewed that man's throat. surprisingly, the dog not only understood the owner, but also fulfilled his wish! after that the commander refused to keep the promise. however, Fuse, true to her word of honor, went with Yatsufusa to the mountains and became his wife. upon learning that his daughter was pregnant, Satomi, in a rage, sent a samurai to kill Yatsufusa and bring Fuse home. she stood up for the dog anyways and died with him. at that moment, eight pearls with hieroglyphs that denoted the foundations of Confucian virtue burst out of her womb. (...cheers for mythology, I guess)

Soon, eight dog warriors who were Fuse's spiritual children were born in different parts of Awa province. after going through hardships, they got together and became vassals of the Satomi clan, then won the battle, and soon reached peace.

some more illustrations made by Utagawa Kuniyoshi. from left to right: Inukawa Sōsuke (the dog warrior), Inumura Daikaku (the dog warrior), Princess Fuse (their mother).

the novel mainly tells about each individual warrior dog and his shenanigans in a funny adventurous way. huge fame has led to excerpts from Hakkenden being staged at the Kabuki Theater and mentioned in the anime and manga, such as Inuyasha, Dragon Ball, as it turned out, Naruto and so on. there's also a lot of films and video games.

The eight virtues

these are loyalty, filial piety, benevolence, love, honesty, justice, harmony, and peace.

they relate more to Chinese culture, but basically Hakkenden was inspired by it too. since I did not read the whole novel, I would still like to mention at least the values on which it is based, and which were embedded in the symbolism of this story. It's quite interesting to apply this to Kakashi's dogs. gives them more weight and depth.

It is also interesting to note that the reason why Fuse gave birth to dogs was also that her father was cursed earlier in the story in a way that his descendants would become depraved like dogs. in Japanese culture, dogs embody the duality of character: the same mentioned filth and depravity, and devotion and bravery. so as samurai. but this is a different conversation, more related to Kakashi and his dog poetry.

Did you get here? Here's an additional discovery for you✨

Pakkun's name (パックン) is derived from the Japanese onomatopoeia “pakupaku” (パクパク) which reflects the sound of munching.

Kakashi, that's very sweet of you.

thank you for reading this to the end ♡