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stormyoceans · 2 years ago

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top 10 most romantic vice versa moments? :)

SFJKSGFKGSKDGJSG SHORT ANSWER WOULD BE ALL OF THEM THEY LITERALLY INVENTED ROMANCE!!!!!! but apparently i like to hurt myself and aim to lose whatever sanity i have left so HERE WE GO I GUESS

1. the kitchen scene in episode 12. most of the time romance isn't actually in the grand public gestures but in the small ones we share every single day in the privacy of our homes and this scene is a perfect example of it like THE BACK HUG. THE CHEEK KISSES EXCHANGE. "WHATEVER COMES FROM YOU IS SO GOOD". PUEN TIGHTENING HIS HOLD AROUND TALAY AND TALAY'S HAND REACHING FOR PUEN'S OWN INSTINCTIVELY. "THANK YOU FOR COMING BACK AND SEARCHING FOR ME. AND THANK YOU FOR TAKING AWAY MY FEAR OF TOMORROW". PUEN'S HANDS ON TALAY'S WAIST. TALAY CUPPING PUEN'S FACE. "I THANK YOU TOO FOR BEING BORN SO THAT I COULD LOVE YOU". THE QUICK KISS AT THE END THAT'S JUST SO CASUAL AND INTIMATE AND SOFT. i've literally never seen two people be more domestic in love and enamored with each other in my entire life im sorry but this is truly peak romance to me!!!!!!

2. the reunion scene in episode 11. romantic scene moment sequence of events of all time OF ALL TIME truly changed the trajectory of my life my outlook my values the very foundations of my personhood i genuinely can't have more than surface level thoughts about this scene or else i'll go insane fr. LOVERS TRASCENDING SPACETIME AND FINDING EACH OTHER AGAIN IN THE SAME PLACE ONE OF THEM FIRST FELL IN LOVE WITH THE OTHER BUT IN A DIFFERENT UNIVERSE IN A DIFFERE BODY!!!!!! “TALAY” BEING THE FIRST WORD OUT OF PUEN’S MOUTH!!!! TALAY BEING SO OVERWHELMED HE CAN’T SAY ANYTHING AT FIRST!!!! “AI’DANG”!!!! THE BONE CRUSHING HUG!!!! "YOU MUST BE VERY TIRED. FROM NOW ON THINGS WILL BE OKAY"!!!! THE WIFE TEASING BECAUSE THAT'S EXACTLY WHO THEY ARE BICKERING BANTERING NERDS ABSOLUTELY SMITTEN FOR EACH OTHER!!!! THE HEARTACHE THE LONGING THE REALIZATION THE RELIEF THE COMFORT THE TENDERNESS THE UNDERSTANDING THE JOY THE LOVE!!!!!! losing my mind my marbles my capacity for rational thought and my grasp on reality

3. the hat scene in episode 9. doctor jimmy fucking pay my therapy bills and answer for your crimes in a court of law i watched this scene 9373828 times but also i can't look directly at it because i'll implode instantaneously. he really was out there that day making the most choices looking awestruck to the point of reverence and giving so much adoration tenderness wonder devotion LOVE!!!!! AND IF PUEN'S REALIZATION OF WHO TALAY IS WASN'T ALREADY THE MOST DERANGED EMOTIONALLY CHARGED INSANE SHIT EVER PUT TO FILM THEY ALSO GAVE US ANOTHER CONFESSION!!!!! "NO MATTER WHAT WILL HAPPEN, ALL I WANT IS FOR US TO REUNITE"!!!!! "I THINK I AM FALLING FOR YOU"!!!!! "CAN'T YOU TELL? IM FALLING FOR YOU TOO"!!!!! LIKE NOT ALL OF THIS ON TOP OF THE SOULMATISM THING PLEASE IM ALREADY ON THE FLOOR WAILING STOPPPPP KICKING ME WHEN IM DOWN

4. the post reunion scene in episode 11. so you get the reunion scene and are now agonizing on the floor partaking in fits of female hysteria trying to get a hold on yourself but hey, you think, at least that's the most romance they're gonna give in an episode, right? you're safe.... right???? FOOL!!!!!! YOU'RE NEVER SAFE IN THIS SHOW!!!!!! and what's more devastatingly romantic than puentalay just being puen and talay and talking about their feelings like THE RETURN OF "DO YOU KNOW HOW LONG THOSE 43.200 MINUTES I WAITED FOR YOU FELT LIKE"????? "IT WAS NO DIFFERENT FOR ME. BECAUSE FOR ME IT WAS 2.592.000 SECONDS I WAITED FOR YOU"????? "IM SO HAPPY"????? PUEN FIXING TALAY'S HAIR????? THE FOREHEAD KISS????? "DOES IT STILL FEEL LIKE A DREAM? OR DO YOU WANT ME TO DO MORE"????? THE HAND HOLDING????? "PROMISE ME YOU WON'T LEAVE ME AGAIN"????? "I WON'T LEAVE YOU AGAIN. I PROMISE"????? THE KISS????? anyway i'll be clinically dead for up to three business days do not contact me im becoming one with the soil

5. the greyllery confession in episode 8. look i know im biased but if you don't think this is one of the most romantic confession scenes in the history of television you're just lying to yourself. THE FACT THAT IT HAPPENS WHEN THE LIGHTS ARE OUT TO EMPHASIZE THAT THEIR FEELINGS AREN'T ABOUT THE BODIES THEY INHABIT BUT ABOUT WHO THEY ARE????? TALAY CUPPING PUEN'S FACE AS IF HE'S HOLDING THE MOST PRECIOUS THING IN THE WORLD IN HIS HANDS????? "I HAVEN'T EVEN SEEN YOUR REAL FACE YET I LIKE YOU"????? PUEN BEING SO OVERWHELMED WITH EMOTIONS HE NEEDS TO GRAB TALAY'S WRIST TO GROUND HIMSELF????? TALAY REPEATING "I LIKE YOU" 4 TIMES????? "I LIKE YOU TOO. I LIKE EVERYTHING ABOUT YOU"????? THE KISS????? THE TEAR FALLING DOWN PUEN'S CHEEK?????? i need to be institutionalized rn

6. the hourglass scene in episode 12. i guess puen declaring his feelings for talay to the world would be the easiest choice here, but it's in the quiet moments just between the two of them where i always feel my heart swelling and overflowing with emotions. AND WHAT A MOMENT THIS ONE IS!!!!!! "i didn't need to look at it (the moon) and imagine your face anymore"!!!!!! "i don't want to leave you"!!!!!! THE HOURGLASS WITH THE SAND THAT DOESN'T FALL!!!!!! "I DON'T WANT TIME TO GO BY WITHOUT YOU FROM NOW ON"!!!!!! TALAY HUGGING PUEN FIRST!!!!!! PUEN STROKING THE BACK OF TALAY'S HEAD!!!!!! "FROM THIS MOMENT ON IT'S YOU AND ME. TALAY AND PUEN"!!!!!! MORE HUGGING AND HEAD STROKING!!!!!! CITY PLAYING IN THE BACKGROUND!!!!!! friends im not gonna lie. im on the verge

7. nivea bathtub scene my beloved in episode 3. im physically incapable of watching this scene without giggling twirling my hair kicking my feet pausing and screaming into a pillow. THE WAY TALAY LOOKS AT PUEN JUST RELAXING IN THE BATHTUB WITH HIS EYES CLOSED AND DECIDES TO CLEAN HIS FACE AND DOES THAT SO GENTLY AND INTENTLY????? THE WAY PUEN BRUSHES THE COTTON PAD ON TALAY'S CHEST AND SAYS "IF THIS CAN BE USED TO WIPE AWAY DUST, I SHOULD USE IT WITH YOUR HEART. I THINK YOUR HEART HASN'T BEEN USED IN A LONG TIME"????? and i always praise jimmy for his insane ability of expressing so many emotions through his eyes alone but sea is honestly just as good THE WAY TALAY'S EYES LOOK SO BIG AND DEEP AND INNOCENT AND VULNERABLE IN THIS SCENE AND HE CAN'T HOLD PUEN'S GAZE FOR TOO LONG????? the tension the yearning the electricity THE ROMANCE

8. the first bed scene in episode 6. talay admitting out loud everything he missed about puen while puen is asleep!!!! just because he feels like saying it!!!! and all of those things being intrinsically PUEN!!!!! "I MISSED YOUR ANNOYANCE, YOUR SHYNESS, YOUR NICE SINGING VOICE, YOUR CARE, AND LASTLY JUST YOU"!!!!!! HE BASICALLY CONFESSED RIGHT THEN AND THERE AND DIDN'T EVEN REALIZE IT!!!!! AND THEN PUEN WAKES UP AND SAYS ONE OF THE MOST RIDICULOUS FLIRTY LINES I'VE EVER HEARD AND I RESENT THE FACT THAT I LIKE IT SO MUCH. thank god talay didn't get it but also i wish he did because "i like the sound of the sea" LIKE PUEN REALLY SAID HE LIKES THE SOUND OF TALAY AND SOMEHOW THAT MAKES /ME/ BLUSH????? and then they decided to make things even more disgustingly romantic by having PUEN GIVING TALAY AN EAR MASSAGE TO HELP HIM FALL ASLEEP????? is my mental health a joke to these people

9. the missing you scene in episode 6. TALAY LITERALLY POWER WALKED TO TUN'S PARENTS' HOUSE JUST SO HE COULD SERENADE PUEN AND TELL HIM HE MISSED HIM AFTER NINE DAYS OF NOT SEEING EACH OTHER. and that's pretty romantic as it is, right??? you'd really think that would be more than enough to get the point across, but since no one in this show seems to be satisfied if they don't make any scene as deranged as possible, we have TALAY LOOKING STRAIGHT INTO PUEN'S EYES WHILE SINGING "OH DEAR LOVE, I LOVE YOU". WE HAVE THE OG "DO YOU HAVE ANY IDEA HOW LONG 12.960 MINUTES I WAITED FOR YOU FELT LIKE?" "I KNOW. BECAUSE FOR ME IT WAS 777.600 SECONDS THAT I SPENT MISSING YOU LIKE CRAZY TOO". WE HAVE THEIR FIRST REAL HUG. honestly everyone involved in this show should be in JAIL

10. the helmet scene in episode 3. there are romantic puentalay moments that actually make me tear up from the sheer immensity of their feelings for each other and then there are romantic puentalay moments THAT HAVE ME GAGGING ON THE SIDE BECAUSE PEOPLE IN LOVE STINKS!!!!!! this scene definitely belongs to the latter group like PUEN GLUED TALAY'S HELMET SO WHEN TALAY FINALLY GOT IT OFF HE COULD READ THE WORDS WRITTEN ON THE BACK!!!!!! TALAY LITERALLY HAD THE SAME THOUGHT AND WROTE ON THE BACK OF PUEN'S HELMET TOO!!!!!! "THE ONE WEARING THIS IS CUTE" AND "YOU'RE SO GREAT"!!!!!!! and even before we got to that they were just standing there saying stuff like "im so lucky to have you"!!!!!! "im also glad i have you"!!!!!! "i'll live tun's life to the fullest. to the best. with you"!!!!!! THE PINKY PROMISE!!!!!! I HATE THEM ACTUALLY THEY'RE INSUFFERABLE

#CURRENTLY THROWING UP BLOOD BECAUSE I LEFT OUT SO MANY SCENES #ESPECIALLY THE SECOND BED SCENE IN EPISODE 6 AND THE RIVER BANK SCENE IN EPISODE 10 #ANON I LOVE YOU BUT THIS HURT ME DEEPLY #also no one should ever let me talk about vice versa but god. the serotonin shooting through my brain every time i get to do that....#truly unparalleled #anyway thank you so much for asking anon!!!!#i hope you're having a lovely day!!!! 💜#m: ask #vice versa #puentalay

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babyjamiebarnes · 4 years ago

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Build-A-Bear

Part Eleven

Featuring: Bucky x Stark!reader, dad!Tony, Steve, Sam, Peter, OC background characters

Warnings: language, sexual implications and references, blackmail

Summary: Bucky decides it’s time to come clean to Tony, consequences be damned. Steve has his own bombshell, of sorts.

Author’s Note: Hi. I’m a lazy piece of crud. I wanted to post this earlier but I suck. It’s kinda short too, at least compared to previous parts. There will probably only be a couple parts left, maybe 2-3? I’m posting these chapters as I write so tbd in length lol. And as always, feel free to buy me a coffee!

Tags: @amourmarvel @fangirlvoice @kennedywxlsh @devilswaldorf @what-the-hap-is-fuckning @alyispunk @fredweasleysbitchh @wearegroot @sunflowerbebe107 @prestigious-tea @brckenmemories @angelbabymed @charmedbysarge @cruelsummer-s

Series Masterlist

“Are you fucking insane?”

Everyone moved back to your apartment to avoid freaking poor Matt out any more. And now there was a standoff in your living room.

“It’s the only course of action that makes sense,” Bucky said in his defense.

“Buck, her dad will skin you alive if he sees those pictures,” Sam said. “Even if he’s somehow fine with it, she’ll lose her job!”

“If we don’t do this, that kid downstairs loses his family!” Bucky shouted back.

Sam groaned in exasperation and ran his hands over his face. “There’s gotta be a way to get the money.”

“There’s not,” you said defeatedly. All eyes turn to you. They initially looked to you for guidance, but your reliance on Bucky gave him the wheel on your own personal highway to hell. “Even if we do give this person the money, there’s only one person we can get that kind of cash from. Bucky’s right. We have to tell my dad.”

“[Y/N], maybe we should brainstorm some other options,” Peter nearly whispered, keeping his voice soft in the midst of the chaos. “I don’t want you to lose your job.”

“I’ll quit,” Bucky said suddenly. “I’ll quit being an Avenger and just do, fuck, private security? Or something.”

You could see the stress and fear and frustration written on his face. In a couple steps, you were standing in front of him and were able to cup his scruffy cheeks as you spoke.

“We’ll figure all that out later.” You perked up on your toes and gave him a short kiss. “But right now, we’re on a bit of a time crunch. I’d like to end this sooner rather than later so… let’s tell Tony.”

With Peter willingly sitting in the open trunk area of the Jeep, everyone was able to fit in one car back to the Tower. The tension inside the vehicle could’ve been cut, sliced, and diced with a knife. No one wanted to say anything, but no one really knew what to say anyway.

Steve was still silent. He didn’t say a word when you discussed telling Tony, but you could practically see the gears turning in his head. He had something to say, he just wasn’t saying it.

By the time you got to the Tower, you felt like you were gonna throw up. You held the envelope with the letter and media tight in your grasp, only letting go to open your door. The second your feet touched the garage floor, Bucky was right beside you.

He kept a firm grip on your hand, squeezing a little extra so you knew he was there with you and wasn’t going to let anything bad (worse) happen. Knowing he was willing to risk his entire livelihood for you made you love him even more. But you knew if it came down to it, you’d give up your position with the Avengers. Even with only two years spent at Stark Industries — just under a year spent with the Avengers (and nearly a year with Bucky) — you’d have no problem getting a new job with any other company. Bucky’s skills were put to the best use saving the world.

As the elevator approached the floor with your dad’s office, Sam finally broke the silence.

“Do you want us to be in there with you? I’m thinking it might be better if it’s just you two.”

You turned to see Peter wringing his hands, subconsciously agreeing with Sam — he clearly didn’t want to be in the room when all this went down but was putting on a brave face to be a good support system. Steve still stood silent with his arms crossed over his chest. Whatever was going on in that head was still festering.

“I think you’re right,” you agreed with Sam. “We’ll come find you once he gets the news.”

Your eyes met Bucky’s and even though he was trying to remain confident for you, there was fear behind those baby blues.

“We’ll be okay,” you said just loudly enough for him to hear.

When you reached the floor you’d been dreading, Sam, Steve, and Peter all turned to go to their designated rooms, partially because it had been a while since all of them had been back, partially to stay far away from the impending outburst.

You took a deep breath and started toward Tony’s office, just to be pulled back into Bucky’s arms. He held you tight, nuzzling his face in your hair and just holding you. You gripped the back of his shirt in response and just took a moment to appreciate the hard muscles of his chest and the weight of his arms around you.

“We’re gonna be okay,” you whispered.

Bucky let out a breath and kissed the crown of your head.

“I don’t want to lose you.”

This made you pull back and look up at him.

“Lose me? Bucky, I’m not going to let this affect us. No matter what happens, I’m not going anywhere. I love you too much, Bucky Bear.”

The affectionate nickname made him smile, even if it was just a little quirk of the lips.

“I love you too, Build-A-Bear.”

You let him hold you for a couple more minutes before leading him to your dad’s closed office door. When you slowly pushed the door open, you saw Tony sitting behind his desk with half a dozen holographic screens open in front of him.

“Hey pumpkin, what are you doing here?” he asked, barely taking his eyes off his work for a second.

“Um, I kind of really need to talk to you.” Despite being on close speaking terms with your dad — the kind where you felt comfortable swearing in front of him and joking with him, even sharing some of your secrets — you felt like this was crossing a line.

Of course it was. You were in bed with (his perception of) the enemy.

Tony could tell something was wrong by how timid you sounded. You were always loud and bubbly with him — a quality you definitely got from him. He swiped all of the screens closed and walked around the large desk to stand in front of you. He briefly met Bucky’s eyes as the super soldier stood close behind you.

“What’s going on?”

“You-you should probably sit down for this,” you said shakily. Tony took the seat nearest you instead of walking back behind his desk. “So… you know how I’ve been dating James for, like, 10, 11ish months now?”

“And I still haven’t met him?” Tony said with a quirked brow.

“Yeah.” You forced a chuckle. “Well, when we were going through mail this morning, I… I got this.”

You held up the envelope before sliding out the letter and handing it to your dad. His expression went from curious to furious in seconds as his eyes scanned the entire page.

“They sent pictures. Pictures taken through my apartment windows of me and James. Being… intimate.”

“James who?” your dad asked, still staring at the letter. When you didn’t reply, he looked you in the eye, his expression hard as he demanded, “[Y/N], what is James’s last name?”

You took a short breath, the most your anxiety-gripped lungs could handle, and avoided his gaze as you replied.

“Barnes.”

Tony shot up from his seat, his eyes moving from you to the man behind you. The familiar feeling of a metal hand on your lower back helped ease the anxiety coursing through you at your dad’s reaction. When Tony took a step toward Bucky, you countered with a panicked step between them, looking up at your dad and pleading.

“He didn’t know who I was.”

“Bullshit,” Tony spat. He and Bucky were glaring at each other over your head.

“He didn’t, I swear. He found out the same day everyone else did.”

The grinding of his teeth let you know he was seething. But trying to hold it together for now.

“Let me see the rest,” Tony said calmly, holding his hand out. You reluctantly dropped the photos and DVD into his open palm. Bucky didn’t want to get too affectionate, so he just rested his hand on your hip while Tony flipped through the photos.

Everything was back in order, so he went through the same sequence you did: pap photos, to apartment photos, to sex photos. You could tell when the pictures turned raunchy by the way Tony’s face contorted, tossing the photos down shortly after.

“Friday, play the disc,” he commanded. The video played against the only blank wall in the room, the audio of you and Bucky playing through the speakers.

“Dad, you really don’t need to —” you started, quickly stopped by a sharp glare from your father.

“What are you gonna do to me?”

“I’m gonna put a baby in you. I’m gonna cum inside this tight pussy until you can’t take it anymore.”

“Jesus fucking Christ,” Tony nearly growled. “Friday, shut it off.”

“I tried to tell you,” you murmured under breath, though not loud enough for him to hear. Bucky did hear it though, evident by the way he squeezed your hip.

Tony leaned forward against his desk, hanging his head in clear frustration. You knew better than to speak up while he contained his emotions, so you stood in silence with Bucky as your dad sighed heavily and spoke to himself under his breath.

“You just have something against me, don’t you?” Tony said accusingly to Bucky.

“Don’t do that,” you scoffed. “You don’t get to do that. If you’re going to get mad at anyone, it needs to be me.” You never got snappy with your dad, but everything weighing on your shoulders frayed your nerves and his attitude didn’t do anything to fix it. “I’m the one who knew full well what we were doing. I’m the one who had all the details. I’m the one who chose to risk everything for this from the start. So if you’re really that mad, take it out on me. Otherwise, help us. We’ll get to the semantics and firing and all that bullshit later. Right now, there are literal lives on the line.”

Tony was still fuming until he heard the last line.

“What do you means ‘lives on the line’?”

Bringing Steve, Sam, and Peter in helped all of you explain what happened, from the note you received to the first viewing of the photos and video to the confrontation with Matt, but not without Tony grilling all of them about when and how they found out about you and Bucky. Peter looked nervous about keeping a secret from his boss, but you knew your dad wouldn’t do anything too bad to the kid. Maybe kick him off a couple missions, but nothing noteworthy. Steve and Sam looked like they really couldn’t care less, especially since Sam was the last to know.

Despite still wanting to rip Bucky’s arm off and beat him with it, Tony remained civil for your sake, at least until all of this was sorted.

The first step was getting Peter, Happy, and Pepper to try to track down where the letters came from, which likely meant scanning for fingerprints (despite how many hands held it that day alone). The second step was for you, Bucky, Tony, Sam, and Steve to scope out your building and any neighboring buildings someone may have been scoping your apartment from. There was no one someone could’ve been dangling outside your windows without you noticing. The third step was meeting with your doorman again to try to piece together some answers.

You all agreed to keep local law enforcement out of it so the culprit didn’t catch on as quickly. Having a few Avengers and Tony Stark show up at Tony’s daughter’s apartment wasn’t out of the ordinary so you could still stay under wraps. There was no reason to draw attention to your place and possibly trigger the mystery person into accelerating their plans.

With your dad’s confidence in the plan, you gradually grew more and more optimistic about the plan. If all else failed, Tony would get the two million and continue tracking the fucker down. It wouldn’t be hard to sneak a tracker into the cash and watch where it goes once it’s out of your hands. That’s when you could bring in local law enforcement.

It felt like things were finally going your way.

As you and your crew headed downstairs to drive back to your place, Steve grabbed your arm and tugged you to the side.

“Can I talk to you for a second?” he asked quietly.

You nodded and followed him down the hall; Bucky was busy talking to Sam and Tony was on the phone briefing Rhodey so he could stand guard outside your doorman’s place for a while, giving you the perfect opportunity to step away for a minute. When Steve pulled you into a side room, you finally spoke up.

“What’s up? Is everything okay?”

Steve crossed his arms and huffed. That signature frown of his softened when he met your concerned gaze.

“I know we’re not necessarily close, but I consider you a friend. You know that, right?”

“I consider you a friend too,” you said with a nod.

“What I’m about to say... I need you to keep it between us. Don’t tell Bucky or Sam or Peter or your dad. Just between us, at least for now. Okay?”

“O-okay...? You’re making me nervous, Steve,” you admitted. “What’s going on?”

“I think I know who’s blackmailing you.”

#SORRY IT’S SUCKY AND SHORT #I’M THE WORST #bucky x reader #bucky x stark!reader #bucky barnes x reader #bucky barnes x stark!reader #bucky barnes series

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novalunosiss · 3 years ago

Text

Okay!! The post strangerthingstv just made on Instagram looks really interesting! The whole thing gives me fear street vibes (like the title sequence with the news paper articles and whatnot) but I digress… Seems like season 4 is going to have some kind of murder plot.. or this murder could potentially be one from the past (like how Hop was looking at old newspaper articles in season 1). Anyway the video goes really fast but I saved it to my camera roll and slowed it down to read. Most of the information is blacked out but I’ll write what is legible below. I’ll write everything in the newspaper in a different font, my own thoughts will be in the regular font. For simplicities sake and because I don’t know terminology I’ll be calling the pictures “frames”. I won’t be discussing the frames that are just pictures, only the ones that show the text. This means that when I say “second frame” or something, it might not actually be the second frame in the video, but it’s the second frame with text on it. Hope that’s not confusing. Not sure if anyone will find this useful but i thought it was interesting, so here goes. Just as a warning, it’s 3:00 am where I live rn so this will probably be a little scattered.

First frame:

THE WEEKLY WATCHER

Lana stalked by crazed fan page 3

BLANK CLAIMS: VENGEFUL DEMON KILLED FAMILY

The Murder That Shocked A Small Community - PAGE 10

The Star-studded ‘bonanza’ premiere - CENTER PAGES

Policeman shot 12 times survives - PAGE 3

Inside Jayne and Mickey’s ‘Palace’ - PAGE 24

Thousands seek gold in jungle - PAGE 7

Magic Pill helping people lose weight

Second frame: you can only see part of the newspaper in this bit, but I’ll still try my best

s are certain Creel is to blame, but he claims

BLANK: Killer or t

m of a vengeful sp

by Addie Ba-cock

Okay so after this there’s a blank block of text but I’ll use this to point out some stuff. In this frame the text starts with the end letter of a word, s. I’m gonna assume that the word in question was ‘Authorities’. That would make sense considering it’s about a murder case and it fits well into the rest of the sentence. Not sure what the T or the M could be for, but the Sp is definitely the beginning of Spirit. This is later confirmed by another slide. As for the dash in the surname of whoever wrote this article, I couldn’t quite make out a letter so I left it like that. Back onto the text.

Whoever you believe, the strange case of the Creel family has put the heretofore sleepy town of Hawkins, Indiana, on the map. It is safe to say that the entire region will never be the same again. District attorney Phillip Bradley said of the ordeal.

Once again this is followed by a block of text. Now. Im fairly confident I’ve got most of this right, but it’s hard to be sure because the text is pretty small and blurry. The two lots of dashes are words I couldn’t quite figure out. Credit to @the-one-and-only-asha who figured out that the missing words were entire and region and let me know in the comments. For some reason it won’t allow me to link to their profile, as it says her blog is missing. But full credit goes to them :) To the right of this text is another bit that is featured in two slides. By piecing together both bits it is still incomplete but more together. It says the following.

‘I thought I was dying… so I w

flooded with relief… but there

a sense of terrible grief, too.’

The first time this bit of text appears it is in the second frame and has a block of blanked out text under it. However, the second time it appears, in the fourth frame, you can see some of the previously blanked out text. It says:

The discovery of a dead an-

the property. One evening,

ether Alice found a rotting

The third slide is also a closer up version of the second slide with a bit more information that was not previously seen.

Crime scene photos from inside the Creel Home obtained EXCLUSIVELY by TWW reveal a complete blood bath.

Underneath it is a picture of the scene but it’s blurry and you can’t see much. To the right there is more text, though most of it is cut off.

to the super

The Cre

home in Ha

Court docum

had recently

itance with

murder hou

Creel cl

in to their

a series of

paranormal

A lot of this you can use common sense to figure out. Cre is obviously Creed, Ha is most likely Hawkins, docum is documents, hou is house, cl is claimed, and after paranormal I’d assume it says events.

After this the video blurs through some more text but if you slow it down you can read one bit.

Didn’t know what I

told the court.

“I said I thought

teenagers set the gra

wouldn’t listen to me

dener tells our source

ly had enough

Not sure if i got all of this part right, it was lighter than the rest of the text so it was a little harder to read. For “gra” that could be grave, I’m thinking. Dener sounds like it could be a person, probably a surname, but im definitely not sure I got that right, it could be a completely different word/name. The ly in the final sentence is probably finally, as in “finally had enough.”

That’s it, I’ll include the video and the screenshots I took below but hopefully someone finds this as interesting as I did!

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writinglizards · 4 years ago

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someone wanted us to kiss for a picture and i thought you were gonna stage kiss me w/ your thumbs in the middle buT NO OH MY GOD THATS……………..THATS A REAL KISS WOW OK au -- another writing prompt I lost the link to 💖

Okay, so this got WAY out of hand, but here you go! <3

Title: A Portrait of the Artist in Love

Summary: Jaskier's senior exhibition requires he present a sequence of cohesive photos representing a theme of his choosing. Geralt, after seeing the photos in person, notices one's missing.

Read on Ao3

"So what's the matter?" Geralt finally asks when Jaskier stomps through the living room for the third time in under twenty minutes, his eyes still firmly trained on the tv set. He can't look like he cares too much or Jaskier will shut down on him, he knows.

"What's the matter is I've got my senior exhibition in two months and I still haven't settled on a fucking theme, that's the matter," he bites out, back to the sofa and hands threaded firmly through his hair, tugging hard.

Geralt sighs. All of Jaskier's problems seem to circle back to his senior exhibition. "I thought you had some photos?"

"I did," he says, tone venomous, "and then Valdo decided he was going to do a series on music and I refuse to compete with that pompous arse." Geralt bites his tongue against the 'why does what Valdo's doing matter?' He knows better.

"So? What are your ideas?" Jaskier shifts as if to speak, "and don't tell me you don't have any, I know you do." He clicks the tv off and shifts around to face Jaskier's back as he sighs, shoulders going slack.

"I want to do something personal," he says, and Geralt can hear the frustration in his voice, "something important. Not--" he can picture the way his face is scrunched up just from his tone, "--not something predictable, something trite. I want to do something meaningful."

"Okay. So make it personal. What's important to you, Jaskier?" he asks, voice soft, and watches as Jaskier's shoulders gradually go taunt again.

"Oh. Oh I could--" he cuts off, whirls around, and the nearly manic light in his eyes makes Geralt smile.

"There you go," he says, and Jaskier beams. The look on his face steals Geralt’s breath, tightens his chest. Jaskier crosses the room, headed for his bedroom slash photo studio and presumably his camera, but he pauses at the couch to squeeze Geralt's shoulder tightly.

"Thank you, darling." Geralt just rolls his eyes and clicks the tv back on.

* * * *

Jaskier never does share what idea he settled on, even after Geralt had asked, a few days later. He'd ducked his head, blushing, and told Geralt not to worry about it, it was fine, he'd get to see when it was done, and Geralt had let it go. Jaskier tends to hold his projects close to his chest until he's done with them anyway. It’s not personal.

They're seated at a cafe waiting for Yen to drop off Ciri for their afternoon trip to the zoo and Jaskier is, predicably, fiddling with his camera.

"Do you have to bring that everywhere?" he asks, tone light and teasing, and Jaskier only sticks his tongue out at him.

"Yes, you oaf, I do. I'm working," he snips, and then he lifts the camera and in a quick movement snaps a picture of Geralt's face.

"Jaskier."

"Just a test photo, love," he grins, not at all apologetic. Before Geralt can pitch anything close to a fit about Jaskier taking more photos of him (and out in public, no less), Yen and Ciri are stepping through the door. Ciri gives a delighted little shriek the way only children under five seem to do and throws herself at her father. Geralt catches her around the waist and hauls her into his lap, both of them laughing, and the photo is promptly forgotten about after that.

* * * *

"Can I come with you?"

"Why?" Geralt asks again, frowning at Jaskier where he stands next to their couch, shifting nervously with his camera clutched to his chest, "you don't like the barn."

"No, but I like Roach," he insists, "and I want to get some pictures of her. I haven't in a while." Geralt narrows his eyes.

"Is this about your project?" he asks, and the way Jaskier splutters is answer enough.

"Can't I just want to take nice photos of my best friend's lovely horse? Come on Geralt, I don't always have a reason." The color high on his cheeks says otherwise.

"Hm." He hefts his supply bag over his shoulder, "come on, then."

Jaskier practically beams the entire trip to the barn, even after he nearly slips in a spot of mud when they get there. His pure, simple joy is infectious, leaves Geralt grinning right alongside him. And if Jaskier takes pictures of him the entire time? Well, he's always taking pictures anyway.

* * * *

"Jask, my guy, must you always bring that stupid camera?" Lambert asks, "it's beer night," he says, as if beer should preclude Jaskier taking pictures.

"Yes, and? Your point?" He raises the camera to snap a blatant picture of Lambert. Aiden leans over to throw up a pair of bunny ears behind his boyfriend as if they're primary schoolers. Eskel laughs.

"Jaskier's exhibition's coming up, leave off," Geralt growls, reprimanding, and Jaskier grins all the brighter.

"Yes, thank you, darling!"

"Doesn't mean he needs to take pictures of us," Lambert grouches, but Aiden wraps his arm around his neck and pulls him into a gentle headlock.

"Be nice," Aiden admonishes, and Lambert grumbles, but subsides. After enough alcohol, no one really thinks about Jaskier's pictures.

* * * *

Catching Jaskier around their apartment snapping photos isn't strictly unusual. It's not even strictly unusual for Jaskier to be snapping photos of him, but--

"Must you take pictures while I'm trying to meditate?"

"Yeah," Jaskier answers, sunny and quick. Geralt gives a huff. The camera clicks again. "Just pretend I'm not here." Geralt hums an affirmative even though he knows it's an impossible task. He could never forget Jaskier was in a room with him.

* * * *

"Didn't know you were picking me up today," Geralt says, wandering over from his post by the medieval art exhibit to where Jaskier stands near the circulation desk, fiddling with his camera.

"Oh, well, you know," he grins brightly up at him, cheeks a little pink--maybe he's getting sick, "I was in the area and thought we could walk home together. I know you’ve got a little still but I can swing by Starbucks; I'll get you that fruity tea you like."

"Hm."

When he gets off his shift forty-five minutes later, Jaskier's waiting for him out front with the Starbucks already in hand, a radiant smile on his face, and Geralt’s chest clenches just looking at him.

* * * *

"Hey, so I know you're busy--" Jaskier starts over dinner one night, eyes focused down on his pasta, "and I don't know if you wanted to come or not, but the exhibition's next week and I--" he sneaks a glance up at Geralt from under his eyelashes, ducks his head, "--I'd like for you to be there."

Geralt can't help the smile that tugs at his lips, can't help the way affection swells in his chest. "Of course I'll go, Jask." It really is as simple as that.

* * * *

Geralt arrives in the midst of the opening hubbub. He knows Jaskier has to linger around his exhibit for at least the first hour or so and from what he understands it's tucked away somewhere toward the back, so Geralt takes a leisurely path in that general direction, stopping to look at the work Jaskier's classmates have done as he goes.

"Oh, Geralt!" Valdo's grinning as he waves him over and reluctantly he lets himself be lured in. "Good to see you here, my man. Jaskier's been a basketcase all day," he winks. Geralt rolls his eyes.

"I'm sure. Your work's good," he says, nodding back towards the row of photos behind them, all different instruments either alone or being played, the close up of hands on strings and keys.

"Don't let Jask hear you say that," he laughs, even as he preens at the praise. "And don't let him catch you over here, either. He'll be accusing infidelity in a heartbeat." Valdo winks again. Geralt doesn't even go to the effort of correcting the fact they're not together. Valdo never seems to remember anyway.

"Yeah. Have a good night, Valdo," he says before ducking out of the way of a shorter blonde woman who throws herself past him and into Valdo's arms, proclaiming her love for him and his photography. Another blonde follows behind her friend, smiling. Geralt hurries away before Priscilla and Essi can realize who Valdo had been talking to and rope him back into the conversation.

It's not that he dislikes Jaskier's friends it's just...they seem to assume things about the two of them. Yes, Geralt loves Jaskier, but Jaskier…he doesn’t know what Jaskier feels for him beyond a deep friendship.

He wanders a bit while he tries not to think about that, stopping to look at some of the other photos--landscapes, pets, significant others, children--until he spots Jaskier, all done up in the suit he'd picked out for the occasion months ago, the gold tie that Geralt had done for him this morning a beautiful contrast to the baby blue of his suit. And the pictures--

Geralt's breath catches. They're all of him; a photo of Geralt and Ciri from the zoo, Ciri seated on his shoulders, one tiny fist in his hair as she gestures wildly at the monkeys. Geralt astride Roach as he puts her through her paces at the barn, and later, Roach out in the pasture, Geralt leading her in a gentle cool down, the both of them in profile. Geralt and his brothers over beers, Geralt grinning, Eskel telling a story, hands spread wide, Lambert and Aiden leaning on each other across the table, smiles indulgent. Geralt meditating in their living room, the ghost of a smile on his face. Geralt at the museum, explaining the history of medieval art to a gaggle of tourists.

They're all him.

"Oh, thank fuck, Geralt, I--" Jaskier breaks off as he gets closer, takes in Geralt's expression, "Geralt?"

His mouth is dry and he has to clear his throat twice before he can get any words to work. "They're all of...me?" Jaskier flushes immediately.

"Well I mean--yes? I wanted it to be something important and personal and, uh, what's more personal than everything my best friend loves?" he explains rapidly, as if he's worried Geralt will cut him off, not let him explain.

"Oh," he says, because it's the only thing he can get out. And then as it dawns on him, "wait, if this is about--" he has to clear his throat again, uncharacteristically embarrassed, "--about what I love...why aren't you in any of them?"

"What, I--" Jaskier chokes off, that flush going a little darker, "I, I didn't--we weren't allowed to be the subjects of our own photos," he lies, and Geralt just raises a brow. He's seen his classmate's work--he knows it's a bullshit answer and Jaskier knows he knows.

"I didn't want to presume," he mumbles, then, a little firmer, "and it would have had to been staged. "I don't--staged photos are terrible, Geralt, you know how I feel about that." He does, but it doesn't change the fact Jaskier's collection is incomplete without him.

"Hm."

* * * *

He thinks about it for the rest of the exhibition and once he starts, it's like he can't stop. Jaskier has a collection of photos of things Geralt loves, and Jaskier's not in any of them.

It takes him almost a week to set it right.

"Geralt," Jaskier calls as the front door clicks open, Jaskier home from class. "Geralt darling, I'm famished, what--" he cuts off abruptly when he steps into the living room, gaze catching on the camera set on the tripod set up on the coffee table. Geralt stands in front of the lens, between the camera and the large bay window overlooking the distant park.

"Jaskier." Geralt's a little bit of a nervous wreck about it, but it's fine. Probably. After all, Jaskier spent months taking photos of Geralt and the things he loved. What's one more?

"Geralt, what--"

"Come here." Jaskier swallows roughly, adams apple bobbing, before he puts his bag down and steps up beside him. "Check the camera," Geralt says softly, "make sure I did it right."

Jaskier does, quick. "It's set on the ten second timer. Should I--?"

"Yeah," he says, stomach clenching in some horrible mix of fear and anticipation, "and come here."

"Geralt, if you'd wanted to take a picture together, I could have--" he says, setting the camera and starting over. He cuts off abruptly when Geralt loops an arm around his waist and tugs him in close until they're chest to chest, his other hand at Jaskier's jaw, thumb sweeping back and forth across his cheek.

"I know," he says, voice pitched low, "but you're missing a picture." And then he dips his head and kisses him.

Jaskier makes a small, wounded noise and then his arms are around Geralt's neck, fingers tight in his hair as he presses up into Geralt's grip, surges against him. Geralt cups his jaw and nips at his lower lip, revels in the quiet gasp that leaves Jaskier open for him to lick into his mouth, deepen the kiss. Distantly he's aware of the camera going off, but it's inconsequential to the way Jaskier feels in his arms.

The kiss only breaks when Jaskier pulls away to hide his face in Geralt's throat, gasping for air. Geralt chuckles, a little breathless.

"Now I'm not complaining," Jaskier says, sounding a little dazed, "but what did I do to deserve that? Because I'd like to keep doing it. Repeatedly, if possible." Geralt laughs.

"You were missing a picture," Geralt says again, and the look on Jaskier's face when he pulls back is so confused it makes his chest constrict. "The things I love," Geralt reminds, and Jaskier flushes bright red.

"Geralt--" he stammers out, flustered, before he returns to hiding his face in Geralt's shoulder. "Melitele help me," He presses his lips to the fabric of Geralt's shirt, a warm, fleeting pressure, "you really are going to be the death of me."

"Don't see how," he hums, tips his head to rest his cheek against Jaskier's head.

"Thought you wanted a friendly picture and then you just--! You just wrapped your arm around my waist like you've done it a hundred times before and I thought, oh, he's going to pretend to kiss me, for the photo, because of course you would and you, you just--" he makes a tiny, outraged noise. Geralt chuckles again. "Don't laugh at me, Geralt, I almost died."

"Mmhm," he rubs his cheek where it rests, mussing Jaskier's hair. Jaskier just huffs. "How'd the picture come out?"

Reluctantly, Jaskier peels himself away to check the photo, and Geralt can already tell from the face he's making it didn't come out well. "You moved," Jaskier admonishes, eyes glued to the tiny viewer. He fiddles with a few settings before putting it back down on the tripod. "Alright," he presses his way back into Geralt's arms, "we'll just have to try again."

"Yeah," Geralt grins, and he kisses him again.

#witcher #witcher fic #geraskier #lizard writes #rating: teen #reader reviews #Anonymous

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shadowed-dancer · 3 years ago

Text

My Thoughts on the New MHA Opening and Ending

I have thoughts, and I will share them because oh boy if I don’t get this out I’m gonna explode

Vague Spoilers for the manga (up to chapter 258 and vigilantes) because I discuss the upcoming arcs, but I don’t discuss any major plot points in detail. Still, proceed with caution if you’re anime only

Keep in mind, this OP and ED will cover the Endeavour Agency Arc and the MVA Arc, so I will be judging them accordingly.

First, the OP

This is a good OP... in theory (that’s going to become my catchphrase for this post). It’s nice to look at and flows pretty well, but my biggest problem is that it doesn’t do it’s job. An OP is supposed to be a sort of... summary (?) of the Cour it plays for. That means any cool plot points, emotional beats, and important characters should be featured in some way, shape, or form. We’ll talk about that more later, but first let’s discuss the music.

The song is really good. I have a feeling it will continue to grow on me as I listen to it more often, but yeah my first impression is that the song sounds great. My only complaint about the music itself is that it ends kind of abruptly (I noticed this is the JT opening too). The previous openings used to have a bit of instrumental to “play us out” and lead us to the end card, but this one feels like it ends very suddenly and unnaturally.

As for the visuals...

Yeah alright I’ll admit, the visuals are stunning... in theory. I appreciate the variety in backgrounds and colours, it makes the OP really interesting to look at. This was actually one of my biggest problems with the JT Opening, it all took place on the training grounds, so there was no variety (everything was metal tubes with a blue sky, with only 3 shots set somewhere different). I appreciate the style of this OP.

But like I said, that’s only in theory, as in, through screenshots these are all pleasing to look at. The pacing of this OP is wild, and I truly don’t know who to blame for this.

That sunset shot above? It lasts approximately 12 seconds, zooming in every few to make it seem like something is happening (when in reality it’s still the same poses, angles, etc). While there’s nothing wrong with a nice, drawn out shot, it becomes irritating when compared to the pacing of the rest of this op.

At the 41 second mark, we are given the shot above. It has flowed directly from the previous sunset scene. We still have not moved away from the image of the trio (aside from the opening shot and the title card) yet we’re approaching the halfway mark of the OP.

The next shot is the MLA, which lasts about 5 seconds. Ok, perfect. Not too long, but also not short enough to be confusing. It cuts away a little fast once the dude on the far left appears, but does anyone actually know who that is? No, seriously, I’m asking. I don’t remember his name and he’s not on the wiki, so I can only assume he’s not important. Therefore, it’s not all that bad if the shot cuts away shortly after he comes into frame. The audience is able to take in the scene without having to pause...

... And then the problems start

While this shot is fine in theory, it pans up fast and cuts away quickly. You know how hard it was for me to get this screenshot? Really hard. You want to know why I struggled so much? Because, due to the timing of the cut and the way it pans upwards, it’s almost impossible to pause on Dabi’s face. I literally had to go frame by frame to get it, because he’s in shot for so little time that naturally pausing is guaranteed to miss him.

When watching this in real time (without pausing) the cut away makes you feel as if you missed something because “something was there, I just couldn’t register what because now it’s gone”. Unlike Compress, who wears a very colourful coat you can recognize the entire time, Dabi’s pants are more blended into the background.

It also doesn’t help that this shot is literally composed to draw your attention away from Dabi until the last possible second. Due to framing, your eye is naturally drawn to the brightly coloured Toga in the foreground, making it super easy to miss Dabi in the back (until, of course, his bright face appears and contrasts against the background, drawing your eye just in time for the scene to change, leaving you to wonder who or what you missed).

I know this sounds like nitpicking, but this shot is the only group shot we get of the League, and is also the start of a seriously weird trend for the villains in this OP getting the short end of the stick.

Anyways, then we get what I’ll call “The Carousel Shot” in which every Class 1A kid shows up and poses dramatically, as if they were on a carousel. It’s a lovely sequence and I really enjoy watching it but... why is it in this OP?

Seriously, this is a genuine question. Class 1A barely shows up in the Endeavour Agency Arc, and NONE of the students are in MVA. This sequence (not counting the three boys at the end) lasts 8 seconds. Why is this much time dedicated to characters who are barely in the arc? (Unless Studio Bones extends their work studies into fuller plot lines which oh my gosh please don’t do that, or if they do, do it quick).

We then get what I call the “Oh God I Blinked And Missed Everything” sequence, which lasts 3 seconds (not including the longer, moving shot of Shigaraki at the end) and features NINE INDIVIDUAL IMAGES, none of which are related to each other. Not only is this 3 images per second, but the fact that they are all unrelated means you can’t even use previous information to fill in the blanks.

What do I mean by that? Well, imagine if I show you 9 images of various pro heroes posing. If I play that in 3 seconds you’ll absolutely miss some of them, but as long as you catch some you’ll still get an idea of what I’m trying to show to you. Your brain is able to fill in the gaps that “I recognized 4 pro heroes, therefore the rest must have also been pros” even if you didn’t register every single frame.

That doesn’t work if every frame features a completely different subject. The shots in this sequence vary so widely that it’s impossible to find a through line. Some feature multiple characters, some feature one, some are closeups, some are super far away, some are character’s we know, others are characters we don’t. It’s impossible to get a solid read on what you’re being shown.

Now, again, there’s nothing wrong with these super quick shots... in theory. The problem comes from the fact that these shots are the only indicators for some of the major themes that will be explored during this Cour (like Twice’s growth and young Shigaraki).

That being said, let’s move away from criticism and talk about speculation, because hidden amongst this sequence are two... interesting images.

This All Might one is very reminiscent of the shot in Chapter 257, where Aizawa and All Might have a conversation while staring up at the stars. However, this is technically the start of the “War Arc” (or the “prologue”, if that’s what you want to call it), so this might indicate that we’re going to get farther into the series than a lot of us guessed.

(Many people suspected we’d get to that cliffhanger at the start of the season (if you read the manga you know the one), but after seeing the pacing for JT a lot of us assumed we’d be lucky to even finish Endeavour Agency. It seems we’re back to the cliffhanger now though lol).

This is another really interesting shot because it’s indicative of Shirakumo, meaning we might get to see Aizawa and Mic confront him some time this Cour (this also makes sense, since this confrontation technically happens before that All Might scene I mentioned in the previous paragraph).

But the cat specifically is a really strange addition. That cat is named Sushi and, correct me if I’m wrong, but I don’t think Sushi is ever mentioned in the main series. I think he’s only in Vigilantes.

This might just be a little Easter Egg for Vigilante readers, but I’m personally hoping that they’ll add at least a few Vigilante shots in there to really tug at the heart strings. I’d say I want a whole Vigilante episode but I don’t think they have the time (unless they really cram MVA, which I do NOT want).

I don’t have much to say about the last bit of the OP. The action shot between the 3 boys was nice, and it follows the sort of narrative through line they established from the early shot of them sitting at the sunset. I also like the shot of Endeavour fading in to replace All Might, even if it’s very simple.

But I want to talk about an overarching problem I touched upon earlier in that villain shot: the way the villains are handled in this OP.

This is a good OP... in theory. The problem is, it doesn’t represent half the arcs in the cour! Every shot of the League is so rushed that you can barely register that they were on screen before they’re gone.

I have no idea how many Episodes Endeavour Agency will take, but I’d assume 3 (4 if you count the Christmas episode). 12 episodes for this Cour minus 3 for Endeavour Agency = 9 episodes left. If we truly do get the prologue for the War Arc (and if we assume it’s only 1 episode) that leaves us with 8 villains episodes.

8/12 episodes (aka two thirds of the Cour) will likely be about the villains. And yet they’re pushed to the background so hard in this OP.

I want to dream, and I want to believe that this OP is going to magically change when MVA starts. The song fits super well, and I can imagine like an inversion of the OP but from the Villain side! Wouldn’t that be neat? Imagine right after the “it’s alright” part Shigaraki just freaking decays the title card... oh man that would be so cool. But, alas, I highly doubt they’d do that.

Side rant, but you know what was so fun about MVA in the manga? It’s that, for 21 chapters, we leave the kids behind and the villains become our protagonists. Suddenly Shigaraki is the one we’re rooting for, suddenly we’re learning backstories for everyone, and suddenly we find ourselves just as attached to the villains as we are to the kids. It’s an inversion that’s SO RARE to find, and I think many people (myself included) were hoping it would be reflected in the OP.

A big part of being the protagonist means featuring heavily in the OP, and a lot of us just wanted the villains to get that honour, even if only once. As is, the OP still treats them as the antagonists when... really they aren’t. Not right now, at least.

So yeah, final thoughts on the OP are that it’s good, it’s just not very representative of the arcs it’s supposed to cover. If this was just for Endeavour Agency, I’d say it’s actually really cool, but if we assume that this is what will play for the Villain Arc, then it simply doesn’t do it’s job. And it makes me sad to say that because, again, this OP is really well done.

If I had to rate it? Hmmm

If Studio Bones actually grants my wish and creates a different visual for the Villain Arc (while using the same song) and then this version only plays for the Endeavour Agency Arc and the War Prologue? I’d give it an 8/10. It’s really good, but it could use a few more elements that are clearly derived from the Agency Arc (ahem, Todoroki siblings).

But if this is the OP that will play for the entire Cour? a 6.5/10. It’s nice, but it’s not representative of one of the arcs it’s going to cover. And, unlike other arcs like Pro Hero or Summer Exams, the villain Arc is so important and takes up so much time that it honestly feels like a bit of a disservice.

Now for the Ending

I want to say that I appreciate how soft this ending starts. This cour will likely feature a lot of episodes that end on... heavier themes, and I think the sight of peaceful, falling raindrops is the perfect way to let the audience process their emotions before starting the ending in earnest.

The song itself is very nice, and I like that it’s a bit slower than the more recent endings.

(Side note, but the FUNNIEST moment in the entire series is when Sir Nighteye dies because it’s so emotional and everyone is standing around his bed in his heartwrentching silence, only for the ending to come BLARING IN out of no where. If you forgot how jarringly hilarious it was, go listen to the Eri ending and tell me that’s not the funniest thing this series ever did. Anyways yeah I’m glad that’s not gonna happen this Cour).

This ending is a bit all over the place in terms of it’s visuals, but honestly I think it works. Most endings usually have a theme tying them together (all the Class 1A girls, a fantasy AU, old photographs, planning a party, etc) but this ending’s theme is a bit harder to identify.

That being said, I think it’s just supposed to show everyone going about their day. It’s calm, it’s peaceful, and it’s just very sweet to think about

I like this shot. Actually, scratch that, I like this whole sequence. I enjoy anything that allows Class 1A to chill and have fun.

Hawks is featured quite heavily in this ending which, fair. He’s pretty important in this arc.

I really love the shot where Endeavour immediately switches to Hawks, I thought that was a lot of fun, and very good symbolism on how Hawks wants to be like Endeavour. I also love all the shots of Baby Hawks, because it’s adorable.

Something about this shot is just so cute. It’s the little domestic things like waiting for a bus that make this ending feel... idk the word, real? It shows a side of the characters that we’ll never see in the episodes, but we know have to exist.

Like yes, of course the kids have to wait for the bus. We never see it, but of course there are those moments of quiet. Agh, I love it.

The villains also make an appearance and I’m very happy about that (I’d love to see more of the villains just chilling around, I think they deserve it). I kind of wish they weren’t sitting in a dark room for the sake of being edgy, since I think it would be nice to see the villains just... sort of existing, but honestly it’s still a nice shot. I also like how this shot sort of mirrors the first one with Class 1A (someone coming in while everyone else is sitting and waiting for them).

That being said, as much as I love looking at Dabi and his stupid face (affectionate)... why is Dabi the one getting the closeup?

Mind you, endings don’t need to be connected to their Cours (they can be, like the Eri one, but they don’t have to be). But this ending does seem to be connected to the arcs it intends to cover, given all the Hawks appearances, the boys wearing their work study scarves, etc.

So, I ask again, why Dabi? Out of the six League members, we learn the backstory for four of them in this arc (Shigaraki, Toga, Twice, and we very briefly learn about Spinner). The only two left out are Dabi and Compress.

I can only assume they chose Dabi because he’s constantly in contact with Hawks, and therefore that makes him important? If the OP told us anything, it’s that Bones values the Endeavour Agency Arc over the Villain Arc lol...

... Oh my gosh please tell me that’s not actually the reason Dabi is focused on here BONES WAI-

Anyways, the ending comes to a close with Hawks watching over the kids and Endeavour. The relaxing time is done, it’s time for work studies.

Overall impression? It’s great. It��s hard to screw up an ending, so as long as you have something pretty on screen, it’s wonderful.

I’ll give this a 9/10

#bnha #bnha season 5 #dabi #keigo takami #bnha season five #katsuki bakugo #shoto todoroki #mha season 5 #mha season five #bnha op #bnha opinions #izuku midoriya #bnha hawks #ok to reblog #actually yes please do reblog if you found this interesting #I worked hard on it

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amphxtrite · 3 years ago

Note

In relation to the #StopAsianHate tag, it seems fitting to add this contribution since China has been doing a lot of horribly questionable things(to put it mildly), and this has led to a rise in anti-asian rhetoric, with extras on the anti-chinese rhetoric.

It has affected overseas Chinese-descendants and the Chinese diaspora around the world badly, since they had no hand in what China did, nor do they share the same sentiments of China, yet they still get harassed and targeted. Even to the point of cop agents admit to accusing a Canadian professor of Chinese descent of being a spy, Hongkongnese coworkers mistreating overseas Chinese not from China, and a British-born Asian man getting deported without question.

So in lieu of letting this storm rage over even more, the better option appears to be to address everyone's concerns and assumptions about people of Chinese descent who are citizens since birth in other countries and have never set foot in china before.

The main point is: NOT ALL CHINESE AROUND THE WORLD ARE WUMAO COMMUNISTS, NOT ALL CHINESE DESCENDANTS SHARE THE SAME SENTIMENTS AS CHINA OR DOING THINGS FOR CHINA. Got it?

Now, to move on to the other part of attacks on Chinese culture and shaming people just for being Chinese.

1.It is okay to be Chinese-born; there is nothing wrong that you happen to be a Chinese person. You deserve dignity, pursuit of happiness, liberty and respect, just like any other race of person, black, white, Jew, etc out there. You are a person too and don't let anyone treat you otherwise.

2.Chinese people are not "spawn of the bad" or "corrupted subhuman" or "tainted genome"; they are not inherently rotten just by being of Chinese descrnt. There is no proof of that, when you pick apart gene sequences from a Chinese descendant in the clinic, it's still very similar to any other person's dna. Just like every nationality, there's kind people and there's assholes. And just like most other countries, who also had monarchy inbreeding, illness, and radiation(did you know of the Radium Girls in the 1920s, or the very unsafe nuclear testing in the 50s to 90s? They even used to put Radium in wristwatches for citizens to glow in the dark so casually.), the Chinese are no different. Just like to bring up the good parts of others' history rather than focus on the bad so much like china.

3.Chinese history, philosophy and culture does not have all bad parts. Please read and analyze everything, good and bad parts, if you want to make a proper judgement. It is very shocking to hear everyone at this point, so comfortable with joking: "let's nuke the Chinese" or "hope we bomb china badly if there's a war" or "the British and Japanese were good to wipe out the Chinese first" so casually! It is not a fair sentiment nor anti-racist one. If it's wrong to say: "the native Americans should have gotten rid of the arriving pilgrims because they were gonna genocide them anyways so might as well" or "black people should be allowed to hurt white people now for all they've done" then statements of that nature against Chinese is also wrong.

And just like other nations who came before and around the same time, these other nations also had bad parts of their culture. No one seems to highlight how colonizers used to practice Safari Game Hunting in Africa for centuries which killed a lot of animals leaving endangered species, no one talks about the quack and irrational remedies doctors in medieval Ages used to do, how they used to mix arsenic in paint on toys in Victorian era, European wars against indigenous peoples, as much as they keep on bringing up Chinese history's weak points and irrationally using it as a weapon to hold against Chinese people irrelevant to the cause of their past generations for years. It is unfair to whitewash your history while scorning the Chinese people's past.

Some Chinese clothing is nice. Some Chinese food is delicious. Some Chinese architecture can be very beautiful. Some Chinese inventions are useful. Those are the good points of Chinese culture. Not everything is tainted.

4.Not all Chinese are ugly. Or yellow skinned. Or receded jawed. Some have hooded eyes, some have high cheekbones, bigger mouths, wonky noses naturally too. Please look at every Chinese person without plastic surgery and analyze the whole populations faces, before you pass a half-assed judgement of how "ugly" they are in general! Seriously, if not how can you make a proper judgement?

5.As for other Asians who are non-Chinese, please stop trying to compare your cultures against theirs, treat it like a contest and say which one is the 'better Asian' to the people of the Occident(white). It is not cool nor necessary. Just do your thing go brighten your own little corner and you'll be great. Not every wumao is stealing your culture all the time sometimes cultures and trads just overlap or happen to be similar or shared through separation and migration reasons. Yes, you are a different non-chinese Asian and unique, there's no need to make noise or insult Chinese people just to prove your point too.

6.Overseas Chinese had ancestors who suffered too hence their migration and diaspora. Read about the Nanking Massacre, their Opium Addiction, 731 labs, Mao's rule, and other conditions. A lot didn't migrate for fun and games.

This is not dedicated to defending China's misdeeds or the Wumao, this is dedicated to the OVERSEAS people of Chinese descent, the Southeast Asian Chinese, the Chinese diaspora in the west, and anyone who didn't ask to be born with Chinese genes or ancestry but got it anyway: it's not your fault. Don't let yourself be shamed for being born this way, even when it's 'cool' to make fun of Chinese, and find a little pride in yourself. Take care and look out for yourself. There may be 1.4 billion mainland Chinese(even with the birth control policies), but there are many more overseas Chinese who need to be understood as "overseas people of Chinese descent" and respected as such.

For those who are non-chinese reading this, please think carefully anytime you want to post something, is it attacking only the current leaders in china or also targeting Chinese people or overseas Chinese-descent peoples too, before you become the very bigot you hate against a group of people or do a hate crime you might regret. Take a moment, and calm down.

Whoever needs to see this, glad you seen it, even if you need it translated. If you can tag it that would be helpful as well.

this right here 👏👏👏

i hope everyone remembers that it’s not all chinese people who are supporting the unjust things the government is doing. China in general is a very patriotic country and so when given the choice to believe something bad is happening or believing what they have been taught their entire lives (china is great and the best country in the world) they are going side with the statement that has been drilled into their heads since they were children. Chinese people aren’t ignorant they really just don’t know, every news outlet and media platform they use backs up the point that China is the best and they know if they step one toe out of line China is very powerful.

This is the government and the people of power’s doing and it doesn’t matter what the people think. The people either don’t know or don’t understand and it’s fry oho we many people repeatedly blame China as a whole for just a small part of it’s country’s doing.

What’s going on there is absolutely a violation of basic human rights and terrible but please take a moment to remember half the people don’t even know what is happening outside or inside their country because of how controlling everything is there.

Next, because everything there is decided by the government chinese immigrants have NO control over what happens there heck the people in china barely do. So the hate crimes in the west make no. fucking. sense. You’re not going to reach china by attacking u.a or canadian citizens you’re just adding to unnecessary violence. Elderly people, adults and children of north american citizenship are assaulted, harassed and bullied for somethings they cannot control and it’s terrifying how normalized the hate has become.

To all the chinese people seeing this stay strong, there’s no reason to be ashamed of where you or your family is from or how you look.

This anon put it best 🤍🤍

#stop asian violence #stop asian hate #lovely anon

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carmenxjulia · 4 years ago

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Another Duane interview transcript, coming at you! This one was from a smaller Carmen Sandiego chatroom. There were several interviewers, so that’s why the name of the question asker changes. Get the details below the break! Stay tuned, more interview transcripts coming soon.

Duane Capizzi:

HI EVERYONE! I'M IN!

Sorry I'm late, I got lost on the way haha. Then got lost trying to change my PFP

Thanks for gathering! Shall we get started? Let's do some Q&A!

(as long as they are not geography questions haha)

Fuel:

What characters or plot points were cut from the final product?

Duane Capizzi:

Ooo, starting with a right hook to the jaw!

Let me think about that for a moment: I'm hesitant to give too much away because I'm really hoping we can tell more stories in this world at some point

Which is to say, we tend not to waste anything: if we don't use it when we originally planned, we usually find a way to use something later - and there's usually a "karmic" reason that we waited.

I'll also preface by saying this: I know season 3 was more of a mini-drop and some felt season 4 was rushed. But I wish EVERY season were longer. Season 1: ideally, i wanted the Pilot to be its own event and 10 more episodes after that (but we had to tell the post-Pilot story in 7. At the end of the day, that had its benefits: we got to the Shadowsan turn earlier and I think that's when a lot of viewers realized the ride they were truly in for). Season 2: we initially figured we'd need 5 episodes to have Carmen doing the ACME dance with Chief, and wound up doing it in 3 - mostly because it quickly became clear that Rio needed to be a 2 parter, and the Zack and Ivy backstory a rough 2 parter. So we squeezed 3 episodes worth of plot into 209. It was exhilarating!

So, we had hoped to have more episodes for Season 4 of course. We had a ton of ideas and had to compress things a bit. But honestly in many ways it was for the better. I know we all wanted to live in this world longer, but I think sometimes the flip side is true - when you have big ongoing storylines, it can get frustrating when some things drag out too long. But, we got all the "story" we wanted to tell in Season 4 - we just lost some "incident" if that makes sense. We would have taken longer to get there.

So, all that preface to answer the question: we wanted to do more musical numbers! We had a Bollywood dance sequence in a return to India caper with Paperstar. We wanted to do a famous Elvis suit theft in Las Vegas during an Elvis impersonator convention (Shadowsan's an early elvis guy; Brunt likes the Vegas "jumpsuit" era). We also wanted to do a thread where Gunnar gets captured by ACME so that Julia could interrogate him and he could play mind games with her a la Hannibal Lector and Clarice. CAVEAT TO ALL THIS: these were some ideas that were bouncing around, that may not have seen the light of day if we couldn't get them to work. But they were on our wish list.

re: "other stories" - I could live with these characters for another 32 episodes easily and there have of course been discussions. But alas, that is up to the powers that be. Let's keep fingers crossed - and keep the Carmen love alive online so that someone up there takes note

There is more of course, but those are some things that spring to mind.

Fuel:

Were there any scenes cut for time that were your favorite?

Duane Capizzi:

Not much springs to mind: our directors were amazing at getting everything in the scripts to fit naturally (and in fact, I was the one who was usually suggesting trims to let other things breathe, etc). We were limited to 22 minutes of episode time, NOT counting front and end credits so a little longer than the average show. We have a pretty good idea when the SCRIPT is too long, so the cutting usually happens at script stage before it gets to the board crew so that they don't waste efforts over-boarding material that won't be used.

We had hoped to build out Chase and Carmen teaming up for the first time, meeting at Carmen's hotel lobby etc for more scenes of them together; but had to reduce that to get that all to fit in the VERY packed episode 406. But again, tighter was fine considering. That's one area that leaps to mind. (note that when I say packed, I don't mean that in a bad way: we spend a lot of time pouring over details in editing to make sure everything gets its due).

If I think of anything, I'll circle back at a later point. But the simple answer is that scenes were usually trimmed or compressed at script rather than board or animatic. So nothing comes to mind. I know it's hard to believe, but "shorter is usually better."

except for my answers to fan questions of course

Fuel:

We saw that in s4 episode 6 that Julia's mother(?) is wearing a necklace remarkably similar to the one Julia wears all the time. Is this the same necklace and if so, why was it given to Julia?

Duane Capizzi:

Just when I thought I was detail oriented! Wow! You guys blow me away

I can't take credit for that: it was either the board artist or director who added that. They do slip things in! As I've said before, EVERYONE on the crew really brought their A-game and were as deep thinking and as passionate as I was/am about the show.

It's a nice detail and I would say your interpretation works!

It took me three or four reviews before noticing that the team had slipped in baby Carmen near the play set in Mom's front yard at the end of 408. When I caught it, I was like: bravo!

Fuel:

When they first met, Zack and Ivy said to Carmen that they were the only family they had, do you know what happened to the rest of Zack and Ivy's family?

Duane Capizzi:

I don't. At least, I don't yet until such a time that I might have the opportunity to explore that. It was important to their relationship with Carmen that they be orphans, so they had that common bond (aside from being "thieves who steal from bad guys" - even if it was only gonna be one time for Zack and Ivy).

I know there are writers out there who like to do entire bio's for characters up front but i'm not one of them. It could be a trap in many ways. I like to have a general idea but be open to the demands of the ongoing storyline. You discover things along the way - it's like you're taking a journey with the characters by writing them, and the longer you spend, the better you get to know them (that was not a prepared statement by the way - I just made that up but I'll have to use it again :). So in Z/I's case it wasn't important to the story or Carmen's relationship, we felt. Conversely, we STARTED with Shadowsan's family backstory with 203, but more important to me was that we use it as a platform to explain why he stays with Carmen and crew. He really has no home at that point, so it was relevant to the present ongoing story. Which is what made that especially powerful to me.

Also, there's always a push-pull between telling character back stories while balancing them with ongoing episodic plots. You have to service both. If you just tell back story, then you're writing a biography

Arden:

What was the biggest challenge when designing these characters, especially the pre-existing characters from the series in the 90's?

Duane Capizzi:

This is probably more of a question for Chromosphere, re: challenges. But from my standpoint overseeing that process, the first thing I'll say is that we weren't necessarily trying to be "true" to those characters since we reinvented nearly every one from the ground up. (with the exception of Carmen of course - her trademark red hat/coat weren't going anywhere! But mostly the update with Carmen was in the styling of her "outerwear"

ALTHOUGH: I will admit that I was pushing for Carmen to have shorter hair as Carmen. I thought it would be a cool update. Chromosphere were really passionate about giving her long full hair and I have to see that they were right. The short tomboy cut worked so well for Black Sheep anyway. We had a different hair style for each of her ages.

So about the reinventions: Gunnar is in spirit a similar character to the original (old colleague in Vile and an early mentor if I remember), but his presentation completely different. We weren't trying to be "in canon" with the original. The beauty of CSD is that every incarnation has been its own entity so that freed us to reimagine the characters. THE CLEANERS, for instance: gimme some Cleaner love! There were a pair of janitors from the original game named RICK AND NICK ICK. They were literally janitors, it was too silly for our purposes. But, it's one small step to make them "Cleaners" (in the sinister hit men sense) - and lo, our reinvention.

So to summarize the answer to your question, they weren't really challenges to me so much as FUN to creatively reinvent the original characters (many of which were from the game, so not really "characters" per se with dialogue and inner lives). Whenever we could, we tried to use character names from the originals and update their looks and personalities. Where we couldn't find an equivalent for what we needed, we created characters from whole cloth. For instance, it seemed a miss to do a heist show without a tunnel guy and a high rise climber guy. Hence, LC & ET, everyone's favorite taco truck vendors!

(yes, i've seen some short hair carmen fan art on Twitter - someone did a great one recently!)

Arden:

Are there plans to give us more of the characters in, say, novel/graphic novel form?

Duane Capizzi:

I know HMH has done a bunch and no doubt have more in works. There's currently a novelization of the Pilot with some additional material if anyone's interested. I consulted on the second one, Clue for Clue, because it falls in the timeline while Chase was still Interpol/pre-Acme so was tricky.

And depending on whether another series in this canon makes it to air, I may just approach them about writing one or two myself to get some "further adventures" our there. Anything is possible!

Arden:

If you could go back and change anything about the series, what would it be?

Duane Capizzi:

File under anecdote, but there was what I felt was an important expression on Gray that kept me awake at nights, from his graduation ceremony at Vile. When we revisited those flashbacks in the Gray arc in Season 4, I had them change his expression there (to be more evil less innocent). We had it corrected in 404 so was able to get permission to have Netflix "fix" the Pilot by adding that shot in. I am tenacious!

We really poured over everything, it's the series that I have virtually zero complaints with the end product to be honest. But the simple answer is: I would have gone back to 106 and "un-greek'd" Gray's nametag. It's sort of a rule for international that we scramble signage (which is weird for a show that takes place in many countries/languages, I know I know). It's mostly for localization/translation reasons. And I'm sure there are some countries where Gray's name might be spoken differently. But as a proper name, I think we could have made an exception and seen "Gray" on his name tag. See? Details! But that's about the worst of it

there's also like one small line from Chief in 208 where she indicates she knows Carmen is a good guy (something to that effect) which I felt was too absolute and would have tweaked the line to temper it a bit. It's tiny, but looking back it sort of bugs me and I kick myself for not catching it. But this is absolutely the series I wanted and couldn't be happier.

Carmen:

How did Carmen know she could trust Julia? As far as we know, she has not seen or heard Julia defending her, and in the Fashionista Caper, Julia even held up her gas gun to her, saying she was under arrest. Do you have any opinions on this? Was it just intuition?

Duane Capizzi:

I'm gonna go with intuition

Carmen was raised on an island with some hardened criminal types. I think she's a pretty good judge of character. Poor Julia, trying to be tough with Carmen didn't suit her.

But, great observation! I'd have to mentally step through everything to see if Carmen had any earlier indication but i think you're right there.

Yes, sometimes you just gotta follow your heart

Carmen:

Are there any characters that didn't actually interact that you think would get along well?

Duane Capizzi:

Amazing question! First, I'd have to think more about who DIDN'T meet - you're asking the hard questions haha. But "get along well" is very specific! Hmmm, care to volley anyone?

I'll also add that so many smaller moments get lost in the "binge" of it all, but I am surprised how few fans have noted the first meeting between Player and Julia. THAT was a good one IMO! Very sweet!

Before getting back to your question, I also want to add that we were originally going to find a way for Carmen to lose her earring in Stockholm so that Julia could pick it up and be communicating with Player. BUT, I cut it at treatment stage because I knew we didn't have room in that episode to service it. Circling back to questions 1 & 2, another case where it turned out better saved for later IMO (saving Player meeting Julia, not to mention the earring business in 402 with Ivy).

Oh of course, Julia and any of the other Vile members. It would have been Gunnar for my vote, as mentioned earlier. We probably would not have had Julia meet anyone else and mixed it up more. I like that Cleo sort of became J's personal nemesis.

YES, SONIA & XIFENG (and LUPE PELIGRO, if I can add). The intent was (and is, if we ever get to revisit) to see them again in Carmen's travels. We started to expand Carmen's world but when we finally learned the finite number of episodes we had to finish the story, we drilled back down into the essentials. Would love to see them some day!

I'm hesitant to share too many things I have in mind in this forum for hope that they will see the light of day one day. You know, "spoilers"

Julia:

Do you have any opinions on Zari? Just in general? Some thoughts on her backstory would be nice if possible

Duane Capizzi:

I love Zari! I really don't have any back story on her at this point. She was originally just "Agent B" but when the need arose to give story points to another agent, we chose her because she looked so awesome! And Sharon Muthu gave voice to her so wonderfully.

I love when we finally teamed her with Chase. Hopefully the anticipation was that she would give him a hard time. I love that we defied expectation (organically, of course) and had her respect him by the end of that episode (for believing that he foiled Carmen!)

Julia:

Do you have any thoughts on small facts about any character, major or minor, that you think are fun/interesting to think about, but don't necessarily add to the plot itself?

Duane Capizzi:

Bellum, like myself, likes cats. But you knew that!

I try to put everything pertinent on screen, doing double duty to service any given episode's story but also the overarching story. That "journey" thing I mentioned earlier - we had no idea Chase falling on his own car would be a thing when I first came up with it. But as other characters refer to the incident, it took on a life of its own and made the characters feel more real.

Sorta kinda related to this question and some earlier ones, I will say that I DO think there's more to learn about Shadowsan's past vis a vis Lady Dokuso: it's clear to me that they have a history together, and it's something I hope to explore someday soon (maybe in a book if not another series

Julia:

Are the Carmen Sandiego books a part of canon?

Duane Capizzi:

I only consulted on the first two or three (too busy with series!) and have not read them, so hard for me to answer in a definite way. They are definitely in the universe we've created, but not in the timeline that I know of (which would have been too hard to pull off with our script development running concurrently). But do know that the book team at HMH pays close attention to the series and world so they should be perfectly compatible. Look no further to their clever social media on the series for example.

Kenz:

We saw in season 4 that Julia and Carmen helped each other mid to long term; would there ever be a possibility that Julia would permanently or semi-permanently join team Red?

Duane Capizzi:

Of course there's a possibility. But in a sense, with ACME now finally on Carmen's side, in a sense if Carmen were back in the game Julia, Chase, Zack and Ivy would ALL be an extension of Carmen's crew. But, would J remain with ACME or literally come to Carmen's team at her HQ? As they said in an old radio show: "Only The Duane Capizzi knows ..."

Kenz:

Where do you see Carmen in her retirement (if she retires)? Do you think she would still travel the world or settle down somewhere? Similarly, do you have any thoughts on what some other characters could be doing years down the line?

Duane Capizzi:

That is a big question, and one difficult to answer without some potential future spoilers (and yes, I really want to tell more Carmen stories if you can't tell But I'll answer by giving you one "read" on our open-ended ending as seen in 408 (read no further if you haven't seen it - yeah, right haha). The ending suggests to me that Carmen settled down for a spell to forge that relationship with her mother, to make up for lost time. But, if that is indeed Carmen that we see on the rooftop, I think the ending suggests that Carmen doesn't stay still for very long. If Vile is back, there is work to be done! Carmen has a life mission - she's one determined lady.

But of course, it's deliberately ambiguous: "anyone with your heart, wisdom and courage can be Carmen Sandiego." Is it Carmen? Sonia? Someone we haven't met? I think both endings resonate: Caroline and I always said "Carmen is bigger than a person, Carmen is a movement" would be a great message to end the series on. And I think our ending resolves this chapter of Carmen's journey as a person, but also elevates her to mythic status. Which is why I love it!

And, that seems to me a pretty perfect question and answer to end our chat on. Thanks everyone! Again, I cannot tell you how moved I am to see that we have such a passionate, intelligent and talented fan base. THANK YOU.

Take care guys, thanks again for having me! 'night!

#Carmen Sandiego #CS Crew #Duane Capizzi #Interview #Transcript

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bronanlynch · 4 years ago

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recent media consumption summary

it’s been a while huh. sorry this one is all text but finding images takes up way more of my brain

listening: for some unknown reason I’ve had Girlfriend by Avril Lavigne stuck in my head nonstop for the past several days. sometimes you need to listen to ‘not like other girls’ pop punk from the 00s as a treat I guess

reading: making slow progress through Harrow the Ninth, I don’t understand what’s happening but I enjoy the vibes. this series sure can fit so many terrible woman

reread Six of Crows (and part of Crooked Kingdom) because after watching Shadow & Bone I missed my terrible children. forgot that Kaz is so much more of an asshole in the book that you get to see in the show and I do love that and think it’s fun when he does terrible crimes

also working my way through Lord Seventh because sometimes what you need is a BL novel about political intrigue. also because it’s A Lot easier for me to read things that are on my computer instead of in a physical book because reading a physical book is a commitment to closing my computer and only thinking about one thing for an extended period of time which is difficult because my brain doesn’t work

watching: Word of Honor, as everyone can probably tell from, y’know, my entire blog. I would say I’m sorry but I’m not, it’s not My fault that it’s the only thing I can think about or that most of my conversations with my roommate are just us saying “oh my god they’re in love” back and forth

Nirvana in Fire, because once again, love a political intrigue/court drama. I’ve decided that the reason I love that kind of story so much is because it hits the same part of my brain as a heist movie except slower, because it’s still all about watching a plan come together, except instead of lots of fast-paced heist sequences most of the action is people sitting in rooms talking to each other, and I am a very dialogue-driven writer and consumer of media

Shadow and Bone, like almost everyone else on the internet apparently. my roommates were like “Eliot you need to watch this show it has so many things that you like” and I was like “yes I’m already watching it and I read the books so I’ve been Waiting for this for so long.” anyway it was fun and extremely pretty, and it was interesting to see them adapt various parts of the source material at the same time, even if I think they sometimes did so in ways that will weaken later character arcs (if the Six of Crows character are Already this cool and badass and able to take jobs overseas, how are they going to have any growth left during the events of the books that are presumably gonna be next season’s plot? who knows!). my main Actual Serious Critique is that some of the treatment of race was. kinda weird? there’s a lengthier discussion of that in this article but Imo it was. kind of a weird choice on the part of the showrunners to depict racism as the two light-skinned biracial leads having people be mean about their looks, meanwhile there are plenty of other characters of color for whom that just. doesn’t seem to be an issue? especially when some of the racism towards the main character comes from other people of color? and that’s just kinda not addressed

had a Godzilla movie marathon with my roommates, we watched Shin Godzilla (2016, the only one we watched that was actually good, focused the most on 1) showing me the cool monster 2) the bureaucracy and corruption in the government response and 3) the actual human cost of that kind of disaster, I’m sure there are plenty of thinkpieces on American vs. Japanese disaster movies and how national traumas and tragedies play into that), part of Godzilla (2014, bad and boring and barely shows you the monster so we skimmed it), Godzilla: King of Monsters (2019, fun for a stupid loud action movie, they showed me plenty of cool monsters, the final boss battle showed my former workplace being destroyed by a giant monster), Godzilla vs. Kong (2021, slightly less fun and made less sense but there was a Godzilla mech powered by the brain of one of the monsters from King of Monsters and I think they should’ve done more with that)

I think the SamBucky show had one more episode since last time I did this? anyway the finale was bad. Sam’s speech about how the rich politicians suck was good but it came after they killed the people who were actually trying to help so it kinda didn’t mean as much as it should’ve. anyway here are two articles talking about how much the politics suck because wow what an incoherent centrist mess. also super fucked up to have a white guy who represents American imperialism invoke BLM as a gotcha against a Black woman who’s trying to help marginalized people

playing: entirely TTRPGs this time, sorry Daud. played more Beam Saber as usual, and also Breakup on Re-Entry and Tidepools, two-person games about the dramatic irony of having a mech fight with your partner without knowing their identity and about mermaid-human romance, respectively

making: Zan made bread from scratch and I turned it into garlic bread, I didn’t take any pictures because I forgot but trust me it was tasty

writing: nothing posted but Zan and I are co-writing a vampire AU because we are nothing if not on our bullshit at all times. we finished the outline yesterday and it’s 22 pages so uh. that’s sure happening. most of my writing recently has been for zines which I’m not allowed to share yet but when I can I will be insufferable about so. you have been warned

#dreaming.txt #tuesday no problem extended universe

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wot-tidbits · 4 years ago

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Live Signing Session—Dragonmount Patreon Stream

SOURCE

SPOILERS FOR THE WHOLE SERIES!

QUESTION:

It has been 13 years since you were selected by Harriet to finish the Wheel of Time. After 13 years have passed, like, has the shock worn off yet?

BRANDON SANDERSON:

Yes and no. There are times when I look back and I just I’m like that was really a surreal event in my life. Nothing quite can ever compare to getting a phone call being asked to finish the Wheel of Time. I look back and I’m like how did that even happen?

For those who don’t know, I didn’t apply for it. Harriet just called me and it’s really, really strange. At the same time the fact that I am a best-selling author has kind of settled in because I have to deal with it every day and I’m very used to it at this point. And so the public’s attention being on me, I have gotten used to that. The fact that I got that random phone call still is really weird when you look back at. I don’t know if you have things in your life like that, where you’re like: “Man, that really happened!” That is really strange, like winning the lottery, right? I always describe it as winning the lottery that you didn’t know you’d entered. It’s more like actually getting an inheritance you didn’t know you were getting, but someone you loved of course had to die for you to get the inheritance. So it’s still wrapped up in weird emotions for me.

QUESTION:

The way that Harriet became aware of you was because her friend Elise Matheson was printing out blog posts and other news clippings that were online where there was a news report or tribute to Robert Jordan and yours was on that list and Harriet read that and ran with it from there. So it almost seems to me that you’ve written some amazing things, but maybe that blog post might have been the most important of your career in some ways.

BRANDON SANDERSON:

The single most significant three paragraphs in my entire career are probably that little blog post. […] The weird thing is that I was late. I spent about a week thinking about, “What do I write?” and everybody had tributes come out like the day after and I didn’t jump on that. You see me posting things later when I do blog post reactions. I often am like, “I want to think about this.” And so if I hadn’t waited who knows if that would have come up in the search results. First, because it was brand new when Elise was looking for things. Who knows, if I’d waited one more day it wouldn’t have popped up? If I’d written it the week before, maybe it wouldn’t have either. That’s just one of those things, right?

QUESTION:

What would you say to 2007 Brandon?

BRANDON SANDERSON:

I have read this book where you go back in time, and it never turns out well. I would not go back in time and say anything to myself because I would end up as my own grandfather somehow. And then I would need, like, Christopher Lloyd to show up and help me fix all the problems in my life.

But if I take it non-jokingly, I don’t know. I’ve never been asked this one before. It’s usually your young writer self, what would you say? I honestly have no idea. Maybe I would say it’s gonna be alright. You’re gonna do a good job. Don’t stress this as much as you are. But maybe it’s stressing it that made me do a good job? And I haven’t stressed over a book as much as those books ever. Except maybe my very first release with Elantris. But I am not high stress person, so even that level of stress is nothing compared to what I know a lot of other people stress about.

The nice thing is that by 2007 I was confident in my writing. There were things I needed to learn. There were going to be some hard things I needed to learn and I learned them over the next five years. And it was a tough growing period of writing.

I might say take another stab at Mat once you think you got him. Listen to Jason (Denzel) when he says Mat’s off. Because you (Jason) were the first to point that out to me. I might say Padan Fain. A lot of people are going to think there needs to be a little more. Can you write like 2000 more words on the Padan Fain narrative arc for a Memory of Light? Remember to do that. Brandon, they’re gonna split into three books anyway. Stop stressing about trying to get them all into one book. They are not gonna let that happen. Tor’s not gonna throw that money away. They are going to insist on three books. So plan it that way from the beginning and maybe the timeline issues and Towers of Midnight would have been solved. I’m mostly looking at warning myself to prepare things for the future.

QUESTION:

You and I have talked about that in the past. Rand had a very climactic moment at the end of The Gathering Storm. And then you had some moments but it largely became Perrin and Mat’s book in Towers of Midnight. And then we got back to Rand again…

BRANDON SANDERSON:

I actually like that breakdown. I don’t think I’d change that. I think that Rand in Towers of Midnight being a little bit like Rand in the Dragon Reborn where you’re getting some distance from Rand, because he’s gone through a major change and you’re seeing him externally for a little while.

Actually, I think that’s a selling point of the Dragon Reborn and I like having echoed that in my three, where you know that distance [is there] and then you get back in his head and you’re like: “No, this is the Rand I still love”. This is the same person, he’s just developed. He’s changed a little bit. And that distance, that time with distance, it just gives you a different perspective on the character.

Like I said you are in Rand’s head in the Dragon Reborn, but he feels like a different character, and then we get our Rand back in book 4. I really like how Jim pulled that off. I wasn’t doing that intentionally, but in hindsight looking back, it feels like the right way to do that.

I would try to fix the timeline issues though. I did a lot of work in the Gathering Storm when it was one book to overlap Perrin’s climax and Rand’s climax at the kind of center point of the story which became the two endings of Towers of Midnight and the Gathering Storm. And because those originally had been overlapping back and forth timelines and were split into two books—which again I kind of like how it went—it was clunky since it wasn’t designed that way from the get-go.

QUESTION:

About the deleted chapters you did for the charity novels and are there anymore that might appear?

BRANDON SANDERSON:

No, the only other scene I think I’ve mentioned before; I have like that brief like two-page scene where ladies weave the bridal wreath for Rand. I’ve talked about that before. That’s the only significant chunk they got cut that’s left and it’s only like two pages. The ones were like full things, so someday we’ll find a place for that. I don’t think we have yet, but someday we’ll find a place for that, but it’s only two pages. It is real short.

Did I tell you why that got cut? I should mention it. So it was actually really cool. I wanted to get Rand engaged, have the bridal wreath and have all three of them like weave it together and kind of use some Aiel tradition there and whatnot. And it was a really great scene. I enjoyed it. Everybody liked it.

Then we put the book together. Because often I will write—when I have a large number of viewpoints, I will write a chunk of viewpoints from a character’s viewpoint, and then at the end is when I really start putting things together and then I have to smooth between these things and make sure that the pacing is right. Because you don’t want all sorts of dry scenes together. You don’t want too many action scenes together, unless it’s at the end where you do want a lot of action scenes, and you want to kind of be bouncing back and forth. There’s just a rhythm and feel to it that usually I have a pretty good instinct [for] while I’m writing knowing how they’re going to fold together.

But once in a while you get something that just sticks out like a sore thumb and this was one. Because it was opposite the Talmanes’ scenes going in Caemlyn and like dramatic scenes of people getting stabbed by myrddraal and nearly dying and all this stuff. And it was more powerful stuff. It was really nice tense stuff and then you jump back and the girls were like “Tee-hee, I am like this branch that I’m weaving into the bridal wreath. It has thorns!” And it just did not work!

I’m making it sounds sillier than it was. It wasn’t that silly, but it did not fit thematically. Harriet was like “Oh, this does not match at all.” I’m like “Yeah, you are totally right.” So we cut that one up, which made me feel sad because I did want to get them engaged. I know a lot of people have been waiting for that, but it had to go just for the strength of the opening narrative. That one’s around. It’s fun. You can imagine [it] exactly as what it is. All three go out and gather different things to put into the thing and you don’t seem them gathering, they just come together and say “Here, I brought this. It’s a good match for us because of this” and they kind of weave it all together. Maybe someday we’ll get that but there’s not a whole lot left.

Getting the Perrin through the Ways out—like, I had wanted to find a place for that for a while because I really liked that sequence. I’ve mentioned before that when I look back at it, I’m like, “it needs a lot of revision,” so I actually had to spend a lot more time revising that sequence for the charity anthology than I did the other one, which I just kind of chopped up and it was good to go. Because that had lasted all the way until the last edit, but the Perrin scenes got cut out earlier after we did a bunch of just timeline rejiggering and things like that. Harriet had not been pleased with my depiction of the Ways, and looking back—I think I mentioned this in the Forward—she was right. And that took a lot of revision to make feel right, which I wasn’t planning on spending, like I spent two weeks revising that little sequence for the charity anthology, but I wanted it to be good.

It was fun because when I sent it to Maria to look through to make sure I hadn’t broken anything too big continuity-wise even though it’s not canon, she wrote back. She’s like “This was so nice, being able to actually read Wheel of Time and edit it again.” It was like a bright spot. And that’s kind of how I had felt on it. So it was nice to work on but it was way more work than I expected. The bridal scene will not get similar treatment if we find a place for it in a future Unfettered or something like that.

QUESTION:

Aside from that do you have other scenes still remaining, deleted scenes that could potentially see the light of day?

BRANDON SANDERSON:

I don’t think there is anything else at all. I don’t think there are even any scraps or fragments. Everything that Jim wrote I put in the book in some way. There is maybe some Q&A stuff that didn’t get in the book. In one of his Q&A’s with Maria in the notes he was talking about … No, no, this wasn’t from the Q&A. It was just notes from books back that they found dug in there that they were having Rand use the Choedan Kal. Jim had in the notes Rand using the male one at the end of the series but that one was destroyed. It was the access key that was destroyed. I’m like so do we find another access key or was this just old information contradicted other things? Because this was like he was writing book eight or something, he was thinking about doing that and they found a little note file for it. They’re like maybe we use these things, maybe we find another access key or whatnot.

There is stuff like that in the notes that would be fun to release. The fans could like imagine the what if because it’s entirely possible that rather than going with the Callandor solution, Jim would have gone with the Choedan Kal that he would have decided: “No, no, the right thing to do is to find another access key” or something like that or whatnot. And then you have a different twist on the ending using that. There are things like that that could be fun to see from the notes. I don’t know how much has been dug up, how much of it Harriet put in the library.

QUESTION:

Mat and Tuon are my favorite characters. Is there anything little or unknown about them that you can share with us?

BRANDON SANDERSON:

Everything I had from Jim that was in the notes I was given—now, remember, I had people look through the notes and give me the stuff that they thought was relevant, Maria and Alan did. So there’s entirely possibly like a lot of the things that are notes that I didn’t see were drafts of appendices that Robert Jordan added things to, and then taken out from like book 7 and 6 and 8 and stuff like that. And there might be things in there.

Everything I had either was in the books—or because that last scene was written by him, the one with Mat and Tuon in the epilogue—he had done a draft on that scene so I was pointing everything toward that scene to just get it in. So that I could drop it in as close as how he’d done it as possible. The only thing that I know is that Mat does go to Seanchan and that eventually he’s found in a gutter without his hat having gambled it all away. And he’s muttering “I lost it all” or “I gambled a lot away” or something like that. That’s in the notes for the outriggers.

The notes for the outriggers are three sentences and one of them is about Mat having lost it all. We can guess he goes to Seanchan. We can guess that he ruins, messes things up and then spends several books fixing them again which is how Mat basically rolls. That would be my guess.

We can guess that Perrin has to go. We think Perrin thinks he has to go to kill Mat. We don’t know but one of those sentences is Perrin is going travelling on a boat thinking about how he’s got to go kill a friend. So there’s got to be some tensions between the continents and things like that, and I would assume that hijinks ensued, but your imagination has got to go on this one. That is literally all I know about Mat and Tuon going forward.

Fun fact is that this was somewhere in the notes but they hadn’t shown it to me, I came up with a new name for Tuon and then Maria’s like: “Oh, Jim came up with one of these” and it was two letters off. We’d both come up with the like exact same new longer name for her. And that was cool, that I had been enough on the same wavelength. And we of course used his. But that’s kind of fun because I think we were both looking at the list of Old Tongue words and found something that worked together and came together and it sounds like fortune and that’s the same direction I’d gone.

Maybe he’d written something that had told me that I should go that direction but either way, that’s a fun thing. There is a little email from Maria saying: “Hey, we should use Jim’s name for this!” And then it was almost exactly the same. I felt very cool on that day. I can’t remember what mine is because Fortuona ended up in the book but mine also started with f, o, r and then I think I had an extra syllable in there and I had Tuon in there as well but maybe my ending letters to it were different or something, I can’t remember.

QUESTION:

I know you’ve spoken a lot about that you’ve read some of these early scripts and…

BRANDON SANDERSON:

Yeah, I’ve read the first six. Still haven’t seen seven or eight.

QUESTION:

I know you’ve had a chance to talk to Rafe (Judkins). I am really curious what your take is going to be and how you’re going to be involved or how, if I can use the word “possessive” of it, that you’ll be when they hopefully get to the end of this saga. When they’re in their season seven or eight and it’s covering your books and to see how much they keep and change. And how much they’ll have to change because their previous changes will lead to, you know, have ripple effects.

BRANDON SANDERSON:

This is uncharted territory for me. And I have no idea. It could be like Game of Thrones where despite the changes they stay pretty much according to what are the big events, so what I wrote ends up there. But it could go completely different.

As I’ve said to people, I envision this as a new turning of the Wheel. It’s the same souls but in a different actual turning of the Wheel. It’s not the one that Jim and I worked on. It’s a different version of it. And so some of the same events are happening, others are different and being rearranged and so. I don’t know. Like my experience has been fantastic working with Rafe (Judkins) so far. But the sum total of my involvement is: I talked to Rafe and tell him what I felt about various scripts and things. I went on set one time and I was mostly there so they could interview me for b-roll to use in their “making of” and to actually let me meet the actors and things like that.

I am not a significant player in the series. I don’t know, maybe they will want me to be more of [one] when it gets to my books. My instincts say that I will become less and less needed. And I am not even sure how much I was needed right now because Rafe knows, has a vision, and is doing a good job with it.

I’ve been in his shoes before but it’s almost like the handoff, at least the way it’s supposed to work, between past presidents where they like leave a letter and are there for a phone call if you have a question for them, but mostly you find your own way. And that’s kind of how it is with me.

QUESTION:

Did you ask them about having a cameo?

BRANDON SANDERSON:

I didn’t ask them about having a cameo, no. Maybe eventually in my own things I want to have a cameo but in the back of my mind I was like if I do a cameo I should do it when they get to the material I wrote. That’s more appropriate and so I haven’t asked for one yet. I hope the series takes off and then they get to mine and then we stick in a Brandon cameo.

For those who haven’t heard one of the things I want to do for my books when they get made is I want to die in various different—like I show up, I’m like the Kenny from South Park of the Cosmere or whatever. In every season there’s a version of me that dies in some horrible way, you know, just like a redshirt [from Star Trek] or something like that. I think that would be a lot of fun. You need people falling off the wall, getting eaten by koloss. I’m one of those people. Stuff like that. It just feels like revenge the characters could have on me and it could be this fun little thing. Stan Lee covered the cute cameo. I could cover the gruesome death cameo role.

QUESTION:

Having been through a full three books and years of working on it, what sort of high level general advice would you offer to the people, the writers in the writing room working on the series?

BRANDON SANDERSON:

I actually talked to Rafe about some of this stuff. Number one was of course, Mat’s harder to write than he looks. I actually did say ask Jason (Denzel). Mat is harder to write than he looks.

I talked about the kind of soul of the Wheel of Time. What makes the Wheel of Time work. I remember talking to him about the interview that I heard with Jim where someone asked him summarize the Wheel of Time and he hummed and he didn’t want to do it but he eventually said what it’s like to be the normal person and be told you need to save the world. They put that burden upon you that you’ve got to save the world and you’ll probably die doing it and it’s not a burden you wanted. What do you do with that? If there’s a core theme of the Wheel of Time it is either that, or the core theme of old things become new and new things become old, used in interesting and different ways both with the characters and the world building and things like that.

I talked about some of that stuff. But really what worked for me and what anyone has to do who’s in this situation is read through the books, feel the books and then try to have that in mind when you’re working on it. Anytime I started to get lost, I just went back to the books and read what Jim had written and it pulled me back in. When I was working on—and I reread the Eye of the World when I was working on the deleted scene we talked about—it threatened to do that to me again. I was pulled in I’m like “Ooh, this and that!” and the books are just so descriptive, with lush use of language in a way that never feels like it bogs down. You just have to go to the books. He won’t do it the way I did it and that’s all right as long as he’s going to the books and he’s like feeling the soul of those books.

-------

Huge thank you to @highladyluck for being my editor.

#Wheel of Time #SPOILER #brandon sanderson #WoT on Prime #TV series #wheel of time tv series #WoTonPrime #Wheel of Television

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365days365movies · 4 years ago

Text

January 4, 2021: First Blood (1982) (Part II)

Quick Recap before we go on. Oh, and SPOILERS right up top!

John Rambo (Sylvester Stallone) is a Vietnam vet wandering through Washington State, until coming upon the town of Hope, run by the Sheriff Will Teasle (Brian Dennehy).

Sheriff Will Teasle is an absolute dick who arrests Rambo for no real reason; just for being a “drifter.” His police force, which includes the sadistic Galt (Jack Starrett) and sympathetic Mitch (David Caruso, AKA Horatio Caine from CSI: Miami), beats John Rambo, and post-2020 me is UNCOMFORTABLE!!!!!!!

Rambo has Vietnam flashbacks (like you do) and escapes the prison, pursued by the obsessive and dickish Sheriff and his equally dickish men (except for Horatio, maybe).

Galt tries to shoot Rambo, and karma bitch-slaps him RIGHT in the face, holy shit. He dies, and Rambo is blamed and shot at, escaping into the forest.

OK?

OK. On with the recap!

At this point, all of Rambo’s actions are in self-defense. In truth, it’s been self-defense since the beginning. However, he does kill two dogs, so...yeah, can’t really justify that. That sucks. The dog’s handler gets shot by Rambo, who now has a gun, and we also see that Galt’s certified sociopathy has leaked into everybody else but Horatio upon his death, including the dog guy, who tells his dogs to straight up kill Rambo. But, as previously stated...that’s not what happens.

At this point, I should introduce the amemedala.

The amemedala is a portion of the mesencephalon (or midbrain) discovered in the brains of millennials and younger individuals, recently discovered, named, and made up by yours truly. This area, attached to the thalamus, acts as a relay center between the cerebrum and the various sensory receptors of the body, similar to the function of the thalamus. However, while the thalamus governs the broad relay of senses to the appropriate areas of the brain for analysis, the amemedala relays appropriate sensory signals to the frontal lobes, where catalogs of shared sociological trends, or memes, are housed. This relay and association generates connections between extrenal stimuli, and entries in the meme catalog of the frontal lobes. While this is technically an autonomic process, it can be suppressed with enough willpower.

Why am I ringing this up in the middle of First Blood? Because EVERY. SINGLE. CELL of my brain is working to suppress the amemedala right now. Why? BECAUSE OF THE LORAX, AND FOR WHOM HE SPEAKS.

Is it an outdated meme? Very much so. BUT I CANNOT GET IT OUT OF MY GODDAMN HEAD AS I WATCH THIS MOVIE.

OK. That is now out of my system. Anyway, Rambo continues to speak for the trees, which is understandably starting to spook the smalltown cops. This leads to the VERY surprising moment where a camouflaged Rambo appears OUT OF NOWHERE and stabs Horatio in the goddamn leg! Like, wow, he was invisible! I had to rewind the film to see where he was. This is tense...and awesome, not gonna lie. This is awesome.

And then, he gets another cop by JUMPING FROM A TREE. Well, a tree stump, BUT STILL. After he takes him out, he stands in plain sight in front of an approaching cop. That cop, subscribing once again to the shoot-first-ask-questions-later policy, fires. And I SWEAR, Rambo is FASTER THAN THOSE SPEEDING BULLETS, as he dodges out of the way, and the bullets HIT THE COP HE JUST TOOK OUT!

And then, when I didn’t think this could get any more intense, that cop triggers a booby trap, and A STICK WITH WOODEN SPIKES GOES THROUGH THIS MAN’S LEGS, AND HE’S SPEARED LIKE A KEBAB OH MY GOD

The asshole sheriff runs to the NEW set of panicked screams, and his compatriot is just Batman-ed away by Rambo. It’s just the sheriff, now. The storm is building, and the forest is getting darker. The sheriff frees leg-spike cop, and goes to find the other cop, who’s been PINNED TO A TREE LIKE A BUTTERFLY IN A DISPLAY CASE. See, look!

HOLY SHIT IT’S RAMBO WITH A KNIFE IN THE FOREST. He pins the sheriff up to a tree, then with some legitimately badass lines, threatens with the sheriff with “a war [he] wouldn’t believe,” and telling him to make like Elsa and…

I love this sequence. It is the most intense, crazy, holy shit sequence I’ve seen so far this month. Wow. I understand why people talk about this movie. Man, that was a hell of a ride! Good movie, though. All right, so, time for the final sco-

Oh. Oh, my God. I’m only HALFWAY INTO THE MOVIE?

...Wow. OK, then.

We now meet Colonel Sam Trautman, Rambo’s commander in the Green Berets. He’s come to “get his boy.” He says that he came to rescue the Sheriff’s dumb ass from Rambo, rather than the other way around. And the Sheriff is...an idiot. He’s an ass, he’s a maniac, and he’s a stubborn idiot. Even after learning that Rambo is the best, he’s unwilling to back down, the dummkopf.

Rambo kills a wild boar in the woods, which makes no sense for Washington State, but whatever, sure. Anyway, they try to get the colonel to lure Rambo out, even though that’s obviously gonna make his PTSD, just...SO much worse. Especially as he starts using Vietnam parlance in contacting him. Not gonna end well, guys. But it’s then that we learn that Rambo is now the last surviving member of his unit, contributing to his trauma. Rambo’s also been trying to get in contact with the Colonel, winding up here because he has no place to go. He says that there are no friendly civilians, and the trouble’s been caused by that “king-shit” cop. I will be using this term from now on.

Wow. Damn. Hell of a reason for that title. And I think I love this movie. Seriously, I’m having a good time.

King-Shit Cop keeps going ahead with his absolute idiocy, despite all warnings to the contrary. So, a bunch of troops now converge upon Rambo’s place, but he naturally opens fire on them, without killing a single person. In fact, he hasn’t killed anyone this whole movie, and they make a point of saying that he’s been holding back the whole time. So, they decide to use the next, most logical course of action. They FIRE A ROCKET AT HIM.

Afterwards, the Colonel and King Shit Cop catch up at a bar, where the latter exposes his full sociopathy, commenting that he just wanted to kill Rambo. This is opposed to the Colonel, who doesn’t really know what he’d do if Rambo survived.

Which, of course, he did. C’mon, you think a little military-grade propelled explosive is gonna kill John Rambo? Nah. He’s the best there ever was, and he’s gonna prove it now. He jumps into a military vehicle holding an M-60, and hijacks it. Doesn’t take long for the news to break that Rambo’s still kicking, and he’s quickly intercepted by King Shit Cop, who JUST. DOESN’T. KNOW. WHEN. TO QUIT. And I’d admire his tenacity if he wasn’t SUCH AN ASSHOLE.

The cops try to run Rambo and the truck of the road, and he plays the UNO Reverse Card on them instead. And I’m pretty sure at this point…

...that old Johnny boy’s just killed some cops. So, yeah, now there’s a bigger problem. He powers through the State Police blockade like it was a banner blocking a football team, stops at a gas station, grabs the gun from the car, and LIGHTS ALL OF THAT SHIT ON FIRE! Destroying the livelihood of an individual who had nothing to do with this.

Yeah, Rambo’s starting to turn from innocent acting in self-defense to public menace REAL quick. And yeah, it’s King Shit Cop’s fault entirely...but, yeah, Johnny needs some help, because he’s losing the train at this point. But, not to be outdone, King Shit Cop is also beginning to lose it, and it’s definitely beginning to seem like only one of them is going to come out of this alive. And the Colonel tries to give him an out, but King Shit Cop’s prepared to go down with the ship that he blew a hole in in the first place. Like an asshole.

But here we go, the finale. John Rambo vs. King Shit Cop (whose name, by the way, is Will Teasle. I just like Rambo’s name for him better). KSC’s on the roof, Rambo’s on the street. Rambo causes more property damage, possibly because banks also give him PTSD (I joke, but PTSD is no laughing matter, John clearly needs help), and then finds his way to a store that has just all of the ammo a psychologically-damaged Vietnam War veteran on a revenge quest could ever need.

And then he BLOWS. THAT. SHIT. UP.

And he does this...ALL of this...just to lure KSC out of hiding. This man DESTROYS A TOWN because this idiot, sociopathic, unhinged, King Shit Cop, won’t just STAND. THE FUCK. DOWN ALREADY.

Rambo enters the police station, where KSC is on the roof. And, like the Colonel and the rest of us guessed, KSC gets shot in the process. And as Rambo stands over KSC, the Colonel finally shows up and does what literally everybody else should have done.

Talk. He just...talks to Rambo. He talks to this mentally ill man, and that mentally ill man responds, espousing his pure anger at the war, the public, protesters, work, the country, the town, himself...everyone. And goddamn, is that shit palpable.

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This man can no longer fit in the world that he was forced to leave, and forced to return to. This poor, poor, poor man. It hurts. And it sucks. And he pours his heart out to the Colonel, and to us, and...you feel it. You feel his trauma, you feel his pain. You feel the aftermath of war. And it’s been seven years at this point for the Colonel, but no time for John. Not Rambo. John. And it’s just...never over.

Damn. Goddamn.

This...this is one hell of a good movie. And not just a good action movie, either. A damn good movie.

And that’s it. That’s First Blood.

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official-archivist-keith · 5 years ago

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Keith sat down with the paper and the statement before turning on the tape recorder. He took a breath, he was starving... hopefully this would help.

"Statement of Sunil Maraj regarding their work as a security guard and the disappearance of their co-worker, Samson Stiller. Original statement given 3rd April, 2011. Audio recording by Keith Kogane, the Archivist.

Statement begins."

"So I lost my job last week. I mean, I quit, they didn’t fire me or nothing. But you know how like sometimes you quit because you want to, and sometimes you quit because you’ve got to? Well, this was the second, although I’m not gonna pretend I’m not glad to see the back of the place.

It’s ‘cause I kept asking about Samson, you know? And what I saw. And they really, really don’t want me to make a stink about that. Because if he just disappeared one day, didn’t come into work, that’s fine - I mean, not fine for his family, obviously, or the police who have to find him, but fine for the company. If he disappeared at work, though - if what I think happened is even close to what actually happened - then that’s real bad news for them, and opens them up to all sorts of lawsuits and liability.

I mean, it’s fine, I can get other jobs, and it’s not like I really want to be working there after what happened, but I just wish someone would take it seriously. It’s messed up, and I’m having a real hard time getting out of my head.

So, I work security right? Used to be, a company or shop would have its own little security force they put together, did all the in-store and CCTV vigilance stuff. These days, it’s all centralized, though. You tend to have a building or a shopping central contract all the security work out to a single company, who’ll then cover all the businesses or shops. It’s easier, from a centralizing point of view, and cheaper, if that’s what the owners like.

But it does mean that there tends to be a lot less stability and how it’s all structured, personnel-wise, at least. If you’re lucky, you’ll be assigned to a post and stay there for years, getting to know the place, the systems, your co-workers. If you’re unlucky, or there’s contract difficulties, you could easily end up moving through two or three different places in as many months.

That was kind of the case for me and Samson. We were the odd men out in a lot of ways. We’d originally been brought in for a big corporate office block near Liverpool Street, but there’d been some problem and the whole place had to be closed up for months. Samson said they found asbestos, I heard it was a lease issue, but it doesn’t really matter. Point is, they hired us for a job that no longer existed.

I expected they’d just get rid of us, but I mean to their credit, they did try to do right. They did their best to fit us in with other security teams: I mean, over the last two years we did a couple of data centers, a digital marketing hub - whatever that is - three different office buildings near Kings Cross… trouble was, every time, almost as soon as we got there, there’d be some personnel changes, or expiring contracts, or some other trouble, and generally, as the last in the door, we were the first to get reassigned. Started to feel a bit like we were cursed, you know?

Samson took it harder than I did. I mean, I’m young, my mum’s got a flat in Hackney, and to be honest, most of my evenings are out with friends or in with black ops, so the moving around was pretty much fine with me. Sam had a three-year-old, though, and lived way down in Morden, so being thrown from one post to another all the time was really kind of getting to him. He tried to talk to me about it a few times, but honestly, we weren’t that close. Or rather, we were close because we’d always worked together, but we didn’t have a huge amount in common. I mean, I tried to talk to him about football for a while, but I think he could tell I was talking out of my ass. Anyway, point is, when we were reassigned to a shopping centre in Stratford, he wasn’t in a great place.

Now, I’m not sure I can legally name the shopping center I was working in to you guys, but let’s just say it wasn’t the Westfield. It was old, clearly been around decades, and the security systems really showed it. I mean, one of the shops still had the original alarms from the late 70s, and plenty of them still had cameras that recorded to VHS, for God’s sake.

The security office was a mess. The company I worked for - again, dunno if I can legally say them, but you can look it up, you know - they have a package where they replace all your equipment and systems with the stuff we use. It’s not cheap, but it’s worth it, if only because we all know exactly how to use that stuff.

Whoever was running this shopping center had very much not opted for that particular contract. I mean, the teams before us had made a valiant effort to centralize and integrate all the feeds and setups into just the one control room, but… damn, that place was a mess. Flat screens, next to banks of old CRT monitors that some of the cameras had to feed into, next to racks of channel banks, and a few actual, honest-to-god computers, that tried their best to wrestle everything into something that was almost usable.

I found it properly overwhelming, didn’t like the place at all. But Sam actually seemed to get on with it pretty well almost from the get-go. He’d apparently been an engineer back in the day, and something about all those old surveillance systems, all tied together, all wrapping into and around each other like some weird nest of cameras… it seemed to really appeal to him. The first week he was there he spent almost the entire time playing with the system and the wiring… left me to do most of the other work on my own. Well, I mean… there were the other guys working there, of course, but even the ones who’d been there awhile started to get the picture and gave Samson a bit of a wide berth after a few days.

He really did seem to get the place in a bit better order. I mean, some of it, only he really understood, but soon enough it actually made sense - what we were watching and when - and he managed to get rid of some of the delay, so that we even managed to catch a couple of shoplifters.

There was only one piece of equipment that seemed to give him any trouble. It was this old Tecton multicamera recorder from the late 80s, managed the feeds for one of the various budget shoe shops that lined the promenade.

It didn’t seem all that complicated when you just looked at it, but trying to use it was an absolute nightmare. None the buttons seemed to do exactly what you wanted them to do, and there were all sorts of sequences where pressing a button, holding a button, pressing it three times, all that - they’d all do really different things.

Sam spent almost a whole month wrestling with it, before he finally cracked and he asked Dave - the bearded old guy who we all sort of assumed had been there the longest? - whether they still had any of the old operating manuals.

I remember the smell of dust when Dave went and cracked open the filing cabinet in the back room, before waving his arms in the direction of the drawer and shrugging. I mean, I’d have just left it, obviously, but I think Samson was taking the whole knowing how the system works thing as like - a point of pride? Something he could salvage from the whole situation. Just a way of getting some control over his life, you know?

So he found the manual. More of a pamphlet, really. Can’t have been more than ten pages of A5 in the whole thing, yellowed and water-damaged. Well-used, though. Someone had even put their name in the front, like they were afraid people were gonna steal a manky instruction book.

Still, Sam just couldn’t put it down. I mean, it was like 10 in the morning when we finally found it, and when I went in at 2:00 to see if he’d taken his lunch break yet, he was still sat there, just staring at it. I mean, I’m not a fast reader, or anything but that’s a lot, right?

And like - okay, so this is the part that you’re definitely gonna think I’m having a joke with you, but I’m honestly not, I’m dead serious. Because I saw some of the pages over his shoulder, and on one of them there was, there was a picture of me.

Like, a black-and-white photo of my face. I didn’t get a good look, but it certainly wasn’t one that I remember having taken. Not that would make it any less weird for it to be printed in an old CCTV manual from back when I was doing nappies. And I’m not making it up, I swear.

Then Samson turned, and he looked at me, and I don’t know, I got real spooked. His eyes were all - messed up. Like, weird. And glassy. It was really, really freaky, and I just turned and I got out of there. That wasn’t the end of it, though. If it had been then sure, maybe I write it off as a weird dream, where I was tired or whatever, but no. Because from that point, on Samson just gets creepier.

For a start, he’s always at work. I mean, we’re not always on the same shift, so it takes me a while to notice, but when I ask him about it, he just says that our schedules must have synced up weird. But whenever I arrived, there he was, staring at the monitors, watching all the people come and go, his eyes wide like he was drinking it all in. And whenever I was there late, and it was my turn to close up, he’d always say that he was happy to do it, say I could head off a few minutes early.

So, I never actually saw him leave. I tried to stay once, said I needed to do it myself, but he just got real quiet, like… real quiet, and stared at me.

The bank of monitors was behind him, and I’m just trying to come up with something to say, get him to talk to me… and one by one, they began to just wink off, turning dark.

And I got this feeling, deep in my gut, that if that last monitor turned off, then something really bad was gonna happen to me. It was one of the old CRT sets, big, and bulky, and the picture on it was never that clear, but for a moment it looked like it was me on there. Staring right back at myself as the screens slowly went black, getting closer and closer. The face on the monitor looked absolutely terrified, and I was starting to feel it myself.

So I just tried to smile, told him not to worry about it, and I headed out as quick as I could. My legs were shaking so hard I almost fell on the way out.

Then there were the actual cameras. I mean, you work in a shopping center, obviously you do a bunch of shopping there. I used to get my lunch, for one, and usually pick up any of the essentials I needed. Sometimes, if I was feeling hard done by and it was payday, I might buy myself a new shirt, or a game, or something.

And obviously, because I work security, I know where all the cameras are. where they cover, even how they move. A lot of them are completely static, just pointing at one place. But gradually, I start to notice something when I’m shopping. It’s like a tickling, creeping sensation all over the back of my neck. Like I’m being watched.

So I start to keep an eye on the cameras when I’m in the shops, and you know what, I’m right. They’re following me. Whenever I look at them - doesn’t matter where it was they were meant to be aimed - they’re always focused right on me.

I keep staring at them, moving around, and they just shift to keep the lens pointed at me. But they’re not articulated, they don’t have any motor or swivel mount they just… move. Pointed right at me.

One time, when no one in the store was looking, I threw a can of deodorant at one of them. Hit it square on. Samson wore sunglasses for the next two days, and when I caught a glimpse of him without them, there was a crack right down the center of his eye.

I tried to talk to the others. I’m pretty sure that they were getting similar weirdness from them. they were all jumpy and nervous those last few months. But I was known as Sam’s friend. We’d come in together and everyone just assumed we were close. When I started to ask about it, about what was going on, they just clammed up like I was trying to get them in trouble. My nerves were all shot to hell.

I wasn’t in work the week he disappeared. I’d called in with a bullshit stomach thing. I just needed a break, some time to get my head right. It was almost working, you know? A little distance, a little space to relax. I was starting to feel good.

Then I got the call from Dave. He was frantic.

I couldn’t make out half of what he was saying over the bad line, but he kept saying Samson’s name. Asking me if I “knew,” if he’d “told me.”

I had no idea what he was talking about, but he kept screaming at me. He kept saying, I must know, he must have told me what was going on. He kept saying, “what do we do with his eyes?”

I mean, I didn’t know what the hell to say, I just went quiet listening to Dave as he started sobbing down the phone

“He won’t stop,” he said. “We can’t get rid of his face.”

I hung up. And Dave was gone when I went back in. A bunch of them were, all quit suddenly. I wanted to check in with them, find out what happened, but we’d never really been friends, and I didn’t know any of their details.

I never saw Samson again, either. Though, I did find his old work shirt in the back. It was torn to shreds, wrapped around that old instruction manual. I put it back in the filing cabinet, and I threw the shirt away.

I tried to stick around, to do my job, but I was asking too many questions for the folks upstairs, I think. I wanted to know why Samson hadn’t signed out of the building before he disappeared. Why, no matter who tried to reset the system, it always logged back in as him.

Why, whenever I was watching the monitors alone, I’d see him on that old CRT screen. Staring right back at me. Quietly calling for me to join him."

"Statement ends." Keith let out an exhale, "Much better..."

@zombieapocalypsekeith

#SORRY THIS IS SO LONG

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retphienix · 4 years ago

Video

youtube

Ah. What a game this has been so far.

Now I had a million thoughts I wanted to share as this played out, lord knows I’ll forget a good portion of them but that’s the nature of my own ineptitude- plenty of things I’ll remember MILES after this post or only if prompted in a specific way and that’s just how it is.

To start- this isn’t the end of DQ11 for the blog just yet. I usually don’t dive into post game unless it feels right or people ask and I’m convinced- and more or less both happened this time. It does feel right- I have definite goals I want to tackle before saying I’m happy with what I did here- and more than one person has mentioned that the post game is worth touching so I’ll be doing that.

Also, for those unfamiliar with my long winded utter mess of a finale post style I go for- this is a lot of rambling as I try my best to touch on my thoughts on the game overall because I like to share. Feel free to just press “J” on your keyboard and skip right passed this- I know **I** struggle to focus my eyes to read long winded posts so I won’t blame you.

Also also, in order to try and spark some of those thoughts I had during this recording the first bit is gonna be me re-watching it as I wait on the video to finish processing and saying what comes up.

To start- really wish there was a save point there lol. I get that it’s a painfully easy backtrack to the save point at the start of the castle- but still, I like convenience.

The Dark Lord’s first form is a huge step up from his form before absorbing Yggdrasil and this first form fight was fun and had me itching to say some good things about it but honestly? I want to save praise for the fight that deserves it- phase 2.

PHASE TWO THOUGH!? GOD TIER RPG FIGHT.

I’ve seen better, sure, but come on, we’ve ALL seen better at all times on all things especially considering preferences coming into it- this was a 10/10 boss fight, top to bottom.

Design? Beautiful. Even continued the DQ obsession with puns with his tail being Mordragon, that is so PERFECT so ‘chef kiss’ flawless and it’s just a name. I LOVE how he looks. I LOVE how he moves around the arena changing which head you’re facing.

I love how each had different strengths to contend with (which I abruptly fucked up, don’t call me out, I’ll prove I know what was going on right here and right now-). The dragon had strong melee and breath attacks while the dark lord himself had magic aplenty.

I even utilized swapping out for the first time ever not because I hadn’t seen the value beforehand (I’ve spoken on how interesting a strategic option it was seeing as every unit has unique moves to bring to the table and it costs nothing but ATB for that unit to do).

Now, I fucked that up, but I did it purely because this is the first fight up to this point that felt right to do so. It’s the first time the tactical value of switching out to buff defenses with Hendrik outvalued ignoring that option and maintaining my ATB on whomever I would switch out. THAT FELT SO GOOD! And then I let my braindead fingers buff defense on a magic phase and you see the point. It was brilliant but I was not!

I did end up ignoring the option after a few turns not because the value wasn’t there, but because he ALSO spams stat neutralizing moves which made me reconsider focusing so heavily on buffs and instead focusing on maintaining steady heals (mostly with Hustle dance).

This fight? Beautiful. I loved every second of it. I loved adjusting my playstyle on the fly, I loved finding my footing. I just loved it.

Beyond that- the ending. I got a chuckle out of how abrupt the credits come in. It seems to wind up for an end sequence only for Erik to say “Well, let’s go home” and it cuts to the credits- but THEN the credits ARE the end sequence so it wasn’t ACTUALLY as abrupt as it seemed, but it got a laugh out of me.

Now those credit scenes? I’m a sucker for games that make you fall in love with the characters and this was an ending catering to those characters. Not too much to say outside of “I was smiling the entire time” which is true.

There were a couple moments in that sequence that I said aloud “JUST HUG HIM YOU COWARD” to various characters, like Hero and Rab, or the two dorks (hero and Gemma), etc.

And they played on the mystique of the post game’s content well enough to pull people in I’d say- certainly more than what I recall DQ8 doing with the dragon trials.

I am probably wrong, but I recall the game drawing next to no attention to that post game content aside from a few moments in the game dragging you to the location only to not let you access it (hinting at more being there).

Anyway.

Honestly, after rambling about the video itself I feel a lot of what I wanted to say about DQ11 was said during the playthrough just fine. I rarely feel that way.

DQ11 was fun.

As a DQ fan, you can best believe I had fun.

As a stick in the mud who is disillusioned toward the game industry and doesn’t like a lot of the filth that accumulates within it- I obviously have a few negative thoughts on the game, but there really aren’t perfect games so much as perfect experiences based on how it affected you.

And I’ve voiced those annoyances plenty I think. For completion sake there are cut corners on animations that seem off when other places have a ton of attention to detail, that’s like bottom rung “I don’t actually give a shit” stuff though.

The bigger problems were Sugiyama is a horrible piece of human garbage and the game is lesser because of his influence on it. There are plenty of reasons behind that both big and small. Big- it feels gross having a human shitsack touching this game after having been so vocal for years- there are replacements at the ready and we still have his LGBT hating, war crime denying fingers handling the music? Shameful.

Small (but man did it fucking suck) being that every five minutes I was annoyed at the music in this game. It sounds Bad. And I mean both orchestral and midi, it’s not great compared to anything he made before for DQ, but the fact that it’s midi in this is EAR BLISTERING.

I’m not one to listen close to most music while playing for whatever reason- and I admit that knowing who’s responsible is half of why my ears tuned it in instead of tuning it out, but man I couldn’t help it and it sucks.

The same 3 second ear rattling loops are ALL OVER THE PLACE. Grandiose moments are cut short by bland midi tunes. MAIN STORY MOMENTS ARE LACKING MUSIC ALTOGETHER FOR SOME REASON? When the hero gets the flute and plays it for the first time it just DIDN’T MAKE A NOISE? Subsequent uses of the flute made a noise, but not the main first cutscene?

It’s a whole thing.

And don’t make me get that dirty capitalist pain in my chest over the fact the S version was released 2 months after this and includes so much content that SCREAMS “This already existed and we diced and quartered it specifically to create the illusion of ‘value’ for this release”. Disgusting, man. :/

Gameplay wise, the biggest complaint I have is so loaded and half hearted but I have to say it anyway.

DQ is good because it’s simple.

DQ can also be a little lacking because it’s simple.

This was the second most fun I’ve had playing a main series DQ game (DQIII just hits right), and it definitely has better gameplay (so my opinion is subjective) than the one I prefer to this. But it was also a bit too simple... But you can’t change that and be DQ, it’s complicated.

To just say it- other than the final boss every encounter was a bit too easy. And I know I overlevel, I know that’s the point, I know there’s a hard mode modifier- I KNOW, but the final boss was REALLY GOOD AND still not too hard, so the fact that most every other encounter did the minimum or the minimum +1 is a little tiny (just a bit) disappointing because the gameplay could have been that much better.

But. That could just be my head spinning tales and being a biased asshole especially since I’m not offering any solution here and I’m admitting it’s both “better than my favorite gameplay in the main series” and “probably can’t be made more involved without losing DQ simplicity”.

But I’d kill for some different or new systems on top of this- dual and triple techs from Chrono instead of RNG pep, bosses with more varied strategies instead of “stun 2-3 and do raid wide attack”.

A reason to care about elemental damage (both incoming and outgoing), plenty of little things that would just make the already solid as hell combat more interesting to participate in.

Story was honestly fantastic. I didn’t know how I was going to end that until I just let it come. It was. This is the best DQ story thus far, and not to limit it to that scope- this was a GOOD DAMNED STORY overall and I’ve played a fuckload of games with good stories.

Before this I was a sucker for the original trilogy’s overarching story, which is unfair because that’s 3 games and that’s an old story and it’s only “good” because it’s unprecedented. But this is just plain great.

It writes such beautiful characters- it tackles a variety of conflicts both big and small- you have Sylv and his dad, you have a possessed king declaring his daughter Jade dead and Jade knowingly betraying him without knowing he’s possessed, you have Erik giving up on life and only putting himself so deeply into this adventure as a means of escape, you have Hendrik’s loyalty being- I can’t pretend Hendrik fits in he’s fucking stupid and needs to ask questions because loyalty for the sake of loyalty isn’t interesting at all lol.

You have Rab believing the world is doomed and doing all he can with Jade up until they find you are alive. You have the INCREDIBLE story of Veronica and Serena- you have all these intensely lovable and understandable characters (and Hendrik) and the story is so much more about them than just about the dark lord and the hero.

It’s so much more about each of their conflicts and growth because all of that is HOW the hero will defeat the dark lord.

It’s just so much more... investing than any of the stories I’ve had in DQ before and strong as hell amongst stories beyond just DQ.

I loved this. It was emotional at times, it was downright depressing at times which I wouldn’t expect DQ to successfully hit, it was downright rewarding getting to know these characters and I feel fantastic having beaten this.

This game is fucking good. I finally understand why some people have told me this is their favorite DQ now. It... yeah I think it might be mine too.

I’d be much more likely to revisit DQ3 than this because it’s shorter and has a specific kind of RPG (class based with freely recruited partners instead of named party members) I find more fun to revisit, but yeah, I think I agree.

I think for main-series DQs this is it, this is my favorite. It has to be, right? It’s got so many INCREDIBLE story moments and it’s pretty and it plays great- yeah. Hell, Sylvando as a character and Serena and Veronica’s arc BY THEMSELVES convince me of that.

Still got nothing on DWM and DWM 2 on the GBC, WOOOOT! Didn’t expect this post to divert from a serious closing thoughts (despite there being a few more posts to come) topic to posting this did you?

Behold the true faces of DQ perfection.

#RetPlays #Dragon Quest 11 #Dragon Quest XI #Dragon Quest

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dragoninatrenchcoat · 4 years ago

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I watched johnny mnemonic because it takes place today january 17 2021 and I wanted to blog about it without bothering anyone with repetitive posts or whatever cuz I don’t post too often, so instead I just took notes and I’m uploading them all at once. generally just read it like an unhinged twitter stream. hope you like it

uh oh um keanu reeves is bad at acting

omg his brain can only fit 160GB and that’s after doubling it from 80. my phone is more powerful than keanu reeves

his brain can only fit 160gb. Dude like “this is 350GB can u fit that?” keanu idot boy all “yeah dude dw” fucker that aint how ~~technology~~ works

you can’t install 300 gigs of data on a 160 gig drive by smacking it and saying “suck it up”

actually looking a little bit closer it appears that everyone’s acting sucks which brings mr reeves up to par

Notably this film does have a plague in it

reeves do b wearin a long coat go woosh when he fights do you think it’s in his contract

this is just making me want to watch john wick which I’ve heard is [checks notes] good

ok the part where they haggle her price while he’s tied up and she’s straddling him while fighting off a room full of gangsters is admittedly badass

is the silver shit the women are wearing supposed to be armor? groundbreaking

“I’m on you till you pay” misty from pokemon vibes

“what do you think about when you’re alone?” oh these two are gonna have a kissing scene aren’t they. who needs chemistry when you have two het leads

“thompson iphones”? an iphone that isn’t apple? that makes literally no sense. unless “thompson” is a hacking term I’m not aware of

oh I am LOVING this internet VR interface. I’ve done VR before and I can tell I would DEFINITELY get motion sickness from this setup

bodyguard: [has a seizure] keanu reeves: look I can see you’re going through something but you ARE fired

this movie literally says covid was caused by 5G

they pronounced 2006 as “twenty oh-six”

“EHHHUHHHUHHH, why did you have to dO thAT? OoooOOOOOoOOH???” - man whose arm just got shattered

Ooh a Woman’s Naked Back!!!! Edgy

yall though his monologue about room service is badass too it’s like they had a great script but most of it burned in an unfortunate cigarette butt incident and they had to make up the rest on the spot. all that’s left is that scene where they negotiate her price, and the room service rant

she looks kinda like me at some angles. if her nose was shittier she’d look more like me- oh they’re kissing now. que surprise

I do like the dolphin. uh, spoiler alert? there’s a dolphin

I looked away for a moment, why is the dolphin crying

I wish they’d done a better job on johnny’s makeup. It’s cool that he’s #fucked up at the end but I feel like he could be #more #fucked up

bounty hunter really did just say “jesus time” before trying to choke her out huh

ok this is on me for straight up not paying attention for the past 5 minutes but the dolphin killing jesus bounty hunter is a definite plus. wow though they really did that death scene. sonic disruption? electricity? fire? ominous music? they got it all

actually it appears that I missed literally nothing. bad guys died, mr reeves got the goober. we good

straight up though. the AI lady actress has what? 30 total lines? and one of them is “the dolphin can take you through the data” or some shit. amazing

anyway I’m here for more stories featuring sentient dolphins

helmet gives me matrix vibes. low hanging fruit? maybe

did this dude really announce the to the world that they have the cure before even making sure they could break the code

SPAGHETTIFICATION ALERT FUCK EW OH NO KEANU REEVES IS A BAD CGI MAN STOP HIM

I can’t believe johnny mnemonic is actually the matrix EW HIS FACE OH NO OH NO THIS ENTIRE CG SEQUENCE IS INCREDIBLY UNFORTUNATE

and that’s the story of how keanu reeves and a dolphin used the matrix to stop covid

look ok I get that I was only mostly paying attention but did I miss them having chemistry or was it just not there to begin with (place your bets)

directed by robert longo

#johnny mnemonic #watch party #?#what do I call it #liveblog #forgot the word lmao

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steve0discusses · 5 years ago

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Yugioh S4 Ep 11: Rafael’s Lian Yu Experience

Ah, lets tune into Yugioh where Duke has decided to do some off-roading in the worst car and in the worst place.

Ah yes, the normal interaction you would have with a desert and your expensive vintage car. Duke has been struggling since he became a protagonist to stick to a defining trope. Now that Serenity is gone, and now that they aren’t watching a duel for Duke to be a downer about, I guess his only other tick is that he sucks at driving?

Again there was a perfectly serviceable truck back at the RV but they just really like to put miles on this car (which doesn’t have it’s lights on I believe, which...good job, Duke).

And he just launches these two inexplicably out of the car. Because Yugi might be losing his whole damn soul on the other end of this desert, but we will have cartoon shenanigans, damn it.

It really does look like Dukes looking through the wrong side of his binoculars here...that extra level of Duke.

Speaking of extra level, hows that horse thing going? Where Yugi is riding a horse for the first time in his entire life?

Because, apparently the show has decided that Yami should be really good at horses (????????). He can’t read any Egyptian, he doesn’t have any memories of his Pharaoh life, he can barely use magic, but apparently, he can game a horse. Only problem, is that this art team of high octane vehicle enthusiasts seems totally unaware of how horses work---I’ll just show you. This scene GOES places, and I will absolutely record it so you can watch it in it’s entirety in a separate post.

(see more horse under the cut)

The horses leg didn’t move the entire slide down the mountain y’all, he just stuck one hoof in front of him and power-slid down a freakin cliff like he was wearing horse Wheelies.

What the Hell?

Anyway, welcome to our new dueling platform.

You wouldn’t believe it, but it’s on a very tall thing. I know, in this show? They’re dueling on a tall thing? Whaaaaat?

This is a hilariously weirdly perfectly cylindrical land mass 10/10.

So Rafael’s whole deal is so freakin weird.

Rafael’s a weirdo. I was ready for Alister, since Alister introduced himself in a Maximilian Pegasus suit, but I just wasn’t expecting Rafael to be the weirdEST youknow? Of the three? Like he’s up there with Arcana and the band-saw ankle-slicing machine. Just a really choice human being who makes really good decisions.

God bless this artist’s obsession with edgy cargoes.

Anyways, another fun fact about Rafael is he gets more and more jacked with every single frame it feels--his muscles are like the quality to go fight Cell, but all he does is play cards.

Also he’s obsessed with justifying mass murder on a global scale so...he seems a little bit like an X-men villain in that way, except he’s...just a normal ass dude who got really buffed.

Rafael needs a reason to want to destroy all humanity--that’s really the big dilemma that the writing crew was given, but the way they got there...was a lot.

Lets dive right into it, starts off kind of normal, run of the mill “gotta cleanse the world yada yada” and then just starts somersaulting down a steep hill like in Princess Bride.

First of all, the show decides to reveal to us the entire story via a Rebecca google search, and then, once we’re like WTF? we get to hear it in it’s entirety and it is way weirder the second time.

So um...this Titanic cruise ship.

Yeah. I know. That’s a lot of Princess Peach dresses.

(welcome back, glass of OJ that every child on this show drinks with every meal)

Honestly there is no greater curse in this show than being rich. If you’re a rich dude you are SCREWED. Some force of nature is going to come for you just at any possible moment. You will get abducted....MANY TIMES. You will lose your parents, repeatedly. Your wife will die shortly after marriage. Some asshole will walk up and just remove your eyeball and replace it with a magic golf ball. You will never be the best at cards. Just never be rich in the Yugioh universe. It is better to be dead.

Speaking, of dead--just did a Rebecca-brand google search--do you know how many people fit on an average cruise liner?

It’s more than you think.

Woooooooooooooooooooooo that’s about 3000 people! Just nonchalantly! (and yo, I went mid-range, some cruise liners carry like 6000)

We passed so many 69′s just now!

Now there is some weird issues with this episode where Rebecca was like “The only survivor was Rafael” and then later, Rafael mentions his family is still alive--kinda sounds like the translation shenanigans are back at it, where the English version is desperately trying to keep people from dying, but like, the Japanese version drew a 600 ft tidal wave that ate up this cruise-liner like it was a bathtub toy made of paper.

But sure, maybe some escape boats made it out safely from a catastrophe that is 800 times worse than the Titanic. Sure they did.

PS History Channel got into a weird trend in the 00′s where they used to do these series of rogue wave horror stories--do you remember those? Anyways, one of my friends got super spooked by rogue waves and had it as one of her top ten fears. At the time I was like “lol you’re not gonna get rogue waved on a cruise are you kidding?” But then again, maybe she watched Yugioh and this episode scarred her for life?

Especially since this crazy traumatic experience was followed by three years of being stranded on an island and going COMPLETELY insane. Like not just...partial--Rafeal has absolutely no grip on reality anymore. Like, at all. He’s on another plane from most other Yugioh villains.

It’s like Lord of the Flies but there’s only one person in it. The Lord of the Fly.

This is a kid’s show.

Anyways, on the island, Rafael got hella jacked. So there was that one plus. He did eventually become a very huge person in his adulthood, although he did get a Mokuba haircut for a little while. This honestly says more about Mokuba’s hair routine than anything else.

He also spent some time seeing his lost family members as these three cards that he likes to pray to. Occasionally they fall into the ocean and he has to dry them off. Rafael lived a kind of boring weird life cycling between hallucinations and staring into the ocean.

The show didn’t bother to tell us what Rafael was eating or explain how that outfit lasted 3 years. But, they did describe that after 3 ENTIRE YEARS, Darts decided to just start harassing him.

Which...OK...and then there was this next sequence

I mean this was the only interaction that Rafael had in three years so maybe he forgot that getting drowned by people who harness the power of the ocean isn’t like...good behavior?

Anyways, back in the real world, in the city and wearing his hot topic grunge vest well into his early 30′s, Rafael decided that everyone just...deserves to die. Traffic sucks. Cities sucks. There’s too much crime. Everyone should be dead. It was very strange and sudden twist. You go from having all the money in the world, to no money, and then back to all the money and it’s like “Central heating SUCKS! KILL EVERYONE!”

Then Rafael made this mention of his family that has to be a translation thing.

Those guys have got to be dead. I mean this is Yugioh. There were no survivors. I’ll be very surprised if they pop up next episode, I’ll even dock them off the Death Count if they never died, I am that certain they won’t still be dead in this upcoming arc. They have clearly been replaced with paper cards. Like I wouldn’t be surprised if their souls were somehow inside these particular cards he carries.

I didn’t cap it, but to walk on the island you walk across a glowing oricalchos bridge and it was very goofy.

And then these guys showed up, reminding me again that they are still on this show, because tbh, I completely forgot.

I kinda miss when they were the weirdest people here and I just thought Rafael was another boring guy in handlebar muttonchops.

Anyway, it’s a short update today. I’m a little behind on things in other places, so that’s fine by me. I keep hoping that soon I’ll be back to doing like 2 of these a week. Especially since I recently decided to start blocking twitter and other places I’ve been wasting a little too much time on, maybe then it’ll funnel my efforts to here? We’ll see. Next episode we’ll find out how long all of these guys wearing jackets in the desert are faring.

And here’s a link to read these from the beginning.

#yugioh #yu gi oh #photo recap #episode recap #yugi muto #raphael #rex and weevil #tea gardner #rebecca hawkins #joey wheeler #tristan taylor #duke devlin #how to completely destroy your expensive car #S4 #Ep11

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yo-namine · 5 years ago

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Okay, time to talk to myself about Re:Mind and Limit Cut Episode.

Spoilers galore under the cut!

I'm just gonna start off by talking about how the DLC handled my biggest gripe with base KH3, which was obviously how Kairi was written in the last few hours of the game. Like I said in my other post, Re:Mind doesn't totally fix those problems, but... Well, here's what we get:

Kairi's "murder" is reframed a bit in the DLC. Base KH3 presents it as Xehanort killing her just to provoke Sora et al. into "clashing" with him to make the final key. In Re:Mind, we learn that Xehanort was actually stowing Kairi away (by "crystallizing" her, which... means she wasn't dead? But Sora still takes all the steps Chirithy gives him that are specifically for restoring a heart from death, and it works, so...?) as a fail-safe of sorts in case he needed another Light. Xemnas foreshadows this a bit when he says that Kingdom Hearts needs the Princesses of Heart in case the whole 13 Clashes of Light and Darkness thing doesn't work out. And for what it's worth, I do think this is a little better for Kairi as a character just because it shows that she was "killed" due to something unique and special about her, rather than what she was to Sora. She's still being used, and she's still sapped of her agency, but presumably no other character could have worked in that role against Xehanort, so... that's something, I suppose.

During the Xemnas/Saix/Xion fight, there's an added scene where all the Lights get to take a shot at Xemnas, and Kairi actually broke that motherfucker's guard and made him stumble when no one else could... And then she got captured, bloop, but at least this time it was because she was actually fighting and simply got bested. I can appreciate that. I liked seeing her shield Axel from Xion's attack, too.

And of course, she does get the chance to take on Xehanort later. She has a nice battle set-up (a sort of warp dash ability similar to Riku's and Roxas's, shotlock, reflect, and a GORGEOUS link attack with Sora), and it's a little cathartic to play as her taking Xehanort down. However, I don't think she ever learns that Xehanort took her as a safety measure for his plan or why she was the one chosen for this in the first place. She doesn't speak to Xehanort at all, which makes her big battle with him at the end feel rather... impersonal? And never mind him "killing" her in KH3; Xehanort's ultimately responsible for her losing her family when she was four years old, as well as the destruction of her home world. I'm not saying Kairi and Xehanort needed to have some long overwrought conversation or anything, but there definitely should've been some dialogue between them.

Kairi's actually involved in Naminé's restoration after all!!!!!!!! I remember the Ultimania's explanation of Naminé's return leaving a bad taste in my mouth because it seemed like they framed Kairi's death as ultimately a good thing, because hey, at least her murder freed Naminé from her heart. But that's not what actually happened; instead, Kairi and Sora go to Radiant Garden at the end of the game, and she lets him use the keyblade to release Naminé's heart from hers. And honestly, that scene right there? That was probably my favorite part of this entire DLC. The fact that Kairi really did play a part in restoring her Nobody is a much better payoff to her earlier lines in the game about wanting Naminé to have her own experiences. She wanted to give Naminé her life back, and rather than that being something wrenched from Kairi against her will, it was something she did for Naminé of her own volition. I just. 😭

/tl;dr thoughts on kairi

As for everything else in Re:Mind:

I loved the background moments with Sora and Kairi in the ending cinematic. Each one is framed so that you can't see their faces, so they all feel like you're looking in on something secret. The "Behind the Curtain" trophy name is pretty fitting (and just downright cute, lol). And like I said above, I loved the scene where Kairi and Sora restore Naminé's heart. You just see him pull the keyblade away from her chest, and then she cradles Naminé's heart in her hands and fjsldfjskd. I teared up at that. It was just such a sweet and gentle little moment. Sora and Kairi taking Chirithy to Ven (and Sora even giving them a little push, lol) was really sweet, too. I loved their body language while they watched Ven run off, how you see them turn toward each other just slightly.

I also like how Sora and Kairi's relationship evolved from "Even if we're apart, our hearts are always connected" to "Heart connections are nice and all, but I'd much rather actually be with you."

Demyx and Riku interacting was something I never knew I needed. Riku's like "PLEASE be careful with that vessel, it's very important--" and Demyx is just "Bro, I got this," and hoists it over his shoulder like a sack of potatoes.

Sora and Roxas actually talk to each other! I liked the scene where Sora's Station of Awakening starts to peel away to reveal Roxas's, and you get little glimpses of Roxas's memories. And it turns out that Sora actually did release Roxas's heart from his, and it wasn't just Xemnas kicking Xion into his chest that did the trick, lmao. I like that change.

Xemnas mentions that the original Organization doesn't remember Xion, but they do have records of her. That's a nice little tidbit to have for my Day 4 AU. 👀

Saix says the Guardians must be desperate if they're getting a Princess of Heart involved in the war, and Axel's like "Nah, she's our trump card." Aw. I also thought it was interesting how Saix purposefully uses Axel and Roxas's names to try to trigger Xion's memory of them.

I had to watch the recusant's sigil bit like four times before I understood what the hell was happening, lmao. The sigil represents the Sea Salt Trio's actual connection to one another that they had to "reclaim" from Xemnas, which... okay, but why was that needed? The thing I always liked about this trio is that they're the only one that we see develop fully from the beginning to the end of their relationship. They were always the most believable (canon) trio to me because of that, so throwing in this whole "The sigil binds us together!" thing just seems kind of stupid and unnecessary. They're friendship is good enough as-is. You don't have to add in this nonsense to represent their bond; their relationship development itself already did that. But whatever, they still had a really cool combo attack.

Scala ad Caelum is expanded on! I really enjoyed exploring it and solving the little puzzles to put Kairi's heart back together.

I LOVED THE GUARDIANS VS. NORT REPLICAS BATTLE SO MUCH I HAVE TO YELL ABOUT IT. I ACTUALLY DIED THE FIRST TIME BUT I DIDN'T CARE THAT I HAD TO REPLAY IT BECAUSE I WAS HAVING SO MUCH FUN. THE TAG TEAM ATTACKS!!!!! AQUA, XION, AND MICKEY'S COUNTER-ATTACK!!!!!! EVERYONE ACTUALLY WORKING TOGETHER!!!!!!!! IT’S ALL I EVER WANTED!!!!!!!!

There are so many cute dialogue exchanges during the Guardians vs. replicas sequence, too! Ven and Roxas compliment each other, Aqua scolds Axel for talking too much (twice, I think? Axel fusses at her the second time, lmao), Terra says something to Riku that I couldn't quite catch, and Riku's like "All thanks to you!" It's just so cute and charming, and it really made the Guardians finally feel like a team.

Mickey Mouse straight-up Boromir-ing his way through the Nort replicas was... I think I loved that? Yeah, no, I loved that. I was laughing through half of it because I kept getting knocked back, but it was a great sequence (visually and gameplay-wise).

Connecting all the keyholes was very satisfying, and was just a beautiful visual altogether.

Sora and Kairi's reunion was adorable. And then Sora sees Goatanort enter the scene, and he just looks at Kairi and is like, "You ready, B?" and Kairi's like, "FUCK yeah, I'm taking his trachea through his kneecaps!!!!!" Okay, not really, lmao. Actually, Kairi's surprised when Sora asks her that, like she didn't expect him to let her help, or maybe she felt like she wouldn't even be able to, but she says she's ready anyway. Kairi’s under-confidence in her fighting skills is a little more apparent in the DLC. Like she says "I can do this" right before the final battle, but it comes off as her trying to reassure herself. She even has a counterattack where her battle quote is "Please work!" and I don't remember hearing her say that in the base game. Girl knows how outclassed she is compared to most of the other Guardians (and Xehanort), but she fights like hell anyway. Attagirl. 🎉

And as for Limit Cut:

Aww, I love that Terra calls Riku "a great leader."

Cheers to David Gallagher for saying "Are you sure about this?" with the exact same inflection as the John Cena meme.

Riku's a master now, right? When will he get some spiffy keyblade armor???????

Okay. Riku is having dreams about looking for Sora. Sora is dead (?), and "the edges of sleep and death touch." Kairi has been asleep for the past year so that the Radiant Garden team can study her heart in effort to find Sora. Nomura? Nomura? Nomura. You cannot fuck this up, man. You can do this. You can write the Destiny Trio working together again. You can write a full story in which Kairi has an active role. You can write her and Riku interacting. You can do it. I believe in you.

The data battles are so hardddddd. I wound up just watching all the LC cutscenes on youtube, lmfao. But I do want to try to beat at least some of these bosses. Tragically, Riku is TRAPPED IN MERLIN'S HOUSE, so you can't leave to grind or anything. Boo.

I don't really care about Yozora. I think we got a confirmation from Sora that Nameless Star is Stella (?), and that's cute for her I guess, but I genuinely don't care, lmao. But I definitely understand the compulsion to include beloved characters from old cancelled projects in your newer ones, so I hope Nomura has fun with that. ...That sounded sarcastic, lol, but I meant it. I hope he gets to do something cool and creative with this recycled cast. It just might not be a story I'll end up following, is all.

Data greeting is SO much fun. I sank a couple of hours into that the other night just creating scenes and playing with effects. The controls are really easy to use, and it's even fun to just explore environments like Radiant Garden and Scala ad Caelum without messing with photos at all. I hope we can unlock more character outfits and poses in the future, but I can definitely enjoy it as is for now.

Overall, I'm pretty happy with this DLC. True, about half of Re:Mind is a rehash of the Keyblade Graveyard scenes with some extra content here and there, but it's sort of justified story-wise since we're in a timeloop. I enjoyed the extra Kairi scenes and the interactions between the Guardians the most. Limit Cut is mainly just bonus bosses, but like I said, I do want to actually beat those once I can figure out a strategy for them. And I'm obviously having way too much fun with Data Greeting, lmao, so yeah. Not a bad update.

#my posts #kh3 bloggin #dlc spoilers

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