#anyway i think I'm autistic lol

[cosmiicfairy]

🗑

[teaboot]

if ur a murderbot nerd now do u have any fun opinions abt it yet?

Oh my goddd you have no idea

I really, really, really like Murderbot because it comes at life with this perspective we don't often see that is very real among people who have already been through traumatic experiences, who developed skills and abilities to suvive that were once useful but no longer have context- that search that traumatized people go through to recalibrate and reorient ourselves in a world where we no longer really need those things to survive.

A bit personal here, but my own issues personally involved a lot of psychological abuse that made it difficult to trust my own perceptions of reality, and as a result I found I was very easy to lie to and manipulate.

To handle this, I became obsessive over writing things down, cataloging details and making notes of things as they happened- I'd carry recording devices and make audio recordings and stay up late at night to transcribe what they'd picked up, read those over and over again to reassure myself of things I wasn't certain about.

While doing this, there were others close to me that I felt responsible for, who I had to protect from others and protect myself from at the same time. Life was about two things: Evidence, and defusing threats

Over time, I learned to trust myself as my memories matched what had been recorded where their narrative didn't, but I never really kicked the habit. Like Murderbot, I had added something to my own programming that reassured me I was safe, that I was in control of myself, that I couldn't be mistaken or crazy or broken or used.

I'm only on book two, but already I see myself in Murderbot again. No spoilers here, but when I left home- left that dangerous context- I didn't need to repeat these patterns to survive anymore, but I still did, because I didn't know anything else anymore. It felt safe, comfortable, knowing knowing that the past couldn't repeat itself, because I'd written that flaw- blind trust in myself-  out of my programming and replaced it with something else.

Still, though, I'd become something specially suited to thrive in a very specific environment. Nothing else felt right like followinghigh-risk situations, like witnessing and watching and recording and knowing I had proof of the truth where others might not.

People took notice. I wound up in security by accident, but's an environment that I thrive in due to the same patterns and behaviours I originally developed when I had no other choice. I climbed the ladder pretty quickly, once supervisors caught on that my reports were the most accurate, most objective, most factual, detail-oriented and timely. I keep others and myself safe and prioritize public safety above all else, and I perform well under pressure

Now I'm in a position where I often wonder, do I enjoy this job, or is it just what I'm good at? I have a set of skills now, but do I have the option of choosing not to use them? What would I be, if not this? Could I be anything else? Can Murderbot be anything else?

It has a set of skills that set it apart, make it different, special. It does what it knows best. But is it free? Does it want to be? What does it want? Does it have to do what it was built to do? What if it didn't?

I know what I'm good for. The idea of deliberately leaving what I'm good for for something uncertain, that I might hate, that I might be useless at- the choice to give up what was so important to me for so long and become deliberately obsolete?

Let go of my entire purpose? The only thing I know, that I fit so well into but don't actually know if I enjoy? Now that I can choose? Now that enjoyment is a luxury I can afford to consider?

Yeah, that resonates.

I like the Murderbot series so far because it feels the way I feel: Like the most significant and formative part of my story, the part where I became what I am, has already happened

And now I have to just. Keep going

Into... what?

It feels absurd. Like a microwave giving up on reheating food and deciding to start a life around abstract dance.

So, uh. Yeah. It's really very wild to see this same philosophical-ish dilemma I've been digging over in the back of my mind and in therapy for the last forever laid out so plainly in a genuinely exciting and enjoyable story like this. I feel much less alone, and I... kind of really need to see how it resolves, I think.

So, uh. Yeah. Read Murderbot, I guess

[danishphoner]

i was listening to the car (the song) since the early morning yesterday and if i didn't vomit this my brain cells would implode. the autism does get out of hand sometimes.

personal lyrics theories series (1/?): the car - arctic monkeys

[howtodisappearcompletelyand]

20/10 stars little guy

[thefrogdalorian]

I think on this fine Saturday afternoon it's a good opportunity to take a breather and remember that there are really no ethical paparazzi pictures. Every single one is inherently exploitative.

Just because photos were taken on a movie set, when someone is 'working,' does not make the practice any less invasive and creepy. Imagine just going about your day, doing your job and having some weirdo snapping pictures of you to sell without your consent for others to endlessly repost online.

There are thousands of pictures of your favourite actor online already. Plenty taken with his knowledge and consent. I'd really like to see more of them on my dash, rather than the creeper shots.

And don't get me started how disseminating these pictures directly leads to people going to said sets. What starts off as admiring how good someone looks has real world implications.

No, hanging around a movie set and disrupting people doing their jobs is not harmless fun or a way to show your appreciation.

If you hang around a movie set, you are a stalker.

Don't tell me that it's okay to take your online admiration for someone offline. You may admire him but he does not, and will never, personally know you. He will never be your friend/boyfriend/daddy. He is a stranger.

The only way meeting your favourite actor is going to happen is at a convention or maaaaaybe a movie premiere if you're incredibly fortunate. You know, places they appear specifically to meet fans (or not in the case of premieres, where the purpose is to promote a movie. Which is also completely understandable if actors don't stop. You are not owed an interaction).

Of course, you cannot help it if you randomly run into someone you admire in the wild. Even then, consider that they probably won't be all too thrilled to be approached in public by a complete stranger. It's up to you to gauge the situation, but remember there is a person at the heart of all of this.

Boundaries and respect are a kindness which deserves to be extended to each and every human being regardless of their looks/talent/fame/wealth.

Fandoms blur those lines a little too often for my liking and I think just scrutinising what you're interacting with, or what behaviour you could be possibly falling down that slippery slope towards is nice to do every once in a while.

I mean no malice with this post and it is not directed at anyone in particular. It's something I cannot help but feel strongly about because I've seen this destructive cycle time and again in fandoms over the years. It's not healthy and it makes us all a little bit more disconnected from our humanity for it...

[hecatesbroom]

did I finally manage to write a brand new fic? I sure did!! with many, many thanks to the lovely @eeblouissant for inspiring me with these beautiful drawings of Blanche dipping Dorothy (and the incredibly sweet follow-up with Rose playing the piano, after our chat about this scene!!) I hope I managed to do it justice ;)

Summary

When Dorothy mentions she’s never been dipped before, Blanche and Rose decide to take matters in their own hands.

[peridots-pixiwolf]

[Start ID. A digital drawing of Minos Prime from Ultrakill, who's wearing a strapless slit dress and sandals of the same deep purple. He faces towards and slightly to the right of the camera, his head is tilted further right. With one hand he gestures in a vague pointing motion, his arm folded and held close to his body. There is nothing in the background, but bracing himself on one arm, Minos is implied to be leaning against something about the height of a countertop. The background is a blank purplish black, save for three diagonal stripes in the colors of the bisexual flag. End ID]

Shading study that quite literally came to me in a dream two weeks ago, after this post apparently beamed itself into my mind

(also a few edits below the cut! they're very slight but whatever :])

[Start ID. Three different versions of the previous drawing. The first changes the tone of the lighting from blue to pink, and similarly the shading from pink to blue. The second replaces the faint black border with pink, purple and blue, syncing with the stripes in the background. The third combines both these changes. End ID]

[torchickentacos]

you ever scroll past some sort of discourse that you didn't even know existed, and you have to take a second and realize that, while none of us are superior to others, some of us ARE much better at choosing which dumbass hills to die on? because I think sometimes you deserve to go 'huh. at least I'm not getting involved in all that'.

[giantkillerjack]

Ya know. I spent most of my life with horrible painful soul-crushing social anxiety.

And after about 25 years of continuous hard work, suddenly, people started pointing out - to my utter bafflement - that I had, in fact, achieved my lifelong dream of being charismatic. I'm 29 now; I feel comfortable in most social situations, and it is a very rare person whom I cannot make laugh.

I am, undoubtedly, finally, charismatic.

But do you know what I found?

I found that now that I have an understanding of which social rules serve which functions -- Now that I have an understanding of just how much damage my awkwardness was doing to people, well,

I found that, actually, my awkwardness never really hurt anyone at all. People were just judgmental dicks to me about it.

Now that I have the skill-level to (most of the time) creatively vocalize what is in my head as soon as I think it and without fear, I can confirm once and for all what I had always suspected:

I was worth talking to when I was quiet.

I was worth talking to when I was awkward, and when the words in my head took time and patience to hear, and when most of my jokes didn't land. I was worth talking to the whole time.

So I just... I hope that if you've ever wondered whether you are worth communicating with, the answer is yes. Absolutely yes. Each of us has a soul worth sharing - and if you and I were talking, I would happily wait for you to speak (or communicate in other ways) without condescending, and I would never shame you for that harmless awkwardness that so many people feel the need to violently stomp out.

You are worth talking to. You just are. And you deserve people who will speak to you with kindness, with patience, and with the basic immutable respect owed to all people.

(I talk about this with some frequency, both on tumblr and in real life. At some point, maybe I'll gather all my thoughts on the matter into one post. At some point, I wrote about my personal experience trying to build my social skill. But I felt the need to say at least a little bit tonight after seeing this other lovely post, and I'm glad I did. It will happen again.)

[donnie-and-their-backup-turtles]

i kinda think part of why people treat donnie as less caring than he is is like. sometimes not knowing when he's joking? like that time he threatens to be "semi-lethal" when splinter's in the truck with meat sweats. like i'm sure most of you knew he was joking but like. do some of you realise he like, would not have done that? like remember how he was sad? when splinter actually got hurt? same with leo in the movie? and all of them at every other time?

like he's self proclaimed funniest. and also a mad scientist aesthetic doesn't make a character a villain by itself it's what you actually do with that (yes he has done bad things within that area (haunted stare towards mind meld) but you have to admit he like. did fix those. and feel bad and hopefully learn his lesson but hey that's another analysis)

i have mixed feelings on villain donnie stuff, as an example, because like. ANY character put in a situation where they lose their way is really fun and if in character is really interesting as to what could cause that.

but when it's treated as like. inevitable. who he is, or phrasing his brothers are the only thing stopping him being evil. it's like hm. ugh. kind of hurts a bit actually but that's probably because i relate to him ghfdjk

like the seen in snow day with the tech bo chainsaw like. all he really DOES is cut a snowman there but he's just like. leaning into being "evil" with the chainsaw but like he's just being silly with it. acting like that's proof of anything is wild to me, without any other data points.

also kind of separate but i think there's a dissonance between what is like. seen as evil? between me and like most people lol. like the scene in the movie as well with like "finally, man and machine, entwixt in perfect bionic synergy" someone i watched it with was like "haha evil moment" or whatever where i was just like. yeah real that would be rad as hell. honestly gender also.

not saying he's never done anything wrong but i am saying he immediately tries to fix all of those things

anyway he does have a really interesting relationship with morals in my eyes but like, at his core he really cares about people, you know?

this isn't hate to anyone btw i just care about donnie a lot as a character and as really layered autistic representation

[sherlock-is-ace]

Restarted my computer to fix one problem only to have that not fixed an a new problem arise... Only on fucking Windows

[palossssssand]

A and B for Gingull and Eidwinn? Also I love their designs so much!

For Gingull: A) Why are you excited about this character?

I'm mostly excited about Gingull because they're kind of the culmination/crossroads point that ties all the other characters together, I think it's an interesting point for a character to be in. Admittedly, I've been having a hard time figuring out exactly how Gingull fits/moves the story forward since she's a product of the circumstances. I'm definitely going to be projecting a lot of personal experiences onto her, so there's a catharsis element to her too. I'm also excited to figure out how she interacts with all the other characters, given that she becomes mute at the beginning of the story, and not everyone would know/understand how to communicate with her and the frustration that comes with it. Also going to have so much fun with electrical imagery <:] The other thing I'm mainly excited to think about is her relationship with Delta(sea urchin), the soldier that pulled her from the malfunctioning machine and saved her life. There's going to be some tension between the two because Gingull is in no way obligated to forgive Delta for it, given that Delta was still actively Working for the military, and Delta has her own guilt complex about it as well due to efforts to break from the military and work towards doing some good. It's a dynamic that I don't think I've really seen or know how to describe, but I feel like it's easily the most interesting one to explore in regards to Gingull's character arc.

B) What inspired you to create them?

Gingull was created for the very initial premise of slug city's story, which was "dystopian government project to 'fix' mental illness spawns beasts that are representative of the illness to stigmatize it", like, the trope of an inner self or unwanted traits being a separate entity and character must learn to deal with it, or something. Gingull's beast is a long, wormy thing made of pure elctricity, and the imagery of that came first, and then Gingull's design, and then the story premise. The above description is currently a bit outdated and a little more nuanced, but the core of Gingull's character concept was built from the electrical beast, hence her helmet shaped like a socket. Initially, the idea was that she wore the helmet to cover her face because she's afraid of the disfigurement, and the electrical beast is a manifestation of her desire to be wanted and understood, so there's a moment plotted out in the story where she discards the helmet and the beast goes after the helmet instead of her. This is still partially true, but I've added a layer where the helmet enables her to not need to make eye contact or mouth expression, so there's an element of new comfort from that. Not sure where I'm going to take the previous concept with this, she's definitely a character that I'll need to workshop more in order to flesh out the core of the story.

Sorry for the really awful image quality but I don't think I've ever shared the beast designs before. Here's Gingull's.

For Eidwinn: A) Why are you excited about this character?

I'm really attached to Eidwinn, I'm honestly still not sure where he fits in the story, but he's very charming to me. Not that he's actually charming personality-wise, he's pretty reserved and generally unfriendly, but he's just very enamoring to me. I'm definitely thinking about a moment in story where Gingull goes to him for solace or happens to meet him, I haven't fleshed out those details yet. I'm also waffling on whether he should have prior relationships to the other characters, but he also just feels far removed from them and I think he's good as-is as a character that isn't directly involved in the other character's happenings but is nonetheless affected by them. He's important in Gingull's context because he's someone that's experienced life in a similar way to her, so there's solidarity in that.

B) What inspired you to create them?

I got started with slug city's premise and began making characters that would make cool beast concepts. Eidwinn's thing is that he's a plant shop owner who has a hoarding problem, and instead of doing anything meaningful about it the govt just dragged him to their machines, so his beast is this massive monstrous orchid that's supposed to represent his (debatably) unhealthy attachment to his plants. I haven't exactly decided if the beast manifestations are decided by Other People's perception of their root issues, or if it's a self-imposed idea, or a combination of both, because each implies something different about the nature of the beasts and how the characters interact with them. There's definitely a sense of shame associated with them, especially in Eidwinn's case where the beast roaming around causes him to be more shut in than before. In any case, I just really liked the concept of his character so he's stuck around. I needed characters that weren't direct players in the story.

also I know I probably could have typed thought up in The Text Post but additional thoughts always get put in the tags and I'm not going to bother retyping them. it's about the vibe of rambling in the tags <3 here's my post-post thoughts:

list of slug city characters question list

[unproduciblesmackdown]

also it's something (better) like, the exercise of deliberately [art imitates life imitates art] holding up Billions to My IRL Things Perspective and going like whaaat would i want for winston. first answer is you want any character to not have been within the scope of the show in the first place, and to exit it since they are. and you kind of get that in the accidental reward in banishing winston, since like in the end it's just that the show doesn't care about him existing at that point But like it's winston sitting there quietly as everyone leaves & turns out the lights & Then he can leave too; others have peaced out & nobody remembers he exists so Now he can go off & do whatever.

but like in true form i think they definitely accidentally baked in another divine reward for winston in that, like, the way he's kept around as fodder for these fun little [pov: enjoy abusing this guy] asides with him, where it Just So Happens that he's autistic as something they're unaware of but is completely relevant to the expectation we understand him to be inferior(tm), it Just So Happens that he's also ""bad"" at not ""causing"" abuse to be turned on him. he's ""bad"" at staying in line. like well yes Yes that's what i want for him. just like In Real Life it's like yeah Ideally i'd want people to be able to extricate themselves from where they're trapped in power structures & i'd want them to have the perspective about it of understanding they're not Inferior / i.e. they are as much a person as anyone else and they're not corrupting everything good / i.e. it wasn't them Bringing It Upon Themselves and it's not them being Destructive by toppling a jenga tower of a hierarchy that happened to be pressing down on them. and winston is the kind of [the ruinerrrrrr] who is Turned On exactly because he keeps acting like someone who's on the verge of breaking out of the [being in line] someone demands of him as autist, employee, whatever other supposed manifestations of [inferior]

like in the 5 second stretches in which winston's allowed to speak before retaliation, it's because he's like "matter of factly" delivering whatever Information that's useful for another plotline. then he Brings It Upon Himself by making people aware that he's Also existing in his own right as a person rather than what they think serves their own deal / what they want from him at all times, perhaps by expressing his personality (didn't appeal to them! so it was Wrong) or not b/c of anything in particular said or done at present, just b/c people have a constant / accumulating contempt for him so their being in the same room as him & able to see & hear him is already dangerous. the [we're just seeing Any Abusive Dynamic in action] continuing apace.

and it's like, well, right there. he's written as acting like someone who doesn't blame himself for how he's treated, which billions frames as being Rude & Mean, and so too does everyone's abusers lmfao like and that these are his moments that are written to be Bringing It Upon Himself. and it's like hell yeah he doesn't blame himself. hell yeah that his self-esteem can manifest as anger at all. hell yeah that he keeps expressing himself with personality & confidence & doesn't even disguise his having been hurt, & it's this [his ass is Not grey rocking] that billions frames as both him "causing" his abuse & making that abuse "successful" lol, wrow just like real life!! and when like speaking of real life yeah it's not "bad" that people Do engage in strategies to mitigate & survive, including things like blaming themselves or being too "boring" to be anything but a non dialogued background character b/c that's all that goes unpunished, it's bad b/c it's done to them at all, not [ohh they're doing it to themselvesss] and like i'm asking myself like Ideally. what do i want Ideally. and i'd want winston to know that it's being Done To Him & i'd want him to find as much room for his personhood & autonomy as possible. and that's basically how he's written anyways, and billions hates that like You See this is why he deserves it this is why he's doing it to himself. and i'm like my god if that's not Inspiration for like "so what if people don't find you Personally Likable" and not preemptively holding back all personality or anything that'd draw attention as if you exist as a person in your own right & not something that only either gets in the way of or serves their wants of a Real person (someone with more power) like hell yeah you have him out here doing it =']

another fun addendum is like, billions isn't getting into it much b/c it doesn't seem to care much about "what if some people were peers & seem to have a genuine, recipcrocal relationship?" but that it just so happened to be like "oh tuk as the next closest loser who deserves it might be nice to winston" while it's framing winston as the "worse" Loser as being....unconditionally supportive of tuk. while the one downside of billions Also giving bentuk as much as it is is that it also inevitably has that shadow of "but ben is Superior to tuk" and like that it's correct that everyone encourages tuk to Stop Bringing It Upon Himself and start being less of a loser; it's wrong for winston to be like hey let's go have a foursome. like yeah probably don't make a list of the women you work with you'd be dtf but it's not like i'm convinced "ah billions and it's strong anti misogyny stance like" roflmao and billions is Not reflecting on "the downsides of unconditional support?" there when winston was beaten up for criticising taylor earlier like we WILL take his ideas while looting his [beaten unconscious] body there but he WAS wrong to express them as though he's BETTER than taylor!!! mafee's beautiful show of loyalty in kicking his ass even when he might agree with the argument and then benefit when it's adopted by taylor anyways! so it's as usual actually purely based on hierarchy & who gets to be in charge of people. it's correct for ben to be in charge of tuk, unless he has to step aside for that bizarre dead-end subplot about how it's tuk's fault if he's treated badly, b/c it's really his own Failure to have Confidence to know he has good ideas [raising our voice to deliver this message over the sound of breaking desks and chairs and computer monitors over winston because he had the confidence to act like he deserved to talk to someone and because he knows his ideas efforts & results are good & valuable around there] like. and isn't it sooo fucked up to talk about who you're dtf in the episode that has it be neutral if your boss is dtf & lets you know but is nice about it (and you're already Correctly tending to their ego, which you're responsible for!) like hey no possible problem! it's not even so much of a problem for a boss man to have the sex they're entitled to & be rude about their leveraging their power in that acquisition that it Stays a problem into the next season. ew, winston is Known (Inferred) Dtf??? we'll use it to exploit His vulnerability, exacerbate it, & punish him further for good measure in another episode that just revels in abuse & violation with a sexual aspect once again, but like, hey tuk don't do that, winston's such a Bad Influence for being like, shrug, kneejerk intervening with the Good Friendship where the One In Charge leaps in & Tells tuk the Correct thing to do. obviously there's also the tragedy that billions will Never let winston push back against Real Winners like rian or taylor in A Way That Matters (actually gets in their way at all) lol like. one thing that would have really been fun, winston should've literal kneejerk started physically fighting wags in either pertinent scene in 7x03 for real 110%. i wouldn't be like Gasp Violence Is Never The Answer if he just hit someone to hit them b/c fuck you. or broke anything on his way out etc etc. billions would Never let him. which is the other side of the same coin of [why he should get to]

tl;dr how great that winston's being "out of line" means he's basically always noticeably flouting & rebelling against the [He Deserves Abuse] agenda lol. that IS what i want. his being "beyond hope" like ohhh he's sooo stupid he doesn't realize how much he has the bad tastes & wrong interests & annoying personality He Will Always Be This Way like hell yeah!!! billions like oh no winston's personhood will never stay tamped down & locked away such that some godawful person tolerates keeping him in their inventory :( ohhh the ABA will never work :( that's right!!!!!!!!!! although they're not sad about it because it's about relishing the promise there will always be True Inferiors you can enjoy abusing with your righteous power over, but like well you wrote him escaping anyways even while dragging other "better" characters into standing around to serve axe's need for more than 1.8 employees and [crickets, reverberating cough, sneaker scuff] like. another ""wrong"" thing for winston to do, another thing for him to not "deserve," which is itself godawful actually lol like lord what it "rewards" its Good, Deserving characters with, no thanks. meanwhile winston's punishment is that he's autistic and """bad""" at being abused like lmfao good for him, fantastic for him, just what i want

[boy-above]

i decided im gonna try to cut back on soda bc usually i drink two or three cans a day and that's too much, esp since i'm gaining weight and i have a very bad relationship with my weight so if i can stop that it would be beneficial for my brain health lol. i want to cut down to one can of soda a day, so i went out and got some flavored water instead also sparkling flavored water for when i want fizz. hopefully i can do it, i set it as one of my goals with my therapist so if i can do it i'll feel like such a big boy. so if you see me making posts like "i only had one can today!" i am congratulating myself.

[spiritsong]

hey y'all! I desperately need more people to follow so I'm sending this little soldier of a post into the tags

the vast majority of my blog is centered around dragon age! thedas is my hyperfixation <3 I eat alistair for breakfast lunch and dinner. also enjoy snacking on solas, fenris, and anders. (clearly I have a thing for troubled men.) also morrigan. I like reblogging posts from others (& occasionally make my own) that center on character + narrative analyses, headcanons, talking about OCs, etc. I run my mouth in the tags. sometimes I make art. perhaps one day I will get over myself and share some writing.

bioware critical, occasionally fandom critical. but fret not, we get silly & hor knee on here too. a lot. ... most of the time actually.

every now and then you will see other games on here, like mass effect, skyrim/tes, the witcher, the arcana, & apparently some touchstarved because that's my new obsession of the week

something I'd really like to stress -> I'm unabashedly character positive. yes, even for the villains. (especially for the villains.) on occasion I might say I want to punch xyz character in the face but it's all affectionate I promise. <3 I am a full believer in being able to love & find comfort in a character that is complicated, immoral, poorly written, etc. because that is the beauty of fiction and story-making. I will still reblog posts that might sound character-critical (and the OP may have intended it to be that way); I enjoy other peoples opinions even if I may not fully agree with them. my personal view is that character-critical can often translate to writer-critical because... again... fiction. if you want "#xyz critical" tagged just let me know! (same goes for CWs)

uhh what else. I usually have a shit ton of posts queued (at least 5-10 a day + whenever I post or reblog when I actually hop on here, which is pretty regularly). I am an Adult so minors proceed with caution.

ANYWAY if you can vibe with all of the above/ are interested in some of the same things, let's be mutuals & be weird and unhinged together

[fitzselfships]

I could never give out f/o recommendations because I know I will end up recommending Stretchy to literally everyone lol