#anyway have a good one all bye now

[madderruz]

Assorted mushy gushy sumiisa doodles + a more humorous one and they're purple this time

[xxplastic-cubexx]

[right to left]

finally finished This Wip from Ever ago and so now i ask you ever look into another dudes eyes and suddenly want to do whatever he wants

[robinfollies]

some design comcepts for older lily + lewis!!! my latest and greatest headcanon for them is that in the future they get gems and can do magic of their own :33 i just think it’d be neat,,, something to do with their love of magic!!!! 🥺

[moeblob]

Look, I just think it's VERY funny and on brand that I thought of an entire premise of colorful characters for half the cast and immediately drew the only one void of color.

[chara-55]

This was like 2 weeks after watching the movie

-Soup rambles in tags-

[crispy-critter]

hey guys remember the time zelda became a magical girl

closeups under the cut :>

[mamawasatesttube]

the more i rotate him in my mind, the more i really enjoy a genderfluid transmasc tim who is pretty freaked out by his own more fem days because he is so set in thinking he's a guy. he made himself into jack drake's all-star american son as much as he could for years, and it feels like a betrayal of all that time he spent being the son his father always wanted, if he "regresses" into wanting to be a girl again.

what he doesn't realize is that there's a world of difference in being closeted and pretransition vs sometimes wanting to be a masculine figure presenting fem. it's not regression but he's convinced it is bc he has fucking issues. he can separate out disguising himself as a woman as playing a part, but wanting to dress more femme himself sometimes - wanting to look like a boy dressing as a girl? oh that must mean something is wrong with him. he's going to repress this urge really, really hard every time it comes up. and if he snaps at kon for looking like a boy dressing as a girl one day (he's jealous. he can't admit it. he envies that shy delight on kon's face when bart compliments his dress. he knows kon is still exploring and feels tentative and fragile about it. why can't he do that? he just can't. and then kon asks why he's so tense and if he's okay, and a cutting comment he doesn't actually mean slips out...) oops!!!

(of course it gets talked out and resolved. cassie might threaten to throw him off a building if he doesn't admit what's actually bothering him, but they work it out.) but anyway that's beside the point. the point is i really like transmasc tim who isn't as binary about his gender as he has convinced himself he is. and it gives him Problems and Fucking Issues. he needs more problems and fucking issues

[thetwilightroadtonightfall]

finally watched Wish and had a major brain blast

They’re besties now because I said so 💫

[toustik-blogs]

Tw eyestrain

This is for the draw this in your style by @ricky-tiki-tah ^^

I wanted to do this wayyyy earlier but i was busy with stuff

Hope ya like it ^^

[ghostbeam]

Fwb with Oliver who expects he’ll have to break things off once you get too attached but it’s worth it for a little fun except u never get too attached in fact ur the one who has to tell him it’s over bc he’s gotten too clingy

[xxplastic-cubexx]

On the topic of Charles and sports, I bring you Charles playing Murderball! (Wheelchair rugby)

local wheelchair-bound professor shocks students by how visceral he gets during a game of murderball (name unrelated)

[james-spooky]

this is a test

[supercantaloupe]

okay don giovanni review from last night. under the cut bc it's me. tldr the vocal performances were great, leporello carried the show, one of the most insane productions i've seen thus far but somehow in a new bizarre direction from normal. good snacks.

first of all i don't care how much wine you offer i think it's kind of ridiculous to charge $165 for a base ticket price for a performance that 1. isn't even in a concert hall or theater 2. is a concert performance rather than a staged performance (which was not advertised ahead of time) and 3. was not even a full production because they made the absolutely mind boggling decision to cut 100% of the recitative and replace it with Some Guy sitting on the stage narrating the plot between every 1-3 numbers

i did not pay that much gd bless. the student ticket was way cheaper.

the narration wasn't even good it was weirdly ungenerous to the women (like how do you even make elvira out be a "women, amirite" thing and also vaguely imply anna was into it in a production with zero acting? well they figured something out) and i don't think it even explained well enough what happens between each number to truly give a first time watcher a good idea of what's actually going on. not to mention that it absolutely kills any sense of momentum in the plot and makes the entire show drag like hell, because you have to wait between every single aria for either Some Guy to talk at you for three minutes straight, or wait awkwardly while people onstage walk off and people offstage walk on. it was so painfully clunky

they had a piano up there but since there was no recit it's not like she was accompanying much of anything. in practice what it ended up being used for was 1. the mandolin part for deh vieni (acceptable in the absence of a mandolin player; they were working with a limited chamber ensemble of musicians so i get it) 2. the party music at the end of act i (egregious fault imo because it absolutely kills the vibe of the scene and completely obfuscates the way the music is supposed to be adding to the tension and chaos with its different instrumental groups playing in different meters)

and 3. used to give singers their notes when the vocal line of their arias start on beat 1 measure 1, which they otherwise would have been able to get from the preceding recits (which is imo painfully amateurish for an ostensibly professional production)

all the numbers in act i were there although the narration was so bad i got jumpscared by fin ch'han dal vino because i forgot it was supposed to be there and thought we had skipped over that point in the plot. act ii had some really bizarre additional cuts made, notably they just entirely skipped over meta di voi and vedrai carino. it was like masetto and zerlina fuck off for the entirety of act ii save for, like, mille torbidi (they VERY briefly mentioned masetto getting beat up in the narration and i don't think they mentioned vedrai carino at all, they just skipped straight from deh vieni to sola sola. and also there was a painful awkward pause before deh vieni because i think the pianist forgot she was supposed to play there and the narrator jumped ahead to the next chunk of plot explanation too early). kept both dalla and tesoro (i'm fine with this ottavio was quite good though could've used a bit of ornamentation imo), kept mi tradi, kept non mi dir (more on that in a bit). no per queste which is probably a good thing not only for the show itself but also my head would have absolutely and irreversibly exploded if they had, probably

the whole thing kind of felt underrehearsed. like a quarter of the time it seemed like people didn't know what they were doing or had to be reminded where to be at that point in the show. and there were a few moments throughout where the orchestra struggled to keep up with the singers, but i really don't think they had much time to rehearse together, honestly.

and then, to my utter shock, the finale was actually really good?? like. insane compared to the rest of the show thus far. though it helps that 1. i absolutely love the harmonieband arrangements of cosa rara/i litiganti/non piu andrai, after possibly the draggiest non mi dir i've yet experienced it was like a breath of fresh air to hear that (and non mi dir was actually well performed i liked this anna but considering how much the Entire Show was dragging, the fact that they cut meta di voi and vedrai carino, AND the fact that they promised this act would be short, it felt crazy to me to keep it at that point.)

2. leporello and the don were by far the best performers of the night. so much so that i sought them out during the post show reception to tell them how great they were and enjoyed their performance. which i usually do not do, but in this like, high school recital ass production value. unbelievable relief that the final scene is dominated by the two actors in the show who most remembered that they can, and in fact Should, be acting. so much more movement and physicality and expression from those two compared to most everyone else. leporello especially, his actor apparently specializes in comedic bass roles and it shows, he was the standout all night

and 3. for the first time in the entire production they made an interesting decision regarding the physical space and staging! they had the commendatore sing from up on a balcony overlooking the audience in the foyer. the bar admittedly was set very low in the previous act and a half but the finale reminded me that i actually like this show again which is appreciated

though they then threw another curveball at me by Cutting the sextet at the end. which like didn't even piss me off at that point i was just baffled. like the don sinks down in agony and leporello sinks down whimpering in fear and the orchestra cuts off. and i'm expecting an awkward pause while they quietly get up and shuffle off so the rest of the cast can come back but nope. big orange title slate appears on the big screen behind them and the audience breaks into a roaring applause and the announcement of the wine and dessert reception. felt like i was in a fever dream

i will say the desserts were very nearly almost worth the bullshit that was the preceding show. they were so good. thank you austria for your dedication to pastry. and because i don't drink and couldn't appreciate the free wine offered i had to indulge in my own manner. spread contained chocolate oat bites (tasted as much like espresso powder as chocolate and coated in coconut, 4/10), almond sponge cake (classic, 7/10), cardamom apple bread pudding with caramel cream (not enough cardamom but otherwise very tasty and autumnal, 8.5/10) and honey cake (11/10. i don't know how they made this so good. i want more right now so much). i take both my mozart opera and my desserts very seriously.

anyway overall the production was. i would say frustrating. the singing quality was Really Good (leporello was the clear standout, probably followed by the don though i prefer my dons with a lighter voice but technically he was very good, then probably ottavio, then maybe masetto or anna. the commendatore was great but he's in it so little it's hard to compare)

i just wish they could have, like, actually done a full production. it would have been so great if they had gotten to tell the actual story and had been fully allowed to act. when there Was acting were the best moments of the show, and it's really unsurprising that most of that came from leporello, the absolute legend.

[icewindandboringhorror]

I have a big google doc thing where I keep track of media and stuff (putting everything in loosely ranked categories), which is mostly just for my own reference so I know what tv shows I've already seen before, etc. and I never really look back through it, typically just a quick "okay, watched two movie in the past 8 months, need to quickly slap them somewhere in the lists. okay. done. save document. exit". But today I was actually reading through some of the old notes and there are like... MULTIPLE places where my comment is basically "It would have been good if it were about elves" or "I wish there was a fantasy show made in this same style" or "It's well made, but I just keep thinking about how I would like it more if everyone was an elf or was in old 1700s costumes" or etc like...... lol.... Most biased media ranking system on earth blatantly made by someone with an extremely hyperspecific range of narrow interests. It'd be like if a food reviewer only had 5 foods they actually liked, so they'd just go to a pizza place and be like "eh, the pizza was okay, but I just think it would be better if it was cereal instead. :/ ...2 out of 10"

[gregoftom]

pretty sure i’ve seen romance movies with scenes like this

[quirkle2]

I was wondering if there are any rare happy ritsu moments in ur zombie au since hes always miserable I think,, like is he always miserable or is he happy/not miserable and feeling kinda good sometimes?

VWHDGDGD NO YEAH OFC HE'S HAPPY SOMETIMES im just horrible and enjoy putting him through misery

ive never been able to get a genuine smile to look right on his face in my art style either i think thats part of it. as ive said his face is just built to be mildly uncomfortable and bothered and i lean into it sm it's starting to get kinda funny

but yes ritsu is happy plenty! i think, canonically, he just seems like the type of person to me that tends to turn lemonade back into lemons. he's easy to scare and his first reaction to things is often Dread and Anxiety. he dwells on the negatives a lot and seems to be a "hope for the best, expect the worst," kinda guy, but there's a section in this post abt shigeo always loving the little things in life, and ritsu steadily learns throughout the journey on how to do that and how healing it can rly be. even if he had to grow up too fast during this whole thing and learn things a kid should never have to, the journey also gave him some good insight and lessons in other places! ritsu is smart, he figures it all out

in terms of little things here n there he's the happiest lil guy on the planet when he finds one of his favorite foods—swings his legs while he sits and munches on a kitkat bar like he's got absolutely nothin in the world to worry abt. sometimes mob does smth funny that he laughs at; for the longest time i've had this silly image in my head of mob accidentally knocking down a bucket from a store shelf and it lands on his head and he just kinda stands there and makes noises.when the noises continue out of pure curiosity about the weird echoey quality it's giving them ritsu cannot help but lose it

besides tiny things tho, when tome comes around ritsu in general is a lot happier, just cuz he has somebody to talk to that will actually respond in some way. they're sorta reluctant partners in crime at first (at least on ritsu's end) but over time and over bonding they grow to rly like each other's presence. they bicker constantly but it's almost always fond eventually, and they shove each other and playfight until mob gets antsy enough to get worked up about it. rly, tome is a godsend to ritsu's mental health—after months and months of being effectively alone with his thoughts, he finally has another person to converse with. a person His Age, too!

tome is rly good at knowing when ritsu is thinkin himself into oblivion and she's Also rly good at being the most annoying girl on the planet to yank him outta that and replace any misery with Oh My God Get Off Me You Freak. she doesn't even do this on purpose at first, but over time she learns how to tell when he's thinking too hard and, ofc, she's grown attached and she cares, so she's as obnoxious as possible to lighten the mood

when they find reigen n teru, ritsu gradually gets Much happier still. now that he knows they're safe and the gang is finally back together (and now that there's an Adult present and he can relax a lil and let himself be taken care of) his stress levels r exponentially lowered. having teru back is another instant lift to his mood—im always a big fan of teru and ritsu friendship, and i think adding tome to their dynamic simply makes it more chaotic. truly a trio of the 3 most normal teenagers in existence which will surely bring nothing but good (reigen sweats offscreen)

actually this makes me feel bad for forever torturing him im gonna go draw happy zau ritsus brb ,.,.ok imback <3