#anyway back to the quote i found
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rymadej · 1 year ago
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man...
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romance-rambles · 7 months ago
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modern alkaid | the duality of pining
Alkaid's first night at in The Intermission goes badly. The next day, however, turns out for the better—as it so happens, the girl he loves might love him back.
6.3k, set during TE3, alkaid-typical anxiety + pining + happy ending, reader is mc, series: none
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IF ALKAID LEAVES HIS ROOM and walks in a straight line, remembering to take a right turn before he crashes into the wall, he will come across an ordinary door.
It is blue in color, with a pop of silver provided by the cool-toned hardware. Many like it can be found installed in every door frame housed by Mrs. Santos' hotel; within Alkaid's suite alone, there are three examples to choose from—the front door, his door, and...
The door that belongs to you.
An ordinary door, made extraordinary by the girl staying in the room behind it—by you, the girl of his dreams. The one who'd fished him out of the snow and watched the aurora alongside him. The reason he'd chosen to go to St. Shelter Academia in the first place.
It's like something out of a dream, really.
To think you're sharing a suite with him—that he's separated from you by only a short trek to your door. There's a common area in between, and it would be so easy to waste the night away, chattering about something—or nothing—whilst sitting on the sofa.
How wonderful it would be to walk outside his room and be able to check up on you. To ensure that when you need someone by your side the most, you're not alone, even if you keep your secrets close to your chest.
He has some too, after all.
It only matters that you're okay.
And even taking into account their relationship status, the situation has all the markings of something that could be so terribly domestic that he can't help but want.
In the morning, you'll both walk into the lounge after, hopefully, a good night's sleep on your part. You might forget to brush your hair, and when he playfully points out your bedhead, you'll grouse about how perfectly awake he seems to be.
Alkaid will only laugh, painfully aware of how much he adores you. As you fix your hair in the bathroom mirror, oblivious to his longing glances, you'll strike up a random conversation with him—probably related to food. After freshening up, the two of you will head down together, and he will do his best to ignore Mrs. Santos' knowing looks.
And tonight, once you've relaxed a little, you'll probably go take a—
He pauses his thoughts there, before they can spiral to places he knows would make you uncomfortable, if you ever learned of them. After all, his keen gaze had not missed the flash of uncertainty that crept into your otherwise relieved expression that morning. Nor had he missed the way you'd locked yourself in your room the moment you entered the suite.
The daydreams he holds dear are likely the last thing crossing your mind right now. No matter how comfortable you may be with his presence, there are some concerns that aren't easy to shake off.
It is a fact Alkaid knows painfully well.
With a sigh, he sits up on his bed, legs still hanging over the edge. Considering the speed with which you agreed to spend the night with him—in the suite—he suspects you didn't want to trouble him with the task of finding a place for you to stay.
You must be regretting your choice right about now.
At that thought, his lips pull into a frown. Will you...will you be able to sleep well tonight?
You made it no secret that you enjoyed exploring this quaint little town. So much so that before they had returned to the homestead, the two of you briefly discussed your plans for tomorrow, vague and unfinished as they were.
A rough night is the last thing you need.
He could never forgive himself if you walked out your door, bleary-eyed and exhausted—with only enough energy to eat breakfast before you went back to your room to nap.
Pulling himself out of his thoughts, as a plan forms in his head, Alkaid stares at his door.
It does not have the privilege of being made extraordinary simply because of the person residing in the room behind it—it is an ordinary door, as it had been this morning, and every other time he'd stayed in this particular suite. But it is through this door that he can make amends.
In that regard, he supposes it deserves some kind of credit.
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THOUGH THE HOTEL DOES OFFER room service, he's always preferred to go down to the kitchen and grab the simpler orders by himself.
These days, Mrs. Santos only tends to sigh as she waves him back to his room. Sometimes, she'll let him make his order himself if she's busy. But when he'd first started this habit, after she'd offhandedly mentioned how exhausted she'd become after a day's work, he'd been met with some amount of resistance.
It had taken almost a year to wear her down.
"Here you go: a warm glass of milk," she says, handing him the glass. There's a knowing glint in her eyes, but it does not sufficiently prepare him for her teasing. "Are you having trouble sleeping? She's such a nice girl—I can see why you like her."
Alkaid flushes, instinctively spluttering out an unintelligible defense of his crush on you. Mrs. Santos only laughs wistfully and pats his shoulder. Her husband had died a few years ago—she's likely remembering him.
The thought helps him regain some of his lost composure. Unfortunately, by the time he clears his throat, she's already ushering him back to his room. He has no time to explain that the glass of milk is actually for you, or that he'd appreciate it if she'd tone down the teasing.
After all, he suspects her good-natured teasing likely contributed to your extreme discomfort at being alone with him.
He can still feel the lingering warmth of your hand from when you subconsciously held his hand, in order to escape Mrs. Santos' words. It is overshadowed by the heartache that comes with the memory of the distance you'd maintained early on in their day out, before you seemed to grow tired of your hypervigilance.
Alkaid makes a mental note to discuss it with her tomorrow as he climbs up the stairs, back to the second floor. It wouldn't do for you to be uncomfortable in your own suite.
But for now, all he can offer you is this glass of warm milk he's put on the table.
"Are you awake?" he asks softly, though the light seeping out from your room gives him a good idea of the answer.
When you first respond, your voice is startled and a bit shaky.
You repeat your words again. It still doesn't sound like the voice of someone comfortable with his presence outside her door. Instead, there's a hint of urgency in your words, one that screams at him to leave you alone.
The sound breaks his heart into such tiny pieces that it would take centuries to piece them together. Somehow, Alkaid manages to pull himself together quickly, carefully collecting the shattered fragments for his future self to deal with.
"I've ordered you a glass of warm milk. It's on the table," he tells you, keeping his tone upbeat and cheerful—just slightly above a whisper. "Drink up and rest well."
His hand is splayed out against the door's surface. Alkaid can't help but wonder: are you on the other side, holding out your hand like he is?
It seems almost disrespectful to ponder the thought.
After all, he knows it isn't true. That would imply that the respective situations they've both found themselves have any sort of equivalence, beyond the discomfort they both feel. And even that is different, in its source—you do not want to be here, and he wants what will make you the happiest.
Reluctantly, remembering he can't stay here forever, he pulls his hand away. You'll need to come out in order for his plan to be successful, after all. And the fact that you didn't open the door right away means you won't feel comfortable if you know he's there.
"See you tomorrow," he says, before returning to his room to grab a change of clothes.
All things considered, Alkaid's uncertain whether you'll take a shower. But just in case, he'd like to finish up quickly. The sun has long set, and though you aren't a stranger to staying up late, he doesn't want to impose on you more than he already has.
Quietly, he slips inside the bathroom—stares at the worried young man watching him from the mirror. He can't help but remember when he'd spotted you from the balcony overlooking the courtyard. Not for the first time, he'd thought his senses had betrayed him.
Alkaid was in the middle of wondering if you'd like his quaint little escape back then. Then, you were there, observing the courtyard and telling him about how your accommodation woes. The spare room in his suite, he'd thought, was only going to rot.
After all, what good would the privileges at his disposal be if he could not aid the girl he loves in her time of need?
"What should I do?" he wonders out loud as he runs his fingers through his hair. How can I make things better?
The man in the mirror does not offer him a response.
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THE LIGHT IN YOUR ROOM is still on when Alkaid walks out of the bathroom and into the living room.
His hands pause their gentle drying of his damp hair. The towel they'd been using—a light blue one, in keeping with the theme of the suite—droops, the bulk of its weight coming to rest atop his shoulders. Alkaid pulls at the fabric and, from the back, wraps it snuggly around his neck.
As he is, he must look like quite the sight. Lips parted in surprise, and bright green eyes transfixed on the siren song that is the warm light seeping out from under your door—
And oh, what a beautiful song it is, drawing him to its domain so skillfully that the memory of his short trek escapes him.
All Alkaid knows when he comes to is that he is standing at your door once again, loosely curled hand poised to knock. Uncertainty leaves it lingering in the air, a few painful centimeters away, right before it resumes twisting his heart into another painful arrangement.
That the warm glass of milk he'd brought up for you seems to have vanished from its place on the table provides little relief. How can it, when his mind seems insistent on playing round after round of its latest obsession?
(Are you awake?
Are you asleep?
Are you in the midst of a beautiful dream?)
And the only one who can free him for the never-ending cycle does not wish to see him.
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THE NUMBER OF SPARKLES FROLICKING in the grass turns out to be nine. Twelve, five, nineteen, forty-nine—after a few rounds of the game, he turns to his side. A stray thought about his cat's friendship with Beanie distracts him from his counting, and he is forced to discard the results of the sixth game.
He soon turns to his other side.
Sleep does not come to him that night. When he moves on from counting ragdolls, Alkaid distracts himself by softly singing a lullaby. It does not work. He switches, instead, to wishing on some distant star, hidden by the half-darkened ceiling.
That does not work either.
Eventually, he gives up and opens his eyes.
The town outside is quiet. Only his breathing disturbs the silence. Somewhere beyond the foot of his bed, a blue nightlight glows softly. His phone, once he retrieves it from the nightstand, reads 2:00 AM on the lockscreen, above a photo of Sparkles.
A pair of arms—clothed in a familiar, baggy beige sweater—hold his beloved ragdoll in place, atop your lap. The peace sign your hand had been making is just barely visible, most of it having been cut off when he'd cropped the photo. Your braid happens to fall in front of Sparkles, who eyes it with ill-intent.
Alkaid's never asked whether you'd be okay with him putting you as his lockscreen, because you'd been the one to offer this one up. He remembers you smiling oddly once he showed you the finished product. You would go on to show him that same smile again—when, after mulling over your expression, he concluded it was some sort of test, where the correct answer was no, and made amends accordingly.
It goes without saying that he's never tried changing it after that. He can't, not when you have your own version of it with Beanie on your phone.
Glee had sharpened your smile into something teasing when he took notice of his inclusion. Just his arms, the same as in his own lockscreen. You made no effort to hide how much of it was motivated by some kind of spite, but the same went for how much you adored it.
Because whenever you'd look at it, your gaze would grow soft. It was as if you were watching something so incredibly precious—a treasure you would not trade for the world.
And like clockwork, a traitorous part of him would wonder if some of that affection was aimed at him.
"I'm sure—" Exhaling deeply, he traces the curved path your arms take with his thumb. Once, you'd mentioned the shape's resemblance to a heart; he hasn't been able to unsee it since then. "—whoever that ends up being instead will be the luckiest man in the world."
And perhaps Alkaid will get to reintroduce himself to him, if their friendship survives the night.
It has to.
After all, he hasn't gotten the chance to show you the pictures he took today, some of which, as usual, feature you among the sceneries of Mrs. Santos' hometown. His favorite is the one he took of you watching the sunset.
The warm colors of the sun had imparted a golden hue on your hair. Your back was to him; your hands were tied behind your back. A gentle breeze disturbed the serene moment at the same time you turned around.
With a press of a button, your welcoming smile became forever memorialized—and it will remain so, for as long as you want to keep it.
And he will remain by your side, for as long as you want to keep him.
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MRS. SANTOS IS ALREADY TENDING to her garden when he comes down to the courtyard.
The moon is faintly visible in the sky, even as the lightened skies beckon the sun to climb out from under the horizon. As usual, Alkaid passed by only a few stragglers in the common area downstairs. You were not one of them.
Because before he left the room, your snoring could be heard from the living room.
Even on an ordinary day, when you don't have classes, there'd still be some time before you wake up. Today, he expects you'll need at least an hour more and—
Alkaid blinks as a yawn cuts through his thoughts. Unwilling to grant him the possibility of dodging the same accusations, his concealed eyebags remind him of their presence. They sit heavy on his undereyes; it is enough to have him contemplating a nap.
"Good morning, Alkaid."
That doesn't mean he'll go through with one.
When he pulls his hand away from his mouth, a polite smile awaits Mrs. Santos. He nods, returning her greeting as he would on any other day. Yesterday's vow remains fresh in his mind, quietly but insistently urging him to speak up.
"There's something I wanted to discuss with you," he says, his tone both firm and polite.
The older woman looks concerned. With some difficulty, she stands up, a hand on her knee offering her some support. Mrs. Santos puts away her gardening tools and observes him carefully.
"That's not something I hear everyday," she says, her tone humorous. He feels his shoulders relax slightly. "Why don't I brew some tea first?"
Without skipping a beat, he agrees. "Alright, I'll come with—"
She disappears inside before he can finish. Alkaid follows her. When they both return, sometime later, he is dutifully carrying a tray with three cups and a tea kettle, and Mrs. Santos is quietly grumbling about it.
They go through the familiar motions in silence—arranging the cups and pouring the tea. The third cup is left empty, though neither of them discuss why. It is their understanding, implicit, that if you come down stairs, you certainly won't say no to some tea.
When all is said and done, he begins to speak. It's a rather long-winded speech, something he's come to expect when it comes to you. You did not go out of your way to ask this of him—it would not be fair if you were judged for it.
"So, I'd appreciate it if you didn't tease us about our—" His mouth seems to have some difficulty sounding the word relationship out. Alkaid swallows with great difficulty. "She isn't interested in me, in that way."
Surprise registers on her face, eyebrows knitting together. She purses her lips, then opens her mouth. It closes before she can say anything at all. Her lips purse into a thin line.
"I see," she murmurs. A realization dawns upon her. "Has she—"
Cutting herself off, without prompting, Mrs. Santos shakes her head. Even so, he knows what the question on her lips was. Because Alkaid has wondered the same thing before.
Has she said that?
He brings the teacup to his lips. In doing so, he manages to cover up the downturned edges that speak of his thoughts on the matter—the hopes he once clung to, the ones he still can't shake off.
Have you said that?
You haven't.
You've never commented on how often he happens to be passing by your house, a box of cake in hand. Or how your friend Stella seems to be of the (correct) opinion that he's in love with you, a fact she makes sure to bring up every time she sees him. Or how you end up so often on his camera reel that it's much easier to count how often you don't.
What you have said is that you like spending time with him. That when you end up in a slump, he's the person you think of. And when you finish a painting, he's the first person you think of. And when you're doing nothing at all—
But they say actions speak louder than words.
Your actions last night can't speak any louder. The only way for him to reconcile your distant behavior with your general eagerness to spend time with him is simple.
You do love him, just not in the way he loves you.
"Alright, I suppose I got ahead of myself," she agrees. "It's such a shame. She's the first—you would've made such a good couple."
Alkaid puts down his cup, narrowly avoiding a catastrophe as he swallows down the rest of his tea, just in time. Zaph had told him something similar when he'd returned from his trip. That everything about him screamed he was in love.
He supposes time has only made it more noticeable.
"Thank you." Tucking a strand of hair behind his ear, he smiles weakly at her. The moment he retracts his fingers, it slips back out. "I hope she'll be able to enjoy her trip fully."
Mrs. Santos only smiles sadly at him.
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YOU COME DOWNSTAIRS EARLIER THAN expected.
The tea is still warm, and Mrs. Santos has yet to finish her usual rounds of the courtyard. When he asks about how you slept, whether your early rise is related to him in any way, you stumble over the only word that slips out.
"N—no," you say, discomfort flitting across your startled expression.
Alkaid doesn't get the opportunity to clarify your wording. Before long, you're sitting beside him on one of the white chairs, hands wrapping around your cup. He pours you some tea, carefully eyeing the steady stream of steaming liquid to ensure you don't get splashed.
You do not have the face of someone who would rather be anywhere but here. After taking a sip, you sigh happily. Eyes narrowing fondly, he smiles and pours you another cup when you finish.
It is with that same gaze that he watches you accept Mrs. Santos' flowers. You cradle them in your arms gently, their light purple color a lovely contrast to your cream cardigan. Then, you turn around and Alkaid forgets how to breathe.
Whatever it is the older woman says register in his mind as a jumbled mess of sounds, like a series of words he ought to be familiar with. The longer you watch him, the easier it becomes for his true thoughts to slip out.
You are, and always will be, the most lovely person in the room. You're—
"Beautiful," he says earnestly, his gaze lingering on your nervous smile.
By the time his mind catches up to his mouth, it is, in some ways, too late to worry about how you'll react.
A flush creeps up your neck, to your cheeks and the tips of your ears. On one side, the latter is made more prominent when you tuck a strand of hair behind your ear awkwardly.
You almost seem pleased with the compliment.
He does not think about it. Not now, not when Mrs. Santos ushers you back to the table and you set your flowers to the side, in a vase at the edge of the table. Dark purple meets green as you sit down, your lips curving into a gentle smile.
Last night's worries keep him from enjoying the sight properly.
In the background, Mrs. Santos is asking about something. Alkaid hears his name and yours—and the word together. The look the older woman sends his way leads him to believe she doesn't see the problem with her question.
It says, See? I didn't tease either of you.
Seemingly unaffected by the question, you take a big bite of a chocolate-filled croissant. Your blissful expression is perhaps the biggest compliment you could pay the older woman—second to only the way you reach out for seconds.
As you lick off the leftover chocolate on your lips, your hand hovers over the assortment of breakfast items before gleefully plucking another two croissants from its plate. Meanwhile, his plate remains untouched.
Alkaid chews on his lip, worried that perhaps you're doing too good of a job at being polite.
"Well, Alkaid here—" You reach over and nudge his elbow. "—promised he'd show me around town again. I hope that's still in effect?"
You say that as if he'd ever say no to you. He chews thoughtfully on a pastry and wonders if that might be a good thing. In that case, perhaps you'd feel less pressured to do things with him—
But your expectant gaze returns his thoughts to their normal direction.
"Of course," he answers, condensing all his longing into only two words.
The third one borders on a near-confession—an implicit acknowledgement of his affection—so he leaves the Anytime out of it. It does not stop Mrs. Santos from giving him a knowing look.
"Is that right?" She smiles pleasantly. "You two enjoy yourselves, then. I'll make sure to whip up something nice for your last night here."
Your face lights up in delight.
"That's—ahem." Coughing into your fist, you pretend to be unaffected by the allure of the older woman's words. You haven't known her long enough to find out she's already prepped the ingredients the night before. "You don't have to do that, Mrs. Santos. Last night's dinner alone was more than enough."
"Don't be silly," she says, waving your concern off. "I'd do the same for Alkaid—oh! That's right. Do you have any requests, Alkaid?"
He does not—but you do.
So, Alkaid smiles and pretends his motivations for putting the spotlight on you aren't selfish in nature. That he does not to do this to be able to see that same blissful expression on your face again, this time with the knowledge that he played a part in your happiness.
"I enjoy anything you cook, Mrs. Santos," he says smoothly, before nodding his head at you. "Since it's her first time here, I think it's only fair that she gets to pick."
The older woman laughs, not unkindly. You shove another croissant into your mouth. A silent understanding seems to form between the two women at the table, one that, Alkaid feels, has everything to do with him.
But they do not enlighten him on what that understanding is.
Instead, the conversation continues where it left off, so seamlessly that he can trick himself into thinking the interruption never happened.
You talk about food, then flowers, then your time at St. Shelter Academia. Mrs. Santos tells you stories about him, of when he was younger and would come with his family—most of them being decidedly embarrassing, particularly since you're the one listening to them. And you drink them up with the same eagerness that seems to consume Alkaid when it concerns you.
The matching lockscreens come up once, as well.
He finds himself being stared at—almost disapprovingly—by the older woman. It reminds him of your odd expression, on that day. But before he can ponder what it is she knows that he doesn't, you rescue him with an apologetic smile—one that'd have him forgiving you immediately, if there was anything to forgive.
(There isn't.)
And even when he backs away from the conversation with warm cheeks and the word beautiful rattling around in his brain—even though it is entirely your fault, there is nothing to forgive.
Even though he wonders, again, when you glance at him after your devastating blow—that is his own fault.
Because last night, he'd sworn he wouldn't do this again. Last night, you seemed like you didn't even want to see his face. Last night, it seemed so easy to think he wouldn't fall back into old habits again.
Is it about him? Is it about Beanie instead?
Alkaid swipes an assortment of fruits from the center of the table. Pretends those questions won't be eating into the time he could be using to sleep. He is nothing less than his normal, polite self, even as the hurricane called you tears up his sanity.
When you look at him and smile contentedly, he adds another cause to the list.
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THE PAYMENT ALKAID REQUESTS OF you, when paid in full, takes the form of a flower tucked behind his ear.
It is your idea, something spur-of-the-moment that pops into your head when you rest your hand on the bike's rear seat. You close the distance between them, and only when he replays the memory at night can he pinpoint the exact moment his fate is sealed.
There, as he's laying in bed—kept up by a situation that is in every way the opposite of last night—the sight of your eyes, glimmering with mischief, engraved into his memory forever.
In the present, however, as your hand reaches out for him, Alkaid closes his eyes.
On the front seat rests one of his hands; the other fiddles with the back of his shirt. They curl loosely into a fist as your cold fingers carefully brush his hair out of the way. His heart, as it beats only for you, tries to jump out of his chest. The trail you leave behind on his skin feels unbearably warm.
You laugh softly, to a joke only you know of.
It loops around in his mind like his new old favorite song, silencing any thoughts about how close you are. Yesterday's worries seem to flee his mind, your easy-going behavior a balm for his soul.
"Alright," you say, the sound of your voice returning to an appropriate distance. He opens his eyes to find you admiring his appearance. "I've paid your price."
The smile on your face would've stolen his breath away—if only he hadn't already forgotten how to breathe.
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IN THE HOURS THAT FOLLOW, Alkaid falls in love with you, over and over again.
And the truth is, nothing in this world is easier—that if soulmates exist, then his heart knows, whether he is yours or not, that you are his. Even the heartache that visits him every time he leaves the present to court the future cannot deter him.
The most logical part of him points out that few women would act as you did this morning. The rest of him chides it for being so presumptuous, wielding last night like a dagger—so resolute in their conviction to keep him in his place.
Their job is made harder by the fact that you've once more taken to acting as you normally do.
Right now, the two of you are at a souvenir shop in hopes finding a present for Mrs. Santos. The idea came to you when they were at a convenience store earlier. You wanted to find a way to thank her for the lovely experience—and the love and care she put into every interaction with you.
"Do you think she'd like something like this?" you ask, holding up a mug with a stylized design of a grumpy cat.
Though she is a lover of cats, Mrs. Santos is, rather unfortunately, allergic to cats. For that reason, ever since he was old enough to go by himself, he's always been a solo traveler. Sparkles is there with him only in spirit—and in the many photos he has of his beloved ragdoll on his phone.
Alkaid thinks the mug is a lovely idea. Both practical and aesthetic. It is only the words written above the cat that give him a pause, in fun, bubbly letters that hardly suit the design's star.
Rather than the always cheerful Mrs. Santos, he thinks it would suit you much better.
Seemingly reading his mind, you sigh despondently. "I'll keep looking. Come on."
This is only the second shop they've visited. This is only fifth thing you've discarded from your list. Alkaid stares at the long fingers wrapped tightly around his wrist and obeys.
The urge to grasp onto them doesn't entirely die when next you release his hand.
At that time, his watch reads 11:15. Thirty minutes later, you remain unsatisfied with the selections offered by this particular store. You drag him along to the next store, brows knitted in concentration as you mull over your possible choices. He mulls them over too, in hopes of speeding the process along.
Because there are still a few more places he thinks you'd like. But the sun steadily creeps up higher in the sky, constantly reminding him constantly of their limited time together.
Tomorrow, you'll return to Harp Island—and there's no word on when you'll come back here.
"I'll go take a look too," Alkaid says, after you make a beeline for the first thing that catches your eye.
"Would you?" As you put away a hairpin you can't seem to agree with, a relieved smile crosses your lips. "Thanks, Alkaid."
He returns your smile with one of his own—something he hopes will assure you that the end is in sight. Then, he leaves first, disappearing among the shelves with only a fleeting glance at your now distant figure.
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ALKAID IS NOT A STRANGER when it comes to having eyes on him. Whether it's strangers on the street or the ghosts of his childhood, he's grown adept at hiding both his discomfort and his knowledge of them.
Still, when the topic of their discussion partially revolves around you, he feels compelled to step in and clear the misunderstanding.
"She's just a friend, I'm afraid," he says, smiling apologetically. "It's payment for a tour I'm giving her."
The culprits seems to be a pair of siblings, close in age. Over the course of their fervent but light-hearted discussion on whether men look good with flowers in their hair or not, he learned their names are May and Max—that May is the older one, and that Max is not infrequently teased for every possible reason under the sun.
They both startle easily at his interjection and glance at each other. A flush creeps up the girl's cheeks, half of which she manages to hide by giving herself a sidepart. Max only coughs politely.
The satisfied gleam in his eyes, despite his embarrassment, speaks volumes.
"Oh," she utters, clearing his throat. Max tugs at her sleeve, and May lets him drag her away—though not before she decides to offer him one last bit of advice. "I'd ask for more than one flower, then."
Alkaid merely smiles politely.
To charge anything beyond that would imply that spending time with you is not its own reward. To charge anything at all would, ordinarily—but he's found, more often that not, people tend to feel more comfortable when there's some form of reciprocity, when it comes to jokes.
If he insisted on going without pay, there was a distinct possibility of the mood souring faster than he can recite your birthday.
"What was that about?" a familiar voice rings in his ear, your warm breath fanning against his ear. He tamps down the urge to flinch, though he can do nothing for his warm cheeks. "I heard something about flowers?"
Carefully, so as to ensure you don't think he's running away from you, he takes a step back—puts his hands in his pocket. And when he looks back at you, you're doing a terrible job at hiding your smile.
The upturned corners peek out from behind your two fingers—but even if they didn't, he thinks your eyes would betray you.
"She seemed to think I should've asked for a higher price," he confesses truthfully.
There are three ways this can go. You can ignore his words entirely to show him the latest item you've pinned your hopes on. You can argue against it, with whatever argument you have on hand, and Alkaid will easily return the flower. And the third one, both the one most likely and the one he wishes for, is—
"She's not wrong." You nod, tucking a few strands of hair behind your ear. A plushie's leg peeks out from behind you as you walk up to him. "A flower isn't enough."
"What would you give me then?" he inquires calmly, as if his rapid heartbeat doesn't drown out all but the sound of your voice.
At first, it seems as though you have the answer already. Confidence drips from your tone for the first half of your sentence, but a distressed expression soon breaks out on your face. You purse your lips and cup your chin thoughtfully.
"Well, for something obtainable..." You mutter, sounding exasperated. He expects some of your next words to be a quip about how difficult it is to put a number on him. "Maybe a 100...maybe 200...300...? Your birthday is...so that many...?"
Alkaid hums, taking note of your wording. "And if it isn't obtainable?"
"It'd be hard to wrap," you caution him, having forgotten whatever plans you had for the plushie. As it swings behind you, he realizes it's a teddy bear. "But if I could, I think I'd give you the world."
The last of your words comes out softly, like a confession meant only for him. Your gaze softens, and though you seem like you're somewhere else, he can't help but think you're still thinking about him. And for the first time in a while, the contrarian in him remains quiet.
When Alkaid smiles softly, his heart feels lighter than it has in ages.
The girl he loves wants to give him the world—and though you keep your secrets close to your chest, you are not a liar. He will not make you out to be a liar, by wondering if you really mean it at all.
And it is easy enough. All it requires is framing last night's interactions with you a bit differently—that you were not afraid of him but of what he'd figure out. It's a thought he'd entertained on and off, but never with as much conviction.
In a way, the two of you are nothing less than birds of a feather.
"Just spending time with you is enough," Alkaid assures.
With a dramatic sigh, you hold the teddy bear against your chest and huff. His smile takes on a helpless tinge as he watches you shake your head. When you take note of it, your eyes narrow into what would be a ferocious glare if not for the faint pout on your lips.
"And we return to the crux of the problem again," you complain, shoving the teddy bear at him. "We'll come back to this. What do you think of this bear for Mrs. Santos? Doesn't it look like her?"
He takes a step closer. "Hmm, I think she'll appreciate it. Do you like it?"
Your nose scrunches up at his words. A sigh escapes your lips as you look longingly at the teddy bear, then at him. This time, you don't shake your head quite as vigorously as before.
"Alright, let's keep looking," you say, your hand wrapping around his wrist again. "You come with me this time, alright?"
The answer to that comes easily, even before you confide in him how boring it was without him. Alkaid chuckles warmly and quietly takes your hand, the way he'd wanted to earlier, with an explanation on the tip of his tongue—
"It's more comfortable this way."
Once the flash of surprise fades from your eyes, you grin at him. "You read my mind."
It takes some time before either of you are willing to let go.
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coraniaid · 1 month ago
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All these years later, the biggest mystery of Angel the Series is how Kate Lockley survived her attempted suicide in Season 2's Epiphany.
I don't mean the surface level "how did Angel, a vampire, manage to get into Kate's apartment without being invited in first?" mystery the show half-heartedly tries to set up (and which it will never come back to, obviously, because this episode is Kate's very last appearance and she will be mentioned just one more time). I'm interested in that one about as much as the writers were, which is to say I don't care about it at all.
No, the real mystery is -- on a show that began with Angel and Doyle trying and failing to save City Of's ... victim-of-the-week Tina and bonding over how sad this failure made them; a show which retconned a tragically dead (but never mentioned before) younger sister for Angel himself, and also made sure to establish and then kill off a younger sister for Charles Gunn when he was first introduced; a show which abruptly killed off Lilah Morgan so that a man could be sad about it and then wrote her out of the show despite establishing she was still capable of coming back from hell to represent the wishes of the Senior Partners if they'd wanted her to stay on for another season; a show that killed off Darla (twice!) and killed off Cordelia and killed off Fred, all three women dying in ways that just happened to involve inexplicable magical pregnancies or unwanted personality changes or massive violations of their bodily autonomy (or all three) -- how on earth did the writers manage to resist the urge to have Kate die too?
Truly a puzzle for the ages.
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skrunksthatwunk · 6 months ago
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ok soooo im like 5 episodes into dear brother and i need you guys to know how much i love rei so far if only for her staggering around like a rain-soaked stray dog just haggard and unseeing all the time. like we know very little about her thus far except that every scene she's in she steals the show by flopping and wilting all over the frame
#just like me fr perhaps#dear brother#oniisama e#idk what it is but shes so intriguing. mysterious shit-untogether lady#also i love everyone's beef so far like im completely hooked on the drama as camp as it usually is#like went OHH SHIT the second i found out the big three were on bad terms like ouhhh theyre fightinggg#and minako is profoundly real. the video essay that convinced me to watch this mentioned her encapsulation of quote#'every bpd feeling ive ever had' and as an outsider that seems right#school full of girls to study under a magnifying glass like bugs. girlbugs#this is an era of shojo im not very familiar with (ok ig all eras are like that but my knowledge of 70s shojo is like.#ok rose of vsailles over here and that tennis thing's over there and uh. yeah thats it)#and yeah ik the anime's from the 90s but it appears. to me. pretty married to more 70s aesthetics at least#ANYWAY kaoru ily we need a butch failgirl to shout these girls into line and shes balling too btw no way#and minako ily you're extremely real and a scene stealer and i need you to beat more girls up#nanoko im leering over your shoulder like a little shoulder devil bc i want you to be worse and im suspecting you're getting there#oh i forgot to say this part but i keep comparing it to utena#no one ive seen brings up db in their utena analyses as an influence so i have to wonder if 1) this is just more obscure#(if only for the western video essayists im watching) or 2) they share other common ancestry im not familiar with#once again i gotta watch rose of vrsailles for brserk reasons but also now bc of this#she's important she's influential etc etc#anyway yeah excited to get back to the mentally ill girl variety hour ✌️✌️#asuka rei#<- I FORGOT TO TAG IT WITH HER 😫😫😫
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designernishiki · 2 years ago
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playing kiwami 1 and man. all jokes about majima everywhere aside, it means Something to me that after kiryu gets out of prison the first and only person to go out of his way to find and see kiryu after 10 years is majima despite the fact that being in the tojo clan and fraternizing with kazuma kiryu at that point is basically a sin worthy of god knows what punishment (and in broad daylight at that). and all just because, in his own weird way, he missed him a lot.
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iwanttobepersephone · 11 months ago
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Y'all ever get obsessed with a fandom despite never interacting with the original thing and basing your understanding of it purely off of what the common consensus among the fandom is?
And then, years later, your brain decides to briefly get obsessed with it again, but instead of going and watching the original content, you just base everything off of your now even more vague understanding of canon? And then, eventually, you end up just creating your own thing that's slightly based on the original concept?
Yeah, that's me with Sanders Sides right now
Anyways, here's some doodles
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gobbluthbutagirl · 3 months ago
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ever since my nephew was born my parents(who have been divorced since like 2013 and separated since 2011) have had this weird codependent relationship where, since my nephew and his mother/my sister live at my mom’s house, on the weekends my dad will literally wake up and immediately drive to my mom’s house and stay there until like 11pm, and on weekdays he will go straight to her house when he leaves work and also stay there until at least 10pm. and he also buys all her groceries for her and does all of her household maintenance type tasks like mowing her lawn and changing her lightbulbs and taking her trash out, while neglecting similar tasks at his own house, and it’s like to the point where multiple people have asked my siblings if they’re together/getting back together, but they most definitely are not, it’s something weirder than that. but anyway yesterday he took her furniture shopping because her couch broke and apparently the guy at the consignment store, after hearing all about their grandson, made some innocent comment that implied they were married, and my mom got really offended and snapped at him that they are NOT married, and my dad was just like Well we used to be…
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lvebug · 1 year ago
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there's a bit of a misconception of the original "with great power quote." most comics and other spider-man media shorten it to be "with great power comes great responsibility" which is a fine way of shortening it, but the original quote all the way from amazing fantasy #15 is "with great power there must also come — great responsibility"
this has a lot to do with the jewish ideals of tikkun olam—healing the world, jewish responsibility, and jewish guilt and is probably the single greatest factor in andie's choice of being lovebug. going back to this quote is literally just the best way i have of explaining how it works idk idk.
jewish teachings say that all jews have a responsibility to help heal the world, which is done through many things including acts of charity, loving-kindness or compassion, mitzvahs, and helping others. this is baked into the jewish religion; it is part of the faith. being jewish involves being responsible for helping your fellow neighbors and helping the world. we should feel responsible to do these things. this responsibility is a good thing (even if it can also cause crushing guilt over if we're doing enough 👍)
the "must also come" part of the original great responsibility quote, for me, really hammers in this idea because there is a difference when you add this line. the shortened version imo implies an intrinsic connection between power and responsibility. "with great power comes great responsibility". it's just there. a lack of choice. that with one comes the other. but, it's not an inherent thing. when "there must also come great responsibility", the responsibility is something to be added on top of the power. when given power, one must choose to use that power for good. (that is the responsibility).
the key is that, it's a choice that isn't perceived as a choice. for andie (or peter, as the original quote is attributed to him) she does not feel that she has a choice. it is an obligation to use her spider powers to become lovebug to help save people; to help heal the world. she was raised on this belief and it's such a core part of who she is that it is a responsibility that she has no (perceived) choice in. however, it is a choice. because we all have the power to choose our actions, even if it doesn't always feel like it. this is the marked responsibility of a good person always trying to be better because she might view herself as just being her normal self and doing a normal amount, but there are people who don't choose to use their power for good—whatever amount of power that might be. for her and for peter it's a choice they have no choice in simply because choosing not to help others was never a choice they were going to make.
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lock-my-feelings-in-a-jar · 3 months ago
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youtube
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thecoolerbrother · 3 months ago
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i think something moonage daydream was really good at doing was capturing a vibe
#sir.txt#the thing it was second best at was painting a picture... that movie is a watercolor rendition of a galaxy to me#i feel like the linear progression of bowie's life in the movie never being marked by any specific dates not even years... it gives it that#not cut and dry feeling. none of these events exist solely in one day of one year they are something that will span longer than ourselves#one day- a couple of hours- stretched into infinity simply by the fact that they were not confined within a date#i think that's something worthy of bowie. to be immortalized not through the medium itself but by how the medium refuses to cage him within#any set parameters that would be too extreme and unsatisfying for him would he be there to choose#instead letting him trespass all those barriers and just be and transcend#my boyfriend says the film is like bowies superstar cosmic journal well i say the film is like bowies watercolor rendition of a galaxy in#formation- and all the stars are still forming and the watercolor still hasn't dried as another layer is added so shades melt within-into-#each other#like how bowie refused to keep himself caged within one style one look one identity he surpassed all of those boundaries and transformed#into something else... it is only fair that the film capture it in a similar way... all of the flashy colors and editing is just a#projection of bowies spirit itself in all its vibrancy and extravagance without being supercilious#this movie was touching but also fun for the sake of fun and eccentric for the sake of eccentricity. it's a must watch for whoever loves#bowie at his most raw and unrestrained and undefined... i felt like falling through the screen to bw held by him at several moments#BECAUSE that's what the movie is it's the galaxy wrapping its arms around the unknowing astronaut#and welcoming them into itself because nobody in this reality is actually an outsider of life- nobody passively observes the universe-#that's something that i found very moving in the film was how bowie surpassed that feeling of all-encompassing loneliness that was#what propeled him to create art... and found acceptance and loving and understood he wasn't alien to all of it.#it's very moving again like i said. but specially movingfor someone like me who struggles so hard not to simply idly observe things and let#life reject me. I can't keep letting these things write themselves into existence over and over and maybe just maybe#that film helped me snap back into a higher sense of lucidity where i realise i have to take control of my life#but like. anyway.#bowies life is very mythologised but in part it is very much a self constructed myth which he himself took the time to skillfully architect#and its such that myth ceases to be only in suspension and untangible: bowie being extraterrestrial.#he.... he integrates so much into the planet he does become an energy traversing through earth. he becomes life itself but in the least self#important way this sentiment could be expressed.#there will never be another bowie- as there will never be another dylan or reed or lennon. there will never be circumstances which will come#but to quote the movie. his life hasnt ended. only changed. thats beautiful. anyways my tags are up
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apathyfairy · 1 month ago
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if i can kill myself before tomorrow at 10 pm i'll never actually turn 30
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postingcards · 1 year ago
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the rms carinthia art card by james mann, postmarked 8 mar 1934
this card was sent by sid gary, a minor celebrity known in the '20s and '30s for his radio performances, vaudeville acts, and “powerful baritone voice.” in the second week of march 1934, he was heading the bill at loew’s century theater in baltimore, performing “ballads and impersonations of popular singers.” it is unknown if the “cunard line programs” he mentions were radio-based, or whether he was an entertainer aboard.
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duck-n-clover · 18 days ago
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Can I rant about something so specific to me only. Yes that's what this blog is for I guess but. Aughh. Here we come tags
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lathrine · 1 year ago
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when i say hexadecimal would be a smash hit with the queer crowd, this is what im talking about
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blodeuweddschild · 9 months ago
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Apples kinda suck ass until you find the one specific type you love then it becomes a top tier fruit
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deus-ex-mona · 1 year ago
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me when the bacteria c o l o n i s e s
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#m a n. i thought that the sample would turn out negative for bacteria (like the rest have been for the past. what. year and a quarter(?))#esp since the agar testing stick things used were freshly expired (thanks for the expired reagents workplace; cost cutting ftw!!!!)#but. ewwwwwwwwwwww it actually grewwwwwwwwwwww#and the small stick thing was covered from like top to bottom in countless dark red colonies. ewwwwwwwwww#all ​the other agar stick things were completely clean though so it was def a problem with the sample and not with my handling of the agar#in any case!!!!!!! it was the first time i saw a positive for bacteria growth on a sample and!!!!#it was also my first time reporting the results for this test!!!! without any of the test-familiar staff around!!! so!!!!! not fun!!!!!!!!#i didn’t even k n o w what they meant when they asked to ‘describe the colour/appearance of the colonies’ bc the managers’ expectations are.#just. *weird*. sometimes. ughhhhhh im ready for the inevitable groupchat callout on tuesday with ‘who taught you to report like this????’s#well e x c u s e me for not knowing sir you never taught me how to report colony growths or anything auauaaaaaaaaaa#but is ok!!!!!! i’m taking tuesday off anyway!!!! it’ll be the tuesday workers’ problem now!!!!!!!! good luck guys!!!!!!!#at least there was no fungi either… now *that* would’ve been extra gross#the bio class flashbacks were r e a l today… thank god i don’t ever have to open that stupid pharmacopoeia ever again#also reminds me of (one of) my stupidest moments in a bio class though…#back in the days of yore (read: anatomy class in the year of ‘17) i was an absolutely horrible student who’d never fail to nap in class#so when my lecturer asked connecting questions down the class register…#yk stuff like asking student 1 to ‘name a type of cell’ and then asking student 2 to ‘name an organelle that a [student 1’s cell] contains’#he asked the girl before me to name a hormone. she answered ‘growth hormone’. and i was like. dammit. idk where it’s found. lolhelp.#(bc i never read ahead either + the growth hormone didn’t even show up in lessons during that school term)#so when he inevitably asked me to ‘name the organ that produces the growth hormone’ i answered (exact quote) ‘i don’t know; the ovaries????’#the class laughed. sad. the lecturer retorted with sth like ‘then are you saying that boys can’t grow?’ and i just shrugged#the girl after me (who incidentally has the same first+last name as me phonetically speaking) gave him the right answer thoughhhh#i hope i managed to buy my name twin enough time to look up the correct answer (if she didn’t already know it) with my stupid guess#yeahhhhhh ​i do n o t miss bio class. at all. giggity#anyways that’s enough flashback sequences for one year. can’t believe the next year’s less than 10 days away tbh. can’t wait!!!!!!!!
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