#anyway THEY'RE SO RUDE

[eleccy]

The thing about Kristoph and Apollo is that they have a very disturbingly similar sense of dark humor.

From 4-1, on the card not being in the bottle and there being a fourth person present (i.e. himself!):

This is one of my favorite Kristoph lines because it's just so out of pocket. So snarky. He just says this in open court. Granted, at this point Phoenix had pissed him off enough to start breaking his gentlemanly façade. And he does apologize for it after. But it's still so hilarious. It really just kind of shows that Kristoph's internal monologue is just dripping with disdain for everyone and everything. He's so done with peoples stupidity and it's great.

And then we have Apollo. This is from 4-2:

I think this is Apollo's internal monologue, were he to say this out loud to Trucy, she probably would've responded with something funny as well. But it's so funny to me that Apollo thinks like this and there are so many other examples of times that he thinks or says out of pocket stuff. Apollo's "so done" attitude doesn't really manifest itself fully until Kristoph is in jail, but even in 4-1 there are shades of it. I can't help thinking that it's an attitude he has in common with Kristoph or kind of subconsciously picked up from him. Either way the whole thing is super funny, and kind of melancholy if you think about it for too long.

[a-scary-lack-of-common-sense]

I think I made some of you guys a little sad with my last post, so you can have some happy aftermath twins before part 2, as a treat ❤️

[nattikay]

the constant inner struggle of a Na'vi speaker/teacher browsing Na'vi OCs

[dailymanners]

IF it can be helped at all, stay home when you are sick to prevent your illness from spreading to others, even if it's not a "serious" illness and is just a common cold, a common cold can still be really detrimental anyone with a weakened or compromised immune system from conditions including, but not limited to, leukemia, HIV, and hepatitis. And you can never know if one of your co-workers or a customer or a random stranger at the store has or lives with someone who has one of these conditions.

Not everyone can help it, some people risk losing their job if they call in sick, and not everyone has someone they can call on to run to the store for essentials while they're sick.

In these cases at least consider wearing a mask while you're in public so as to prevent spreading your sickness to co-workers / customers / random strangers you encounter while out in public. There are several cultures where even pre-COVID times it was considered rude to go out in public without a mask even if you had a simple cold because of it being inconsiderate to spread your sickness to others.

Now, if it can be helped at all, if you have a job where you can call in sick without losing your income, or if you have a job where you can work form home, or if you have anyone at all you can call on to run to the store for you to grab essentials, use that!

"Oh but I don't want to inconvenience my co-workers by having them down a person today, what if they really need my help?" You know what's going to inconvenience them more is when you make everyone at work sick, and some of them might either have a compromised immune system or live with someone who does.

"Oh but I don't want to inconvenience my friend by asking them to grab some essentials from the store for me while I'm sick!" You know what's going to be more inconvenient is when you spread your sickness to that dad you stood in line behind at the store who has a child at home withe leukemia, or a spouse with HIV.

And again, of course not everyone has an option. Some people risk losing their income if they call into work sick, or they don't have anyone who they can call on to get essentials from the store for them. But again, at least consider masking up to mitigate the risk of spreading your illness to vulnerable people who could be seriously harmed by even a common cold or mild flu.

[yardsards]

everyone on here loves laios for his autism swag but if half of yinz met someone like him in real life you'd be like "i don't know,,, he makes me uncomfy. something about him just gives me bad vibes, you know? :/" (and the "bad vibes" you'd be picking up on are just. signs of autism)

[callhimnowmarisamylove]

And they both lived happily ever after... 

[otrtbs]

the way some of y'all talk about certain fanfics because you think their "popularity" gives you free rein to say whatever you want about them is so strange to me

[hurglewurm]

thinking about how. MORE than one old white woman presiding over me during my master's program in some capacity,,, has gently (unprompted) insinuated to me that accommodations are available, academic or otherwise

like i've had classmates undergo the same meetings, the same presentations for the same prof, etc and they do Not get the same gentle "oh you poor little thing. is this so hard for you? do you need help?"

and it's like. on one hand cool, thanks, glad that's available. i am, however, legit fine and chilling and doing better than ever in a classroom environment because i Stopped Masking in my mid-twenties and i sit cross-legged and play with my spiky ball sometimes and i'm vibing

glad accommodations exist. none of them would do anything helpful for me specifically. but if me being visible is what it takes for you to ? ? feel like you're Helping students who need/use accommodations ? to assuage your Guilt idk lol ? then ok white woman i will continue to exist within eyesight

(wish you'd respect the accommodations of students who actually require them, instead of giving platitudes to me who is i guess more Visibly 'other' to you)

[yandere-yearnings]

yello! I just wanted to ask if your ocs have set ethnicities? For quite a while now I've had this sneaking suspicion that Sun and Dice are greek since their last names are greek in origin and you also mentioned that Sun would make Dice and himself avgolemono soup (which is a greek dish) when they were kids. So since I don't think you've clearly stated any ethnicities (atleast not that I remember?) I just wanted to confirm my suspicions and ask if any other ocs have set ethnicities?

Okay bye bye I will pass out now snorkmimimimi🛌

-🦢

hope you had a good rest swan nonnie🥺🩷 you are right in that sun and dice are greek, and i'm glad that it was deducable enough through the stuff i have up for them!! i've yet to make a post abt it so ig this will be the one🤧 the intention is to explore their backgrounds more in their stories but,, i think it's obvious that will be a long time coming at the rate i write ahahaha😔💔

not all of them are decided yet but of the ones i can confirm:

sun, dice: greek

vio, bear, bea: romanian

laurent: french + hispanic

clover: korean

shura: russian

i probably won't set an ethnicity for ophelia or dia since they're technically dolphins (can dolphins have ethnicity??) you can hc them as you'd like😭 when i figure out the rest of them i will update this

[mikesbasementbeets]

to be real for a second, i think there is a moment in the show where mike has a ~realization~ of sorts about his feelings but hasn't quite put two and two together yet.... and it's this:

this realization of "hey my feelings for will are actually maybe different than my feelings for my other friends, but i'm not sure why" happens at the end of season two. and then mike spends the entirety of season three acting sort of strange and different around will while having his relationship with him constantly juxtaposed with his relationship with el. reaching the end of that season which, despite all the supernatural shit going on, took the time to focus so heavily on those two relationships (and how fundamentally different they are), and having mike have the same realization he had at the end of season two makes no sense because it would mean he accomplished absolutely nothing in his emotional arc during the course season three

especially to claim that he still believes he has feelings for el going into season 4. especially to claim he still believes he has feelings for el by the end of season 4. it's to claim that he has not made any emotional progress in his relationships for at least two full seasons, that he's been going through all of this for it to not have made any conscious impact on him, and the changes in the way he acts from s2-3 and from s3-4 aren't a product of his character developing (growing, changing, to quote hopper's letter) but rather..... ? i don't know actually. just him feeling weird but not understanding himself at all. still. it just doesn't make sense to me. he's one of the main characters of the show, and to keep him emotionally stagnant for 4 out of 5 seasons (especially when we can see that his behavior is changing, that he has not been stagnant at all but rather deeply affected by everything) would be a disservice to his character, first of all, but also a disservice to the narrative which has been showing us his (as well as the other characters') struggle with growing up and growing into himself every season. and it simply doesn't align with what we're being shown

mike is already having realizations by the end of season two. but by the end of season three, he's starting to be really honest with himself about what they mean

[moe-broey]

Cinematic parallels. To me.

I'm NOT saying she's homophobic btw she would NEVER. What I Am Saying however is that as his beloved little sister it is her god given right -- no, her sacred DUTY. To hit him over the head with a cardboard tube at any opportunity

[taylorshope]

Jason when Eric dies: He's dead.

Everyone who's not Rachel: nOt ThE diCkHeaD. What do you want me to say?

[crush3dmary]

Following some really foot-in-mouth comments I got from someone on my latest fic can I just say this: I don't give a fuck how autistic you are, you still need to think about what you're saying for more than like, five seconds before it comes out of your mouth (or in this case, before you hit the post button), and be advised that if you're going to leave rude comments on my stuff I'm not going to tolerate that and you WILL be blocked. After being harassed as badly as I have been during the Ritchie shit I have zerooooooooo tolerance for bullshit (or again, in this case, backhanded compliments), regardless of how well meaning you are.

[side-b-bumblebi]

Men who view women as their intellectual equals 😍

[imjustavenuxwithaboomerang]

just learned that people are like legitimately pissed that mackenyu buffed up for season 2 ???

[smartzelda]

Sorry guys I gotta speak my truth on this one

I'm not kidding when I say that I think that blaming shit media literacy from fans on shipping/shippers avoids the actual root of the problem to throw people you can easily throw under the bus (simply because it's not unpopular to consider people who post about ships or ship characters in media as having lesser or derivative tastes by default)

And here's why.

I think when you blame people who are "shippers" or "consume media through shipping lenses", the true root of it all is a mindset problem.

In actually, putting on shipping lenses can be helpful when trying to analyze a piece of media. When analyzing media you're supposed to approach it through a number of mindsets and put on different lenses (both to deepen your personal understanding of the media, and to pick it apart and see what you can find there (whether intentional or not on the author's part)), and different ships can be some of those lenses

When it comes to ships between main characters (for those who are genuinely willing to see what the narrative is showing with their relationship and what it's doing), there are times when analyzing it from a shipping lens may be helpful. As someone from KH fandom, I have seen people come to deeper understandings and pick canon apart in the process of analyzing a relationship that is genuinely integral to the story (platonic or not). I've also seen people get into rarepairs of characters who barely interact or who just suffer little screen time, and I've seen them come to better understandings of those side characters and how they potentially fit into the world of the media simply because people are now focusing on these characters and how they fit into the narrative.

Frankly, I resent the idea that the only way to truly objectively analyze a piece of media is by turning off the part of your brain that gets excited over relationships and individual characters. Don't get me wrong, that is a way to approach a piece of media and a valid one at that, but the truth is that we cannot be free of bias.

For instance, I was watching House MD with my parents circa last year. At some point I started heavily tuning into what was going on with House and Wilson's relationship. My parents, on the other hand, were largely watching casually. They're not thinking of character relationships or getting heavily invested in most characters, they're watching because they like watching. One of them in particular did try to analyze things that were happening in the show as they happened. However, when it came to the scene late in the series where House threw out Dominika's letter approving her American citizenship, my parents could understand that he was doing that because he didn't want her to leave, but not much beyond that. I ended up explaining to them that House's fake marriage for Dominika was an explicit parallel to when Wilson was living with House in the early seasons. Both situations started with House being none too happy about it but ultimately letting them stay, spending a considerable amount of effort getting them to leave/getting this situation to be finally over so he didn't have to deal with it anymore, and then by the time a piece of news comes through that would mean the person in question actually leaves, House hides this news as long as he can. Because he doesn't actually want them to leave and has grown attached. And by doing this he became a self fulfilling prophecy. By reacting to the truth of Wilson and Dominika leaving him the way he does, he seals his fate and they ultimately leave anyways. Maybe I ship Hilson, but becoming open to how their relationship was handled allowed me to transition to doing character studies and recognizing patterns/parallels that I wouldn't have noticed if I didn't particularly care about the characters or their relationship.

Likewise, I've seen mutuals complain about how people who don't like or don't care about certain characters often overlook these characters (what they're actually like and their place in the narrative), while the mutuals in question (by default) are able to come to deeper understanding of what the writers/story is trying to do because they care about this funky guy

You can't eradicate bias when you're engaging in media analysis, but you can consciously put on a range of lenses and observe the media through different povs with the goal of understanding the media better or bolstering your reading of it. And those lenses/povs can include focusing on specific relationships or the perpective of certain characters

And this is why I say it's actually a mindset problem. Shippers and people who have this one blorbo they like a lot aren't inherently terrible "fandom brained individuals" who are the root of media analysis problems. The problem only arises when people's readings/analysis of a piece of media are inherently restrictive/narrow and self centered. Your problem is with people who view a piece of media through a ship they like but don't keep an open mind about it, and whose "media analysis"/views on canon cannot be split from fanon and their comfortability levels. These are the people whose "media analysis" starts and ends with justifying their fanon as canon, whose views on media revolve around sorting characters and relationships into categories they personally enjoy rather than trying to understand what's going on.

Here's another example.

Here we have a fictional ship we'll call uhhhh...Blanebin. this fictional ship I made up on the spot for characters that don't exist named Blane and Corbin

Person A is super into Blanebin. They're part of the main cast of characters and canonically childhood best friends, so person A (as much as they enjoy fanart and fic) is also enjoying analyzing how narratively important to each other they are. Recently, Corbin started dating another character in canon, but Person A is enjoying watching how Blane is reacting to this. "Is this potentially a tell that Blane is jealous or is having complicated feelings about this? What if he was, how would that contextualize his behavior this season? Here's what I think based on how Blane dealt with explicit jealousy last season in a different situation". It's not impossible that person A is still missing further understanding due to their obsession with Blanebin, but at the end of the day this obsession has allowed them to start picking through the characters both in and outside this relationship. It has allowed them to see potential subtext and theorize on what might happen next with these characters' relationship. Not to mention that with addition of Corbin dating someone else, instead of trying to erase this fact or state that Corbin canonically isn't into that person, Person A is trying to factor in how Corbin's current dating life affects his relationship with Blane (irregardless on personal views on the nature of Corbin's relationship with the person he's dating).

Person B is also super into Blanebin. They really enjoy fanart and fic of the characters, love obsessing over their moments together, and just feel like there's really something between the characters. To person B, every moment between them is just further proof that the writers are ship teasing them. But Corbin getting together with someone else this season? Oh that pissed person B off. They cannot believe that even though Corbin and Blane are CLEARLY gay for each other the writers had Corbin get with someone else this season. Perhaps, they think, it was even a decision specifically made to spite fans. How evil of the writers to tease a perfectly good ship and then have them not get together first? They must have been just doing those teases to get views from Blanebin shippers those scoundrels. To Person B, since Corbin started dating someone when he obviously has some chemistry with Blane (even though the series is far from over) means that Blanebin can never get together now and Corbin x person he's dating is ruining Blanebin by existing. In fact, they think, this is terrible writing for Corbin to be dating someone else because they don't like that relationship and don't see the point. Obviously if the writers were good then Corbin would have started dating Blane instead because this was supposed to be the Blanebin show.

Person C despises Blanebin. Don't get them wrong, they've always enjoyed the character's childhood friendship, but they actually have always thought Blane would have been better off with Victoria. They have a lot of moments too! But they're tired of seeing people ship Blanebin. Corbin just got together with someone else, so obviously that's not gonna work out. Plus Corbin and Blane totally has always given person C bro vibes. In fact, person C thinks, sure Corbin and Blane have a close friendship, but people shouldn't be shipping them. Person C likes Blanetoria and Blanetoria can't be canon if Corbin is in the way of it. So Person C likes to read Blanebin as siblings anyways. Sure they're canonically friends, but obviously their friendship turned into brotherhood. This means that nothing can be in the way of Blanetoria and Corbin can keep dating the person he's already canonically dating. Actually, now Blanebin just straight up makes Person C uncomfortable. Don't the pesky shippers understand that Blanebin are sibling coded because they're childhood best friends and that they're important to each other because they're brothers? It's obvious to anyone with eyes.

Sure, ships are involved here, but is the root of this problem shipping? Character A isn't as knowledgeable of other characters in the plot due to this lens they're using, but at the end of the day they're dedicated to analysis. Their love of the characters is pushing them beyond what they like or dislike to try to understand what might be happening through their lens. Not perfect, but they are slowly broadening their horizons. But Person B and C's problems here are their restrictiveness. What is or should be canon to them is tantamount to what they personally like or find comfortable. Is person C actually analyzing the this fake show when they decide to "read" Blanebin as basically canonically siblings (and this all of their moments are totally a bro thing) just because they don't like Blanebin and the idea of them getting together over Blanetoria makes them uncomfortable? Is person B actually analyzing this fake show when their "analysis" of Blanebin goes only as far as asserting it's being ship teased and deciding anything short of canonizing Blanebin is a targeted attack or "bad writing" because it's not what they wanted personally to happen?

This is what I'm talking about. This is the mindset. Shipping isn't the problem. The problem is when people marry fanon and canon to the point where they have a vested interest in superimposing their fanon over canon as "a reading" and trying to make "collective decisions" on what is canon (or what canon is trying to say) based on what does or doesn't make them uncomfortable. The problem is people being restrictive and centering their own likes and dislikes in the conversation, so they can only interact with canon "analysis" wise by deciding what is canon or should be canon "as obviously agreed on by everyone". You can't simply claim you like media analysis. To be able to analyze media and bolster your views on any given canon, you must be open to looking at it through multiple povs, to studying characters without trying to pretend things you don't like don't exist or do like do exist. There is a balance that must be kept between trying to keep objectivity and putting on specific focus/bias based upon the lenses you're putting on. You have to be willing to try to figure out what a media is doing or saying, not saying you're trying to figure out what it's saying while in actuality trying to define the narrative around what people believe it's saying in ways that suit you.

Thank you for coming to my ted talk.