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feinv · 5 months ago

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john wick is soo tired and youre just filled with energy for the most part, all virile and easily excitable like a puppy, leaving only the option of using john like a toy when he is laid out all exhausted and ready for bed, trying to help n wear you out for bedtime

lost in the fire. sub!john wick x femdom!reader. smut. unprotected sex. pure filth. legal age gap (40s and 20s). cowgirl position. edging. overstimulation. reader is deranged (reader is me). 1k words.

summery. john can be useful in more than one way ;)

a/n. itching not put a p!link at the end oh no wait what is that at the end is that a twitter link oh no how did it get there.

generally, the age gap didn’t play any role in your relationship since you two enjoyed the same things and had a lot in common. it was mostly evident when john was already exhausted enough to fall into everlasting sleep, and you were just starting your day.

he was under the covers, having stripped himself down to only his boxers, back resting on the pile of pillows propped up against the headboard, gaze buried in the book.

you were still feeling sooo energetic, knowing for a fact that you would be tossing and turning for another two hours if you laid down. and besides, the neediness in between your legs was not helping the situation.

your pajamas consisted of your lace panties with one of john’s cotton shirts pooling around your body, stopping just below your bottoms.

an idea popped in your head as you entered the dimly lit bedroom, smirking to yourself as you got on the bed before you accidentally ended up on his lap.

he looked up at you with no emotion in particular, just acknowledging your presence.

“what are you reading?” you asked, not actually interested in his answer, your fingertips lightly caressing his biceps.

“lovecraft. you would love this,” shooting you a tired smile before his eyes went back to the page.

you didn’t mind. you knew his attention would soon be on you again anyway. “mhmm, tell me about it later.”

you got rid of your his shirt, chilly air hitting your nude breasts, making your nipples harden before his eyes widened slightly. “what are you-”

“just do your thing. i won’t bother you,” you cut him off with nonchalant smile. bother him you absolutely would.

he cleared his throat as he shifted his focus back to the book, trying to ignore your bare form in the background. and he almost succeeded. almost.

you hand sloowlyy traced the outline of his cock, fingers sliding over the fabric so gently as if you were doing it on accident, but not before you squeezed your hand around it, making him grunt at your actions, hips jerking involuntarily as his head snapped to yours. “keep reading,” you half-demanded.

he tried. he reread the same sentence for about ten times already, physically unable to take in the words as your hands were massaging him more.

and it was under a horned waning moon that i saw the city for the first time.

and it was under a horned moon that i saw the-

and more.

and it was under a horned moon that i-

and more.

he knew he would be defeated no matter what he tried to do, so he threw his head back into pillows, closing the book and tossing it somewhere before he felt your fingers under his waistband. you shifted around as you got rid of his boxers, leaving him completely naked for you.

he was half-hard when you straddled him again, moving your clothed pussy forward and back, rubbing your inner lips against him and dampening the fabric further as he voiced out soft groans.

you continued your movements until you were literally soaked, taking his both hands and putting them on either sides of your hips where the thin fabric was. “will you help me, john?” you breathed so innocently as he craned his neck upwards, meeting the mischievous glint in your eyes.

tearing the lacy material was a no task at all for his strong hands, the reminiscence of it ending up on the floor.

you repeated your actions from earlier, whining at the better contact as you rubbed yourself more on him, your arousal making a complete mess out of you two. you stood up on your knees, shifting your entrance right above his hardened length as you sat back down. you were so wet you didn’t even need time to adjust, his mushroom tip smoothly gliding through your walls, both of you moaning as you took him to the brim.

your pelvis matched the chaotic thoughts in your head, moving back and forth, then in circles, then jumping up and down on him, sound of skin slapping skin echoing in the room, his swollen end kissing your cervix at specific angles.

he was a grunting, whining mess under you, his fingers digging into the soft flesh of your waist at the intensity when you pulled out of him almost completely, just to slide back down, so tight you could feel each popped up vein of his.

you hands wondered around his bare torso, scratching him here and there while you leaned down to place open mouthed kisses on his chest, before they turned into desperate flash sucking, his smooth skin now littered with red and purple marks.

“you’re insane,” you heard his raspy voice, your breasts bouncing up and down as you fucked him senseless. “you seem to enjoy it,” you panted, purposely squeezing around him, the sound coming from his throat proving your point.

you mewled when you connected your fingers to your sensitive spot, playing with the bundle of nerves, your high building and building and building, reaching it’s peak, about to burst, before you retracted your hand and slowed down your movement. you edged yourself hours on end, knowing that the reward would be completely euphoric.

but meanwhile you were having fun, john was about to cry out in pain, or perhaps pleasure. you made him confuse those two. “darling. i- ” gripping the sheets so tightly his knuckles turned white, unable to finish his own words.

“you feel so good, john.” you whined in your sweet voice, stretching your hands back to lay them flat on his thighs for additional balance, speeding your thrusts when you felt his seed shoot inside you, his deep, choked groans reaching your ears as you moaned at the feeling of being so full.

“s-stop. fuck-” he stuttered when your hips kept their rhytm, overstimulating his every sense as he helplessly buried his head back into pillows, eyes squeezing shut.

with your one hand back on your clit and your unrelenting thrusts, you felt butterflies dancing in your lower belly, this time not doing anything to prevent them.

with your final movements, your free hand wrapped around john’s back, right where his tattoos were, bringing him closer to you in a hug as your high came down crushing on you. your walls clenched impossibly tight around him, and you heard his high pitched hiss in your ear.

you bit down on his shoulder hard, leaving crescent teeth marks at the feeling of shockwaves of pure ecstasy pump in your veins, your legs shaking uncontrollably underneath.

your sticky bodies were limp against one another, sharing a comfortable silence as your breathings finally went back to normal.

you kissed along his neck gently, leaning back to stare into his hooded eyes before whispering “round two?”

p!link. :3 something similar to that!!

#don’t ask me where the reader gets her stamina idk #feinv—jw #feinv!jw #anon bro what have u done i’m fuckin SHAKING.#john wick smut #john wick x you #pic from pinterest!#sub john wick #(my fave)#john wick x reader #john wick fanfiction #john wick fanfic #john wick x dom reader

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mangomonk · 1 year ago

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i've been dreaming

↳ summary: read this drabble and pt. 1 first! remus deals with the repercussions of falling in love too late. ↳ content: angst, happy ending, mentions of eating/sleeping properly ↳ a/n: get comfy, this is a long one! i really appreciated and loved each comment from pt. 1, it made my day to see y'all scream heartbreak. would love to hear your thoughts on this one : D anyways, i went back and forth on my characterization of remus a million times, but i hope this version of him resonates and i hope you enjoy :") tense/grammar is all over the place, minimal proofreading but i've stared at this for too long. p.s. i'm kinda proud af about connecting the titles, they're from ivy by frank ocean.

Remus has been dreaming. Every time she had looked at him, he had felt like he was dreaming.

There wasn't a moment in particular that Remus could name when he realized he wanted her to look at him. He was in the middle of it before he even knew he had begun, though maybe a part of him had known it would have been futile to resist when she looked at him like that.

Or maybe it had been an accumulation of moments of Remus longing for her to look at him.

Maybe it had been when they had started their fourth study date together when Remus had decided he needed to act like a normal person and have strict boundaries instead of casting sidelong glances at her over the top of his book. He couldn't help but look at her as he tried to figure out why in the world a girl like her would ever agree to date him in the first place — he had only really asked so that he could be rejected and put the whole thing behind him.

But it wasn't his fault that the more glances he stole at her, the more he noticed the way her expression changed with each new story she read. It wasn't his fault that her lips parted when she was concentrating too hard on Ancient Runes. It wasn't his fault that her lips were the same color as his mother's tulips. But she never noticed when — or how — he looked at her, to his mingled relief and disappointment. It wasn't his fault at all, he reasoned — anyone would notice these things if they just looked at her properly. It baffled him a little how no one else seemed to have noticed this things about her yet.

It had been that day that Remus had decided he needed to start acting normal. He needed to learn how to control his eyes before he bore holes through her face. So he had focused on reviewing his Magical Theory textbook. Even though he had been rereading the same line for over five minutes. Even though he was so painfully aware that if he moved his leg out just slightly, his knees would knock against hers. Even though he could begin to feel her glancing up at him from across the table. When had he become so attuned to her gaze?

But he hadn't looked up, frustratingly going against every fiber in his body, because he needed to be normal and have boundaries and this was temporary. Even if she was looking at him like that. Remus Lupin, with his ever so strong willpower, hadn't looked up to meet her not-so-secret secret glances and had scribbled a note on his scrap of parchment and slid it over.

Hogsmeade this weekend?

Or maybe it had been when they had gone to Hogsmeade, the first time they had done anything together outside of studying. Asking her to go was a stroke of madness, but Remus had reasoned it to be a healthy show of their relationship, no matter how temporary it was supposed to be. It wouldn't make sense if they were dating and only ever studied together, right?

Right.

He had thought about sending an owl to cancel, even as he tried on Sirius's shirt for the second time — the night before, he had come to the sobering realization that all his clothes were plain. He had thought about telling her that he caught a cold, even as he let James slather Euphemia's silkifying potions through his hair. He had still been thinking about canceling even as his feet took him to the entrance gate—

—and she had been wearing a skirt.

It had been one of those long and flowy Muggle skirts — Remus had never before paid attention to women's fashion, but after that moment, he realized that maybe he ought to subscribe to one of Lily's Witch Weekly magazines so that he could get her more skirts, or rather, more of anything, he thought she'd look pretty in anything. Had he said pretty out loud?

Remus Lupin didn't have butterflies in his stomach, he had damn hummingbirds.

"Hi," he had said, a little too tersely and sharply.

"Hi," she had said back, all smiles. Despairingly, he had noticed that she was wearing lipstick. When he stared at her a little dumbly and didn't say anything back, her smile turned nervous as she fidgeted with the collar of her blouse. Impulsively, his eyes darted to follow the motion. "So... Hogsmeade?"

He wasn't going to tell her she looked pretty because he had laid out his boundaries. And if he started, he would never stop— "You look preautiful," he had blurted, stricken.

Her eyes had widened a fraction before she broke into a laugh. A proper laugh, not the quiet, library huff type of laughs he had grown fond of hearing. The warmth in his chest had spread all over and it had felt like it got to his head as a fog, rendering him unable to think. Remus had no idea what to do with the new, dizzying knowledge that she looked absurdly stunning when she was laughing, but all he could think about during their walk to Hogsmeade was how he might make her laugh again.

Or maybe it had been the first time he had properly introduced her to the Marauders. She had stepped closer to him instinctively — perhaps nervously, because Sirius was staring at her too appraisingly with narrowed eyes — when the back of her knuckles had brushed against his. Remus had nearly jumped out of his skin. Sirius's gaze had darted to him swiftly, his gray eyes knowingly bright with interest.

"Pleased to meet you," Sirius had said a moment later, his face breaking into a warm smile, but Remus wasn't paying attention anymore. He was just trying to figure out how he might hook his pinky with hers.

All this to say that there hadn't been one particular moment Remus Lupin could have pinpointed that had sealed his fate of wanting to be under her gaze.

The first time she looked at him, it was the start of nothing and when she looked away that night, it was the end of everything.

Remus wished she yelled at him. Hell, he even wished she had called him a monster, cursed him, hexed him. Remus thought that he would have been happier if she looked at him with contempt and disgust in her eyes, which only weeks ago had been his greatest fear when he considered telling her about his lycanthropy. The thought back then had kept him up at night, but Remus found himself dreaming for it now. Anything if it meant that he didn't hurt her the way he had. He found himself dreaming that she would just look at him again.

If Remus thought he had been panicked that night, it was nothing compared to the next day when he realized she was avoiding him. She hadn't shown up to the Great Hall — Remus knew this because he got there the moment the doors opened to make sure to catch her — and she didn't show up to any of their classes for the remainder of the day. The Marauder's Map showed that she was unmoving in her dormitory. When Remus finally did catch sight of her the next day in the Great Hall, he burst to his feet but froze a moment later. She walked past him, her expression one of unfamiliar blankness.

"Y/N!" He called, lurching forward towards her.

When she turned away from him to avoid meeting his gaze, Remus felt something like dismay sink so heavily and swiftly in his chest, like a stone thrown into a calm lake. The idea that Y/N wouldn’t look at him again drove him half-mad with a panicked disquietude that sent him scrambling to find a way to talk to her again.

He tried in the Great Hall, but she stopped coming. She would arrive just late enough that class would start and would disappear the moment class ended. She stopped going to the library. Even with the Marauder's Map, he had no luck. The closer he tried to get to her, the further she stayed away.

Remus thought he was dreaming when he saw her alone in the corridor one Hogsmeade weekend when he couldn't bring himself to leave.

"Y/N," he said instinctively, hopefully. She looked up, her surprised expression immediately shuttering close. "Can we talk? Just for a moment?" He asked, stepping towards her. When she didn't move away, he straightened, encouraged.

“I know,” Remus began, his throat bobbing as he swallowed back the jolt of despair when he realized that she still wasn't looking at him. The despair only grew into a gnawing worry when he noticed the way shadows lined her eyes, the planes of her face hollower. Was she taking care of herself? "I know you don't want to see me anymore, cariad, but—"

"You don't get to call me that anymore."

He sucked in a breath, steeling himself before continuing. "Okay," he whispered, "Okay. I know. And I'm sorry, Y/N. I've never been more sorry in my life. And I won't ever ask you to forgive me. But, but I'm selfish because I want you to know that it was real for me."

She looked like she was folding in on herself as she clutched her forearms. "It wasn't real. You don't actually like me, Rem— Lupin," she said evenly, her tone neither cold nor warm. "It could have been anyone else."

"No, I do, I do," Remus lurched forward, desperate and earnest and wishing. "I like you, and maybe it wasn't real in the beginning, but it's real now. Like isn't even a strong enough word for how I feel about you, Y/N. I lo—"

"Don't." At the harsh steeliness of her tone, Remus froze, stricken, his heart dropping to his feet. "Don't say it."

"But it's true," he whispered entreatingly, imploring her to look at him again. "It's been true for awhile now."

"I don't believe you."

Each word hit him in the chest like a sharp pang, the stricken feeling in his chest clenching around his heart. "Okay," Remus swallowed back the crumpling sense of despair as he nodded earnestly. "That's okay," he whispered, as if not to spook a wild animal. "I... I'll show you." He had so much he wanted to say, so much that he wanted to show her. If he had been honest since the beginning, he wouldn't have hurt her. But maybe if he was honest now, it wasn't too late — he could still fix things. "You have my heart, Y/N," he continued softly, "—and you can break it, if you want, if you'll give me another chance—"

"I don't need it," she said quietly, looking away from him again. "Nor do I want it."

— — — — —

Remus stopped dreaming as he stopped sleeping.

"You should get some sleep tonight, mate," James said as he edged near his friend. "Full moon coming up."

Remus grunted in his response as he continued writing at his desk.

"Prongs is right," Sirius agreed, exchanging a quick look with the others. "She'll come around soon, anyone with eyes can see how you look at her. And how she looks at you."

"Why don't you talk to her again?" James suggested gently as he sat on the edge of Remus's bed.

"She doesn't want to," Remus said quietly, a blot of ink pooling at the end of his quill as he tried not to think about their last conversation.

"Why not write her a letter then?" Sirius asked. "Look, Moony, we're worried about you..."

A letter, Remus thought dimly as he stared down at the parchment in front of him.

Cariad, he began before setting his quill down to stare at the word. The first time he had called her cariad had been a slip of tongue. When he was younger, before his father had burnt himself out trying to find a cure to his lycanthropy, his father used to call his mother cariad. It was like a gentle period at the end of each sentence, an endearment that said everything all at once.

It had slipped into the end of his sentence one morning when he had asked her if she wanted orange juice or apple juice. Maybe it was too early to confess love, but it had slipped out, subtle and quiet like their time together.

"What's that?" She had asked, her attention now caught. "Car-iad," she said slowly, as she tried pronouncing the word carefully. Remus had thought he could have kissed her then.

"It's Welsh," he had said, keeping his tone light and casual as he reached for her cup.

But she had been as attentive as ever, her eyes seeing right through him as they tracked across his face carefully. It didn't help that he could feel his ears begin to burn. Despite himself though, Remus delighted being under her attention, and had relished it even as she narrowed her eyes at him suspiciously. "For?"

Remus had schooled his expression carefully. "For 'Y/N can never pick between orange juice and apple juice,'" he had deadpanned, inwardly delighting in the way her lips twitched as she huffed, unconvinced.

"Today is an orange juice day," she had declared finally. Remus had bit back a smile as he poured her juice. When she took it, she had smiled at him around the rim of the cup. "Thank you, cariad."

Remus had thought that he was dreaming.

Remus picked up his quill again and got a fresh sheet of parchment. Dove, he began again before promptly crossing it out. A new piece of parchment. Y/N, he started again. Y/N. Y/N. Y/N. He missed saying her name. When the squeeze in his chest got too tight to ignore, he set his quill down and rested his forehead against his desk and closed his eyes. He had hurt her so terribly, the person he loved. And Remus resented himself for it. He didn't have the right to call her cariad or dove or darling or anything anymore. He didn't have the right to wallow in pity. He didn't have the right to try to fix things when she so clearly didn't want him anymore.

"Remus Lupin," a voice snapped sharply as the door to the dormitory flew open with a boom. "How could you—"

“Lily!” James blurted in clear alarm. "Lily, what are you doing here?"

"I'm here because you lot have really gone too far this time," Lily seethed, her eyes as fiery as her hair as she stalked into the room. "Remus, I thought you were better than this! Y/N hasn't—"

"Lily!" James jumped to his feet in a rare show of courage against the witch. He let out a nervous laugh, but to his credit, stood firm even as Lily rounded on him. “You’re making him feel worse!”

For a moment, Lily turned on James, an incredulous expression on her face before her gaze slid over to Remus, who still hadn’t looked up during the exchange. She faltered, her scowl softening as her gaze darted back to James who gave her an encouraging nod. But then the fiery-haired girl straightened. “He should feel bad,” she admonished, though the venom had begun to dissipate from her voice.

“And he does,” Sirius supplied helpfully from his corner of the room. “Moony hasn’t really, er, moved or spoken in days, really. We’re all getting concerned.”

"Well neither has Y/N," Lily grumbled, though her tone was beginning to soften rapidly.

This caught his attention. Remus lifted his head to look at her. "Has she been taking care of herself?"

Lily narrowed her eyes at him, a crease forming between her brow as she looked at him assessingly. "Have you been taking care of yourself?"

Remus didn't say anything to this as he turned to rummage through his desk. "Will you make sure she eats and sleeps properly?" He said before finding the stack of parchment he had been looking for.

"It took me nearly an hour to get her to understand that I wasn't a part of the mess you had created," Lily said, though not harshly. Remus ignored the look of pity in her eyes as he busied himself with cobbling together a few more sheets of parchment. "I think you should be the one making sure she's alright."

At this, he paused to look down at the parchment. “She doesn’t want to be in the same room as me, let alone speak with me,” Remus pointed out, his voice unsteady. In a quieter voice, he added, “She can’t even stand looking at me.”

The room fell silent. Then finally, Lily spoke up again. "Fine. I'll check up on her but not for you, but because I'm her friend. And if you ever considered her at least a friend, you ought to do it too sometime and have a proper conversation with her."

Remus bit the inside of his cheek as he turned to proffer the stack of parchment to Lily. "Can you also give these notes to her? It's for Ancient Runes. I charmed the handwriting so she won't know it's from me, but—"

"Remus," Lily sighed, but took the notes anyways as she looked down at his desk curiously before sitting down on the edge of his bed. A pause. Remus could feel her eyes seeing right through him. "Were you ever going to tell her?"

Remus tried not to look like he was unraveling. "I don't know," he admitted honestly. "I wanted to and I didn't want to all at once all the time."

He had thought about telling her before. But to do so meant that he would have to tell her about his condition, and that had sent him into a stricken spiral every time he had thought about it. He had thought that if he told her, she would look at him differently, with pity or repulsion in her eyes. He had been so afraid, so, terrified, of that look that every time the truth nearly bubbled out of his throat, he'd choke on it. But now Remus knew that the worse thing wasn't that she would look at him like he was a monster. It was that she wouldn't look at him at all.

It had always felt like he was running on stolen time, but each grain of sand in their hourglass had felt so startling incandescent that it had been easy to pretend that they weren't trapped in a fragile glass of his own making.

Every moment he had thought to tell her, she would turn and look at him with such fond adoration that Remus would swallow the words back in. She always made for such an arresting sight that Remus felt his breath still as affection would bloom so violently, so dizzingly, so distractingly, in his chest that it became hard to say anything at all.

He was distracted by the way little crinkles would form on her nose when she was thinking too hard. He was distracted by the way he could hear her smile in her words. He was distracted by the way she breathed and walked and loved, slow and steady, to a silent metronome.

And the honest truth was that Remus was more than happy to be distracted by her.

— — — — —

When Remus woke up from a dreamless sleep the morning after the full moon, he found himself, predictably, in a bed in the Infirmary. It must have only been dawn — he could tell the room was still dim behind his eyelids as he did his mental check of his limbs. No new scars please, he thought wryly once he confirmed all his limbs were in place, albeit sore and strained. Remus sighed. Then came the more dreaded question.

"Did anyone get hurt?" He asked, his voice hoarse from his transformation.

He expected one of the boys to respond, but when no response came, his eyes flew open in a panic. They normally stayed the night in the Infirmary to get their checkup from Madam Pomfrey — Remus knew they were just there to keep him company, though they always deflected when he tried to usher them back to the dorms — and they were normally the first to assure him that no one had gotten hurt. Alarmed, Remus sat up and swung his legs over the edge of the bed hastily to look around, his joints groaning in protest.

"Are you hurt?" A voice next to him asked.

He was dreaming again.

Y/N was sitting in a chair next to his bed, alarm quickly breaking through the remnants of the sleepiness that clung onto her eyes as she scanned him hastily as if to ensure he was still in one piece. There was an imprint of his blanket on her cheek. Remus's fingers twitched to rub it when she spoke up again. "Should I call Madam Pomfrey?"

So it wasn't a dream.

At the sobering realization, Remus shook his head hastily. "No, I, uh, I'm fine," he said, the words faltering on his lips. Suddenly he felt very seen. He had never wanted her to see him after a transformation, especially not then, when he was all fresh scars and worn bones. He felt like a shell of himself. "What are you doing here?" He asked quietly, fixing his gaze on his hands and noticing a new scar across the back of his hand, still red and shallow. He couldn't quite look at her now as shame and mortification flooded his system.

For the first time in his life, he wished she wasn't looking at him.

"You guys normally come back earlier on full moons," she said, still looking at him. "I was worried that..." She fell silent. So she had even known their schedule, he despaired.

"I see," Remus said tightly, feeling drained.

When he didn't say anything else, she spoke up again tentatively. "Sirius told me to tell you that no one got hurt—"

Chagrin and shame roiled in his stomach as he stared at the new scar on his hand. "You can go back now," he interrupted, grasping the blanket tightly. He wished she wasn't looking at him, he wished that he didn't have a new scar, he wished that the floor would just open up and swallow him whole.

He wished this was all just a bad dream.

"I'll go if you want me to go," she said quietly. Remus couldn't tell what expression she was making because he couldn't bare to look at her. Pity, fear, disgust. He was sure he'd never recover if she was looking at him like that— "But I... I don't want to go."

His gaze darted from his hands to her face. She was biting on the inside of her cheek, her eyes wide and imploring and distracting. Slowly, it became easy to breathe again. The imprint of the blanket was fading from her cheek. Remus still wanted to rub it off.

"Okay," he acquiesced, the word coming out as a soft breath. She relaxed back into the chair. "I never wanted you to see me like this," he murmured quietly, feeling all too cracked open under her gaze.

"Remus," she began, also whispering as if not to break the fragile peace between them. His heart stuttered dangerously at the sound of his name from her lips, but he shouldered forward, adamant to not let himself start dreaming again.

"Have you... been well?" Remus asked, first as a deflection before he took in the shadows on her face. It was like once he started, he couldn't stop. "Have you been eating properly and sleeping enough—"

"Remus," she said again, this time more urgently and softly. "I got your letters."

Remus paused, his dry throat clicking as he swallowed. "So you knew the notes were from me," he murmured, rubbing at the base of his neck. "Sorry, I thought they would help, but I'll stop if you're uncomfortable—"

"No, I mean, I got your letters," she said, reaching into her book bag.

To his horror, she pulled out a stack of parchment. Some of them had were heavily creased from being balled up, but someone had carefully straightened them and piled them up. "You weren't supposed to see those," he blurted, mortified now. "I threw those away."

"I know," she said, her gaze fixed on the letters. They weren't really letters at all — he had never been able to get past how to address her. He could catch glimpses of his chicken scratch handwriting. Y/N. Dove. My sweet girl. Cariad. My love. Cariad. Cariad. Y/N. Y/N. Y/N. "Lily gave them to me. She also gave me this—" Carefully, Y/N pulled another familiar piece of parchment from her bag. This one was filled and messy with different colored inks across time.

Remus's mouth went dry. He didn't need to look at it to know what it was because he had it memorized.

Ketchup and pepper with eggs (prefers sunny-side up)

Three younger brothers

Likes mum's knitted sweater the most -> owl mum how she did it??

No favorite color, but it's probably green and yellow??

Needs a midday nap most days

Likes long skirts (or is it because I complimented it?)

Y/N is Sisyphus and the question of orange juice or apple juice is the rock

Peonies

Chocolate frogs (non-jumping)

Always needs hair ties -> ask Lily if Hogsmeade has any

Tea = 3 sugars, lots of milk (prefers juice though)

Give notes for Ancient Runes

Find out if there are hair tying charms

Jane Austen

Christmas ideas: skirts, cat, necklace, journal, hair ties

"You weren't supposed to see that," he said again dumbly.

"I know," she said again. A pause. "I believe you."

Remus's head snapped up to see that she was looking at him. He was dreaming again. He shook himself out of it. "No, you don't have to," he said hastily.

"No, Remus, I believe you that it was real," she said, her words choppy as she wrung her hands together. He wanted to reach out and cover her hand with his but instead he sat perfectly still. "But I— But I was so hurt by you," she whispered.

"I'm so sorry," he said with every fiber of his being. "I was afraid and selfish and I hurt you and there's no forgiving that."

"But Remus," she said, looking up at him finally. "I've missed you. I miss you so much and I don't know what to do—" Her voice cracked. Remus felt like something in him cracked open again.

"Oh, cariad," he breathed. "Can I—" He faltered, but miraculously, she picked up on what he meant. Wordlessly, she surged into his arms and for the first time in weeks, he felt like he could breathe again. "I'm so sorry, my sweet girl," he murmured into her hair as he breathed in her familiar scent. "If... if you'll have me again, can we start over?"

"Only if it's for real this time," she mumbled into his shoulder with a dry huff of a laugh as she clutched him back. God, he missed her laugh.

He pressed a kiss against her temple, the first of many. "It's real. Very real."

Remus prayed he wasn't dreaming anymore.

— — — — —

a/n: thanks for reading :^) would love to hear thoughts! my masterlist here

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rudeflower · 1 year ago

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you need a library card

Almost everyone I know doesn't have a library card, and some of them read less than they want to because they can't afford to buy the books they want???? GUYS BIG SOLUTION TIME

BOOKS! Audiobooks! DVDS! Movie/series/documentary streaming services! Ebooks! Video games! Magazines!

Air conditioning! Wifi! Heat! Meeting rooms to reserve! Copy machines! Printers! Quiet safe place!

FOR FREE! FOR FREE! NO COST! FOR FREE!!!

Let's face is inflation is killing us, and you may have had to sacrifice buying books for fun, keeping the heat at a comfortable temp, cancel a few subscriptions. Enter your library card

"I don't have time to go a library" me neither I use the audiobook and ebook app daily and check out digital books and get them on my phone immediately

"I want to support the author" If you like it then you buy it! You don't have to pay up front for something you might not like ten pages in! Buy a book you know you love even if you don't plan to reread it to support the author!

"I don't want to wait for a book" Fair enough then don't, check out the books you can wait for

This world has home, where you pay to be, and very very few places outside of the home that you don't have to pay to be. If you're losing your head and need to get out for a few hours, you have to pay to exist almost anywhere you want to go. Not libraries.

I've gone to libraries weekly, almost daily at times, my whole life and they have never once asked anything of me. They give.

This world takes and takes and takes and libraries give and give and give and you deserve to be given lovely things.

It is not hard to get a library card, for most people. In most places I've lived you need some form of evidence you live in the area the library serves, and I've brought in a piece of mail, a student ID or an electric bill and been good to go. Many libraries also work with people who don't have documentation like this to get one anyway.

Get a library card even if you don't think you'll use it. Because one day there will be a book you really want that your local bookstore doesn't have, but who has it? THE LIBRARY! GO GET IT!

This is a USA centric post, and also goes out to my non-American cousins who taught me that libraries are a beautiful gift and not a given, and we should take advantage of it more often than we do

Get a library card, love yourself

#i know multiple people who love reading and limit how much they read because they can't afford books!#i don't know where you live but i live in a small city and they could totally! be! rolling! in! library! books!#there are very few things i think people are living wrong if they don't do #i don't care who you date i don't care what you eat i don't care how you dress #i do care that you don't have a library card #libraries #library card

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xxgoblin-dumplingxx · 7 months ago

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jason trying to flirt and reader freaking out gives me life. (dw jason i bet she wants to kiss you too (if she doesnt i might))

When you hesitated to name a book, afraid of being mocked maybe. Or afraid to be vulnerable, Jason took a shot in the dark. Looking up at the shelves. Looking for something well loved. Something you'd keep where you could reach it whenever you wanted comfort. Something you held close to your heart. That you'd read and reread. Worn but not destroyed. Venerated. It would almost feel like something sacred.

Every lonely kid had that book.

And when he locked eyes on it, he smiled. He got up off the floor and walked across the room, aware that he was being watched. He could feel a prickle of warning. A crackle of anxiety tugging at him. And he forced himself to breathe. Yeah, it was a kiddie book. A whole set of them. But, you liked books with happy endings.

"Convert me?" Jason hummed, "I never really liked fairy tales."

"No?"

"It's kinda hard to worry about chivalry when you live like I did," he said sitting back down- suppressing a pang with difficulty. He hadn't thought about his mom and dad in a long time. He kept them buried. It was easier. To not remember the way cancer had a smell. And the way that without insurance drugs just managed the pain. And his dad drank because it hurt. And because it hurt and he drank he couldn't hold a job. And because he couldn't hold a job he just kept doing crimes.

Books had to have a point. Fairy tales and delicate little "girl books" felt ephemeral and frivolous. Austen. Shelley. Poe. Homer. Christie. All that had a point.

"I'm sorry-"

"It's alright," he said exhaling roughly. It wasn't about him. And when he felt you try to pull back, trembling from the strain he shook his head and sank to the floor. "Don't worry about me, okay. Not right now anyway."

"It hurts-"

"Sometimes," he admitted. "But if I read this for a while maybe I'll forget-"

"You can borrow-"

"I was going to read it to you," he mumbled, cheeks heating. He meant to just come in and start doing it. He'd hoped you'd just curl up with him and doze off.

"Oh."

"Is that okay?" he asked, not sure what to make of your reaction. Or your feelings. They're still a snarl- and mostly self-hatred.

"Yeah," you murmur. "Your voice is nice when you're not being mean."

#jason todd #ask answered #minors dni #reader insert #jason todd x reader #science experiment!reverse

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raven-at-the-writing-desk · 6 months ago

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an impolite use of magic

I was rereading Malleus’s Dorm Uniform vignettes to gather information for another post! Something that stuck out to me upon the reread was how magic can be used in an insulting or disrespectful way. We often hear about how both NRC and Twisted Wonderland itself has many rules and regulations which govern magic and its uses—but it seems there is a social component too.

A quick summary of the aforementioned vignettes; they center around Malleus trying to make it to a dorm leaders meeting. After his peers fail to successfully remind him of their appointed time and day, Malleus decides it would be easier the other dorm leaders come to him rather than him going to them. He then casts a spell which transfers those he wishes to meet with (the headmaster and dorm leaders), bringing them directly to him. This is where it gets interesting, because it is Malleus using this spell on his peers that offends them.

Azul indicates that he had never been treated with such disrespect and that Malleus’s act is an insult. Vil and Leona express upset that Malleus seems to think of them as nothing more than objects, luggage, a pen, or a book. Malleus says he does not understand why everyone is mad because the same spell he used on them, they use all the time to summon their magical pens to them. Riddle clarifies: “PENS ARE OBJECTS AND WE ARE HUMAN BEINGS!!” Lastly, Idia likens the situation to being treated like a familiar that Malleus sees fit to summon at his beck and call, which is also just as irritating.

Judging by the other dorm leaders’ reactions, we can infer that most mages find it extremely impolite to have a spell which is typically used on objects cast on them/living beings. Riddle implies you must obtain consent before doing so, otherwise it violates decorum. (This aligns with the idea that magic is usually formally regulated; for example, medical mages must still get their patients’ consent to operate on them or to heal them.)

Reviewing the other lore we know of, this piece of magical manners (?) makes sense. It seems to be okay to cast object-oriented magic so long as permission is granted. For example, in Floyd’s Labwear vignettes, Adeuce are shown practicing color changing magic on an apple. Vil would use similar color changing magic to alter his and his father’s clothes when they were being hounded by the paparazzi. A similar situation would occur in Lilia’s Suitor Suit vignettes, in which Malleus uses his magic to create a suit on Lilia that perfectly matches his image. I’m sure there are many other examples you could think of; these are just the most obvious ones that come to my mind.

Where does that leave us? Well, with a bunch more questions!! Firstly, what else is considered rude use of magic? Secondly, are spells which violate control over one’s mind and body also considered transgressions of social norms??? They must be, right?? Then why was everyone so chill when discussing how Ruggie and Jamil used their UMs in the main story compared to Malleus casting his transference spell? Isn’t having someone else’s will overwrite your own equally as, if not more, degrading and dehumanizing??? (We do see the the other students upset about the magic being casted on them after the fact, but talking about the possibility of it isn’t done with horror; maybe because it was already established that doing these things is a no-no.) In which case, Ruggie and Jamil, who have UMs meant to be used on living beings anyway, is also “impolite” because their spells still violate other people’s autonomy. Why isn’t this banned by law or at least regulated?? Because it’s too hard to control through legislation alone? (That actually makes sense 💦)

What about when Deuce cast a floating spell on Ace to launch him at the chandelier in the prologue? Or the time NRC students made rude Halloween goers (Magicam Monsters) leave campus by floating them over the school gates?? Were those instances considered impolite too???? And is it more impolite to use magic against a non-mage (since they cannot defend themselves) than against a mage? They mention in Terror is Trending that there are laws against using (attack) magic on non-mages, but what about non-attacking spells and with consent like color changing magic???

What are the rules around casting magic on sentient objects like the Mirror of Darkness, is that considered rude as well since the object is “living”? Do ghosts count as “living” enough to be offended by having an object-oriented spell cast on them? Where do blessings and curses fall in this, since those can be cast without consent (Lilia on baby Silver in book 7) and can also be cast on objects (Vil with the gifted cake and pie in book 5).

I must.. know… 🤡

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wutheringmights · 8 months ago

Text

After I finished reading The Epic of Gilgamesh today, I entered a fugue state where I sat down and read the entirety of Alanna: The First Adventure by Tamora Pierce.

On the record, I have had a lifelong love and adoration for Pierce's Tortall books. I first read the Song of the Lioness quartet when I was 11, and they rewrote my brain. I love them so much. I reread them and the other Tortall books on a semi-frequent schedule.

It's been a while since I reread any of the Alanna books, if only because my sister took our shared copies when she moved out. I've been meaning to buy my own set for a long while now but haven't been able to justify the purchase. The other week, I just so happened to find the first two volumes at my local indie bookstore. I bought them immediately, as well as ordered the third and fourth book. (And discovered that the store owner knows me by name-- when I went to pick up my order, she saw me and said, Hi Frankie! I got your books over here.) (I may be spending too much money there.)

So I have been in a bit of an emotional rut these past few weeks. Work sucks. Life stinks. The temptation to run off to Tortall and curl up in the fantasy story that captivated me as a kid has never been stronger.

Ergo, I ran off to read the first book as soon as I could.

If you're looking for any critique of this book, series, or Tortall in general, I will never give it. Sure, it's problematic and dated, and in many ways imperfect, but someone else can list out all of its issues. They're all perfect to me.

Anyway, the book. I should say something about this book in particular.

One thing I appreciate about Pierce's writing is how she handles school settings in fantasy. Learning and training is so mundane. All of her heroines have to work hard and put in extra hours of study in order to improve, much less keep up with their peers. It's so normal that it circles around to being weirdly refreshing.

Also, there is still no other fantasy author who handles period talk and birth control the way Pierce does. We make fun of the trope of fantasy birth control nowadays, but I rarely see it presented as it is here: as a part of normal puberty lessons and given long before sex is in the girl's radar. And even today with the glut of YA fantasy stories out there, I still have yet to see menstruation be portrayed as frequently or as bluntly as Pierce writes it.

There was a period of time publishers really tried to push the Tortall books as straight YA, which doesn't work for that reason alone. You gotta market them to middle schoolers. They're the ones just starting puberty talks, and getting scenes like this is so good for their brains.

Moving on: I fucking love these characters. Alanna was an icon of brash, temperamental heroines that have shaped my taste to this day. I love how even in the first book, Jon is kinda shitty. I adore George Cooper. Talk about a taste maker the way this man sets a standard.

I just can't be coherent when it comes to any Tortall books. I have no thoughts. Head empty. I am going to binge the rest of this series as quickly as I can before my library book comes in. Then normal book content will resume.

Before I go, I need to talk about the book covers.

Growing up, my sister and I had these covers:

Which, god. I love them. The black is striking. The art is incredible. Alanna looks so good. They were the perfect pocket-size too. I was going to buy the same edition for my copies, but instead I got the 40th anniversary reprints:

Not bad at all! These books have had some seriously bad covers, and these look great! Very anime, which will appeal to the 11 year olds who need to have their socks rocked by this series.

But, man. I really miss those black covers. One day I will splurge and buy a second set of them just so that I can stare at the art.

#having a not normal time on tumblr dot come right now #alanna my beloved #if you were a deity i would worship you #me rambling #me reading #bookish #books and reading #books #bookblr #Alanna: the first adventure #the song of the lioness #tortall #tamora pierce

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aballadforbarbatos · 2 months ago

Text

the brothers discover fanfic historical romance about them on the shelf

(separate)

inspired by an established zhongven idea i had with my friend where venti writes romantic stories about the two of them together and it gets really popular in liyue to the point of there being an actual book club and hu tao and childe and enjou and xingqiu are all super into it and zhongli doesn’t actually know that venti’s behind all this

i never did write the part 2 to that immortal post. maybe that will be next. also don’t think too hard about the privacy laws or anything just accept that it could be possible lmao

you needed a bit of extra cash. drawing on the brothers’ unique knowledge of things (satan’s romance books, mammon and valuing things, etc.), you publish very popular stories about dating them. you think you might expand to diavolo next.

(long post ahead)

LUCIFER

diavolo makes a special trip all the way to the house of lamentation just to hand him this book

in front of everyone

the brothers are snickering away, but you look on with interest.

“that type of book doesn’t interest me, and even if it did, i don’t have the time to read it.”

diavolo doesn’t take no for an answer and insists, saying that he NEEDS to hear his thoughts on it

so lucifer sighs and takes the pristine book, but he doesn’t get to reading it until he goes to bed.

“i wouldn’t act like that.” (yes he would)

he hits the middle and after that, it’s all over. you immediately become the protagonist, and he devours the pages faster than satan could ever hope to

reads it again. and again. and again; finding little details that he missed before, mammon accidentally got dirt on the cover while he was sneaking around lucifer’s room, and lucifer tossed him out a window

“glad to see you’re enjoying the book,” you say to him at some point, winking at him. “you know, a little birdie tells me there’s a sequel coming out soon.”

doesn’t quite catch on that you’re the author, but you can be damn sure he bought that second book too

MAMMON

bought it

didn’t think about what people might think of him

brags about it

“what if people think you’re a loser for buying your own romance book” he visibly wilts

you scowl at the speaker, and then say “mammon i think you’re so cool and brave for buying the book! i’m out of money but i was looking at buying it too!!”

silence. the jealousy is thick in the air. why did you want to read a romance book about falling in love with MAMMON, MC?

anyway, mammon stutters over his usual “well yeah why wouldn’t you”, then settles into his room to read it and escape his brothers’ piercing stares.

he is astonished by how the story portrays him. is the author a greed demon? no, not even the lower demons of his sin know about this.

DEVOURS the book. as soon as he realises the MC is lovely and kind, he immediately sticks you in the main spot. he’s the fastest to do this out of all the brothers

he rereads it the most, too. again and again and again, and then he remembers you said you were interested in it, so…

awkwardly hands you this dog-eared copy of a mammon love story, you smile so brightly up at him that he thinks he might collapse

you read his well-read book and can tell all the parts where he got emotional, from the tear stains to the crinkles in the page. this book is the one you were most gentle with, since he’s your first and all…

knowing he enjoyed it this much gives you a high that lasts for weeks, and the idea for a sequel!

LEVI

sees it on the shelf.

wouldn’t touch it with a ten foot pole

you shove it into his hands in the end and tell him that everyone’s reading theirs so he may as well join the party (nobody else knows this information)

well… if everyone else is, then…

shocked. amazed! shocked that it portrays him so nicely. amazed that it DOESN’T make him seem like a loser!

well there’s probably only one person that thinks of him like that, so…

he puts you as the main character, but doesn’t make the connection

feels very happy reading about pretend-you’s feelings towards him! wow, MC, could this be how you really feel?

…maybe?

puts it in a special place when he’s finished and has a giddy smile on his face for days after reading it

you decide you adore this expression

you’re sad to see it go

you tell him that you’ve read it and you’re so happy that it looks like there’s going to be a sequel

the smile returns! with a big blush because why the in the hell were YOU reading it?!

now you just need to think of an idea…

SATAN

if anyone’s going to find those books first, it’ll be satan.

in fact, he finds them during their early days, before they’ve made any real traction

sends someone else to go and get it for him though

he can’t be seen buying a romance book about HIMSELF??

speed reads it under the pretense of studying

as soon as he starts, he immediately puts you in the main character’s spot

it is NOT the trash he was expecting, it is like sitting by a peaceful brook with the birds chirping on a warm day

hands it to you. “READ THIS. and then tell me what you think.” you don’t ask why he’s reading a romance book about himself

when you do tell him what you think it’s full of author insights, and then you realise that sharing thoughts with him as given you an idea for a sequel. you make up some crap about how the ending points to another book

he’s overjoyed

with your newfound cash, you take him out to dinner to celebrate the release of the sequel when it comes. which you “read” in full view of the other brothers.

ASMO

another one that buys the book in person

also the one who bought satan’s book for him, so he just picked them both up at the same time

he’s not worried about it being associated with his image; he thinks it’s cute!

and also way better than he expected it to be????

he doesn’t read it in one go, but it’s always on his mind

it doesn’t take much to put you in the MC’s spot; they smiled at him, he was reminded of you, and suddenly you were just in the book! crazy

finishes it. gives it a public endorsement (his brothers think he’s crazy). starts a book club!

and of COURSE you join it, because “of course i’ve read it, how could i not?”

not only is the group positively massive, when a sequel is published, they put on a massive party to celebrate

you truly feel like that book is your greatest accomplishment

BEEL

it catches his eye while he’s waiting for satan

he was promised a bought lunch and he’s sure as hell going to get it- what’s that?

the thought that people might find it weird does not even come into his head. he doesn’t care

he buys it and then promptly forgets about it until a month later when he sees it on a high shelf in the kitchen (he got distracted)

dusts off the cover and reads it while he waits for one of his brothers to cook dinner. has a side snack anyway though, and gets crumbs all over the pages. you smile fondly when you see this

beel is mesmerised by this book. it takes him a little while to get into it, but he keeps reading because there’s not really anything else he could fit in. BOY is his patience rewarded!

between kissing this main character and them gently reassuring him and treating him exactly as- hey, wait a second.

anyway, he totally loves it. reads it all the way through dinner, but nobody tells him to put the book down, even though satan gets told off for it all the time

after dinner he says he’ll do cleanup and then immediately wants to talk to you during it. you kind of have an idea what it’s about

he’s the only brother that catches onto the author’s identity

you wrote the books, right?

yeah… i didn’t want to get a job but i was also low on grimm, so…

thank you. i really liked mine.

yeah? did you put me as the main character? i know the others did, so it’s okay to tell me! :3

BELPHIE

buys it just to mock it

tells everyone he’s going to mock it, too

he’s the last one to buy his, and everyone that’s finished reading theirs just look at him disbelievingly

the MC is so lame, he says; satan’s head whips around and hisses, forgetting that the MC in his book (which he sees as you now anyway) may not be the same as in his book

he does settle down properly and read it though, in the attic

he starts off by reading it in bad faith and points out something the main character says that he thinks is stupid

thoroughly used to his behaviour by now, you brush it off and repeat the line back to him, effectively you-ifying the main character

oh. oh this book is suddenly so good. devours it. rereads it to make up for the parts he lost out on.

feels really bad for dissing it early so he makes a social media post promoting it

your bank account is getting more money than mammon can drain it! you thank him with a kiss on the cheek. he has no idea what it’s for

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vidavalor · 25 days ago

Note

I've had to disconnect from my dash because of all the negativity; I honestly do not get why people are acting like a semblance of justice+a movie is the worst thing in the world?

I'm mourning for the full six-episode season we lost because ng couldn't pass the utmost basic sub-zero bar for not acting like scum and of course I wish amazon had kicked him out and then sprung for it anyway (and honestly, as long as you're blaming the right person, I think it's fine to feel upset? We deserved better, the cast and crew deserved, Terry deserved better, and this one guy ruins it for everyone because the bar was buried six feet deep beneath the ground and he still managed to go lower, and that does suck, and it is miserable and unfair, so take a moment if you need it 🤷‍♀️) but let's face it, we got off lucky. Arguably, considering this was a standalone novel from the nineties, that then got made, in one of the best book adaptations I've ever seen, into a limited standalone tv miniseries (and, again, emphasising the standalone here, so even if it all goes to hell in a handbasket, we'll still always have S1 and the book; people have been ignoring the Jurassic Park sequels for nearly three decades), and then got a surprise sequel, we were pretty lucky the whole way through.

And regarding the whole what if it's bad thing, I was always going to be worried: I was anxious long before this shit went down, and I was anxious before S2 and even S1, as well. It's not like we ever had any guarantee it was going to be good beforehand either, and at this point, knowing what we do now, I'm not at all sure I'd have trusted ng to write this anyways. So while, yeah sure, I'm maybe a little more anxious now, I trust Michael and David with these characters and I trust Rob and Rhianna with Terry's legacy and story and that they wouldn't have fought so hard for this ending unless they planned to keep fighting and thought they could pull it off. Isn't the problem with this kind of thing normally that what happnes is the creator who cares deeply about the work gets pulled in favour of someone out-of-touch who cares not a jot about the story and needs to leave their own grubby fingerprints all over it? More the other way around here, no?

Anyway, what I also wanted to say was that I really appreciated your 'think of it as the final two episodes of season two' (and all your takes on this situation so far, very level-headed and optimistic, thank you). I mean, you're right, and it's hardly wildly out-there for a series to finish on a feature-length special, and although the filler material in S2 and the compression of S3 maybe means it doesn't exactly resemble what the second book would have been, it was only ever meant to be two books. (Don't get me wrong, I enjoyed S2 and was very glad to get it, even though I am a book/S1 fan and also had the most fun in that time fandom pre/post/around the time of the S1 release, but why does it exist? Ego? You can't tell me you couldn't have fit the important parts of S2 into one season with the S3 plotline.)

Basically, I'm grieving the could-have-beens (imagine if he'd been exposed way earlier and the TP estate had had control of this whole production from the very start!) and I'm a little worried that that hurt'll stick around no matter how good S3 is - which I need to fix, because that's more power over my favourite show and what it means to me that I want to give anyone, let alone someone like that - but at the end of day, I do think it definitely can be done with what we have, and I'm choosing to be hopeful it'll be done well, because, well, why wouldn't I?

(I will say this hasn't been great for my faith in humanity, because I really want to believe not all men are shit and some of them are making it very difficult right now, but that's an entirely different problem and so far believing most people are mostly good has always prevailed in the end so. y'know. we'll get there. might reread discworld, that's always good for that.)

Sorry for venting all this at you! I just kinda felt the need to write it all down once to get it off my chest... have a snack on me? I'm partial to cherry tomatoes, green melon and mandarines at the moment (I stop eating salads in winter, which means I default to eating even more fruit) but I can also offer homemade baked goodies fresh from this morning? 🥧

Hi there. 💕 You are welcome to vent away & thank you for the delicious-sounding snacks and kind words. I'm glad my posts on the movie boosted your spirits about it. I agree with and can relate to almost everything that you said here so assume that anything that I don't address just has a 'yes, absolutely' nod happening. 🙂‍↕️

The one thing I want to touch on here is S2 and this idea of it being "filler" that you mentioned that I think might not be quite accurate. I think you (and anyone else who reads this) might feel more enthused about the idea of a good ending in 90 minutes after reading this so hopefully this'll be another way that I can help?

On why S2 is really the whole story and actually had a lot more going on in every way than S1...

Ok, I'm going to explain something that drives writers like myself bonkers 😂 and that is how some readers or viewers of fictional stories mix up plot and story.

Nothing grinds our gears than reading things like "filler" and "unnecessary subplots" because, while everyone is within their rights to have an opinion on written works, 95% of the time, the person who says phrases like this isn't talking about the quality of the work but of its very existence. They're saying "why did we have to read/watch this? it didn't connect to anything" and that's where they are very, very, very... argh, just tell them, Crowley...

...thank you, dear. Right, so, why is it wrong?

Because what many people who don't write don't understand about subplots and more character-driven story arcs is that the writers sat down and decided to do that stuff for very, very specific story reasons. Readers and viewers mistake plot for story. Plot only exists in service of story and, so, all plots exist for a purpose in the story. They're all relevant. In fact, the stuff people usually label as "filler" in a story is really exactly where they should be looking to figure out what the story is saying. If you're big mad about all this time you spent with Maggie and Nina in S2, I'd say you might not still understand what S2 was about because you won't understand Aziraphale's story without understanding both Maggie and Nina's struggles in S2, for example.

A story is the whole, overall thing. It's the meanings, themes, and messages in the work. It's what's being said. It's the ideas being put forth by the piece. It's what it's about. It's different from plot, which is just the stuff the writers are making the characters do or not do in order to tell the story that they are looking to tell. Story is the art; plot is a tool used to make that art. Fiction writers can come at their story from almost anywhere to convey what it is that they are trying to say so there is meaning in the fact that they are choosing to tell their stories the way that they are telling them. They came up with these ideas for reasons.

When you dismiss stuff as filler, you're saying that it's lesser than more in-your-face and bigger plots (when, often, it's very much not), and you're telling a writer how they should have written their own story-- most of the time, without even fully seeing the ending of that story or giving any consideration to why it is that the writer wanted you to read or watch the stuff you're saying wasn't necessary. I'm not arguing that every story is perfect but you aren't getting anywhere near close to being able to evaluate a story if you're not willing to dive into what you were given and consider why it was that you were given those things and what they might mean.

Until the main question that you're asking about every single aspect of a story is "what is this saying?", you're not really fully engaging with a work. You won't get there by dismissing what the artists are telling you is important.

The secret sauce to interpreting fiction are subplots, actually. They exist to help highlight the themes of the main story, often in a slightly more direct way. If you want to understand Good Omens, starting with Ineffable Bureaucracy is actually one of the best ways to get at the core of the themes of the story. It's far from wasted time in the story.

There's actually a funny nod to the importance of subplots in 1941 when Aziraphale references Sophocles, the playwright who basically created the concept of the supporting character whose story mirrors and parallels the main character(s). The mention of Sophocles shows up in S2, the season that brings Gabriel more fully into his purpose as exactly that.

The reason why S2's plot is centered around the honestly pretty easily solvable mystery as to what's happened to Gabriel is because Gabriel, from the get-go, has been the entire story distilled down.

If you follow nothing but Ineffable Bureaucracy in Good Omens, you're going to be closer to getting what it's about and where it's going and what its end game is than you are if you are dismissing it as wasted time when we only have few episodes left. If you haven't yet seen the secret wisdom in Jim-- not to mention understand that Jim and Gabriel are the same person-- then you're probably wigging out more about the movie.

You likely think that S2 was wasted on stuff like Gabriel, or Maggie and Nina's romance, when they should have been getting to Armageddon and The Second Coming already!

You haven't yet noticed that Armageddon has more than one meaning in the series.

It's not always the literal destruction of Earth but also a person's own life crisis. We are all worlds of our own and those worlds can be put at risk if we don't let others in and take care of ourselves and those around us.

When you realize this, you can start to see that S1 goes hard with a freight train of plot all over the place that is related to Armageddon in a more Biblical, apocalyptic sense while it establishes its universe for us but that, once we know how it all works, we can get something like S2... a time where we can step back and start using Armageddon in the more figurative way that the story is also presenting it.

We need to because the story isn't about Heaven or Hell-- it's about being a person. S2 is emphasizing the deeper aspects of the themes and rolling that out at a pace more in line with a person having a few days of inner crisis. When you see that Aziraphale's crisis is the point then you can see how S1 can be about The Four Horsepeople riding to the end of the world and S2 can show War (inner conflict), Pollution (mental health issues), and Famine (symptoms of the other two; lack of food and pleasure and connection; self-starvation and self-denial) as a mental health crisis.

The point is that if you're thinking these characters need to come together to overthrow Heaven and Hell and get to the South Downs Cottage and there's no time slajdflkfwjlkejlje!?!?, then you aren't realizing that not every revolution involves guns and bombs.

People all over the world can start a love train that's far more effective. You might think a subplot about The Hellhound and The Ginger Cat learning to play nice and that they have a fuckton in common and should maybe bury the hatchet and just become eternal bffs already is filler but Crowley and Gabriel aligning is set up for the end game. It's strength in numbers and finding peace and family. They can't overthrow Heaven/Hell without help and Gabriel is the Supreme Archangel. They literally will never have a South Downs Cottage ending without a plot that helped Crowley and Aziraphale see that Gabriel and Beez are on their side.

This is the revolution in Good Omens:

It will take all the characters coming together to overthrow Heaven/Hell and set up something new for us to get a happy ending and we absolutely will. S2 is Gabriel-centric because Gabriel is the key to all of the characters getting a peaceful ending and because he's a split-directly-down-the-middle mirror of both Crowley and Aziraphale. In a season that is more about Aziraphale's inner Armageddon than about an external threat, Gabriel is vital to telling that story. The plot of S2 is every bit as important to the story as S1. I'd argue that it's even more important because takes the time to go at the themes in a slower, deeper way. It needs to because it's a story of a fall that sets up for a story in S3 of a recovery from one.

Good Omens is the absolute perfect combination of a show that is both very, very detail-oriented and full of depth while also being, secretly, an incredibly simple story. I do not mean simple in a negative way but in a chef's kiss sort of way. Simple in a tight and elegant sort of way. This is something that I think some people might not see when they're theorizing but it's something to keep in mind ahead of the movie. Not just because the movie is shorter-- this would have been relevant if we were having a longer S3, too.

Good Omens has a very engaged fan base that looks for the details, yes. *raises hand* I'm one of them lol. And there will be plenty to pour over in the movie, but... the big thing to keep in mind is that your theory needs to be something that is simple, that can be explained in under a handful of scenes, tops, and that is focused on where Aziraphale's story arc is going above anything and everything else.

If you're beginning with time loops and the birth of a new antichrist baby, I'm telling you from ages of experience reading and writing stories, you're going to be way off. If you are over here composing theories of the story that you are arguing are correct and this theory involves, idk... *makes something up* Crowley is really Elvis and Elvis is really The Bentley and when a rainbow hits Whickber Street at exactly 4 minutes into the new season, Satan will be revealed to really be Jesus, I think maybe you might be missing the point of the details that the show has given already. Like the plot, these details exist to reinforce the themes of the story. Story beats everything else-- it's what this is all about.

And what Good Omens is about? Is best summed up by Michael Sheen, in this single sentence that I really, really agree with and have paraphrased more than once in posts:

Good Omens is about the business of living. It's about the human experience, which is the experience of being a person. Everything related to Heaven and Hell and good and evil and Armageddon and supernatural things is plot that only exists to highlight a story about the complexities of being a person.

The supernatural is human and the human is supernatural.

That is what Good Omens is about.

While Crowley and Aziraphale are built as two halves of a whole and are both main characters, Aziraphale is the main character from a technical, story perspective, because he is the character whose story arc is driving both the plot and story forward. He's heading for a happy ending with Crowley in the South Downs by the end of the film. If you're making theories, start with what kind of plot would truly get him there and still fit with all of the themes of the story.

This 'it's about being a person' business is why if you look at S2 as filler and not as a season that is exploring the continuing themes on a deeper level, you're still worried about things like there being no time in a movie to show the story of a new antichrist kid being born or how they're going to fit the whole Second Coming into the movie. You don't yet see that Aziraphale parallels Adam and that being an antichrist is basically just being a person and that Aziraphale is presently the antichrist in the story. There is no antichrist child yet to be born. They won't be cutting it because it's not the story.

Armageddon since S2 has been Aziraphale's own personal one and the story from the end of S2 on is now how, if all the other characters can't come together to help him, it could also trigger Armageddon of the S1, Earth-destroying kind. It's tying a more literal Armageddon into a more figurative one. Because this story is about being a person so Armageddon is just metaphorical for going through a mental health crisis and shutting people out.

This story's themes include that every person matters and we all have to let others in and look out for one another. That there's strength in numbers. That found family and adopted family is as much family as biological family-- often, even more so. That labelling and categorizing people is bullshit and you should always open the cover and read the first sentences of people and help people whose stories begin with the same letters find one another. That it might be surprising who has things in common. It's about all of Heaven and Hell versus all of humanity, in the sense that ideas of being a perfect angel or being seen as an evil demon are concepts felt by human beings that get in the way of peace and healthy, happy living, but that fighting them is a common, human struggle, regardless of from where you come.

If you are too focused on the religious plot being the center of the film, you haven't yet seen the meaning of why the end of S1 was an eleven year old kid saving the world by telling off the bio-dad that was never there for him. You might be one of the people who thought this a silly, anti-climatic ending to that story, and don't yet realize that this is the entire story in a nutshell.

Adam can only reject Satan and keep the darkness at bay because he is surrounded-- here, literally-- by a family that supports him. He has good people for parents and was lucky enough to grow up with resources that all kids in this world should have. He has an absolutely terrific group of friends. He has this witch lady and her boyfriend and these two gay uncles that just showed up out of nowhere 😂 and his human incarnate self has what it needs to make it through this crisis, in this moment, even if he'll probably have others throughout his life, just like all of us. He's not evil incarnate and he doesn't have to be perfect-- he's just a person.

Aziraphale tells Adam this but struggles to see himself in the same way. That's what S2 is about.

S2 is about that other kid who, like Adam, breaks the season down into a single line of dialogue, David Tennant's apparent favorite from the season:

Jemimah knows who she is and she is happy to claim ownership over her art and contributions to the world. She's living her life with excitement and enthusiasm in a way that gets more complicated as we become traumatized adults. Crowley and Aziraphale struggle with this. They have been making a life together on Earth for thousands of years and each struggle, in their own ways, to truly accept that they are people who are allowed to have a life because they struggle to accept that they are people, just like everyone else.

Their story is about getting to a better place with that. That's really all Good Omens fundamentally is. That's why their ending is going to be to go live in a little cottage together that isn't a business that covers up an angelic embassy that covers up a secret love den. It's just their house-- theirs together for the life they're going to live openly together.

If you want some peace with the film, I'd advise throwing over your theories about The Second Coming and Armageddon needing to happen and antichrist kids and how Jesus fits into everything. Jesus in Good Omens is Crowley romancing Aziraphale at the crucifixion and Aziraphale using what Jesus said to Crowley to reject temptation as invitation to fuck him. I thought Jesus in a single scene or less was the most likely thing for S3 and the same holds for the movie. It's not the story. The only time The Second Coming is mentioned in S2 is by the villain and, to get there, Earth would have to first be destroyed. It won't be.

If the story is about being a messy human walking the Earth and we're in the end game now, then the story is about Aziraphale and only Aziraphale. Everything-- everything-- will be in service of Aziraphale's story arc. We already had just a few episodes with S3 and we now have even less time but the way this is going is still the same. The story is Aziraphale's fall and the other characters coming together to challenge Heaven to keep Aziraphale from eternity in Hell. That's how Armageddon is stopped this time around-- overthrowing Heaven with Aziraphale's fate as the motivation to take on The Metatron. It's nothing to do with Jesus. It's everything to do with Aziraphale.

When you see that, you can see how feasible that is in 90 minutes, with plenty of time for things like 1941, Part 3 and other flashbacks.

I think, when all is said and done, you might wind up appreciating S2 more after the film but you can get there already if you start looking at it less as meaningless fluff and start asking why it is that we were shown this story, in this way, and what that can tell us about the story we're watching.

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