#any tips are very welcome
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this-geek · 11 days ago
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One of my goals this year is to dedicate some time to learning to draw better than I do right now. So, I am going to do some trios over the course of the year (it might be monthly, or six monthly depending on y'know life) to track my progress.
I use autodesk sketchbook, and while I did attempt to draw these 3 from memory in the end, I did have to use a picture of two to get some details better. I am well aware I still have a lot to learn and I can't wait to work on this skill this year.
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For January, I have selected Dorothy Zbornak, Elphaba Thropp (film portrayl) & Constance Hardbroom.
T.G 💜
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causeilovesome1 · 6 months ago
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my latest venture into realismo
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bucksangel · 3 months ago
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anyway i have a job interview on wednesday (it's for a personal assistant position) so please wish me luck because i need a job so fucking badly
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effeiya · 5 months ago
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httpiastri · 2 months ago
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okay but like. what if i were to start watching hockey and grow an obsession with it and maybe even write abt it. all because of one cute man. then what
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plasma-packin-mama · 2 years ago
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HELLO MY COMMISSIONS ARE OPEN
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I'm officially offering two things right now, but if you'd like me to draw something else please free to message me about it and we can chat!! :]
Sketch Headshots: a shoulders-up drawing of whoever you want, with loose marker-style coloring. 10 dollars!
Toony Style: a full-body drawing of whoever you want in my silly toony style that I use for doodles and comics. 10 dollars for one character, +5 for each additional character in the drawing. (I may add a limit to how many characters can be in one drawing) They will be standing in a blank void/simple abstract background unless requested otherwise. I can do simple short comics and stuff in this style, so if that's something you'd be interested in let me know and we can talk about prices!
I take payment upfront thru PayPal or Venmo!
Please have reference images ready. This can be your art, photo collages, video game screenshots, whatever! As long as I have something to work from.
Turnaround won't be more than a few weeks. I'll let you know if and how many people are ahead of you in line when you message me.
(thank u to my besties @luvlorne and @thebigolbee for letting me use their OCs as examples hehe)
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wonder-worker · 10 months ago
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Margaret of Anjou’s visit to Coventry [in 1456], which was part of her dower and that of her son, Edward of Lancaster, was much more elaborate. It essentially reasserted Lancastrian power. The presence of Henry and the infant Edward was recognised in the pageantry. The ceremonial route between the Bablake gate and the commercial centre was short, skirting the area controlled by the cathedral priory, but it made up for its brevity with no fewer than fourteen pageants. Since Coventry had an established cycle of mystery plays, there were presumably enough local resources and experience to mount an impressive display; but one John Wetherby was summoned from Leicester to compose verses and stage the scenes. As at Margaret’s coronation the iconography was elaborate, though it built upon earlier developments.
Starting at Bablake gate, next to the Trinity Guild church of St. Michael, Bablake, the party was welcomed with a Tree of Jesse, set up on the gate itself, with the prophets Isaiah and Jeremiah explaining the symbolism. Outside St. Michael’s church the party was greeted by Edward the Confessor and St. John the Evangelist; and proceeding to Smithford Street, they found on the conduit the four Cardinal Virtues—Righteousness (Justice?), Prudence, Temperance, and Fortitude. In Cross Cheaping wine flowed freely, as in London, and angels stood on the cross, censing Margaret as she passed. Beyond the cross was pitched a series of pageants, each displaying one of the Nine Worthies, who offered to serve Margaret. Finally, the queen was shown a pageant of her patron saint, Margaret, slaying the dragon [which 'turned out to be strictly an intercessor on the queen's behalf', as Helen Maurer points out].
The meanings here are complex and have been variously interpreted. An initial reading of the programme found a message of messianic kingship: the Jesse tree equating royal genealogy with that of Christ had been used at the welcome for Henry VI on his return from Paris in 1432. A more recent, feminist view is that the symbolism is essentially Marian, and to be associated with Margaret both as queen and mother of the heir rather than Henry himself. The theme is shared sovereignty, with Margaret equal to her husband and son. Ideal kingship was symbolised by the presence of Edward the Confessor, but Margaret was the person to whom the speeches were specifically addressed and she, not Henry, was seen as the saviour of the house of Lancaster. This reading tips the balance too far the other way: the tableau of Edward the Confessor and St. John was a direct reference to the legend of the Ring and the Pilgrim, one of Henry III’s favourite stories, which was illustrated in Westminster Abbey, several of his houses, and in manuscript. It symbolised royal largesse, and its message at Coventry would certainly have encompassed the reigning king. Again, the presence of allegorical figures, first used for Henry, seems to acknowledge his presence. Yet, while the message of the Coventry pageants was directed at contemporary events it emphasised Margaret’s motherhood and duties as queen; and it was expressed as a traditional spiritual journey from the Old Testament, via the incarnation represented by the cross, to the final triumph over evil, with the help of the Virgin, allegory, and the Worthies. The only true thematic innovation was the commentary by the prophets.
[...] The messages of the pageants firmly reminded the royal women of their place as mothers and mediators, honoured but subordinate. Yet, if passive, these young women were not without significance. It is clear from the pageantry of 1392 and 1426 in London and 1456 in Coventry that when a crisis needed to be resolved, the queen (or regent’s wife) was accorded extra recognition. Her duty as mediator—or the good aspect of a misdirected man—suddenly became more than a pious wish. At Coventry, Margaret of Anjou was even presented as the rock upon which the monarchy rested. [However,] a crisis had to be sensed in order to provoke such emphasis [...]."
-Nicola Coldstream, "Roles of Women in Late Medieval Civic Pageantry", Reassessing the Roles of Women as 'Makers' of Medieval Art and Culture
#historicwomendaily#margaret of anjou#my post#henry vi#yeah I don't necessarily agree with Laynesmith's interpretation (that it was essentially Marian with an emphasis on shared sovereignty)#which she herself says is 'admittedly very speculative'#as this book points out that interpretation tips the balance too far on the other side and has a somewhat selective reading#It's also important to remember that this interpretation was not really reflected across wider Lancastrian propaganda at the time#which isn't really talked about - let alone emphasized - as much by historians but remained focused on the King#For example: look at the pro-Lancastrian poem 'The Ship of State' which hails Henry VI as a 'noble shyp made of good tree'#and emphasizes how he was widely supported and defended by many great Lancastrian lords and the crown prince#but not Margaret who was entirely absent#also look at the book 'Knyghthode and Bataile' (presented to Henry) and Fortescue's various pro-Lancastrian texts in the 1460s#even the recording of that Yorkist trial which was iirc reported in the 1459 attainder#all of these were entirely conventional and highlighted the presence and importance of the King. Margaret was not emphasized.#so either the Lancastrians were impossibly inconsistent about what message they actually wanted to convey about the role of their own queen#or the Coventry pageants were not actually meant to emphasize Margaret in the lieu of Laynesmith's interpretation#and would not have been viewed in such a manner by contemporaries#I think we should also keep in mind that we don't really know what Henry VI's condition was like at the time of MoA's entry to Coventry#we know he had been injured in St. Albans and had only just recovered from his second illness#this is especially important to consider since we know he had also arrived at Coventry before Margaret but much more discreetly#and was not welcomed by any pageants that we know of. This is VERY unusual and can be best explained if we consider the fact that he#may have simply not been in the right state (be it physical or state of mind) for it at the time#in which case the pageants for Margaret should be viewed as more of a improvisation/cover-up/temporary measure to bolster prestige#or Henry may have deliberately taken a more discreet role to emphasize the position of his heir - especially important after the long wait#imo I think Kipling's interpretation (ie: that they addressed Margaret but really referenced the prince & heir) makes a lot more sense:#'Coventry [...] regarded Margaret's entry as a kind of triumph-by-proxy: the Queen entered the city but Coventry received its Prince'#though I think he tends to view Margaret as more of a cipher (and has a very questionable view of Henry VI) which I also don't agree with.#The pageants very much DID focus on and reference her but they most prominently emphasized her 'motherhood and duties as queen'#ie: I think Kipling and Laynesmith tip too far on opposite sides and I think this interpretation takes the most realistic middle ground
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dollopheadedmerlin · 1 year ago
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New cat just dropped
His name is Wyllt
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a-dash-in-the-middle · 1 year ago
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I need advice, what do you drink when you are really tired but you need to study
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fangirlwithasweettooth · 1 year ago
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omg I might actually participate in NaNoWriMo this year 👀
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averydedicateduck · 8 months ago
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Why I can't be a writer: how my mind works
one- two- three- tree, flowers, flour, white•twelve•fourteen
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tommy-thomas · 2 years ago
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Sintax error AU- Chapter 1. Part 3.
Uncommon ally
Alphys, papyrus and undyne stand still, looking at the foreing placed door. The more undyne looked at it, the more she felt uneasy.
Something about that door, other than the fact it wasnt even supposed to be there in the first place, made a cold sweat go down her neck
"Since when theres a door here?" She asks
"It looks weird..." papyrus asked, looking just as nervous as her
"I found it has been some weeks, but thats not what i wanted to show" Alphys aproaches the door, opening it
Inside theres an impossible pitch Black void. Its sight filled undyne with a weird sensation. The felling of dread, and hopelessness
"Its inside it, i want you two to take a look at"
Undyne hesitates for a moment, not sure about entering whatever that was. She could fell papyrus behind her, waiting for her move.
As the Royal captain, she could not show fear, specially not in front of papyrus.
Holding her head high, she got trought the door, alphys and papyrus right behind
Inside there was an impossible big room, lit dimly even tho no light were able to be seen.
The room is filled with a variety of objects. A table with sealed flasks, the remainer of the content still on the bottom of each. A shelf filled with old cassete tapes. A broken glass dome sat in a table, burned papers on its side, an old bookshelf, and at last, a giant computer screen, connected to several other computer bases.
"What is this place?" Undyne asked, felling uneasy but morbidly curious. Everything seemed to move on its own, not always looking quite right.
As if not even the objects knew exactly where they should be.
"My recurring theory is that this place is some sort of pocket dimension, but i am not sure" Alphys around the room, wobbling around sure of her path "since i found this place, i have come quite frequently"
Papyrus looks around, tiping his hat nervous
"This place fells weird..." his voice trembles with uncertanty
"And how will this place help us exactly?" Undynes walk to the table with the flasks, taking one filled with a thick Black goo, looking at everything moving started to make her fell sick. Focusing on something would prevent the felling to get worse
"I dont know yet" alphys said, her voice sounded far
"You dont?!" Undyne put the flask down, trying to locate alphys, withouth success
"Not yet" she grabs a book off the bookshelf, briging it for undyne to see.
"This place have tons of book and reports, all filled by hand from someone unnamed"
She opens the book showing to undyne. The pages have long turned yellow, the ink faded leaving but a small trace of its existence.
"Whoever they were" alphys continues "made hundreds of books around the study of human and monster souls, mostly of it is in an old alphabet. I have been in the work of translating some of it"
Undyne takes a closer look. The ink appears do make some scriptures, made out of a diverse range of drawings. She couldnt read any of it, or even think how this could mean something
"I have only been into a small portion of it, but have already found a lot of new information" alphys closes the book, her blue eyes looking deep into undyne's "if i have extra help, im sure we can find something useful"
Undyne hold her breath. There it is, the woman she fell in love with. Pure determination flamming inside those deep blue eyes.
"You can count on us"
Suddenly, all the computer bases lit up, beeping with life. The giant screen lit showing only a small message
[ i n s e r t d t ]
Bent onto the keyboard was papyrus, his head down, hat on the buttons, not looking well
"Papyrus!" Undyne rushes to him, cursing to herself for leaving him alone
She grabs papyrus by the shoulder
"Paps? Are you ok?" He raises his head, confused and appearing sick.
"Ugh.. " He mutters, putting his hand on the head " evrything.. spinning"
Undyne holds him, sitting him carefully on the ground, keeping close. She wasnt the only one felling sick with this place.
"Papyrus you're a genius!" Alphys runs to them, shoving the hat to the side uncovering a small little hole that glowed strongly.
"I didnt knew it could be turned on!" Alphys looks at the buttons and screen in a misture of surprise and excitement, a smile plastered on her face
"Alphys-" something felt really off, as much as undyne didnt wanted to admit, she was scared.
This place wasnt suppose to exist, she could fell in her soul. The longest they stayed, the stronger it felt
"What is dt..?" Papyrus muttered, his eyes locked at the screen
"Its--" alphys began, but was cut Short by another voice
"Ị̑t̖͊s͙̔ ͎̋b̲̄ṷͮt͍̅ ̫͆t̗͛h̤ͯe͚ͮ ͉̄m̮̾o͓ͫs͎̅t͙̆ ̠̓ị̓m̘̑p̫͂o̮̔r͙̍t͕̾a͉͛n̰ͣt͔ͣ ͙̓t̖̅h͔̽i̝̎n͌ͅg̺̿ ̱̊ò̮f̥̂ ͎̑o̥ͥu̦ͫrͦͅ ̰͗e̘ͦx̳͗i̫͛s͕ͩt̮́êͅn͉̆c̟͊e̥͌!" A robotic squeaky voice boomes, the screen turns into a horrendous laughing face
Plant roots filled with thorns materialized around the screen, wobbling around withouth any type of sense.
In a single second hesitation, undyne evoked her Spear, pushing alphys back pointing at the screen ready for attack
"W̱͑ȍ̩ȁ̟h̞ͧ ̳̽w̼̿o̲̍ ̤̚ẁah there captain haha" the face boings around the screen, as if to imitate trembling, putting its roots up "no need go get a͓̽ ̜ͨg͎ͬ ͕̇r͇̒ ̘ͭe̤̓ ̖̉s̲̈ ̪̉s̹̋ ̘́i̞ͯ ͖̑v̫͒ ̰̃ȅ̩ ̬̀ now do we?"
"As MUCH as id love to smash your faces, i am here to simply talk" the face smiles, putting the roots down
"Who are you? What are you?! Are you in change of this place?!!" She demands loudly, putting her spear closer to the screen
It smiles smugly
"Howdy! Im Flowey, Flowey the flower! And i am here to help you guys!"
"Im sure y'all must be confused, but trust me. You're all going to love i have to say"
Is smiles confidently, undyne was more thsb ready to explode that thing in half out of pure spite
"Let him talk" papyrus says now standing up, he still looks weak, but his intentions are filled with anger
Undyne bites her lips, but lower the weapon
"Speak then, flowey"
"Finally, was felling a bit treathed back there!" it laughs, patting the roots on the ground
"Anyway- i know you guys are trying to find a way to.. well, kill the human"
"And dont get me wrong, i totally support killing that piece of shit. Buut you guys will never succeed at this rate." It snarks
"So, i decided to give a little help. By telling you guys where to actually start. Which iss-"
It moved the roots, poiting at the tiny shining hole
"Right here!"
It smiles proud of itself, ankward silence remains
"Ok i heard enough" undyne brings her weapon up again, ready to jam it on the keyboard
"heyͬ ͒h̓E̲̔Y̭ͤ ̣̍H̱̊Ė͚Y̜͋ ̘͗H̤͛E̼͐ỴͨH̬͆Ḛ̎Ȳ̮H͂ͅE̗̒Y͕̓ ̣̾N͈ͯO͔͂ ͓̌N͔ͭḘ̑E̘̓D͕ͧ ̩͊T͍ͯŌ͓ ̠ͧG͓̿É͓T͕͒ ̝ͩÂ̠G͔̽R̝̽E̲͊S̥͐S̱ͨǏ͙V̯̍E͇͌!̖ͦ!̯ͮ" The voice squeals, the face getting smaller trying to 'get away' of undyne
"Ī͉T̘̏ ͙̎M̱ͯA͖̽Y̱ͣ ̰ͩL̰͂O̦͐O͇̅K͙̎ ̰͒S̪͑T̼̍Ü͓P̟̌I͇ͭD̗ͨ ̦ͫḆͯU̼ͭT͓̅ ͖ͬL̻̓I̫͒S͛ͅT͉ͦE̳̚N͎͑.̓ͅ ̱ͣA͖ͫL͉̓L͓ͫ ̳ͦW̖͊Ė̦ ̻ͨN̺̔E̹ͧE͚̔Ď̺ ̼̄A̔ͅ ̺̔S̠̚M͍ͪA͍ͯḶͧL̃ͅ ̮̀L̠͌I̟̚Ṭ́T̮ͩL̙̈́Ē̟ ͕͋P̗̃I̦ͯE̦̓C̩̃E̝̎ ̫̎Ö̰F̦͂ ͆ͅT̺̐Ȟ̭E̮̎ ̦̓H͚̅U͔͋M̤ͥAͥͅN̫̍ ̙̍D̩ͤE̖̓T͙͐Ë̤́R͕̐M̞ͩI̫̔N̯͐Ả̭T̫́Ì̼O̝͒N̺ͯ,̳́ ̦̽T̗̍Ő͍ ͈̈́S̹ͪH͚̃ẠͦT̬͗T͉̾E͍͗R̯͌ ͚́İ̗T̤͆S̳̊ ͍ͪS̻̒O͎̿U̙͐L̞ͦ!!"
"Determination? Are you crazy?!" Alphys go in front of undyne, almost getting blastered making undyne jump back
"C̹ͧr͓ͫa̲ͯz̜̏ỹ̞?̘̀ ̞̅Ḿ̦a̩̿y͔̒b͔ͮe̙͗, l̯ͯȳ͉i̬ͦn͖̐g͕ͧ?̼̉ ̗̓N͖͛o̜̒t̟͑ ̘̔a͇̍t̗ͨ ͔ͦa̰̓l͇ͣl̰̏"
"Think with me. What's the only thing that can kill a human? Another human. But since we can't really get a human here, we just need something strong like one"
"But DT its stupidly hard to get, and my lab, even if i knew how to use the old machinery, is looked over 24/7 by the human. And even then we'd need to reach its soul!"
Alphys voice squeals as she get more and more agitated.
"Not exactly!"
"With only a drop of its blood, im sure we can get DT. As long as we drop it here"
Flowey points at the little hole again, grinning
"Still really hard to, dont you know what that thing is capable of?!" undyne sweat runs cold, what was that thing thinking?
"Oh i know silly" flowey snarks "thats why i will help to trap him if necessary. Of course i will be counting on you guys to bring him to the flower patch, on the ruins. To give the first attack and to do all the hard work, buuut im sure yall can handle it"
Flowey blinks it eyes rapidly, as if trying to imitate a cute face. Failing miserably
"Why should we trust you?"
Papyrus sound angry, he holds himself on undyne, who is more than happy to fell him close
"Ẉ̷͐h̴̭̀a̧̞̒t̨̗ͫ ̵̙̂o̥ͭ͟t̂͟ḧ̵́e͂҉r̢ͫ ̷̳ͭcͤ͜ȟ̷o̊͢i͌͠cͨ҉e̥͐͡ ̡͈̃dͥ͜o͒҉ ̭͆̕ỹ͡o̢̥̽u̵ͭ ͎ͫ͘h̸̤ͯa̛͌vͥ͏ē̴?͆͡" Flowey laughs as everything fades away
When they came back to their senses, they were back at the original door, now with the familiar floor and walls they were used to.
Papyrus promptly bends down and throws up, shaking like a bamboo stick.
Undyne assists, not really know what to do other than give support. She herself was confused and still processing what happened.
The face, that place, so many things felt off.
And flowey the flower didnt looked nothing like a flower
"Lets do this" alphys looks at them serious "theyre right, what choice do we have?"
"We may not have another choice for now-" papyrus cleans his mouth with the back of the hand "doesnt mean we wont find any other!"
"I dont trust that guy, not at all"
Hes angry, looking at undyne intensely
"Do you undyne?"
She blinks for an instant, thinking.
It is truth that the whole thing was a mess
That place made no sense in any type of way, and the weird giant talking computer.
Attacking the human... getting its blood. Even with help she was sure they couldnt make it, no way they could defeat the human.
Yet, something burned inside her.
The honor of a knight, the vow to protect no matter what. The weight she swore to carry, until her body turns into dust.
"I dont trust the 'flowey' guy, but shes right. We need to try"
Undyne set her hand on papyrus shoulder, trying to comfort him
"You dont need go come, it will be dangerous, suicidal, and you have a brother to come back to"
She smiles
"Its not a shame to go back"
Papyrus look at her with suprise at first, then anger, then understanding
"No we.. we need to do this together"
He looks at undyne, not a single doubt in his voice
"Its settled then" she gets up, looking at both of them " tomorrow night we reunite at papyrus house, be sure to not get followed"
They both nods in agreement and a knot get made on her stomach.
What if she just sealed their deaths?
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marcvscicero · 2 years ago
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every day i go to bed and i pray that the next day will be better, that i'll finally wake up and feel okay enough to go gym, which will kickstart feeling productive in the day, which will finally get me out of this horrid horrid episode where i can't even do the things that i love and enjoy.
but today is, again, not that day :(
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pumpking64 · 2 years ago
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guys i have a deadline on an assignment tonight. it's 21:15 now and I also desperately need sleep. but i have 0 motivation. what do i do. send help pls
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aquixoticwrites · 2 years ago
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i think i'm rushing into the first big plot point too fast ,,, i don't think that i'm properly displaying how everyone (the people of the country and even the ruling family) feels about "the sun prince" and how most everyone doesn't even see him as solor. (of course, is that even his real name?) but i'm impatient and want to jump into the main plot. i have a lot of ideas for solor, how he treats people, how they treat him, and how he feels about it all, but i feel like i am bypassing it all just to get to the main plot and...i don't know. i'm not sure how i should change it up or if i should just restart completely
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frownyalfred · 9 months ago
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Tips for writing those gala scenes, from someone who goes to them occasionally:
Generally you unbutton and re-button a suit coat when you sit down and stand up.
You’re supposed to hold wine or champagne glasses by the stem to avoid warming up the liquid inside. A character out of their depth might hold the glass around the sides instead.
When rich/important people forget your name and they’re drunk, they usually just tell you that they don’t remember or completely skip over any opportunity to use your name so they don’t look silly.
A good way to indicate you don’t want to shake someone’s hand at an event is to hold a drink in your right hand (and if you’re a woman, a purse in the other so you definitely can’t shift the glass to another hand and then shake)
Americans who still kiss cheeks as a welcome generally don’t press lips to cheeks, it’s more of a touch of cheek to cheek or even a hover (these days, mostly to avoid smudging a woman’s makeup)
The distinctions between dress codes (black tie, cocktail, etc) are very intricate but obvious to those who know how to look. If you wear a short skirt to a black tie event for example, people would clock that instantly even if the dress itself was very formal. Same thing goes for certain articles of men’s clothing.
Open bars / cash bars at events usually carry limited options. They’re meant to serve lots of people very quickly, so nobody is getting a cosmo or a Manhattan etc.
Members of the press generally aren’t allowed to freely circulate at nicer galas/events without a very good reason. When they do, they need to identify themselves before talking with someone.
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