#any adaptation really

[tgshydestan]

people who draw hyde absolutely soaked covered in blood maybe even beaten up i love you i love you ok can i give you a kiss on the cheek ok i love you thats exactly the state hyde should be in constantly all the time i love you

[dinoserious]

kofi comm! was givin a lit of leeway to choose a bug, and im a diptera girlie at heart, so common brown robber fly! smile

[mummer]

rhaenyra outsourcing motherhood to rhaena and assigning her that passive feminine role was REALLY interesting….. rhaenyra as a character is at her most fascinating when she is forced to navigate and ultimately perpetuate the gendered structures she despises and wishes she could transcend— the seeds of her tragedy already sewn here. just great character work

[miikpal]

i ran and i ran

[artificial-condition]

Every day I grow more and more assured in my convictions that the Murderbot diaries needs to be an animated show

[numbuh424]

I just love it when death note adaptations get meta. When they point out that this story has already been told before. Deep down, L and Light know they're bound to their roles, that they've done this all before, and that this story can only and will only ever go one way for them.

[lowliest-manifestations]

I get why Veiled Lodger doesn’t get adapted a lot. I get it. It’s a Holmes story where Holmes basically sits and listens the whole time. But it has so much potential!

To start I actually think that sitting and listening is integral to Holmes’ character! I think a good filmmaker could easily make this fun to watch if done right. I think Veiled Lodger is a story that has a LOT to say about who Holmes is, and just taking the most sensational parts of it and adding it to other stories (like Granada did) is a mistake.

That being said I do love the sensational parts of it… Lion tamers, mysterious veiled women, betrayal, doomed love etc. It’s super Victorian and dramatic and ridiculous and also genuinely quite sad! Delightful!

Veiled Lodger was definitely the Holmes story that conjured up the most vivid visuals in my head, just imagine the circus aesthetics… juxtaposed to Ronder’s sparse and depressing living space… Give me a film budget I could make this work.

Veiled lodger also has the line “Your life is not your own, keep your hands off of it.” Which is a fascinating sentiment and one of my favorite lines in the Holmes canon… Really the whole last page of this story bounces around my head like a screen saver and I’ve yet to see anyone explore it the way I would like.

I want to see Eugenia Ronder dealt with in modern hands, I think her character has a lot to say about agency! And I’m tired of women in canon getting the misogyny treatment.

[seefasters]

this is still the silliest book crowley moment to me like aziraphale gets distracted and doesn't pay attention to him once and suddenly crowley is chief resident of mope city

[see-arcane]

me: "Wow, The Green Knight (2021) dir. David Lowery, starring Dev Patel is such a breathtaking classical epic. It's so richly portrayed in its fantastical and character study elements. The dynamic between Gawain and the Knight, plus the pseudo-throuple chemistry of him and the 'Lord and Lady' is so well done. Gawain seeing the ruinous vision of where cowardice and pure self-preservation would lead him as opposed to a dignified ending (so he thinks it will be) and being a fellow of honor and a kept word was incredibly powerful. What a marvel of storytelling. If the movie is this good, I can only imagine how great the original poem must be!"

The original Sir Gawain and the Green Knight: This poem is 99.99% descriptions of feasting, pretty armor, and how great wonderful hot awesome virtuous beloved Gawain is. Also how utterly jacked and virile and sexy and green the Green Knight is. No it will not explain how or why an explicitly pagan Fae-coded forest entity is a devout Christian, ditto his wife and castle staff. Merry Christmas, Happy New Year, enjoy this spontaneous rant at the end where Gawain blames his and all other great men's ills on falling for evil icky women wiles--directly after being told by the Green Knight that his wife was working under the Knight's orders to tempt and test Gawain in the first place. Green Knight and his lady are still DTF and let Gawain crash with them though, xoxo

[queeringclassiclit]

Victor Frankenstein & Henry Clerval

from Frankenstein by Mary Shelley

[bugsbenefit]

genuinely still baffled by the "they don't need to address Mike's sexuality, all that matters is that he's in love with Will" crowd. especially when people say it who claim to care about Mike's character (when you could also just say you don't really care for that part of the show, which would be fine, no one cares about all characters/arcs)

because Surely you realize how him being gay or bi would change his entire character, right. whether he's attracted to girls or not would change the way all his actions up until now are to be interpreted. not even making a statement on his sexuality here, this is generally speaking

if he was actually attracted to El you'd have to address when and why he suddenly stopped loving El since in fiction "it just happened" isn't usually a satisfying answer to breaking a multi season couple up. Why is Will it for him? he's been acting weird for ages so when did he realize? and what made it click he fell out of love with El for good? you'd have to give some explanation for why he was able to proclaim his love for El accidentally in s3 and then fail to do it in the same season while looking uncomfortable with kissing her and so on since his pov was so majorly withheld

if he's not attracted to girls his arc in s5 needs to focus more on comphet and how dating El affected him/why he felt he couldn't break up with her/homophobic attitude in his surrounding slash Hawkins. or the idea of platonic and romantic love in general. there would be no how he got from point A(El) to point B(Will), like what the focus of a bi!Mike s5 arc would have to be on to explain what happened, but a focus on how he ended up at point A in the first place and why he was stuck there/how it affected him

and even core moments of the series would have entirely different meanings depending on if he's attracted to girls. "it's not my fault you don't like girls" being a peak example. if he's gay it's easy to explain it with projection. if he IS attracted to girls though it would read as a much more intentional (even if blurted out) act of homophobia, since it would be him pointing something out that Will genuinely does (not liking being around girls) but he himself can't relate to

and that's all just the surface level differences. Mike being attracted to girls or not being attracted to girls would give his arc an entirely different focus in s5. AS WELL as make his past actions have entirely different meanings. the idea that "it doesn't matter for his character" is so insanely wrong it's wild how many people confidently peddle it

[glassrunner]

while isha was very much a cutesy character that helped soften some of the harsh moments of season 2, i ultimately feel that her existence was unnecessary.

the moment she appeared onscreen and immediately tagged along with jinx, i got the sense that she was incredibly hamfisted into the plot for the purpose of eventually making jinx Suffer More. the progression of their relationship (which i understand happened over a timeskip, but seriously that timeskip is doing too much heavy lifting -- a problem in its own) from "annoying kid following me around" to "new little sister" isn't elegantly alluded to, it's constantly made extremely obvious. and just to make sure we get the point, riot puts the final nail into that narrative coffin by having jinx literally say aloud that isha is a basically a younger version of powder and paints her hair blue. and then two episodes later, she's gone. just to give jinx yet another reason to go insane, which she doesn't really need.

isha has literally no dialogue. she serves to remind the audience of jinx's past, minus the trauma. it's easy and expected to project a young powder onto every scene she's in, which is just a waste of a new character. but even before the direct isha/powder comparison, jinx declares that she's discarded that persona, that "jinx" is no more. somehow, isha's mere presence even calms down jinx's psychosis to the point that she has a mild break for presumably the first time in a while only after isha is taken away, which just feels extremely lazy and gratuitous -- like the big bad Insanity is just a convenient lever to pull when the plot needs more tension and drama, rather than something that jinx has suffered from her whole life, and which silco's death amplified to the max.

all of the interesting plotlines i was looking forward to, like caitlyn's spiral into vengeance and fascism, jinx's rage and grief and psychosis causing chaos, vi and caitlyn either reconciling or being unable to in the end... it all just feels like it was brushed aside. jinx, after firing a rocket that killed half the piltover council, decides she just won't fight piltover anymore; caitlyn, who's grateful for ambessa's support and guidance in her crackdown on zaun, suddenly turns on her to aid vi; vi, forgetting her life-threatening feud with jinx, abruptly remembers they indeed are sisters who shared a life. so many conflicts conveniently resolved in seconds, when they should've taken at least a few minutes to untangle -- all because we needed so much time devoted to isha and jinx's relationship.

don't get me wrong, i LOVE the emotional moments that have been present so far. i think they do still hit, but their beauty is definitely muted because the pacing is a complete disaster. it was really difficult to enjoy isha having a bug battle with jinx when 1. i didn't even really recognize that jinx and 2. i was constantly thinking about what the other characters were doing. with how many plotlines need to be wrapped up before the finale (zaun's independence, the black rose vs. the medarda clan, mel's supposed magehood, etc.), i'm really not confident that we'll get a satisfying ending, and honestly i wouldn't have minded not having isha in the plot at all if it meant we could get a more coherent and less rushed overarching storyline.

[aroaceleovaldez]

they cast a 28 year old for Tyson 💀

[relevant rants: here and here]

yeah, i saw - i wasn't holding onto hope of them casting a disabled actor for Tyson (still disappointed, just not surprised) but casting a 28 year old for a middle schooler is really out of left field. It's just an odd choice? Particularly given how much they've been emphasizing age-accurate casting so far.

It makes me really wonder what major rewrites they have planned for Tyson's character. Because as things stand currently there's no way to make Tyson's existing character work with this casting. Tyson is supposed to be in Percy's grade, but Daniel Diemer sticks out like a sore thumb against the child actors. Tyson being in Percy's grade is pretty important for the entire arc of Sea of Monsters with the main character arc being Percy combating internalized ableism and establishing him as a character who stands up for other marginalized kids. If they remove that, what's Percy's arc going to be for that entire season? At what point are they going to establish that about his character? Or are they just going to exposition it at us like usual with nothing backing it up and no actual character progression? And in later seasons the age gap is only going to be more prominent - like how is Tyson going to work in BoTL or TLO? Are they planning on removing his character entirely for those scenes? Are they going to remove him as a recurring character in general? It'd be really weird if they killed him off or something.

I'm also afraid for if they do try to keep Tyson's disability coding in some form - cause there's kind of no good way it can go at this point. Either they completely erase Tyson's coding because they cast an abled actor for him and that messes up the entire arc of the book and his character particularly in relation to Percy, or they have an abled actor attempt to portray a character heavily coded as having down syndrome (and i believe they're already doing similar with iirc Chiron's actor is abled but they're doubling-down in the show on Chiron being disabled) and given how they've written the neurodivergence themes (or absence there of) in the show so far there's just no way that'd end well. Like, Tyson's characterization is a little questionable to begin with in the books, but given the show's writing so far it just feels like we're very rapidly ramping up for an extremely ableist characterization of Tyson. Like i'm sure Daniel Diemer is a great actor, but... i'm just getting real tired of the show erasing the entire premise of the series :T

anyways as per my initial post about pjo tv tyson casting theories i guess it's time for me to start tearing stuff apart with my teeth ¯\_(ツ)_/¯

[holyshit]

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[puppppppppy]

the shyest creature on earth dreams of art streaming

[corey-wh0re]

Return To Silent Hill (2024) | written by Christophe Gans, Sandra Vo-Anh, & Will Schneider & directed by Christophe Gans