#anxiety and fear portrayal

[crazydiscostu]

How Does Finding Nemo Deal With Themes Of Disability?

Finding Nemo is a film that deals with themes of disability in a nuanced and sensitive way. The film portrays physical disability, mental health, and the challenges faced by those with disabilities in society, in a way that is respectful and empowering. The characters and scenes in the film demonstrate the importance of determination, trust and self-confidence in overcoming disability and they…

[gothamsaved]

Retreating onto my multimuse for now. Headspace isn't the best rn cause of IRL factors and dragon age seems safe rn to indulge in so... Will be playing dragon age and wrapping self up in my inquisitor OC stuff for time being.

[ahsterism]

honestly thank god the fact that i’m probably going to be way too busy to excuse it is stopping me from making a michael blog bc if it weren’t for that i’m still scared of reaching out to new people anyways-

[redmyeyes]

The perfect life, the perfect lie, is one which prevents you from doing that which you would ideally have done, painted, say, or written unpublishable poetry, but which, in fact, you've no wish to do.

- a meditation on the nature of not doing things from Geoff Dyer, from his book, Out of Sheer Rage.

read below, or listen on This American Life

For years, I wanted to write a book about D.H. Lawrence, a homage to the writer who'd made me want to become a writer. It was a cherished ambition. And as part of my preparation for realizing this cherished ambition, I'd avoided reading anything by Lawrence so that at some point in the future, I could go back to him, if not afresh, then at least not rock-stale. Then after years of avoiding Lawrence, I moved into the phase of what might be termed "pre-preparation."

I visited Eastwood, his birthplace. I read biographies. I amassed a horde of photographs, which I kept in a once-new document wallet, blue, on which I had written "D.H.L. Photos" in determined, black ink. I even built up an impressive stack of notes with Lawrence vaguely in mind.

But these notes, it's obvious to me now, actually served not to prepare for and facilitate the writing of a book about Lawrence, but to defer and postpone doing so. There's nothing unusual about this. All over the world, people are taking notes as a way of postponing, putting off, and standing in for. My case was more extreme. For not only was taking notes about Lawrence a way of putting off writing a study of and homage to the writer who'd made me want to become a writer, but this study I was putting off writing was itself a way of putting off and postponing another book.

Although I'd made up my mind to write a book about Lawrence, I'd also made up my mind to write a novel. Writing them both at the same time was inconceivable. And so these two equally overwhelming ambitions first wore each other down and then wiped each other out. As soon as I thought about working on the novel, I fell to thinking that it would be much more enjoyable to write my study of Lawrence. As soon as I started making notes on Lawrence, I realized I was probably sabotaging forever any chance of writing my novel, which, more than any other book I'd written, had to be written immediately before another protracted bout of labor came between me and the idea for what I perceived as a rambling, sub-Bernhardtian rant of a novel.

It was now or never. So I went from making notes on Lawrence to making notes for my novel, by which I mean I went from not working on my book about Lawrence to not working on the novel. Because all of this to-ing, and fro-ing, and note taking actually meant that I never did any work on either book. All I did was switch between two empty files on my computer, one conveniently called C:\DHL, the other C:\NOVEL, and sent myself pinging back and forth between them until, after an hour and a half of this, I would turn off the computer.

Because the worst thing of all, I knew, was to wear myself out in this way. The best thing was to do nothing, to sit calmly. But there was no calm of course. Instead, I felt totally desolate because I realized that I was going to write neither my study of D.H. Lawrence nor my novel.

One of the reasons that it was impossible to get started on either the Lawrence book or the novel was because I was so preoccupied with where to live. I could live anywhere. There were no constraints on me. And because of this, it was impossible to choose. It's easy to make choices when you have things hampering you. A job, kid's schools. But when all you have to go on is your own desires, then life becomes considerably more difficult, not to say intolerable.

Even money wasn't an issue since, at this stage, I was living in Paris. And nowhere could have been more expensive than Paris. The exchange rate got worse by the month, and Paris became more expensive by the month. What the money situation in Paris did was to emphasize that although I had settled in Paris, really, I'd just been passing through extremely slowly.

That is all anyone English or American can do in Paris, pass through. You may spend 10 years passing through, but essentially you're still a sightseer, a tourist. You come and go. The waiters remain.

The longer I stayed, the more powerful it became, this feeling that I was just passing through. I'd thought about subscribing to the cable channel, Canal Plus, as a way of making myself feel more settled. But what was the point in subscribing to Canal Plus when, in all probability, I would be moving on in a few months? Obviously, the way to make myself more settled was to acquire some of the trappings of permanence. But there never seemed any point acquiring the aptly-named trappings of permanence when, in a couple of months, I might be moving on, might well be moving on, would almost certainly be moving on?

Because there was nothing to keep me where I was. Had I acquired some of the trappings of permanence, I might have stayed put. But I never acquired any of the trappings of permanence because I knew that the moment these trappings had been acquired, I would seized with the desire to leave, to move on. And I would then have to free myself from these trappings. And so, lacking any of the trappings of permanence, I was perpetually on the brink of potential departure. That was the only way I could remain anywhere, to be constantly on the brink, not of actual, but of potential departure.

These were all issues I intended to address in different ways, either in mediated form in my study of Lawrence, or directly in my novel, or vice versa. But there was an additional practical complication too. Since I was obliged to spend a certain amount of time away from wherever I lived, and since the rent on my Paris apartment was so high, and because of the exchange rate was becoming higher every month, I was frequently obliged to sublet it. Strictly speaking, to sub-sublet it since I was subletting it myself. And since if you are subletting your apartment, you do not want to acquire too many valuable or personal items, which might get destroyed, it then comes about that you, yourself, are living in conditions arranged primarily for those subletting from you.

Effectively, you are subletting from yourself. That's what I was doing, subletting from myself. Strictly speaking, sub-subletting, living in an apartment devoid of anything that might have made it my apartment in the sense of "my home." I'd conspired to arrange for myself the worst of all possible worlds. And my days were spent in this unbreakable circle of anxiety, always going over the same ground again and again, always with some new variable, but never with any change.

I had to do something to break this circle. And so I decided to sign a contract that would make me the official tenant, as opposed to the illegal subtenant. I wasn't even sure that I wanted to stay in an apartment where I'd actually been extremely unhappy for 90% of my stay, where 90% of my stay had been dominated by anxiety about, A, whether I was going to stay, and B, whether I was going to start a novel or start my study of Lawrence. But as soon as the managing agent said that they were unwilling to let the place to me, a foreigner with no job and no steady income, I became convinced that I had to stay in this apartment where I'd actually been sublimely happy. That there was, in fact, nowhere else on earth where I could hope to be as content. Eventually, my rich friend, Herve Landry, "Money Landry," as I like to call him, agreed to stand as guarantor.

The managing agents relented, and I signed the lease that made me the official locataire. I was ecstatic for about five minutes. Then I realized I'd taken on an awesome, not to say, crippling responsibility. And far from solving the problem of where to live, I'd actually put a lid on it, so that now my uncertainty was boiling away under pressure, threatening to blow me apart. The one thing I could be sure of was that I had to leave this apartment where I'd never known a moment's peace of mind as soon as possible. If I stayed here, I saw now, I would fail to write both my novel and my study of Lawrence. That much was obvious.

Round and round I went, making no progress, resolving one thing one moment and another the next. I wrote to the agents and officially renounced the flat, claiming that "professional reasons" had obliged me to return to England. The agents wrote back, acknowledging my decision to leave the apartment. I wrote back, saying that, "Professional reasons now oblige me to remain in Paris. Could I, therefore, unrenounce my apartment?" Relieved to be free of the trouble of re-letting it, the agents agreed to let me remain in the apartment, which I had just renounced.

And so it went on. I wrote again to renounce the apartment definitively. They sent a somewhat curt acknowledgement of my decision. I wrote back, changing my definitive decision to leave to a definitive decision to stay. But it was too late. I had to leave.

Now that I did have to leave, I was faced with the terrible prospect of having nowhere to live, of having to decide where to live without delay. And only then did I realize how much this apartment meant to me, how it had actually become my home. Although I believed that I'd hardly any of my things in this apartment, there were actually many of my own things that I now had to find a place for.

Over the years, I'd actually acquired quite a few of the trappings of permanence. I even owned a surprising amount of furniture, some of it rather nice. Where was I going to store it? And what about me? Where was I going to store myself?

Rome was a possibility. Laura, my almost-wife, had a lovely apartment in Rome and was always arguing in favor of our settling there. I fretted and wondered. Why was I even prevaricating like this? I was mad not to go to Rome. Rome was in Italy, the country where the Lawrences had spent more time than any other. If I was to stand any chance of making any progress with my study of Lawrence, it was probably the very best place I could be.

As soon as I arrived, I knew I'd made the right decision. My mind was made up. I was ready to begin my study of D.H. Lawrence. The only trouble was the heat. The heat was tremendous. And nowhere in Rome was hotter than Laura's apartment.

Even the light was hot. We tried to keep the light at bay, but it drilled through the keyhole, squeezed under the door, levered open the smallest of cracks in the shutters. My mind was made up. I was ready to work. But it was too hot to work. It was so hot, we spent our waking hours dozing and our sleeping hours lying awake, trying to sleep. We were in a kind of trance.

The perfect life, the perfect lie, is one which prevents you from doing that which you would ideally have done, painted, say, or written unpublishable poetry, but which, in fact, you've no wish to do. People need to feel that they've been thwarted by circumstances from pursuing the life which, had they led it, they would not have wanted. Whereas the life they really want is precisely a compound of all those thwarting circumstances. It's a very elaborate, extremely simple procedure, arranging this web of self-deceit, contriving to convince yourself that you were prevented from doing what you wanted.

Most people don't want what they want. People want to be prevented, restricted. The hamster not only loves his cage, he'd be lost without it.

That's why children are so convenient. You have children because you're struggling to get by as an artist or failing to get on with your career. Then you can persuade yourself that your children prevented you from having this career that never looked like working out. And so it goes on. Things are always forsaken in the name of an obligation to someone else, never as a failing, a falling short of yourself.

I've devoted more of my life to thoughts of giving up than anyone else I can think of. Nietzsche wrote that the thought of suicide had got him through many a bad night. And thinking of giving up is probably the one thing that's kept me going. I think about it on a daily basis, but always come up against the problem of what to do when I've given up. Give up one thing, and you're immediately obliged to do something else.

Let's suppose, for example, that I decided to call it a day, to give up, to abandon any attempt not just at earning a living, but having a life. But what then? What would happen next? Within five minutes, I'd be thinking about listening to music and would put a CD on the stereo. Five minutes after that, I'd be up again because I would have grown fed up with that piece of music and would be scanning the shelves and shelves of CDs, searching in vain for a piece of music that I was not heartily sick of, thinking to myself that if I had more CDs, there would surely be one that I would like to listen to. And before I knew it, I'd be out of the house and on my way to the megastore, looking for a new CD.

Should anyone flatter us by asking what we're looking for, what we are searching for, then we think immediately, almost instinctively in vast terms. God, fulfillment, love. But our lives are actually made up of lots of tiny searches for things like a CD we are not sick of, an out-of-print edition of Phoenix, a picture of Lawrence that I saw when I was 17, another identical pair of suede shoes to the ones that I'm wearing now. Add them together, and these little things make up an epic quest, more than enough for one lifetime.

Thinking specifically of the search for CDs, let's assume that after deciding to give up, after sitting around listening to CDs and going out to buy a new CD, I found a CD I liked the idea of listening to. Still, at some point, I would not simply grow tired of listening to this new CD, but would actually become heartily sick of the idea of listening to CDs and would think to myself that sitting around listening to CDs is a much more enjoyable activity, a much more enjoyable inactivity if it is a relief from something else, anything else. And so I would resign myself to picking up my pen and trying once again if for no other reason than to render listening to my CDs a little less dispiriting, to make some progress with my study of D.H. Lawrence.

And there you have it. One way or another, we all have to write our studies of D.H. Lawrence even if they will never be published, even if we will never complete them, even if all we are left with after years and years of effort is an unfinished, unfinishable record of how we failed to live up to our own earlier ambitions. Still, we all have to try to make some progress with our books about D.H. Lawrence. The world over, from Taos to Taormina, from the places we have visited to countries we will never set foot in, the best we can do is to try to make some progress with our studies of D.H. Lawrence.

[fuckin-sick-bih]

i hate the days when i desperately want to write but nothing i like comes out of my attempts at writing :( (side note i do make the "just bex talkin" tag so you guys can block it and ignore my rambling in tags if you want my writing but not my bitching lmao)

[luna-azzurra]

Body language cheat sheet for writers

As a writer, understanding and incorporating body language into your storytelling can greatly enhance your characters and their interactions. Here's a cheat sheet to help you describe body language effectively:

Facial Expressions:

* Raised eyebrows: Surprise, disbelief, or curiosity.

* Furrowed brow: Concentration, confusion, or frustration.

* Smiling: Happiness, amusement, or friendliness.

* Frowning: Disapproval, sadness, or concern.

* Lip biting: Nervousness, anticipation, or tension.

Eye Movements:

* Eye contact: Confidence, interest, or honesty.

* Avoiding eye contact: Shyness, guilt, or deception.

* Narrowed eyes: Suspicion, skepticism, or concentration.

* Wide eyes: Shock, fear, or surprise.

* Rolling eyes: Exasperation, annoyance, or disbelief.

Gestures:

* Crossing arms: Defensiveness, disagreement, or discomfort.

* Nervous fidgeting: Anxiety, restlessness, or impatience.

* Pointing: Assertiveness, emphasis, or accusation.

* Open palms: Honesty, openness, or sincerity.

* Hand on chin: Deep thought, contemplation, or evaluation.

Posture and Movement:

* Slumped shoulders: Defeat, sadness, or fatigue.

* Upright posture: Confidence, attentiveness, or authority.

* Pacing: Restlessness, agitation, or contemplation.

* Tapping foot: Impatience, annoyance, or frustration.

* Leaning in: Interest, engagement, or curiosity.

Touch:

* Hugging: Affection, comfort, or warmth.

* Handshake: Greeting, introduction, or agreement.

* Patting on the back: Encouragement, praise, or camaraderie.

* Clenched fists: Anger, determination, or frustration.

* Brushing hair behind the ear: Nervousness, coyness, or flirtation.

Mirroring:

* When two characters unconsciously mimic each other's body language, it indicates rapport, connection, or empathy.

Nodding:

* A subtle nod can convey agreement, understanding, or encouragement.

Crossed legs:

* Crossed legs can indicate relaxation or a casual, nonchalant attitude.

Tapping fingers:

* Impatience, anticipation, or nervousness can be expressed through rhythmic finger tapping.

Hand on the chest:

* Placing a hand on the chest can convey sincerity, empathy, or a heartfelt emotion.

- Tilting the head:

* Tilting the head to the side can suggest curiosity, attentiveness, or interest.

Rubbing the temples:

* Rubbing the temples can indicate stress, fatigue, or a headache.

Chin stroking:

* Stroking the chin while in thought can portray contemplation, decision-making, or intellectual curiosity.

Arms crossed behind the back:

* This posture can indicate authority, confidence, or a composed demeanor.

Tilted body posture:

* Leaning slightly towards someone can suggest interest, attraction, or engagement in a conversation.

Biting nails:

* Nail-biting can reveal anxiety, nervousness, or tension.

Foot tapping:

* Rapid or impatient foot tapping can show agitation, restlessness, or eagerness.

Squinting:

* Squinting the eyes can signal suspicion, doubt, or an attempt to focus on something.

Shifting weight from foot to foot:

* Shifting weight can imply discomfort, unease, or anticipation.

Covering the mouth while speaking:

* This gesture can indicate hesitation, embarrassment, or the desire to hide something.

Remember that body language can vary across different cultures and individuals, so consider your character's background and personality while describing their movements. Additionally, body language is best used in combination with dialogue and internal thoughts to create a more nuanced portrayal of your characters.

Happy writing!

[crustyfloor]

My night was going so wonderfully.

The headshot of this cover is just PAINFUL. They're actually acknowledging each other, they're the only ones on a cover to do that. And it's the prominent detail that Mizi looks horrified staring at Sua, even though they're clutching each other so... like they can't let go, while Sua looks reverent in the lane of that gaze, even blushing, slightly, savoring the moment. This also looks like their kiss scene...

To me, she looks just the same as the day she died because I think this cover is Sua's haunting of Mizi, because Sua's singing is just that, haunting and distant the longer she sings, she's fading out, but so gently despite its gruesomeness. And Mizi is grieving.

She's as angelic as she is in Mizi's memories..

But there's a cruelty to this because Mizi will never forget what she saw in round 1, that's why seeing Sua over and over and over again terrifies her, hence why the tone of this song is SO dark, especially in the second half when they're coming to a close, they get desperate to keep each other close, and there is a certain, but familiar ignorance to Sua's presence as if she can't see Mizi's pain even though Mizi is crying right in front of her--childish egos, Sua becomes a more honest character after her death, and in more expressive formats like this, and I like how she takes on that position in this song, the taker. (Like Till, he wanted a security blanket out of Mizi; Sua is similar in that sense.) as she takes and wants from Mizi for her own sanity.

And this newest illustration, oh my god. EXPRESSES THIS IDEA PERFECTLY, Sua looks so utterly distant, ghostly, dead.

In contrast to Ivan and Till's cure, Mizi and Sua's cure is more of a duet, and they switch places often. Mizi starts the song, she ends the song (just like in my clematis), and Sua supports it. Whereas Ivan and Till take turns leading and harmonizing, Mizi and Sua both participate.

And I believe they're interacting? Ivan and Till's cure wasn't a message to each other, something a lot more complicated than that--but Mizi and Sua transition frequently and it feels like they're singing to each other, It's more intimate.

Mizi - Allow me, to the tips of your finger

Allow me, to the ends of your feet

Dissolve me in your gaze

I don't want to let you go.

Sua - Please, leave me scars

Please, hurt me so that not a singly drop of me remains

Let me drown in you.

(The backing vocals mean so much to me, it's like a choir(?))

Mizi - Until these falling stars

Are buried in the blur of time

On your icy lips

Read my soul, yes, my soul

It wasn't spontaneous for the sake of it either, because this is a call-and-response

Sua - Even if your cold words

Carve scars beneath my eyes

May they linger on your tongue

You can break me apart

Mizi - Notice my pain

And mend me right now

To quiet my fears

I'll drown in you

-

Mizi is directly asking Sua, or the version of her she can't forget, to stay with her, calm her like she used to, as she wishes to have remained in the dark, to drown in her, or to have just not been left alone and, because even now Sua's death is not something she can accept, the portrayal of her feelings as she expresses her pain and desire to keep Sua close, even the false presence of her "On your icy lips" and "notice my pain and mend me right now" even though It's terrifying her, she doesn't want to let go.

Sua acknowledges Mizi's pain, and their shared pains after she died for her, the blame and the betrayal. Interestingly, Sua takes on the metaphorically self-destructive lyrics, Sua lives in fear, anxiety, and utter gloominess, she didn't want to be hurt by Mizi in the literal sense, but she would've rather been warmed in Mizi's soft light, her false hope and optimism, to be destroyed and to destroy Mizi's hope, even dying as the penalty of their love was far better.

Then Sua goes on to sing through the perspective of Mizi and her loneliness and grief after losing her with perfect clarity, it takes me back to the comic where Ivan scolded Sua about her plan, saying that she'd be nothing more than a trauma to Mizi after everything is said and done, she got upset at Ivan because she knew that, was devastated by the fact that she would be a burden just as she always feared, but then, what's a life without Mizi by her side, her only safety net? Her every reason for living?

This song displays their deep love and devotion, they sound melancholic but even in these horrific circumstances, Mizi's pain and hesitance, they don't drown each other out, they move together in perfect harmony just like they always do, in this way, it also feels like an apology of sorts from both sides before the bitter end, and a final goodbye.

AND THEN AT THE END WITH THE PERFECT SYNCHRONIZING OF THEIR VOICES ARGHH

And a new Sua illustration for the occasion 😭💔 (I'm gonna catch you soon Vivinos just wait.)

[asexualenjolras]

This is an appreciation post for Adam Colbeck-Dunn's Grantaire (24/25 West End cast) and his PANIC ATTACK AND BREAKDOWN during the barricades.

His Grantaire is so wide-eyed during Red & Black, he's so smiley and he jumps around the stage like a lamb in spring. He tries desperately to get Enjolras' attention, and he watches him so intently. And then he loses that innocent, child-like smile the moment it's announced that Lamarque has died. He grabs hold of Gavroche and shields him away from the others with so much concern.

And then there's the barricades...

Not only does he breakdown after Drink With Me and push Enjolras' hug away, he openly sobs in Gavroche's arms before sliding down against the wall to calm down.

He, again, scoffs and pushes Enjolras away after Eponine dies, and sits on the bench beside Marius to comfort him (stroking his shoulder and telling him he's sorry).

And when the battle starts again, he situates himself on the bench and watches everything around him with so much disbelief and pain on his face. He sits there still until Gavroche runs across the barricade, and then he jumps up and SCREAMS "no" at the top of his lungs. He's reassured by Marius and he is so relieved when Gavroche is okay ... until he isn't. And then he visibly pales and carries Gavroche's body so gently to his resting place, and delicately lays him down on the floor.

AND THEN HE CURLS UP ON THE FLOOR BESIDE GAVROCHE IN A FETAL POSITION AND JUST SOBS AS THE FIGHT STARTS AGAIN. And stays there until Marius is shot, which is when he gets up and rushes over to him ... where Enjolras is too. When Enjolras hugs him, his posture visibly changes and he holds onto him with so much desperation, like he's refusing to let go. When Enjolras runs to the top of the barricade, Grantaire watches in despair from the side of the stage, pinned against the wall by his anxiety and fear.

As his friends start to die on the barricade, he's struggling to breathe and he's frozen in his spot, trying desperately to go and help his friends but so visibly conflicted. He's shaking and he's hitting himself because he thinks he is being a coward. He's having a full blown panic attack and breakdown as Les Amis fight ... and then he lets off the most painful scream and hits himself in the head because he's so frustrated at himself when Enjolras dies ... and this appears to be the push he needed, so he races up to the top of the barricade screaming "you bastards" really softly to go and die alongside the one person he loves more than anything.

I'm never going to get over it.

Adam Colbeck-Dunn is the most beautifully painful Grantaire I have ever, ever seen and I am never recovering from this portrayal.

[queenshelby]

Business As Usual (Part Five)

Pairing: Dark!Thomas Shelby x Wife!Reader

Warning: Arranged Marriage, Angst, Cheating

Words: 1,678

NOTE: THIS IS MUCH DARKER THAN WHAT I USUALLY WRITE. YOU HAVE BEEN WARNED!

Just as you heard the shots and Tommy walked outside, your heart raced in fear. Your body trembled with anxiety, realizing how dangerous your life had become since marrying into the world of the notorious Peaky Blinders and, even though you grew within the ranks of the Mafia, you had always been sheltered from the dangers of the underworld.

But this did not mean that you could not protect yourself. Your father had taught you how to shoot when you were just a child. Taking one step backward, your hand thus instinctively reached out to grab the gun resting elegantly yet threateningly upon Tommy’s mahogany-finished desk.

Your fingers brushed over the cool metal surface, feeling an almost primal connection to it. The click echoed through the vastness of the room, reminding you of all those years ago – practicing until your aim became perfect, steady. This was what you needed now as there was no way that you would rely on anyone else to protect you and the unborn child you were secretly carrying.

You heard another shot being fired outside before gripping the gun firmly, pushing past the panicked fear swirling inside you.

As you stepped forth onto the porch area where Tommy was standing, he immediately snapped, telling you to go back inside.

"I told you to stay inside!" His voice boomed throughout the night air like thunder, causing birds to scatter and leave their perches just before another shot was fired from somewhere down below - close enough to raise alarm bells in both of your hearts. Fear and adrenalin coursed swiftly through your veins, urging you both to act decisively amidst uncertainty. 

"Who is it?" your voice quivered slightly as the words left your lips, betraying your growing fear.

"Someone whose got out for you and your fucking family. Now go back inside!" Tom's command came sharply, cutting through the oppressive silence that had fallen upon the gardens below. But despite his tone suggesting authority, his face revealed hesitation mixed with anger, making clear that while he knew better than most, leading such a brutal organisation carried its own set of burdens. As his gaze shifted towards the ground, you couldn't help but notice how his usually cold exterior softened, replaced instead by vulnerability which only served to intensify the desire simmering beneath the surface.

With Charlie inside, he knew not to let this stand and, just after you indeed walked back into the foyer of your large residence, your husband ought to investigate the disturbance. 

His presence commanded attention wherever he went. He strode purposefully forward, his powerful legs propelling him quickly along the front yard of Arrow House. 

His mind conjured up images of the enemies he had vanquished and friends made, allies lost...all these memories seemed to whisper in his ear as he approached closer to the place from whence the shots were coming. His chest tightened at the thought of losing more comrades, especially when they faced challenges like this. It was a constant struggle, and although some may deem it glamorous due to popular culture portrayals, Tommy understood well that leadership wasn't easy nor glamorous, requiring endurance, tactical thinking and, above all, sacrifices.

Meanwhile, you walked towards the back of your large house to also investigate where the shots were coming from. Feeling anxious and worried, adrenaline flowed through your veins, leaving your hands clammy and your stomach knotted. 

You knew that someone was in your house, intending harm to either Tommy or yourselves. Slowly, stealthily, you moved further into the hallway of your home, peering around corners and into rooms to ensure nothing escaped your vision. All the while, your ears strained to pick up any sounds indicative of danger nearby.

Suddenly, you caught sight of movement behind the sofa at the far end of the living room, and you instinctively raised your weapon, ready to defend yourself if necessary. Just then, something fell through the air from behind you.

Before you could react, the silhouette of a tall looking man emerged from behind the furniture, lunging toward you with a savage grace. With lightning speed, you raised your arm and pulled the trigger, sending a bullet flying straight towards your target. There was an audible scream followed by a sickening crunch, and then eerie stillness returned once again.

For a moment, you stood motionless, heart pounding wildly in your chest. It took several moments for you to realize what you had done.

Adrenaline surged through your body, and you felt numb. Your arms shook violently as you dropped the gun onto the floor, its sound reverberating across the silent house. You hadn't realized how much your body ached until you finally stopped firing. The pain radiated from your shoulder down your arm and into your wrist as you too must have been shot. 

You covered your arm with your hand, trying to stop the bleeding as you looked downward, seeing the victim laying sprawled lifeless beside you before you heard yet another shot being fired outside, causing you to jump.

The sudden noise broke the spell, bringing back the harsh reality of the situation. Realization struck hard, as your heart hammered fiercely in your chest, your limbs trembling involuntarily. Adrenaline filled your system, causing your pulse to race erratically. Gulping down your terror, you managed to regain control over your shaking knees and picked up the gun you had fired just moments ago.

You raced outside, determined to find the source of the last shot fired. Outside, darkness loomed heavily, providing ample cover for potential attackers. The rain began to fall, creating puddles everywhere as you searched frantically for anything unusual that might indicate the presence of hostile forces. Glancing nervously in every direction, you tried to maintain focus while battling against fatigue and discomfort caused by your injury.

Finally spotting something suspicious near a group of bushes, you slowly edged closer, pointing your gun directly ahead as you steadied your breathing.

This is when you saw her. The woman you hated the most, holding a knife against your husband's throat while Isiah Jesus, another member of the Peaky Blinders, was pointing a gun at her.

Her hazel eyes held a mixture of determination and cruelty, contrasting starkly with Tommy's own intense gaze fixed on hers

Carefully, you approached the group and, in her panicked state, Laura did not notice you until your gun was pointed directly at her head. 

"Drop the fucking knife or I will blow your brains out," you warned her, taking care to remain calm and composed. Your heart pounded in your chest, knowing full well that this situation was beyond treacherous.

Laura, however, remained unfazed, seemingly reveling in the fact that she was putting Tommy and herself in grave danger. Her resolve appeared ironclad, hinting at an underlying reason behind her actions that you didn't understand, but your primary concern at that moment was getting Tommy safely out of the line of fire, simply for Charlie's sake. 

"You should join my side, Y/N. He is using you and so is your family," Laura argued defiantly, clearly wanting to cause havoc.

"Says the woman with no fucking morals whatsoever," you retorted, feeling your blood pressure rise as you struggled to contain your rising temper.

Isiah merely watched with grim detachment, waiting for orders from Tommy and sensing that things were about to get ugly very soon. 

Realizing that arguing wouldn't solve anything, Tom decided to take action. His decision was final, showing the strength of his convictions even during times of crisis.

"Now drop the knife," you demanded again forcefully and, just as you spoke the words, Tommy grabbed her wrist tightly in an effort to push her away. 

Laura, of course, put up a fight and it was this fight which caused you to lower the gun and shoot, aiming directly for her knee cap. The loud crack of the gunshot echoed around the neighborhood, startling nearby animals awake and bringing people to their windows wondering what was happening outside.

She cried out in agony, falling to the ground with a grimace painted across her face. 

"This is for sleeping with my fucking husband," you seethed before uncocking your weapon.

 Turning to Tommy, you asked him one simple question, "Why her? Why would you choose her?" This time, your hurt manifested itself in a palpable way, striking Tommy squarely in the gut as he contemplated your query. 

He sighed wearily, running a hand through his dark hair in a characteristic gesture that belied his turmoil within. "It was business, nothing more," he said weakly, unable to meet your eyes. 

But his eyes told another tale, and you recognized that look of guilt etched across his features.

"She fucking played you," you muttered under your breath, turning away to avoid further confrontation.

As you stepped away, moving past Isiah and heading towards the house, tears welled up in your eyes - the result of the betrayal, fear, and confusion swirling inside you.

"Get her away from my fucking house and put a bullet in her head if you want to, Thomas! I don't ever want to see this woman again. Do you hear me?" you spat after having turned around momentarily. Your heart pounded madly in your chest, threatening to escape from your ribcage altogether.

Pain seared through your injured arm, forcing you to grit your teeth against the waves of agony crashing upon you. Ignoring the debilitating pain, you pushed open the door leading back into the living room. Inside, everything looked as though chaos reigned supreme—the mess of torn papers littering the floor bore testament to the urgency of the encounter that had unfolded earlier. Dread settled in your bones as you trudged through the broken glass and discarded documents, eventually reaching the staircase leading to the second level.

Tears threatened to overflow as you climbed the steps, wincing slightly at the sharp prickle of pain coursing through your wounded arm.

Desperate to distract yourself from the overwhelming mix of emotions raging within you, you attempted to focus on your physical injuries instead. The bullet lodged in your arm had now begun to throb insistently, accompanied by a steady trickle of blood oozing outwards.

You knew that you had to attend to your injuries now but you almost had no strength left within you to do so until, eventually, you heard a familiar voice from behind.

"I will take you to the hospital, Love," Tommy whispered softly, his tone laced with an unfamiliar tenderness. It seemed as though he genuinely wanted to comfort you despite all that had transpired tonight. And suddenly, your anger started to fade somewhat, probably because you were exhausted. 

Inhaling deeply, you shook your head, knowing that there would be questions. 

"No. You can get the bullet out," you replied stubbornly, unwilling to let anyone else help you. As strong as you may appear, you knew deep down that it wasn't really you, but rather pride keeping you standing upright in those shoes. Even as you clenched your jaw, attempting to hide the pain, your legs wobbled beneath you like jelly. 

"I would, if you weren't pregnant," Tommy responded, a hint of regret evident in his tone. 

Hearing these words, shockwaves of emotion coursed through you as you absorbed the truth hidden within those little words: 'pregnant'. 

Your entire world shifted abruptly as gravity lost its meaning and the air became heavier. Reality crashed down on you mercilessly, leaving you stunned. Your child...his child, conceived amidst the chaos and violence that surrounded them daily.

"You know that I am pregnant? How?" you asked, seeing that you never told him. The uncertainty in your voice revealed both your surprise and disbelief. 

Tommy nodded solemnly, acknowledging your astonishment. "Frances became to notice. She told me and I figured that you were going to see someone about it," he explained. 

"I couldn't terminate the pregnancy, no matter how much I wanted to Thomas," you admitted, your voice low and somber. 

There was a pause between you two before Tommy finally broke eye contact, looking downward thoughtfully. "I understand," he said before taking your hand into his, giving it a gentle squeeze, and then leading you to his Bentley. 

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[yanderederee]

WindBreaker Manga

…and it’s Portrayal of social anxiety

I knew I loved Sakura for a while now, he’s a great main-character. His fear of being rejected for who he is extremely relatable, and after reading Chapter 60… I think more people should consider it. I was originally in the mind set that while sure, the manga is good, it’s just some meaningful fighting and life lessons here and there. But Sakura actively fights with his anxiety and inability to understand other people’s kindness. The portrayal of social anxiety is surprisingly striking, and meaningful.

I won’t make many more posts on here about it, until I’ve finished the manga, but I thought that it was really interesting.

[blurredcolour]

II. "Just Had To Trust You."

"Trust" Series Masterlist

John "Bucky" Egan x WAC!Female Reader

The second half of August brings with it the horrors of the Regensburg/Schweinfurt mission, Bucky's absence in Africa, and two smaller missions in France. With this as the backdrop to your blossoming relationship, the pair of you find creative ways to connect with one another.

Warnings: Language, Alcohol Consumption, Death, Grief, Minor Bucky Injury, Blood, Scars, Minor Reader Injury, Hospital Setting, Inevitable Historical and Military Inaccuracies, Mature/Explicit Themes [thigh riding, inexperienced reader, allusion to male masturbation] - 18+ ONLY.

Author’s Note: Thank you all so much for the warm reception you gave part one. That combined with my evil brain has given us a full series! Just a reminder that reader has been given a brother for sake of plot. This is a work of fiction based off the portrayal by the actors in the Apple TV+ series. I hold nothing but respect for the real life individuals referenced within.

Word Count: 6713

-------------------------

The day of August 17th dawned so thick with fog, it was difficult to tell it had even dawned at all. The walk from your quarters to the mess and then onto the control tower was fraught with anxiety – the fear that a vehicle might suddenly appear behind you through the milky atmosphere driving you to constantly glance back over your shoulder. Eventually, you decided to walk just alongside the road through the damp grass, listening to it squeak against the leather of your shoes, the only sound around you once you parted ways with your friends.

Cutting across the field in front of the equipment hangar, you gasped as Bucky stepped out of the mists in front of you like some kind of apparition from a ghost story. You gulped harshly at the way your stomach dropped in response to that mental imagery.

“Morning, doll. Seems like someone left the soup on the stove a little too long.”

You managed a chuckle, taking in his flight suit, his life jacket – or Mae West as the boys called them. He was flying today then. “I’m sure it’ll clear up soon, Major Egan.”

His lips twitched fondly, and he stepped closer to murmur in your ear, the fine hairs of his moustache tickling the delicate skin there. “See you in a few days, doll.”

“Take care, Bucky.” You whispered emphatically in return, and he stepped back to reach into his flight bag, producing the book you had lent him.

“I’ll have that answer for you promptly on my return, Lieutenant.”

You grinned softly. “I expect you will, Major.”

You turned to watch him go as he took long, easy strides to join his crew waiting on the truck to be driven out to their plane, disappearing in a swirl of persistent, pervasive fog. “I’ll see you soon.” You murmured after him.

Seven days.

Seven agonizing days of little news and empty skies passed as you impatiently awaited his return. The decision to send the group destined for Regensburg nearly five hours ahead of those bound for Schweinfurt had been catastrophic. It took almost seventy-two hours for the 12th to reach those who had made it to Telergma, and when numbers and names finally made their way back to Thorpe Abbotts, the cost of it all sunk in like a stone.

Rather than wasting the return trip to East Anglia, it was decided the survivors would undertake a retaliatory strike against some Luftwaffe bases in Bordeaux, one more hurdle to clear before they made it back to safety. It was mid-afternoon on August 24th by the time the droning of plane engines filled the air once again. Taking a steadying breath, you grit your teeth and forced yourself to focus on the keys of your typewriter as the brass all hustled outside to count the number of returnees.

‘Please let Bucky be among them. Please let him be unharmed.’ You had closed your eyes briefly to send up your silent prayer before launching back into your work.

It was nearly an hour later when, report finished, you tucked the neatly typed sheets of paper into their folder to deliver to Colonel Harding and stood only to meet the eyes of one Major John Egan through the window overlooking the Operations Room. He looked weary, sunburnt, with cuts and abrasions adorning his face and neck, unsteady on his feet, but nevertheless flashed you a brilliant, devil-may-care smile.

‘Thank you…thank you for bringing him back to me.’

You exhaled deeply for the first time in over a week, the folder nearly slipping from your fingers, contents nearly scattering across the floor. Mercifully, you managed to avoid that outcome, albeit with a fair bit of fumbling, tucking it securely against your side to prevent further mishaps. The next time you looked to Bucky he was smirking at you, eyes twinkling knowingly, before he gestured with his head toward where the washrooms were. Glancing at your colleagues, heads bent diligently over their work, you looked back to him and raised a finger to beg for one moment.

He nodded in silent understanding, sauntering toward the hallway casually. You took a moment before letting your desk mate know you were delivering a file and then taking a bathroom break. She nodded vaguely as you headed across the room to place the folder in the outbox before making your way to the washrooms. Furrowing your brows in confusion as you found the corridor empty, you barely managed to smother your startled cry as Bucky poked his head out of the janitor’s closet and pulled you into the cramped space with him.

“Bucky!” You hissed as he pressed you back against the door, his lips pressing tightly against yours, silencing any further admonishment you might have been able to summon.

Clinging the to straps of his harness, you rocked up onto the balls of your feet, pressing flush against him, a wordless expression of the gratitude you felt for his safe return. He had barely parted his lips when you mirrored the movement, welcoming his tongue with your own. A soft grunt of pleasure left his nose, his fingers digging into your hips tightly. The telltale tinge of copper seeped into the kiss, making you pull back sharply, groping for the pull string on the lightbulb dangling from the ceiling behind him.

You frowned deeply to see his lower lip was oozing blood. “You should go to the hospital, Bucky, you’re still bleeding…”

“M’fine.” He rumbled tiredly, cupping the back of your head gently as his thumb traced your left eyebrow.

You sighed softly, leaning into his touch as your eyes slid closed.

“My definitive answer is Blood Pressure.” He spoke in a hushed tone and your eyes fluttered open in confusion.

“What?”

His other hand left your hip to dig into the pocket of his flight jacket, producing the borrowed book, holding it out to you with a satisfied grin.

“You’ve already read the whole thing again?!” You gasped, eyes wide.

“Couldn’t very well keep you waiting now, could I?” He smirked and stole another kiss.

“I’m going back to my desk and you’re going to the hospital, please?” You looked to him pleadingly.

He sighed heavily. “That look is utterly unfair, doll…particularly in my condition.”

Your lips twitched slightly as you fought the urge to smile, doing your utmost to hold the plaintive expression until he huffed and pressed one last, copper-laced, sloppy kiss on your lips.

“Fine.” He conceded and you pressed your lips to his forehead tenderly.

“Thank you, Bucky.”

Slipping from his arms reluctantly, you peered out into the hallway before making a dash into the washroom, cleaning your face of his blood and tidying your hair and uniform before rushing back to your desk, hoping he would hold up his end of the bargain.

Judging from how well he healed over the next few days, you were fairly convinced he had done as you asked. His lips had healed to their normal supple perfection, though it seemed he would be left with a few scars across his nose, cheek, and forehead. Unfortunately, you had not been able to sneak a moment to confirm if he had indeed gone to visit the hospital or not. When your duties did not occupy you, it seemed that his did and vice versa. Passing glances or encounters while surrounded by colleagues seemed to be all the fates afforded you the rest of the week.

The effect it had on your mood was something that did not escape Mary, Vi, and Ruth – for despite your best efforts to conceal your activities, they had been onto you since you had returned from that eventful trip to the pub.

“We’ll just have to make sure you’re simply irresistible at tonight’s dance, then.” Mary grinned darkly upon your return to your shared quarters that Friday, a dangerous gleam in her eye as she closed in on you with Vi at her elbow.

“Oh yes, Mary, a little feminine revenge ought to remind the Major of his priorities.” She drawled, arms suddenly loaded with supplies – from where they had appeared, you were not entirely sure.

You landed heavily on your bottom upon your cot, staring up at them warily as Ruth laughed from her perch across the way.

“Just give in, darling, it’ll be less painful that way.” Came her friendly advice, though her words did not prove at all true.

There was next to no consideration for your comfort while your hair was combed and restyled, hisses of pain escaping your lips as a plethora of pins scraped along your scalp as they were pushed into place to secure the style they were creating.

“Beauty is pain, darling.” Vi pursed her lips in mock sympathy, but you were altogether relieved when they declared their creation stable and moved onto your makeup.

Somehow, despite their dedication to perfecting your look for the evening, and then freshening up a little themselves, the four of you still managed to arrive at the officer’s club before Bucky and many of the men. Securing a martini and your favorite spot along the wall, you forcefully shooed them off to dance with the early arrivals who quickly approached them. You glass was roughly a third empty when Bucky arrived with his best friend Buck and their tight knit group. All eyes turned toward him, as always, that infectious grin and magnetism making him ever popular.

Now that he had arrived, the party would truly begin. Taking a deep sip of your drink, you nearly choked as his eyes met yours and he made a beeline straight for you. Swallowing roughly, your eyes widened as he plucked the glass from your grasp to set it on a nearby table before holding out his hand to you expectantly.

“I’m not very good at this…” You warned him softly, voice a bit thick from your battle to swallow your drink.

“All you gotta do is hold on, doll, I’ll do the rest.” He winked and wrapped his fingers around yours once you finally set your hand in his.

Leading you onto the dancefloor, he pulled you close, one hand at your waist, the other holding yours out to the side. Bucky grinned at you warmly as he began to lead you across the floor confidently, and you clung to his shoulder, feeling the eyes of almost everyone on you. His actions were so public in contrast to the moments you had shared previously. So very declarative. It took a lot of strength not to hide against his shoulder from all the attention the pair of you were receiving. Even your friends were shooting you grins and nods and little victory signals from behind him.

“You got all dolled up tonight, is there a mission I should know about?” He teased gently, immediately pulling you from your thoughts.

“I was ambushed.” You huffed ruefully.

“Ah, so this mission has already been carried out.” Bucky smirked, lips stretching wider as you laughed softly, relaxing somewhat in his arms as he continued to lead you confidently. “You look gorgeous…can’t wait to get that lipstick all over my face again.” He hummed against your ear, and you smacked his shoulder playfully even as your pulse jumped at your throat, feeling his laughter shake through him.

“I hope I didn’t keep you waiting too long, Kidd thought it was the perfect moment to launch into an excruciating meeting about…well I wasn’t listening, quite honestly.” He smirked, making you shake your head fondly.

“You ought to listen to the man, he is your Air Exec you know…” You teased gently.

He hummed thoughtfully before shaking his head. “I was too busy thinking about how I’d rather be doing this, right here, right now, with you.”

You met his eyes briefly, startled by the transparency of his statement, before glancing away, teeth buried in your lip in a vain attempt to moderate your rapid heartbeat.

Bucky kept you on the dancefloor for at least five more songs, until your feet started to hurt, your legs getting heavy. “Let’s get you another drink.” He kissed your temple and slid his arm around your waist, leading you to the bar. He ordered a whisky for himself and another martini for you, finding a table in the corner and sitting in the chair right beside you. “For someone who claimed to be not very good at dancing, you held your own, doll.”

You smiled at him shyly. “Just had to trust you.” His resulting grin made you bow your head in response to its brilliance, shivering as his hand squeezed your knee beneath the shelter of the tablecloth.

Taking a steadying sip of your drink, you glanced at him through your lashes, biting your lip at his eyes had never left you, his fingers tightening where they still rested over your skirt. You glanced to the side, suddenly afraid you might forget how to breathe under the intensity of his gaze, sucking in a somewhat ragged breath as you watched another couple canoodling in the opposite corner of the room. There was nothing subtle about the way they were pressed against one another, despite the very public place in which they found themselves, and you averted your gaze yet again to watch the bartender mixing drinks as you sipped yours steadily.

The resulting loosening of your muscles as the alcohol reached your extremities gave you the courage to look in Bucky’s direction once more, taking in his profile as he eyed the dancefloor, toe tapping to the beat. His arm was slung over the back of your chair, an action you had no memory of, and he was slouched low in his seat, legs spread wide. His posture was altogether too inviting, and had you gnawing on your lip once more, yet unable to tear your eyes away despite the alarm bells ringing inside your head.

“See something you like, doll?” Bucky’s voice in your ear made you jump. Made you wonder when he had closed the distance.

You hoped, briefly, that the Luftwaffe might indulge you by dropping a bomb directly on your head right then. No such luck. Bucky’s hand slid higher on your leg to squeeze your thigh, forcing you to raise your gaze to meet his. His normally stormy blue eyes were notably darker, pinning you to the spot as his tongue darted out to wet his slightly parted lips.

“Come on.” He spoke suddenly, sliding to his feet and holding out his hand again.

Following him back to the dancefloor, you gasped audibly as he pulled you improperly close, his hand splaying against your lower back as his cheek pressed against yours. “After this song, meet me at our bench. I’ll be five minutes behind you.” His lips brushed against your skin as he spoke, making your feet clumsy.

Bucky simply pulled you closer in response, bearing more of your weight to keep you dancing smoothly as you somehow managed a nod in agreement, heart hammering in your ears. There was no mission tomorrow, the control tower would be relatively quiet, and therefore so would the bench outback where you had shared your conversation about Runyon’s book. As the band wound down their tune, Bucky shuffled the pair of you to the edge of the floor, kissing your cheek softly.

“Goodnight, doll.”

You exhaled shakily, nodding as you mentally reached down to the bottom of your toes to summon your voice. “Night, Bucky.”

He gave you a crooked smile and one more kiss on the cheek before releasing you gently, watching patiently as you lurched into motion, heading toward the door and out into the relatively cooler night air. Making your way along the road, you swallowed back a curse as your eyes met those of your Captain who was standing watch over the route to the women’s quarters.

“Evening, Ma’am.” You saluted quickly.

“Lieutenant.” Captain Miller nodded crisply watching you continue on before you cut around behind the barracks and circled back toward the control tower to meet Bucky.

Due to the necessitated detour, he was already there, waiting, hands on his hips, shoulders slightly raised with tension. You frowned guiltily and crept up to gently set a hand on his arm, feeling him jump.

“Sorry, I had to appease the dragon-lady, she saw me leave and I–”

He nodded once before kissing you fiercely, making you sigh heavily against his lips. Sliding your arms around his neck, you allowed your fingertips to brush against the curls at the nape of his neck. His chest rumbled happily, his tongue tasting so sharply of whisky as it slid along yours that you wondered if he had taken those five extra minutes to have one more drink before following you.

“Thought you’d changed your mind, doll.” He grinned against your lips before he began to nibble along your jaw, sending ripples of gooseflesh down your neck.

“Uh-uh.” You breathed, gripping the skin of his neck as your knees felt about ready to give out.

“Just hold on tight.” He tilted his head to suck at your earlobe, gripping your hips as he slowly sank down to sit on the bench behind him, pulling you with him.

His hands slid further down your legs, guiding them apart to straddle his thigh, pushing your skirt higher to allow you to settle snuggly against his broad quadricep. Your jaw dropped open as your core pressed tightly against him, a mortifying squeak-like sound escaping your throat.

“Yeah?” He smirked, kissing back towards your lips. “Figured by the way you were staring you might want to give it a whirl.”

If you had been able to speak, his mouth would have swallowed any reply that you could have summoned as it sealed tightly over yours once more. As it was, you brain was filled with static like a wireless that could not quite be tuned to a frequency. Your predicament only worsened as his fingers curled into your hips, ever so slowly rocking them forward against him, making you whimper raggedly. The sensation was only outdone by the feeling of him dragging you backward, the friction causing an unspeakable reaction to roll through your body.

“That feel good, doll?” Bucky rasped against your lips, and you nodded rapidly, mewling as he repeated the motion, though you also began to move of your own volition, chasing the feeling needily. “Sorry, didn’t quite catch that.” He teased and you tugged at the hair peaking out the back of his cap.

“Yes!” You gasped sharply before kissing him hungrily, your leg accidentally brushing against the bulge at the apex of his thighs, shuddering at the groan you earned from him in kind.

Perhaps it made you a wicked woman to take satisfaction in giving him pleasure, but it went to your head faster than any martini you had ever consumed. Digging the toes of your shoes into the grass, you shuffled closer to him so your thigh might brush against his length with each of your self-serving motions.

“Christ, doll.” He growled under his breath.

“Feel…good?” You panted teasingly, biting your lip at his ragged laugh.

“People underestimate you at their own goddamn peril.” He nipped at your chin, breath fanning hotly down your neck as you worked your body against his thigh with increasing need. “Try…this…” He grunted and tilted your pelvis forward.

You slumped forward against his chest, mouth gaping in a silent moan at the intense pleasure radiating from the new point of pressure. Legs nearly giving out from the blinding power of it, you were immensely grateful when Bucky obligingly kept on guiding your hips, continuing to pull the strings of tension tighter and tighter within your body.

“B…Bucky…” You gasped against his neck as your thighs began to tremble, on the precipice of something, wondering if this is what it felt like just before a B17 lifted off the runway.

“Go on, doll, it’s gonna be great.” He rumbled, pace not slackening, though his arms must have surely been aching by that point.

Inhaling sharply, you pressed your face tighter to his neck, desperately trying to smother your cry of pleasure as every string of tension snapped inside you with the force and brilliance of a fireworks display on the fourth of July. Melting against him, you were naught but a shuddering mess, underwear ruined, struggling to satisfy your body’s demand for oxygen as you gasped for breath. Bucky’s grip eased on your hips, his hands shifting to caress your back tenderly as he kissed down your temple to your cheek.

“As promised?” He cooed and you shivered at the feeling of his breath against your skin, every sensation still heightened.

“Better.” You licked your lips and dropped your hands to his chest, slowly pushing yourself up to sit properly, shuddering at the pressure against your still throbbing parts.

“Here, doll.” He carefully lifted you up to swing your legs across his lap carefully. “Take it easy.” He kissed your cheek tenderly, squeezing your side.

You sighed softly, swallowing thickly as you lifted your eyes to his. “People underestimate your sweetness at a great loss to themselves, Bucky.” Cupping his cheek, you guided his mouth to yours to place a gentle, appreciative kiss on his lips.

Feeling the curl of his smile, you could not help but echo the expression, breaking the seal of your mouth against his.

“Our little secret.” He teased, voice still raspy.

Hearing the crunch of footsteps on the gravel path leading up to the control tower, you tensed against him, frowning as you became acutely aware of the persistent problem that remained in his trousers.

“We should go.” He whispered and you nodded quickly.

“Sorry you’re still…” You trailed off, sliding onto oddly unstable legs, grateful for his bracing hands on your hips as he rose to his feet.

“Don’t worry about me, doll, I can take care of myself.” He pressed his lips to your ear after uttering his quiet statement, making you swallow almost painfully as your mouth went dry.

You lost all ability to function for a moment, swept up in the lurid possibilities contained in that simple phrase, before the sound of a door opening cut through the night, and your stupor.

“Night.” You whispered sharply before sprinting off towards the barracks, keeping to the edges of the field and hoping to stay out of sight.

Luck, it seemed, was not on your side, as Captain Miller called your name just a few feet shy of your quarters. You had been so very close. Turning quickly to face her, you scrambled for some excuse as to why you were not on the other side of the door behind you.

“Lieutenant, did you get lost on your way over here?” She arched an eyebrow coldly and you had to remind yourself the mechanics involved in a proper breath.

‘Inhale. Pause. Exhale.’

“No, Ma’am, I just…realized when I got back here that Vi had asked me to be sure she didn’t stay out too late, and that I had left without her.”

Captain Miller’s eyes narrowed skeptically. “And where is your Georgian, troublemaking friend now, hmm?”

The lie had come so naturally, had been so plausible, but now that you were wrapped up in it, it felt like it might just drag you down to the bottom like an anchor.

“I’m here, Captain Miller, Ma’am.” Came a cheery call from further up the path, you friend still cloaked by darkness but by some miracle, arriving just in time to save your hide.

An exhale of annoyance escaped Captain Miller’s nostrils as she whipped back to see Vi, arm linked with Ruth’s, sauntering over to your shared quarters.

“Thank you again, darling, for reminding me to come back on time.” She gave you a tremendous, edging on comical, wink and it was all you could do not to grimace.

You may have been off the hook with Captain Miller, but Vi would surely exact a price for this rescue.

“To bed with you all, then, ladies.” Your Captain grunted and the three of you delivered a set of sharp salutes before ducking into your hut quickly.

“All the gory details, now, darling, or Captain Miller will learn just what you’ve been up to, and I’m certain it’s far from innocent.” Vi grinned wickedly as she dragged you to sit on her cot between herself and Ruth.

You were reticent to share the gory details, wanting to keep the taste of him on your lips, the way it felt to be pressed again him, as just yours. But there was a part of you that revelled in the telling of the simplified, polished version of your encounter on the bench behind the control tower the pair of you called ‘yours.’ And it certainly seemed to satisfy your debt, both Ruth and Vi grinning, crowing in glee by the time you got to Vi’s rescue.

“Our darling dark horse, unexpected champion at taming the rogue Major Egan.”

You scoffed and shook your head shyly. “I doubt that I’ve tamed him, Vi…” You protested but she just smirked with a tilt of her head.

“I’m willing to bet money on that fact, but I suppose time will tell.” She winked dramatically and you just rolled your eyes.

Within four days, Bucky was on his way back to France. The target was an aircraft factory in Rouen near Paris. Of those chosen, you undoubtedly preferred the targets closer to England. The flying time was shorter and thereby so was the period of wondering and waiting. Strategically, you absolutely understood the importance of the targets deep in Germany, but if the Regensburg raid had carried any lessons, it was that those targets were invariably the costliest.

Hoping to catch a glimpse of him before he went up, you retraced your steps, following the same path you had on the morning of the seventeenth, cutting in front of the equipment hangar. The feeling of a leather-clad hand seizing yours and tugging you behind the building had you gasping in surprise before you laid eyes on your target, grinning slightly at your success.

“Morning, doll.” Bucky murmured and kissed you quickly.

You allowed his lips to linger on yours for several seconds before pulling back quickly to glance around, checking if you had been spotted. “Be safe up there, Bucky.” You swallowed and he nodded.

“Think you could wear that lipstick again for me later? It sure looked nice all over my neck.” He smirked broadly as your jaw dropped in response, lifting a hand to smack his shoulder.

“Don’t push your luck.” You chided, wagging a finger playfully, and he laughed brightly in reply, lips meeting your cheek before he strolled over to the waiting crew truck.

You watched him go from your obscured vantage point, waiting until the vehicle had pulled away before you turned to continue on your way to your desk.

“Lieutenant?”

You jumped and turned to see the post clerk, Petty, hurrying towards you with a letter in his hand.

“Letter for you, Ma’am.”

“Thank you very much, Sergeant.” You smiled. “Did you manage to get the boys first?” You asked curiously, and he nodded so quickly you were worried his head might fall right off his shoulders.

“Yes Ma’am, got ‘em at breakfast.” His boyish grin of pride was infectious, tugging at the corners of your mouth, briefly easing the tension that seeped into your bones on mission days.

“Well done, Sergeant. Have a good day!” You returned the quick salute he gave you before he hurried on his way, heavy bag hefted over his shoulder.

Glancing over the envelope you swallowed as it appeared to be written in your father’s handwriting rather than your mother’s – unusual. She was often the one to manage the letter writing and mailing process and he would add a paragraph or two depending on what was happening back home that he thought would be of interest to you. Swallowing down your sense of unease, you slid the envelope into your pocket to focus on the mission. The letter had already taken several weeks to reach you, a few more hours would not make any difference.

Shortly after noon, they were already back; Colonel Harding walking past the office muttering about Major Egan’s displeasure in the weather. It seemed only one plane had been able to drop their bombs, and not even on the primary target. Exhaling deeply to hear confirmation of his return, the ever-present feeling of the envelope in your pocket suddenly took on an immense weight. Claiming an upset stomach, which only garnered a knowing grin from your desk mate, you excused yourself to step out back, wandering to the edge of the field to tear into the flap with somewhat savage impatience. Heart in your throat, your shaking fingers pulled the folded paper from within its confines and your eyes began scanning across the page rapidly, your sense of unease cresting like a tidal wave.

I need you to be very brave for me now, dear girl…

Your father’s words blurred in front of your eyes behind a sudden influx of tears. You did not even need to read the rest of the sentence to know. Perhaps you had known all morning – since Petty had set the envelope in your hand. Your brother was gone. Most likely had been for weeks, for all the time it had taken the news to reach you, across one ocean and then another. An agonized sob clawed its way up your throat, and you quickly pressed a hand over your mouth to smother it, taking off running towards your quarters, trying desperately to keep your grief at bay until you could be alone.

Eyes barely open, running across rough ground, it was no surprise when your foot snagged on some unseen obstacle, wrenching your right ankle and sending your sprawling across the grass and partially onto a pathway. Your right knee dashed against something sharp, your hands flying forward to catch your body, the letter you had been clasping fluttering to the ground beside you. The gravel bit angrily against your palms as it chewed its way into your tender flesh, and you could feel the warm trickle of blood soaking into your ruined right stocking. The shock and pain of your collision with the earth overthrew your ability to control your emotions and a strangled sob of anguish, frustration, and loss flew from your lips.

“God…dammit…” You gasped out, suddenly furious with the universe at large.

You had never known a world without your brother. His existence was a constant you had apparently come to rely on, and now that he had been wrenched from this plane, you were not certain what you could believe in at all. Allowing just a few tears to escape began an unstoppable chain reaction, your shoulders shaking as you remained sprawled across the ground, clenching fistfuls of gravel as you gave into your grief. It was utterly self-indulgent. You were not the first woman to have lost a brother to this ugly war, but he was yours and he was gone.

‘Get. Up.’ The lone, rational part of your brain chided. ‘Your father needs you to be brave. You’re making a goddamn scene. Get. Up. You petulant child. What if someone sees you.’

Like some kind of prophecy, you heard the quizzical call of your name. You could only hope the owner of that voice was still far enough away for you to make your escape. Sniffling sharply, almost painfully, to try and stem the flow of tears, you tried desperately to struggle to your feet. Your knee throbbed in protest, your ankle wobbling unsteadily, your palms stung in pain, and all you managed was to roll onto your backside.

A pair of strong, familiar arms slid around your waist, pulling you back into a warm chest, the fleece of his collar brushing against your damp cheeks.

“I’ve got you doll.” Bucky murmured into your hair, and you shuddered, fighting back the urge to simply break down sobbing once more.

Holding out your hands awkwardly in front of you, trying to minimize the transfer of blood onto your respective uniforms, you leaned back into his warmth despite the fact that it was a sunny August day.

“Let’s get you to the doctor.” His voice was tense, wound tight with concern, and absent his usually playfulness as he slowly eased you to your feet.

“I’m fine.” You tried to protest, but an inadvertent whimper escaped your mouth as you tried to bear weight on your right leg.

“The hell you are.” He growled a little, pulling your arm over his shoulders, sliding his own arm around your waist, practically hefting you against his body.

As he turned to begin walking you down the path, you gasped to see your abandoned letter tumbling through the grass on the breeze.

“My letter!”

“I got it.” He grunted and set you down, fetching it quickly and shoving it in his pocket before lifting you up against him once more, helping you towards the hospital.

“I’m sorry…” You whispered, keeping your gaze on the ground as you hobbled along beside him, not wanting to meet the eyes of anyone you may have passed along the way.

“Got nothing to apologize for, doll.” He shook his head, assisting you through the doors and into the building that smelled sharply of disinfectant.

“What about the blood on your clothes?” You protested.

“Probably mine.”

You looked to him quickly, frowning at the mirthless smile he delivered – an empty attempt at his usual humor. You noted he did seem to be in one piece, thankfully.

“What on earth…” Gasped the nurse on duty at the front desk as she hurried forward to slide your other arm over her shoulders, leading the pair of you to a bed in triage where she quickly began to remove your ruined stocking and deal with your still-bleeding knee. “This is probably going to need stitches, Lieutenant.”

You nodded silently, frowning down at her as she began to pluck the debris from your hands.

“What’s happened, Lieutenant?” A new voice joined the conversation, and you looked up to see one of the doctors, denoted by his white coat, had come to stand beside the nurse while Bucky loomed in the background, arms crossed, brow furrowed as he watched on intensely.

“Got some bad news, sir.” You replied, seizing the inside of your cheek between your teeth to deliver a sharp, steadying bite to your flesh as your lower lip wobbled traitorously. “It made me clumsy, and I tripped.”

You watched Bucky’s face somber even further than it already was, his arms unfolding to fall at his sides, though his fists remained clenched. You looked away quickly as you were certain he had been able to do the math. To figure out just what terrible news had driven you to your current state and you could not endure his look of sympathy – not and remain collected.

“We’ll take good care of her, Major.” The doctor said in a kind yet obvious dismissal and there was a moment of silence before you heard Bucky approach the side of your bed, pressing his lips to your temple.

“I’m going to let that terrifying Captain of yours know that you won’t be working the rest of the day.” He spoke softly, for only you to hear, and your head whipped to look at him, startled that he would dare take on Captain Miller.

Your eyes fell on the lingering marks on his cheek and nose from the Regensburg raid, wanting to protest, but on finding you simply did not have the energy to fight him, you conceded with a nod. By the time he returned, no more than thirty minutes later, you were cleaned, stitched, and bandaged with a tensor wrap on your ankle and a set of crutches.

“You need to keep off that ankle as much as possible, Lieutenant.” Doctor McLean, it turned out his name was, instructed.

“Yes, sir.”

“Shouldn’t be a problem, Doc, I’ll make sure she gets where she needs to go.” Bucky chimed in and you looked to him, surprised he had returned so quickly.

“Thank you Major, with that in mind, you are free to go young lady. Keep to the pathways moving forward, please?”

“Yes, sir.” You repeated and used the crutches to rise to your feet, tucking them into your armpits to make slow progress toward the door.

Bucky followed along, patiently, removing any obstacles from your path before gesturing at the waiting jeep out front.

“Your chariot, doll.”

You looked to him skeptically. “I highly doubt this would be considered an appropriate use of army property, Major Egan.”

He shrugged. “No one else was using it, come on.” He guided you around to the passenger’s side, helping you onto the bench seat before taking your crutches to stash in the back. “You really, ok?” He asked quietly as he came to sit in the driver’s seat.

Nodding softly, you squeezed his hand as his fingers laced briefly with yours until he was forced to take it back to drive the vehicle. The trip to your quarters was markedly shorter thanks to the jeep, and you were unspeakably relieved to not have had to face it on crutches alone. Turning to thank Bucky, you blinked as he was already climbing out, bringing your crutches around.

“If you get caught in this area…”

“I’m assisting you to your quarters after an injury.” He insisted stubbornly and held them out to you.

You glanced around slowly before taking them, sliding to your feet carefully before making your way inside, once again grateful for his assistance as you hobbled over to your cot and sat heavily.

“Thank you, Bucky, you’ve been a really big help, but if you’re caught in here someone is going to murder you…”

He came to rest on his knees beside your bed, clearly choosing not to hear, or simply not caring about, your continued warnings. You pressed your lips together tightly, tucking them between your teeth as he produced your father’s letter from his pocket, setting it on the blanket beside you.

“I’m real sorry about your brother, doll.” He said quietly, forehead creased with unmasked sympathy. Your defences promptly crumbled, tears welling in your eyes and promptly spilling down your cheeks. “Hey, hey, shhh.” He shifted to quickly sit beside you, cradling you across his lap, holding you close as you turned your face to sob into his chest, fingers twisting into the fleece lining of his jacket where it hung open.

You lost all track of time in his arms, feeling safe enough to simply let your emotions run their course, have their way with you, in the privacy of your quarters. Thus, it was a surprise when you heard the gently clearing of Mary’s throat, lifting your head quickly to see her holding out one of her immaculate hankies while politely keeping her gaze on the rustic ceiling above.

“I have it on good authority that Captain Miller will be checking in on our darling Lieutenant shortly, so you may want to make yourself scarce, Major.” Her tone was warm and conspiratorial.

“Thank you, Mary.” Bucky spoke for the first time in a while, voice somewhat roughened by disuse. “I’ll see you for your ride to breakfast, doll.”

“Bucky, that’s really not necessary–”

“She usually eats at 0545.” Mary cut you off, clearly allying herself with him and against you. “Now I’ll take it from here.”

You huffed affectionately as he pressed his lips to your forehead. “You rest.”

“You, too.” You insisted stubbornly, feeling somewhat encouraged when he bestowed a smirk on you in response, sliding you from his lap onto the cot carefully and making his way out to remove himself and the jeep before your Captain could find him where he ought not to be.

“What was that you were saying to Vi and Ruth about not having tamed him?” Mary smirked, grabbing the hanky to begin dabbing at your cheeks with motherly roughness.

-------------------------

Read Part Three - "Trust Me, He's In Good Hands."

"Trust" Series Masterlist

Tag list: @gretagerwigsmuse, @precious-little-scoundrel, @rubyfruitjungle, @storysimp

[pen-and-umbra]

(The last one on Sephiroth's breakdown reimagining in the Remake trilogy. Notes I and Notes II

Herein lurk spoilers.)

In contrast to FFVII OG, where Sephiroth's breakdown was introduced as a sudden event, with his life-long search for origins mostly implied rather than spoken aloud, Crisis Core revealed Sephiroth had been digging through ShinRA's science archives for years before embarking on a fateful mission. Indeed, the compilation of FFVII has seen a shift in the character’s portrayal, with Sephiroth becoming less of a silent and aloof enigma and more of a layered personage. As a result, his breakdown ceased to exist in its isolated form. We are aware of the chain of events that preceded it.

Thanks to CC, we know that Sephiroth was obsessed with discovering facts about his own history, especially his heritage, to the point where he would shut himself up in the archives to read documents. We also know that Genesis used this fixation as a means of pressuring Sephiroth into cooperation.

To Genesis, the existence of such a pressure point was a known quantity, which suggests that Sephiroth's attempts to uncover his past had been a well-known or recurring endeavor. And one thing is clear from Sephiroth's reaction: Genesis' comments struck a chord with him, primarily because they targeted his fear.

FFVII Ever Crisis takes things a step further, emphasizing Sephiroth's determination to learn more about his mother, to the point that he would carry a photo of her to investigate. Furthermore, Sephiroth is troubled by an offhand remark that he might be a cyborg—a non-human entity—and appears to take the remark to heart, holding on to it long after making acquaintances with Glenn's team. And thus, there's plenty to infer from these instances. 

For starters, it confirms that Sephiroth's desire to discover his origins dates back to his adolescence. The way he talks in regard to inquiring about his mother suggests that his attempts are recurring. He “knows it's not cool to ask about his mother,” which presumably means that someone *systematically* brought this up to him before he was dispatched. To someone, Sephiroth's asking around appeared childish, immature, or uncool, or else came across as a nuisance that needed to be nipped in the bud.

One can wonder if the objective of these snubbing attempts was to dissuade him from looking into the topic further. This raises the question whether the “uncool” comment first came from the people behind the Science Department, in particular those who took part in Jenova Project.

Secondly, it confirms the presence of a fear—or suspicion—of not being human. Sephiroth got so fixated on the “cyborg” comment because it stirred something that had already been there. That which had preoccupied him. This detail shows that the thought was neither caused by seeing Hollander's experiments nor was it planted by Genesis, as it precedes those events. Indeed, Ever Crisis suggests that this anxiety, this nagging feeling of “never being one of them”, has been present in Sephiroth's mind for much of his life. In fact, one could argue it was the driving factor behind his search for family. Not so much a need to belong as a search for evidence of normalcy to dispel any lingering uncertainty. "Proving" misconceptions about himself wrong too, as he is keen to point out to Glenn in Ever Crisis.

This provides a broader perspective on his infamous “ever since I was a child, I knew I was different <…> special”. While OG may have alluded to Sephiroth's admitting to being aware of his superiority (“special” and “different” bearing a haughty connotation), the extended compilation plays with the idea of “different” bearing a negative quality to it, with Ever Crisis, Crisis Core and FFVII Rebirth all proposing an aversion to the idea of being a lab-grown, subhuman specimen. After all, as Sephiroth himself puts it after meeting Glenn, all he wished was normalcy—to lead a normal life. 

With that in mind, we can only speculate as to what factors made young Sephiroth question his origins. Was it merely the performance and treatment difference compared to others in ShinRA's SOLDIER project? The silence/ridicule policy and withholding of information he apparently faced when trying to ask the wrong sort of questions? Or witnessing first-hand how inhumanely the likes of Hojo treated lab specimens as well as the prospect of never being able to fit in to be treated as an equal, ergo lacking the same rights/agency as test subjects? One can only guess. Ultimately, it is the presence of this insecurity that leads to his downfall, whether one interprets Nibelheim events as falling under Jenova’s spell or an onset of insanity. 

Whether or not it was Jenova who forced Sephiroth to read “like a man possessed” or his own stubbornness, Gast's notes left him with only two options. Either he admits to being a laboratory-created being, “born” from a 2000-year-old monster, as declared by Genesis, or he embraces the idea of being an Ancient. Either he is “not a human,” as he had feared all his life, or he is above humanity. A mind is a delicate thing that will do anything to survive. Sephiroth had been in a pretty dark place by the end of Crisis Core. Should one choose to interpret Nibelheim events as a result of Jenova's interference (as discussed here), it would not be hard to see why a little nudge to the basement library was needed to push Sephiroth into embracing alien ideas and influence. Fear is an excellent manipulation tool, and Sephiroth's fear played well against him. For him, the alternative—admitting to being no better than pod-grown “abominations”, in Sephiroth's own words—was unthinkable.

If one construes the Nibelheim sequence as a result of a mental breakdown, as evidenced by Sephiroth's anger outburst, unstable commentary in the basement, and what could be interpreted as shame, it likewise becomes clear why he clung onto the idea of being an Ancient. In order for his mind to keep its sense of self, it needed to escape facing the terrible; the legend of the Ancients thus offered an easy escape route. He would no longer be a subhuman with no coherent reason to fight (per Elfe from Before Crisis), someone used as a tool by ShinRA or Hojo and having his humanity denied or questioned, but he would be an entity superior to humans with clear reasons for fighting and even a clearer sense of purpose.

Regardless of how one interprets the picture, one thing is certain: succumbing to fear or trying all possible to avoid confronting it are understandably human traits. It's ironic that Sephiroth's dread of not being human and not belonging with humans drove him to become non-human, both physically and metaphorically. After all, it was his lifelong uncertainties and fixation with discovering the truth that served as a catalyst for the chain of events that led to his metamorphosis in the Northern Crater and, subsequently, the decision to abandon his human memories in Lifestream Black.

Written by @pen-and-umbra

[starkwing-co]

Recently I had an idea for a short animation starring our favorite goobers — Fear and Anxiety! I felt like I was a concept artist at Pixar while doodling them :3

Here are the model sheets for my simplified versions of their awesome designs (I guess you can use them in your work providing credit/mention if you really want... they're barely different from the official ones tho lol)

I took some inspiration from their Disney Emoji Blitz icons but I just wanted to render them in an anime-esque artstyle (like in a what-if scenario drawn by some mangaka... tho I think they would've made even more modifications than I did) I tried to stick with their portrayal in official flat 2D artwork (●'◡'●)

Fear′s design is a lot more stylized than Anxiety′s simply bc I′ve been drawing him for longer (I made his sheet in early 2023 but recently colored and did touch-ups... Coincidently, I made his design more Forky-like before Tony Hale′s va replacement reveal (◔◡◔) Please excuse my iffy turnarounds, it's pretty much first time I did this kind of concept art ＞︿＜

Drawing expressions for arguably the most adorkable emotions was super fun as well! I love the expressive hair trope so I made sure to fully utilize it here... and ofc we shouldn't forget their endearingly goofy floating eyebrows ^^

The Japanese pronouns/honorifics notes are just for fun... I′m pretty sure Fear′s are accurate to the JP localization (Insaido Heddo) but Anxiety definitely isn't a Bokukko and doesn't speak Ōsaka-ben (otherwise she wouldn't use watashi) but it's a fun headcannon (I think she would use kimi for 2nd-person instead of Fear′s more polite anata idk)

[mask-of-prime]

TLG: Final 10 Episodes Sketch Dump

September 2nd once again fell on a Labor Day, like it once did when the final 10 episodes of TLG dropped on WatchTLG (due to its early release on the old DisneyNOW app). The alignment of the exact day, month, and holiday five years later put me in the spirit to sketch away as I rewatched these episodes.

I was there when the countdown on the WatchTLG site had about an hour left. I hadn't seen a full episode of TLG until that point because I at the time thought I wouldn't be into it. I saw the synopses for these episodes leaked somewhere online and was doubtful yet VERY hopeful that the one with Vitani's Lion Guard was going to be a real episode simply because I wanted to see her in new content, regardless of my familiarity with the show.

When I binge-watched these final episodes with a friend, my relationship with the show improved as I went to watch the rest of the show over the next few months. I was so grateful to see so much content and worldbuilding for the TLK universe

Sketch descriptions under the cut:

1. Friends to the End

I've said this before in a review of this episode, but whether or not the writers intended this, their portrayal of irritability brought on by an anxiety attack is astounding. Kion's anxiety is piled up more and more when he's in a hurry to find a cure at the Tree of Life, Bunga repeatedly tells him he's becoming like Scar, and the rest of the group just "blind leading the blind"-in their journey SO badly because they're a bunch of unsupervised freshman-aged kids who are in their "Well I wouldn't go THAT far" or "Can I be the devil's advocate" phase.

This situation of fearing becoming like a shitty family member and being told you are by people when you're already in a vulnerable state is just SO vile and unfortunately so real. I found myself relating hard to this episode due to Kion's valid af anger in this episode, which is why I had to draw Kion claiming his "Don't you just wanna go apeshit??" era.

Kion is basically me throughout this episode and the entire first half of Season 3. It is SO HARD to get through this season sometimes when these same couple of lines keep coming at least once per episode. As soon as I hear Fuli saying "Uhh... Kion?" or "KION!!" I know exactly what's coming.

2. The Tree of Life:

Since we never get to see Sahasi and Ananda's color palettes they had in life, I took what I could make out from their spirit forms as well as some creative liberties, and came up with what they may have looked like on Earth.

Ananda is where Baliyo gets his freckles and dull, dark pelt, and where Rani gets her purple pupils, red nose, and dark tail. Sahasi is where Rani gets her richer pelt and where Baliyo gets his nose gradient, multicolored mane, and lighter tail color.

Fun Fact: According to some email responses from a member of the team who worked on TLG, they said that Sahasi was meant to be Janna's son, which for me, puts an end to a debate I had in my head where I was stuck between either him or Ananda being Janna's child: On one hand, I liked the idea of Sahasi and Surak being the foils of Mufasa and Scar, but also liked the idea of Ananda as Janna's daughter and heir since they looked so alike, as well as it solidifying the martriarchy headcanon I have for the Night Pride. Though the team member didn't straight-up provide Sahasi's relation to Janna and Surak as an absolute fact, rather it was simply the gist they got from the creation of Sahasi's character, it's an answer from a team member at all, which I can absolutely settle with. I decided to give him a similar fur color to Surak because of that.

3. The River of Patience:

I just HAD to doodle eepy Kion. It's like the one part of this episode that sticks with me outside the wholesome therapy dynamics and Kion heroically holding the flower between his teeth. This is basically him but if he fully succumbed to falling asleep waiting for the log.

4. Little Old Ginterbong:

Can I just say that I fucking LOVE Mama Binturong's character?? She's absolutely insane and constantly looks like an addict that needs her fix. She makes me nostalgic for some reason, and I think it's gotta do with her Mama Gunda vibes (which is odd because I wasn't even that young when I saw Tarzan II). I had to draw her doing the thing lol

5. Poa the Destroyer:

All I could think about throughout this episode besides the rare Evil Beshte is how insufferable Pinguino is. I mean it in kind of a good way, his personality is so ridiculous that he's made me laugh a few times.

6. Long Live the Queen:

Surprisingly, the sketch regarding this episode is probably the least expected subject matter out of anything I could've put here: An idea that's been forming in my head for a bit now was the idea of Bunga and Binga continuing the fostering/babysitting business of Bunga's "uncles". Bunga is shown to be a natural with young animals in a few episodes, and it continues in the subplot of this episode where he watches over Varya's cubs.

7. The Lake of Reflection:

The one thing that viscerally stuck with me in this episode was the unbelievably cute design they gave bby Cheezi. Had to sketch him.

8. Triumph of the Roar:

Obligatory Askari sketch because I actually love drawing him and making headcanons of his era. Looking back... he kinda looks like he's looking down at the events of the bottom drawing in slight disappointment.

9. Journey to the Pride Lands:

Drew Azaad (for what I think might be the first time) with the only thing he seemed to be doing throughout this episode -- taking any opportunity he can to comment about how much better cheetahs are at basically everything. He's fun to draw and I'd like to do more art of him one day.

10. Return to the Pride Lands

This is a sketch of what I deadass thought was gonna happen during this scene the first time I saw this episode lmao. At the time, the previous two episodes were fresh on my mind so I thought Kion was once again going to spam his tornado ability, but with Vitani as his subject for his demonstration. She already knew so little of the Roar as it was, given her absence throughout most of TLG's storyline, but could you imagine what she must've been thinking seeing how much Kion's Roar evolved?

[bbcphile]

Mysterious Lotus Casebook and Complex PTSD Representations: Part I

One of my favorite things about Mysterious Lotus Casebook is how surprisingly nuanced and unusual its portrayal of complex PTSD is. So many shows either introduce character trauma to make the character Sad and Brooding, Angry and Violent (if they’re a villain) or Hesitant to Start a Relationship (if it’s a romance), and that’s usually as in-depth as it gets. If they address the unique after effects of child abuse that lead to complex PTSD at all, it’s usually either explain why a character is a homicidal monster (which is all sorts of problematic) or it’s limited to a single phobia, which can be overcome by the Power of Love, or it’s just something that crops up occasionally for Plot and then forgotten about the rest of the time. 

Mysterious Lotus Casebook gives us two deeply traumatized characters–Li Lianhua and Di Feisheng–who each have clear symptoms of complex PTSD, and yet, their cPTSD manifests completely differently because of the types of traumas that caused it and their relationships to the people causing the traumas. And their manifestations of cPTSD affect just about every level of their being, including their sense of self, their decision-making, and their relationships with others, and it includes some of the incredibly important manifestations of cPTSD that are almost never shown in media while avoiding the most insulting stereotypes! 

PTSD vs cPTSD

Post Traumatic Stress Disorder is an anxiety disorder caused by experiencing a single (or short lived) traumatic event (an accident, assault, medical emergency, fighting in a war, etc), where the symptoms last for longer than a month. Symptoms include things like reexperiencing the event (flashbacks), avoidance (of things related to the event), changes in mood (depression, anger, fear, etc), and issues with emotional regulation (hypervigilance–being constantly on the lookout for threats–irritability/angry outbursts, etc.).

Complex PTSD happens if someone has experienced long term, chronic/repeated trauma that induces hopelessness and no chance of escape (survivors of extended child abuse, human trafficking, domestic violence, prisoners of war, slavery, etc.). It’s also often interpersonal in ways a car crash or medical emergency is not, and is particularly linked with chronic trauma during childhood: chronic stress hormones introduce literal physical changes in a growing brain, particularly the amygdala (which processes fear), hippocampus (which is responsible for learning/memory), and the prefrontal cortex (which is responsible for executive function), so it can affect every aspect of life and also affect a child’s progression through developmental stages. In addition to these physical changes to the brain, the prolonged trauma–particularly the helplessness–distorts a child’s sense of self, the perpetrator, and the world in ways that alter their decision making, their memory, and their future relationships. 

For instance, whereas a traumatic event that caused PTSD might make you depressed or not trust the person who harmed you (or to fear driving), the trauma from cPTSD might make you suicidal, blame yourself for your victimization, decide to isolate to avoid interpersonal relationships to keep from getting hurt, or become obsessed with never being harmed again.

Basically, cPTSD has the core symptoms from PTSD with some extra challenges, including issues with emotional regulation, self-concept, interruptions in consciousness, difficulties with relationships, perceptions of the perpetrator, and systems of meaning.

DFS and LLH: CPTSD Symptoms

There’s so much more to say about this than I can cover in this superficial introduction, so this will be the first of a series of metas; I’m hoping to go into more depth about some of these categories in future posts (the DFS and emotional regulation/violence one is already drafted, so stay tuned). 

Difficulties with Relationships (problems with trust, communication, missing red flags): Both DFS and LLH have a history of trusting the wrong people and not trusting the right people, both in the past and in the present of the show: in the past, LLH missed the fact that SGD hated him and DFS missed the fact that JLQ was obsessed with him, and as a result, both sects were destroyed, many people died, and the two almost destroyed each other. If they had communicated with each other instead of fighting at the donghai battle, they might have realized they were being set up and could have worked together, but their difficulties with trust after perceived betrayal made that impossible for them. They both have a history of overlooking red flags in the present–DFS in particular, keeping the red-flag-personified-JLQ around despite her history of poisoning people, including himself–and they both tend to struggle with relationships in the present: LLH runs away from and/or drugs the people who care about him, and DFS sends endless mixed messages by not telling Li Lianhua most of his plans to help him. 

Self-Concept (Self-hatred and self-fragmentation): Li Lianhua is basically the poster child for having a negative self concept: he has an overdeveloped sense of self-blame and responsibility, even believing he deserves to die for leading his men to their deaths, and once he learns he was manipulated and SGD was behind it all, he seems to think it’s his own fault that he was manipulated, lied to, and abused. His self-loathing is so extreme that he imagines his earlier self, Li Xiangyi, to have died, and tries as much as possible to be nothing like that earlier persona. His repeated insistence that Li Xiangyi and Li Lianhua are NOT the same person is reminiscent of the fragmentary sense of self that comes with more extreme trauma, like Dissociative Identity Disorder (DID) or Other-Specified Dissociative Disorder (OSDD), where traumatic experiences are so painful that people form different alters, or differentiated self-states, that can have different names and skills and memories and identities. 

Di Feisheng doesn’t have the self-hatred or guilt that LLH does, and it seems like he tries to skip over questions of self worth, blame, or hatred by focusing exclusively on staying true to his code of ethics he’s developed for himself and focusing on gaining the strength necessary to fight for his freedom from mind control and the Di Fortress. But even though he’s kept his Di name, kept his goals the same since escaping Di Fortress, and hasn’t tried to separate himself from his trauma the way LLH did with LXY, he’s even more willing than LLH to take on different identities: it’s literally one of his martial arts skills. The Bone Constriction Skill lets him become someone else for a time, whether that’s a child or Shi Hun. It fits well with his willingness to be whoever he needs to be to accomplish his goals: he’s perfectly willing to be seen as a heartless villain if it lets him protect LLH, and he’s willing to flirt with and pretend to be jealous of JLQ to get information from her, and he’s willing to be LLH’s a-Fei, both with and without his memories.

Interruptions in Consciousness (Amnesia and nightmares for Everyone): LLH and DFS both have nightmares and flashbacks/memories of traumatic events, and as mentioned above, both have interesting hints of having fragmented/fluid senses of self. They both also dissociate, or separate themselves from the present when dealing with traumatic things:  LLH spaces out and gets stuck in his past memories about SGD when talking to FDB after burying SGD, and DFS dissociates from physical pain so as not to make noise both after he’s been stabbed and poisoned with Wuxin Huai and again when JLQ is torturing him in her water dungeon.

They both also have dissociative amnesia that takes away trauma memories, although one is from a poisonous incense plus the magic of qi macgyvering:  LLH forgot the existence of his older brother who died in front of him, and DFS as a-Fei had just about all of his memories (except a few of killing as a child) taken away. Amnesia is a huge part of cPTSD, because it’s the brain’s way of trying to protect you from truths that you might not survive. It can manifest as blocking out one single traumatic event, a bunch of thematically or temporally linked traumatic events, a skill set related to the trauma, or, in the case of something like DID or OSDD, just about everything. It’s endlessly fascinating to me that the show gives us one example of definite traumatic amnesia through LLH, and then seems to almost transform the experience of having DID and being a new part and finding yourself with a new name and very little else into an exaggerated fantasy setting (interestingly, people often report experiencing debilitating headaches when they try to regain memories behind the amnesia barrier). I doubt this is what they were actually going for, since DID is almost universally portrayed incorrectly and offensively in media (one of the alters is almost always portrayed as a serial killer, but that’s a rant for another day), but the different names and the presence of amnesia with LLH made it a fascinating enough parallel that I had to mention it.

 Problems with Emotional Regulation (Lashing in vs. lashing out): Li Xiangyi and Di Feisheng are polar opposites when it comes to struggles with emotional regulation: whereas LXY turns his anger inward, directing it all toward self-hate in what’s often called a “toxic shame spiral,” both after the donghai battle and after he finds out about SGD’s role in his shifu’s death, DFS lashes out physically at those who have harmed him, usually via choking people, although he is usually exerting an impressive amount of control over his emotions and strength. To put in perspective just how different their emotional strategies are and how much effort DFS puts into emotional regulation, compare how much more calm he is than LLH during any revelation of past betrayal or painful information, any scene where they confront the people who have abused them, or any scene where they learn they’ve been wrong about something big; LLH is most likely having an emotional flashback (re-experiencing the emotions from the earlier traumas) and DFS is probably compartmentalizing them or dissociating from them to process later/never so he can stay semi-functional and not show a potential opponent a weak spot. 

NOTE: This means that DFS is loooong overdue for a very dramatic breakdown when it eventually all catches up to him and he can’t distract himself from it anymore.

Perceptions of Perpetrators: In this way only, Di Feisheng has one advantage: he knows the head of Di Fortress is a cruel, abusive tyrant. While he clearly still fears him, even as a physically strong adult (he has nightmares, flashbacks, and dedicates his life to being free from him, which means he still to some extent feels young, small, and helpless when he thinks of him), DFS knows that he hates him and wants to be free of him. This is probably part of why he’s spared some of the self-hatred LLH experiences: he knows he didn’t deserve the abuse because seeing it happen to other children means he knows the abuse wasn’t a personal reflection on him. It does, however, motivate him to want to be stronger and invulnerable so as to never be helpless again, and that obsession is what drives him to have a single-minded focus on reaching the pinnacle of the jianghu.  

It’s so much more complicated for Li Lianhua (and for a more detailed analysis, check out this meta): the childhood perpetrators were manifold–a slew of bandits, whichever children and adults on the street would abuse him for existing and being poor–it probably felt like life itself was to blame. It’s no wonder that when his shifu and shiniang took him in, they were the ultimate rescuers whom he hero-worshipped, so when he felt he made a mistake and his life fell apart, he blamed himself: at least there would be someone to blame that way and something he could do about it (try to kill his past self and hate everything about him). It’s also very telling that LLH doesn’t blame JLQ or YBQ all that much when he learns they poisoned him, and that he’s more angry that SGD murdered their shifu than he is that SGD set him up, hated him, and was the real mastermind behind everything he had blamed himself for; he struggles to stay angry at people who harm him, and would rather blame and hate himself for being tricked than hate the person who tricked him. So, whereas DFS tries to destroy the people who abused him, LLH tries to destroy himself.

If you read this far, thanks! I’m probably going to be posting the DFS and emotional regulation/violence against perpetrator meta next, because it’s drafted, but if there are any of these you desperately want me to talk about more sooner rather than later, let me know! :D 

[mitziholder]

Can you talk more about my lesbian experience with loneliness pretty please

ok. It’s dog shit written as the salve of a deranged narcissist’s ego.

I am sick of things being lauded as revolutionary and important just because they’re Real - Real and Honest. honest does not mean good. memoirs are works like any other. they have their biases and a point to make and goals to achieve. I can read into their content and criticize their handling of it and the goals and motivations of the “characters” therein. and, believe it or not, I am not in the business of clapping for wannabe rapists just because they were so far gone they thought that hiring a prostitute was an essential expression of their adult autonomy and independence (and Female Power and Sexuality blah blah blah blah blah)

boo-hoo. poor me. I had anxiety and depression and an eating disorder and I self-harmed and and and I was the most pathetic sad little worm on the planet. I was so sad and so lonely. and now I have put it out there into the world - seeking absolution from an army of people who think that what I did was fine because I put it all on display - and you can’t criticize it because it is so real. if you criticize it, you’re afraid of dark and uncomfortable subject matter. if you criticize it, you just didn’t get it. (on that note, I would say that I got it better than the author. the portrayal of that prostitute really says it all. lol. lmao.)

really, why should I give a shit about the pity party therapy session of a woman who used her own pain as a justification for exploiting another human being, who contributed to the sex industry, whose only fear was of disappointing her parents and only shame was the fact that she was too inhibited to really enjoy the experience? why should I support and uphold the work of a person who did that and then profited off of it? why should I appreciate the cultural contributions of someone whose perspective on Lesbianism is a purely self-indulgent affirmation of what people already imagine to be true: that we’re mentally unstable, dysfunctional sex perverts?

I wouldn’t clap for Jimmy Swaggart, either.

I am not going to say that I hope she dies but I’m ending the sentence there.