#antiphonaries
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Many - most - manuscripts survive only in fragments. Here we have three adjacent fragments from a large antiphonary leaf. Text on both sides is from Psalm 138 and one side also includes musical notation. Written in a large Gothic hand with red and blue initials. Because the style of liturgical manuscripts didn't change much through the mid to late middle ages, we can't say any date more exact than between 1300 and 1599.
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#medieval#manuscript#medieval manuscript#liturgy#antiphonary#fragment#fragment friday#psalm#gothic#liturgical manuscript#14th century#15th century#16th century#maybe#who knows#book history#rare books
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musicians
from the margins of an antiphonary manuscript, bohemia, c. 1499
source: Vienna, ÖNB, Mus.Hs.15494, fol. 51r and 121v
#15th century#antiphonary#musical manuscripts#musical instruments#bears#apes#marginalia#illuminated manuscript
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Title: Manuscript Illumination with All Saints in an Initial 'V' (manuscript cutting from an Antiphonary) Artist: Cosmè (Cosimo) Tura (Italian, 1430-1495) Date: 1450s Genre: religious art Period: Italian Renaissance (Quattrocento) Movement: School of Ferrara Medium: Tempera, ink, and gold on parchment Location: Metropolitan Museum of Art
#All Saints Day#art#art history#Cosme Tura#Cosimo Tura#religious art#Christian art#Christianity#Catholicism#illuminated manuscript#manuscript cutting#manuscript illumination#antiphonary#Renaissance#Renaissance art#Italian Renaissance#Quattrocento#School of Ferrara#Italian art#15th century art#Metropolitan Museum of Art
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Inner binding from the Beaupre Antiphonary, Vol. 3 makes a beautiful work of art on its own in a combination craftsmanship and the vicissitudes of age. Illuminated in Hainaut ca. 1280 and completed in 1290, this collection of richly illuminated Cistercian manuscripts is a rare example of those being produced in Flanders at the end of the thirteenth century.
Walters Art Museum
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Episode 2: Lisa Fagin Davis on a Fragment, a Forgery, and a Fiend
Women bathing in the Voynich manuscript
In Episode 2 of Inside My Favorite Manuscript, Dot and Lindsey talk to manuscript scholar Lisa Fagin Davis about three of her favorite manuscripts, all of which happen to be in the collections of the Beinecke Library at Yale University:
The Gottschalk Antiphonary, now a collection of fragments
Epistolary, Cistercian Use, a 15th century manuscript with substantial forged illustrations added in the 19th century
Cypher Manuscript aka The Voynich Manuscript, a fiend of a manuscript that has proven itself impossible to decipher
Listen to the episode here or wherever you get your podcasts!
Join our mailing list to receive weekly updates about the IMFM pod!
Below the cut are photos of some of the specific things we discuss in this episode.
Beinecke MS 481.51: Gottschalk Antiphonary:
Beinecke MS 283: Epistolary, Cistercian Use:
Beinecke MS 408: Cypher Manuscript aka The Voynich Manuscript
Page from the herbal section:
Page opening from the astrological / zodiacal section:
Page from the bathing section:
Large fold-out:
Voynich Conference. Virtual conference! November 30-December 1, register now!
The Medievalist: A Novel, by Phil Adamo.
#medieval#manuscript#antiphonary#forgery#spanish forger#voynich#voynich manuscript#podcast#imfm#inside my favorite manuscript
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I recently found out that the V&A does ASMR-style videos where they educate about objects in their collection. I think it's a super neat idea. This video in particular, about the handling of rare books, made me really nostalgic for my grad school days.
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Likewise this one about a medieval antiphonary, featuring the sweet, sweet sound of vellum page turning.
#Medieval#Manuscripts#Rare Books#I miss being allowed to go flip through medieval books whenever I want 😭
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Bifolium from an Antiphonary. 14th century (?). Credit line: Gift of Miss Alice M. Dike, in memory of her father, Henry A. Dike, 1928 https://www.metmuseum.org/art/collection/search/466791
#aesthetic#art#abstract art#art museum#art history#The Metropolitan Museum of Art#museum#museum photography#museum aesthetic#dark academia
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Jesus Stoned by the Crowd, in an initial I
Cutting from an Antiphonary, ( Latin)
Illuminated by Master B. F.
Italy, Milan, ca. 1500 , the Morgan Library
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Antiphonary IV: Illustration to the Office of the Dead by Giovanni di Paolo, Italian, ca. 1442
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Les Murray
peneplain - a more or less level land surface produced by erosion over a long period, undisturbed by crustal movement
commissure - the joint between two bones; a band of nerve tissue connecting the hemispheres of the brain, the two sides of the spinal cord, etc
niveaux - plateaus
hyaline - a smooth sea or a clear sky; (chiefly of cartilage) glassy and translucent in appearance.
ruched
taupe - dark brownish grey (mole)
moraine - ridge of rock deposited along the edge of a glacier
pleasance - a secluded enclosure or part of a garden, especially one attached to a large house
vol (fr. flight)
surcingle - horse strap
nacre - mother of pearl
misericord
jacquard - a fabric has a design or motif woven into the construction of the weave
entail
philtre - love potion
chenille - soft fabric
shako - military cap
cullet
mucilage
paraison
marvered
spirochaetes
peruke - wig
jute
roan
distinguo - subtle distinction
decrepitation - the crackling or breaking up of certain crystals when they are heated
coralline - reddish, pinkish red
quoin - an external angle of a wall or building
coign - a projecting corner or angle of a wall
prehension - the act of taking hold, seizing, or grasping; mental understanding : comprehension
Oligocene
scads - a large number or quantity
gamboge - deep yellow
formic - relating to ants
rales - small clicking, bubbling, or rattling sounds in the lungs
escutcheon - shield or emblem bearing a coat of arms; flat piece of metal for protection and often ornamentation, around a keyhole, door handle, or light switch
pilum - Roman javelin
corniche - a road cut into the edge of a cliff, especially one running along a coast
bouillon - broth
impetigo - highly contagious skin infection that causes red sores on the face
goffer - crimp the lace edges of (a garment) with a heated implement
jardinière - decorative pot holder
terebinth - turpentine tree
chyle
sejant - animal upright in heraldry
cloison - dividing partition
mantling - piece of ornamental drapery depicted issuing from a helmet and surrounding a shield
marques - brand
lakatois - double-hulled sailing watercraft of Papua New Guinea.
ormolu - gilt bronze
azolla - aquatic fern
loden - dark green woolen cloth
donjon - medieval tower
pintle - a pin or bolt, usually inserted into a gudgeon, which is used as part of a pivot or hinge
antiphonary - a book of plainsong for the Divine Office
grimoire
oppidum - large fortified Iron Age settlement or town
tarmacadam - tarmac
cassia
caraway
schist
piste - a ski run of compacted snow
Gaeldom - Areas in which some Gaelic languages (Scottish Gaelic and Manx) are spoken
doughboy - United States soldiers during World War I
paseo (Sp.) - walk
coatee - a woman's or infant's short coat
VVS - “very very slightly included” diamond
illimitable - without limits or an end
Wilton rug - Axminster carpets are made by creating carpet tufts of equal length before attaching them to the backing. Wilton create pile in a continuous loop, and the cutting takes place once the pile has been attached to the backing
impatiens - flower genus
maidan - an open area or space in or near a town, often used as a marketplace or parade ground
sett - a hole in the ground, often with several passages and different entrances
fusee - flare?
finial - architectural elements typically used as decorative or ornamental features that mark the top or end of domes, spires, roofs, gables, buildings
perigee - the point in the orbit of the moon or a satellite at which it is nearest to the earth
pince-nez - style of glasses
shofar - Jewish horn
lorn - lonely
bowstave
bleb - blister
chiacking - the exchange of jeering or teasing remarks
arraign - call or bring (someone) before a court to answer a criminal charges
curcurbit - plant from gourd family
abyssal - of or relating to the bottom waters of the ocean depths; impossible to comprehend : unfathomable
tilth - tilled soil
sub rosa - in secret
antic - grotesque, bizarre
his nibs
talus - a slope formed especially by an accumulation of rock debris
Nunc Stans - Eternal existence as an attribute of God
oriel - a large upper-storey bay with a window
fistmele - is the breadth of a fist with thumb stuck out used especially in archery to give the correct height of a string from a braced bow
potch - opal which has no play of colour and is of no value
Borsalino - Italian hat
welter - confused mass, turmoil
infra dig
nose-gaffed
septum/septa
camelid
bitou - invasive bush
acrophobia - fear of heights
switchback - a road which goes up a steep hill in a series of sharp bends, or a sharp bend in a road
amethystine - scrub python
cotillon - 18th century dance
grue (Scot) - a shiver or shudder; a creeping of the flesh
cottar - in Scotland and Ireland a farm labourer or tenant occupying a cottage in return for labour
tufa - variety of limestone formed when carbonate minerals precipitate out of water in unheated rivers or lakes
fig - dress, appearance
bourdon - drone
fado - Portuguese music
paladin - trusted military leader; a leading champion of a cause
gelid - icy, extremely cold
natron - baking soda
baulk - roughly squared timber beam
clamant - urgently demanding attention
cupidity - greed for money or possessions
avocation - a hobby or minor occupation
unexceptionable - not open to objection, but not particularly new or exciting
drupe - a fleshy fruit with thin skin and a central stone containing the seed, e.g. a plum, cherry, almond, or olive
bund - retaining wall
Ishihara dots
rrark - Aboriginal cross-hatching
unkent - unknown, strange (Scot.)
jarl - a Norse or Danish chief
ebullition - a sudden outburst of emotion or violence
dunnage - a person's belongings, especially those brought on board ship
coggage
stetl - a small Jewish town or village formerly found in Eastern Europe
pukka
recension - a revised edition of a text
coeval - a person of roughly the same age as oneself; a contemporary
peculator - embezzler
pasquil - a satire or lampoon
asthenic (asthenia) - abnormal physical weakness or lack of energy
canaille - common people; the masses
monorchidism - (or monorchism) the state of having only one testicle within the scrotum
sera - an amber-coloured, protein-rich liquid which separates out when blood coagulates
ichor - fluid that flows like blood in the veins of the gods; watery discharge from a wound
bordure - In heraldry, a band of contrasting tincture forming a border around the edge of a shield
boi meat - ox meat (Galician)
in-continuo
chivvy - tell (someone) repeatedly to do something
biltong - dried meat
wobbegong - carpet shark
bijou - small dainty usually ornamental piece of delicate workmanship : jewel; something delicate, elegant, or highly prized
placket - a finished opening in the upper part of trousers or skirts, or at the neck, front, or sleeve of a garment
tumbril - two wheeled cart
grab-bar
gomp
beetle bix
dottle - unburned and partially burned tobacco in the bowl of a pipe
mezedes or meze - small plates of appetisers (Greek)
whale sounding - diving
bootless - ineffectual, useless
galligaskins - loose wide hose or breeches worn in the 16th and 17th centuries
Ricardian - people who dispute the negative posthumous reputation of King Richard III of England
precarian (precariat) - a social class formed by people suffering from precarity, which means existing without predictability or security, affecting material or psychological welfare. The term is a portmanteau merging precarious with proletariat
besoming - sweeping (besom - a broom made of twigs tied round a stick)
gilet - a waist- or hip-length garment, usually sleeveless, fastening up the front; sometimes made from a quilted fabric, and designed to be worn over a blouse, shirt, etc; bodice resembling a waistcoat in a woman's dress
swart - swarthy, dark
voile - sheer fabric
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Nor certains the million of a life in one
Then Bromion renew again the tender mother! The could I so wondrous eft was love no links dull and singeth: o stones you shame comes a hundred time. To get of desire;
I lovèd children breast;—’twas lost alone with us, or we die. When for me down; my love, the blue quilt and furrow, are weigh, then she cankering— doubt, I’ve been content, over-loving—
all colors, and sooner fight renew against every leafless boughs the gate; they aren’t afraid, stood munching warm, with tender darkness; pent up with rage; he roll’d in my heart.
At worst was in her mouth stuttering of beast, and this ghastly dew fall of great lamps do dive into mournful lips, which I wonders, dark; till all fear to such garlanded; where is
oft to be thought a thing down to a small strip a hungry dog; or does penances in gross my name is Guidi—he’ll part shall I see and pant, as deep snow piled solemnly. Tell
me, is constrains the moon, the violent. Spot, its prophecyings we have fretted straight no crime to languor lead that I do, slouches more indeed his sense to conclude my debt to her
from The Spartan spouse: her court and learned man of the street’s hushed and shuns to see her sighing and knows what I cannot love nor had thy beauty- crest of softer all the store&wander’d
in weary weight of you! Ere seen they parts; then hate with stifled brethren her of Earth, for hour of fitful land unrespect, as he cared to thin fingers stretched, drunken with lower
o’ the blade return of atomies that keep court-favoured air stirs; ah! To look was changed in atmospheres unknown; but what come; for Blanche: much proffered serpent eyes with
speede her way, that follow. It mean. Who is my finger, free from opening by the cause a little near me, my Theotormon seek with sword enured thus were you don’t know my
own empty airless lays thoughts, like antiphonary’s marge, whose natural joy. Never bright with myself in the old oak tree. Over another’s face, oh call the wood; for I command
the chace—i, who thro’ the prease are the carver’s bosom of thee solace bring. Nor certains the million of a life in one. With so delight upward bold; the show of large bring
Coronations reconciled; nor straight, Soon the ground. These thine in the bushes, and that fine air is safe and satyr flies have melted in the end is they will! That Choice is mute in
his mine; in Iphigene once more, the cast, that never lost, unheard, and unrespect, as the sea, to time, nor weeks. I deem, I do Natures of Latmos was open eyes, and on
they share shouldst have reach. Its dead espy? Please me up with sometimes do I loved, and below us is all which the boss of the stars, and gaze like a razor he heard the sun his
male minded, quoth thin gray beginning languor lead in this labouring night and pride; or being heart have you catches in his sin the deserved so shall not? Flowers felt himself,
but took the white robe of words enough the brain: be stain’d to bed and for what? Having moment— and the tremble deep of this court am I that like and singing faith too rainbow
frill? Singing fan, dropped up my heedless butterflies the loss of means, and so all’s saved my cried. Upon the place ambition is their doors of human eye that some brawl which the dog!
#poetry#automatically generated text#Patrick Mooney#Markov chains#Markov chain length: 6#155 texts#ballad
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January 6th is the Feast of the Epiphany, so we present Free Library of Philadelphia @freelibraryofphiladelphia Lewis E M 42:11, an historiated initial illustrating the baptism of Christ in the first response of the first nocturn of Matins for the feast of the Epiphany. Cut from a mid-14th c. Antiphonary. Digitized through #BiblioPhilly
Online: https://bit.ly/3YsvNMq
#medieval#manuscript#fragment#historiated initial#illuminated initial#illumination#illustration#philadelphia#bibliophilly#matins#epiphany#14th century#antiphonary#book history#rare books
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jesus and mary standing before god
in an illuminated liturgical manuscript, germany, c. 1494
source: Munich, BSB, Clm 23043(2, fol. 1v
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Decorated initial letters taken from a Benedictine Antiphonary (circa 1467–70) by Belbello da Pavia (Italian, active circa 1420–70) and collaborators.
Tempera, gold, and ink on parchment.
Images and text information courtesy The Met.
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Master B.F. (Italian, active about 1495 - 1510), Initial E: Saint John the Evangelist (from an antiphonal), early 16th century, tempera and gold leaf on parchment, 16.5 x 16.5 cm. J. Paul Getty Museum
#saint john the evangelist#antiphonal#antiphonary#illuminated manuscript#christian art#italian art#16th century#j. paul getty museum
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MWW Artwork of the Day (11/13/19) Lorenzo Monaco (Sienese, c. 1370-c. 1425) Antiphonary (1406) Tempera and gold on parchment, 31.5 x 26.5 mm The Metropolitan Museum of Art, New York
This miniature was excised from an antiphonary (one of the principal choir books of Catholic devotion) painted by Lorenzo Monaco for the Camaldolese convent of Santa Maria degli Angeli, Florence. The initial C introduces one of the responses for the celebration of the Office of the Dead: "Credo quod redemptor meus vivit, et novissimo die terra resurrecturus sum, et in carnee mea videbo Deum, Salvatorem meum" (I believe that my Redeemer lives, and that on the last day I shall rise from the earth and in my flesh I shall see God, my Savior). Inside the initial, the bust-length figure of Christ, his right hand raised in judgment, emerges from a bank of clouds set against a burnished gold background. To his right, an angel blows the trumpet of the Last Judgment. Below them, the dead emerge from cracks in the rocky ground, their hands clasped in prayer. (from the MMA catalog)
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