ars-videndi
ARS VIDENDI
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Art history: mostly Renaissance and Baroque, with occasional references to other eras & styles. DISCLAIMER: I do not own the copyrights to any of these images, nor do I make any profits from posting. All the images were found in public domain and posted for educational purposes only. Avatar image: Muttoni (Pietro della Vecchia), Head of a Young Warrior, late 1630s
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ars-videndi · 4 years ago
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Anton Raphael Mengs (Aussig, Bohemia 1728 - 1779 Rome), Self Portrait in Blue Coat, 1744, pastel on paper. Once part of the collections of the Gemäldegalerie Alte Meister in Dresden; missing since the end of World War II; only this photo, taken before 1930/32, remained.
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ars-videndi · 4 years ago
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Staatliche Kunstsammlungen Dresden, Kupferstich-Kabinett
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Anton Raphael Mengs: Autorretrato juvenil (1740).
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ars-videndi · 4 years ago
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Anton Raphael Mengs (Aussig, Bohemia 1728 - 1779 Rome), Portrait of Ismael Mengs, the artist’s father, c. 1744-1745, pastel on paper, 55.5 x 42.5 cm. Staatliche Kunstsammlungen Dresden, Gemäldegalerie Alte Meister
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ars-videndi · 4 years ago
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Anton Raphael Mengs (Aussig, Bohemia 1728 - 1779 Rome), The Annunciation, 1776-1779, oil on canvas, 388 x 222 cm. The Hermitage Museum
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ars-videndi · 4 years ago
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Anton Raphael Mengs (Aussig, Bohemia 1728 - 1779 Rome), Ecce Homo, c. 1777-1779. Museo de Bellas Artes de Bilbao
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ars-videndi · 4 years ago
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Anton Raphael Mengs (Aussig, Bohemia 1728 - 1779 Rome), two Apostles in the Prado Museum. Oil on canvas, c. 1764.
Museo del Prado [1], [2]
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ars-videndi · 4 years ago
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Anton Raphael Mengs (Aussig, Bohemia 1728 - 1779 Rome), The Dream of Saint Joseph, c.1773 - 1774, oil on oak, 114 x 86 cm. Kunsthistorisches Museum, Vienna
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ars-videndi · 4 years ago
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Attributed to Anton Raphael Mengs ( Aussig, Bohemia 1728 - 1779 Rome), The Immaculate Conception, oil on canvas, 181 x 130 cm. Museo del Prado
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ars-videndi · 4 years ago
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Francisco de Zurbarán (Fuente de Cantos, Badajoz 1598 - 1664 Madrid), The Immaculate Conception, oil on canvas, 174 x 138 cm. Museo Diocesano de Arte Antiguo, Sigüenza
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ars-videndi · 4 years ago
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The Immaculate Conception, attributed to Diego Velázquez or Alonso Cano, c.1618-20, oil on canvas, 142 x 98 cm. Fundación Focus Abengoa, Seville
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ars-videndi · 4 years ago
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Claudio Coello (Madrid, 1642 - 1693), The Immaculate Conception, 2nd half of the 17th century, oil on canvas, 208 x 145 cm. Museo del Prado
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ars-videndi · 4 years ago
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José María Ruiz Montes (b. 1981), Cristo de la Misericordia, 2015. Parroquia de San Miguel de Miramar, Málaga
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ars-videndi · 4 years ago
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José María Ruiz Montes (b. 1981), Cristo del Perdón, 2019. Parroquia Nuestra Señora de Gracia de Puertollano, Ciudad Real 
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ars-videndi · 4 years ago
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Neo-romanesque crypt of the Almudena Cathedral (Santa María la Real de La Almudena), Madrid, 20th century
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ars-videndi · 4 years ago
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Juan de Mesa (Córdoba 1583 - 1627 Sevilla), Crucificado de la Buena Muerte, 1621. Catedral de la Almudena, Madrid
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ars-videndi · 4 years ago
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Juan de Mesa (Córdoba 1583 - 1627 Sevilla), Crucificado de la Buena Muerte, 1621. Catedral de la Almudena, Madrid,
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ars-videndi · 4 years ago
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The paso of the Confraternity of the Holy Shroud (Hermandad de la Sagrada Mortaja) in Semana Santa procession, Seville
The Sagrada Mortaja was founded at the end of the 16th century in the church of Santa Marina. The image of Christ (Nuestro Padre Jesús Descendido de la Cruz) is a baroque masterpiece of Cristóbal Pérez (1667). The Virgin (Nuestra Señora de la Piedad) and the rest of the group are from the circle of Pedro Roldán (17th century).
Sources: [1], [2], [3]
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