#antiphonary

[cuties-in-codices]

jesus and mary standing before god

in an illuminated liturgical manuscript, germany, c. 1494

source: Munich, BSB, Clm 23043(2, fol. 1v

[insidemyfavoritemanuscript]

Episode 2: Lisa Fagin Davis on a Fragment, a Forgery, and a Fiend

Women bathing in the Voynich manuscript

In Episode 2 of Inside My Favorite Manuscript, Dot and Lindsey talk to manuscript scholar Lisa Fagin Davis about three of her favorite manuscripts, all of which happen to be in the collections of the Beinecke Library at Yale University:

The Gottschalk Antiphonary, now a collection of fragments

Epistolary, Cistercian Use, a 15th century manuscript with substantial forged illustrations added in the 19th century

Cypher Manuscript aka The Voynich Manuscript, a fiend of a manuscript that has proven itself impossible to decipher

Listen to the episode here or wherever you get your podcasts!

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Below the cut are photos of some of the specific things we discuss in this episode.

Beinecke MS 481.51: Gottschalk Antiphonary:

Beinecke MS 283: Epistolary, Cistercian Use:

Beinecke MS 408: Cypher Manuscript aka The Voynich Manuscript

Page from the herbal section:

Page opening from the astrological / zodiacal section:

Page from the bathing section:

Large fold-out:

Voynich Conference. Virtual conference! November 30-December 1, register now!

The Medievalist: A Novel, by Phil Adamo.

[nobrashfestivity]

Inner binding from the Beaupre Antiphonary, Vol. 3 makes a beautiful work of art on its own in a combination craftsmanship and the vicissitudes of age. Illuminated in Hainaut ca. 1280 and completed in 1290, this collection of richly illuminated Cistercian manuscripts is a rare example of those being produced in Flanders at the end of the thirteenth century.

Walters Art Museum

[metmuseum]

Manuscript Leaf with Saint John Gualbert in an Initial S, from an Antiphonary. early 16th century. Credit line: Gift of Louis L. Lorillard, 1896, transferred from the Library https://www.metmuseum.org/art/collection/search/469045

[yiddishknights]

I recently found out that the V&A does ASMR-style videos where they educate about objects in their collection. I think it's a super neat idea. This video in particular, about the handling of rare books, made me really nostalgic for my grad school days.

Likewise this one about a medieval antiphonary, featuring the sweet, sweet sound of vellum page turning.

[usedcarheaven]

Jesus Stoned by the Crowd, in an initial I

Cutting from an Antiphonary, ( Latin)

Illuminated by Master B. F.

Italy, Milan, ca. 1500 , the Morgan Library

[thegothicera]

Antiphonary IV: Illustration to the Office of the Dead by Giovanni di Paolo, Italian, ca. 1442

[readingvocabulary]

Les Murray

peneplain - a more or less level land surface produced by erosion over a long period, undisturbed by crustal movement

commissure - the joint between two bones; a band of nerve tissue connecting the hemispheres of the brain, the two sides of the spinal cord, etc

niveaux - plateaus

hyaline - a smooth sea or a clear sky; (chiefly of cartilage) glassy and translucent in appearance.

ruched

taupe - dark brownish grey (mole)

moraine - ridge of rock deposited along the edge of a glacier

pleasance - a secluded enclosure or part of a garden, especially one attached to a large house

vol (fr. flight)

surcingle - horse strap

nacre - mother of pearl

misericord

jacquard - a fabric has a design or motif woven into the construction of the weave

entail

philtre - love potion

chenille - soft fabric

shako - military cap

cullet

mucilage

paraison

marvered

spirochaetes

peruke - wig

jute

roan

distinguo - subtle distinction

decrepitation - the crackling or breaking up of certain crystals when they are heated

coralline - reddish, pinkish red

quoin - an external angle of a wall or building

coign - a projecting corner or angle of a wall

prehension - the act of taking hold, seizing, or grasping; mental understanding : comprehension

Oligocene

scads - a large number or quantity

gamboge - deep yellow

formic - relating to ants

rales - small clicking, bubbling, or rattling sounds in the lungs

escutcheon - shield or emblem bearing a coat of arms; flat piece of metal for protection and often ornamentation, around a keyhole, door handle, or light switch

pilum - Roman javelin

corniche - a road cut into the edge of a cliff, especially one running along a coast

bouillon - broth

impetigo - highly contagious skin infection that causes red sores on the face

goffer - crimp the lace edges of (a garment) with a heated implement

jardinière - decorative pot holder

terebinth - turpentine tree

chyle

sejant - animal upright in heraldry

cloison - dividing partition

mantling - piece of ornamental drapery depicted issuing from a helmet and surrounding a shield

marques - brand

lakatois - double-hulled sailing watercraft of Papua New Guinea.

ormolu - gilt bronze

azolla - aquatic fern

loden - dark green woolen cloth

donjon - medieval tower

pintle - a pin or bolt, usually inserted into a gudgeon, which is used as part of a pivot or hinge

antiphonary - a book of plainsong for the Divine Office

grimoire

oppidum - large fortified Iron Age settlement or town

tarmacadam - tarmac

cassia

caraway

schist

piste - a ski run of compacted snow

Gaeldom - Areas in which some Gaelic languages (Scottish Gaelic and Manx) are spoken

doughboy - United States soldiers during World War I

paseo (Sp.) - walk

coatee - a woman's or infant's short coat

VVS - “very very slightly included” diamond

illimitable - without limits or an end

Wilton rug - Axminster carpets are made by creating carpet tufts of equal length before attaching them to the backing. Wilton create pile in a continuous loop, and the cutting takes place once the pile has been attached to the backing

impatiens - flower genus

maidan - an open area or space in or near a town, often used as a marketplace or parade ground

sett - a hole in the ground, often with several passages and different entrances

fusee - flare?

finial - architectural elements typically used as decorative or ornamental features that mark the top or end of domes, spires, roofs, gables, buildings

perigee - the point in the orbit of the moon or a satellite at which it is nearest to the earth

pince-nez - style of glasses

shofar - Jewish horn

lorn - lonely

bowstave

bleb - blister

chiacking - the exchange of jeering or teasing remarks

arraign - call or bring (someone) before a court to answer a criminal charges

curcurbit - plant from gourd family

abyssal - of or relating to the bottom waters of the ocean depths; impossible to comprehend : unfathomable

tilth - tilled soil

sub rosa - in secret

antic - grotesque, bizarre

his nibs

talus - a slope formed especially by an accumulation of rock debris

Nunc Stans - Eternal existence as an attribute of God

oriel - a large upper-storey bay with a window

fistmele - is the breadth of a fist with thumb stuck out used especially in archery to give the correct height of a string from a braced bow

potch - opal which has no play of colour and is of no value

Borsalino - Italian hat

welter - confused mass, turmoil

infra dig

nose-gaffed

septum/septa

camelid

bitou - invasive bush

acrophobia - fear of heights

switchback - a road which goes up a steep hill in a series of sharp bends, or a sharp bend in a road

amethystine - scrub python

cotillon - 18th century dance

grue (Scot) - a shiver or shudder; a creeping of the flesh

cottar - in Scotland and Ireland a farm labourer or tenant occupying a cottage in return for labour

tufa - variety of limestone formed when carbonate minerals precipitate out of water in unheated rivers or lakes

fig - dress, appearance

bourdon - drone

fado - Portuguese music

paladin - trusted military leader; a leading champion of a cause

gelid - icy, extremely cold

natron - baking soda

baulk - roughly squared timber beam

clamant - urgently demanding attention

cupidity - greed for money or possessions

avocation - a hobby or minor occupation

unexceptionable - not open to objection, but not particularly new or exciting

drupe - a fleshy fruit with thin skin and a central stone containing the seed, e.g. a plum, cherry, almond, or olive

bund - retaining wall

Ishihara dots

rrark - Aboriginal cross-hatching

unkent - unknown, strange (Scot.)

jarl - a Norse or Danish chief

ebullition - a sudden outburst of emotion or violence

dunnage - a person's belongings, especially those brought on board ship

coggage

stetl - a small Jewish town or village formerly found in Eastern Europe

pukka

recension - a revised edition of a text

coeval - a person of roughly the same age as oneself; a contemporary

peculator - embezzler

pasquil - a satire or lampoon

asthenic (asthenia) - abnormal physical weakness or lack of energy

canaille - common people; the masses

monorchidism - (or monorchism) the state of having only one testicle within the scrotum

sera - an amber-coloured, protein-rich liquid which separates out when blood coagulates

ichor - fluid that flows like blood in the veins of the gods; watery discharge from a wound

bordure - In heraldry, a band of contrasting tincture forming a border around the edge of a shield

boi meat - ox meat (Galician)

in-continuo

chivvy - tell (someone) repeatedly to do something

biltong - dried meat

wobbegong - carpet shark

bijou - small dainty usually ornamental piece of delicate workmanship : jewel; something delicate, elegant, or highly prized

placket - a finished opening in the upper part of trousers or skirts, or at the neck, front, or sleeve of a garment

tumbril - two wheeled cart

grab-bar

gomp

beetle bix

dottle - unburned and partially burned tobacco in the bowl of a pipe

mezedes or meze - small plates of appetisers (Greek)

whale sounding - diving

bootless - ineffectual, useless

galligaskins - loose wide hose or breeches worn in the 16th and 17th centuries

Ricardian - people who dispute the negative posthumous reputation of King Richard III of England

precarian (precariat) - a social class formed by people suffering from precarity, which means existing without predictability or security, affecting material or psychological welfare. The term is a portmanteau merging precarious with proletariat

besoming - sweeping (besom - a broom made of twigs tied round a stick)

gilet - a waist- or hip-length garment, usually sleeveless, fastening up the front; sometimes made from a quilted fabric, and designed to be worn over a blouse, shirt, etc; bodice resembling a waistcoat in a woman's dress

swart - swarthy, dark

voile - sheer fabric

[sheri42]

March Doodle Music

#MarchMake Music -- period of 1736 photo doodle #clmooc

on Flickr March Doodle and March Make #MarchMake Prompt: Music Music: a 1736 piece of sheet music with a doodle of clothing of the period. The sheet music is Antiphonary, Italian, 1736 from the MetMuseum, public domain. The clothing is adapted from a Wikimedia piece, Philips Charles Group Portrait [1720-1740] #marchdoodle  #cldoodle23  #warmup4art #clmooc #marchmake #clmooc  What is…

[libidomechanica]

Nor certains the million of a life in one

Then Bromion renew again the tender mother!     The could I so wondrous eft was love no links dull and singeth: o stones you shame comes a     hundred time. To get of desire;

I lovèd children breast;—’twas lost alone with us,     or we die. When for me down; my love, the blue quilt and furrow, are weigh, then she cankering—     doubt, I’ve been content, over-loving—

all colors, and sooner fight renew against     every leafless boughs the gate; they aren’t afraid, stood munching warm, with tender darkness;     pent up with rage; he roll’d in my heart.

At worst was in her mouth stuttering of beast, and     this ghastly dew fall of great lamps do dive into mournful lips, which I wonders, dark; till     all fear to such garlanded; where is

oft to be thought a thing down to a small strip a     hungry dog; or does penances in gross my name is Guidi—he’ll part shall I see and     pant, as deep snow piled solemnly. Tell

me, is constrains the moon, the violent. Spot, its     prophecyings we have fretted straight no crime to languor lead that I do, slouches more indeed     his sense to conclude my debt to her

from The Spartan spouse: her court and learned man of     the street’s hushed and shuns to see her sighing and knows what I cannot love nor had thy beauty-     crest of softer all the store&wander’d

in weary weight of you! Ere seen they parts; then     hate with stifled brethren her of Earth, for hour of fitful land unrespect, as he cared     to thin fingers stretched, drunken with lower

o’ the blade return of atomies that keep     court-favoured air stirs; ah! To look was changed in atmospheres unknown; but what come;     for Blanche: much proffered serpent eyes with

speede her way, that follow. It mean. Who is my finger,     free from opening by the cause a little near me, my Theotormon seek with sword     enured thus were you don’t know my

own empty airless lays thoughts, like antiphonary’s     marge, whose natural joy. Never bright with myself in the old oak tree. Over another’s     face, oh call the wood; for I command

the chace—i, who thro’ the prease are the carver’s     bosom of thee solace bring. Nor certains the million of a life in one. With so delight     upward bold; the show of large bring

Coronations reconciled; nor straight, Soon the ground.     These thine in the bushes, and that fine air is safe and satyr flies have melted in the     end is they will! That Choice is mute in

his mine; in Iphigene once more, the cast, that never     lost, unheard, and unrespect, as the sea, to time, nor weeks. I deem, I do Natures     of Latmos was open eyes, and on

they share shouldst have reach. Its dead espy? Please me up     with sometimes do I loved, and below us is all which the boss of the stars, and gaze     like a razor he heard the sun his

male minded, quoth thin gray beginning languor lead     in this labouring night and pride; or being heart have you catches in his sin the deserved     so shall not? Flowers felt himself,

but took the white robe of words enough the brain: be     stain’d to bed and for what? Having moment— and the tremble deep of this court am I     that like and singing faith too rainbow

frill? Singing fan, dropped up my heedless butterflies     the loss of means, and so all’s saved my cried. Upon the place ambition is their doors of     human eye that some brawl which the dog!

[cornertrust]

Medieval art

Rosbach/CC-BY-SA 3.0, CC BY-SA 3.0, via Wikimedia Commons Painted wooden ceiling of the Oude Kerk (church) in Amsterdam Hans A. In addition to these various styles, each region within Europe exhibited an artistic style in a very distinct way, meaning that some Medieval Art pieces varied greatly from region to region despite being created within the same time period. These art phases have come to be seen as Early Christian Art, Byzantine art, Pre-Romanesque and Romanesque art, and Gothic art. Influenced by the artistic heritage of the previous Roman era and the iconographic customs of the early Christian Church, the Medieval period existed as an amalgamation of these artistic heritages.ĭue to this fusion of styles, Medieval Art essentially went on to produce some incredibly iconic artworks due to the distinct artistic style that developed.ĭue to the vastness of the Medieval Art period, the movement can generally be divided into a number of distinct periods and styles. Originating in Northern Europe after the Roman Empire collapsed, Medieval Art included some of the most major art movements and periods known to develop within art history. 7.4 Notre Dame de Paris (built between 1163 – 1345 A.D.).7.3 Palatine Chapel (built between 790 – 805 A.D.).7.2 The Lindisfarne Gospels (written between 715 – 720 A.D.).Contributors approach the concept of medieval abstraction from a multitude of perspectives-formal, semiotic, iconographic, material, phenomenological, epistemological. How does it make or destroy meaning in the process? Does it suggest the failure of figuration, the faltering of iconography? Does medieval abstraction function because it is imperfect, incomplete, and uncorrected-and therefore cognitively, visually demanding? Is it, conversely, precisely about perfection? To what extent is the abstract predicated on theorization of the unrepresentable and imperceptible? Does medieval abstraction pit aesthetics against metaphysics, or does it enrich it, or frame it, or both? Essays in this collection explore these and other questions that coalesce around three broad themes: medieval abstraction as the untethering of the image from what it purports to represent abstraction as a vehicle for signification and abstraction as a form of figuration. RESPONSE: Herbert Kessler, 'Astral Abstraction'ĬODA: Charlotte Denoël, 'Carolingian Art as Conceptual Art?'Ībstraction haunts medieval art, both withdrawing figuration and suggesting elusive presence. Julie Harris, 'Imaging Perfection(s) in Hebrew Illuminated Manuscripts' Taylor McCall, 'Functional Abstraction in Medieval Anatomical Diagrams' McNamee, 'Early Romanesque Abstraction and the "Unconditionally Two-Dimensional Surface"' Joyner, 'Birds of Defiance: Jewelled Resistance to Modern Abstractions' PART III: ABSTRACTION / EPISTEMOLOGY / PERCEPTIONĭanielle B. Nancy Thebaut, 'The Double-Sided Image: Abstraction and Figuration in Early Medieval Painting' Gia Toussaint, 'Ornament and Abstraction: A New Approach to Understanding Ornamented Writing in the Making of Illuminated Manuscripts around 1000' Tilghman, 'The Sign within the Form, the Form without the Sign: Monograms and Pseudo-Monograms as Abstractions in Mozarabic Antiphonaries' PART II: ABSTRACTION / FIGURATION / SIGNIFICATIONĭanny Smith, 'The Painted Logos: Abstraction as Exegesis in the Ashburnham Pentateuch'īenjamin C. Robert Mills, 'Back-to-Front: Abstraction and Figuration in Bosch's Visions of the Hereafter' Cohen and Linda Safran, 'Abstraction in the Kennicott Bible' PART I: ABSTRACTION / APORIA / UNKNOWABILITYĪden Kumler, 'Abstraction's Gothic Grounds'Īdam S. PREFACE: Elina Gertsman, 'Withdrawal and Presence' Academica University of Applied Sciences.

[upennmanuscripts]

Coffee With A Codex: Antiphonary

Join us on Zoom every Tuesday at 12pm Noon EDT / 5pm BST to look at manuscripts from Penn’s collection in an informal environment.

On September 27, Curator Dot Porter will bring out Ms. Codex 1590, a Secular (as opposed to monastic) antiphonary for liturgical use in Lyon, containing the chants of the Divine Office for major feasts and Sundays. Written in France, probably Lyon, in the last quarter of the 13th or first quarter of the 14th century.

The event is informal and everyone is welcome to attend.

Register to attend

Join our mailing list to have announcements dropped directly in your inbox

Find out more about the project and the manuscripts we’ve looked at in the past.

If you miss a week or you just want to know what Coffee With A Codex is about, you can watch recordings of past events on the CWAC YouTube Playlist.

[heaveninawildflower]

Decorated initial letters taken from a Benedictine Antiphonary (circa 1467–70) by   Belbello da Pavia (Italian, active circa 1420–70) and collaborators.

 Tempera, gold, and ink on parchment.

Images and text information courtesy The Met.

[ars-videndi]

Master B.F. (Italian, active about 1495 - 1510), Initial E: Saint John the Evangelist (from an antiphonal), early 16th century, tempera and gold leaf on parchment, 16.5 x 16.5 cm. J. Paul Getty Museum

[metmuseum]

Manuscript Leaf with Saint Benedict Resuscitating a Boy in an Initial D, from an Antiphonary. second half 15th century. Credit line: Gift of Louis L. Lorillard, 1896, transferred from the Library https://www.metmuseum.org/art/collection/search/469043

[themuseumwithoutwalls]

MWW Artwork of the Day (11/13/19) Lorenzo Monaco (Sienese, c. 1370-c. 1425) Antiphonary (1406) Tempera and gold on parchment, 31.5 x 26.5 mm The Metropolitan Museum of Art, New York

This miniature was excised from an antiphonary (one of the principal choir books of Catholic devotion) painted by Lorenzo Monaco for the Camaldolese convent of Santa Maria degli Angeli, Florence. The initial C introduces one of the responses for the celebration of the Office of the Dead: "Credo quod redemptor meus vivit, et novissimo die terra resurrecturus sum, et in carnee mea videbo Deum, Salvatorem meum" (I believe that my Redeemer lives, and that on the last day I shall rise from the earth and in my flesh I shall see God, my Savior). Inside the initial, the bust-length figure of Christ, his right hand raised in judgment, emerges from a bank of clouds set against a burnished gold background. To his right, an angel blows the trumpet of the Last Judgment. Below them, the dead emerge from cracks in the rocky ground, their hands clasped in prayer. (from the MMA catalog)