#manuscript cutting

[m3dieval]

A Collection of 15th Century Bowl Cuts

Français 9342 folios: 5r, 16v, 13r, 40v

Ms-5072 réserve, folios: 163r, 71v, 130v

Ms-664 réserve, folio 63v

Portrait of a man, Barthélemy van Eyck, 1456

Français 23279, folios: 5r, 64v, 117v

Portrait of Philippe de Croÿ, Rogier van der Weyden, 1460

[lilacerull0]

eve didn't get bitten... taylor chose this career... try and come for my job...

[m3dieval]

Français 9342, folio 16v (detail). 15th century, French.

The armour is interesting, the horse barding and tied tail is interesting. But I'm really hoarding this image for the bowl-cut.

[m3dieval]

Ms-5072 réserve, folio 182r (detail)

Many saving this one for the riding boots.

[averythepirate]

It is the only surviving fragment of a lost medieval manuscript telling the tale of Merlin and the early heroic years of King Arthur's court. In it, the magician becomes a blind harpist who later vanishes into thin air. He will then reappear as a balding child who issues edicts to King Arthur wearing no underwear. The shape-shifting Merlin – whose powers apparently stem from being the son of a woman impregnated by the devil – asks to bear Arthur's standard (a flag bearing his coat of arms) on the battlefield. The king agrees – a good decision it turns out – for Merlin is destined to turn up with a handy secret weapon: a magic, fire-breathing dragon. 

[queer-ragnelle]

Babe wake up new Vulgate chapter just dropped

[jstor]

We're stunned by this beautifully bound anthology of Persian poetry, created in the 16th century!

Attributed to present-day Turkey or Iran, the manuscript features ornate gold detailing and pages painted with watercolor and ink. It contains poetry by Amir Shahi of Sabzavar (Iranian, born in Sabzavar–died 1453), Maulana Nur al-Din `Abd al-Rahman Jami (Iranian, born 1414 in Jam–died 1492 in Herat), and Nasir Khusrau (Iranian, born 1003–died circa 1066).

The pages are composed using qita’i, a découpage technique in which letters are cut from colored paper and carefully arranged on contrasting folios.

The full anthology is part of The Metropolitan Museum of Art's open access collection and available to view on JSTOR.

(1, 2, 3, 4)

[physalian]

How to make your writing sound less stiff part 2

Part 1

Again, just suggestions that shouldn’t have to compromise your author voice, as I sit here doing my own edits for a WIP.

1. Crutch words

Specifically when you have your narrator taking an action instead of just… writing that action. Examples:

Character wonders/imagines/thinks/realizes

Character sees/smells/feels

Now not all of these need to be cut. There’s a difference between:

Elias stops. He realizes they’re going in the wrong direction.

And

Elias takes far too long to realize that it’s not horribly dark wherever they are

Crutch words are words that don’t add anything to the sentence and the sentence can carry on with the exact same meaning even if you delete it. Thus:

Elias stops. They’re going in the wrong direction.

I need a word in the second example, whether it’s realizes, understands, or notices, unless I rework the entire sentence. The “realization” is implied by the hard cut to the next sentence in the first example.

2. Creating your own “author voice”

Unless the tone of the scene demands otherwise, my writing style is very conversational. I have a lot of sentence fragments to reflect my characters’ scatterbrained thoughts. I let them be sarcastic and sassy within the narration. I leave in instances of “just” (another crutch word) when I think it helps the sentence. Example:

…but it’s just another cave to Elias.

Deleting the “just” wouldn’t hit as hard or read as dismissive and resigned.

I may be writing in 3rd person limited, but I still let the personalities of my characters flavor everything from the syntax to metaphor choices. It’s up to you how you want to write your “voice”.

I’ll let dialogue cut off narration, like:

Not that he wouldn’t. However, “You can’t expect me to believe that.”

Sure it’s ~grammatically incorrect~ but you get more leeway in fiction. This isn’t an essay written in MLA or APA format. It’s okay to break a few rules, they’re more like guidelines anyway.

3. Metaphor, allegory, and simile

There is a time and a place to abandon this and shoot straight because oftentimes you might not realize you’re using these at all. It’s the difference between:

Blinding sunlight reflects off the window sill

And

Sunlight bounces like high-beams off the window sill

It’s up to you and what best fits the scene.

Sometimes there’s more power in not being poetic, just bluntly explicit. Situations like describing a character’s battle wounds (whatever kind of battle they might be from, whether it be war or abuse) don’t need flowery prose and if your manuscript is metaphor-heavy, suddenly dropping them in a serious situation will help with the mood and tonal shift, even if your readers can’t quite pick up on why immediately.

Whatever the case is, pick a metaphor that fits the narrator. If my narrator is comparing a shade of red to something, pick a comparison that makes sense.

Red like the clouds at sunset might make sense for a character that would appreciate sunsets. It’s romantic but not sensual, it’s warm and comforting.

Red like lipstick stains on a wine glass hints at a very different image and tone.

Metaphor can also either water down the impact of something, or make it so much worse so pay attention to what you want your reader to feel when they read it. Are you trying to shield them from the horror or dig it in deep?

4. Paragraph formatting

Nothing sticks out on a page quite like a line of narrative all by itself. Abusing this tactic will lessen its effect so save single sentence paragraphs for lines you want to hammer your audiences with. Lines like romantic revelations, or shocking twists, or characters giving up, giving in. Or just a badass line that deserves a whole paragraph to itself.

I do it all the time just like this.

Your writing style might not feature a bunch of chunky paragraphs to emphasize smaller lines of text (or if you’re writing a fic on A03, the size of the screen makes many paragraphs one line), but if yours does, slapping a zinger between two beefy paragraphs helps with immersion.

5. Polysyndeton and Asyndeton

Not gibberish! These, like single-sentence paragraphs, mix up the usual flow of the narrative that are lists of concepts with or without conjunctions.

Asyndeton: We came. We saw. We conquered. It was cold, grey, lifeless.

Polysyndeton: And the birds are out and the sun is shining and it might rain later but right now I am going to enjoy the blue sky and the puffy white clouds like cotton balls. They stand and they clap and they sing.

Both are for emphasis. Asyndeton tends to be "colder" and more blunt, because the sentence is blunt. Polysyntedon tends to be more exciting, overwhelming.

We came and we saw and we conquered.

The original is rather grim. This version is almost uplifting, like it's celebrating as opposed to taunting, depending on how you look at it.

—

All of these are highly situational, but if you’re stuck, maybe try some out and see what happens.

*italicized quotes are from ENNS, the rest I made up on the spot save for the Veni Vidi Vici.

[maniculum]

Medieval Scorpions Effortpost

So yesterday I reblogged this post featuring an 11th-century depiction of the Apocalypse Locusts from Revelations, noting the following incongruity as another medieval scorpion issue:

The artist, as you can see, has interpreted "tails like scorpions" as meaning "glue cheerful-looking snakes to their butts".

Anyway, it occurred to me that the medieval scorpion thing might not be as widely known as I think it is, and that Tumblr would probably enjoy knowing about it if it isn't known already. So, finding myself unable to focus on the research I'm supposed to be doing, I decided to write about this instead. I'll just go ahead and put a cut here.

As we can see in the image above, at least one artist out there thought a "scorpion" was a type of snake. Which makes it difficult to draw "tails like scorpions", because a snake's tail is not that distinctive or menacing (maybe rattlesnakes, but they don't have those outside the Americas). So they interpreted "tails like scorpions" as "the tail looks like a whole snake complete with head".

Let me tell you. This is not a problem unique to this illustration.

See, people throughout medieval Europe were aware of scorpions. As just alluded to, they are mentioned in the Bible, and if the people producing manuscripts in medieval Europe knew one thing, it was Stuff In Bible. They're also in the Zodiac, which medieval Europe had inherited through classical sources. However, let's take a look at this map:

That's Wikipedia's map of the native range of the Scorpiones order, i.e., all scorpion species. You may notice something -- the range just stops at a certain northern latitude. Pretty much all of northern Europe is scorpion-free. If you lived in the north half of Europe, odds were good you had never seen a scorpion in your life. But if you were literate or educated at all, or you knew they were a thing, because you'd almost certainly run across them being mentioned in texts from farther south. And those texts wouldn't bother to explain what a scorpion was, of course -- everyone knows scorpions, right? When was the last time you stopped to explain What Is Spiders?

So medieval writers and artists in northern Europe were kind of stuck. There was all this scorpion imagery and metaphor in the texts they liked to work from, but they didn't really know what a scorpion was. Writers could kind of work around it (there's a lot of "oh, it's a venomous creature, moving on"), but sometimes they felt the need to break it down better. For this, of course, they'd have to refer to a bestiary -- but due to Bestiary Telephone and the persistent need of bestiary authors to turn animals into allegories, one of the only visual details you got on scorpions was that they... had a beautiful face, which they used to distract people in order to sting them.

And look. I'm not here to yuck anyone's yum, but I would say that a scorpion's face has significant aesthetic appeal only for a fairly small segment of the population. I'm sure you could get an entomologist to rhapsodize about it a bit, but your average person on the street will not be entranced by the face of a scorpion. So this did not help the medieval Europeans in figuring out how to depict scorpions. There was also some semantic confusion -- see, in some languages (such as Old and Middle English), "worm" could be a general term for very small animals of any kind. But it also could mean "serpent".* So there were some, like our artist at the top of the post, who were pretty sure a scorpion was a snake. This was probably helped along by the fact that "venomous" was one of the only things everyone knew about them, and hey, snakes are venomous. Also, Pliny the Elder had floated the idea that there were scorpions in Africa that could fly, and at least one author (13th-century monk Bartholomaeus Anglicus) therefore suggested that they had feathers. I don't see that last one coming up much, I just share it because it's funny to me.

*English eventually resolved this by borrowing the Latin vermin for very small animals, using the specialized spelling wyrm for big impressive mythical-type serpents, and sticking with the more specific snake for normal serpents.

Some authors, like the anonymous author of the Ancrene Wisse, therefore suggested that a scorpion was a snake with a woman's face and a stinging tail. (Everyone seemed to be on the same page with regards to the fact that the sting was in the tail, which is in fact probably the most recognizable aspect of scorpions, so good job there.) However, while authors could avoid this problem, visual artists could not. And if you were illustrating a bestiary or a calendar, including a scorpion was not optional. So they had to take a shot at what this thing looked like.

And so, after this way-too-long explanation, the thing you're probably here for: inaccurate medieval drawings of scorpions. (There are of course accurate medieval drawings of scorpions, from artists who lived in the southern part of Europe and/or visited places where scorpions lived; I'm just not showing you those.) And if you find yourself wondering, "how sure are you that that's meant to be a scorpion?" -- all of these are either from bestiaries or from calendars that include zodiac illustrations.

11th-century England, MS Arundel 60. (Be honest, without the rest of this post, if I had asked you to guess what animal this was supposed to be, would you have ever guessed “scorpion”?)

12th-century Germany, "Psalter of Henry the Lion". (Looks a bit undercooked. Kind of fetal.)

12th-century France, Peter Lombard's Sententiae. (Very colorful, itsy bitsy claws, what is happening with that tail?)

12th-century England, "The Shaftesbury Psalter". (So a scorpion is some sort of wyvern with a face like a duck, correct?)

13th-century France, Thomas de Cantimpré's Liber de natura rerum. (I’d give them credit for the silhouette not being that far off, but there’s a certain bestiary style where all the animals kind of look like that. Also note how few of these have claws.)

13th-century England, "The Bodley Bestiary". (Mischievous flying squirrel impales local man’s hand, local man fails to notice.)

13th-century England, Harley MS 3244. (A scorpion is definitely either a mouse or a fish. Either way it has six legs.)

13th-century England, Harley MS 3244. (Wait, no, it’s a baby theropod, and it has two legs. (Yes, this is the same manuscript, that’s not an error, this artist did four scorpions and no two are the same.))

13th-century England, Harley MS 3244. (Actually it’s a lizard with tiny ears and it has four legs.)

13th-century England, Harley MS 3244. (Now that we’re at the big fancy illustration, I think I’ve got it — it’s like that last one, but two legs, longer ears, and a less goofy face. Also I’ve decided it’s not pink anymore, I think that was the main problem.)

13th-century England, MS Kk.4.25. (A scorpion is a flat crocodile with a bear’s head.)

13th-century England, "The Huth Psalter". (Wyvern but baby! Does not seem to be enjoying biting its own tail.)

13th-century England, MS Royal 1 D X. (This triangular-headed gentlecreature gets the award for “closest guess at correct limb configuration”. If two of those were claws, I might actually believe this artist had seen a scorpion before, or at least a picture of one.)

13th-century England, "The Westminster Psalter". (A scorpion is the offspring of a wyvern and a fawn.)

13th-century England, "The Rutland Psalter". (Too many legs! Pull back! Pull back!)

13th or 14th-century France, Bestiaire d'amour rimé. (This is very similar to the fawn-wyvern, but putting it in an actual Scene makes it even more obvious that you’re just guessing.)

14th-century Netherlands, Jacob van Maerlant's Der Naturen Bloeme. (More top-down six-legged guys that look too furry to be arthropods.)

14th-century Germany, MS Additional 22413. (That is clearly a turtle.)

14th-century France, Matfres Eymengau de Beziers's Breviari d'amor. (Who came up with that head shape and what was their deal?)

15th-century England, "Bestiary of Ann Walsh". (Screw it, a scorpion is a big lizard that glares at you for trying to make me draw things I don’t know about.)

I've spent way too much time on this now. End of post, thank you to anyone who got all the way down here.

[3liza]

because most of us can't. the majority of subsistence artists, like sex workers, are in this line of work because we can't do other work. there is also a huge amount of overlap between sex work and subsistence artists and always has been. i have no clue why I continue to see it being discussed as something every artist is simply choosing to do out out some combination of stupidity and narcissism. i would cut off one of my toes to magically have the ability to show up to a normal job every day.

there is a huge blind spot about artists in Marxism and leftist discussion of labor generally because Marx literally didn't talk about them and they don't fit into the "owning the means of production = bourgeois" model unless you're dumb enough to call the guy doing tourist caricatures on the boardwalk "bourgeois", and no joke I have actually seen people try to argue this, but everyone normal understands they are stupid so it doesn't matter. we agree that the guy on the boardwalk with the easel or the bucket drums or the harp is not actually bourgeois.

if you have actually worked in the "creative industry" without support while paying your own rent and groceries and not being supported by parents or friends or a spouse, and you know a bunch of other people who have been doing the same thing for a long time, you are similarly confused by discussions along the lines of "why do artists simply not get other jobs if they hate being slowly fed into the social media meat grinder 🤔"

i can tell you exactly why. it's because I spend 25 days out of every month having to Lie Down, and when I tried saying the words "Americans with Disabilities Act" to various employers and school administrators like you're supposed to, I got shitcanned and failed so many times it was like a vaudeville routine. you will find that this is true of a great many working artists (not hobbyists and not students living at home, adult working artists), perhaps most, and I genuinely continue to be baffled by the fact that nobody seems to be aware that drawing things for cash (or dancing or writing articles or editing manuscripts or taking wedding photos or whatever) and other jobs without set schedules (like stripping, camming, etc) are careers a lot of people, certainly the ones without any starting capital, end up in when they can't get paid more for fewer hours. and you get paid more for fewer hours in basically any other job than these, including working at fast food or walmart.

surely you can hear how this sounds? "if you don't like it, why don't you just get a job that pays more?" where have we heard that before? stop. think.

[artifacts-and-arthropods]

Emerald Spectacles from India, c. 1620-1660 CE: the lenses of these spectacles were cut from a single emerald, and the original, uncut stone weighed more than 300 carats

These eyeglasses are also known by the name Astaneh-e ferdaws, meaning "Gate of Paradise," based on the symbolic associations between the color green and the concept of spiritual salvation or "paradise." Those associations, which are rooted in Islamic tradition, were especially common in Mughal India.

The lenses were crafted from two thin slices of the same emerald. Together, the lenses have a combined weight of about 27 carats, but given the precision, size, and shape of each lens, experts believe that the original emerald likely weighed in excess of 300 carats (more than sixty grams) before it was cleaved down in order to produce the lenses.

The emerald was found at a mine in Muzo, Colombia, and it was then transported across the Atlantic by Spanish or Portuguese merchants.

Each lens is encircled by rose-cut diamonds, which run along an ornate frame made of gold and silver. This diamond-studded frame was installed during the late 1800s, when modern stylistic elements were incorporated into the original pince-nez design.

The "Gate of Paradise" spectacles are often accompanied by a second pair of eyeglasses that were created during the same period, and they were almost certainly commissioned by the same person; these other spectacles are known by the name Halqeh-e nur, meaning "Halo of Light," and they feature lenses that were cleaved from a single diamond.

It's estimated that the original, uncut diamond weighed about 200-300 carats, which would make it one of the largest uncut diamonds ever discovered.

The lenses are so clear and so flat that they sometimes seem almost invisible.

Both sets of spectacles date back to the mid-1600s, and it's believed that they were commissioned by a Mughal emperor or prince. The identity of that person is still a bit of a mystery, but it has been widely speculated that the patron was Shah Jahan -- the Mughal ruler who famously commissioned the Taj Mahal after the death of his wife, Mumtaz Mahal. Shah Jahan ruled as the Mughal emperor from about 1628 to 1658.

The emerald and diamond lenses may have served some symbolic, sentimental, or cultural purpose, or they may have been chosen simply because they're pretty and extravagant. Their original purpose and significance remains unclear, but there is evidence to suggest that the spectacles were actually designed to be worn by someone.

Mystical properties have long been attributed to these spectacles; it's believed that they can promote healing, ward off evil, impart wisdom, and/or bring the wearer closer to enlightenment. Those beliefs mostly stem from Indic and Islamic traditions that associate each of the gemstones with specific spiritual qualities. Emeralds are associated with spiritual salvation, healing, cleansing, and eternal life, while diamonds are associated with enlightenment, wisdom, celestial light, and mysticism.

The "Gate of Paradise" and the "Halo of Light" spectacles were both kept in the collections of a wealthy Indian family until 1980, when they were sold to private collectors, and they were then put up for auction once again in 2021. They were most recently valued at about $2 million to $3.4 million per pair.

Sources & More Info:

Sotheby's: Mughal Spectacles

Architectural Digest of India: At Sotheby's auction, Mughal-era eyeglasses made of diamond and emerald create a stir

Only Natural Diamonds: Auspicious Sight & the Halqeh-e Nur Spectacles

The Royal Society Publishing: Cleaving the Halqeh-Ye Nur Diamonds

Gemological Institution of America: Two Antique Mughal Spectacles with Gemstone Lenses

Manuscript: From Satan's Crown to the Holy Grail: emeralds in myth, magic, and history

CNN: The $3.5 million Spectacles Said to Ward off Evil

BBC: Rare Mughal Era Spectacles to be Auctioned by Sotheby's

[writers-potion]

Let's Edit: Tightening the Plot

Sometimes, deleting a few words from the manuscript will not be enough to get an immersive story with no draggin bits.

Here are some ideas.

Delete Unnecessary Bits

Delete introspection. Whenever your POV spends time thinking, assessing, remembering, musing or emoting, cut the lot.

Delete the journey. Whenever your character spends time walking, driving, rising or flying to a place, cut it short.

Delete backstory. Readers need to know less backstory than you think.

Shrink the sequels. Sequels are paragraphs where the author shows how characters react to the action in the previous paragraph.

Tighten the Plot

Condense the timeframe. Instead of a year, make it three months. You will have to watch out for continuity errors (no three Christmases in a year, character ages, etc.)

Condense the geography. Instead of fights happening in five different locations, have them happen on one place.

Condense the characters. Whenever there are several people of a kind (two sisters, four colleagues), let there be just one. You can also combine characters - the gym instructor is also the noisy neighbor, the choir conductor is also the owner of that pesky cat.

─── ･ ｡ﾟ☆: *.☽ .* . ───

💎If you like my blog, buy me a coffee☕ and find me on instagram! 

💎Before you ask, check out my masterpost part 1 and part 2 

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[usedpidemo]

Codependency (Ive Yujin)

On one side, there’s a mansion worthy portrait of you on the wall. On the other, wards and recognitions from numerous governing bodies with your name plastered in remembrance. The public knows more about the brand than the people behind it; that’s how business works. Unless your name happens to be Musk, Bezos, or Zuckerberg.

You’re nowhere near their level of wealth and influence—far from it—yet this entire building’s future rests on your shoulders. It’s not as easy as it looks.

You’ve always credited your guardian angel for keeping you from harm your entire life. It sounds religious, but from personal experience, it’s real. 

She’s guiding you from the secluded corner of your office.

—————

“And that’s how we’ll proceed with operations moving forward,” you say to the executives in the room—except they're not physically there. Their faces are projected on screen, joining from different countries, with some even joining from home. To be quite frank, you understand very little about your own presentation, and had your acting not been Oscar-worthy, there’s more that would appear absurd than believable. “Do we have any questions?”

For the most part, the top brass appear to be in unanimous agreement with everything that has been laid out. Not a single question, complaint, or rebuttal from anyone.

“Well done, officer. You seem to have a complete grasp and understanding of the situation,” says one of the chiefs, his ripe old age showing through his slow, strained tone. 

Another suit, much closer to your age—albeit barely (he’s in his mid-forties)—adds, “We expect an immediate turnaround, otherwise we may have to cut even more of our divisions off. Should this plan fail, we anticipate closure of even more of our departments, including yours.”

It’s not the most concerning thing you’ve heard this week, but it’s definitely up there–at least top three.

Nevertheless, you remain firm and bow to your superiors as you end the meeting. “Thank you sirs. We will do our best.”

As soon as the video call ends, you let out this deep sigh of relief that’s been repressed the entire time. Thank goodness you have an entire building floor and private office to yourself. 

“Well fuck me,” you mutter, seemingly speaking to the void, taking all the deep breaths you need, wiping the sweat across your head with some tissue. “Tell me I followed through on everything, right?”

“Yeah. Apart from mixing a few things, you mostly got it.” Yujin’s voice emerges from the far end of the room, covered in darkness, away from anyone’s view. The papers on your desk aren’t actually documents or paperwork. In reality, they’re pages of a manuscript with a few instructional, handwritten notes attached. It’s not even your own writing; they’re curated by none other than Yujin herself. “I’d say I wouldn’t have noticed, even if they were a little too obvious at times.”

“These conferences are fucking tiresome. Nauseating even,” you reply. Yujin opens up the blinds, and you stagger away from the immediate sunlight piercing through the room. Simply put, you just want to throw up after yapping all that incomprehensible jargon. “You know what—why don’t we switch places next time? I think you’d be better at this than me, like you already are with everything.”

An unusual comment for the director to make to his assistant, but it’s true. Yujin is so good in every department that it’s borderline farcical. She’s incredibly reliable to the point where you’ve basically deferred nearly every task to her, leaving you with the most boring parts of your job, which mostly comprises of company meetings and private calls. She’s a relatively new hire, having worked in your department for a little over a year, yet her rise up the ranks has been nothing short of absurd. 

“Please, let’s not get carried away,” she softly laughs, flashing a lovely smile you never grow tired of seeing—and you see her as soon as you walk into the building till you clock out.  “I’m fine with the research and paperwork. Regardless of what you want to believe, I think you sold it well.”

You slump back in your chair, somewhat bothered at just how unbothered Yujin is. How she’s able to take all your responsibilities that you should be doing, and without protest. One look at her features tells you all you need to know: that she’s happy to work for you. She could easily be in your position right now, putting you through this exact hell. She could be on that screen making those very threats on your job, in fact. Instead, she prefers to be your subordinate.

If that wasn’t enough of an example, she’s gathering the papers on your desk, putting them back together, good as new. Then she brings you a cup of water from the dispenser. She’s enumerating a list of other, just as unintelligible things that may or may not be important to your discussion earlier. Meanwhile, you’ve been sitting in that chair, your thoughts wandering aimlessly, thinking about anything that isn’t work. It’s almost noon, yet your mind just wants to check out for the rest of the day.

“Um—sir? You okay?” Yujin waves a hand right in your face, snapping you from your tired daze.

You tilt up to her gaze, eyes weary. “Yeah. I’m just—tired.”

“Do you want me to leave? I’ll go and sort out the upper management on your behalf if you’re not feeling well.”

“Don’t.” You rise from your seat, telling her, “I’ll take care of it. Go and have lunch,” as you point at your wristwatch, both hands closely pointed at the top.

“You sure? You should go have lunch too,” she replies, showing an alarming amount of concern that it’s almost comical. “Don’t worry about me.”

Shaking your head, you respond, flashing a light grin to reassure her, “I can talk to them at any time. T your break. I’ll call you when I need anything.” 

—————

Truth be told, you didn’t want to see her for the rest of the day, let alone seek her help. 

Yujin is only one call away. After all, she’s your assistant, down to working right outside your office. She’s working on whatever nonsense you’ve assigned her, showing no signs of slowing down. Meanwhile, you can barely call today productive; you’ve only completed two pages of a draft for next week’s presentation. In the time spent between slowly chopping away and stalking her from behind the door, her pretty profile a sight for sore eyes, she’s probably completed this week’s assignments and halfway through the next. She’s that efficient.

Hours pass, until the day finally ends at five. At exactly the top of the hour, she lets herself into your office, her pleasant attitude still in full bloom. “Already completed all the tasks for today. How about you?”

Yujin is not even trying to gloat—not in the slightest—yet it sounds like a punch to the gut. You can only slam your chin flat on the desk in despair, shooting a tired glare at her. She tries to muffle her chuckle, trying to keep herself professional, not realizing you’ve already seen through her facade.

“You want me to help you out? I don’t mind working an hour longer if you need it.” She’s peeking her head over the laptop display, examining for the proof of concept—or lack thereof. “Didn’t I tell you to leave this five plan strategy to me?”

This amount of confidence should leave you battered and deflated. And yet, there’s a sense of relief knowing Yujin will get the job done no matter what you ask of her. It’s enough to turn that frown into a faint, encouraging grin. 

“I guess so,” you tell her, putting down the screen. Getting up from your chair, you close the window blinds and block out the setting sun. “Maybe I’m just tired of deferring all my responsibilities to you, that’s all.”

Her smile looks innocent, demure even, it doesn’t make sense as to how irrevocably kind she is to you. As far as you know, your employees consider you as shrewd and as scummy as your superiors. Forget that you’ve been working here longer; they consider everyone that isn’t their fellow rank a corporate dirtbag who’d step over others the first opportunity they can. It’s a vicious cycle. To have someone like Yujin feels like an anomaly. 

“Don’t worry about it, that’s why I’m getting paid right?” she answers back, pressing her palms on your desk. “Just do what you can and I’ll handle the rest.”

You’re pouring an espresso into a cup, before offering the drink to her. “We should talk, Yujin,” you say, filling up a separate glass with your own. Your fourth shot. “You got a minute or two?” 

“Sure. I always have time for you.” Yujin sits up, taking the drink into her hand, crossing her leg. It’s nearly impossible to look anywhere else but on them. As if she couldn’t be any more perfect, in mind, character, and body. “Is there anything bothering you lately?”

Sitting across her with only a desk separating you, the words never come out. You’ve got plenty on your mind: the messy state of your department, the unreasonable expectations and demands of your superiors, the possibility of losing your job—and Yujin. She’s sitting right there, ready to hear you out, but you never find the conviction to confess your worries. The next few minutes are awkward silence, only broken by the occasional stir of teaspoon and the sip of coffee. It isn’t that she renders you speechless, though one would fairly assume as to why: she’s pleasant to look at, among other things. It also helps that her outfits have been getting skimpier over the past few weeks. Unsurprisingly, you let the flagrant violation of the dress code go unpunished. 

“Sir? Is everything okay?” Yujin leans her head forward, noticing that you’re lost in thought. She places her cup on the desk. “What’s wrong?”

Your eyebrows instinctively rise. That glimmer of hope you showed moments ago disappears. What’s left is despair. “I think we might be fucked, Yujin.”

“Fucked? What do you mean by that?”

“We’re fucked. Like, we could be out of a job fucked.”

“Explain?” Yujin cannot comprehend it—then again, anyone else would react the same way. “Didn’t we give the board a five step plan earlier today?”

“We did,” you reply, finally mustering the strength to meet her eyes. “But here’s the thing: we don’t have the financial or human capacity to execute the plan. At least, in the time they demanded.”

“And? We did the research and even the hypotheticals!” You’ve never heard Yujin raise her voice even once—until now. “What could go wrong exactly?”

“They think we can course correct years worth of bad financial decisions in just a few months. That’s the problem. Either way, we’re fucked.”

“I don’t believe you.” Yujin forcefully rises from her seat, threatening to flip the desk. If she only had the strength. “After all the time I spent working on it, you want to wave the white flag and give up?”

You don’t really know how to answer her. At least, in a way that’s remotely graceful and easy to understand. 

“I’m sorry, Yuj, but no matter what—”

“I’m trying—so fucking hard—” she huffs, her fist clenching, trembling violently— “to carry your fucking ass so that we could keep our livelihoods. And not just me or you, but also the hundreds working for us! I know you fucking hate their guts because they’ve said nothing but terrible things about you, and even if none of that is true because I know you better than anyone else in this fucking building, at least have the decency to salvage whatever’s left instead of being a fucking coward for once!”

Yujin doesn’t notice that she’s been outright screaming into your face. You’re taken aback, utterly in disbelief at what she just aired out. If she wasn’t kindness incarnate, she likely would have pulled you by the shirt and choked you till you passed out. She blinks. The realization hits, and she begins to crumble.

“Sorry” is the only thing she can say, in quiet mumbles, slowly falling back onto her chair. Her hands cover the lower half of her face, completely mortified. Her eyes are on the verge of tears before giving out and crying waterfalls. Eventually, she lowers her head out of shame.

Even before entrusting her with such a demanding assignment, you knew there was nothing other than divine intervention that could save your job. This wasn’t what you signed up for, and neither did Yujin. For the most part, this was only to save face. Your face. The board of directors didn’t have any objections after all, and were mostly agreeable with every step of the plan. Either that or their old age is catching up and they hardly understood a thing at all. Like you.

Nevertheless, it doesn’t excuse you from criticism. This is on you, and you should be held accountable. Instead of rightfully performing your part, you weighed down someone else with your burden. It’s the wake-up call you need.

Yujin shouldn’t feel guilty saying all of this and having to apologize. She’s crying on your desk, still softly apologizing between tears, “Sorry—I’m really sorry—” and your heart fucking drops. 

It’s a terrible feeling.

“Yuj, please stop crying,” you mutter, caressing her shoulder. Seeing her look so defeated brings you more distress than anything, including the thought of losing your job. “I should be the one apologizing for putting you through all this. You’re right—”

“I’m so sorry.” She’s still asking for forgiveness, your words mostly going unnoticed. “I just wanted to—”

“You’re right, Yuj. I’m a coward. I’ll admit, I honestly wanted to resign the moment they brought this up. If they couldn’t do a damn thing about it, how else would I know? Seeing you figure out a way made me realize just how much I depend on you to save my ass. I should be the one saying sorry, not you Goddammit, Yuj. What would I do without you, honestly—”

She tilts her head up, her sniffling and sobbing unceasing, resting her head on your chest. “I’m sorry. What I said is still out of pocket and I wasn’t in the position to say—”

“Shush, Yuj. Stop apologizing for being right,” you reply, brushing her hair. “Look. We’ll go forward with your plan. You can write up the whole thing and I’ll present it your way. I won’t muck up in front of the directors, okay? Don’t worry about it. I’m not gonna quit.”

“Really?” She lifts up her eyes, doe-looking and glimmering.

“Yeah. Might as well go down with a sinking ship, so please stop crying,” you say, smiling. “You made me feel like shit and I don’t like it.”

Yujin laughs. Heartily.

—————

Even though that should havd been enough to appease Yujin, in your eyes, it wasn’t. You had to make it up to her in other ways.

“This place serves really good food,” you tell Yujin, digesting the sights and scents of the relatively small eatery. Meanwhile, Yujin sits beside you, eating to heart’s content without a care. “I can see why you love it.”

“How’d you know this was my favorite place to drop by after work?” she asks, chomping down on the last stick of her barbecue. 

“I have my sources,” you tell her, playfully grinning, unwilling to admit that you’ve been watching from behind your car’s windows for some time now. 

“Don’t tell me it’s Wonyoung, boss.” Yujin pouts, flustered and embarrassed. “I swear to God, I can’t trust anything with—”

“It isn’t her, don’t worry,” you chuckle, amused at her red-faced look. 

“I really appreciate the offer,” she remarks, finishing the remaining half of her drink. “You shouldn’t have.”

“Hey, it’s the least I can do for my hardworking assistant,” you reply, gesturing to the lone cook for the bill. The charges go up to the hundreds, with most orders belonging to her. While she’s chomping away at the end of a large meal, you secretly foot it on her behalf. How she maintains her figure while consuming this much food, you’ll never know. And when she calls for the tab, she’s told that it has already been paid in full.

“Now you’re just being extra,” she says, facing you, looking insulted by the kind gesture, but in a playful way. Appreciative regardless. “I already told you we’ll pay for what we each ordered.”

Looking at the stack of empty plates on her side—when compared to yours—some part of you believes that to be false. You don’t even have to say anything for her to realize she’s not one to fulfill her own word either.

“Okay—I would have paid 25 percent.”

You can’t place any blame on her. She laughs—at herself. She’s so charming, a pleasure to watch, that you would let her slide, had this not been your intention right from the start.

“Stop.” 

You end up laughing with her too.

—————

“Seriously. Don’t lie, you promise you won’t just suddenly quit on us?” Yujin asks, staring at you as you walk toward your parked vehicles outside the eatery. “This feels like a way to soften the blow.”

Both of you stop right in front of your cars. “Not at all,” you tell her, staring directly into her eyes. “What else do I have to do to prove that I’m not quitting?”

“I don’t know, sir. I mean—you, suddenly asking me to eat out—” she rolls her eyes away, skeptical— “You’ve never done that.”

The cold nighttime air sweeps all over you. Chilly, you rub your arms together, partially regretting the decision to cover Yujin with your coat. She’s relatively unfazed, warm in your garment; even more surprisingly, it fits her perfectly like a glove. 

“I wouldn’t leave if it means I lose you, Yujin.”

It’s not the words you wanted to say. Every part of that sentence leaves your lips effortlessly. A little too effortless.It’s an unconfessed confession, waiting for the right moment to be spoken. Sure, she may interpret it as merely you being codependent on her when it comes to work, but there’s no way there isn’t some kind of other, deeper meaning behind them.

“Lose me? What does that mean?” She asks, even more curious. Of course, Yujin isn’t the brain of your operations for nothing. It isn’t surprising when she figures you out. “You like me, don’t you?”

Just like that, the tables have turned. You can’t deny your feelings any longer.

You gently nod. Perhaps the killing blow could be softer if you find closure, right here, right now.

She leans forward, both of you unable to do anything other than to stare into each other’s deep, longing eyes. The tension between you is the only source of heat in the midst of a cold, lonely night. 

By all accounts, the relationship between you and Yujin is strictly professional. Apart from a few trips abroad, you keep all conversations business related. Mind-numbing, confusing agency jargon. It’s a helpful practice in keeping your space; no matter how attractive she may look and saccharine she may sound, no amount of pleasantry can make company discussion remotely close to entertaining. You’d rather play with the blinds in your office. She’s doing her part too: clock in at nine, clock out at five on the dot. It’s a healthy routine. After hour talks between you are rare. It’s common practice to maintain a firm working relationship. It’s also just common sense. Good organization begins at the top.

Moments like these are strong reminders on why you avoid crossing that line. Yet you don’t stop—not when she’s the one making the first move. 

You kiss. Your lips stay a little longer than they should. The taste lingers. 

You find solace in each other's warmth, in a comforting embrace. She rests her head on your chest, her hands gripping into your shirt tightly. Deep down, you both recognize you’re on borrowed time. Whether through your promotion or your release, you won’t be together for much long. Countless hours spent together, so many occasions—the opportunities are being handed to you on a silver platter, only for you not to take the chance.

Not anymore. You won’t make the same mistake again.

—————

Driving her home was easy; finding your way into your room was half the battle. 

“It took us this long to share a room, huh?” Yujin huffs against your face, finding and capturing your lips even in an erratic, volatile environment. She’s pushing you against the wall, her palms having an iron grip on your cheeks, pulling you close and wildly kissing you. The entire trip up to your apartment floor has been nothing but shaky kisses and clothes slowly scattering from the elevator to your front door.

“We should have done this a long time ago,” you manage to mutter, holding her face away for a brief respite to answer, only to be forced back in once again. Any semblance of professionalism between you is abandoned for fiery, passionate lovemaking, future relationships be damned. 

The most surprising thing is how it isn’t as messy as it may look. See, despite the bite marks on your skin, the wrinkles in your clothes, and the rather loud, unceremonious manner you enter your apartment, you’re still in the process slowly unraveling. There’s a conscious effort to make sure neither side comes out completely in ruins. A silent agreement between you. 

Her hands lay claim to your shirt, threatening to tear you apart if you don’t do the same to her. She lifts her head when you quickly peel through her long skirt; you dive in and make it yours. The crack in her voice as she mewls tickles your ears just right. Slowly spreading her legs wide, pulling the panties down her well defined thighs. In response, she tugs at your shirt, popping a few buttons loose. It isn’t as easy as it looks to have Yujin pinned against the wall; she’s actively fighting, trying to seize back control. If she can’t have her way with you, at the very least she can rein you in. Only now do you realize the danger your little escapede.

With her slender legs wrapped around your waist, you can only do so much. Yujin can’t stop kissing you, leading your gaze to anywhere but her pretty, lust-ridden expressions. She wants this more than you do. Against your desires, you end up in the kitchen, propping her on the bar counter as lipstick covers your entire face. The brief respite when she catches her breath gives you ample time to unbutton the rest of your shirt before tossing it aside—something you don’t give her the decency to finish.

While she’s still staggering, lost in her own thoughts, you take her by the shoulder and leave a fresh mark on her neck. A distraction. More importantly, your fingers feel their way around the back of her dress, find the touch of metal—and yank. The zipper follows, the lengthy garment gradually coming undone, until Yujin pushes the rest of it off her shoulders and to the floor. Your eyes gleam like starlight as her bra reveals itself, taking countless mental snapshots at that moment. 

Not even her attempts to redirect your attention can pull you away. 

You push her down on the marble surface. The bar is big enough to fit you both. Joining her atop the counter, your gaze wanders down her divine figure—and you don’t know where to start. Everything about Yujin is designed to be as perfect as humanly possible. No one should be flawless.

“How can you be any more perfect, Yuj,” you mutter, eyes roaming everywhere, soaking in the immaculate sight before you. “How did I not want you any sooner?”

Yujin’s hand traces down your arm. “You could have just asked. My previous employers did. It was a regular part of the job for me.”

You’re shaking your head. Imagine that—an employer taking advantage of their employee offering themselves without any restraint. You would never—except you already did. Your previous assistant can vouch.

“Don’t feel sorry. I want this just as much as you do,” she adds, pulling you towards her face for a soft kiss, clearing all doubt. “Besides, you’re not that much different from any of them. Why stop now?”

“Not that different? Were they just as codependent on you as I am?”

Nodding in agreement, she laughs. 

“God fucking dammit.” 

You sigh. Yujin continues laughing. What a momentum killer. And the worst part is, it’s self-inflicted and completely avoidable. You should have just kept going, kept her speechless.

Still, it’s not the end of the world. You’re on top of Yujin; she has no intention of leaving you anytime soon. Most importantly, she’s unhooking her bra while you’re caught up in your feelings. “But—there’s one difference: I actually love working for you. I wouldn’t mind letting you use me.”

“You love working for me? Why?”

She’s biting her lip, grabbing you by the back of your head. “You’ll find out yourself. You know what to do.”

“What? How?” The word comes out panicked, desperate.

Yujin shakes her head, the smirk on her lips twisting, wicked. “You know how.”

At first, finding what she means proves to be a struggle. After all, Yujin’s not the mysterious type. She always tells you everything straight, condenses complex conversations into digestible servings for easy consumption. It’s not in her character. Yet, one look at what’s in front of you—her naked frame casually lying beneath yours, her hands running all over your bare self—the realization hits you like lightning, and you’re mentally punching yourself for being so dangerously oblivious.

You kiss her on the lips again. You can’t get enough. You’d happily stay in this position all night long. Except that isn’t what she wants. She wants you to go further. 

So you sink further and further down. The closer you get, the more she opens up. A sloppy trail follows your lips, from her chin, to her collarbones, to her chest and navel, and everything else in between. She’s soft to the touch, so flexible and malleable—every part of her, you make yours. Then you get to her core, her inner thighs spreading, and watch as it unravels before you, quivering, soaked, needy. You look into each other’s eyes, hers anticipating. There’s a craze behind your irises, as if some repressed need is crawling back to the surface. It’s slowly driving you wild.

Your name drips on the edge of Yujin’s mouth—a sign of impatience—before suddenly cracking at the point of impact. She rolls her head back, her voice reduced to an airy sigh as your tongue licks up her slit, her entrance, in a slow upward motion. It takes every ounce of your willpower not to devolve into a hungry, primal mess. Her thighs close in and clamp you down, suffocating you while you become more familiar with the sensation and taste of her dripping cunt. 

If only you could hear the full extent of her moans, turning a pitch higher with each passing swipe and slurp. You’re humming into her core, satiated and fulfilled with the taste of her slick in your mouth. Yujin’s hands stretch out for help, for stability as pleasure gradually overwhelms her. Propped underneath her thighs, your hands dig under to reach places that your tongue can’t. She grows erratics, restless, moved by your presence inside her.

“Fuck!” The profanity escapes her lips instinctually, like it’s always been a part of her. She’s writhing, jaw slack, her back arched over the bar, her hands now grasping on your hair, then on the edges again. On your side, the pressure her thighs bring leave you suffocating. It’s too much. You should be begging for your life; instead, you’re enjoying every minute, slowing your pace every now and then to savor the feeling. 

Despite her state, she’s caught you by the wrists. They do little in stopping your tongue from consuming every inch of her, and you end up pushing her forward. You grip her by her thighs and spread her wide. She can’t resist. Fresh air has never felt more soothing to the lungs. By the way you have her legs dangled up in the air, you’re threatening to pull a nerve. She’s screaming, crying out in desperation, 

Still, it doesn’t change the outcome. Yujin finally loses herself completely and comes undone. She cums—blasts jets of slick all over your face and mouth. The counter pools with the aftermath of her orgasm, and you lick it all up, sanitation be damned. 

When you finally emerge from the depths of her tight, drenched cunt, she remains a mess, stamina completely drained, body still trembling from her massive climax. You’d think after that, she would be incapacitated for the night, until—

“Wait.” Yujin deeply exhales, pulls you by the wrist. You aren’t exactly going anywhere. As if struck by lightning, she suddenly rises up. A shit-eating grin forms on her lips, as if the damage wasn’t enough to take her down. There’s a familiar look in her eyes—the gaze of a woman who needs more.

She flicks a sample of her slick from the spot on the counter and laps it up, still eying you with unceasing lust. You remember her words, the question to ponder: “You’re gonna tell me now?”

Yujin blankly stares. The question lingers for a little while. “Tell you what?” she replies, the tone convincing enough to feign innocence.

“Why you love working for me.”

She smiles again, a teasing look. “You’re halfway there.”

“What does that mean?” As you try not to overreact, your assistant turned one night stand tries to stifle her laughter. It almost goes unnoticed, until— “Yuj, you’re really getting on my nerves with all this vaguery bullshit going on.”

“It’s part of the fun, is it not? Do you want me to give it straight?”

“Yes! Like always!” 

Yujin leans close. One hand reaches for your pants, the other still attached to your wrist. She appears like she’s going for yet another kiss, when she stops right next to your ear and whispers, “I want you to fuck me. Use me,” before drawing herself away.

On the surface, the stare you give her looks cold. Deep in your mind, the words resonate and ring louder and louder. Four words. “Fuck me—” “Use me—” The arousal bubbles up, manifests on your cheeks. The next few minutes can go so many ways, more than you can imagine. In your eyes, she’s still your assistant, a friendly, dependable worker whom you consider a close acquaintance more than anything. 

The thing is: you’ve already gone far past the point of no return. Her gaze is enticing—demanding—you to keep going. 

There’s no stopping now.

Yujin casually follows you to your bedroom, hand in tow. The rest of your clothes lie discarded in the kitchen—boxers, pants, and all. Gone are the nerves and hesitations; the attitude you have towards her is different. “Lay down,” you command her, voice steely, and she obliges, the bed flopping with the slight crash of her lithe figure. You won’t ever grow tired of staring at her naked body, regardless of it’s position. 

She lays flat on her tummy, observing you rummage through your large closet of suits, pulling a red tie from one of the drawers. “Not the first time I’ve had something wrapped around my neck,” she remarks, raising a curious eyebrow, crooked smile unyielding. “Stylish, just like you.”

“I wasn’t asking for your input.” You’re never this stern towards Yujin. You toss the necktie on the mattress before joining her atop the bed. “Turn around.”

Like the good girl she is, she obliges. That’s Yujin for you; she’ll always follow everything you tell her, no questions asked. On her fours, her plump ass glides face up, in complete view. Another temptation, another part of her to claim as yours. Regardless, you’re in no hurry; you’ve got the rest of the night.

With your erect cock in hand, you line the tip against her sopping cunt. She winces, moans at the contact. “Oh, fuck—” she whines, lifting her head up, her nails pressed into the sheets. As inviting as the call of her tight, wet pussy is to you, you make an organized effort to resist the immediate lull to fuck her hard.

Even holding her figure with your other hand proves to be a nightmare. Her body enraptures you in hypnotic ways. The arch of her back, the curve of her ass, the hourglass frame—it’s a feast for the eyes. You could take your sweet time and worship every little part of Yujin and she wouldn’t mind, but in the midst of your blinding daze, she’s calling to you. Again.

“Are you just gonna admire me or are you gonna shove that big cock in me?” She faces you with a mischievous grin. “I don’t mind both.”

Suddenly, you remember your position in this relationship. You grab her by the throat, face her away again. “Quiet. I don’t want to hear any more from you unless you’re taking this fucking cock.”

Showing a little resistance, she tries daring you, “Then f—fuck!”

Her jaw goes wide, frozen in place, her voice abruptly cutting as you undercut her with your cock. You’re no better; pleasure sets your muscles ablaze as you thrust into her inviting cunt. It shows in the deep groan spilling from your mouth. Little by little, you plunge ever so deep until you feel yourself buried to the hilt. That’s when you finally let out this breath of relief—but not for long. 

Her pussy clenches hard. Her heat proves to be suffocating beyond measure. If you don’t act quickly, she could end you in seconds. 

“O-oh God—”

You slowly, painstakingly pull back before throttling your hips into her. Taking these short breaths, every little move you make is precarious. It’s not that she’s resisting you—far from it—but it’s you resisting the urge to cum so soon. Your mind tries to think of anything other than what’s right in front, but even that proves to be nearly impossible. The ripple of her ass, the slight wobble of her breasts, the twisting grip of your hand on her otherwise soft skin—

“So fucking tight. Holy fuck, Yuj—” You manage to mutter before you’re reduced to groans again. 

All you can focus on is keeping yourself together while you’re slowly crumbing away. You find a rhythm in the midst of the madness, pounding away at your assistant’s cunt, your senses overrun by pleasure and the satisfying sound of your skin slapping skin. Elsewhere, your hands can’t seem to find solace in just one area. They’re everywhere; from her hair, to her throat, to the arch of her ass, to her hips, the imprints stay new, eventually creating a patterned sequence that immediately breaks.

You’re fucking these strained cries and prasies out of Yujin’s sweet lips, and it’s quite the mouthful. ’More,’ ‘harder,’ ‘so good—’ until it reaches the point where her voice is so worn from your chokehold that she can only speak in high pitched mewls. Another cycle you wish would never end. 

Slowing your pace, you reach for the necktie, gently tying it around her neck while preventing your rhythm from disrupting. “You’re such a fucking perfect woman, you know that?” you mutter in her ear, kissing the helix and indulging in the scent of her perfume mixed with sex and sweat. “Perfect listener, perfect assistant, perfect body—”

Pulling yourself away from her, you yank the tie along—your makeshift leash. Her body tilts all the way up, a sharp screech suddenly filling the bedroom. You’re not sure if its from the pull or just her moan. Either way, you have her in your grasp. Brushing her hair aside, you mumble, “Actually, I don’t know how to use a tie like that. I just wanted to remember what it’s like to be the boss. Your boss.”

It should have sounded flat, like all your other attempts at being convincing. And yet, she leans her ear backward, trying to recapture your lips. Teasing a little, your lips make what’s considered the most minimal of contacts, before you push her to her fours. You don’t intend to pull on the tie again, but you’re still holding on to it like your most prized possession—and it may as well be Yujin. 

“Of course,” are her first words uttered in a while that aren’t some combination of profanity and praise. 

Grabbing her by the midsection, the rhythm of your thrusts quickens. You feel it. The imminent collapse. And it’s not just the bed quaking and creaking from your sex. She’s pleading now; ’So close,’ she tells you, begs you to let her cum all over your cock. In any other scenario, you’d acquiesce. Here, with all the authority, you’re going to assert your power a little.

“Say it. Say it and I’ll let you cum all over me,” you demand, your hand climbing up to her chest, grabbing at her breast, folding her up slightly that her grip on the sheets transfers to the headboard. “I wanted you so fucking bad for so long.”

“Anything for you. Just let me cum!” she cries out, on the verge of falling apart. Dangerously close.

“Tell me I’m yours.”

“I’m yours!”

“You know what I meant. Say it again.”

“I’m yours! I’m yours!”

Hearing her declare that she belongs to you with such conviction almost upends you too. You almost give in, but narrowaly escape thanks to your utter resolve. The smirk on your face is priceless.

“Perfect. Now cum.”

Just like that, her body reacts at the drop of your command, as if it was hardwired into her. Yujin goes numb—fidgeting, cumming all over your cock—as you continue to pound into her cunt. A single word echoes, going quieter with every incantation: ‘Fuck,’ she whines, caught reeling in her orgasm and catching every breath possible. 

Eventually, it comes to a standstill, the only thing left is for you to crash. Lucky for her, you’re not that far off. You’ve let go of the tie, holding onto her shoulders instead. So now it’s her opportunity to turn the tables on you again.

“Fucking give it to me—oh I need it now, oh God—” Yujin begs, barely keeping herself upright in the aftermath of her climax.

And you just crash down on her, slamming her deep into the sheets, turning her around as you fuck callously, clamping her neck, her moans ringing into your ear. She has a leg wrapped arond yours—as if you had any intention of pulling out. You’ve spent enough time away from her pretty face; now you want to watch her take all your load deep in her pussy.

Yujin’s mouth melds in the shape of a moan as the pressure finally overwhelms you. Burying yourself deep in her, you’re still pumping, fucking your cock as you blast thick load after thick load in her warm, creamy cunt. The sensation leaves you breathless, hanging onto her for dear life as you wait for the moment to pass. Though it may seem like a couple of minutes, the feeling lingers far longer than you can imagine. She milks you of all your worth, drawing every last drop from your throbbing cock until your body can’t move any longer.

Eventually, your bodies wind up together, limbs tangled, wrapped around each other in a warm embrace. The comfort you both needed after a long day.

—————

You gaze down at a tired Yujin. Hours ago, you were the one holding onto her; now she’s the clingy one, wrapping an arm over you. “I really need to know, Yuj.” 

She mumbles into your chest. “What is it?” You feel her soft lips leave lipstick marks on your skin.

You’re brushing away loose, dark strands of her hair to get a better look of her pristine, shiny face. “Why do you love working for me?”

After the passionate night you just had, you still have the gall to ask such a frivolous question. The answer should be obvious by now.

She looks up, smiling—a pleasant, friendly gleam, one you immediately recognize as soon as you walk through those office doors. “Because you’re the first boss I’ve ever worked for that isn’t a total asshole. Also, you’re good at everything.”

You raise an eyebrow and frown. “That’s not—”

“You know what I meant, boss.” The smiling turns into teasing. You realize, then you laugh.

You should be basking in the afterglow of sex, but daylight peeking through your curtain says otherwise. You’re so tired, you can’t move a muscle, let alone grab the phone from the living room to tell the time. All you know is that you should be at work by now, and so should Yujin.

The ring from your phone can be heard loud and clear, even a room and clothing pocket away. As you try to lift your head, Yujin meets you halfway, kissing you before laying you back down.

“Don’t worry about it. I’ll write up your leave of absence. Besides, I could use some time off too,” she says, inching her face close to yours.

The notion frightens you. Yujin, your most reliable assistant, never missing a day that isn’t considered a holiday, not by your side when you need her. 

And you need her now more than ever.

“Time off? When?”

“From now. Until you say we’re done.”

—————

(A/N: :bsadcorner:)

(Missing IVE's first proper world tour will always be one of my K-pop low points, even if I already watched and even shared an interaction with them. Goddammit, I can already expect the prices and perks for their next tour will be even more expensive than it already is. Sigh. Anyway, I hope they get their well deserved time off. Thank you for reading!)

[contact-guy]

lol THIS ENDED UP BEING SO LONG but it's such a cute story opening that I had to draw Watson roasting Holmes's messiness for the newspaper and Holmes skillfully maneuvering his way out of having to do chores. It's all canon, even the indoor sharpshooting, except for the bit about the cold bath.

canon text under the cut:

An anomaly which often struck me in the character of my friend Sherlock Holmes was that, although in his methods of thought he was the neatest and most methodical of mankind, and although also he affected a certain quiet primness of dress, he was none the less in his personal habits one of the most untidy men that ever drove a fellow-lodger to distraction. Not that I am in the least conventional in that respect myself. The rough-and-tumble work in Afghanistan, coming on the top of a natural Bohemianism of disposition, has made me rather more lax than befits a medical man. But with me there is a limit, and when I find a man who keeps his cigars in the coal-scuttle, his tobacco in the toe end of a Persian slipper, and his unanswered correspondence transfixed by a jack-knife into the very centre of his wooden mantelpiece, then I begin to give myself virtuous airs. I have always held, too, that pistol practice should be distinctly an open-air pastime; and when Holmes, in one of his queer humors, would sit in an arm-chair with his hair-trigger and a hundred Boxer cartridges, and proceed to adorn the opposite wall with a patriotic V. R. done in bullet-pocks, I felt strongly that neither the atmosphere nor the appearance of our room was improved by it.

Our chambers were always full of chemicals and of criminal relics which had a way of wandering into unlikely positions, and of turning up in the butter-dish or in even less desirable places. But his papers were my great crux. He had a horror of destroying documents, especially those which were connected with his past cases, and yet it was only once in every year or two that he would muster energy to docket and arrange them; for, as I have mentioned somewhere in these incoherent memoirs, the outbursts of passionate energy when he performed the remarkable feats with which his name is associated were followed by reactions of lethargy during which he would lie about with his violin and his books, hardly moving save from the sofa to the table. Thus month after month his papers accumulated, until every corner of the room was stacked with bundles of manuscript which were on no account to be burned, and which could not be put away save by their owner. One winter’s night, as we sat together by the fire, I ventured to suggest to him that, as he had finished pasting extracts into his common-place book, he might employ the next two hours in making our room a little more habitable. He could not deny the justice of my request, so with a rather rueful face he went off to his bedroom, from which he returned presently pulling a large tin box behind him. This he placed in the middle of the floor and, squatting down upon a stool in front of it, he threw back the lid. I could see that it was already a third full of bundles of paper tied up with red tape into separate packages.

“There are cases enough here, Watson,” said he, looking at me with mischievous eyes. “I think that if you knew all that I had in this box you would ask me to pull some out instead of putting others in.”

“These are the records of your early work, then?” I asked. “I have often wished that I had notes of those cases.”

“Yes, my boy, these were all done prematurely before my biographer had come to glorify me.” He lifted bundle after bundle in a tender, caressing sort of way. “They are not all successes, Watson,” said he. “But there are some pretty little problems among them. Here’s the record of the Tarleton murders, and the case of Vamberry, the wine merchant, and the adventure of the old Russian woman, and the singular affair of the aluminium crutch, as well as a full account of Ricoletti of the club-foot, and his abominable wife. And here—ah, now, this really is something a little recherchè.”

He dived his arm down to the bottom of the chest, and brought up a small wooden box with a sliding lid, such as children’s toys are kept in. From within he produced a crumpled piece of paper, and old-fashioned brass key, a peg of wood with a ball of string attached to it, and three rusty old disks of metal.

“Well, my boy, what do you make of this lot?” he asked, smiling at my expression.

“It is a curious collection.”

“Very curious, and the story that hangs round it will strike you as being more curious still.”

“These relics have a history then?”

“So much so that they are history.”

“What do you mean by that?”

Sherlock Holmes picked them up one by one, and laid them along the edge of the table. Then he reseated himself in his chair and looked them over with a gleam of satisfaction in his eyes.

“These,” said he, “are all that I have left to remind me of the adventure of the Musgrave Ritual.”

I had heard him mention the case more than once, though I had never been able to gather the details. “I should be so glad,” said I, “if you would give me an account of it.”

“And leave the litter as it is?” he cried, mischievously. “Your tidiness won’t bear much strain after all, Watson. But I should be glad that you should add this case to your annals, for there are points in it which make it quite unique in the criminal records of this or, I believe, of any other country. A collection of my trifling achievements would certainly be incomplete which contained no account of this very singular business.

-The Memories of Sherlock Holmes: The Musgrave Ritual