#another 52

[necrotic-nephilim]

as much as I love the common "Tim worships/stalks Jason" trope in TimJay fanfiction because it's Good and making Tim a weird little freak is Fun, I think the underutilized dynamic is where Jason is the one weirdly obsessed with Tim and makes it Tim's problem.

Like, the moment Jason is confronted with the information that a third Robin exists, the first thing he does is cover his wall with pictures of Tim so he can just obsess and torture himself over it. That is the behavior of a man who is Unwell over Tim's existence and I love it.

red hood: lost days #4

And as much as a shitshow as The Titans Tower Incident™ is characterization-wise (though I think it has far more merit in depicting Jason's character than people give it credit for but I digress-) there's something very fun about the fact that even after kicking his ass, Jason respects Tim and is impressed by him.

teen titans (2003) #29

And on top of that, Jason can't seem to stop trying to ask Jason to Tim to work with him in some capacity.

robin (1993) #177

batman: battle for the cowl #2

While Battle for the Cowl is an exceptionally bad comic, especially for its characterization of Jason and the "be my Robin" bit is taken deeply out of context, I do think it's interesting how obsessed Jason is with believing that Tim is extremely competent, only held back by being "brainwashed by Bruce". (hence him leaving Tim for dead later on in the comic.) Jason seeing a darker side of Tim and wanting to bring that out of Tim, wanting to see what Tim could be if he let go of his loyalty to Bruce is so fun to me, tbh.

And in Robin #177, Jason seems genuinely upset Tim doesn't want to work with him. Jason sees such a raw potential in Tim and is obsessed with it, constantly wanting Tim to work for him and see Tim be the type of person Jason is. And despite Tim rejecting him, Jason doesn't shoot to kill Tim. I just cannot get over the fanfic potential of Jason obsessing over Tim, tracking him and seeing what he's capable of and what he could be capable of. Wanting to make Tim see things the way he does. To Tim it's corruption, to Jason it's freedom. Tim trying to 'save' Jason is fun and all, but Jason trying to corrupt Tim? That's even more fun to me. Watching that power struggle between them, Tim unable to get Jason off his heels as Jason gets more and more possessive and bold with each attempt.

And when Jason sees Tim successfully get Gotham back under control after a gang war, he's impressed. He praises Tim, even. And then Tim just. Breaks him out of prison.

robin (1993) #182

The way they're constantly trying to see something in the other that isn't there, hoping the other will come around? That is the most fucked up hate/love dynamic ever. Jason keeps coming back to Tim, keeps trying to find ways to get Tim onto his side. They're always chasing each other. And I think Jason would be the one to confess love first, the one to do anything to make Tim his. And when you consider after all of this, Tim has his Red Robin arc and is at his lowest, getting the closest he ever gets to considering murder? I think it'd be so fun to see Jason take advantage of that and worm his way back into Tim's life and finally push Tim over the edge.

[hyacinthsdiamonds]

"Imitation is the sincerest form of flattery that mediocrity can pay to greatness.”- Oscar Wilde.

[beaulesbian]

it was so interesting how the mihawk vs zoro fight was different in the manga than in the show.

i feel it was much more sudden, no planning the duel for next day, just when zoro saw mihawk he already knew he has to try and fight him.

luffy doesn't say anything against if even if they had just seen mihawk split that ship with just his sword. he accepts it (because he already understands he can't stand in the way of zoro's dream), and stands close by without saying anythign almost the whole fight. watching it closely.

and when zoro is having troubles, luffy still holds johnny and yosuku back so they don't interfere with the duel .

only after zoro is defeated and drops in the water, luffy loses it, and goes after mihawk with so much anger.

it was a nice and interesting moment that mihawk saw luffy holding the others away from the fight.

lets luffy know that he didn't kill zoro.

and then this whole thing sksajds

"luffy, can you hear me?"

"i hear you."

the way they showed it in the show was great - with how close luffy was by zoro's side, immediately checking up on him and hearing what zoro wanted to say to him directly.

but the way it's in the manga, it's almost heartbreaking because they're some distance away and luffy has to ask usopp if zoro is ok, and zoro isn't even sure if luffy is around, but he needs him to know!

that we won't ever fail!

"got a problem with that, king of the pirates?"

and same as in the show, luffy in different words say zoro could never fail him! he's so happy zoro survived that

[coolnonsenseworld]

Realized I never published this piece for Cursed Love story. Lance is performing a protection spell 🕊️

Last day for 15-20% off prints

Linktr.ee/mezzy

[obiscribbles]

Week 52 - March 24th, 2024 'Searchlight' - Phillip Phillips Spotify / YouTube

Just Obi-Wan. As it always has been here.

Enjoy.

[graves-doodles]

The skulltula house got out of hand while he was gone

[boyfriendgideon]

as yr favorite local jason todd fan sometimes i get so fed up with the apparent inability of most dc comic writers to write a class conscious narrative about him.

and yes, i know that comics are a very ephemeral and constantly evolving and self-conflicting medium.

and yes, i know they’re a profit-driven art medium created in a capitalistic society, so there are very few times where comics are going to be created solely out of the desire to authentically and carefully and deliberately represent a character and take them from one emotional narrative place to another, because dc cares about profit and sometimes playing it safe is what sells.

and yes, i know comics and other forms of art reflect and recreate the society within which they were conceived as ideas, and so the dominant societal ideas about gender and race and class and so on are going to be recreated within comics (and/or will be responded to, if the writer is particularly societally conscious).

but jesus christ. you (the writer/writers) have a working class character who has been homeless, who has lost multiple parents, who has been in close proximity to someone struggling with addiction, who has had to steal to survive, who may have (depending on your reading of several different moments across different comics created by different people) been a victim of csa, who has clearly (subtextually) struggled with his mental health, who was a victim of a violent murder, and who has an entirely distinct and unique perspective on justice that has evolved based on his lived experiences.

and instead of delving into any of that, or examining the myriad of ways that classism in the writers’ room and the editors’ room and the readers’ heads affected jason’s character to make sure you’re writing him responsibly, or giving him a plotline where his views on what justice looks like are challenged by another working class character, or allowing him to demonstrate actual autonomy and agency in deciding what relationships he wants to have with people who he loves but sees as having failed him in different ways, or thinking carefully about what his having chosen an alias that once belonged to his murderer says about his decision-making and motivations, you keep him stuck in a loop of going by the red hood, addressing crime by occupying a position of relative power that perpetuates crime & harm rather than ever getting at the root causes, and seesawing between a) agreeing with his adoptive family entirely about fighting nonlethally in ways that are often inconsistent with his apparent motivations or b) disagreeing and experiencing unnecessarily brutal and violent reactions from his adoptive father as if that kind of violence isn’t the kind of thing he experienced as a child and something bruce himself is trying to prevent jason from perpetuating. because a comic with red hood, quips, high stakes, and familial drama sells.

it doesn’t matter if it keeps jason trapped, torn between an unanswered moral and philosophical question, a collection of identities that no longer fit him, and a family that accepts him circumstantially. it doesn’t matter if jason’s characterization is so utterly inconsistent that the only way to mesh it together is to piece different aspects of different titles and plotlines together like a jigsaw. it doesn’t matter if you do a disservice to his character, because in the end you don’t want to transform him or even understand him deeply enough to identify what makes him compelling and focus on that.

and i love jason!!!!! i love him. and i think about the stories we could have, if quality and art and doing justice to the character were prioritized as much as selling a title and having a dark and brooding batfam member besides bruce just to be the black sheep character are prioritized. and i just get a little sad.

[transmechanicus]

The fucking sound at 1:42 activates something so primal in me every time, like hearing crocodiles purr and knowing they’re incredibly dangerous but at this moment they’re content with leaving you be. I think Sleep is enjoying the song.

[sunnysideaeggs]

I just realised that Aegon’s line might not have actually ended, it did end with his children with Helaena and the history books. But in the series we were shown his bastard child and Ser Arryk presumed there would be many more. So if any of them survived and their descendants survived Aegon’s line could still exist in game of thrones but they would be part of the smallfolk

oh i love the idea of some random white haired families in the main line of asoiaf, just chilling in king’s landing. some of them like to bathe in really hot water and others have weird dreams they just ignore lol.

but i think most importantly, aegon’s impact on his world is more than just the children he had. he mirrors some great rulers who didn’t have children (or survived them all), like alexander the great or elizabeth the first. even characters like daeron the first and aemon the dragonknight never had children but they’re remembered often because of their actions. daenerys will probably never have children of her own but she will be remembered for centuries to come for her deeds and dragons.

like it or not, westeros was never the same after aegon the second, just like it never would be the same after aegon the first. he had the most striking dragon in westeros, and the closest bond with him. he wrote the laws of succession in blood (unfair as they were), he buried all his enemies, he died with a crown on his head.

[freakinator]

Zam: "Hey, uh, Mapicc, why do you have a crown on?"

Mapicc: "Umm, Darth Maul."

Zam: "You think you're me, dude, you actually think you're me."

Mapicc: "Look at your fucking dumbass crown, I don't think I'm you for a second. I have the Darth Maul crown -- I'm better than you, I'm better than you in every single way."

[crowd gathers around them and says some variation of "oh", "yo", and "hey yo"]

Zam: "Hey, you can tell yourself that if it helps you sleep bet-- better at night."

Zam: "You can-- you can--"

Mapic: "Why is-- why is Pentar listening in on our conversation? You see this kid?!"

Zam: "Yo, lowkey I'm with you now, hold on. Pentar... get the fuck out of here, dude."

Zam: "Get out-- get out of here, Pentar, get out of our... get out of our private conversation, dude."

[travelingsprinkle]

In the famous words of Mr. Squarepants

IM READY, IM READY, IM READY, IM READY!*

*for tonight's episode of Dimension 20

[compacflt]

your last post abt icemav vs. interior design has me cry laughing and also makes me want to ask: how does rooster (millennial gay man, fairly good at being open about his sexuality in comparison to the the environment he came from) feel about being one-uped in the gay department constantly by Mr. and Mr. Can’t Talk About It?? like him and jake have to have conversations about it [jake, meeting ice the first time: oh this is the gayest man i’ve ever met. he had everyone fooled for thirty years???? // bradley: “yeah but you didn’t have to grow up with him. i was on the front lines.] like—they were willing to get married at the same time as icemav as a distraction, so they have to be aware of how groundbreaking icemav is to the structural appearance of the Navy. but they’re also fully immersed in Navy culture and customs, so are civilian gay people even surprised??? do they care??? or is everyone collectively reading through twitter like “gay men in navy? okay fork found in kitchen 🙄 who cares.”

this is all just a long way for me to ask if icemav is easier to pick up on/less surprising if you’re gay. bradley clocked them early because he was in close quarters with them constantly, but he’s also gay—in comparison, slider knew ice for years, but only added it up when it was way too obvious to ignore. and to other straight people they seem to be at an Ethan Hunt level of undercover, but are they really??? (this is kind of a dumb question so feel free to do whatever you want with it lol)

see i feel like i haven’t been writing them very obviously clockingly gay at all! i actually feel like it would piss Jake and bradley off how STRAIGHT ice & mav act all the time!

1st excerpt from post-marriage, second excerpt from a scene that got deleted from WWGATTAI chapter 9, wherein compacflt ice approves the promotion of a fictional “first female admiral to be married to another woman” and then runs into her at a DOD Xmas party and chats about gay marriage for a bit out of curiosity… (deleted bc chapter 9 was already 9.5k words) like it is still a secret even if they aren’t actively trying to keep it secret anymore

but you’re right hold on. here’s christmas 2017

[ineffable-gallimaufry]

new les mis adaptation rankings (in order of when i watched/read them):

the musical: 8/10 they did the best with what they had and it is amazing at having banger songs. i do think that certain decisions aren't my favorite and they did cut out a lot but i can understand that. it got me into les mis so for that i gotta appreciate it. petit gervais should have been there

1978: .......... i still actually cannot quantify my opinions on this movie. it is a whole fucking experience. it's both bad and really good. perkinsvert is my heart and soul. i can't give it a number. maybe 1000000/10.

1998: 4/10 it's baddd okay. i think they had a good start and i did like jean valjean's relationship with fantine in this one. also i think that the part with the bishop was interesting because it showed that jean valjean's redemption didn't actually entirely come from that moment soooo. awesome. buttttt there's still the fact it gets worse and worse as the movie goes on. and the acab is just not there. ...

takahiro arai's manga: 10/10 i have not finished it but i am fucking obsessed. it's actually gorgeous. it's got some crazy ass symbolism that slaps hard. i need to buy it now.

shoujo cosette: 9/10 i think it was a VERY faithful adaptation of the book and i like that even though they do change a few things that make the story lighter they still have those things carry weight to them. like chou chou! you hear they have a dog and you're like "wow would the thénardiers even let her have a dog? unrealistic!" and the answer is no they would not considering they beat her over it . like yeah they changed things for keeping the mood up but it was really faithful for the most part and i liked it.

[drawnbinary]

[joleneghoul]

i love rips lab in 52 i love the excessive clocks i love the writing literally on the walls i love the broken shit the large x's on the giant globe the papers thrown EVERYWHERE like lets go girls lets get crazy again!

anyways are you okay girl

[tastycitrus]

Q: How can we reconcile Cass’s pre-Flashpoint and New 52 origins?

me: well, to be honest I think it’s borderline impossible to do that since the two origin stories are pretty incompatible with each other

me:

me, bespoke (deranged): what if we just turned New 52 Cass into a separate character like how New 52 Wally was made a separate character when they brought the original Wally back