#anon how—

[hinamie]

to moving forward

[glitchphotography]

"How To Be Anon" (Deluxe Paint IV + Frames from Hito Steyerl's "How Not to Be Seen: A Fucking Didactic Educational .MOV File)

[egophiliac]

back at it again with the extremely self-indulgent diafams! I am being emotionally supported by overly-cutesy interactions between anime characters right now, don't judge me.

(also continuing with my headcanons that 1) mustache Bauru, and 2) he'll be hugely tsundere about it but you can, ultimately, convince him to do just about anything via careful application of Sebek.)

[velvetwyrme]

aHhh okay so the discussions of Titan!Megatron on @callsign-relic's blog have fully. FULLY taken over my brain and ive been drawing stuff for it for like the last few days nonstop

the tl;dr of this is AU is pretty much "what if Megatron got turned into a titan/cityformer as a form of penance/imprisonment and now roams the empty wasteland of Cybertron forever" plus "IDW Megatron has really fucked up internals so... what if that, but as a City?"

and of course since he's a Titan, that also means he has a cityspeaker... or three. One per sub-AU thing. Theres 3 options. 3 flavours of AU.

i have so much art to make. but in the meantime, for more info! check out the #titan au tag on Relic's blog :]!! (also uhh potential ns//fw warning for the link shfjbdkd)

Hi. My battery is running out once again so design and art notes get chucked here instead of an image.

The cuffs and collar are hardwired into Megatron, so I made the lights the same colour as his biolights!

I imagine that on the tops of his shoulders there are solar panels, even if you can't see them here lol.

I really wanted to keep the swirly bits on Megatron's chest from IDW

Other art notes:

The second picture with the seekers is (loosely) inspired by a discussion about whether or not Megatron gets visitors or not. I thought about who would visit him and well... I think this is as close as Starscream realistically gets to visiting him.

Extra detail about that piece is that Thundercracker and Skywarp are keeping watch from above! Also drawing Megatron took me like 8 hours because I was struggling with his legs really badly kshffkbfkdsbdk,, the background went much faster, funnily enough.

Optimus specifically isn't wearing his Autobot badge any more.

This isn't relevant in this series of images, but Ultra Magnus's eye markings are only on the Magnus armour. His other two forms do not have them :] (... until he begins to discard the armour, that is.)

Megatron is roughly 3200m/2 miles tall. Technically he could have clouds around his knees, but I thought this looked a little bit cooler lol.

Also, height chart! Him big. I didn't even attempt to put a human for scale because that'd be. near impossible with this scale.

[lunisoular]

Maybe kid asl with shank

this was supposed to be a simple doodle but i got ahead of myself. here :)

[samble-moved]

post itself

false flags

trans/adjacent tags

accessibility features

tumblr live post (thanks for the link, @problemnyatic)

flashing / strobing / lights

unblockable flashing ad

buying ad free

staff @/macmanx guilt trip

list of staff + more issues

[illusioncanthurtme--art]

pls pls heard me out...FIDDLESTAN! <3

ok, i got this ask ten days ago, and I've been thinking about it ever since. Because I got two other asks asking for fiddauthor, and I dON'T KNOW HOW TO LET THEM DOWN LIGHTLY BECAUSE I'M A FIDDLESTAN BITCH THROUGH AND THROUGH 😭😭😭😭 I LOVE THEM SO MUCH!!!!!!

Don't get me wrong, fiddauthor is great and makes sense and everything. But listen. Billford and fiddauthor are multidimensional ships, they are good! But FIDDLESTAN!?!? that shit is the WHAT-THE-HECK-A-HEDRON!!!!!!! Even though it's literally 100% speculation, the implications are FUCKING CRAZY!!!!!!!!! I jumped between three ships so far during this gravity falls thing, each time thinking one is better than the other. I've decided that FIDDLESTAN IS KING!!!!!! I'm sorry. I could rant about them forever. I've been listening to nothing but extended versions of disco music for the past week. (YES THEY HAD A CRAZY ROMANTIC FLING IN VEGAS NO I WILL NOT ELABORATE!!!! (yes i will. I will elaborate at some point. it will be like ten pages or text. or I will draw it. idk.))

Here is a sketchbook doodle from like a week ago. I'm gonna post another fiddlestan thing in a few moments, but my style changes like I'm a completely different artist every week without warning, so I'm gonna leave this by itself!

He comes into YOUR house, he steals YOUR identity, and he fucks YOUR research partner!!! Fuck you!!!!!!!!!!

[psin314]

be careful, boys. 😦

[genericpuff]

Tbh at this point you should just make your own webcomic app/website because it would probably be 100 times better than whatever going on with webtoon right now.

hahaha it wouldn't tho, sorry 💀

Here's the fundamental issue with webcomic platforms that a lot of people just don't realize (and why they're so difficult to run successfully):

Storage costs are incredibly expensive, it's why so many sites have limitations on file sizes / page sizes / etc. because all of those images and site info have to be stored somewhere, which costs $$$.

Maintenance costs are expensive and get more so as you grow, you need people who are capable of fixing bugs ASAP and managing the servers and site itself

Financially speaking, webcomics are in a state of high supply, low demand. Loads of artists are willing to create their passion projects, but getting people to read them and pay for them is a whole other issue. Demand is high in the general sense that once people get attached to a webtoon they'll demand more, but many people aren't actually willing to go looking for new stuff to read and depend more on what sites feed them (and what they already like). There are a lot of comics to go around and thus a lot of competition with a limited audience of people willing to actually pay for them.

Trying to build a new platform from the ground up is incredibly difficult and a majority of sites fail within their first year. Not only do you have to convince artists to take a chance on your platform, you have to convince readers to come. Readers won't come if there isn't work on the platform to read, but artists won't come if they don't think the site will be worth it due to low traffic numbers. This is why the artists with large followings who are willing to take chances on the smaller sites are crucial, but that's only if you can convince them to use the site in favor of (or alongside) whatever platform they're using already where the majority of their audience lies. For many creators it's just not worth the time, energy, or risk.

Even if you find short-term success, in the long-term there are always going to be profit margins to maintain. The more users you pull in, the more storage is used by incoming artists, the more you have to spend on storage and server maintenance costs, and that means either taking the risk at crowdfunding (ex. ComicFury) or having to resort to outsider investments (ex. Tapas). Look at SmackJeeves, it used to be a titan in the independent webcomic hosting community, until it folded over to a buyout by NHN and then was pretty much immediately shuttered due to NHN basically turning it into a manwha scanlation site and driving away its entire userbase. And if you don't get bought out and try your hand at crowdfunding, you may just wind up living on a lifeline that could cut out at any moment, like what happened to Inkblazers (fun fact, the death of Inkblazers was what kicked off the cultural shift in Tapas around 2015-16 when all of IB's users migrated over and brought their work with them which was more aimed towards the BL and romancee drama community, rather than the comedy / gag-a-day culture that Tapas had made itself known for... now you deadass can't tell Tapas apart from a lot of scanlation sites because it got bought out by Kakao and kept putting all of its eggs into the isekai/romance drama basket.)

Right now the mindset in which artists and readers are operating is that they're trying way, way too hard to find a "one size fits all" site. Readers want a place where they can find all their favorite webtoons without much effort, artists wants a place where they can post to an audience of thousands, and both sides want a community that will feel tight-knit. But the reality is that you can't really have all three of those things, not on one site. Something always winds up having to be sacrificed - if a site grows big enough, it'll have to start seeking more funding while also cutting costs which will result in features becoming paywall'd, intrusive ads, creators losing their freedom, and/or outsider support which often results in the platform losing its core identity and alienating its tight-knit community.

If I had to describe what I'm talking about in a "pick one" graphic, it would look something like this:

(*note: this is mostly based on my own observations from using all of these sites at some point or another, they're not necessarily entirely accurate to the statistical performance of each site, I can only glean so much from experience and traffic trackers LMAO that said I did ask some comic pals for input and they were very helpful in helping me adjust it with their own takes <3).

The homogenization of the Internet has really whipped people into submission for the "big sites" that offer "everything", but that's never been the Internet, it relies on being multi-faceted and offering different spaces for different purposes. And we're seeing that ideology falter through the enshittification of sites like Twitter, Facebook, Instagram, etc. where users are at odds with the platforms because the platforms are gutting features in an attempt to satisfy shareholders whom without the platforms would not exist. Like, most of us aren't paying money to use social media sites / comic platform sites, so where else are they gonna make the necessary funds to keep these sites running? Selling ad space and locking features behind paywalls.

And this is especially true for a lot of budding sites that don't have the audience to support them via crowdfunding but also don't have the leverage to ask for investments - so unless they get really REALLY lucky in EITHER of those departments, they're gonna be operating at a loss, and even once they do achieve either of those things there are gonna be issues in the site's longevity, whether it be dying from lack of growing crowdfunding support or dying from shareholder meddling.

So what can we do?

We can learn how to take our independence back. We don't have to stop using these big platforms altogether as they do have things to offer in their own way, particularly their large audience sizes and dipping into other demographics that might not be reachable from certain sites - but we gotta learn that no single site is going to satisfy every wish we have and we have to be willing to learn the skills necessary to running our own spaces again. Pick up HTML/CSS, get to know other people who know HTML/CSS if you can't grasp it (it's me, I can't grasp it LOL), be willing to take a chance on those "smaller sites" and don't write them off entirely as spaces that can be beneficial to you just because they don't have large numbers or because they don't offer rewards programs. And if you have a really polished piece of work in your hands, look into agencies and publishing houses that specialize in indie comics / graphic novels, don't settle for the first Originals contract that gets sent your way.

For the last decade corporations have been convincing us that our worth is tied to the eyes we can bring to them. Instead of serving ourselves, we've begun serving the big guys, insisting that it has to be worth something eventually and that it'll "payoff" simply by the virtue of gambler's fallacy. Ask yourself what site is right for you and your work rather than asking yourself if your work is good enough for them. Most of us are broke trying to make it work on these sites anyways, may as well be broke and fulfilled by posting in places that actually suit us and our work if we can. Don't define your success by what sites like Webtoons are enforcing - that definition only benefits them, not you.

[costumegifs]

Christine Baranski as Martha May Whovier HOW THE GRINCH STOLE CHRISTMAS (2000) Costume Designer: Rita Ryack

[hinamie]

mentor

[lycandrophile]

pinnochio! 🫵🤣 you will never be a real boy!

i mean pinnochio did become a real boy. that was a pretty significant part of the story. i understand that you’re just being transphobic but pinnochio did very much become a real boy.

[hootyhoowoo]

Shen Yuan & Shang Qinghua shenanigans? Or Shen Yuan x Bingge?

[ID: Scum Villain fanart of Luo Bingge looming over a scared and flustered Shen Yuan and purring, "Shizuuun- finally found you (heart)". After that are fake comments by Liu Qingge that say in all caps, "Get a job. Stay away from him." End ID]

ID by @princess-of-purple-prose

Thank you!

[mythtakens]

Hen and Buck moments (requested by anon)

[egophiliac]

do skully have pokemon?

Pumpkaboo is the obvious one, but y'know, sometimes the obvious one is the right one! (we'll say SUPER SIZE Pumpkaboo, just for fun. big pumpkin for big skeleton boy.) and another person actually also suggested Greavard, which I somehow hadn't considered, but feels so perfect that I feel like I should have. dangit.

(they can also have little Nightmare Suit costumes :D)

[willgrahamscock]

what do you mean you "understand Hannibal Lecter"? He literally abused Will for 3 seasons.. he's a bad person!