#annoy red game

[swampybogg]

[dieselocelot]

dutch going for a gutshot over a headshot is so petty he wanted this fucker to suffer. wanted micah to feel cheated just like he did

[spoopdeedoop]

when there’s gardens across our collarbone?? or soemthing??

(fanart of this awesome fic by pittedpeaches and my god this fic keeps me up at night i reread it every day i love it so much puts it in my mouth)

bonus doodle:

[dudethatsmyundeaduncle]

Tim and Kon the type of boyfriends to respond to declarations of love by saying " cringe" like ratio.

For ex.

Tim being overcome with sappy feelings™ for his boyfriend looks up at Kon like " hey, I love you"

Kon looks at him and lifts an eye brow and says " cringe"

But he's also holding Tim's hand so.

This exchange also works the other way!

Ex.2

Kon being over come with a warm fuzzy emotion after seeing Tim round house kick a baddie to the ground is like. " Damn I love you!"

And Tim sweaty in his robin gear glares at him from behind his domino and says " Cringe"

They take turns being the emotional one and the chronically unable to show affection one. It's balance! It's Gen Z! It's two local rat dudes macking on each other!

[geniichiro]

Got tagged by @eternalergo to do this picrew and reveal the last song i listened to, thank you bestie ❤️

Gonna tag @purpletsuki, @some-say-kosm, @shujiinkou, @foxounderscorecube and @yharnams, no pressure ofc!

[crazy-fangirl2524]

What if I say wolverine is Andrew and Neil is deadpool

[tangents-within-tangents]

I can't believe people still say The Clone Wars and The Bad Batch are "just kids shows" when whatever this show is literally exists:

analysis of target audiences below (there's a TL;DR don't worry)

Okay so the whole "it's just for kids" fallacy/excuse/conversation stopper is such an issue as it is. Here's a good video about it, I'll probably do a whole rant at some point, but in short: the level of storytelling merit, emotional depth, and thematic exploration a work can and should achieve has never been limited by it's target audience/age group, nor it's storytelling medium. (And if you don't think that's true, try to tell me Pixar has never made you cry, go on)

So it doesn't matter if it was made for kids or not. There's nothing wrong with that and anyone can enjoy it anyway. But what I actually wanna talk about here is not the merits of "kids shows" but the misconception on what "kid show" even means.

For one thing, I think when some people say "it's a kids show" they are lumping anything from like Winnie the Pooh to Avatar: the Last Airbender into the same category, and that's just not how it works. The above example demonstrates that not all kids shows/stories are the same anyway (partially bc level of development/education changes drastically between the ages of like 3 and 12, and these are things that are really taken into account in the publishing industry).

I found Disney's ratings guide and I think this should clear some things up:

For reference:

Young Jedi Adventures is listed as TV-Y

Clone Wars (2003), Rebels, and Resistance are TV-Y7-FV

Clone Wars, Bad Batch, and the Tales of the Jedi/Empire are TV-PG

Mandalorian, Ahsoka, Kenobi, Book of Boba Fett, Andor, and Acolyte are all TV-14

And if we put that in context with the films:

The Clone Wars (2008) film and the Original and Prequel trilogy are PG except for Revenge of the Sith which is PG-13 along with the Sequel trilogy, Rogue One and Solo.

So basically TCW and TBB are considered by Disney's own system to be about the same level as most of the films. They are 4 degrees away from 'Young Jedi Adventures' and only 1 degree lower than the live-action shows. Which frankly feels like we got some animation bias going on since all the live-action shows are automatically in one category (which is silly as is and undue here anyway (here have another video) esp since the Clone Wars animation style is clearly meant to be older/more realistic). But regardless, it's literally right there:

And again there is nothing wrong with TCW/TBB being kids shows, but some internet-ers dismiss it as "made for 7 year olds" and that's just objectively not true. Strictly from this system (which idk how it compares to whatever system Cartoon Network used when it aired) you could say the TV-PG might mean 8-13 years old (which is a wide range tbh, there's a big difference between being 8 and being 13), but since TV-G says "suitable for ALL ages" it's also not limited to that.

Also if TCW was aimed for ~8-13 year old's back in 2008 then those same people, who TBB was clearly meant for based on the marketing, were ~21-26 when it premiered in 2021 (and I think that is definitely reflected in writing).

Age of the protagonist is another a good indicator, though it's not a strict rule (i.e. Ender's Game and To Kill a Mockingbird have younger pov characters but are clearly meant for older audiences) and we have a wide range in these shows (Ahsoka 14, Anakin 20, Obi-wan 35, Clones early 20s, Omega ??? 10ish?? idk it's unclear) and time passes. (And while a lot of TBB is filtered through Omega's perspective, there's also plenty of scenes/subplots/episodes where she isn't even there. Also I doubt anyone would call TLOU a kids show just bc Ellie is 14)

But also target audience is a lot more than just content ratings. Note how the first few ratings above say "this program is designed for" the age group, while after TV-G it's about if it contains anything that could be unsuitable for age groups. And ratings can be pretty vague and arbitrary, especially since they change over time (like I get RotS but I could not tell you what makes the Sequels PG-13 compared to the PG films. And why is 13 the age we draw the line at? And why is it 14 for TV instead?)

I think TCW confuses a lot of people because it jumps around a lot; some episodes are about Jar Jar or the droids, and then some are, you know, Umbara. But on a rewatch, even some of the more serious episodes like the Citadel or Kadavo arc still tend to have a more juvenile or simplistic tone/writing style, like repeating information a lot or joking in the middle of the mission (like right after Echo died, hello?!). This actually feels like a writing issue to me, like maybe the writers weren't very clear on what they were going for. (Reminds me also of the only episode I watched of the live-action Atla, where compared to the original it increased the violence/death, but also dumbed down the exposition and didn't seem to trust the audience) Though there is also a clear difference between the seasons, again because the audience and characters are growing up as time goes on. I don't think TBB really had that issue though. It never talked down and it was much more tonally consistent, even in the lower stakes episodes.

Personally TBB feels generally grittier than TCW, though it doesn't really have any of the dark/gruesome deaths and "this is a kids show?!?!" moments like TCW (i.e. clones getting airlocked, decapitated, cut in half by doors, squished by Grievous, and whatever the ever living eff Colt's death was). Though actually come to think of it, there are a few things (like Crosshair killing civilians, the electro suicide pills, and the clone on Tantiss who got skewered (rip)) but I don't think they stand out as much, maybe because they're given the proper weight so they fit the tone rather than feeling out of place. Well, most of the time at least...

Like the friendly fire incident is probably one of the heaviest moments in TCW but I don't see it in those compilations, maybe because the characters respond appropriately and it fits within the Umbara arc. Verses when stuff happens in the middle of lighter more childish plot lines that feel more shocking because they are somewhat brushed off.

But also here's the thing. I think people get really fixated on the darkness/violence/death thing, but it isn't actually as big a deal as we tend to think. Like you'll find "this is a kid's show?!?" compilations for so many shows like these (with a similar age range, like Gravity Falls) that are just anything remotely creepy or intense or related to death, as if kids can't handle anything at all. Like I'll admit it's surprising sometimes (Infinity Train traumatized me bro lol) but most of the time I think we're underestimating kids. Like do you remember being 12? It's not that young.

There just seems to be this misconceived barrier, like the argument goes: "Clone Wars is just a kid show" "No it's not, look at this death scene!" But like there's death scenes in Disney movies all the time, you know? I think that's also why we get so many of these MA animated shows (i.e. Invincible and Vox Machina) that feel the need to overdo the blood and gore to like prove themselves as adult shows (bc again, animation bias).

As a writer that's just not really where the distinction is. This came up in my 'Writing for Children and Adolescents' class and we were all a little surprised when our professor said that death/violence is actually fine for middle-grade (8-12, the 'golden age of reading' and probably the equivalent to TV-PG). Like think of stories with ~12 year old protagonists like Percy Jackson, Harry Potter, Gregor the Overlander (tho Suzanne could stand to tone that one down imo lol). Basically, violence is okay actually. And most the TCW and TBB characters are way older than middle-grade.

(Also I think the difference is usually more in the delivery. Like death and violence being more implied (no blood, or cutting away/seen with shadows), and themes/emotions generally being more clear, simple and stated upfront rather than more nuance, subtle and subtextual. (And tbh writing for kids is actually usually a lot harder btw))

The distinction we did learn about that has been most insightful for me has a lot more to with the story itself: what topics and themes does the story deal with? And what age group/phase of life does that speak to?

For example, Love You Forever is a picture book (generally considered 3-6 yr old range) but it deals with topics that are clearly aimed for an adult. It follows the parental character until they are on their death bed being taken care by their kid, that's not something a 6 year old would care about or relate to. That's why age of protagonist typically aligns too, bc they will be dealing with/worried about things that the reader is dealing with in their life too (like high school struggles vs career and family struggles etc).

Aaaand this post has (once again) gotten away from me lol so I don't feel the need to analyze all of the topics and themes in TCW and TBB, but basically look at what is being explored and how it is being talked about (since a lot of things, esp with war, aren't necessarily age exclusionary) and that can give you a good idea. I think it's clear TBB generally deals with things in a more nuanced and complex way than TCW (most of it at least, honestly the difference between seasons is stark). And there is a main emphasis on family and parenthood, especially with the very end speaking to both young adults growing up and moving out, and the parents letting them go.

TL;DR:

-Animation doesn't automatically equal for kids

-For kids doesn't equal lesser

-Not all kids media is the same bc not all age groups are the same

-Violence doesn't necessarily equal NOT for kids

-Age of protagonist and themes/topics are a better indicator

-The Clone Wars is def middle grade, and The Bad Batch is probably more YA to adult

-But nothing is exclusionary regardless

[thegreatyin]

I'm introducing TCGs to the Neath specifically to make The Scoundrel explode with their funny little bat instincts. Time to learn Magic the Gathering, you funky little creature.

you want the worst monetization MTG has ever had ever in the history of reality? because this is how you get the worst monetization MTG has ever had ever in the history of reality.

[king-maven-calore]

I just found Maven's perfect aspiration in the sims

[red-gekkouga]

The only things I'm interested in from TGA are Okami 3 (People call it 2, but Okamiden is 2.) and the new Sonic racing game. I hope it's like Sega Allstars, I played them so much back when I had a PS3. Team Sonic Racing is too fast and hard to control. I know it's weird saying that about a character who is supposed to be fast, but you can't tell when a turn is coming up and you just hit everything.

[arthursfuckinghat]

Rhodes - Lemoyne

[chayannesegg]

i want to defend blue team's strat bc i feel like people are (validly) annoyed by how hard to counter it was (i really think tubbo would have claimed them even if etoiles and roier hadn't glitched bc he was so well positioned [tho we'll never know weep 😭]) but if you're annoyed, congrats! that's how blue team's felt the past 2 days lol while ~technically~ they could counter by defending spawn like etoiles and roier tried to they a) don't have that many players online at that time naturally (etoiles and tubbo having to be on a 4-5am is not healthy even if possible) and b) it's VERY easy—even without doing tubbo's log strat—to have one person run in spawn and claim them all in <2 secs in the last 10 minutes and have the countdown make it impossible to counterclaim. like REALLY easy. and if they've already claimed the contracts, there is literally nothing they can do but watch the other team win which is VERY frustrating. so it's purposefully irritating/dirty strategy that protests the late login being so op. i'm pretty sure tubbo complained on day 2 that the game rewards waiting until the last 15 minutes to claim rewards unless they balanced it better. blue then lost to the same balancing issue two days in a row. and only tomorrow, on day 5 is it getting fixed. that's the slowest any balancing issue has been implemented so far!! (the % changes daily to fit the gameplay, they gave more detail on the points breakdown the day after blue asked, they added the spawn safe zone today WHILE bad was spawnkilling) blue team simply took the late login strat to its logical extreme, and i think that it really highlights why the game is changing to avoid this outcome!! but blue suffered for like 3 days from this unfairness so i, personally, think it's well-deserved for them to use it to their advantage on the last day it's possible!!

[burnerofstars]

So tiktok convinced me to read the shatter me series, and I cannot stand Juliette and Adam and even Warner, like quit bitching about every goddamn thing and the romance is just distasteful,

I miss Katniss, and Tris, and Brenda, and Mare, and Aurora, And Saedii, and Finnick, and Four, and Minho, and Cal, and Kal, and Tyler.

[habitual-creatures]

Pff- well uh we could go try checking it out?

We probably should... especiallyifEvan'sgoingtokeepdoingthat.

[sunnibits]

finally started to take some interest in lae’zel after going through the act 2 creche storyline and so she was anointed in the sacred dye as a reward <33

[rosettyller]

thanks for tagging me @saryasy !!

gif colouring, before and after:

and bonus, my desktop background:

tagging: @babinicz @thorinsbeard @crowleyanthonys @stars-bean @michaelsheens @blakbonnet