#annika hallin

[wornoutspines]

Patrik, Age 1.5 (Movie Review) | A Beautiful, Emotional, and Heartfelt story

Let's start #PrideMonth with a special movie with #GustafSkarsgard #TorkelPeterson and #TomLjungman I saw this gem again this year and it's just as good. #ThrowbackThursday

Premise: Goran and Sven have been cleared for adoption and are given the option to adopt Swedish orphan “Patrik 1,5,” but when Patrik arrives, he turns out not to be the little boy they were expecting. A comma was misplaced, and the boy they receive is a 15-year-old homophobe with a criminal past. Review: I saw this movie before but decided to revisited it during the holidays, and it’s as sweet…

[movienized-com]

Trolltider - legenden om Bergatrollet

Trolltider - legenden om Bergatrollet (Serie 2023) #MatildaGross #OssianSkarsgård #KjellBergqvist #HampusHallberg #KatarinaEwerlöf #MalteGårdinger Mehr auf:

SerieJahr: 2023- Genre: Abenteuer / Familienserie Hauptrollen: Matilda Gross, Ossian Skarsgård, Kjell Bergqvist, Hampus Hallberg, Katarina Ewerlöf, Malte Gårdinger, Nour El Refai, Helmon Solomon, Henrik Dorsin, Claes Månsson, Mimmi Cyon, Emma Broomé, Annika Hallin, Samuel Astor, Razmus Nyström, Hulda Johannsdóttir, Lena-Pia Bernhardsson, Ted Åström, Magnus Ehrner, Ville Virtanen…

[filmy420]

[blackcatvideo]

The Girl with the Dragon Tattoo (2009) on DVD

[scenesandscreens]

The Girl Who Played with Fire (2009) Director - Daniel Alfredson, Cinematography - Peter Mokrosinski "There are no innocents. There are, however, different degrees of responsibility."

[andrewsmoviereviews]

The Girl Who Kicked The Hornets Nest (2009)

aka Luftslottet Som Sprängdes

Plot: While Lisbeth (Noomi Rapace) recuperates in hospital and awaits trial for three murders, Mikael (Michael Nyqvist) races to uncover the depths of the conspiracy against her - one which might to right to the heart of the secret services.

Review: And so it comes to this; Lisbeth and Mikael going up against a hidden branch of the secret service, responsible for harboring the international criminal (and Lisbeth’s Dad) Zala (Georgi Staykov), and for trying to incarcerate and silence Salander.

It makes for an interesting film, although it doesn’t go into as much depth as the book, and so the payoff is less satisfying. The main parts of the story are all here though; how the authorities abused and attempted to silence Lisbeth, resulting in her strong, anti-authority stance, while Mikael races to uncover the full depth of the hidden group, and deliver the evidence needed to clear her name. The full context of events is never really conveyed, and there are times when Mikael does not come off well because of it, but the film has essentially become a race to the finish.

Despite that, and the rushed nature off its conclusion, the film ends on a satisfying note. Whether we can look forward to a version of The Girl In The Spider’s Web, who can say, but the trilogy we have had is represents the work of Stieg Larsson really well, and made a star of Noomi Rapace (even if Hollywood can’t seem to work out quite what to do with her). Her Lisbeth is undoubtedly the definitive version so far; where Rooney Mara looks and feels like a stylised comic-book character, Rapace feels real and authentic, like a living, breathing person. Nyqvist is very good too, and any attempt made to reunite the pair would be welcome.

Whether that will happen at any point remains to be seen. For now, the Millennium trilogy stands amongst the best Swedish film exports ever, and a thoroughly enjoyable tale.

[bkenber]

'The Girl Who Kicked the Hornet's Nest' Provides an Imperfect but Satisfying Finish to the Millennium Trilogy

‘The Girl Who Kicked the Hornet’s Nest’ Provides an Imperfect but Satisfying Finish to the Millennium Trilogy

The journey of Lisbeth Salander came to an end (in Sweden anyway) with the release of the third and last film in the Millennium Trilogy, “The Girl Who Kicked the Hornet’s Nest.” Picking up where the last oneleft off, we watch as Lisbeth (the ever superb Noomi Rapace) slowly recuperates from the injuries inflicted on her by less than caring family members. Soon after, she is forced to stand trial…

[catvaughnofthe318]

[gender-issues]

“Kissed By Winter” by Sara Johnsen (2005) Sara Johnsen (1/3) First Feature Top score: script, personages, dialogues, direction, images, minorities, message (8) A poignant movie about death, loss, guilt, and responsability Cast: Annika Hallin, Kristoffer Joner, Fridtjov Såheim Director: Sara Johnsen Writers: Ståle Stein Berg, Sara Johnsen Music by Ståle Caspersen Cinematography by Odd Reinhardt Nicolaysen Film Editing by Zaklina Stojcevska

[love-midnight-sunshine]

Genre: Drama, Family 

Language: Swedish (Eng-Sub)

IMDb Ratings: 6.7/10

Quality: 1080p Bluray

Movie Size: 1.82GB

Director: Fredrik Edfeldt

Movie Cast: Blanca Engström, Shanti Roney, Annika Hallin

Sypnosis: Story of a nine-and-a-half year old girl left alone in Sweden while her family is in Africa during the summer of 1981.

[wornoutspines]

Agent Hamilton (S1) | More Complicated than it Needs to Be

#AgentHamilton (S1) | More Complicated than it Needs to Be #SeasonReview #JanGuillou

The Scandinavian spy thriller is loosely based on the Carl Hamilton novels book series by French-Swedish author and journalist Jan Guillou. Written for the screen by Petter S. Rosenlund, the show stars Jakob Oftebro (The Letter for the King) as the title character Carl Hamilton; Nina Zanjani as Kristin Ek aember of the SÄPO black ops division; Peter Andersson (Jack Ryan: Shadow Recruit) as…

[movienized-com]

A Day and a Half (2023)

Eineinhalb Tage / En dag och en halv / Um Dia e Meio Jahr: 2023 (September) Genre: Action / Drama / Thriller Regie: Fares Fares Hauptrollen: Alexej Manvelov, Alma Pöysti, Fares Fares, Stina Ekblad, Bengt C.W. Carlsson, Johni Tadi, Annica Liljeblad, Linda Hellström, Annika Hallin, Lisa Forslund, Lukas Orwin, Erik Holmström … Filmbeschreibung: Weil er seine Tochter wiedersehen will, begibt sich…

[filmy420]

[cawamedia]

Vid en presskonferens på Clarion Hotel Sign i Stockholm den 3 Januari 2019 meddelades Guldbaggenomineringarna för filmåret 2018. I täten med nio nomineringar ligger Gräns, som följs av Unga Astrid och Goliat med sex nomineringar vardera. Guldbaggegalan arrangeras av Filminstitutet i samarbete med SVT på Cirkus i Stockholm den 28 januari.

En nomineringskommitté bestående av 36 ledamöter i fyra grupper har genom juryförfarande kommit fram till följande nomineringar till 2018 års Guldbaggar.

Bästa film

Den blomstertid nu kommer Producenter: Crazy Pictures

The Deminer Producenter: Antonio Russo Merenda och Hogir Hirori

Goliat Producenter: Mattias Nohrborg och Frida Bargo

Gräns Producenter: Nina Bisgaard, Piodor Gustafsson och Petra Jönsson

Unga Astrid Producenter: Lars G. Lindström, Maria Dahlin och Anna Anthony

Bästa regi

Ali Abbasi för Gräns

Carl Javér för Rekonstruktion Utøya

Måns Månsson och Axel Petersén för Toppen av ingenting

Gabriela Pichler för Amatörer

Bästa kvinnliga huvudroll

Zahraa Aldoujaili  för rollen som Aida i Amatörer

Alba August för rollen som Astrid i Unga Astrid

Léonore Ekstrand för rollen som Nojet i Toppen av ingenting

Eva Melander för rollen som Tina i Gräns

Bästa manliga huvudroll

Fredrik Dahl för rollen som Musse i Amatörer

Sebastian Ljungblad för rollen som Kimmie i Goliat

Mikael Persbrandt för rollen som Hasse P i Tårtgeneralen

Joakim Sällquist för rollen som Roland i Goliat

Bästa kvinnliga biroll

Sissela Benn för rollen som mamma Karin i Sune vs Sune

Maria Bonnevie för rollen som Hanna i Unga Astrid

Trine Dyrholm för sin roll i X&Y

Lena Nilsson  för rollen som Simone i Videomannen

  Bästa manliga biroll

Jens Albinus för sin roll i X&Y

Fredrik Hallgren för rollen som pappa Rudolf i Sune vs Sune

Eero Milonoff för rollen som Vore i Gräns

Henrik Rafaelsen för rollen som Blomberg i Unga Astrid

  Bästa manus

Jonas Hassen Khemiri och Gabriela Pichler för manuset till Amatörer

Peter Grönlund för manuset till Goliat

John Ajvide Lindqvist, Ali Abbasi och Isabella Eklöf för manuset till Gräns

Gunnar A.K. Järvstad för manuset till Trädgårdsgatan

  Bästa foto

Ellinor Hallin för fotot i In i dimman

Måns Månsson för fotot i Jimmie

Kristoffer Jönsson  för fotot i Trädgårdsgatan

Bästa klipp

Alexandra Strauss och Dominika Daubenbüchel för klippningen av Flotten

Dino Jonsäter för klippningen av Goliat

Olivia Neergaard-Holm och Anders Skov för klippningen av Gräns

  Bästa kostym

Denise Östholm  för kostymerna i Euphoria

Ingrid Sjögren för kostymerna i Tårtgeneralen

Cilla Rörby för kostymerna i Unga Astrid

  Bästa ljud/ljuddesign

Crazy Pictures för ljudet i Den blomstertid nu kommer

Christian Holm för ljudet i Gräns

Jonas Jansson för ljudet i Jimmie

  Bästa mask/smink

Morna Ferguson och Orla Carroll för mask/smink i Euphoria

Göran Lundström och Erica Spetzig för mask/smink i Gräns

Eva von Bahr och Love Larson  för mask/smink i Tårtgeneralen

  Bästa originalmusik

Johan Testad för musiken i Goliat

Gaute Storaas för musiken i Halvdan Viking

Armand Amar för musiken i Innan vintern kommer

  Bästa scenografi

Emma Sofia Wahlberg  för scenografin i Balkan Noir

Ulrika von Vegesack för scenografin i Ted – För kärlekens skull

Linda Janson för scenografin i Unga Astrid

  Bästa visuella effekter

Crazy Pictures för effekterna i Den blomstertid nu kommer

Peter Hjorth för effekterna i Gräns

Fredrik Pihl för effekterna i Sune vs Sune

Särskilda nomineringsgrupper för kort- och dokumentärfilm har vid sina sammanträden den 4 och 5 december 2018 enats om följande nomineringar till 2018 års Guldbaggar i kategorierna Bästa kortfilm och Bästa dokumentärfilm. Vid jurymötena medverkade Guldbaggens ordförande Anna Carlson och Guldbaggens sekreterare Ebba Rydqvist Ryan. Nomineringarna står i bokstavsordning.

Bästa kortfilm

The Ambassador’s Wife Regi: Theresa Traoré Dahlberg

Martyren Regi: Ahmed Abdullahi

Vi bara lyder Regi: Erik Holmström och Fredrik Wenzel

  Bästa dokumentärfilm

The Deminer Regi: Hogir Hirori

Flotten Regi: Marcus Lindeen

Rekonstruktion Utøya Regi: Carl Javér

Nomineringsgruppen för Bästa utländska film, bestående av 13 ledamöter, har genom en sluten omröstning röstat fram följande nomineringar i kategorin Bästa utländska film 2018. Rösterna är kontrollräknade av Ebba Rydqvist Ryan och Annika Gillegård. Nomineringarna står i bokstavsordning.

Bästa utländska film

BlacKkKlansman Regi: Spike Lee

Shoplifters Regi: Hirokazu Kore-eda

Cold War Regi: Paweł Pawlikowski

2018 års Guldbaggenomineringar Vid en presskonferens på Clarion Hotel Sign i Stockholm den 3 Januari 2019 meddelades Guldbaggenomineringarna för filmåret 2018.

[regarderlesmeilleursfilmsen]

My skinny sister streaming

Nationalités : allemand, Suédois Genre : Comédie dramatique Date de sortie : 2015-12-16 De : Sanna Lenken Avec : Amy Deasismont, Annika Hallin, Rebecka Josephson

Stella, 12 ans, rondelette et pas très sportive, voudrait ressembler à reserves grande soeur Katja que tout autoimmune disorder monde admire. Mais celle-ci cache United Nations secret que Frank Stella va découvrir et qui va bouleverser leur complicité.

from Streaming VF http://www.streamovf.net/my-skinny-sister-streaming/

[andrewsmoviereviews]

The Girl Who Played With Fire (2009)

aka Flickan Som Lekte Med Elden

Plot: Accused of committing several murders, Lisbeth Salander (Noomi Rapace) goes on the run, while Mikael Blomkvist (Michael Nyqvist) tries to clear her name.

Review: Following on from The Girl With The Dragon Tattoo, this is the adaptation of the second book in the Millennium trilogy. Taking a different tack from the first, it focuses instead on one of the main characters, and her life.

While the first film bought Lisbeth and Mikael together to investigate a case, the second film focuses on the past of Lisbeth Salander, via a story about a human trafficking ring. A young woman is investigating the criminals, when her boyfriend brings the story to the attention of his elder colleagues at Millenium magazine. However they are both killed, with Lisbeth implicated in the murders; she goes on the run, while both she and Mikael race to clear her name - but the real villains have a personal connection to Lisbeth, and more about her past leaks out.

This actually makes the film weaker, primarily as it splits our protagonists up. It’s been established what a good team they make, and having the two bounce off one another worked well, but without that the film just doesn’t quite match its predecessor. It’s not exactly bad though, and the film zips along quite well, with Lisbeth going into force of nature mode while trying to trace the dots back to the source. It doesn’t quite match the tension levels, even though the case is more personal, and it doesn’t quite capture the books depth (which is always a problem for adaptations anyway.

The Girl Who Played With Fire is essentially the middle part of the story anyway; it progresses established characters, but without the definitive conclusion that most films would carry. To be continued...