#and yeah I feel like they're setting up

[emberkyrlee]

Deathdream taking out the dogs at the end like:

Uncanny X-Men #10 review

Well, ten issues in and we finally hear something substantive from Nightcrawler. The Outliers are still being attacked by the Wolfpack sentinels after Ground Bear and Jubilee bailed, the Graymalkin Podcaster clown show continues, and Moonbeam and Gambit go on a date mostly off panel. It looks pretty good but it's unfocused and shallow. The Outliers are the stars and the absence of Rogue/Gambit was refreshing. There's fart jokes?

Nightcrawler thinks to himself that he doesn't want to go back to being an X-Man, except he is an X-Man, isn't he? Realistically, he's having the same doubts everyone else has had. They were left unresolved and brushed aside so I'm not going to spend much time on this. Fool me thrice.

Anyway, he's painting a roof with Chelsea, who ends up being a mutant. Great, just what this book needs more of 🙄. She's probably the wisest person here who knows the mall is a bad idea. Kurt is really enjoying this place as a 'home' that's 'healing him.' How? Doesn't matter. He's just saying words and I wonder why he's even in the book. The lady whose kid he rescued rocks up with homemade German pastries for him which is a nice moment but it's not a substitute for character development. Things happen to him, mostly.

Meanwhile, Deathdream is bleeding out at the mall and The Outliers are rallying. The adult X-Men are feeling like a bit of a distraction tbh. The kids are being developed the most, learning, growing, making choices. It's great for them, but it's an awkward situation if you want more than the barest development of The X-Men. I look back on the first arc and how much time was spent flashing back to Xavier and Sarah Gaunt. No idea what degree of editorial meddling there is, but I find it hard to believe Gail Simone would intentionally take focus off the main characters to that degree.

Jitter uses her powers to become a master combat medic for sixty seconds and takes charge. For some reason the Wolfpack just aren't attacking them right now, despite having a taste for blood and no master.

Calico has her heroic moment and aims to distract the Wolfpack. Ransom is hunting for a needle to save Deathdream and stops to cheer her on despite the ticking clock. Said clock ticks down and he's just a little bit too late, so Jitter is relying on memory. Sure. The 'if X happens, run and leave me' moment is the 5th time this beat has been played this run, and it gets the same response each time. There's value in repetition but I'm not seeing any formalism or thematic purpose here, so it just feels repetitive. Don't get me wrong, the kids are the best part of the book, but I don't get these choices. It's the kind of thing even a parody of action cliché should be embarrassed doing - and it loses power each time.

Time's up! We check in with Graymalkin, where the same dynamic as last time is escalating after the incident hits the news. Trask wouldn't kill kids because of his family history, apparently. Maybe he's referring to his sister, but that's a stretch. He had no problem with basically enslaving Juston Seyfert for his sentinel program. Whatever, maybe it's some new shit. The podcaster isn't happy, and keeps telling him to shut them down, something he's established he can't do. Not sure what was gained by including this.

Okay, Nightcrawler sees the Wolfpack situation on the news (TF are Logan and Jubilee?) He is obviously going to teleport there to meet them, but he stops for thoughts and prayers in a life or death scenario. DEEEEEP BREATH. Fucking really? Yeah, Kurt is Catholic, though he has spent the last few years having a major crisis of faith. He's also an experienced hero and pointedly not an idiot. Stopping to pray when kids you're responsible for are probably being torn to shreds is not something he would do, ever. It's embarrassing and frankly highlights why he shouldn't be in this book. Kurt Wagner is a complex, well-rounded individual. In this book he's been portrayed with 'is religious' as his defining character trait. I hate to go there but I'm dubious that Simone knows a damn thing about him - besides 'religious guy.' All that aside, if you only have room for a single flat character trait, take them out of the book. Kill him if you need to because this is painful. That would free up space for other characters to have beliefs, motivations etc.

Jitter is going off memory and Calico is regulating. The memory is fading and Ember is down though. After encouragement from Ransom Jitter does the Pulp Fiction thing anyway - Calico lapses into despair, repeating her mother's abusive nonsense.

Nevermind, Ember is fine and so is Deathdream. More than fine even. Right as rain. Ransom is reinventing the fastball special except with Ember kicking him in the heart.

Logan and Jubilee finally show up to protect the kids they're responsible for. They're held up by a barricade and a cop. Okay this must be a shape shifter or something because I don't see Logan even asking for permission, let alone wasting time arguing with this bozo. He'd leap the barrier, or slice it. Famously he does not give a fuck and is very willing to use violence. If you thought that was bad, Jubilee convinces the cop and then wastes time flirting with him. Flirting with a cop while their charges are fighting sentinels. I guess now that she's abandoned her baby in Otherworld she's got time to date. This is unserious shit.

I wish I had the gall to follow up that waste of time with 'we're not gonna make it.' This run isn't going to make it. Kurt beats them there and has his second most substantial conversation of the run. With a killer robot dog. He teleports it into the sky and kicks it without hurting himself. Maybe Calico softened them up since last issue.

Jitter and Deathdream seem fucked with two Wolfpack sentinels racing towards them. Ransom and Calico check in, while informing us that Ransom is who they look up to. I mean, she's been doing all the fighting and Ransom was going to leave last issue but sure. Why not? He does throw a robot dog at Logan for him to slice, that's leader shit. If I was being generous I'd say it's a callback to Fall of the House of X #1, where Colossus did the same thing with an ORCHIS soldier. It doesn't matter because Deathdream suddenly figures out he can kill them all. Easily. It's loosely explained and I don't care enough to quibble. His powers are established and they apparently include a healing factor too.

With that, the threat is over. They got them all, together. Right. Logan compliments Ransom who asks not to be called 'kid.' I guess he's the man now, dawg. The mutants are hailed as heroes by local news and The Podcaster is not happy. They've finally tracked down the idiot responsible for this debacle, and she sends him to be tortured. The private sector is rough. I still don't know what the Podcaster's actual deal is, she's all over the place and I can't fathom why anyone obeys or fears her. What does she want aside from a mutant prison?

This book lacks consequences. The adults keep making huge mistakes that other people suffer for yet they get bailed out. It's narrative 101 - if your characters make a mistake they should have to deal with the fallout. They learn and grow. Rogue hasn't made a good decision yet and her team are complimenting her - directly after a prison break with no plan where she spent her time punching Scott. They sent the kids to school and Calico was kidnapped in an hour. Logan and Jubilee fucked up so badly here the kids nearly died. One actually did, but luckily it didn't stick. Kurt is praying and Jubilee is flirting while they're fighting for their lives. These actions aren't being used as mistakes to learn from, they're just things that happen. There's no tension because nothing really matters. No matter what they do things work out and they're hailed as heroes. Personally, I want more out of the flagship X-Men book.

When the wisest person in the book is 6 years old, it hangs a lampshade on how cartoonishly everyone is behaving. I'm thinking that's the point. The ragtag misfits have goofy adventures that seem like the end of the world at the time, but it's just Tuesday. It's the fun book where you don't have to think hard. Moonbeam, Ground Bear, and the Podcaster. PTSD, let's never talk about it again. Diction lessons, sugah. Let's pray.

A look at the letters page tells us everyone is loving the book, and they're definitely real people that aren't cherry picked. Good for them and good for you if you're enjoying it. I'm not loving it, but I'm not hating it. It exhausts me a little but I do enjoy reviewing it. Thanks for reading, Ground Bears.

[bunnyboy-juice]

NO MORE ASSOCIATING THINGS WITH FEMMES ONLY BECAUSE THEY ARE PINK!HYPERFEM FEMMES ARE GREAT AND I LOVE YOU CAMPY FEMMES WHO EMBODY PINK BUT ALSO JESUS CHRIST CAN YOU GUYS NOT GO MORE THAN ONE DAY W/O TRYING TO SHOEHORN FEMMES INTO BEING ONLY PINK UWU BABIES. I AM FEMME AS IN GRASS AS IN DIRT AS IN TREE BARK AS IN WEEDS SPROUTING THROUGH THE SIDEWALK CEMENT. FEMME AS IN GENDER NONCONFORMITY AS IN FUCK YOU MY FEMININITY IS WHAT *I* SAY IT IS. FEMME AS IN DEPTH AND DARKNESS AND WARMTH AND TERROR. FEMME AS IN CAVES. FEMME AS IN LIGHTNING. FEMME AS IN AN AMALGAMATION OF TRAITS THAT I HAVE DECIDED ARE FEMININE REGARDLESS OF WHAT SOCIETY SAYS. FUCK IS IT THAT HARD TO UNDERSTAND?!???

[starry-bi-sky]

more about og tue timeline twins danny and dan/jamie

very touchy with each other. you might even say. ccclingy. its to be expected, they're two halves of a whole after all and all they've got of each other. worryingly co-dependent. do not separate. ever.

Danny was really weak and sick after the initial separation, and was for a while after. Jamie knew internally that if Danny died, he'd take the whole world with it. He was the one sole caretaker for him while he got better -- not for lack of trying on Vlad's part, but without his ghost powers he was nothing more than a feeble (albeit handsomely rich) man, and James looked ready to bite his head off if he got within ten feet of either of them.

Vlad is intimately aware that James (or Danny, if he tried) could snap his spine in half like a twig, and is uncomfortably aware of his own lack of ghost half now. It makes him feel self-conscious and exposed, so he never fully returns back to "cocky and self-assured billionaire Vlad Masters". Making deals with other brands feels a lot harder now that he can no longer possess them anymore.

Speaking of, he very quickly has to come up with a cover story as to why there's now a James Daniel Fenton to the public, when no records whatsoever of him existing existed prior. Lots of forging false government documents on his end. James and Danny do not help because it's his fault this happened in the first place.

(Regardless of whether or not Danny actually willingly chose to rip out his ghost half/humanity in canon is true, or if that was Vlad Masters speaking out of his ass, a large part of the blame still falls on Masters.)

(As his primary caretaker and guardian, it's his responsibility to ensure the health and safety of his charge, and since Danny was in clear emotional duress at the time, it can be argued that he was not in the mental state to make such a decision. And, allegedly, couldn't do it on his own which is why he asked Vlad for help.)

I chose "James" as Dan's name since it's a popular fanon middle name for Danny, and since he's half of Danny, it felt like it just made sense lol. Also because of the ensuing comedy of the two of them introducing themselves as "James Daniel Fenton" and "Daniel James Fenton". It's got the same energy as "danny with a y" and "danny with an i" and it's the exact kind of name bullshit you expect parents to give their twins.

I don't have their exact personalities down, but something I am actively writing into this au's bible is that I think Danny should be the quiet and (ig technically) meaner one. There's a lot to go into about interpretations for ghosts, halfas, and the incident itself, but TL:DW; Danny is technically soulless, or at the very least missing half of his soul (altho Jamie is too just in a different direction).

Pair that with the trauma of losing his family in front of him + having his ghost half ripped out + all the trauma he would've sustained as a hero, and he's not doing too hot mentally! i think if the twins met good timeline!Danny, Danny would've mistaken Danny for Dan and Jamie for the original half.

He comes off to others as pretty apathetic and indifferent to a borderline terrifyingly calm degree. He doesn't go out of his way to insult people, but he also doesn't care enough to consider the other party's feelings so he doesn't filter himself, which makes him come off as rude. The only times he looks truly comfortable is when he's near Jamie or talking to him.

His standoffish, ice prince demeanor makes Jamie look like a saint in comparison. When really he's not all that much better? He's more outwardly emotional than Danny, whether that be positive or negative, but at the end of the day he doesn't trust or care about anyone else any more than Danny does, and he's got a bit of a sadistic streak. Danny reigns him in when he starts becoming too destructive.

(Which I think makes sense. Danny asked Vlad to rip out his ghost half specifically so he could stop feeling his human emotions. Dan, despite his monotone voice, does exhibit emotions. He's smug when he asks Valerie if he likes his ghostly wail, sardonic when he reunites with Sam and Tucker, annoyed, shocked at Danny's ghostly wail, etc. He enjoys wreaking destruction and chaos.)

(If Danny had survived his encounter with Dan and if Vlad was successful, then I imagine he'd be rather apathetic to his other half as a whole. That'd be interesting.)

Overall though they're both hurt, bitter, and distrustful of the world around them, with abandonment issues a mile wide. They can get better and they can heal, but it takes time and patience and proper support.

On the DPxDC side of things, they do genuinely hold some kind of respect or regard for Bruce. They also don't become vigilantes for a while. Neither of them are jumping at the bit to enter heroism again, not when it was heroism that killed their family in the first place.

In fact when they find out Bruce = Batman they think he's foolish for it. They think its a fool's errand, and they've been so spurned by their time as Phantom that for a few weeks, Jamie even refused to call Bruce anything but Sisyphus. Danny called him Tantalus, and the two of them had a faux-argument about which one was more accurate.

Bruce does, though, worm his way into both of their hearts, and that's like, the main reason they become vigilantes to join him. So that they could keep him safe and not because of any desire to return to the heroic life. Relearning to care and finding satisfaction in helping others was an unintentional side effect.

(Bruce is so very smug)

Essentially:

The Twins: this is our squishy and fragile adoptive father. If anything happened to him, we're becoming mass extinction events.

Bruce: Nnno.

[gummi-ships]

Kingdom Hearts Dream Drop Distance - Symphony of Sorcery

[weirdest-lights]

It's my own opinion but the more I watch the new season of the Bad Batch the more I feel like Tech's death was just cheap.

In a series focused on the Bad Batch, we saw more Rampart and Emerie than Echo . An integral member since the beginning.

So what if killing of Tech was just another quick way to get rid of a character they wouldn't have had time to write a role for? I mean, they barely talk about him and we never get to see anyone's reaction to his death.

It just feels like killing him was a way to get rid of a character easily to focus on others or just to make more drama in the new season.

"Oh Tech isn't here to do that so I guess we're going to have to risk our lives for this things."

"If Tech were here it would be easier but since he's not, guess we're going to have to take the long road !"

[umemiyan]

well i got an interview for the position i randomly decided to toss myself at asofjsodfjijds

[sydney-carton-of-sour-milk]

For this week's post, I have a very special announcement:

As of the minute of my posting this,

this blog

is officially

A DECADE OLD!

To mark the occasion, I've gone back to my old sketchbook and (at long last!) made a scan of the first drawing I ever posted here...

...which I've used as reference for a redraw🥹

I've been through a lot in the last decade (as you can imagine), and, consequently, the nature of my love for and appreciation of the novel has changed so much through those years; with each subsequent time I've read it, A Tale of Two Cities has meant a different thing to me and held a unique place in my soul, tailored to its shape at that point in time.

That's part of why it has been such an immense, immeasurable joy to have this blog as a constant, a place for me to capture those shapes (and their changing over the years) by providing the good people of Tumblr's A Tale of Two Cities fandom with posts of all varieties. What a wonderful and rewarding place it has been for finding community in which we can all share our collective appreciation for this incredible novel. So if you're reading this, thank you! And I hope this blog has been able to provide for you anything like what it has for me!

Now this post is done, why don't we call a health, dear reader; why don’t we give our toast?

Many more posts - and years - to come, then!

[pangzi]

can we just talk about how incredible wandee goodday is with their narrative devices though? the foreshadowing is incredible. there's symbolism everywhere. the oyeicher/yakdee juxtapositions are so good. even though their words and actions might contradict each other, everything gets spelled out for us so clearly, it's beautiful.

[utilitycaster]

Sort of a distant tangent off my post about Ashton, but I'm growing more and more suspicious of the fandom claim that there's no time for small RP moments in Campaign 3. I do think that it's been challenging to get deeper party bonding or serious conversations that aren't about the big philosophical questions they're facing, since those do take much more time; but then I think about Calamity, or Candela Obscura. I can genuinely give you at least a couple paragraphs about pretty much every relationship in the two Circles, or in the Ring of Brass. I can also point to no shortage of small moments between characters in the Mighty Nein Aeor or Vox Machina Vecna endgame episodes, which were all extremely plot-heavy and fast-paced, and D20 consistently nails character relationships in a fraction of the time.

I think it really does come down to, as Brennan Lee Mulligan always says, the character creation phase. Laying down a solid groundwork in which everyone has a detailed, rich backstory and sense of personality and relationship history (in the case of characters who knew each other prior to the start of the series) is absolutely crucial, and even in the case of characters who don't know each other before going in, a good amount of time spent in character creation ensures that it's easier for them to develop those interpersonal relationships on the fly. I know in actual play there's some degree of finding the character as you play, but there are games for which there is a very short runway, and I don't think it ever hurts to do more extensive character prep than the bare minimum. And if there are gaps, I think it also helps to go back and fill those in mid-way, away from the table - Travis clarifying Chetney's backstory being a great example that allowed the history of Chetney and Deanna to feel realized and full, despite only a few episodes.

I'll also be blunt: most of the time when people complain that there aren't moments because the plot keeps moving...they're mad about shipping. Which has always rung hollow to me. It was a common complaint in C2, that no time was taken for character relationships, despite them taking an entire half of an episode for the Beauyasha date and despite no shortage of moments for all three of the other couples (and plenty of platonic moments between friends). The issue was never a lack of time; it was that the characters they wanted to talk to each other didn't actually have the relationship in canon that the fans had dreamed up, and so, when the chips were down, they went to other people.

It takes two seconds to say something like "I hold their hand", even in the middle of plot-heavy adventuring. If someone doesn't say it, it's rarely the GM rushing them; it's the player either choosing not to do so, or not remembering to do so, and either of those is quite revealing regarding how the player feels about that relationship and where it stands in their priorities.

[front-facing-pokemon]

[bunnyboy-juice]

OH MY GDD I FORGOT TO TELL YALL MY WIFE CAME HOME YESTERDAY AND JUST. WOOP. PICKED ME UP LIKE NOTHING. AND THEN DID IT AGAIN LIKE 20 MINUTES LATER AGAIN LIKE NOTHING.

[sskk-manifesto]

Ep 6!!!

[danieyells]

Wait today is double coin/exp in camp /THROWS TICKETS AT IT SO TAIGA CAN BE AFFINITY 9

[sysig]

DAX is just so expressive ♥ (Patreon)

[byanyan]

been picking at the stuff at the top of my drafts this evening..... got five lil things in the queue rn that i think i'm gonna set to post tomorrow, but i'm also like. gonna keep going for a bit longer, see if i can't get a few more done too uvu

[autumnrory]

woooo my niece took 5 of my 13 lego sets, one of which was one of the three larger ones, so that's one huge box out of the way and i'm just glad she wanted them because like they ARE twenty years old and they look fine ofc but sometimes kids aren't gonna want stuff that isn't new and shiny ya know, but she did seem to want everything which would've been fine with me but i knew there was no way they would take all that with them, and at least i still have stuff of my own to sell, plus should get at least a cut of my brother's stuff for doing the inventory and putting together that stuff that wasn't already done