#and writing 3 different series

[onceuponaoneshotfanfic]

bestie it’s tuesday where is shut up and drive part 8 😔

:)

I had a major school event this past weekend, I have to send progress reports out today (and already have parent conferences coming up), I'm doing my little Smutober event, and I really want to try to finish Something There in the next week. Plus I have some planning and outlining to do for the next portion of Shut Up. Sooooooo Shut Up and Drive (and Teach Me Tonight) is off its normal schedule this month.

[entwnii]

it’s already late at night when 𝐌𝐈𝐘𝐀 𝐀𝐓𝐒𝐔𝐌𝐔 walks out of the gym, his sport bag in his hand.

the droplets of water falling from his platinum blonde hair run down his face and the back of his neck. paired with the chill breeze of the night, it makes a trail of shivers run down his spine and goosebumps appear on his light skin.

god, why did he forget to bring a towel ?

he grabs his keys from the back pocket of his shorts before opening the car’s door, throwing his sport bag somewhere on the backseat while he slides down on the driver seat.

he turns his car on, a white porsche 718 spyder, hoping that his hair will dry during the ride home before driving off to your shared apartment.

the wind that blows through his blonde locks makes the pro athlete sigh in contentment, a small smile appearing on his slightly chapped lips as he drives through the busy streets of osaka, the neon lights of the stores lighting his face in various colors.

it doesn’t take him longer than twenty minutes to get to his residence, parking his convertible car in it’s usual spot.

atsumu grabs his bag’s handle and gets out of the car before locking it. he walks over to the apartment building’s entrance, opening the door and making his way to the staircase.

once he reaches the third floor, he walks over to the door of your shared apartment, the only one on the third floor.

the blonde-haired man unlocks the front door with his keys before stepping inside.

your fiancé carefully closes the door behind him, not wanting to wake you up. he kicks his shoes off his feet before placing his sport bag on the floor next to the door.

atsumu’s dark brown eyes are attracted by a small light coming from the living room.

his eyebrows furrowed in confusion, the pro volleyball player walks over to the living room, scratching the back of his neck.

the frown on his face immediately disappears at the sight in front of him, a fond smile replacing it.

the television is on, mamma mia is currently playing on the screen, one of your favorite movies. there’s a plate of muffins on the coffee table, blueberry and lemon ones with powdered sugar icing on top along with a glass bottle of lemonade.

all the while you are laying on the skandi couch, facing the television, visibly asleep. one of your cheeks is pressed against the back of your hand, your eyes closed and your plump lips slightly parted. soft breaths escape you as one of atsumu’s large shirts is draped over your body.

despite all of his efforts not to wake you up, atsumu’s foot bumps into one of the couch’s footers, making him yelp at the sudden pain, which wakes you up.

atsumu watches as you turn around, facing the couch’s back, a frown on your face while a small whine escapes you. your eyelashes flutter open, trying to adjust your eyesight to the light coming from the television.

as you sit up, you start rubbing your eyes, letting a groan of complain before finally glancing to the side, glaring at your fiancé.

“sorry, baby.” atsumu flashes you a small smile, a hint of regret visible in his eyes, despite his urge to laugh at your sleepy appearance.

“how’s my future mama ?” he asks as he places his hands on the back of the skandi couch, leaning towards you.

“fine, but she was quite calm until you arrived.” you accusingly tell him, a subtle frown on your features as you place a hand on your baby bump.

“‘t’s not my fault she likes my voice.” atsumu lets out a chuckle, placing a hand on the side of your face, turning your head to place a small peck on your plump lips. “only two months left…”

you let out a small hum at his words, looking up at him with sleepy eyes.

atsumu parts away from your plump lips, licking his own. “imma eat somethin’, what do ya wanna eat ?”

you scratch the bridge of your nose with your nails, thinking about his offer. “i want vanilla ice cream… with olive oil and salt.”

atsumu nods his head at your request, a small ‘kay’ leaving his lips before he walks over to the kitchen.

he knows better than to criticize your cravings, especially since it isn’t the weirdest one out of your seven months of pregnancy.

your fiancé turns on the kitchen’s lights, scratching the back of his neck as he walks around the kitchen to gather the ingredients.

he grabs two bowls from one of the drawers before turning over to the fridge and opening it. he grabs the vanilla ice cream container along with his oatmeal and the milk.

atsumu places a good amount of oatmeal into his bowl before pouring some milk on top and putting the bowl on the side.

he then begins to scoop out some vanilla ice cream, placing it in the second bowl before grabbing the olive oil. he pours a trail of the oil on top of the ice cream and sprinkles some sea salt on top.

the blonde-haired boy wipes the kitchen counter, cleaning the small mess he made, and puts the ingredients back in the fridge.

he grabs both the bowls, along with two tablespoons and walks back to the living room.

“here ya go, pretty girl.” atsumu announces with a grin on his face as he hands you your bowl and a spoon.

he slides on the skandi couch right next to you and digs into his oatmeal. he glances over at you, his grin widening as he watches the pleased expression on your face as you savor the ice cream.

“do you want to try it, ‘tsumu ?” you ask as you look over at atsumu, pointing to the mixture in your bowl with your spoon.

“nah, i’m not trustin’ you with that.” he shakes his head, a loud laugh escaping him.

safe to say that you were pissed at him after that, which only made him laugh more.

[coddda]

Hiiiiiii. Episode 25/26 lawlight analysis rant thingy here. I don't know how to write an intro for this so let's just get to it LOL

I think one of the reasons that the rain/foot scenes stick out so much (the. Sheer insanity of a Foot Massage Scene in an anime revolving around two guys trying to kill each other aside 💀) is the fact that the anime specifically suffers a bit in terms of adapting a few of the "emotional" moments in death note.

And I don't mean "emotionally impactful" exactly. For example I think the adaptations of scenes like Raye and Naomi's deaths were very impactful and the atmospheres of their final scenes were great, but I mean more from a characterization standpoint (if that makes sense). Being more focused on mind and logic games, Death Note as a whole isn't as invested in individual characters' deeper feelings as it is in its action (which isn't necessarily a criticism per say, it's simply part of the nature of a mystery thriller series). But just because they're fewer and farther between doesn't mean there are none at all. In the manga we do get to see, for example, how much Light actually cared for his family and especially Sayu, and how he actually felt more conflicted and suffered lack of sleep/appetite when he first used the Death Note.

The anime specifically as an adaptation is pretty good at adapting the main mind fuckery and action of Death Note, but its lacking in properly adapting scenes like the ones I mentioned above is a criticism I see somewhat often, and it's pretty fair imo. Compared to all the other adaptations, it certainly seems to fall short on an emotional level: the musical has entire songs going in depth about the characters feelings and relationships, the 2015 jdrama is. Insane and has its emotional moments in spades (because it's a TV drama, which are more focused on portraying emotional conflict and the like), even the 2006 movies has its emotional beats and L Change the WorLd is. Well. Oh Man.

Anime Light to a lot of people is like. Light but he's "already evil" (which I have my own thoughts on but I digress). Light but after using the Death Note for like 2 minutes he's already like "fuck yeah time to kill criminals". Basically the anime doesn't take as much time to delve into his less cynical sides or really delve into his already vague and harder to decipher feelings in general, he is noticeably colder from the get-go here, etc.

But that's part of why I think episode 25 manages to stand out so much tonally (apart from it being, y'know, the episode L literally Dies). I love the episode so much and could probably rant for hours about how much I love the artistic choices made in it but what I'm trying to get at here is that it's one of the very few moments where the show tries to go deeper into specific character's emotions, and one of the very few moments where the show Attempts (emphasis on "attempts" because, well, you'll see in a bit) to get more in-depth into Light's feelings apart from his cynicism/apathy/justice. ness.

L in these two scenes in episode 25 is, well, pretty damn open about how he feels. It's usually interpreted as him knowing that he's going to die, and you can see it. He visibly looks/sounds lost, somber, etc. He never really had much to hide around Light to begin with (since he doesn't really care about hiding himself the same way Light does) but especially not now and it Shows, and I personally thought it was pretty cool to delve into his thoughts/show how he feels this way. The somberness can be felt throughout the entire scene, even people who don't already know the plot of Death Note from the manga could probably tell that he's about to die.

In the manga, once L starts suspecting Misa again and Rem realizes what Light is trying to do, it goes straight to Watari and L's deaths, but the anime instead gives a distinct and unexpected pause in the middle of this where L contemplates his own death. It's fucking great, and the shift from straight action to slower emotional weight makes these scenes stand out a lot, since, like I said, the show usually focuses more on the former. But it's kind of ironic, too.

Not only does the anime open up L's feelings more in these scenes, but it also tries to dig deeper into Light's feelings as well through L. And it's really funny honestly because while, yes, these are the more "emotionally open" scenes of the anime Light still manages to be Incredibly avoidant and contribute almost nothing to the entire ordeal.

L is visibly upset -> "Yeah Ryuzaki, you're not making any sense at all" (Not addressing the obvious conflict from L)

"Tell me, Light. From the moment you were born, has there ever been a point where you've actually told the truth?" -> "[The most stale, over-explained, avoidant answer to a "yes/no" question that you could ever hear + blatant attempts to reframe the question]"

(L's half-smile here kills me) "I had a feeling you'd say something like that" -> [Nothing]

"I'm sorry" -> [Nothing]

"It'll be lonely won't it? You and I will be parting ways soon" -> [Nothing]

^ From this point Light continues to say literally Nothing for the rest of the scene. I'm not even joking, from then on the rest of Light's voicelines are reduced to nothing but vague noises of confusion.

Everytime L calls Light out as a person ("Has there ever been a point where you've actually told the truth?" / "I had a feeling you'd say something like that." / "Won't it be lonely?") he doesn't actually acknowledge anything. Out of those three lines, he only answers verbally to if he's ever told the truth, and even then it's the most blatantly people-pleasing answer ever, as it usually is with Light. And I don't think it's because Light just. Doesn't care about any of what L's saying at all, or that he doesn't know what the hell he's talking about (questioning Light's authenticity as a person, saying it would be lonely when they part), instead he's choosing not to acknowledge any of what this means about himself or him and L at all. He's like a fucking wall.

And like, for the truth question in particular, the show makes sure that you know it's not something that Light just. Doesn't care enough about to answer. The hard cuts to silence are a very rare but extremely effective way that the show conveys an extremely important moment (see: Light regaining his memories, Matsuda noticing Light opening the warehouse door before he escapes (not as much of a "direct" cut to silence but still)), and cuts to multiple angles/framings/zooms of the exact same shot are also used for the same purpose (see: Light hugging Misa when she was crying, Matsuda aiming his gun to shoot Light, Light regaining his memories Again). Just like the scene where Light gets his memories back, the moment L's question finishes the show utilizes both. That question cut Deep. There's is a solid Almost 5 seconds of silence before the sound of the rain gradually starts fading back in, and honestly that should be telling enough as is (but of course Light doesn't actually admit that. Or anything at all really, so). Oh also another fun detail! We do not see Light's face At All (except for the shot where you can see his mouth moving but not his eyes), for the Entire time that he's going on his spiel to L. We Will Be Revisiting This Later, by the way. This is not, in fact, the first time you're going to see this detail from Light.

The only sort of reciprocation that we see from Light during Any of these two scenes is when Light dries L's hair while L dries his feet. Biblical meanings/references aside it's interesting because it's the only time he directly does anything "for" L in these scenes, but even then he doesn't try to pass it off as anything meaningful really the same way L does ("You're still soaked", a purely neutral and factual statement. It doesn't Add Anything compared to L's. Sin atonement loneliness grieving stuff. While Light is showing his own reciprocation to this more personal moment he also tries to keep it impersonal enough that it doesn't actually have to mean anything deep). And when L says "I'm sorry" after he once again gets no response from Light. It's also after this that L gets that pained look on his face, like he knows that at this point he's not actually going to get anything meaningful from Light (again, very significant and rare from L in the show. We've seen him in distress (see: when Ukita died, hell, when Watari dies), but even then he mostly manages to keep his usually neutral expression), we never see him "look sad" like he does here):

I just think it's interesting that this is one of the few scenes in this particular adaptation of Death Note where they try to open up the character's thoughts/feeling (especially considering the fact that they. lowkey blunder in adaptations of original scenes from the manga), and L himself is being rather open (not that he ever really tries to hide what he thinks nearly as much as Light), and yet all Light contributes to it in return is like. Actually nothing. Bro fumbled it. There is no resolution to any of this, to any of what L asks at all, to any of the many opportunities for a meaningful conversation, and the only thing even relatively close to an answer that you can get from Light is what you can infer from how he acts in the episode after L dies, where he's just going through the motions, but hardly acting as if he's actually living at all.

(Honestly I think the transition from this scene with the taskforce to the subsequent scene with Misa says enough on its own. Light's expressions and tone says everything:)

(Oh sidenote but. This shit again:

"Light, this is our first date in forever. can't you enjoy yourself a little more?" ('Why don't you seem happy? We can finally be together since L is dead') -> No response, Light instead changing the topic to him wanting to move in with Misa without changing his mannerisms at all

Also there's that one detail again. You pretty much don't see Light's expression when he speaks here at all, except for one shot of his eyes, which is quite literally the exact same shot they used when he "saw" L, just altered for the new setting. You have No idea what he looks like when he's responding to Misa, although it's probably fair to assume that it's the same empty stare he has for the whole Two Shots where you can clearly see his whole expression in the entire scene.

Something something Light Yagami bad at feelings I think you get the point though)

I guess Light's Kind of showing what he's feeling now? He'll admit to himself that it's boring without L, but no more than that. Light never actually admits to anything "significant", and L's dead already anyway, so what would that even do?

And then we get, uh. Basically nothing from Light. For the next 5 Years. Except that he joined the NPA, so, uh, yay? Good job, Light you totally nailed it! Thank you for allowing us as an audience to delve deeper into your inner thoughts and feelings as a character so we can find out more about you as a person! Very helpful! Thank you for not sabotaging one of your few dedicated opportunities to look into yourself as a person and reflect on your relationships with others and being 100% honest with yourself! We stay winning guys.

Anyway, this got way too long for a scene that's over a decade old, and I've probably just said everything that everyone else has already said in this fandom before. But unfortunately this has been living in my head for way too long and I must scream. I just think this episode's neat is all :)

tl;dr Part of the reason why the rain/foot scene (tbh episode 25 in General) stands out so much is because the Death Note anime specifically was a bit robbed in terms of its more emotional character moments compared to the other medias, which makes more somber/introspective scenes like the ones in episode 25 stand out a Lot in comparison. But it's also incredibly ironic because it's one of the few moments where the show (or specifically L) tries to look deeper into Light's character, but because he is so avoidant for the entire duration of these two scenes he adds basically nothing at all. It's almost funny. Mostly sad. It's also very gay. Aand post

Okay actually nevermind one more thing I talked about how the jdrama is supposed to be more emotionally in-depth because it is a TV Drama and just for the record, same thing happens there! I could probably do an entire analysis of the Blue Scene in this context like I did with episode 25 but I'd literally be here forever, so uh, just take this iconic line as my main example:

Same Thing. L's statement "I wish we could have met some other way" is personal. It's his own wish, his own regret that he is expressing to Light. While Light's reply obviously has that same regret implied it's also phrased in a specifically impersonal way. It's closed off. "This is the only way we could have met" it closes off the topic and simply renders L's wish as ultimately futile. Light does not say that he Also wishes he could have met L a different way even if it was likely impossible, instead it's a cold statement of cynical fact.

Idk just. Something something L being able and Willing to be more openly sentimental/emotionally open towards Light/about Light vs. Light's inability to be honest with anyone including himself and his own nature preventing any form of meaningful reciprocation. Something something self-sabotage, y'know the drill. God don't even get me Started on how sincere L's tone is when he says "It'll be lonely won't it?"(at least in the eng dub) in the anime I could talk about his tone in that scene for ages. Also yes all of this relates to L Change the WorLd too by the way. Don't ask how it just does okay.

I do think that scenes like these (rain/foot scene, The Blue Scene. Uh. L Change the WorLd The Novel Adaptation) show, at least in those adaptations, that L does genuinely care for Light, and show that he values him as a friend not just in the mindgame-equal sense but also just like, a more sincere sense you know. Idk if that made any sense and that's a whole other topic for another day but you guys just have to believe me on this one alright please please believe me buries head in hands. Okay post over finally thanks for coming to my tedtalk hope you enjoyed my very-unnecessarily long analysis of the week

[cluescorner]

I cannot imagine being a Damian stan right now. You've got both Zdarsky's bullshit (where he clearly doesn't give a shit about your boy) and The Boy Wonder (where Juni Ba clearly gives so many shits about your boy) coming out on the same day. The whiplash must be insane. I hope y'all get some nice warm soup for your efforts jfc

[swagging-back-to]

worst trope is found family separating as soon as the antagonist is dealt with.

[thaliagrayce]

y'know what we don't talk about enough? Hazel died. We talk about how she grew up in the 30's and 40's and we talk about how out of place she feels in the modern world, but! She died! She was dead! She has spent more time dead than alive, and not by a close margin!

How does that effect a person??? We got some of it in the flashbacks, but once those caught up with her present timeline and she shared them, they just kind of... disappeared. And she was a regular girl with some weird past experiences. That's one way of doing it, sure!

I think it would have been a lot cooler if she was just a touch creepier. If she felt a little bit Wrong. Yeah, in general she's more approachable than her brother, she's more sociable and less closed off, but. If you actually spend any time with her, it can be difficult to tell which child of the underworld is actually more unsettling.

Hazel is bright of personality and has a dazzling smile, but sometimes she'll just... shut down. She'll go completely blank for like half an hour and nobody knows what to do with it. Sometimes she forgets she's alive. Sometimes she'll spout the grimmest shit you've ever heard like it's nothing, she won't even notice it's weird until the room goes quiet. She spent decades in Asphodel, which is designed to make people forget about themselves and wander around for eternity, only she didn't have the luxury of forgetting! Wild! After she comes back to life, sometimes she forgets that she's allowed to Do Stuff now. She can spend so long sitting and staring at nothing. Sometimes she'll start crying on cloudless days because it hits her again that she can actually feel the warmth of the sun on her skin and she can hear birdsong. Every little mundane experience is a blessing and she will make you remember that in the most foreboding way possible.

[djuvlipen]

Just went back to read this and it had me sobbing and crying at every line and I am deadly serious when I say that

[vinkandpaint]

idk my bff rose

[deoidesign]

I was scrolling and saw your art and it made me really happy because I realized you made time and time again!!!

It’s literally one of my favorite things I’ve ever read, so cool!!!

This is so sweet, thank you for sharing!

It's sort of "illusion breaking" so to speak, to think of my art being both out there in a way that someone could happen upon it, and then further that someone may happen upon it twice, and finally that on doing so they find it recognizable...

I always think of myself and my work as something that sort of sits behind the curtain. The idea that it might take up space in this way is unreal!

This is the kind of thing that means more than you could imagine.

So thank you!

[greenerteacups]

What do you think as Hermione's career would be post battle of Hogwarts? To me her being minister for magic really doesn't make sense. She does not have patience or tact to wade through murky waters of politics 😭😭

So hard to say! The Trio are so, so young when we leave them, I find it almost impossible to project their futures farther than a few years out. The job that suited me at 17 would be radically unsuited to me now. That's why of all the Trio, Ron's ending strikes me as the most realistic — he jumps straight into the save-the-world business again, burns out, realizes he's actually Done The Fuck Enough, Thanks, and pivots into a low-stress career where he gets to see his family a lot. Feels accurate! The others are weirder to me because they do seem to just... pick a lane and stay there.

With Hermione, you could spin her a couple ways. You could say that she leans into her bookish side and does research or teaching, which is not my preference for a couple reasons (namely, I don't think Hermione would like academia as a profession; she finds her classwork interesting and enjoys intellectual validation, but she'd be stifled and wasted in a DPhil program, and she'd be infuriated by the administrative politicking of your average higher-ed faculty). You could say that she gets disaffected with politics and ends up as a barrister or a lobbyist of some kind, but if anything that requires more political finesse, because you don't actually have institutional power, you're just handling the people who make decisions and trying to persuade them of your goals. This is not Hermione's preferred method of influence. She's not even particularly good at persuasion, she just happens to be smart enough (and right often enough) that people take her ideas seriously.

Or you could say her brashness fades with the years into a softened flavor of tell-you-like-it-is honesty, which some politicians actually do successfully trade on; as we see in British politics today, you don't have to be all that charming or clever to get ahead, you just need to be really driven and well-connected (which Hermione completely is; she fought shoulder-to-shoulder with the first postwar Minister and her bestie, the Literal Messiah, runs the Auror Office.) But I don't know if Hermione especially wants to be Minister, after the war. She's just watched years of horrendous bureaucratic incompetence plunge the country into a violent civil conflict. She's had not one, but two Ministers of Magic try to bully or shame her friends into complicity with fascism. Her view of government is... likely extremely dark.

But Hermione also isn't the kind of person who sees her life as a quest for happiness. Babygirl has a savior complex that makes Harry look selfish. (She basically kills her parents — yeah, obliviating is a form of murder, #changemymind — "for their own good," and justifies every batshit, vindictive, mean-spirited move she ever pulls on the grounds that it "helps" one of her friends.) She is a mean, lean, dragon-slaying machine, and she needs a dragon. After Voldemort, the Ministry is the no. 1 threat to muggle-borns and non-wizarding Beings. As a war heroine with basically infinite political capital, I'd be surprised if she didn't try to do something there. That said, Hermione is so vivacious and dynamic that she could potentially grow in a hundred different directions; it's possible that all of this, while true of her at 18, becomes completely inaccurate by 22. That's why I'm not too fussed about any particular fanon interpretation.

[klainelynch]

I love fandom because seeing other people get so excited about the things they create and my engaging with those creations makes me want to create more too. Part of me gets nervous when I feel this way because I've felt it before, and then have tried to level up, and I've fallen flat on my face more than once. And part of me is nervous because I've become less confident in myself in so many aspects of life, and whereas I used to be better about creating for me, I'm now more emotionally dependent on validation from others. But still—I love being a part of fandom, and there's no feeling like being able to add something of my own creation to it.

[taegularities]

no but i truly mean it when i say this is gonna be the angstiest year on taegularities so far bc looking at my long roomie jk wip im like.. 👁️👄👁️

why am i doing this to us

[okitanoniisan]

new rgg fans will never know what they missed back in ye olden days of the fandom (like, 2019), doubly so now that scott strichart's deleted his twitter and jon riesenbach's privated. twitter was so fucking fun and then whatever-the-hell at sega of america happened and caused a fucking snowball effect and now we have shitass localization and resulting discourse that makes every release nigh unbearable, misinformation, confusion, people complaining about "bad writing/mischaracterization" not realizing it's because of the shitass english loc, i'm sitting here like jesus christ these loc bitches massacred saejima's character voice, people will never see him as he was intended, as original yakuza 5 localization Correctly painted him, and now they're coming for kiryu. god help us. we used to be a proper fandom. before everyone was subjected to the remastered localizations and shaky eng characterization. no one had even played yakuza 3-5, people still called morning glory "sunshine" orphanage, kiryu was our only protagonist and people still called him "boring", it was beautiful...

anyway gaiden uses affective instead of effective because the current localization team is full of careless dumbasses who don't give a fuck about ensuring they're using correct english grammar and this is not an isolated incident

[oldtvandcomics]

Book Shout-outs for Pride Month #1:

Ever wanted a series of lesbian superhero romances, all stand-alone, but set in the same universe and building off of each other (think Phase 1 MCU)?

Hearts of Heroes series by Molly J. Bragg. They're more romance than superheroes, but once you know what to expect it's GREAT.

Scatter is about a US Deputy Marshal who gets promoted to work with the team around the superhero Focus. From the first moment on, there is something strange between her and Focus, but only when she accidentally time travels back to the early 90's begins she to realize that she may be Focus' mysterious long-lost partner, Scatter.

Transistor is about a woman who gains superpowers because the doctors forget to deactivate the supercomputer used in her gender-affirming surgery. It only really becomes an issue when an angry angel comes after her neighbour and long-term crush, very determined to kill her.

Aether has a disabled protagonist, who dies when the building blows up during an experiment. Luckily for her, her consciousness gets somehow preserved, and she gains extremely strong powers. Now she just has to stop the guy who caused the accident from doing it again...

Rhapsody isn't out yet, but based on the summary, it is going to go more into the dragon side of the lore.

[nomidreams]

god i finally watched new episodes my honest reaction is jgiwoaoKzmxmkwkakkak

[mdemn]

being in the mafia fandom is so freeing because you don’t ever worry about what you’re saying landing with people. it’s like the fandom’s Thing for each member to say something wildly incomprehensible to the next person yet we all just nod our heads and agree. we all worldbuild lore. it’s like a fandom of ocs. a sim family if you will