#and with this now i have a gifset for each arc individually ^.^ such a wonderful show deserves no less

[dyingfad]

Mononoke (2007) Zashikiwarashi arc

[whumpofalltime]

whump of all time

SEMIFINALS!

Find links and propaganda under the cut. Quarterfinalist and later match-ups are untagged, so your votes and reblogs matter!

Once Upon A Time:

(gifset 1, gifset 2)

"There's blood, wounds, captivity, bondage, a slow-dipping-mechanism, a big rescue, and excellent acting by Colin O'Donoghue - who delivers the tiniest whimper and the most delectable of trembles for our whump-loving eyes to devour!" ~ @killian-whump

"[...] Killian was BROKEN. Absolutely and heart-wrenchingly devastated. He was tortured within an inch of his life (… or death, I guess) and practically left to slowly drop into a pit of eternal despair.

Killian was not easy to break. He would get injured and get back up with a sneer and an "I'm alright love you should see the other guy".

But to reach that point? The point of telling Emma she should have kept herself safe instead of saving him from this torment, to hold on to her like she was his lifeline, to SMILE that small smile from the first bit of hope he'd gotten since he ended up there?

The relief upon watching this episode for the first time was visceral. For two episodes we knew Hook was being tortured, we saw him try and fail to limp to safety, we saw his resolve and defiance desperately hold on, we saw him accept his fate, we saw him preferring to be tortured further than hurt his friends… And then he got saved! And he had no witty comeback, no effort to hide his pain. He just fucking collapsed in the arms of his beloved, of his saviour, and held on for a moment to realize that it was real, she was there, he was finally safe.

Add to that some amazing, jaw-dropping, emotional acting by Colin O'Donoghue, how can you get any better than that?

Anyway vote for ouat. Because this whole torture mini arc existing is probably what caused a chain reaction of me understanding and accepting I love whump, so. I wouldn't be here torturing blorbos if it weren't for it 🤣" @piracytheorist

"god tier acting" ~ @caliburn-the-sword

The Young Blood Chronicles (Save Rock and Roll's music videos, Fall Out Boy):

(link)

"Everyone gets bloodied, bruised, beaten up, tortured, rescued, limbs are amputated - it's brutal. Alone Together is particularly strong."

sorry for being late, but you want YBC propaganda? then you're getting YBC propaganda. I know you're a FOB fan, but I will be writing this for the benefit of those who don't know what YBC is, for better propaganda purposes! and yeah this is gonna be LONG. sorry.

So! The Youngblood Chronicles (shortened to YBC) is a series of 11 music videos made by the band Fall Out Boy, for their album Save Rock And Roll (you know this album, it's the one with My Songs Know What You Did In The Dark on it). The whole thing is quite short, less than fifty minutes long (even shorter if you don't count the uncut version's credits!!), and every single music video has some element of whump in it. This propaganda is gonna break down each individual music vid, and at i'll also talk a little bit about the irl context the album was written in, and why even THAT can be a little bit whumpy if you're insane like me!

(note: i'm going in the original release order over the uncut order, hence why i'm starting with MSKWYDITD instead of The Phoenix)

My Songs Know What You Did In The Dark: Arguably the least whump-y out of all of them, but man, seeing all of Fall Out Boy's discography and memorabilia be burnt while people are dancing around the destruction? Man, when you know the real life stuff (the reception the band had in 2009, leading to them to take a three year hiatus)... and at the end, you see four guys bound in the back of a van!! And that van is getting burnt!! Burn everything you love and burn the... ashes.

The Phoenix: NOW here's the first of MANY whump tastes you'll get. Patrick Stump, the singer/cutie of the band, gets kidnapped, tied to a chair, has his hand CHOPPED OFF and mailed to his bandmate/best friend Pete Wentz, then gets tied down and utterly tortured by women who are laughing at his misery the entire time, getting prodded and stabbed by tools for... well, you'll see. By the end of the video, Pete and the other two members of FOB (Joe Trohman and Andy Hurley) have been kidnapped by these mysterious women too, with Pete specifically getting kidnapped by the blonde woman he was in bed with when Patrick's hand got delivered to him. If you enjoy cute boys getting tied down, covered in blood, and writhing around like worms while getting tortured... well you'll enjoy all of YBC but specifically you'll enjoy this!! I did :D! The war is won, before it's begun, release the doves, surrender love...

Young Volcanoes: Good news, FOB has been reunited! Bad news, by the women who dismembered Patrick! And now all the band members are tied to chairs, hooked up to IVs full of god knows what types of drugs, and blindfolded (all except Patrick). They are then forced to drink, snort hard drugs, and are force fed Patrick's organs! Yep, all four of them are forced to eat their lead singer's guts, and are so fucking drugged up they don't even realize what's happening (and now you know what the women were doing to him in the last mv, and you even get a nice little shot of the hack job of stitching him back up)!! Patrick hallucinates everyone having fun, but of course, at the end, all of them are knocked out because of the drugs. Americana, exotica, do you wanna feel a little beautiful baby?

Alone Together: This is the song the OG propaganda mentioned, and for good reason. All four of them are shipped off into little personalized torture rooms, and, well, tortured! Pete is able to break out and even steals the hook from the girl who was torturing him, but little does he know that'll be his own undoing... also, in general, this song has some whumpy elements, specifically the line "my heart is like a stallion/they love it more when it's broke-in"... but notice how easy it is to hear "broke-in" as "broken"! At the end of the video, Pete is at least able to find Patrick (Joe and Andy have NOT been having a good time, either!! But sadly, they aren't found by Pete, but Pete DOES find Big Sean), and is even able to attach the hook to the stump (ha!) where his hand used to be. But something is clearly wrong with Patrick now. His eyes are yellow, and as the song ends, we hold on him, sneering and twitching. This is the road to ruin - and we're started at the end...

The Mighty Fall: First off if you say this is the worst song off of SRAR I will hunt you for sport. OKAY ANYWAYS, chronologically this comes after MSKWYDITD, and yeah, the four guys are the members of FOB. Pete is able to free himself with Patrick's new hook hand, and is able to get the other three out while Pete is hacking up a lung from the fire they just barely escaped. But they're not done getting their shit rocked yet. A gang of children show up (the leader being the kid Patrick waved at right before he was kidnapped back in the Phoenix MV), and proceed to separate them and beat the living shit out of them. The leader kid who's chasing Patrick plays something on a boombox... which triggers Patrick to go yellow-eyed again (from here on out i'll call it "going Youngblood" or "Youngblood self"). It was confirmed in the commentary track that ANY music would cause him to go Youngblood. And knowing Patrick IRL fucking loves to create/compose music... yeah! Take something he loves and turn it into something that drives him insane!! I'm normal!! And also the irl parallel you could draw to his solo career doing the same thing to him (on a less uh Dramatic level but you know)!!! Ouch!!!! Big Sean is able to save Patrick, but at the cost of his own life (and a killer rap verse... HELL YEAH I'M A DICK GIRL, ADDICTED TO YOU). Oh, how the mighty fall in love...

Just One Yesterday: The last vestiges of comfort you're gonna get for a WHILE. The four are separated, getting even more beaten up, Pete vomits up a snake, Andy gets his shit rocked by a homeless guy, Joe has to use white sheets as a makeshift tourniquet bc his leg got fucked up in The Mighty Fall MV, and Patrick is picked up by a kind stranger (hi Foxes! you have a very pretty voice! PLEASE KEEP YOUR HANDS ON THE STEERING WHEEL!). And finally, finally we get a hope spot. Fall Out Boy is reunited (the part where Andy just grabs onto Patrick's arm, in disbelief they're both alive... augh!!! AUGH!!!!), and for a moment, it seems they've been delivered to a hospital... before Foxes' eyes go completely black, looking at Patrick... and turns on the radio. She's able to trigger the Youngblood. And now Patrick is gone. The other three scramble into the hospital, Patrick not far behind, determined to kill them to stop the noise in his head. If Heaven's grief brings Hell's reign, then I'd trade all my tomorrows for just one yesterday...

Where Did The Party Go: Patrick, now fully consumed by the Youngblood brainwashing, is now stalking his bandmates in a hospital. Patrick is seeing visions of the hospital as an abandoned party, Andy has to painfully disinfect the wounds he's gotten, Pete is able to call for the police, and Joe... oh, poor Joe. He barricades himself into a room, but not well enough. Patrick finds him, and kills him, slitting his throat with the hook hand, showing no remorse at all... until Andy and Pete find them. The Youngblood wears off, and Patrick looks to what he's done, and is horrified at what he's done to his friend. And, bad news for him, the police are here, ready to arrest the murderer. All Andy and Pete can do is watch as tears roll down Patrick's eyes. And for the extra IRL context, this was the first song written for the album that made Pete and Patrick realize they had to get FOB back together... so lets match that with a music video where the member who helped get the band together in the first place dies. By the hands of the kid he found. Let's fade away together, one dream at a time...

Death Valley: Joe gets... uh, a little comfort? I mean, he thinks he's getting sent to heaven but goes to hell, buuuuut I think doing drugs in rock and roll hell with Tommy Lee is actually a pretty sweet deal, better than the deal the other three got! Pete and Andy are being interrogated while Patrick is in a jail cell. We find out that the cult that kidnapped them, Silence the Noise, is lead by Pete's girlfriend from WAAAAY back in the Phoenix MV, Courtney Love. And at the end of the MV... Patrick is bailed out of jail by Silence the Noise. They have him again. And this time, they're not gonna let him walk out until he's fully under their control. 'Cause tonight it's just fire alarms and losing you...

Rat a Tat: Silence the Noise has Patrick, and they utterly brainwash him, A Clockwork Orange style, with electroshock stimulation to keep him from looking away or closing his eyes, until there is nothing left. Patrick Stump does not exist anymore. Only the Youngblood, pliant under the control of Silence the Noise, tasked to destroy what he once loved; music. Andy dies at the hands of the cult, and now Pete has to protect a briefcase, the thing that got them into this mess, and keep it away from Silence the Noise, all while his best friend hunts him down. Are you ready for another bad poem?

Miss Missing You: THE WHUMPIEST OF THE WHUMP. What if we were best friends but you've been driven insane and I know the only way to stop you is to kill you and it was my fault you got into this mess and I was the one who gave you the weapon that will be my own undoing. What if we both died at the same time. What if we died, both of us failing the mission we had before us. What if that was a reference to one of their first music videos. What if this song was originally written for Patrick's solo album but he realized it was more of a Fall Out Boy song so it was scrapped until now. What if there's a legit argument to be made that half the lyrics for this song was written by Patrick. What if we were both boys. Grips walls, yeha i'm normal. If you don't watch ANY other music vid, watch Miss Missing You. Sometimes before it gets better, the darkness gets bigger. The person that you'd take a bullet for is behind the trigger.

Save Rock And Roll: And our final track gives us a final bit of comfort. Patrick is able to overcome the Youngblood, and gets into heaven, where all of FOB is finally, finally reunited. God (aka Elton John) gives them new instruments and brings them back to earth, so they can do what they love; play music together. Which just so happens to release people from the control of Silence the Noise! But, because we can't have nice things, a cult within Silence the Noise got a hold of the briefcase, and summoned a spirit that starts to kill everyone. FOB stands together, and blasts the evil spirit, the blood coming up to the gates of heaven and covering Elton John in it. And... that's how it ends. No true resolution. Just Elton John covered in blood, as the song fades out. Oh, no! Wherever I go, go! Trouble seems to follow! I only plugged in to save rock and roll!

UH. AGAIN I APOLOGIZE FOR THE LENGTH. but i really wanted to express just how much WHUMP they manage to fit into less than fifty minutes, all backed by an amazing album colored by the three years they were apart. colored by how they grew, colored by how bad the hiatus was for Patrick specifically, colored by how Confessions of a Pariah got Pete to reach out to help him, and this album came out of it, Fall Out Boy came back out of it, and now here we are, ten years later, with the title track being performed every night for their concert, with all the band singing the final lines together, and the line you are what you love, not who loves you hitting every single night.

SORRY. LISTEN TO FALL OUT BOY. thanks for letting me rant.

[thiscoldheart]

sydcarmy braindump

one of the things i noticed as i've been posting gifs of the bear s2 is that there is a LOT of support for sydcarmy...which makes me comfortable enough to share some thoughts about them and their future ☺️

back when only s1 was out i thought i was crazy for seeing romantic undertones and largely kept that to myself. i was happy to see this dynamic go either way (platonic or romantic) back when it was more ambiguous in s1 but now it's becoming more obvious, isnt it? seeing that literally everyone and their mother is picking up on these not-so-platonic signals makes me feel less alone.

i'm just praying we don't go the ted lasso route where the showrunners bait us with tedbecca endgame only for it to mean nothing. i would much rather that this relationship remain platonic, wholesome and complex than to be fooled and constantly misled. if anything i hope this goes more of the mentalist route where our main leads jane and lisbon spent a lot of time as just co-workers, only to eventually end up as a couple in the final season. in this scenario, we still get to have the 'will they/won't they' build up and thrill, plus we also get to spend some time with them as a couple when they're ready for it. their dynamic is tested countless times but they always go back to each other throughout the seasons, stronger and closer than before.

i don't understand why there's such a loud and vehement response against this ship online and i won't even bother to. if the ship becomes canon, it isn't bad or lazy writing, its just a natural development that we can trace all the way back to s1. and if they remain platonic, then ohh boy that's gonna be fun to unpack. i think if they decide to keep them platonic just because "you don't see it often on television", then imo THAT'S lazy. there's clearly potential here and it would be a shame to see it go to waste all in the name of being different and edgy. this show still stands out amongst so many others because of its writing, directing, character studies, premise, etc. so leaning into a romance would not be a disservice to the story/writing in any way, unless syd and carmy are reduced to only being love interests. i wouldn't be too happy about that either because both characters are so fully fleshed out and have their own pasts, presents and futures that they need to work on together, but also individually too.

but hey that's just my opinion 🤷‍♀️

despite all that i guess all i really hope for, more than anything else, is that we get satisfying stories and arcs for our bear fam 🙏🙏 i don't want my expectations to be sky high so i will remain cautiously optimistic 👍

p.s. thanks for all your support for the gifs! if you have any suggestions for gifsets, pls hit me up because my well of ideas has run dry 🥲 let's see what the next season will have in store for us 💙

[jojameswinter]

From 3x10 I was surprised to see Mike & Anna still present in some way. Like-"I don't ever wanna see y'all on my screen again." But the more time passes I feel more open to the possibilities:

-Kiara struggling with the punctured relationship between her & her parents;

-They could just be lingering around (similar to Luke theory).

Any of this could be an interesting story point in Jiara's arc (& individually) next season. Realistically Kiara not immediately cutting them out makes sense, as annoyed as that makes me (I know cutting toxic ppl out is a mental tug of war w/yourself). And the history of JJ & his dad could be interesting to relate to Kiara's own personal struggle, he could help her through it, & maybe it'd even cause tension between them because of the difference in reactions towards their parent(s)/ how their upbringing & how they choose to go forward impacts their relationship

It was a bit jarring to see the Carreras going from arranging Kie's kidnapping to cheering in the audience! And it seems like the editing wants us to think that she's smiling at them/they've patched things up in the 18 mos. But obviously, this was not clear/explained so they could really take any direction they wanted.

I really hope they do not gloss over what happened between Kie and her parents! This was a massive betrayal and there's so many layers to the fracturing. Kie and her parents - what they did/their struggle to understand who she is; JJ and Mike. Kie is going to choose JJ's side, always - and he's a huge part of her life, becoming even more so. We need to see how they are going to make peace with each other, IF they are going to make peace with each other.

You make great points! It can be hard to cut out toxicity, especially when it relates to your parents - we see JJ struggle with that same thing (different circumstances, obviously). It will be an interesting narrative to see how jiara leans on each other as each other's family and how they let go or let in, depending on the circumstances. I don't think Kie will forgive her parents right away. Despite how contentious things are with JJ and Mike right now, I could actually see JJ being the one to help mend fences. I don't think he gives a shit about anything except Kie's happiness, so I think if he sees her hurting in any way not having them in her life, he might try to help that. I could see Anna going to JJ in an attempt to be in Kie's life. She seemed like she was really trying and I think she will be very regretful about what went down. She also was trying to tell Mike "don't go there" when he was going off about JJ and his father.

beautiful gifset by @lydiaas ❤️

[literateleah]

the paradox of emily prentiss�� audience perception and character design

some of y’all about to be real mad at me, but it must be said:

emily prentiss’ character design makes no sense: my personal opinion + an objective analysis

i think it can be challenging to separate the versions of characters we have in our little brains from actual canon content, but doing so is important for understanding what those characters are truly like, especially within the context of their environment and in contrast to others around them. plus developing a deeper understanding of the media we consume is super fun and interesting! with that being said: emily prentiss should not work for the fbi and here’s why (in three parts regarding who’s responsible: cbs, paget, and fans) (sit down and grab a snack i promise this is over 3k words)

quick disclaimer: i don’t dislike emily at all! that’s my girl, i just looked closer and realized some funky things the writers did and felt the need to analyze her of course: so let’s get into it

part one: what cbs did

cbs set the stage for emily’s introduction on the heels of the departure of lola glaudini as elle greenaway! lola has clarified that she decided to leave the show because filming in los angeles was not the best environment for her personally, and after one successful season on a major network (but not much established long term plot or drama beyond elle’s departure as a character) a consistent ensemble cast was required- particularly because the bau had been criticized for being predominantly male in the first few episodes of the show and not much development was given to penelope or jj yet. enter emily prentiss.

for the duration of seasons 2-3ish, emily was framed as a chip off the block that was elle greenaway, just slightly…richer? in her first few episodes emily was hesitantly polite but ambitious, clean cut, intellectually concise and held her own within the team. she seemed equal parts intimidated and frustrated by her male superiors (gideon, hotch) but certainly proves herself among other profilers. her childhood was explored only within reference to her strained relationship with her mother (which was only ever referenced once more after the fact) and we received a short overview of her educational and career history in her first few episodes. emily fit right into the hole elle had left, and didn’t have many major storylines yet.

seasons 4-6 brought a bit more development and depth to emily’s character! she begins dropping more snarky remarks, one liners, and socially deepening her relationships with the other team members. this seems more within the lines of elle’s design, but emily arguably took more time to grow into her place within the team. during the foyet arc she was vulnerable and supportive, and the doyle arc gave her some independence and agency she didn’t have previously. this era also solidified her appearance and persona as more edgy, which falls in line with general fanon perception of her character (especially when compared to jj or penelope). i can’t address this era or season 7 without mentioning that cbs was actively trying to remove paget from the cast, similar to how they did to aj cook as well. paget has spoken about this instance before, and i believe it slightly affected her portrayal of her character, and “lauren” was somewhat of a goodbye for both paget and emily (thus why she wished for mgg to direct since they were best friends).

season 7: in my opinion, one of the best seasons for emily. she was wisened and deeply wounded by her experiences with doyle, which was understandable of course. she returned to the team she loved and learned to appreciate life in a different way, remaining mature during this time period as well! though her departure was a bit less than graceful and sudden at the end of this season, it made sense compared to some other exits the team had seen.

now *sigh* all the rest.

paget as emily appears in two separate guest appearances (once in s9 and once in s11, and she is referenced offscreen as well) before permanently reprising her role as unit chief of the bau. these appearances were most likely to boost ratings and get the team back together (i.e. 200) or just to pepper in international cases (tribute). emily’s personality remains pretty consistent here, just more mature and comfortable in leadership positions (seeing as she is running an entire branch of an international law enforcement organization). then season 12 hit.

upon the departure of thomas gibson as hotch, cbs reached out to paget to see if she would be interested in fulfilling her role as emily within a longer term unit chief position. i’ll get into why this is wack in a few paragraphs, but the remainder of her time on the show is spent on a mature portrayal that seems very distant from her previous versions. emily is more authoritative, gives orders with ease, and has no qualms about leading a team of agents or even receiving promotion offers as director of the entire bureau.

thus concludes a general summary of the canon content cbs gave us as viewers. now let's talk about what they didn’t give us, regrettably

the primary aspect of emily’s design that comes to mind for many is her queer coding. though not much was to be expected from cbs, a prime time cable tv network, each of her relationships on the show (all with men) seemed oddly forced, and without much chemistry as compared to the SOs of other main characters. rumors of scrapped plotlines have floated around about what may have been, but the ultimate lack of acknowledgement of any queer characters in the main ensemble still leaves a feeling of disappointment to audiences, and leaves more to be desired as for how emily navigates social bonds.

part two (sidebar): what paget did

i think it could be agreed within audiences that paget brewster’s portrayal of emily made the role what it was! her dry witty delivery and emotional prowess combined with sitcom acting experience made her performance a mainstay for years. i think she did the best she could with a confusing and at times flat characterization, and brought the role to life.

paget also heavily contributes to fanon indirectly with her comments outside of the show (press, cameos, twitter etc). her general continued interest and fondness for the role post production affects fan perception, particularly in what she chooses to elevate and comment on. she and aj have both spoken about viewing jemily content, and paget and thomas have both also commented on hotchniss. most cast members feel free to comment on their characters in the appropriate timing, and seem open to discussing fanon ships and theories outside of canon!

part three: what fanon did

as we can tell from this fan space as well as the presence on insta, tik tok and twitter, fans LATCHED onto emily super quickly. she’s remained a favorite over the years, and this fan persistence is what brought her back so many times after leaving (so many times). in my opinion, queer coding and a bolder female trope (in contrast to her female counterparts) are the main pulls because they resonated with so many fans- new and old. with that being said, newer fans of the show in the past year in particular have been heavily influential in fanon, solely because of the large influx of fan content and popularity of it.

fan content began to take coding and bite size moments and snippets from the show as canon, and cemented it into much of the content and discourse they created. these small pieces of emily’s character are significant, but have become magnified by how easily they are to share and edit. for example, a collection of catchy one liners from emily over the seasons makes for a great video edit intro, or gifset! there’s absolutely no problem with this content, it just all combines to create a certain fanon perception no character escapes (this isn’t a phenomenon limited to emily or the cm fandom!)

these droves of content also solidified emily’s personality as much more defined, but at the same time, simplified it in a way that’s slightly harder to explain.

fanon: more emo/goth than canon basis

fanon: more introverted/anti social than canon basis

fanon: more violent/chaotic when canon emily is relatively well mannered and doesn’t start many conflicts (particularly in the workspace)

fanon: much less maternal when canon emily displays desire on multiple occasions (even crossing professional borders) for children, particularly teenage girls (possibly projection)

(again, nothing wrong with this interpretation at all and it still varies! This is just a generalization based on most of the popular content i have seen)

part 4: why it doesn’t work

let me start with this: emily prentiss does not like her job.

we don’t receive much in depth information about emily’s internal feelings and thoughts towards her mother beyond resentment. this stems from wanting to make it on her own, as a professional and as an individual (cough cough college deposits). this makes emily’s insistence on proving herself to authority figures in her earlier seasons is interesting to watch in different circumstances. she cites her experience and denies help from her mother when justifying her placement in the bau to hotch, she is extra vigilant about being helpful on her first case with gideon, etc. nevertheless, emily forges her own path outside of diplomacy and becomes a successful profiler and agent, with the help of her privilege, wealth and name whether she likes it or not. but if we read between the lines and fill in the blanks cbs neglected, these ambitions may subconsciously be oriented towards pleasing her mother.

example one: emily’s authority issues go further than just “rebellion” or “anarchy”, she frequently questions the ethics and sustainability of the work that the bau does. every team member does this, but emily much more so than anybody else.

in “amplification”, emily almost breaks federal protocol to inform civilians of anthrax threats. she butts heads with both hotch and rossi on this front, and ends the episode with having a conversation with rossi about the ethics of lying in their line of work. emily resigns to a solemn “it be like that” and moves along, accepting this reality.

on multiple different occasions emily laments to derek about the darkness she sees on the job, and it’s shown that this gets to her quickly on particularly bad cases. this is another contradiction of the design that she can supposedly “compartmentalize” better than others on the team, when she cannot unless the lives of others are at risk (doyle arc, s7 finale).

emily also responds in this way to many cases involving children, a similarity to jj many don’t notice upon first watching the series. “seven seconds” and “children of the dark” come to mind, during the latter in which emily is prepared to cross multiple professional lines to adopt a teenage girl left orphaned by the case, until hotch stops her and establishes that her emotions can’t rule her judgement on the job. regardless of hotch’s thoughts about her attempted caretaking abilities, these actions and impulses deeply contradict the typical bureaucratic pathways of the work the bau does.

the looming reputation of her mother’s diplomatic history hangs over emily, and after going to law school and working for the cia, she most likely did want to forge her own path as far away from being a socialite: being a spy. her inner nature doesn’t always reflect this profession, and leads me to believe that with her knowledge of psychology, law procedure and care for children: emily prentiss might be more inclined to working in social work, placing suffering children and teenagers in homes they deserve.

and finally, the hill i will die on: emily prentiss was an bad unit chief

this wonderful post touches on my general sentiment, but there were many reasons as to why emily prentiss’ career arc makes little to no sense (plot holes included).

first: her background. emily attended chesapeake bay university as well as yale and achieved a ba in criminal justice. keep in mind that though timelines evidently don’t exist in the cm universe, emily prentiss is ONE YEAR older than aaron hotchner (for context). in her first episode, she professes that she has worked for the bureau for a little under ten years in midwestern offices- something the audience laters knows to not be true. emily worked with the cia and interpol as a part of a profiling team and undercover agent up until roughly TWO YEARS before her canon introduction. plot holes and time gaps aside, this makes me wonder, why didn’t she just say the cia was a backstop without revealing the highly confidential nature of her work with doyle (similar to jj’s state department backstop and cover story)? penelope or hotch could have easily accessed her file and seen that she did not in fact have experience with the bureau in midwestern offices recently, and given the fact that erin strauss set up her bau placement, i’m presuming these formalities or references were overlooked.

second: her experience within the team. emily worked as a part of the bau with the bureau for roughly 6 or 7 years. after this, she is invited to run the entire london branch of interpol, one of the most renowned international law enforcement organizations. i’m surely not the most knowledgeable on requirements or standard timelines for such matters, but with the fact that emily had never led a team in her life (not in the bau or interpol previously) and had roughly 10 years of field experience, i don’t believe she would have ever realistically been considered eligible to run the whole london department.

third: her return to the bureau. fanon depiction of their relationship aside, if you believe aaron hotchner’s last wish before going into witsec was to entrust his team to emily prentiss, you’re dead mistaken. bringing emily back was clearly a pull for ratings after the loss of two main characters (hotch and derek), but logistically a bad decision. let’s suppose emily has had 4 or 5 years of experience in london now, this established authority position would be unlikely to change at the drop of a hat, even for old teammates or friends. also considering how close they were after a decade of working closely in bureaucratic and field contexts, i firmly believe hotch would have referred jj for the job of unit chief but that’s another discussion for another time.

emily’s reign as unit chief is odd, because of the many chaotic storylines crammed into it. but amidst bad writing and viewings plummeting, emily’s character is completely flattened. completely. emily is unrecognizable, both in appearance (that god awful wig) and personality. at times she acts as a complete wise authority, giving orders and delegating local authorities as hotch did. but at other times she makes multiple illegal, emotional, and incorrect judgement calls based on personal circumstances that lead to further chaos (deleting the recording of her and reid’s mexico conversation and reprimanding luke in “luke” for the exact same thing she did in season 6 even though she enabled her to do so come to mind).

i’m not sure if this is due to paget trying to find her footing in the role again, or the writer’s bad decisions towards the end of the show wrecking any previous design for their ensemble. then, there’s the infamous “wheels up” scene in s13e1. notoriously cringey, this seems like a vague caricature of something rossi would say many years in the past (the same goes for her pep talk in “red light” in the hunt for diana reid). these moments are meant to mature emily in the audience’s eye, but instead completely removed her from who we understood her to be, and made her an unreliable leader.

part five: and why it does

in theory, emily was a bolder foil to jj, similar to elle who she arguably replaced at first. she came into her own, and stands as a more uniquely developed character than almost any other in the main ensemble. she isn’t as maternal or domestically inspiring as canon jj, less bright and sunny than penelope, not quite as stoic or intimidating as derek or hotch. And yet at the same time, she’s a fairly blank slate. stripping fanon content away entirely, canon emily has few defining traits (all of which are constantly changing), and that may be the key to why we love her so much.

[dotthings]

I know people are still hurt by that travesty of a series finale and I know some feel like it’s harmed the entire show. As if the story was a lie all along. But listen: it wasn’t.

Sam, Dean, and Cas are such immense characters and we have so much great material on them for 15 seasons, they transcend the mess the series finale left. They are so fierce and so complex and loom larger than life, whichever is your favorite. There’s some specific points where each of them were failed in some fashion by 15.20, their individual arcs, their loves, their found family, and marginalized characters (and Dean and Cas as queer characters), and representation are all significant casualties of this mess.

But I want to talk specifically about found family on the run of the show. A lot of things fall under that umbrella including things that affect Sam, Dean, and Cas’s individual arcs over time.

Notably, there’s certain accounts I won’t dwell on here who are attacking found family as a concept and even resorting now to dismissing blood family, in their frantic need for the whole show to be “only SamnDean” (even blood ties are unimportant they claim, because SamnDean only need each other) and even Sam and Dean themselves are a casualty. They’re in flat hard core denial of 15 years of storytelling, and accusing every single person who cares about found family on the show itself of being a Sam hater. They’re claiming found family is only about the parasocial relationships between fans and cast/crew and there is none in canon.

That’s so self-evidently absurd how would you even start to counter that, there’s too much content to use to counter that. It would be countless tumblr posts and 6,000 gifset and a full rewatch.

.

They were handed a series finale custom tailored for them, and only them, that abandoned the entire rest of the fandom, and they are still miserable and so they are attacking one of the show’s biggest core tenets: it’s about family.

Majority of the fandom values found family. A clear majority. A fandom that never agrees on anything, but this we know is true. No matter people’s favorite character or which ship is their heart center, most fans of the show value found family not exclusively the sibling bond at its center. Most people know found family is immensely important to the show.

There are 15 seasons of story telling about not just sibling bonds and parent-child bonds, but adoptive parents and adoptive siblings and mentors and friends who become like family and even friends who sometimes fall in love with each other and how family is defined. There are 12 seasons of Team Free Will and Destiel. 12 seasons is 2-3x as long as most shows even get to exist, so don’t even try diminishing the importance of that found family of traumatized soldiers who found each other, or diminishing how important Dean and Cas’s love story is, given it played a key mytharc role in every single season and in its final seasons, Cas’s big love for Dean is what saved the world.

Cas, the character who most prominently wears the flag of found familiy on the show, Cas the wild card, the angel with the crack in his chassis, the only version of Cas in all the AU’s who disobeyed. In every other world, Sam and Dean destroyed each other, except this one. What was different in this one. What was different. Sam and Dean didn’t do that all by themselves. What saved them? An angel who cared about them both, and who fell in love with Dean. The only Cas in all the worlds who fell in love with Dean.

But it’s not just Cas. It’s Cas and Bobby and Rufus and the Harvelles and Charlie and Garth and Kevin and Jack and Jody and Donna and all their girls. It’s so many characters who loved Sam and Dean and who Sam and Dean loved. That is story. That is canon. For 15 seasons.

It’s also 15 seasons of overcoming trauma and struggling towards self-acceptance and figuring out your place in the world. It’s 15 seasons of different kinds of love, it’s 15 seasons of realizing your own worth, realizing that you are loved, looking for a space to belong. 15 seasons of free will and how individuality and freedom will ultimately rise back up against all attempts to manipulate, whether it be early season machinations of Heaven and Hell, or God himself in later seasons. It’s 15 seasons of characters who kept getting back up after being knocked down. 15 seasons of how blood bonds have to be earned, and how “family” isn’t defined by the parameter of blood ties.

Found family has been stated and affirmed again and again in story and expressly in dialogue, over and over.

You don’t need that regressive, sad, tragically hollow, paint-by-numbers series finale.

What about any of this is real. We are.

Don’t let a bad last minute stumble take all that away from you.

[justalittlebluetiefling]

After tonight, how do you think Jester's feeling? Honestly, I wasn't so sure before, but after their conversation, I'm again very certain Fjord is the one she has feelings for

All right, anon. This is a fun question for me, because we talk about Fjord’s feelings a lot, but not Jester’s. I’m going to say a few things that I never thought I’d say in this ask. For example: Fjord’s feelings have been much more obvious in the last 60 episodes than Jester’s have been. If you had told me I would say that 100 episodes ago, I would have laughed so hard. But here we are.

TLDR? Jester’s in love with Fjord and has been for a while. I’ve been going off about this occasionally since her second playlist was released. But that is what really convinced me that she had moved from ‘crush’ into ‘love’. And episode 117 helped me be even more confident in saying that.

I also wanted to put some episode 117 receipts in here, but tags in Tumblr are tricky sometimes, so I just made a companion gifset instead. (If this link messes with the tags, I’ll take it out and put it in a reblog.)

Anyway. Let’s get a cut in here so I can get carried away with the why. 2436 words of carried away.

So, like I mentioned above, Fjord’s feelings have been much more obvious than Jester’s lately. For a while, I guess. Pardon me while I just quote Laura from Talks for second. And that’s mostly because Jester backed off when she thought her advances were unappreciated. It was all part of Jester realizing that smut novels aren’t what real relationships are like. A very integral part of her development and how she’s more than her crush(es). 

The funny thing about all this... I think about this sometimes... is how Fjord didn’t actually not appreciate it. He’s just got low wisdom and didn’t realize that it meant that she like-likes him. He thought they were just goofing off. Because. Sorry, I’m briefly hopping into Fjord meta and then I’ll hop right back, I promise. But yeah. He thought they were just goofing off and I’m realizing as I type this paragraph that it never occurred to him, because “You know when someone makes you feel a way that you don't think you have any right to feel or you never thought that you might?”. Yeah. So, it wasn’t just his low wisdom. It just didn’t occur to him, because he didn’t think that he deserved to feel that way about anyone or have anyone feel that way about him. Okay. Hopping back now.

The other hilarious thing about this is that things between them weren’t awkward until she backed off and stopped overtly flirting. Which also correlates with the end of the pirate arc and how Beau, during that arc, pointed out to Fjord that Jester was jealous of Avantika.

But yeah. Jester backed off, which really threw their relationship into a whole new dynamic. I have a lot more complicated and layered feelings on the pirate arc that require a rewatch for me to properly articulate, but we know that Jester was scared during this time. She was a little scared that she didn’t really know Fjord (Re: Somebody Else being on her first playlist). But that was only temporary. That whole time made Jester start to question her feelings for Fjord. Which in turn made most of the fandom start to question them as well. But I do think that she eventually landed on “my friendship with him is more important to me than a potential relationship and if I keep acting like this, I’m going to lose him”. This is partially her realizing that life isn’t a romance novel, but I think it is also a direct result of her realizing how uncomfortable he was with the idea of being used as bait to distract Avantika. He did it, but he was not comfortable the whole time they talked about it. 

But also, Fjord was her first real friend outside of Artagan. He trusted her right away with things he didn’t tell anyone else in their group for months. She knew he was hiding his accent. She knew what happened on the Tide’s Breath. He told her before he told anyone else about how he lost his powers. They promised to protect each other and help each other on their way to their individual goals and they’re still holding up that promise every day.

ANYWAY I’M GETTING DISTRACTED I’M SORRY.

Okay, where are her feelings now. Now. She’s in love with him. When she backed off from the flirting and started focusing on just being there as a friend, it deepened their relationship. I mean, to be fair, it was already pretty deep. I promise I’m not getting off track this time, but he really did tell her things he told no one else. Sometimes it takes him longer to get around to it, because of the group, but he always ends up telling Jester everything. And that opens the door for Jester to be open with him, too, in a way that she isn’t with anyone else. 

I mean, okay. Gosh. How do I even word this? 

Jester doesn’t actively seek anyone out to talk about her feelings. There are two times I can think of off the top of my head that she’s broached the subject first. One: when she was looking for Beau and ended up talking to Veth about how she felt about the kiss that wasn’t a kiss. And Two: the Jellyfish talk, when she asked Fjord if he ever gets sad. But Jester keeps everything buried pretty deeply. So, the fact that Fjord is constantly going out of his way to ask her if she’s okay and the fact that he pulled her aside to tell her that if she ever needs to talk, she can talk to him. That’s a huge deal. And I think she’s still scared to take him up on it, because on top of all these things is that layer of awkwardness. Fjord and Jester are just awkward with each other right now. And their feelings for each other are what makes it awkward.

If the awkwardness was one-sided and only coming from Fjord, I’d say that her feelings had gone away. But it’s not. It’s always two-sided. There’s so much tension in all of their conversations, because while they talk about everything else, there’s one thing they haven’t talked about. Or... I guess it’s a couple things at this point. But they’ve never talked about the kiss that wasn’t a kiss. That’s what I mean specifically at this point. It’s just never been brought up. Which is so weird, because the other times (I think it’s two? Maybe it’s one. I’m doubting myself.) that Fjord’s saved Jester’s life with a potion, she brought it up. She made a production about it. But the kiss was different, because she didn’t know if it was a real kiss. I think she’s come around to it not being a real kiss, but it’s got to still bug her. 

But that’s planted this seed of awkwardness in all their solo interactions that hasn’t gone away. Jester’s been pushing her feelings for Fjord aside. Or trying to. But he keeps doing things that make her have hope again and it’s getting to a point that she can’t ignore that feeling. Like... He wanted her to be the one to go with him into the wreckage of the Tide’s Breath. The whole day after the blue dragon encounter, he was hovering. He wanted her to have a potion so that she could be safe and he said that he wasn’t being awkward he was disarming her. He dove off the side of a tree when she fell to save her. He tells her how much her help has meant to him in Kravaraad. He makes sure they go visit her dad. He runs after her to go rescue her mama and then he tells her that he’ll wear a stupid hat if she wants him to and that she looks lovely while implying that he’d like to look at her in that dress all the time. And then he asks her if she’d like to get dinner with him instead of go look for their friends. AND THEN he tells her that he likes it when she’s feeling his stomach looking for the orb. He was constantly checking in with her during Travlercon to make sure she was safe and comfortable. He launched himself into the air over an active volcano and begged her to let go and stay with them. AND TO MAKE MATTERS MORE CONFUSING FOR HER. He hugged her twice and then he willingly danced with her even though he didn’t know how AND THEN he gave her this tiny unicorn statue, because he knows how much she loves things like that. And now he’s given her the necklace that was meant to protect him, because he’s more concerned about her safety than his own. He told her that he’s having a hard time focusing on his future, because his past keeps getting in the way and he wants to deal with that before........ AND THEN HE SAYS he’s going to be thinking about how she helped him all night.

LIKE.

I got a little carried away again, sorry.

Here’s the deal.

I’ve said this before and I’ll say it again. There has been nothing in canon to make me think that Jester’s feelings have gone away. Everything I can see implies that they’ve deepened. But she’s scared. She’s never really been in love before. It is absolutely terrifying (or it is for me) to admit when you’re in love. Especially when you don’t know if your feelings are reciprocated. Or if you think they’re unwanted. And she thought hers were unwanted. But she’s still been doing little things this whole time. She’s still shown signs of jealousy. She still thirsts over him, just not as openly as she did before. She gets super shy whenever they have one-on-ones and that makes her get awkward in the cutest way. Jester started to be careful with how she was around Fjord, but he’s been making it pretty clear that he doesn’t want her to be careful with him and I think she’s starting to realize that. It’s giving her hope that maybe her feelings are wanted. 

Also, the fact that there’s no in-between for these two? They’re either incredibly emotional when they talk to each other or incredibly awkward or BOTH. They are radiating “in love with your best friend” energy. The difference is that Fjord isn’t afraid of ruining the friendship and Jester is. Or... well... yeah. Actually, that’s what I mean. I think Jester’s coming around to not being afraid. She’s got hope again that they might be something more. And I think that hope is starting to be fun for her again instead of scary.

OKAY I’m almost done. I want to very briefly talk about that gifset that I made, because I made receipts for a reason, damn it. Let’s talk ONLY about the conversation in 117.

Gif 1: This one is right after this exchange. Jester: I mean... it's worth a try. He's met all of us, so he could potentially scry on anyone, I guess, now. But maybe it'll keep me from being seen if I scry on him. I don't know how it all works. // Fjord: I guess we'd find out the next time we did it. // Jester: Yeah. Like, she looks down at the necklace and just smiles, because Fjord has literally just told her that his safety doesn’t matter as much as hers. Fjord went out of his way to do this thing for her and she just looks so touched.

Gifs 2 and 3: These are both just Jester laughing over Fjord talking about her face when she’s scrying. They’re goofing off and being silly. And gif 3 in particular is just... again. She’s having fun! With Fjord! And she likes that. 

Gif 4: Jester just asked Fjord “how are you?” and he started up with that big, goofy grin. And she can’t even get through calling her question stupid without smiling. Like, she’s reacting to his smile. And it’s kind of funny, because I think she doesn’t understand why he’s smiling so much in that moment, but she still can’t help but smile back.

Gif 5: I feel like I need to close all of that before.... That’s such an interesting reaction and SO TELLING. Like, that small smile and then she kind of takes a breath and then she still can’t not smile over it. SHE KNOWS. She really hopes that it means what she wants it to mean. And she wants it to mean something. 

Gif 6: She’s once again reacting to a Fjord smile. You can see the way the corners of her mouth keep trying to smile. Because Fjord is just touched and telling her that yeah, she should send a message to Kotho. And then it’s the things she’s doing with her hand there, too. She’s all nervous energy and can’t really hold still. There’s that hope again.

Gif 7: She’s SO HAPPY because she’s helping him. SO HAPPY. And again with the hands! So much nervous energy.

Gif 8: It's just a spell! It's easy to do. Again with the hands!!! I mean, okay. Speculation and projection. I’m aware. This is just something I do and I see it in Jester a lot. Where, she’s got to do something with her hands so they don’t do what she really wants them to. I mean, SERIOUSLY. And the way she smiles at him at the end of it. There’s a lot for her to process about this exchange and I think it’s starting to hit her. How much this means. What this might mean. And she’s happy. She’s excited.

Gif 9: I will think about that all night. Still the nervous energy. I won’t repeat that paragraph. But like. Fuck. Fjord told her that he was going to think about that all night. I kind of want to yell right now. In a good way. My heart just hurts in a good way over this moment. I can’t even speculate on her emotions here because that’s like... huge. There was so much tension here. Jester hasn’t had anyone say anything like this to her before. She doesn’t know how to react. And Fjord is also holding himself back. Uh, this is Fjord HOLDING HIMSELF BACK. What the fuck. I mean. Okay I have to move on. I have nothing productive to say here.

Gif 10: I guess I was wrong. This isn’t only about the conversation, but also about the moment later. Where he thinks she’s going to scry when she’s going to send and she realizes that he was going to do what she asked him to before. She is just so pleased that he intended to follow through. I choose to believe this is 100% what Jester’s face actually did in the moment. And I love this because it’s only awkward on Fjord’s end this time. Jester is just happy.

I’ve gotta end this thing, guys. Why are you even still listening to me ramble???

I guess what I ultimately want this whole answer to be: Jester’s in love with Fjord. Fjord makes her so happy. And she is starting to let herself hope that he’s in love with her, too. She can see the possibility of a future with him again and finally letting herself believe that it might happen. So, yeah. That’s where I think Jester’s feelings are. 

Hope you enjoyed my mini breakdown over Jester and how much Fjord’s support has meant to her! 

[bestworstcase]

catradora lmao

this thing

in with a curveball huh murphy 

jksdfkj

ok so obviously a fantasy sci-fi show built around lesbian childhood friends to enemies to lovers and they kiss on screen at the end is very exciting in and of itself. i watched spop with hemlock and we were both freaking out the night s5 dropped. but also like spop was an excellent story and i had a great time watching it but afterwards it lived in my brain as a kind of background radiation ‘wow! neat story!’ for a week or so and then just left so now a year later i have to admit i do not have particularly Strong Feelings about any individual piece of it rip

that being said - im sorry (im not) but you literally cannot escape me talking about tangled no matter what - ok, so, before hemlock got me to watch the first four seasons of spop it was like, i think this was during the s3 post-BVA hiatus? and spop and catradora specifically were very popular with the cassunzel contingent of the tts fandom so everything i knew about the show besides what hemlock had told me was. a handful of gifsets from s1 that circulated endlessly on my dashboard and then also, just, so many posts drawing parallels between catradora and cassunzel and i have to say. honestly i don’t see it LKJSLDJK

like ok yes there are some obvious superficial similarities and you can def draw parallels between catra and cass, and adora and rapunzel, as individual characters, but the vibe of their relationships feels to me just, so completely different.

with cassunzel you’ve got rapunzel and cassandra getting into this intense friendship that is so fraught from the beginning with this insurmountable power imbalance and however well-meaning rapunzel is she still continually treats cassandra just, so poorly, and it just gets worse and worse and worse for two years until cassandra snaps and lashes out in this catastrophically destructive way. and yes cassandra does very bad things and hurts rapunzel tremendously throughout the course of s3, but because of how things shake out in s1-2 on balance i still feel like she is, at the end of the day, the wronged party, and so their reconciliation - with no apology from rapunzel and no demonstration of change or even that she has learned. anything - really doesn’t sit right with me, and a post-s3 cassunzel fic would have to work very hard to get me on board.

catradora on the other hand - while yes there is obv this moral layer to their conflict of adora being on the right side of the war and catra being on the wrong one, and catra has to switch sides before a reconciliation is possible - their interpersonal conflict feels so much more equitable to me. they have all these shared childhood experiences and this deep love for each other that comes from having grown up together, always looking out for each other, and then this extremely deep hurt of adora abandoning catra for her new friends and this new cause because it’s the right thing to do (with this undercurrent of: why did it take seeing harm done to total strangers for adora to grasp that the horde was evil when she spent their whole childhood watching shadowweaver torture catra?), and then for both of them that hurt continues to fester and grow as they clash over and over again. so when they come together again they both have a lot of work they need to do to bridge that gap, and heal, and build a better relationship with each other. 

it’s fraught! and there’s this element of mutual effort and neither of them being, in the context of their personal relationship, blameless, that makes the reconciliation work for me. like i actually believe and enjoy the ‘to lovers’ part of the friends to enemies to lovers arc? because it’s not a situation where - i mean catra has a lot more to apologize for obv because she has to reconcile with everyone, but again speaking specifically and only of her personal relationship with adora, they are on fairly equal footing and it’s never a... catra has to grovel for adora’s forgiveness or vice versa situation. they are just getting better and doing better, together. 

also save the cat was a good fucking episode

[filthyjanuary]

I've never seen an episode of supernatural all I see is what's on your blog and each and every day I become more confused about the writing of the show and why people enjoy it :l

okay well first off i am SO sorry you have to see me like this jknbuvgyuhjn i cannot believe im spnblogging in 2020 like im 15 again but things happen i guess.

second of all, the thing to know about supernatural is.... i think, for general audiences, it is an average-to-good show. it's not Bad. It's not Beloved and/or Acclaimed. objectively, i think is also probably the most balanced view of the show and is also probably what the cw and/or people who worked on the show see it as. it lasted 15 years because it consistently pulled in reliable numbers for the cw and grabbed a lot of demographics. like i know the tumblr bubble skews perceptions but, people of all ages, genders, sexualities watched and enjoyed supernatural, yes even to the very end. most people are also not looking at supernatural with the hyperfocused lens that tumblr is and that’s like... okay. those fans aren’t any less relevant or important. if only tumblr was watching supernatural, i promise it would’ve been cancelled like at least 7 years ago.

the spn *fandom* is interesting because like one, no one is watching the same fucking show. like we all watched the same episodes but like this fandom cant even agree on like...basic facets of canon, let alone digging into complex meta. people’s views of characters actions and motivations skew wildly. things one side of the fandom considers nearly canon are like essentially viewed as ooc on other sides of the fandom. you love and hate all the characters and everyone is always about to start swinging on everyone else. you have to simultaneously juggle the ideas that the writers — and for the record this show has had four showrunners and like a billion individual writers who all see and interpret it slightly differently — are brilliant and the writers legitimately are both stupid and bad at their jobs. you have to turn your brain off in terms of continuity because they retcon their own lore every 15 seconds. this isn’t even getting into the ship wars, the boundary crossing, the weird invasiveness , etc., etc., etc. supernatural’s writing is sometimes incredible, sometimes terrible, but generally pretty average, but it had a charm (ESPECIALLY IN SEASONS 1-3) that reeled you in, even if you hated the genre.

when a show is on this long, i think the fans (rightly so) will look back and dig in and get nitpicky on things they wish were covered with more care. things that the show obviously did not decide to write with the intention of addressing/grappling with later on. case in point: dean’s drinking habits. with the exception of like... season 7 where they DO address it, dean drinks a lot as a feature of his character with little to no consequence. he doesn’t get drunk. he’s always driving. it might as well be water. the writers don’t intend for that to be more than just a facet of what makes him a rough and tough action hero even though logically, he should be drunk all the time. even w/ interviews w/ the cast/crew, it’s clear the writers don’t think the fans will care and/or notice a lot of things. they do, because well, they’re invested. the fandom extrapolates because that’s what fandom does, but i really don’t think the writers connect those dots because dean’s drinking /isn’t/ a problem until they need it to be. because spn has gone on so long, it has more instances of things like this than other shows, and our cultural contexts have also evolved a lot along the way from 2005 to 2020. so again, there’s a lot to work with. i don’t really think that’s so much a reflection of the quality of the show than it is a reflection of how long it’s been on and the way society has changed since then. dean not knowing what myspace is is funny for two completely different reasons in 2005 and in 2020, for example.

my own personal opinion is, there’s a lot to enjoy about supernatural. seasons 1-5 are legitimately good tv. for all their flaws, they have a very clear aesthetic and tell a story that is well-structured and relatively coherent in terms of themes and continuity. they set up complex characters and relationships and everyone’s motivations make sense and that arc wraps on a tragic but ultimately narratively consistent and thus fulfilling point. of course, there’s stuff i personally like and dislike but separating my emotions from it, it’s very good. i think if anything, i would recommend anyone watch those five seasons and then decide whether they want to continue or not. if you don’t, you’ll end on a note that feels complete. it’s what i’m doing w/ my friend elaine, currently, actually. if she decides she wants to continue after 5, we’ll do that, but for now we’re just vibing in season 1. after that point, i think if you decide you care enough about the characters to push through wildly inconsistent writing, there’s stuff to enjoy in seasons 6-15, but the quality and particularly the consistency dips and this is also where the retconning really starts to...intensify. it’s also where the mythos of supernatural grows bigger than the show itself, which i think was always supernatural’s downfall. the crew started caring more about the whims of the fandom and frankly the fandom became more of the story than the show, and that’s how you get people piecing together what supernatural is based on out of context gifsets that skew perceptions wildly and get Supernatural Fandom™ which... frankly, in my opinion, changed fandom culture as a whole for the worse, like yes it’s a huge, powerful and often memeable behemoth but also... the way it changed creator-fan interactions is something we’re going to be unpacking for a long time. i think had the writers tuned out fandom wars and internet yelling and strived to tell a story that made sense and was well constructed to /them/, we wouldn’t be here and seasons 6-15 could’ve found a way to be as beloved as the first third of the show. i’m personally of the opinion that being a fan of something, for better or for worse, does not entitle you to part of it’s creative process. it doesn’t become a collaboration, and the door is always there if you get to the point where you want to leave. i think supernatural getting too caught up in its own fandom and balancing all these conflicting interests is ultimately what made the last 10 seasons, and particularly the back third of the show oftentimes flounder. the finale chaos, in my opinion, happened because they tried to please everyone by keeping too many things vague so people would have room to play in their own sandboxes and round out the story the way they wanted to see it and thus ultimately, a lot of things were left in the air and so for many people, the closure they were hoping for just wasn’t there.

i dont know how this became a long and scattered collection of thoughts but tldr, people enjoy supernatural because at the end of the day, it’s an enjoyable show and i think the more you stew in a fandom bubble, there’s more to get worked up about. which is fine. i like that fandom engages in complex conversations that the show won’t grapple with, but that’s not for everyone and i don’t think the fact that we have these conversations is necessarily an indictment of the show’s overall quality.

[cheryls-blossomed]

There’s so many beautiful gifs out there of WA. I just marvel at people’s talents and how they capture WA love story in such creative ways. You don’t realize just how much history is there until you see take it all in. I know this show isn’t perfect and they can do better by WA but also Barry and Iris as individuals. I think both these characters have been held back in many ways. Iris in her journalism arc and Barry as a hero/genius. I saw glimpses of greatness in S6 when EW started to highlight Barry’s strengths more and we have Iris journalism drawing out the big bad last season. Now it’s time to build on that. I may be wrong but I believe both Cisco and Caitlin are gone after season 7. The well has run dry on Caitlin’s story, Barry doesn’t need a doctor, he self heals which is why Caitlin started having knowledge she has no business having to make her relevant on the show and they never really invested much time and energy into Cisco. I think Allegra and Chester are brought in to eventually replace them but their roles will obviously be different than that of Cisco and Caitlin’s.

There are many beautiful Westallen gifsets out there! There some very talented gifmakers in this fandom.

Your optimism on Caitlin being gone after season 7 is admirable, nonnie. I really think she’s going to be here until the show ends, but that’s why I advocate for just... ignoring her and whatever nonsensical, rehashed arc they have planned for her each season, quite honestly. Cisco, I genuinely don’t want him to leave, but whether he stays or not is very much dependent on Carlos.

I think Eric has laid positive groundwork in season 6 in terms of highlighting Barry’s independence as a hero, and so I would like to see more of that next season. And of course, a lot of more of Iris’s journalism and her investigations being a major part of the story arcs. 

[suckishima]

suckishima’s hq!! 30 day gif challenge masterpost

I’m doing the 30 Day Haikyu!! Gif/GFX challenge! But I’m slightly modifying the rules so it’s more fun for myself.

Link to the prompts here!

I’m skipping a few prompts because I felt like it lol. So I’m doing 22 of the 30 *shrugs*

I’m not allowed to repeat any characters, because if I did, well, basically the whole challenge would just be Tsukki gifsets and as much as I love him, that wouldn’t be much fun for me or for anyone else lol. This also works out for me because I’m generally bad at choosing definitive favorites, and now most everyone gets a turn.

I’m only choosing moments from the anime and therefore doing gifs only, because it would have just taken me too long to add colorings into the mix. Maybe one day I’ll do the challenge again but with only gfx/manga edits. That does sound fun lol, especially since a lot of my favorite moments haven’t actually been animated yet.

If I’ve done my math/timing right (and I stay on schedule) there should be one set every day from today until the second cour of Season 4 airs on October 2! So it’s kinda like a countdown event? idk lol

See which ones I’ve done so far here!

I’ve listed why I chose what I chose for each day under the cut if you wanna see me ramble on some more!

(I’ll update each prompt with a link to its post when it’s uploaded)

Favorite character: Yamaguchi Tadashi. Tsukki is probably more of my actual favorite, but he fits better for the character development category for me. So, I went with my second favorite, Yamaguchi! I love him so much, he’s such a sweetheart and I really like how we get to see him slowly grow more into his own. His big moments are some of my favorites of the entire series and I just really relate to his drive to just get to play with the rest of the first years.

Character first fell in love with: Hinata Shoyo. This one was easy peasy lol. Hinata is the light and love of my life and I’d honestly be surprised if anyone picked anyone other than Hinata for this prompt. He’s just so *clenches fist* good. Hard working, fun, determined, a little dumb, and so so caring and compassionate. And I’m so proud of him too tbh. I don’t care how cliche and overrated it is to say this, he is a ray of sunshine and I love him.

Character gradually warmed up to: Tendou Satori. Again, this could easily be Tsukki lmao since I didn’t like him at allll at first until he slowly began to grow on me in s2. Anyway, Tendou also grew on me. I tend not to like characters that feel chaotic just for the sake of it, and that’s how I felt about him at first. But as the Shiratorizawa match goes on, and especially in the Ball Boy arc as we see him interact with his teammates more I realized he just wants to have a good time and shame on me for wanting to be down on that. He’s funny, fun, doesn’t give a fuck what people think, and is a supportive friend. Nothing not to like tbh.

Favorite karasuno ship: Tsukkiyama. I mean, it’s my two favorite characters together lmao, it was bound to happen. Especially since a lot of the reasons they’re my favorites is because of their interactions together. I feel like each significant interaction between them isn’t just development for them together, but for them individually and I love that. There’s like this silent building each other up. They’re both there for each other without having to say anything, but then when they do voice it, it makes it that much more powerful. I just love how strong their friendship feels by the end of nationals arc, it feels so earned and genuine. I love that Tsukki is proud of how far Yamaguchi has grown, and that Yamaguchi is proud of not just Tsukki with volleyball, but Tsukki’s relationship with Akiteru. They’re both just so proud. I’m cool with all ships being just platonic too, but if we’re talking non-canonically, them being together just makes me happy. I’m a big ol’ sucker for friends to lovers.

Favorite episode/chapter: Illusionary Hero. Sensing a pattern yet? ha ha haaaa. The relationship between the Tsukishima brothers is one of my favorite in the series (i still cry over the peace signs), and this episode is where I really began to not only fall in love with Tsukki but the writing of the show. I too had been wondering “what IS the point of them working so hard,” and I loooooved how Furudate addresses that question through Tsukki’s backstory. Great stuff. (favorite manga chapter is 298 when yams and tsukki do their successful serve and block for the first time, if you were interested lol).

Favorite team: Karasuno. This was another easy choice. I love every single team in the series, truly. But I can’t just abandon my boys lmao. Karasuno is the heart and soul of the show, and they are also now my heart and soul.

Favorite position: Setter. “The setter is the information tower of the team” is the “the mitochondria is the powerhouse of the cell” of volleyball. Okay, not really, that quote was just repeating in my head while I made this set. I don’t have any cool meaningful reasons for this one. Setters are just cool.

Favorite wing spiker: Ushijima Wakatoshi. Ohhhh how I love Ushijima. At first you think he’s just big huge muscle baddie (and, like, he kinda is) BUT he’s also some of my absolute favorite comic relief in the whole series. He is so frickn earnest and blunt and doesn’t give a Fuck what people think and I love him.

Favorite middle blocker: Kuroo Tetsuro. This was a hard choice lol, because my top three favorite characters (tsukki, yamaguchi, and hinata) are all MBs, so I was like uhh which one do I choose? Aone was a close second to Kuroo too.

Favorite libero: Nishinoya Yuu. He’s just so dang cool.

Favorite setter: Kageyama Tobio. My boyyyyyy. God I love Kageyama. I’m not sure I can put into words how much he means to me. His character arc of shedding the King mantle only to pick it back up again with a new context is one of my favorite character developments of all time. His arc is all about learning to communicate and not only relying on others but learning to be relied on and I just ah - and the stuff about self care??? i love him.

Favorite captain: Sawamura Daichi. He just, is The Captain ya know. He’s got the vibe down pat. We love a good solid foundation for our team. He’s integral and Karasuno would have never made it as far as they do without him.

Favorite manager: Yachi Hitoka. I love Shimizu too, I do, but Yachi’s very unique brand of crazy is just too much fun lol. The first season feels so empty without her, and she brings so much joy to the team and to the show.

Favorite match: Shiratorizawa. Of the whole series, my favorites in order are actually, Nekoma, Inarizaki, Kamomedai and then Shiratorizawa, then Aoba Johsai 2. But since most of those aren’t animated yet, we get to focus on Shiratorizawa. Which I do still love, the hype is SO real the entire match, I still get chills at the end and during Tsukki’s Block.

Favorite non-match scene: BAR-BE-QUE!! Lmao tbh it was a close one between the fun of the bbq and heartwrench of the meal after the lose to Aoba Johsai in s1. Furudate said let them eat.

Favorite arc: Tokyo Training Camp. I love to see them improving and practicing and growing and ah it just makes me all warm and fuzzy inside.

Favorite underrated character: Tanaka Ryuunosuke. I LOVE HIM. HE IS SO FULL OF LOVE. And he’s so slept on I feel like. He is one of the most supportive characters in the show. He is always positive and is a great morale booster and is just an overall Good Boy. Yeah yeah he’s a bit intense with his crush, but he’s always respectful and I’ll fight anyone who thinks he’d do anything that makes Shimizu uncomfortable.

Favorite character development: Tsukishima Kei. Ah, we’re finally here lol. The top two reasons Tsukki is my favorite character is 1 because I relate to him sooo so much and I’ve never seen a character written in a way that feels so much like just how I personally think about and see things. 2, because of just how amazingly earned and cathartic his development is. I could ramble about this forever so I won’t. But when I found out he was still playing volleyball after the time-skip, I actually cried. Like, after everything, he’s still playing? He WANTS to play?? godddd.

Favorite non-player: Tsukishima Akiteru. Ah, I gotta say I relate to his struggle. Plus I love how expressive he is lmao, crying over like every little thing.

Favorite friendship(s): The Tsukishima Brothers. They are so important to me okay. The admiration, the falling out, the chasm for years that affects how they both interact and even see the world, the slowly piecing things back together, and then the reversal of the peace signs in the Kamomedai match, wow. (kageyama/hinata is a VERY close second, i’m bad at favorites)

Favorite pairing(s): Kageyama/Hinata, Bokuto/Akaashi, Shimizu/Yachi, Ushijima/Tendou. There’s so so many more tbh, but I had to narrow it down.

Favorite rare pair: skipped

1st, 2nd, or 3rd years: First Years. They’re my babies. I love them all and they way they all interact and I need them to be friends forever thanks.

Girls: skipped

Most relatable: skipped

Most like to be friends with: skipped

Most heartbreaking moment: skipped

Most heartwarming moment: skipped

Stage play day: skipped

Your choice: skipped

[ober-affen-geil]

So literally every one of your recent gifsets has made me pause and curse softly. I mean, I adore your gifsets in general(I have no sense for lyrics or poetry but you make me feel things, it's very odd in a good way) but I did not expect these to hit so hard. Mostly because while I definitely understand the draw for Miluca I still don't...want it, I guess. Mostly because all I can see is Maria getting hurt by his secrets, one way or another. I want her happy, in some ways more than I even 1/3

{Alex and Michael together.(which, I ship them so hard it’s weird for me. I actively want them to kiss onscreen and that’s usually a thing that I more suffer through. Reading it is fine, but seeing it - I don’t see the appeal. Except no, I see the appeal, of course they want to kiss each other. I would have watched the show on the strength of their relationship alone, for the novelty if nothing else) But Maria just - I don’t want her hurt and I can’t see a way to avoid that here. I’m against 2/3

[third part missing thanks to tumblr, ask continued after advertising on my blog]

Oh man dude that got out of hand very fast so honestly I don’t remember. (I just wanted to say I liked your gifsets and then I realized I was talking about why and that dovetailed with why I can’t really get behind Miluca even when I see things that make me like it) But yes it was because the third part was when I actually figured out the point. Highlights are that I don’t like Miluca(they’re both going to be hurt, I feel like, but Maria esp and I love her too much to want to see her hurt by ½

his secrets. Plus, I feel like Michael can only really move up or stay stagnant atm, Maria could go up or down and I fear a downswing is coming. I definitely think they’ve got an interesting dynamic, but I’d honestly be much more interested in that dynamic if they weren’t romantically involved, or even dancing around it) Also I like your gifsets because every relationship feels equally prominent and complex and compelling, even ones like Miluca that I normally just don’t want to deal with. 2/2}

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Whew. Anon that is a lot, but who am I to say anything lol. Also very glad you found me again! Welcome!

First of all, thank you for your very kind words about my sets. I’m beyond flattered, so

Second of all, big ass mood on the surprise at shipping them so hard. And for me hardcore SAME for Echo, which was a big shock because I’m usually not here for het as much as I am for Echo so like. Idk WHAT they’re putting in the water but. Go Roswell go!

Third of all, woof. This is like reading my own thoughts immediately after the finale, and I mean that literally. I try to stay more or less neutral on this subject, partially because I know it’s a contentious one and I try to have my blog be welcoming to everyone from the fandom who might want to see content and partially because I really don’t like to speculate overmuch ESPECIALLY with shows like this that can turn on a fucking dime, but. In the interest of reciprocity and because I am absolutely starved for new show content, I’m gonna step out from under my neutrality umbrella for a hot second.

I am an endgame Malex shipper. I don’t try to hide that. But the reason I am an endgame Malex shipper is one of the reasons I’m not all that bothered by Miluca, and that is that the way the narrative has been set up (from episode one) Echo and Malex are on squarely even footing. Literally the second meta post I ever did for this fandom was about parallels between the two, that’s how strongly it speaks to me. (I am very, very happy to do another upon request.) In my mind, Malex is as clearly endgame as Echo is. That’s just the way I see the storytelling.

The other reason I’m not all that bothered by it addresses your concern about Maria being hurt. Because honestly, I’m frustrated about that too. I really like Maria and I don’t love seeing her in a situation that I’m pretty certain is going to end badly. But here’s the thing. As much as I doubt Maria is going to end up with Michael (poor boy has to finish crashing from last season, someone please get him a hug and a therapist ffs), her involvement with him is also almost certainly going to blow the doors off her story.

We didn’t see her a lot in season one, not as character with an independent story line, and I think that’s going to change in season two. Mostly because we now know that her necklace, a family heirloom, contains the non-native flower whose pollen happens to subdue alien powers. And she suspects something is up with Michael’s hand. And there have been too many seeds planted about her mother’s undiagnosable decline from mental stability for me to sit there and NOT expect that to become relevant. 

Basically, like Isobel, I think we’re going to get to see Maria stand on her own a lot starting in season two. And it’s going to come from the fact that Michael came to her in the Wild Pony at the end of the season one finale because he was finally at a place where he could step away from Alex. (Which I believe is a good thing, I’ve talked about that before.) I think it’s going to open her up and yeah, she’s probably going to get hurt. But frankly, so is everyone else.

Michael is going to crash and burn. Hard. Isobel is apparently dealing with all of her stuff from last season in not the healthiest of ways. Max up and fucking died and while I absolutely LOVE THAT (no really, I do), Liz isn’t gonna take that too well. Kyle has now found himself in the middle of quite the shit storm, so heaven help the poor man. Rosa is just. Well, fucked, basically. And Alex, as much as I love to see him having found himself, seems like he’s going to go a little too far in the other direction which is going to be fascinating.

All this to say, yeah. I super feel where you’re coming from. But I can’t see the ships in this show as isolated from each other, they are all interconnected in ways that very much affect and inform all the individual arcs and journeys for me. So I guess that’s why my sets come across the way they do lol. Thanks again for the lovely words anon, I hope you don’t mind me riffing off them.

[nichester]

This week’s watchlist!

A round-up of my thoughts on the media I’ve consumed

This week my computer crapped out on me so it’s a miracle I managed to watch anything at all (not that my drama schedule should be my priority but I am who I am...)

Tale of Nokdu:  I’m still behind! Monday/Tuesday dramas are first to go with my current school schedule though :( I’m also kinda putting this off--I used to use it to lighten the angst of some of my other shows coughmycountrycough and I’m not sure I’m coming back to this one until I see some bright, smiling gifsets!

Extra-ordinary You:  I know I’m in the minority here, but this was the first week of episodes that felt slow to me?  Everything picked right back up in a terrifying fashion by the end so I almost didn’t mention it, but the real issue for me is that our main characters seem to be getting more distanced from each other by the writing.  After the reunion scenes, Dan Oh, Do Hwa, and Haru didn’t really spend any time together all three of them.  And as other people have mentioned, we don’t see Haru and Do Hwa spend any time together while Dan Oh is in the hospital.  I know there’s a lot of plot to get through still and please don’t get me wrong--I still loved the episodes!  I’m just hopeful that the show doesn’t neglect the friendships while they focus on other elements.

My Country:  Well guys, it’s been a rough week.  I was re-reading last week’s post and laughing at my hopes that a) Madame Seol would stick around longer and b) Yeon would get an actual plot line.  This week was spectacular as always, beautiful cinematography, incredible acting, powerful individual scenes... but it’s also the week where the inevitable fridging happened and so it’s hard to summon up anything other than gloom right now.  It’s the first time I’ve really felt let down by the show, but of course we all knew it was coming.  I guess I was just hopeful that such talented writers might consider doing something more unexpected.

I’m lying--I know exactly what they should have done and someone who can fanfic needs to write this to console me.  In my (superior) version Yeon reaches out to HJ after regaining her memories and the two of them conspire to fake her death and smuggle her out and into Ihwaru so that she can no longer be used to control her brother.  Due to an inability to contact Hwi in time, he thinks she’s actually dead at first and we still get our scene with Nam Jeon and Bang Won as is because it’s perfection and I’m not touching it.  Seon Ho, of course, has to have this kept from him because no one other than Yeon is sure he wouldn’t betray them.  Yeon then lives disguised at the gibang so we could get more scenes there of her and HJ interacting and she would get to have an actual character arc and show up to affect Seon Ho years later after he’s totally lost himself to the dark side and and wow we had so much potential here guys that we just lost because they had to make it sadder :(

I’m actually appreciating the time jump because I think any more scenes of our leads’ devastating grief would have pushed me over the edge.  Can’t wait for next friday!�� *sad finger guns*

Chuno:  (Eps 5-6)  Ok so obviously Chuno was psyching me out two episodes ago by implying that our leads were all going to meet and recognize each other, but THIS cliffhanger I really think it might happen!  (I’m so easily fooled by cliffhangers guys that’s something to know about me.)  Tae Ha is really working for me, what with his arms, and his gentleman’s nature, and his genuine willingness to drop everything and run to her side whenever he thinks she might need him.  And painting the blood on her gown into flowers?  ROMANCE.  While I love Dae Gil deeply, he’s a stinky little bastard man who cannot possibly compete.  I hope I know where this inevitable love triangle is going, but kdramas do love their childhood romances... I guess I’ll just have to keep watching and find out!

Catch the Ghost:  Started watching this one to help me recover from drama-that-shall-not-be-named and y’all it is a DELIGHT.  The humor and the set up are on point, and the pairing is a dream.  A straight-laced hard-working man who’s lost sight of what really matters, paired with an idealist who’s half his size and has never thought twice about any of the impulsive decisions she makes in dogged pursuit of justice?  The possibilities for humor and for character growth are vast.  Add to this mix a ease of physical interaction and chemistry that’s just off the charts?  Guys I’m Very Happy.

(And then, of course, this one had to have a tragic siblings plotline too!  I had to call my sister after watching just so that I could reassure myself that she hasn’t been brutally murdered and is actually just eating mac and cheese at home.)  But that’s my personal problem and nothing to do with how much potential this drama has.  Definitely check this one out!

Let me know what you guys think, or if there’s anything else I should add to the watch list!

[elizabethrobertajones]

13x07 Watching Notes

Should probably not have multiple scenarios where I snark out loud and then the very next line of dialogue is that snark but innocently delivered.

Heyooo it’s not our Christmas cliffhanger though!

Expectations: It has literally just occurred to me right now sitting down to type out my expectations that this season's *entire* main plot so far has been "the spawn of satan is cuter than we expected".

I'm still trying to wrangle the idea of how you get hours of Buckleming plot twists and slow exposition out of this, although introducing 18 different angles for them to tackle the problem and returning us to the AU world is a good start to have at least 4 plot threads going and hey I feel like this episode is supposed to be a breather for having too many Jack episodes in a row which makes it even funnier that they're gonna have to deal with the absence of something but who knows maybe he will show up before episode 9. If not they may genuinely be tricked into considering narrative negative space in some form or another, at least by the actual omission of Jack from the episode, despite the fact it has to be about him.

There's like at least 3 individual ways each arc might go terribly, and I'm typing this as pre-yoga thoughts while trying to do my NaNoWriMo and I watched Brooklyn 99 already this morning, and essentially I'm pretty much just bracing against "Oh god this new sleep pattern is the worst and it has ruined nearly every episode this season for me" migraines. So I'm just gonna be super chill because the stress of this ridiculous bed at 8pm awake at 5am thing is killing me without bad writing on my favourite show.

So, instead of modelling a worst case scenario, here's a best case one: it's crowded, the pacing is bad, there's some bizarre lines of dialogue and no room for any character interaction and the sneak peek already showed us the sum total of Destiel interaction but in hindsight with the rest of the episode that's actually a plus, and aside from that there's no rape or catastrophic bad decisions or characterisation that just makes our guys look like idiots because the villains aren't that smart and they're still outwitting them or something. Cas wasn't even mentioned in the episode description if I recall and I would like to think that is because he gets Buckleminged in the way where they forget he exists so he's in 2 scenes and just kinda stops at some point and that's the last we hear of him for a few episodes but at least nothing happened to him :P

(It HELPS that the bad decision of the year seems like it should be Jack and Kaia ganging up in 13x09 and this is just a plot filler episode where they can't blow everything up from sheer incompetence, since the main plot is still Jack, and all Buckleming can do is escalate stuff but not so much we find Jack, so they're mostly running free with Lucifer, Michael and Asmodeus on the playground they've been permitted to keep them distracted. On the other hand, that does not lend itself towards 'storytelling structure' whatsoever. So I may derive some fun from mentally re-writing this episode as it goes as well.)

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Hi I'm back and I have tea and preemptive paracetamol and look I not do crap like this lightly but the only thing wrong with me is sleep and yoga but glug glug glug down the hatch, I'm not fucking around, migraine. I swear to god if I even see a HINT of you...

-

I should also mention that my only prep for this episode was watching Tall Tales last night with my mum because we're lightly re-watching season 2 and I thought you know what look how far that fucker has come that he's just one of the show's regular directors now or something. I forgot that completely this morning so I'm amending my expectations (it WAS annoyingly early in the day) to add that Speight hasn't directed a Buckleming yet but I'm interested to see how he handles it.

-

The episode starts with Mary cheerfully punching Lucifer at least 3 times in the face. I am still extremely proud of her for doing that but overall disappointed that it's led to her banishment to be a Buckleming character this season, which has been a fast way to ruin characters.

We get the entire first minute of the recap in Buckleming POV, aka they write the corny villains - and specifically a lot of Asmodeus point of view, his summary of the situation and what needs doing, having graciously inherited this throne, and comments on where Lucifer is as a sort of trailing off, well that's not my concern if he's gone. Only at the minute mark does the recap flip around to something genuinely ABOUT Jack as we've been seeing him, rather than trying to sell Jack as woooo Lucifer's scaaary son. Suddenly Jack's own identity crisis and him leaving.

Maybe it's just because they were trimming for time, but they cut the "all of you" from "I know I'm going to hurt you" but they also left the focus on Sam. I am mostly amused that by removing the clarification - which has been a theme of the season - it reduces that moment to a bare minimum surface layer, as if to say bye bye writing depth hello random action.

-

I had a burgeoning theory last year from one episode or another that pretty much everyone is lampooning Buckleming while letting them get on with writing their stuff, and trying to run loops around them in basically any other way.

-

There was something going on on screen involving a lot of stock footage while I was digging around in my bag looking for my 3DS assuming this was gonna be a Lucifer scene. I still think they're softening him up to kill him, but that's something I have to hope. One of the other non-redemption options is that they need to make him at least halfway manageable if he is gonna end up working with Cas or something. There is something vaguely appropriate matching Buckleming dialogue to Lucifer melodramatics, but unfortunately I really can't give these writers or that character much of a chance so while I'm happy to let them take him to play with over on their bit of the story like a chew toy to keep them off the stuff I like, it is annoying this is all the canon of the show I like >.>

-

One or the other of Buckleming really really dislikes God and organised religion though, and that does often lend the interesting thing to an episode where for some reason as soon as religion is involved the writing actually gets halfway decent.

One thing Lucifer says that catches my interest is his idea the universe is written without irony, when tbh that has literally been his downfall in season 5, and in general the universe is ironic to the WINCHESTERS to whom the universe is actually happening to, and there's the whole Dean is the centre of the universe thing, and THEN there's Billie's line about how sometimes the universe is poetic, coupled with how Dean got Cas back entirely through dramatic irony. I can't remember if Chuck commented on dramatic irony. Anyway Lucifer sucks, the story doesn't happen to him and he doesn't have the resources to read it. Metatron *thrived* on that sort of thing.

-

I like the visual of Michael standing with the sun behind him - it gives him absolutely the divine look he'd love to have, and I just wish he didn't have randomly shirtless Lucifer taking up some of that visual. If someone doesn't make a gifset chopping Lucifer out to just enjoy that image, I will make one, perhaps.

Something else to enjoy about this: they locked Mark P in some sort of medieval torture device and no matter how comfy you try and make it, there's obvious limits to that, so I will enjoy that he had to do that.

-

Michael sees that Lucifer is scared of being locked up and caged, which actually is... accidentally or not... a pretty clever callback, although it wouldn't have killed them to have Michael deduce this on screen, because in 9x18 Dean - Michael's vessel - deduces that Gadreel - a blatant Lucifer parallel in many respects while obviously not in many many others - is terrified of being caged again.

Of course that exchange is one of the single most fascinatingly well-acted exchanges of the entire show which on my umpteenth viewing still knocks me completely flat so it's not a FAIR comparison, but it is an interesting one.

-

I like that Michael think that the main universe is already paradise - in comparison to his shithole, definitely, because it still has pretty stock footage. Thematically interesting since obviously paradise is a bit of an issue with what people want...

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LOL Wanek's ridiculous "concrete bunker" set... The camera pulls back and there's a massive Jesus on the wall and Lucifer's hanging behind him screeching and it's like... That is an inanimate lump of wood and I can see it rolling its eyes at you.

In the earlier moments out here in the AU we saw the church from 8x23 poking up out of the rubble, and whether this is the same one or not NOW, because I think it was a bit too buried to be this one, it conjures the memory of 8x23, and that one was interesting specifically because Jesus wasn't there - the cross had only his hands and feet remaining and the rest had been torn down. Sam was inserted into that empty space because he was doing the big heroic world-saving sacrifice that from one direction of pure irony the episode was named after (since he decided not to do it/the real motives for his sacrifice were way more interesting than him going through with it heroically anyway etc) but it was another Sam and Jesus moment, like in 5x22 where he more straight-forwardly sacrificed himself.

(And jeeze you watch one episode with the guy and now I can't get him out of my head - remembering in 9x18 Gabriel snarking about how he died for their sins and then making one of the few Jesus references on the show. Jesus is usually extremely absent from this show, so actually having him on screen is very interesting)

Anyway I am pretty sure this is almost entirely to remind Lucifer what a great big fucking drama queen he is being about this all and of course he's sacrificing for nothing.

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Blah blah promo scene.

They have the photo of Jack from Mia's security camera which means no one has snapped a cute picture of him on their phone yet, Cas included. Disappointing.

-

Now, I'm pretty hesitant to get into characterisation in BL episodes, and Dean just generically wryly comments on how powerful Jack is which could mean anything but Sam then says he might be covering his tracks and then Cas, who has to be written sympathetic to Jack, comes through the door saying that it could mean Jack is in trouble with the various forces that want to control him. Sam's comment coupled with Cas's interruption seems to make it much more likely that Sam's comment is to be taken as vaguely unnerved/suspicious of what Jack can do, and that he's doing things like that Dean implies. That Jack learned so fast he might be able to cause a fair amount of destruction but conceal it from them and if they're trying to track him, Sam is expecting destruction.

-

Dean also came from the kitchen with coffees so why is Cas coming from the back of the Bunker... I'm gonna have to assume he was until just now lounging around in Dean's bed and Dean was like I better go get coffee and help Sam and Cas was like yeah but thanks for the 'sorry your son ran away' sex i feel a lot better and Dean was like no problem babe, and probably gave Cas one of those ridiculous shoulder nudges in the most no homo way ever before he got up to find where they threw his underwear an hour earlier, and Cas just kinda chilled while Dean was getting the coffee so as not to be suspicious by piling in on Sam after taking the exact same length break from the search but then they fucked it up and still managed to enter the scene within 30 seconds of each other.

Yeah, that's probably it.

-

I just saw the list of guest stars wander by and took 3 emergency gulps of my tea at that combo of Osric and for some reason DHJ because file that under genuinely unexpected :P

-

PS: I know we knew Kevin would be back this year but the fact I managed to find Kevin thematic stuff in the last 2 episodes in a row still feels important to me as storytelling rather than foreshadowing.

-

Anyway Cas tries to tell Dean the angels don't like him, and Dean volunteering to go with him because "i could go with you" is a thing and they keep doing it to each other and ow

-

Blah blah we could work a case. Are you serious? I really seriously hope this is not literally Buckleming's thought process about wtf do we do with Sam and Dean this episode after establishing maybe 4-5 other plotlines we need to handle away from them. I hope it turns out to be directly main plot related, whatever they stumble on, but we already now have them in a position where any involvement with the main stuff will be them stumbling on it or it coming to them. See above: ways in which the main characters are automatically made to be stupid. Subtle things, like not being able to imagine a way in which Sam and Dean are resourceful enough to even start to find Jack which doesn't involve googling things.

I mean we have no clue what you're doing with this random witch seeming case, why can't you bring a detail foreward if it's from the main plot to give us a clue. And if it's not, tell us something connected to it which will at least make Sam and Dean interested in it as a lead? Even if they're not right about why, put them on the trail because they're good at their jobs!

-

Anyway hi Asmodeus? As soon as we clear the promo scene etc I start assuming everyone is Asmodeus

I mean, in this case it literally is. but you can't trust anyone these days.

He needs to have his equivalent scene to sitting around in the Bunker googling, which, which is to say, the same type of minions who brought Crowley or Lucifer news are now coming toadying in to tell Asmodeus news, and the only difference is his name is harder to spell.

He's trying to do the same thing reaching out to Jack that we saw Lucifer trying to do last season, to Dagon. There is always the possibility that Asmodeus just isn't powerful enough to get into Jack's head from this extreme range when he has no idea where he is. Loser.

This minion seems to be mistakenly labelling Jack as "the Jack", maybe not as a mark of respect but more misunderstanding what he is, that he's not a thing, that that's his name...

-

Asmodeus asks who's protecting Jack, and cut to the image of Jesus again. I don't know about him, but tbh it could just be that Jack is protecting HIMSELF and they've massive underestimated him to do that. Jesus on this show represents a lot more of the personal autonomy saving yourself thing.

Also hey as long as we're not seeing Jack, we're getting that gosh darned hole in the narrative that he represents while he's missing. Is this actually a lesson in subtlety?

-

Michael meanwhile is enjoying tormenting Lucifer some more because blah blah sole purpose in life and what do you even do when you win.

Lucifer appears to have claimed to be a god in the SPN verse and Michael's like, here you're pathetic, and I'm like, mate, he was pretty pathetic in the main SPN universe too

-

There's some cool crosses on the walls which are trying to help, bringing light into this church.

-

Yeah where is Mary anyway - I wasn't gonna ask, but then Lucifer seemed to imply that Michael was keeping her around.

I mean sheesh the easiest way to get Mary around is to just have her in the scene still lurking but then film it as if it's almost entirely from her eyeballs POV if she doesn't have anything else to be doing right now - having her witnessing this theatre as the person from the main SPN world who's come over here.

-

KEV

-

Awwww he's gone a wee bit off the rails in this world, seeing as he'd have had to be helping Michael and reading tablets the entire time and also the entire world appears to be destroyed.

-

I don't know why Lucifer's having a personal reaction to Kevin unless I totally forgot something but they were literally never in the same seasons as each other although weirdly both in 11x21 so obviously must just be angels would know all the prophetsand which one was currently active... Maybe he's just surprised that in the AU Kevin survived even longer than he did in the supposedly better world.

Well there aren't any Winchesters in this one and Lucifer always underestimates them, in this case positively re: likelihood of getting Kevin killed :P

-

Oh great they're powering down Lucifer a bit. Well that should make him much more irritating.

I mean mostly because everything makes him irritating.

But it means the show wants him around some more but they can't have him at full power because it's just inconvenient so now they're finding a reason to water him down so they can have him around dragging his heels and complaining. I suppose it might make some comparisons to Cas, who's on a smidgen of left-over grace, but again, see also: eye rolling wooden Jesus, there's no way you can redeem Lucifer and not by comparing him to Cas.

Metatron got some sort of treatment but he was nowhere near like Cas even when he was done being redeemed and he still had to be killed off doing a heroic thing rather than let him stick around.

I'm just grinding my teeth and I already got part of the way through the next scene but UGH

-

So hey thinking of random versions of other characters why is DHJ's magnificent facial hair making a cameo return role on this side of the interdimensional nosense? You can't just grow a beard and start hunting witches on the down low on the winchesters' turf.

I'm assuming including DHJ's names in the credits was specifically some sort of nonsense now

specifically monsters going around looking like other things.

Maybe it was a shapeshifter Ketch punched a few weeks ago. It's only been a few weeks since he died, you know.

Maybe it's Asmodeus.

Maybe it's maybelline

The plot reason for the beard had better be hilarious.

-

I like Daniella the Beret Witch. For some reason I thought she looked tons like the witch Sam and Dean were looking at on the CCTV but when I went back to look I actually spotted her in the background watching them and waiting to make her move, and she doesn't look like the one on the CCTV at all so I guess my brain clocked her and filed her away because she was sitting around in a huge scarf, sunglasses and a beret and my brain didn't want me to not pay attention to her in case she was useful.

-

Kevin's weirdly pristine but still grey hoodie is making me giggle. He looks like the AU has barely touched him and Michael's even dirty and ragged.

I'm not sure I even want to touch random morality discussions from Buckleming. Lucifer says Michael is pure evil, Kevin says "aren't you Satan?" and Lucifer really hasn't done anything ever to make us actually want to root for him. Like sure Michael is the much worse bigger bad in the show's rankings but that doesn't make Lucifer less quanitifiably evil. Michael's way more complex because Lucifer is the big cartoon evil that Sam had to originally fear, the "what if I am actually evil" character mirror that obviously Sam isn't but it meant Lucifer needed no character complexity other than whiny manipulative interpretations of how he'd been mistreated where he could protest he had a side. Michael is waaaay more complex just in the like 2 episodes he actually talks in season 5 because he's "what if Dean was the big bad" and he's not evil, he's just 100% black and white morality rigid "good" in the sense of punishing evil, to the point of not questioning an order to kill his brother, and not even having a particularly "cool motive still murder" approach like Cain, but literally just like well okay then I guess I will kill my brother. How to make DEAN evil, or to personify the darkness that lives in him.

I mean I am massively simplifying but dear lord Buckleming if you read my notes this is the baseline direction you need to be writing these characters from and I am trying to HELP.

I am genuinely feeling like you're mistaking "apparent fan favourite because they make a lot of memes about him, Lucifer" as "this must mean people genuinely like him because he's Lucifer" and any possible reason I would find him interesting as a villain who was held up to just kinda exist and be himself doing his awful things contrasted to Michael who was just around existing and doing his awful things, is all just draining away down the toilet. Like you've got Lucifer lodged in there and you're flushing and flushing around him >.>

Anyway I'm going to take this entire scene as 100x more ironic than it was probably originally intended to be, that Kevin is not exactly right about Michael (and lol, Michael being the Dean parallel just kinda using Kevin all the time for random spells and always having him on the hook for doing things for them) but he's sure not wrong about Lucifer, Lucifer protesting Michael is evil because he's mistreating him and has destroyed this planet sure isn't WRONG but it's not a "so therefore I must be right"

And I kind of think the level of subtlety this writing is at is that "Michael is a dick and therefore Lucifer looks better in comparison"

But that's not how any of this works

*insert Jesus eyeroll*

-

*pats poor overworked manic AU!Kevin's hair*

I wonder if he's actually going to be able to do it

it would be HILARIOUS if they waste Lucifer's grace on this

-

Hey he did it, I'm proud of you AU!Kev. He always manages to do the thing :P

Okay not good that Lucifer has just been thrown back because A: Mary is still trapped over there, I assume for the much more important emotional arc stuff to do with rescuing her especially in the parallel to getting Cas back and all this stuff for Sam's arc and all

But UGH the writing of Lucifer is just really annoying me on so many levels and punting him back into the main SPN universe depowered and humbled by his brother, just annoys me so much.

Like I don't know how much more less enthused I have to be about Lucifer having struggles.

Boo hoo

-

Last season Dean got mistaken for homeless after he got hit with the memory spell, and was offered cash to make him go away.

he handled it considerably better than Lucifer.

I am just gonna assume this random woman is Asmodeus.

Lucifer probably ought to go grab that cash he was offered...

-

Oh wait here's Asmodeus, torturing some poor bloke called Karl who apparently works at the motel from last week.

I'm impressed they managed to track Jack that far, tbh

The question is, is there an actual memo that the Winchesters are camped in an old, heavily warded, impossible to map or locate MoL bunker, or is that something you only find out after you tail them for a bit? I mean Jack might not be there any more either but it would be a start :P

I feel extra skeevy about this scene because Asmodeus is being a total moron for starters by not checking Karl's level of clued in to this, and so he's this white plantation owner coded guy in his shiny white suit, torturing a black guy who isn't even on the same level as him for info he doesn't have, and could in no way be resonably expected to know. So it's doubly cruel. Although in some respects Asmodeus's coding makes this gratuitous violence a commentary, just like Buddy and Dave being collosal douches to women in the last few episodes was called out in many ways simply by their existence and coding as collosal douches.

Still not nice to watch on screen, especially without even more specific reference to Asmodeus's doucheyness because the stupidity of this dialogue is not helping.

Like did the minions just bring Karl to him and say hey we tracked the Winchesters and Jack this far, he might know more?

Like...

This is the sort of basic intelligence test fail here, that they're not over-thinking this scene in the specific details that you need to not have your main villain parade around displaying total idiocy over.

Like why the Winchesters would book into a motel under "Sam and Dean Winchester and Jack the Nephilim" and then Karl would know that and know what that means.

You can't just drag a normy into the Hell Main Office and torture them for info about Jack when they have no clue who that is.

He literally

can shapeshift

into anything

Go to the Stampede Motel, turn into a pretty girl in a low cut top, and lean on the motel check in desk until you know what you were after.

I'm no longer impressed they found Karl, I'm AMAZED.

-

Why did they kiiiiill him

-

Lol Asmodeus is so hammy

what's he sensing

Has he figured out Lucifer is back?

-

Meanwhile: Sam and Dean voluntarily go to a creepy cabin in the woods with a witch. This is not quite as stupid as Asmodeus was just being.

-

I am loving the plot development that David Hayden Jones has returned to the show as himself to find Rowena. Like dammit, you were a really cool character I had no interaction with but we coulda had some screen magic for all you know. You may or may not be in this episode as a surprise appearance which as Lizzy said putting MY name in the credits is the "hey it's that guy" fuckery to distract from the fact there's some bigger fuckery at foot (like... aside from the fact I was back to back with OSRIC FUCKING CHAU) because you don't *just* randomly put my very recognisable name in the credits at the start of the episode with Osric unless it's because something's up. So heeey here I am, I'm looking for Rowena, because dangit Ruthie deserves another chance to be in this show.

-

Daniella is also really slow to realise that Sam just said she was going to be bait. It took until Dean repeated it for her to realise.

-

She's really pretty though.

-

She starts choking like several moments before the gas hits her

-

... is that DHJ?

-

I mean we're getting a close up on his face but I literally. Do. Not. Recognise. Him.

I remember rambling at some point in my watching notes in season 12 when his face was being particularly hilarious after I'd seen con photos of DHJ that Ketch is one of the most effective character disguises I've ever seen for an actor's face. TBH it's the same weird different face thing I get from Alex Calvert - that he's all clean shaven and filmed as a wee nougat child in the show but he has an instagram of unrecognisable smouldering glamour shots, often with scruff. DHJ has a beard and that's his face, and part of the Ketch look was being clean shaven and crammed in a tight collar which is an incredibly British upper class twit look, and even in other clothes later the illusion lasted... But add a beard and stop grooming his hair and he just turns into some other person entirely.

-

Ah well, Dean gets to punch DHJ with Ketch's accent again which must be satisfying for him.

-

Did they take DHJ back to the Bunker? Really?

-

Oh he doesn't have the tattoo

LOL he's his "twin" "brother"... Obviously.

Yeah okay whatever you say, DHJ.

-

elizabethrobertajones Hey what if DHJ was actually Rowena

mittensmorgul oh god, don't give them ideas

-

ALSO if you have an "evil twin brother" you would generally assume that this sort of thing would happen a lot and you'd try and clarify sooner? I bring up my twin like every other time I talk about myself.

Also this is a ridiculous concept I refuse to engage with

-

I mean, thematically, wowsers. Fits right in with Buddy and Dave and things that look like other things

-

ALSO DHJ has been going around torturing witches so it's not like he's been the good twin

-

ALSO WHY IS HE HERE?

-

Apparently he's a hitman hunter

-

I suppose it's kind of like Bela but I do find it really strange.

Like how does anyone even know to hire him if no one knows monsters exist? Who is pointing him at these things?

Insinuating himself into situations like Bela to get work maaay be a way to do it, like if the Winchesters showed up in town and immediately told the sheriff what was up and then offered their fee as contractors or something. Pfft.

Pfft.

-

And then he's like "we hunters" because he's trying to bond with them or something

-

To google!

-

It's convenient he kept a beard his whole life

-

Oh okay Sam stole hard drives from the BMoL and is using their actual data.

-

I like the side by sides of their report cards where the prop people literally did them backwards from each other. "*More effort required!" they say about Alexander, and "Excellent work!" for Arthur.

-

Dean isn't buying it

-

LOL they dumped Ketch's corpse into the waste canal.

Do you want a haunted Bunker? That's how you get a haunted Bunker.

-

Anyway Dean is like NOPE don't believe it and Sam's like... there's so much proof... and then he goes in to question DHJ again and DHJ is like... you literally saw me get shot in the head last season, you don't trust that? And Sam's like no I had to concede that Dean had a point that we really can't trust anything and I guess Cas did just randomly come back or something and we have horrific problems with the white men on this show coming back again for completely random reasons that make no sense so you had better bloody well actually be re-introducing Rowena into the narrative even more dramatically than the warning Billie gave about the red-headed witch that Dean probably didn't tell me about now come to think of it, but I'd still like to see her again because we had a sort of weird thing we never really talked about going on...

-

Also are they keeping DHJ in the store room that showed up for the pencil scene but isn't the other store room? It looks like a different part of the Bunker repurposed.

-

Sam mis-reads Ketch, maybe because he never knew him as well as Mary or even Dean saw him. DHJ is like dude I played him for a year and psychoanalysed him and his crush on Dean in multiple interviews, so trust me when I tell you all his character exposition.

The stuff about being loyal to Heaven - I mean the BMoL - and being a company man echo what Ishim said about old Cas in 12x10

-

DHJ like, I did so much character work in those interviews, and I never got a chance for Ketch to be sympathetic so let me offer some more insight on him now you have me in the worst interview chair ever.

Also, don't go into pop culture journalism, Sam

-

"If he were here, he'd admit regret to some of the things he did to your family"

Yeah unless you have a magic twin link (well... not unlikey tbh with random ass canon pulls) you're either Arthur Ketch or just DHJ enjoying doing interviews about Ketch to a twisted and weird level and I'm sort of gonna have to do an intervention on this for him.

-

CAS

-

NEW PLAYGROUND

-

New angel!

mittensmorgul dumas? that's the name the superwiki has linked, but her page is blank

elizabethrobertajones Heh 3 musketeers again first in the off-brand nougat now that

-

"If we had him he wouldn't be imprisoned he'd be put to work"

SHE WANTS NEW ANGELS

I don't freakin blame her

But Jack shouldn't be "put to work" either - he would have to want to do it.

Awww Cas getting protective over Jack before I'm done typing that of course this means Jack would be forced to do it and the angel says "No other choice" because of course she does.

As usual heaven isn't comic book evil but its purposes in the name of "good" are super shady. Even if Jack was pure evil himself, Heaven enslaving a powerful nephilim for its own purposes would be dodgy.

-

Btw I am still torn about Cas's compulsion to care about Jack but on the other hand I am really enjoying Cas generally existing and being alive - and wait a minute she didn't even ask about how he was doing that - so I'm pretty much enjoying the surface level about Cas and Jack right now. Because of course I see the good in Jack that he DOES need protecting, so however Cas ended up on this, at least he is doing the right thing and taking the right stance.

-

"Castiel, he's not your pet. He belongs to all of us."

-

Uhoh, Cas is probably going to get grabbed.

*surprise*

Hey he did pretty well considering he's fighting 3 angels and is much weaker than them.

-

Oh boy, here's Lucifer. This is gonna go great.

-

Does Cas or Lucifer need to start this with the "you're supposed to be dead/in the AU" first?

-

Lol, Cas is the first person in this entire damn episode to actually ask a relevant question, and it's one we already know the answer to

*waves a little flag for Cas though*

Hey and then Lucifer asks about Cas being alive, what do you know.

He then calls Cas "cowboy" and pretends like Cas wouldn't kick his ass.

I am pretty happy about the "cowboy" thing :P

-

Lucifer has found a tan jacket somewhere, specifically one that looks like the one Jack was wearing but maybe a bit thicker, more like Cas's new coat. He's trying to edge in on this family and I can only assume this is not even a veiled metaphor for the douchey biological father wanting to be all interested in his son's business.

Lucifer in a tan jacket makes me think wolf in sheep's clothing.

-

He does, however, shelve the issue of child custody for now, and he appears to be genuinely freaked out enough about Michael to make that a priority and tell Cas about it, because if you want help against Michael, we've had 2 references to Team Free Will in short succession and that was a phrase coined specifically to spite Michael...

I don't think Lucifer should be allowed in, remotely, because it's become a family term, but the imagery is interesting anyway that he is trying to leech off the success of TFW to accomplish the goals he could never do himself. Especially because it was blatant in season 5 to everyone but him that Michael would kick his butt since he already did it once before and nothing has changed, 12x12 confirmed Michael would kill him slowly, and now meeting an AU Michael, he discovers that yep Michael sure is stronger than him, even when he was the last strong archangel left, and then Michael took that from him...

-

None of this, however, makes Lucifer sympathetic or good, just self-interested in not dying, and who is better at not dying than Cas?

I mean he wasn't even expecting to see Cas here, I guess he was going to a heaven portal to try and get them to listen?

-

LOL Kingdom Beer sign over Cas and Lucifer having a chat in a bar.

Cas looks Weary.

"I came back from the dead to deal with THIS? Please take me back to yesterday when it was fun kinky cowboy times with Dean."

-

I'm glad Cas isn't remotely friendly to Lucifer and is quick to remind him about how killed he got last time they hung out. Lucifer continues to be whiny and annoying about it all, unrepentant for killing Cas over petty nonsense.

-

LOL Lucifer is like "this Michael is much more powerful"

buddy. dude. go watch 12x12 then get back to me about how whooped your butt would have been. I mean go look at that lovely painting of him whooping your butt that was in 12x12 and unrelated to the fact he had that fucking lance in the first place.

-

Anyway he's trying to convince Cas to use his influence on Jack to get them to be the ultimate team up but they're fundamentally incapable of doing that because they're the 2 rival dads for Jack and blatantly symbolically being shown as that in these costumes, and that's one of the huge thematic things.

-

Cas like "You are the Weakest Link, goodbye."

-

I love Cas being so snarky, so maybe Lucifer being around is good in some respects, that it makes Cas this snarky because he has something to bounce off as awful and despised as Lucifer. Not even Crowley got THIS dismissive treatment, because they had emotional baggage that was of a whole different sort, whereas Cas and Lucifer have been opposite mirrors the whole time since season 4

-

Lucifer is emphasising how he and Cas are the big cosmic powers around here, with Jack. Hm...

Lol Cas is like "I'm calling my guys who deal with these things" and Lucifer bangs his head on the table in despair. I guess this is like the boy who called wolf except that instead of calling wolf he was literally going around eating all the sheep and was banned from being a shepherd for life and locked away and got out and ate more sheep and was locked away and got out and ate more sheep and got locked away and THEN came back like oh hi something's gonna eat all our sheep.

-

Lucifer then says Cas needs him and that he needs Cas and they all need Jack.

So Um I guess "Need" is The Worst Word right now :P

-

"Jack. Your son's name is *Jack*" *pats Cas's hair*

Pfft themes "is he a chip off the old block?" "thankfully, no. he seems to favour the mother"

Theeeeeeeeemes

-

Cas squinting when he lies - I don't think that's his lying tell because he does it too much, but perhaps uncertainty. The fact he squinted so much in the reintroduction huggy scene last episode feels to me less like lying and more like no clue what was going on and how mad he had to be about his humans sacrificing for him to come back.

-

Laughing at all their labelled phones lying around permanently charging. I think this is the first proof we've ever seen that they have a Bobby phone bank, but I can't imagine who would rely on the Winchesters to answer the phone when they need proof of ID :P They're like ALWAYS being abducted or disappearing on cases.

Or dying.

-

Okay so the phones are more just for their personal IDs for the cards THEY give out and they're just getting a call back from the motel for some reason, I suppose because Jack was with them (seriously. Dean gave the motel the name Jack? I have to assume Jack said his name before they could re-name him on the fly and so he was registered as a guest there as Jack the Nephilim because why the fuck not... Berens has a magic skill of un-fucking Buckleming canon but it seems Buckleming's skill is fucking up poor Davy's, in 12x13 and 12x17 and now here...)

ANYWAY jesus christ Asmodeus is stupid. "Evil Colonel Sanders" literally walked in and abducted Karl in person which means that his stupid ass questions weren't even because his minions brought him the guy and presented him in an idiotic way, but our shapeshifting villain wandered in and took Karl, himself in person with his own freaking face that the Winchesters KNEW and is extremely memorable, and took his prize.

...

DHJ better turn out to be Asmodeus even though I think their screentime overlapped and this makes no freaking sense since he has some established history wandering around attacking witches before they caught up with him.

-

I'd rather have a time plothole than a stupid plothole :P

-

Anyway DHJ is hanging out with them in the library eating a sandwich because... um

reasons?

At least he's in chains.

-

Oh my god I said that sarcastically moments before Sam said it sincerely and then pointed out there's no bathroom in the armoury

what the fuck

-

Like I said up top: as stupid as the villain is, your main characters have to be about as dumb as they are, either only just enough to outwit them, or more stupid if they get outwitted...

Poor Sammy, he was having such a fantastic season

-

Dean just straight up pretends Mary is phone when DHJ asks because why the heck would you monologue your sad life story to the bad guy, and give him emotional leverage over you? Especially when he ASKS because "Alexander" should have no knowledge of Mary or care about her, but then he also shouldn't know the DHJ interview details of Ketch's inner life.

-

YAY Dean and Cas are talking and Dean phoned Cas probably just to hear a sane voice because Cas is managing to weave around being Buckleminged, so far, possibly just because he was not in the opening half of the episode, and then this was a really important conversation they couldn't fuck up so probably got supervised.

-

elizabethrobertajones tee hee Cas standing by the gents to take a call from Dean wait hang on ... I'm not even being jokey I literally just had that moment in the chat with you :P *rewinds* Longing retcon Confirmed Oh dear that is hilarious I don't know if that's the moment you wanted me to see or not but I'm delighted :P

elizabethrobertajones Cas was standing away from Lucifer ready to take Dean's phone call and had to have walked off up to a minute before he called, but most likely in that time when Dean was like UGH I need to talk to Cas and hear the one sane voice in this episode and Cas was like... Brb I... have to use... the 'Gents' and got up and wandered off to take the call eat it, 12x10 and that "where's my phone" moment I mean Buckleming introduced it to fill a plothole so why should they not use it to cover more plotholes at their leisure

... did Speight know? I mean he coulda been like what the heckeroo, and added Cas getting the call and legging it from the table.

-

The only other option I can think of is Cas decided he may as well just get up to "go pee" because Lucifer is so annoying that pretending he needs to go to the loo buys him 5 minutes to let his migraine subside.

-

Also what the fuck DHJ was wandering around the bunker so he could use the bathroom. I am confused. Is this actually like... being hinted at. Like, "hey children, please remember who does and doesn't need to use the bathroom in this episode"

-

Omg

Cas like "I would *like* to see you too" is he literally pretending he and Dean were canoodling on the phone as a cover?

-

I hate everything

-

Anyway need/want blah blah I have been over that a lot lately :P Cas is using his DESIRE to see Dean to get help, by Lucifer saying he NEEDS Cas.

-

"Smooth was never your strong suit" oh my god Lucifer also thought Cas was pretending to be flirty too what is going on

why has this episode confirmed all the headcanons about Cas being the most shittiest phone sex guy ever

of all the things.

why.

-

DHJ wants to go because he misses being in on the action with the guys

-

Like. No, go take your sandwich and sit down.

-

Dean is sad about Cas always getting killed by Lucifer and stuff when he does stupid things.

-

Cas's "ugh stop talking Lucifer" face is a whole layer more existential misery than dealing with Crowley... I think he was secretly fond of Crowley or at least enjoyed hating him, whereas Lucifer is just EXHAUSTING.

He's needling Cas for attention.

-

LOL randomly Asmodeus as if Cas's headache wasn't bad enough, now we got thunder and lightning and very very frightening...

Pfft.

-

bahahaha Lucifer called Asmodeus the dim bulb

I mean he's not wrong, Asmodeus has been completely idiotic all episode. And of course, narratively, his "evil plans" are just self-interest which will endanger the entire world because even if Lucifer is a twat, he has a point about the coming danger of Michael, and Asmodeus just refuses to see the danger, which is all kinds of various political commentary, and using his era aesthetic to say this kind of thinking is such a throwback...

-

I think this might be the most confused Cas has ever been about if he should stab someone or not - if he actually WANTS to defend Lucifer. Not really, but Asmodeus seems like a bigger problem because at least Lucifer isn't trying to kill him.

-

I hope this just randomly gets Asmodeus killed.

Or Lucifer

-

Asmodeus just called Lucifer "screwable"... do they even know what they said? :P

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EEEP there was a Margiekugel sign and it just flickered off

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"Nick's bar" pfft because Lucifer?

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It seems like Sam and Dean are too late and Asmodeus already made off with everyone?

I hope Cas is okay

being held captive by that idiot seems like a fate worse than death. You're going to get villain monologues all day.

-

Anyway fight fight fight

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Good fight.

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Where did DHJ even come from?

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that was a ridiculous nonsense about how he escaped. I also will die if he took Dorothy's bike and not his own left stashed there. Also he nodded at Dean like hey you didn't cavity search me like you should have, which... Is he actually Ketch?

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He's actually Ketch

Of course that means Dean knows him very well and trusted his gut instinct on knowing Ketch to prove that he was not, in fact, the actor David Hayden Jones, chillaxing on set and being weirdly cheerful about being beaten up by the Winchesters.

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Pfft he used Rowena's charm to get alive again

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Well she better be fine if they're gonna use her like this.

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"Is she?"

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LOL Ketch ninja'd out of there

Oh good it wasn't Dorothy's bike

Considering how they use Rowena, DON'T use Mary, etc I'd have taken Dorothy's bike as a personal insult. I guess Ketch rode his over to the Bunker before 12x22.

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I mean at least this means Ketch remembers he got shot and then also he revived in a sewer where he belonged because he is garbage.

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Wait. He set up this whole thing in like a month or so TOPS since he got shot? If he’s been chasing witches has he even had TIME for a side business?

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Oh boy, Asmodeus using Cas's voice to talk to Dean.

BAD HELLO DEAN.

That "see you soon" is also way too cheerful. It should be as much of a tip off as Cas begging Dean to come help him in the previous call.

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I hope Dean sees through it.

Though it's so Buckleming-y I don't think people should be mad if he doesn't because this was them doing a smart!Dean episode.

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PFFT of course they team up - colonialism from all sorts of fun angles!! The ultimate trashy white guys in suits team up.

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Thanks Buckleming!

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Man, I need a whole pot of detox tea now. I don't even have closing thoughts.

[kane-and-griffin]

Hey! So I know that you're the most famous person of the kabby fandom (and I love you btw) so there's something I need to tell you. I've seen a lot of people from the kabby fandom (which I am a part of it) getting mad whenever someone on twitter doesn't like Kane or Abby, saying that it's because they are ageist which I think is really annoying (like they start going off on them almost every time ) 1/2

Everyone is entitled to their own opinion and if they don’t like a character it’s not necessarily bc they’re ageist. I think that this is the reason a lot of people don’t like us so (if you agree with me ofc) could you maybe pass the word? I love you btw you’re an amazing person and your ff are the best 😘 2/2             

Okay.  So.  

There’s a lot to unpack here.

I have a lot of thoughts, some of which may notbe the thoughts you were hoping that I would have.  I do want to thank you for your very sweet words, but I also want to address a few things about this askI find extremely frustrating, not with the intent of making you feel bad butbecause I think there are some big conversations here worth having in a broadercontext.

First and foremost, and this is something most ofyou have heard me reiterate many times, I am a strong advocate of peopleaddressing their problems with each other directly.  If you saw someone on Twitter accuse someoneof being ageist and you disagree, that’s fair to say!  Social media is a free and open exchange ofideas.  Also, if you’re a member of theKabby fandom, and you witness another member of the Kabby fandom engaging inbad internet behavior, call them out!  It’salways better for communities to go collect their own people when they crossthe line rather than expecting others to do it. If your fellow fan tweets something mean, call it out.  We all need to do our part to shut that stuffdown and make the fandom a better place. But the right forum for that is to bring it up with the person whoactually said or did the thing you’re upset about, and not to bring it to acompletely unrelated party.

Which brings me to my second point: I’m extremelyuncomfortable being addressed as though I speak for the entirety of the Kabbyfandom.  I don’t.  No one person does.  Fandoms are communities made of individualpeople who have shared interests, but there’s no hierarchy. I don’t want to bethe Bad Fandom Behavior Police. This is especially frustrating when I getasks where one member of the fandom comes to Kabby Mom about something anothermember of the fandom did … especially when it’s something I wasn’t part ofand didn’t witness.  

And that, my dear Anon, is the big problem that I’mhaving with this request.  I don’t haveany idea what incident you’re referring to, what was said, by whom, to whom, orwhat the context was.  You’re asking meto agree with you that somebody was out of line, and that, quote, “that’s whypeople don’t like us.”  But I can’t grantthat premise without knowing what you’re talking about.  

(Also, by the way, I would urge you to let go ofspending too much time caring about whether other fandoms like us.  I can assure you, most of them honestly probablyaren’t thinking about us that much.)  

If I understand the situation correctly, and ifwe’re referring to a real incident and not a hypothetical, you’re saying that PersonA tweeted something negative about Kabby and Person B said “that’s ageist.”  You, Anon, believe that Person A was not being ageist, that Person B overreacted,and that B is the one whose behavior is the problem.  And that’s certainly one possibility.  But the other possibility is that maybePerson A was being ageist but neither Person A nor you have recognizedit.

And I cannot make that determination for you,because you haven’t told me anything concrete, and I wasn’t there.

I am also a thirty-six-year-old woman in a fandomfull of teenagers and if you are not thirty-six then it is entirely possiblethat you and I are seeing the concept of ageism from two very different andincompatible points of view in the first place.

That being said, if you want my opinion, here is my opinion.

First, there really is no excuse for being a jerk onthe internet, no matter what you disagree about.  There will always be people who love thingsyou hate and hate things you love and ship things you find incomprehensible andreject headcanons you treat as gospel, because we all fandom in our ownways.  So if you’re asking me, shouldKabby shippers get a pass on being jerks to non-Kabby shippers just because I,personally, ship Kabby, my answer to that is, “of course not, that is insane.”  Disagreement and discussion are always okay;Twitter is a public forum, and if someone voices an opinion, you get to haveyour own opinion about it.  But being ajerk is never okay.  

In general, I am a strong proponent of stayingin your lane. I’m a pretty ruthless curator of my Twitter and Tumblr feeds, soI don’t follow anyone who talks shit about Kane or Abby (I have a one-strikeblock policy with this), and I recommend this approach to everyone.  Make your social media feed your happy place.

Now, there are lots of people in the fandom who don’tlike, or simply don’t care for, Kane and/or Abby.  There are probably plenty of reasons forthis, and not, not every single one of these reasons is inherently ageist. HOWEVER!The fact that you did not see the comment in question as being ageist does not actually mean it was not ageistor that the person who called them out was wrong for doing so.  

Ageism is hardwired into the very fabric of oursociety – like misogny and heterosexism and racism – and just like with thoseother -isms, most of the time when we serenely think that we are guiltless ofit, we are lying to ourselves. And that goes for internalized prejudices,too.  This stuff is ingrained in us from birth. In general, the sameway I am inherently suspicious of white people saying “I AM ZERO PERCENTRACIST” and men saying “I AM THE MOST FEMINIST MAN TO EVER MAN”, I tend to takewith a grain of salt the words of people much younger than me talking about ageism in this fandom because I actually see it a lot.

And fam, we need to talk about the differencebetween fandom discourse about Abby and fandom discourse about Kane.

Now, your mileage may vary, but I will say thatin my personal experience, when I stumble upon someone who does like Abby but doesn’t likeKane, I agree that it frequently has its roots in reasons which are notinherently, automatically ageist.  Ittends to be rooted rather clearly in plot. More often than not, they’re still tripping up over something he did in aprevious season that they can’t get past. (We should probably save the conversation about our fandom’s selectiveforgiveness problem for another time.)  Theycan’t get past the Culling, or arresting/shocklashing/attempting to float Abby,or being too hard on Bellamy, or losing the election to Pike by choosing toally with the Grounders, or floating Aurora or Jake, or just in general being amega-dick in the pilot.  And that’sfine!  I mean I feel like you’re missingout by giving his four-season character development arc short shrift andignoring the way all the terrible things he’s done in the past shaped him intoa better person once he confronted them, but whatever!  The point is that, you’re right, thatreasoning is not, in and of itself, inherently ageist.  That’s not to say that there aren’t any fanswho straight-up just don’t like him because they think old guys are boring, forthe most part, when I see people dislike Kane, it’s a reaction to something that he did.

But we actually do need to talk about ageism andAbby in this fandom.  Because it is a big fucking problem. 

The problem with ageism and Abby is that moreoften than not, from what I’ve seen, when people dislike Abby, it’s a reactionto who and what she is.  It is absolutely impossible to separate itfrom internalized misogyny and the way older women are systematically devaluedby our culture in ways that sometimes we can’t even see as ageist, because they’rejust hardwired into us. 

Sure, every once in awhile you get an easy one,and someone whines on Twitter about “gross old person sex,” and then you canpoint to it very clearly, and nobody will dispute that we’re talking aboutageism here.  But it’s often so muchmurkier than that.  Ageism can look likea lot of different things, many of which you’ll believe are completelyunrelated.

Ageism can look like fans who show up in thecomments of the writers’ room Twitter and Instagram when they post pictures ofthe adults to say “nobody cares about them, post [whoever I personally stan themost] instead.”

Ageism can look like gifset after gifset featuring “leading ladies of The 100″ where they include Fox and Maya and Charlotte, but not Abby (who has second billing in the cast after Clarke).

Ageism can look like a blanket refusal, under inany situation where Clarke and Abby are at odds, to grant that Abby might havea point, even when the narrative is clearlytelling us that Clarke is the character at fault. The tendency within thisfandom for young girls who closely identify with Clarke to graft their own momfrustrations onto Abby is virtually never-ending, and it can be hard to sift throughthe the complex intersection of ageism and misogyny that makes it impossiblefor them not to see mothers as human beings who are interesting, who are wise,who are right, who know things their children do not, who are sexual, who areallowed to make mistakes, who deserve screen time and plot agency, who are justas vital to the story as the teenagers.

Ageism can look like giving Clarke sole creditfor establishing peace with the Grounders through Lexa, when in fact it wasKane who made the first contact with her and got her to offer the treaty in thefirst place, and it was Abby turning Lincoln from a Reaper back into himselfagain that cemented the alliance.

Ageism can look like shutting down Kabby shippersgleefully enjoying headcanons about bunker baby theory because Abby is “too oldto have a baby” – a misconception that has permeated so deeply into our culturethat we have all internalized the belief that no woman is supposed to have ababy over the age of 35 as though it is inarguable scientific fact, even thoughit may interest you to know thatis a myth.  (“What? How did I notknow that that was a myth?” BECAUSE OUR ENTIRE SOCIETY IS AGEIST TOWARDS WOMENAND THE STUDY THAT GAVE US 35 AS THE MAGIC STOP NUMBER IS FROM LIKE THE 1700’S,THAT’S HOW FEW FUCKS THE MEDICAL COMMUNITY GIVES ABOUT UP-TO-DATE RESEARCH ON THEHEALTH OF OLDER WOMEN)

Ageism can look like a fan who ships all thenon-canon ships … except Doctor Mechanic, because it’s “gross” and “Abby isbasically her mom.”  The inherentdesexualization of age-difference relationships is often rooted in ageism.  You don’t have to ship it!  But if you insist that no one should ship it, then there may be some ageism in the rootsof your ship-shaming.

My point here, dear Anon, is that if you arelooking for someone to tell you, “you’re right, Kabby shippers overreact aboutageism in this fandom,” you are barking up the wrong tree, because from where Istand, as a woman far closer to Abby’s age than Clarke’s, I’m going to venturethat we don’t talk about ageism enough.  And like many -isms in our society, if itdoesn’t appear to you to be that big a problem, that may be because it doesn’tapply to you.  (Yet.)

Now, to be clear – before someone sends me anangry rebuttal to this – not in a million years am I saying that it makes you inherently ageist if you don’t shipKabby.  Just like it doesn’t make you inherentlyhomophobic if you don’t like Lexa or inherently racist if you don’t like Bellamy or inherentlymisogynist if you don’t like Clarke.  Butall squares are rectangles, even if not all rectangles are squares.  By which I mean that, contained within thegroup of people who don’t ship Kabby, there is a lot of ageism, just as,contained within the group of people who hate Bellamy, there’s a lot ofproblematic racial shit, and it means we need to have a clearer understandingof where those lines are so that we recognize the ugly stuff when it shows upon our timeline and call it out when we see it.

[yutaya]

I appreciate the individual episode descriptions! I want to watch ep 4 so badly. (Episode FOUR HAHAHA)

The best part about this Netflix spin-off show? The plot twist that shocks all the original TUA fans. That thing that seemed like the end of Klave in TUA happens in this show and it’s still only like, episode 7. And then the story KEEPS GOING. The next few eps are split between Klaus grieving and Dave journeying to make his way back to Klaus. Their eventual reunion is beautiful and sparks a thousand gifsets. 

Their saga continues with Dave and Klaus working together in Klaus’s time now to help his siblings save the world - but what do Klaus’s brother’s enemies have to do with the mysterious organization that was hindering Dave as he fought to get back to Klaus? Was Klaus getting thrown back in time in the first place more intentional than they thought? Their investigation into the new depths and previously unseen dark history of this ‘commission’ expand into the main arc of season two. 

No matter how many interdimensional portals, alien abductions, doppelgangers, time travel heists or virtual alternate realities continue to separate the two by solar systems and by centuries over the course of the series, they always, always find their way back to each other. #Klave #OTP

(Somewhere around season 5 they have a wedding on an island that they had just saved from a hoax monster created by the corrupt village leader who was using a magical fear artifact to keep himself in power. Two of Klaus’s siblings are sporting visible wounds at the ceremony but smiling softly nonetheless. Also in attendance is someone they picked up during their adventures last season that none of our main gang really knows very well yet; no one has figured out at this point that they’re actually Klaus and Dave’s grandchild from an altered timeline.)

LOST IN VIETNAM

Klaus Hargreeves suddenly finds himself thrown back in time to 1968 and the Vietnam War. Will he make new allies and find love? Will he make it back to his own time? And most importantly, will he want to?