#and while i like both of the nanos i did there they’re both VERY character focused
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my sci fi oc universe has mostly existed as an excuse for me to do specbio and some sci fi worldbuilding when i feel like it but i’m actually starting to get like. a very compelling idea of how i could actually make this a cohesive story. Interesting 🤔
#pers#i’ve had it since 2018 i think?? when i did a nano set in that universe#and while i like both of the nanos i did there they’re both VERY character focused#when it’s the worldbuilding i do there that compels me. but i think i see a way to actually do something#this is what reading a bunch of really good sci fi does for you!!
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Hi, i love your works! Can i request for a bucky fic? Maybe where he's into y/n but thought y/n is into Sam? Thanks
A Good Plan
Bucky Barnes x Reader
Summary: Well what do we know? Sam got a plan.
Note: Yay! This is my Day 26 entry for @the-ss-horniest-book-club Lucky in Love, prompt is SUCCESS and I kinda thought it'll work well with this nonnie ask xD enjoy 💜
Sebby & His characters taglist: @nano--raptor @marvelgirl7 @godofplumsandthunder @jobean12-blog @hawksmagnolia @jewels2876 @bugsbucky @tyranneosaurus @hailmary-yramliah @buckosawrus @cherryblossomskye @curlyred2020 @sipsteacasually @harrysthiccthighss @lookalivefrosty (taglist open)
Sighing as you tried to make yourself comfortable as you can possibly be while strapped on a seat inside the quinjet stealing quick looks at the quiet and broody man beside you. Not realizing that Sam who's on the other side has been watching the two of you. Getting frustrated on how you two idiots kept on denying each other's feeling.
So he did what he does best. Annoy Barnes. The whole time while in the mission he did his best to be touchy and sweet to you knowing that a certain old man is peeking.
You on the other had was used to Sam being like this. You two are kind of close so it didn't bother you that he's acting silly. But not like this, he is being extra Sam and it bothered you.
"Whats up with you today bird brain?" You asked him. Staring at his annoying silly grinning face.
"I got a plan." He whispered winking at you.
"What plan? We just finished our mission." You said as the two of you started walking back to the waiting aircraft.
"Oh, just trust me. Its a good plan." He said and his arm went around your shoulder to keep you beside him. With an annoyed pout you just let him guide you. Your pout instantly melts when you got near the quinjet and saw bucky staring at the two of you. He got his serious look on his face again that yiu always find very sexy but not at this moment though.
His eyes didn't leave the two of you until you got inside and got strapped in for take off which made you frown. Did Sam do something stupid to him again? You're already used to their banters but somehow today feels different.
Elbowing Sam's side your tried to move your head near him.
"What did you do!?" You asked him but all he did was look at you and grinned.
"I told you, i have a plan." He said and winked.
You ignored Sam's annoying face the whole ride back and tried your best to not peak a Bucky in case he's Still looking. Just the idea that his eyes are on you gave you chills.
You didn't notice that you've landed not until you felt a tap on your shoulder.
"You okay Doll?" Bucky asked. He's standing infront of you trying to get a peak on your face. You nodded whike looking up at him with wide eyes.
"I-I'm good. Just tired I guess." You said, removing the straps off of you but your shaking hands aren't helping at all which made you curse.
Bucky saw your predicament and kneeled down infront of you to help you remove them. But isntead of leaving he stayed there holding the now loosened straps. His metal fingers rubbed the rough texture of it and sighed.
You stayed there in your seat not knowing what to do. Bucky looked bothered and it worries you
Holding his metal hand stopping him from rubbing the stap it was your turn to peak at his face. He's frowning, his eyes are glued on your hand holding his metal one.
"Sam's a great guy..." He said in a whisper that you almost didn't hear it properly.
"What do you mean?" You asked.
"I said he's abgreat guy and I'm happy for the both of you!" He said. His town a little sharp that you flinched a little. Seeing your reaction his face instantly softened and then he looked guilty. "I-I... I'm sorry Y/N. I dont know what gotten into me." He said defeated.He took his arm from your hold and brushed his hair back using it.
Now you can clearly see his flushed cheeks which made you grin wide. Now it's your turn to stare. Your eyes took in his face and how his eyes became unfocused under you gaze. Oh how cute! You thought.
"Are you jealous Sarge?" You asked, smirking at his reaction. His eyes went wide they look like they're about to pop off their socket and his cheeks went a lot redder.
"I-I...w-why would you ask me that." He said standing up fast. "I probably should head in. Steve is waiting for our report." He said and started brisk walking.
You couldn't help your hysterical giggles as you stood up to catch up on him.
"Admit ittt...." You said teasingly. "Jelly belly bucky~!" You said in a singsong tone. But he just continued walking straight. You continued you singing until you end up smacking your face in his muscled back.
Bucky turned around to look at you and your currently scrunched face. God his back is hard! You thought feeling a little sting on your nose.
"What if I am? Are you going to leave Sam and be with me?" He asked in all seriousness that it made you laugh so hard you almost end up on the floor. You and Sam? Oh Bucky... "Nevermind." He said grunting and was about to turn back again when you quickly pulled yourself back up to grab his arm halting his movement.
"There's never a Sam in this Bucky. Just you." you said and tiptoed to kiss his cheeks. Bucky looked down on you, shocked from both the kiss and what you said.
Just him? Him?? He couldn't believe it. His heart started beating so fast. He pulled you to his arms and hugged you tight yiu can hear his heartbeat but surely his super hearing can hear yours too.
"Just me..." He whispered. "Just You and me Doll face." He repeated and you nodded your head a wide smile spreading on your lips. God damn Sam got a good plan indeed. You thought.
#zephirahnyxwrites#hbc#hbc lucky in love#the ss hbc#bucky barnes#bucky barnes x reader#bucky barnes imagine#bucky barnes fanfiction#bucky barnes fluff#bucky x reader fluff#anon fic request
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FusionFall Headcanons: Mordecai and Rigby
As I bring in these newer shows, like with Adventure Time, I’m going to take where they were at when FusionFall ended into account. As a result, for Regular Show, I’ll mainly be considering the events and states of the characters as they were in Seasons 1-4.
Despite all of the chaos they’ve faced during their time working at the Park, I don’t think Mordecai or Rigby would join the Fusion Fighters since most of the dangerous stuff they faced were initiated by other people or were situations they couldn’t avoid. (They might cause trouble, but often without knowing the full stakes until the danger reveals itself all too late.) They’d be tempted by the pay and prestige, but not all of the risks and constraints of being a soldier--and they’d get enough adventure having to protect the Park on a regular basis. Knowing the two, Benson wouldn’t be happy about them signing-up for the war on a whim either and would be very vocal about it. So, at most, they might try it out for a day before realizing it wasn’t for them. Despite this, fusion fighters who saw them and the others working at the park would ask them to join for their ability to handle a crisis. While they’d still turn the offer down, both Mordecai and Rigby did gladly sign-up for the nano project as a compromise.
However, this is not to say that they never involve themselves in the war: Like everyone else on the planet, they still have to play some part. An area of the Park was turned into an infection zone, so soldiers moved in and Mr. Maellard, the owner of the Park, insisted that his staff work with them and establish a small base of operations there. (In this sense, all of the Park’s employees would be considered at least honorary fusion fighters anyway due to that agreement and the risks they’d still have to take because of it.) Most of the work is focused on clearing/containing the infection or creating a safe haven for soldiers and civilians alike, repurposing the Park’s various buildings/amenities.
While Mordecai and Rigby haven’t had to do as many of their usual chores as a result of this, their new tasks are often more intense and they aren’t able to slack off as much as they used to. They understand the weight of the situation, but it’s not as if they like it either and it gradually would wear on them over time, with the pair complaining about their conditions more often as the war dragged on.
Both Mordecai and Rigby have a mixed relationship with the fusion fighters stationed at the Park. When it’s time to unwind, they’re great at helping the soldiers destress and get along well with those their age. If there’s an attack, they often have a good sense of when to let the soldiers handle the fighting on their own and when they absolutely have to step in. With the day-to-day stuff though, some of the soldiers, Mordecai, and Rigby can all easily get on each other’s nerves--especially between them and the fusion fighters with more rigid personalities. They can also be a bad influence on younger fusion fighters who have more carefree personalities like their own or less experience.
Naturally, this means they don’t handle tough schedules or regulations well. Typically, it’s Rigby that plays things more loosely and clashes with fusion fighters in this sense; however, Mordecai has caused trouble simply because he worries more often about those outside of the Park--particularly people like Margaret. While the Fusion Fighters have to focus on protecting the area as a whole, people will always prioritize their friends and loved ones. Both Rigby and Mordecai are no exception, but while Rigby is concerned more with the events immediately around them, Mordecai’s crush on and desire to protect Margaret sometimes means he’ll forget everything else--including the safety of others. He might even leave the Park to see Margaret (or whoever he’s dating at the time) for a mundane reason when there’s important work to be done.
Similar to how they handle their regular duties, out of the two, Mordecai tends to have a stronger sense of responsibility than Rigby with his war-related tasks. However, Mordecai’s ego can cause trouble. He struggles with the most with having many of the duties of a fusion fighter without being an actual soldier--sometimes hyping up his role, being challenged to match what the fusion fighters do, and it backfiring on himself and others. Meanwhile, Rigby’s impulsiveness often means he’ll mess with things he shouldn’t be it with pure or selfish intentions. A couple of the problems they’ve caused include sneaking into the Park’s infected zone and/or daring others to and taking/breaking fusion fighter equipment/weaponry.
Typically, Mordecai doesn’t put too much thought into having nanos of himself: Out of sight, out of mind. However, he can be a little self-conscious about it when the subject is brought up. While he takes pride in being a part of the nano project and enjoys the attention he gets for it, he also sometimes worries how the way the nanos behave could reflect on himself and can get embarrassed by it. Truthfully though, he’s more concerned about it than other people are, since no one fully knows which quirks solely belong to him and which ones were passed on/subdued/amplified by the nanos’ IE Donors.
Out of the two, Rigby cares the most about being a part of the nano project, having bragged about it to the point where people get tired of hearing it and making a point to keep track of however many nanos he sees of himself. While he cares about how popular they are and what their impression is on others, he won’t put all that much effort into teaching them anything like some other models for nanos might. He gets a kick out of it when their traits match his own, but won’t worry too much about--or do much self-reflection toward--their good or bad behavior.
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To Topple A Giant || Chapter Nine
Summary: You had made it your mission to destroy even the smallest evils. When the opportunity arises to finally take down your own family after years of gaining their trust, you reach for it. And so does Steve, the man who represents a symbol of everything you hate.
Pairing(s): Steve Rogers x Reader || Avengers x Reader
Part 9 of 10 ~ Mini-Series
Warnings: This story contains mature themes and discussions such as extreme canon violence, strong language, emotional angst, mentions of Endgame deaths and recoveries, sexual situations, and emotional/physical abuse. This is purely fanfiction.
Warnings in this Chapter: strong language; use of a derogatory slur/racist language (not said by any main character); mentions of blood and injuries; angst!
Word Count: 11,200+
A/N: One more chapter after this - I should really stop labeling this as a mini-series considering it’s already over 100,000 total words lmao. Thank you for staying with me this long! I love you guys soooo much!!!
~
Utah Merry Hotel, January 2025, 2:09pm
“I’m being an ol’ sport, why can’t you?” You whine, stomping your feet as you trudged up the stairs to the hotel roof. “It’s our first serious stakeout in forever! I’m pretty sure Wanda shaved her legs for this.”
Steve shoots a flustered and unsettled look over his shoulder. He’s lugging the rifles and extra equipment on both his shoulders so you know he’s truly baffled because to even attempt a look over… well, that required real effort. He doesn’t answer, however; he continues upward.
Bucky and Clint are following close behind. They’re tired, huffing every few steps and grunting while doing so. Finally, Bucky whines and throws himself against the wall dramatically. “Remind me why we couldn’t just get Wanda and Sam to lift us up there?”
Steve readjusts one of the rifle straps while he replies, “Buck, I told you not to skip leg day.”
“I skip ‘everything’ day. I’m just now employed as a superhero, thank you very much. The serum should be enough.”
“Are we even close?” Clint asks and passes Bucky on a few steps. Bucky takes that as a challenge though and hoists himself more steps before giving up again.
You just watch in pure amusement. Makes you really proud that your thighs are stronger than theirs. “Just a few more flights.”
They both groan in unison. Steve has already rounded the next flight, no longer waiting on the three of you. It takes several more minutes until you kick open the roof door Steve had left slightly ajar. It’s cold outside, wind howling with icy droplets whipping through your hair. It’s only fifty stories up but it’s pretty high - you can see the tops of the trees, or branches really. It’s winter in Utah and most of the trees are naked and covered in snow. You hope Bucky and Clint, the dynamic duo no one saw coming, still have good aim in this wind after a year of vacation.
“Alright. Buck - Clint, set up over there. Y/N, you’re over there.”
“Aye Aye, Captain.”
You set up where Steve instructed. You’ve got a simple magnifier and some binoculars - you won’t have to do any shooting today, thank the Gods. Clint’s got his arrows and Bucky’s got his sniper. Steve’s waiting for a signal from Sam if need be - he won’t need to shoot today either.
“Wanda and Sam will let us know when the cars pass the barrier. The tech cannot, under any circumstances, pass through the gate right over there.” Steve points to the giant, black coated metal gate. There’s no one on duty. You made sure to evacuate the area and any staff before. The tech these goons are bringing in is all stolen Stark Tech. And according to Happy, strict instructions are to ‘blow it to Hell’.
“And if it does?” Bucky asks, grinning mischievously at Steve’s pointed look.
“What’d I just say?”
Bucky laughs and puts his hands up in surrender. “Damn, Stevie. Calm thyne tits.” He goes back to fiddling with his rifle. “Blow the tires before they reach the gates but after they pass the barrier. Got it.”
“Peter, you in position?” Steve asks and adjusts his earpiece.
You can hear Peter over your own mic. “Seatbelts look easy enough to break. I’m in position, I can easily pull them from the trucks.”
“Five minutes then.”
You all settle in. The cold has passed through the leather of your boots and your toes are paying the price. It makes you miss the rain of spring and the sprinkles of fall, when everything is drenched rather than frozen and your toes still have mobility. Your jacket is big enough but it scratches your neck every time you lean down to look through the magnifier. As the minutes tick by, you brave the cold and take it off. You’d rather conduct your part efficiently and without the constant distraction.
“It’s almost forty degrees out,” Steve mumbles beside you. He’s looking over the roof balcony and into the trees. He’s squints and refuses your offer of binoculars.
“So I get a sore throat.”
Steve rolls his eyes, “Tony put a heater in all our suits. You should have worn yours.”
“My suit is half nano. It’s excessive for a stakeout.”
He huffs but you ignore him, choosing to look through the rejected binoculars instead. He shuffles, and then there’s a warm weight enveloping your shoulders. It’s his sweater, cotton and baby blue, and he lifts the hood to cover your cheeks and ears. Your stomach flip-flops.
“Uh, thank you,” you say and zip it closed.
Steve shrugs lightly, “Don’t mention it.”
So you don’t. He doesn’t look cold besides or he’s just really good at masking it. It’s quiet now; you can’t really hear the quiet mutters of Clint and Bucky enough to join in and to not mention the jacket is eating at you. You opt for a casual conversation instead while you wait.
“Soooo… how’d your date go last week?”
Steve clears his throat and turns to you, a forced grin on his face. “They, uh, they were sweet.”
“Sweet,” you repeat, nodding at nothing and cursing yourself for creating such an awkward moment. “Going on a second one?”
He sighs and his expression actually turns truthful. “No, don’t see that happening.”
For a second, you’re appalled. Who wouldn’t give Steve a second date? He’s an absolute catch and being a famous superhero wasn’t exactly a dealbreaker for many. Or maybe it was and Steve was blaming his alias once again for no fairytale ending. “Are you kidding? Who wouldn’t want you?”
The words leave your mouth too quickly to reel them back in. Steve’s cheeks turn pinker, both from your words and the chill, and he ducks his head low as he answers. “It’s my fault, really. They were sweet but I wasn’t paying much attention.”
“Mm, on your phone? Daydreaming? Were they a bore?”
Steve chuckles, “I pulled out my phone, like, once to answer a text but I was a proper gentleman!”
The tension is slowly melting and there’s a soft twinkle in his eye as he laughs. It’s been so long since he’s looked at you this way: on his own accord and not on order. “Bucky said they were, and I quote,” you lower your voice and look over at Bucky to make sure he’s distracted. “‘Cute as hell’.”
Steve gives Bucky a warm look. “Eh, it’s fine. Wasn’t the one.”
“The one,” you mock in a deep voice. “Who texted you that it was so important to ignore someone cute as hell?”
Steve hesitates and looks over the balcony as if wishing for an interruption. But the trucks aren’t near yet and Sam hasn’t given the signal. “Uh, it was Peter.”
“Oh, don’t tell him that. He’ll feel incredibly guilty if he ruined your chances at getting laid.”
Steve shoves your shoulder a bit harder than he intended and it makes you stumble back. He quickly catches you by the arm and holds you still, a sheepish smile painting his pink face. He mumbles a quick ‘sorry’, and goes back to lean over the railing. “It’s cool, he knew.”
You fake a surprised gasp, “Even worse!”
“He needed me to stop by the compound and I did. Really, it’s okay,” Steve assures and he’s speaking a little quicker. He fidgets with his thumbs and it looks like he wants to wrap up that portion of the conversation. But he looks over at you and sighs deeply, and he rolls his eyes as his upper lip tilts upward. “Ask.”
“What’d he want?” It makes your belly all warm to know he expects this enthusiasm from you.
“Wanted me around. Buck and Wanda were out getting dinner.”
“Yeah, but like, what for?”
He gives you a knowing smile, like you walked right into that trap. “You made dinner but Peter was too nice to say he didn’t enjoy it, so he texted me knowing I would like it. Knowing I had it before. He didn’t want there to be leftovers because then you’d be sad.”
You step back and shake your head like there’s a fly swarming around. It startles you. “You left your date… during dinner… to come to the compound to eat the dinner I made instead?”
“Don’t think too much about it.”
“How not?”
It’s five minutes when Sam calls it in. You groan in frustration and give Steve a look that says the conversation isn’t over.
There are four armored vehicles and the magnifier illuminates three bodies per car. The targets will be hit starting from the last to keep the explosions out of each driver’s line of sight.
“Target acquired,” Bucky mumbles and clicks off his safety. He closes one eye and settles comfortably as he awaits Steve’s signal.
Clint tugs back an arrow, “Same here, Cap.”
“Wanda, you ready?” Steve’s voice is lower when he’s focused. He looks over at you, your hand up with an index finger raised, and waits. Wanda answers that she’s ready and Sam counts it down. The first truck crosses the barrier, then the next, next, and finally the fourth and you drop your hand in a fast swipe.
“Fire! Go Parker!”
Bucky shoots the back tires of all four vehicles and Clint shoots his arrows to penetrate through the passenger doors. Peter works fast, webs slinging from side to side grabbing one passenger right after the other. Once the trucks are empty, Clint activates the arrows and you all prepare for the explosions. The fourth car catches flame first and Wanda contains the explosion perfectly, balling it up into a weak bundle of light and string. She does the same to the third and second, bundles extinguishing just as quickly as they burst. But the first car swings out of control on manual and the explosion is delayed.
“Clint?”
Clint leans over the balcony and squints, as if it would help. “I don’t know. It’s not going off.” He’s clicking the detonator repeatedly, holding it up for all of you to see.
“Wanda, the truck! The truck! Sam!” You scream as the truck crashes through the gate and hurls closer to the hotel. The commotion is enough for Bucky to pop out from his cover and the four of you watch in horror as the truck still doesn’t stop. Clint has stopped clicking the button, but it’s no use. The truck finally explodes in an outbreak of debris and electricity. The Stark Tech reacts poorly to the strain, electric gusts of smoke fire left and right and rattle the building. It feels like an earthquake, shaking the already weak foundations and old brick. Wanda catches the bottom to better contain it and tries desperately to smother it. But the shaking doesn’t stop and the corners of the roof are collapsing.
Steve leaps to grab and pull you away and just as quickly to catch Clint’s leg before he falls over the edge. Clint is thrown back rather harshly but Steve isn’t thinking about the abuse of strength right now - no, not while Bucky slips and hangs on to a rogue pipe. Steve crawls and latches onto his hand before the pipe gives way. He yells as he tugs Bucky up with only one arm, the other having to hold onto undisturbed brick. He won't let Bucky fall. Not again.
Bucky throws his leg up and over solid ground, and you go to help Steve pull him up. Bucky’s heavy and his metal hand pinches your skin bad but he’s safe. Wanda struggles to contain the electricity but she’s succeeding. The rumbling slows until nothing moves anymore. You collapse back in exhaustion.
“Well, that didn’t go as planned,” Bucky gasps as he rubs his face.
“Is Wanda okay?” You mumble more to yourself and struggle to pull yourself back up. But the sudden weight of your body proves too much for the edge and in a horrible wave, you’re falling through. You practically file your nails as you try to latch onto falling brick.
“No!” You feel the scratch of someone’s fingers along your forearm and soon they’re digging into your skin, and it hurts but you figure it’s better than splitting your skull open. Pebbles of concrete are falling down onto your face and the smoke from the explosion is clogging your nostrils. You hang for a few seconds, like the person can’t believe they actually caught you. Then they begin pulling you up, lifting you to safety, and you claw the rest of the way only to tumble into Steve’s chest, shaking.
He pulls you into his arms but they’re restless, roaming over your shoulders and through your knotted hair clumsily. “Are you okay? Are you hurt?” His voice wavers and he’s on the verge of tears, it seems. His waterline is glossy and his lips are quivering. “Answer me.”
“I’m fine, hey. Steve? I’m good.”
He pulls away and his hands hover you like he doesn’t know what else to do with them. “I’m sorry. I should have kept you close. I-” His voice cracks and he swallows hard. “You sure you’re okay?”
Disregarding his words is difficult, especially when you feel a second meaning to them, but you force yourself to do so. It’s been such a long time since you’ve seen him like this. And each time you have, it was never because of anything good. “Y-yeah. I’m good, Rogers.”
Bucky and Clint look at each other, they look at Steve, to you, and back to each other. Finally, Clint breaks the silence and huffs a light chuckle. “Are we really THAT rusty?”
Present Day, 2025, 11:45pm
The Montana skies are clear and free of passenger planes, allowing the Quinjet to swift easily on autopilot. You could never drive this thing and the building anxiety of that reality bubbles each time it makes an unsteady bounce.
Steve’s laying in the makeshift medical wing and though it’s against protocol, he’s on a secure line with Dr. Cho. She takes her time, albeit working as fast as possible too, and her light voice is fairly calm. It settles you to hear her speak this way.
‘I need you to use this disinfectant, Captain Rogers. Do not pour it on all at once… Good, now dig through gently and make sure the pliers are sanitized.’
Steve digs out the bullets himself and bites down on a clean towel. He’s biting down hard enough that his teeth make a squeaking sound against it. It takes every ounce of your willpower to not do it for him. The Montana skies are beautiful, at least. It’s a good distraction.
Steve gives a rather painful yell as he finally plucks the second bullet, cursing as a stream of blood drips onto the table. He’s got such tough skin - miracle or serum - that the bullets didn’t pass all the way through. Dr. Cho moves on to how to properly bandage the wound but Steve begins to tune her out.
Two years mucking through mud and bodies and getting patched up every other day has prepared him for whatever life may throw during this new century. Not much has changed, it seems.
When the line disconnects, Steve can finally just relax. He focuses on the soft rumble of the engine and your steady breaths.
You hold your breath as you settle the Quinjet on the open field, only half of you actually trusting automatic tech. Steve coaches you the whole time too, the little shit, and promises you’ll never be doing that again.
Steve stumbles and teeters and falls on the porch steps with a low groan. You let him fall because you know you’d only fall with him. He catches himself with the hand he’s been pressing over the bandage while the other still holds on to you. You fight the urge to crash down with him and bite your lip as you look up to the night sky.
“C’mon, Rogers,” you swallow down the increasing worry, “We’re almost inside.”
Steve huffs a pained laugh and nods. He grabs your arm again and with his remaining strength, pulls himself up,
The inside of the cabin looks comfier than the outside. You help Steve to the couch closest to the unlit fireplace before going out back to turn on the power. There’s a thin layer of ice in the grass so just in case, you scope out the garage and make sure there are snow supplies. Not that you really know what the hell snow supplies actually look like, but there’s a shovel and you figure that’s as much as your brain is going to piece together.
When you get back inside, Steve’s fumbling with the coffee maker and leaving tiny fingerprints of blood over every surface he touches. You don’t comment on them, just step back and discreetly wipe the counters each time he passes.
“Figured you’d like a pot,” Steve says.
It damn near breaks your heart how small his voice sounds. The fact he’s stumbling around the cabin making sure you’ve got your coffee fix while he’s nursing two bullet wounds damn near snaps it in two.
“Thank you,” you respond and go to lead him back to the couch. He moans quietly when he sits and again as you lay him down. “I hope you don’t think I’m sleeping here,” Steve laughs and tries to hide his wince due the uncomfortable rumble.
You smile and touch your hand to his hot cheek. His body is working overtime fighting off infection and regenerating tissue. His cheeks are a lovely scarlet red and so is the beautiful bulb of his crooked nose. He’s a little shiny, like varnish over light paint strokes, and taking the fever like a champ. “I’ll help you to the bed in a little bit. Let’s get that fever down first.”
Steve sighs, defeated, but nods. He lays his head back on the pillow and once he shuts his eyes, you get to work. The bathroom is stocked with the simple necessities: aloe vera, vapor rub, heating and cold pads, dozens of towels, and painkillers. You pop two painkillers yourself before gathering everything and dropping it on a nearby table in the kitchen. The coffee is about done brewing so you fill up a mug with bottled water and set it in the microwave for two minutes. You dip a chamomile tea bag a few times once the water is heated. There’s no teapot - you’ll apologize to Steve later.
Once Steve’s happily sipping his tea, you start on the medicine. You wet the small towels and lay them over his forehead and bare chest. You rub aloe vera on the other cuts he obtained from hand-to-hand and finally rub the vapor rub in the dip of his neck and just below his nose. Steve gives you this funny smile as you do so, scrunching his nose and wiggling it back and forth.
“Vicks,” you say as you show him the small container. “Heal you right up.”
“I bet,” he laughs. “Stuff smells like what I think liquid morphine would taste.” A laugh bursts from your chest, your first real instance of calm during these last few hours. You ignore his protests and smother more across his chest.
Steve settles deeper into the couch and returns to his tea. He’s got less sweat on his skin now but he’s still red. You go to pour yourself that coffee and return to his side. The nanotech is growing stiffer and scratching your skin but you refuse to get comfortable until Steve’s fever breaks. You’re still covered in Ernesto’s blood, the red now a hellish brown, and you try not to move your face much for risk of feeling the dry pull of it.
“Steve,” you try, but Steve shakes his head and makes sure to meet your gaze before he speaks.
“No. The less I know the better.”
It surprises you, makes you feel more guilty, but you understand. Not telling him the full truth would be beneficial in the long run. Still, your hands hug the mug closer to your chest. “Do you think I did something bad?”
His upper lip tugs upward, “Do you think you did something bad?”
You don’t think for long. There’s not much need to. “No.”
He nods, “But you care what I think?”
“Of course I do. You’re not just my Captain anymore - you’re my friend. I care even when I’m asking you if my eggs need more salt.”
“You trust me enough to correct your cooking?” He teases, but it’s a question disguised as another.
“I trust you enough to tell me if I need more salt. You’re not correcting it.” He laughs and dips deeper into the couch. The bandage is bleeding through, only slightly, so you move to find the first-aid kit.
“Hey, it’s okay. It’ll stop bleeding soon.”
You hum your disagreement. “I’m gonna keep it clean until you’re strong enough to shower.”
“You can always help me shower,” he mumbles into his tea.
Rolling your eyes, you gently nudge his shoulder as you sit back down with the kit. “If you fall, I can’t catch you, you big lug. We’d have to tell everyone we screwed in there because you falling on top of me, injured, is somehow more embarrassing.”
He allows you to remove the soiled bandage and dab around the healing wounds. He’s bruising around the sides, multiple shades of green and yellow already, and the holes are stitched rather poorly. It makes you feel a little better about your own criss-cross work - even Steve sucks at it.
“I’m sorry I had to go and get myself shot,” Steve apologizes and sucks in a deep breath when the towel drags a little too roughly.
“Yeah, what the hell happened there?”
He almost mimics you in the way he shrugs his shoulders and lifts his arms in that ‘well, fuck if I know’ position, pursing his lips and expelling a chuckle. “Had my gun trained on Ernesto. Ernesto had his own on Ramirez. Then Seda came in and Ernesto ordered Ramirez to hand his over to Seda. Played right into Seda’s hands.”
You process the explanation slowly and dab his wound a few more times before unwrapping the clean bandage. “And the damn shield?”
Steve’s embarrassed by that small detail, he’ll admit it, because he truly was blindsided by Seda’s appearance. You were supposed to be holding him down after all. “In my defense! When it’s shrunk down and in your pocket rather than latched onto one’s arm, it’s easily forgettable.”
You clean around the wound softly before placing and taping the new bandage. The conversation settles and you’re both quiet for a long, long minute. He thanks you for cleaning him up by rubbing sweet circles into the knuckles of your right hand. Finally, you can’t take it anymore. It’s like a wave of irrefutable worry and rage, all bunched together with each emotion trying to outweigh the other. That goddamn riptide, sucking you in and keeping your head below water just for the hell of it. Breathing in harshly, you fail to keep yourself from stuttering over your words. “I’m sorry.”
Steve bites back a groan of pain as he leans over to take your cheeks in his palms. The brush of his fingertips lets you know that you’ve already started crying. You don’t much care about the facade anymore. “Doll, listen to me. Listen.”
“I never meant to leave you alone.”
“You never did.”
You bark out a wet laugh, sarcastic. “I should have run faster. I should have killed him all those years ago. I should have never brought you into this.”
“You did what you had to do,” he says, fiercely. He forgets his own strength for a second, only slightly diminished from the healing process, and loosens his tight grip against your cheeks. “You did what you had to do to survive.”
“I wanted to hate you,” you admit. Your bottom lip is trembling and your hands clench together over your thighs. “I wanted to hate you so much. If I did, then you getting hurt or killed on this mission wouldn’t hurt so bad. I hated you for what you did. Because it made me realize that I could never hate you at all.”
“Hey,” he tries, hands now lowering to clutch at your own. “Stop apologizing for having a heart. Stop thinking you’re not worthy of even having one.”
Your face crumbles and Steve realizes for the first time in a long time just how much you’ve been holding in. “Why didn’t you use the stones?”
Steve’s heart clenches at the sound of the crack in your voice. He hasn’t heard that crack since Clint fell to his knees without Natasha by his side. He holds onto you tighter and prepares himself for an admission he never thought he would ever have to give. “Because Peggy told me not to.”
Something confusing happens in the middle of your chest. It clenches with anger but understanding. The answer to your question was always this simple but it looks like it’s tearing Steve apart from the inside-out.
She’s as beautiful as the day he went into the ice. All he has to do is whisper her name so sweetly, delicately, and she turns her head like she’s answering the prayer. First her knees buckle, eyes watering and blotching her vision, and she collapses on the soft grass of her backyard. Steve’s holding her the very next second, repeating that he’s real, he’s here.
“Steve,” Peggy gasps, hands shaking as she brings them to his wet cheeks. She grips and pokes and does everything so comically that Steve laughs a wet laugh when she starts smacking him. “What is going on?”
And he tells her. Everything he can remember: the good, the bad, the wretched. He spills everything, and he spills the most delicate information of their time: he’s alive, just frozen; Bucky’s alive, just hurt; the world is saved, just broken. Whether she believes it or not Steve’s not sure, but he’s so goddamn happy to see her again that he chokes every other word.
“And you? You’re happy?”
His eyebrows come together and he looks at Peggy like she’s speaking another language. She’s got the same red lipstick, same curl in her hair even if it’s longer now, and she’s filling out her dresses more. “Pegs, don’t ask me that.”
She detaches herself slowly from his arms, pausing their dance as she speaks. “Why not? You can’t expect me to accept that you stopped by to see me all willy-nilly after saving the universe.” Her lips twitch into a knowing smile and Steve melts. Her voice is sending him into a spiral, a world he never thought he would see again, and he realizes just how much he loves accents on women - especially this woman.
“I just,” he chokes out, and brushes his index finger down her cheek. “I had to see you again.”
“I get that,” Peggy says and pays no mind that the record player has stopped; she still sways gently with Steve. “But you’ve just mentioned a whole other world you’ve been a part of. You’ve got your best guy back, that Wilson fellow sounds like the life of the party, and this Agent Y/N certainly sounds like she’s been by your side through it all.”
Steve stutters in his step and holds her closer. Her stomach presses against his, and he stops abruptly. He looks down between them and runs his hand from her shoulder, down, to lay across her growing belly. “Pegs.”
She gives him the same wide and proud smile she gave him when he returned with the 107th. She lays her hand over his. “I know.” She laughs and tilts her head lovingly. “I’m happy, too.”
Steve bites his lip to keep from sobbing. He was so stupid for coming to this timeline, for ruining Peggy’s chance at happiness, for interrupting the life he already knew she created for herself. He inputted the wrong year, he suddenly realizes, and steps back arms-length from her. “I’m sorry, I was stupid to come here. I just wanted to see you and then I did, and I… I still love you, Pegs.”
“Oh,” Peggy gasps, bottom lip trembling. “Darling, do not mistake yourself, even for a second, into thinking that I do not love you too.”
“I’m sorry.”
“Stop apologizing for having a heart.”
He wants to argue, say he’s stupid a million more times, but he finds himself listening to her gentle words. It’s Peggy, Steve thinks. She’s always been right.
“In this world you live in, you have James?” He nods. She continues, “In this world you live in, you just lost two of your most loved friends?” He nods again. He wipes his face from forehead to chin. “In this world you live in, you have met a woman who has the same stubbornness as you; has the same self-sacrificing streak, who has your heart in such shambles that you dare call her one of your best friends?”
Steve thinks of you and how broken your smile was as you waved him goodbye, hand clenching Sam’s as Steve gathered the stones and Mjolnir. He thinks of the times you’d leap onto his back and demand a ride; the times he’s saved your ass in a firefight; how his sleep has definitely improved ever since he started calming you from nightmares - he hasn’t slept so well since before the war. He nods again.
Her eyes go soft. “Steve,” she starts and Steve knows. He doesn’t want to know. “Don’t abandon the world you’ve built for yourself. Surround yourself with the people you love. Do this for me.”
“There’s so much hate and blood waiting for me when I get back, Pegs. I don’t want to-”
“There is a difference between you not wanting to and you having to.” He drops his head and focuses on the floor. Peggy isn’t done grilling him, however, and he looks back up to grant her the respect. “You must not abandon the world you helped create. I’m not saying this to be mean. I’m saying this because I know you don’t want to.”
“Pegs.”
“I see right through you, Steve. We marched together through mud and blood before. We’ve got two years of fighting side by side under our belts. I’ve seen you at your worst, and you I. I know that face anywhere.”
“I missed you, Pegs,” Steve breathes. She cups his face with her hands and draws their foreheads together.
“The stars weren’t written in our favor. But to know that you’re alive, and that you make it, and that you actually get to live,” she bites back a sob. “I couldn’t ask for anything more.”
“It isn’t my world to begin with.”
“No, you’re a man out of time. But so is James. You won’t abandon him now, will you?”
He chuckles low and their noses touch. “Stop making me feel guilty for wanting to find you, Peggy.”
She presses a soft kiss to the side of his mouth and finally breaks away. “And you won’t abandon that sweet girl who has put up with your nonsense for the last five years, you say?”
Steve shakes his head and meets Peggy’s gaze. “I’m just tired.”
“They are too, I bet.” He turns to the door and to Peggy, and she figures it’s almost time for him to leave. “You have been the archer and the brave, Steve. I’m absolutely certain you’ve been more. You will be more.”
Steve says his final goodbyes and stops to remember the fine details of Peggy’s face. The fifties are treating her well. Steve expected nothing less. Bright lights flash around him and he’s back to the world he wanted to leave, to hide from, and he sees you - and your mouth parts in shock.
“And you listened to her?” you ask.
Steve smiles, although it’s hard for him to remember that conversation. “I came back. I didn’t listen to her when she said to surround myself with people who love me, and who I love in return.”
“No, you made damn sure of that.”
“Hey,” Steve chuckles. “Don’t take smacks at me when you’re down.”
You can’t help but laugh. “Sorry, it’s just too easy sometimes.” Laughing about the two years of missed chances and spoiled friendship was not on your bingo card for this week.
“I don’t know how this is going to play out,” you admit. Steve looks so young with a somber expression: his eyebrow creases gently without wrinkling the rest of his forehead, the side of his mouth tilts downward, and his eyelashes kiss the pink of cheeks. “I decided in the moment. So I’m fuck all out of ideas on how to proceed.”
He nods in understanding. “Guess we just have to look over our shoulders three times instead of two now.”
“Simple like that?” You scrub a hand over your face and curse inwardly when you smudge your lipstick down to your chin. You ignore it. “I know we’re Avengers, but.”
“No buts,” Steve says and moves to sit up. You help him by pushing his shoulders and he accepts your help as you struggle to the bathroom. “You helped the guy and his daughter. I’m sure he’s going to be watching our backs from now on.”
You help Steve strip from his dress pants and shoes and finally remove your suit as well. The graze on your arm is covered in brown, dried blood but the wound isn’t deep. It’ll sting like a sunburn, you know that, but it’s better than being shot through. You watch Steve enter the shower and leave the curtain drawn. His bandage is soaked again but thankfully it’s from the water and not more blood. You grab a spare towel and soak it with water and soap, and rub it across your lips and chin.
“Let me do that,” Steve calls. You strip bare and bring the towel with you into the shower. Steve takes it and scrubs over your face, gently but more rough as he gets to your eyes. It’s an innocent moment of ‘ouch, scrub softer!’ and ‘surprised I didn’t take all your lashes off’. He helps clean your wound as well and once you’re both clean, he bandages you up and you him.
The master bedroom is the only room without electricity so you gather some candles. It’s like the two of you won’t admit you’re currently afraid of the dark or what may lie in it. They illuminate the room in a delicate orange and it’s such a peaceful color to briefly see before falling asleep, head tucked into Steve’s chest and his heartbeat thrumming gently with your breath.
It’s a wonder what a night’s sleep can do. Steve’s wounds are sealed and his fever is gone, but there’s a signature left behind. A pink and white patch of skin as tender as a newborn’s, a memory. Steve pours your coffee and his tea while you trace your fingers over it.
Two hours after eating a small breakfast and securing the perimeter, a soft ding startles you from the random book you’re reading. Steve’s phone shines with a message from Sam. It simply reads: ‘Clear’. Grabbing the phone and walking out onto the porch, you find Steve sitting on one of the steps he tripped over just yesterday. He’s sketching the sky and the trees, taking his time on the lines of the branches, the strokes of the leaves, and the frost over them. He looks up, studies his surroundings, and looks back down to add a detail he previously missed. He sniffs, rubs his nose, and finally notices you leaning against the doorframe.
“Hey,” he says, soft. “Any news?”
You hold up his phone and nod. “Sam says we’re clear to fly in.”
Steve looks back to his drawing. You hesitate before speaking, knowing damn well an all clear means get your ass back as soon as possible. “Finish your drawing. I’ll pack whatever we need to.” Steve’s mouth parts but he shuts it just as quickly. Slowly, he nods.
There isn’t much to pack since you brought nothing but the clothes on your backs. Everything at the hotel was collected before the wedding and should have flown back with Scott and the others. It feels awkward stealing bottled water and processed foods to hoard on the quinjet, but it’s a necessity. Steve meets you at the quinjet doors, shows you his drawing, and volunteers to take the wheel.
“You’re not volunteering. You’re ordering.”
Steve rolls his eyes, “No license, no drive.”
“What are you? A cop?”
“Don’t think for one second I won’t actually hand the wheels over and happily crash while screaming ‘I told you so’.”
Steve steers for the duration of your flight. The next few hours are spent just enjoying each other’s company, speaking of all things and simply catching up. It’s amazing how much you two missed from one another’s lives those two years.
The landing base is clear and it’s Sam who’s waiting for you as the Quinjet manually lands itself. He shoots you a gap-toothed smile and extends his arms, pulling the two of you in at the same time for a strong hug. He’s talking a mile a minute about how successful the mission was, how Fury is over the moon that it’s finally over, how the DEA is thinking of congratulating everyone one by one. It’s enough to distract Steve, who’s just happy to see his best friend again, but it isn’t enough for you. The large metal doors sealing the storage facility from the rest of the compound are thrown open. Bucky stumbles through and practically sprints over to the three of you.
“Get back on the jet,” he orders, already pulling you by the arm. You all look at one another like he’s gone mad but that’s impossible. Bucky’s paranoia isn’t something to take lightly; he’s right nine out of ten times.
“Buck, what-?”
“Rhodes couldn’t hold them. They have warrants, Steve.”
Steve hauls Sam onto the jet as well. “Warrants for who?”
“Get down from the jet without a fight and this will all go smoothly.”
There are about twenty uniformed officers surrounding the jet. They spread out in case anyone decides to run but it seems pointless to even try. Secretary Ross points his gun directly at you, proud and tall and looking just the same as you remember him. Last time you saw him was at Tony’s funeral.
“What do you think you’re doing?” you bite, and raise your hands in cooperation. Ross shakes his head and his expression contorts into one of disgust. There are red beams coming from each gun but your friends are clean - the beams are only pointed at you.
“Agent Y/N Y/LN, you’re under arrest for multiple charges of drug smuggling, trafficking of illegal goods, the murder of Ernesto Vega and Daniel Seda, aiding and abetting drug-lord Omar Ramirez, and for conspiracy against the United States of America. You have the right to remain silent. Anything you say can and will be used against you in a federal court of law...”
You drone out half way through. Ross finishes up the speech but no one is listening. Sam is already yelling over your Miranda Rights and Bucky’s frozen in place. Steve’s fighting his way through to Ross, pushing through the muscle until he’s face to face with him. But Ross isn’t fazed. There’s nothing left to do but exit the jet.
Immediately there are handcuffs slapped to your wrists. Two men drag you over to the containment car that’s enforced with so much indestructible material it’s almost insulting. You weren’t enhanced - they were doing this for fun.
“You’ve got it all wrong! Y/N! Y/N!”
You don’t fight. Conspiracy… you’re surprised they didn’t just shoot you dead. Steve’s still yelling, begging to be heard, but you try to block him out. It’s not your first time being arrested but it is your first time being charged with something you didn’t do. As funny as that sounds, it’s terrifying.
“Steve,” you say, and Steve breaks through some more hired muscle so he’s within earshot. “It’s okay.”
His face pulls up in pain, “No, you didn’t do this! They’re not listening!”
One of the officers pushes your head down roughly and tries to shove you in the backseat. You’re still looking at Steve. And those eyes, wounded and vulnerable, haunt him even after the door shuts and the car drives away.
There’s a privilege attached to the mantle of Captain America. Perhaps he was too blind to see it during the war or just too proud he was finally being heard and respected, but now he sees it for what it really is. It’s a mantle this country has never truly associated with the person but with the purpose. Steve was manufactured to help protect this country under government orders and when he defied that purpose, he disgraced the mantle. Seems like some people idolize the role a little too much.
But he’s still Captain America. This reality has continued to clear his name from stunts he pulls and laws he breaks. And once Steve is able to walk away without so much as a scratch, he leaves bodies behind.
Sharon. Sam. Bucky. Wanda. And now you. All people who fought his fight and weren’t granted the quick privilege of that perceived pureness and holiness. He was always ready for combat, he was built for it, but he didn’t really want it.
Did he?
Ripping that star off his chest was one thing. Accepting his new shield cemented his continual legacy as the Star-Spangled Man. He deserved to be in that cell with you. But if he learned anything about how the world works, it’s that cruelty doesn’t just win in the movies. All of his enemies started out friends and if he had to bet, he’d bet the reason they’re labeled as such is partially because of him.
So he sits and listens to everyone’s ideas and plans, vetoing and dismissing one right after the other, his mind doing jumping jacks. He’s both there and not, drowning in the fact that he made it home and you didn’t. He doesn’t know how to sleep without the sound of your snoring anymore.
He sits and listens.
The cell isn’t one you would expect for someone who has been charged for betraying her country. It’s modestly furnished: a black cot in the far right corner with a mini table beside it, a desk with some paper, and a door that leads to the private bathroom. All in all, the room’s size is that of a child’s bedroom; there’s no actual pens and pencils for risk of violent behavior and there’s a bulb camera that moves when you move.
You’ve been trapped in worse.
Countless detectives and investigators have visited already. They all ask the same questions: Why did you do it? Did Captain Rogers know? Who are you, really?
You give the same answers: I didn’t do it. Of course, every single person knows. Who do you think I am?
Every time they leave more discouraged than the one before them, refusing to compare notes with one another in case they were in possession of gold. They all ignore you when you try to ask for Steve and his wellbeing. Their faces contort, they whisper to their partners, and they shake their heads in disappointment. One even goes as far as to threaten you, warning you to keep Captain Roger’s name out of your wetback mouth or else, until he’s escorted from the cell. Not that it really matters - the manipulated ideals of these people will always blur their search for the truth. And when the truth fails to satisfy such greedy manipulations, they choose to create their own.
There is one agent who peaks your interest. He offers you gum when he settles in the chair near the door. His name badge reads ‘Kavert’; it glares in the bright lights overhead and he makes no other attempt at small talk once he gets comfortable and opens his little notepad.
That goddamn notepad, you think. Every single person before has prided themselves over it, scribbling little notes about your tone of voice, body movement, and vague answers. You never give much, Natasha had taught you better, so they always end up writing less than two bullet points before giving up.
But Agent Kavert surprises you by opening up to a blank page, spitting his chewed gum in the middle, and then he shuts it closed. He offers you a real smile, one that doesn’t look practiced or forced. It lets you study him without being so guarded or uncomfortable. He seems young, not really a rookie but it’s obvious he’s spent more time behind a desk than out in the field. His dark hair is short, sprinkled grays near his temples, and his attire screams upper level. His build is lean, his gun is in the holster on his right hip, and a part of you knows he’d put up a hell of a fight if you tried to escape.
“I was gonna comment on what lovely weather we’re having, but I don’t think you get out much.”
You’re startled into a real laugh. Satisfaction washes over his face.
“I think you’re wasting your time, Agent Kavert.”
He grins and moves to proudly pull at his jacket and present his badge. He sets the notebook to the side and leans forward to cup his hands together on his knees.
You squint at him. There’s nothing interesting about you right now: back against the wall as you sit criss-crossed on the cot, sweatpants and an oversized t-shirt, hair brushed but a little greasy. Your last shower was two days ago and you figure they’ll let you have one tonight.
“Yeah, you’re right. There’s no point in hoping you’ll tell me anything you haven’t shared yet.”
“Nope.”
He hums low in his throat and tilts his head to the left. Now, he squints at you. “I just don’t get it. How did you do it? Not show up on our radar, I mean?”
It doesn’t seem like he’s calling you guilty or innocent. Already he’s one-hundred percent different from the other agents. “I wasn’t exactly hiding.”
He sits up to lean back in the chair, “Different last name, government and Avenger protection, covering your tracks so carefully even the DEA missed you.”
“You’ve done your homework.”
“Yes, but,” he starts. He acts like he’s having a normal conversation on his front porch. “It still doesn’t make sense. How could Nick Fury miss this? Tony Stark? After the whole Obadiah situation, I expected him to-”
“It’s simple, really. Do you want to know or do you want to keep making assumptions?”
He’s watched the other agents leave by this point. Some couldn’t even make you talk. So he shuts up and waves his hand for you to continue.
“Cool,” you breathe out. “First of all, I’m literally only telling you this because I’ve already been refused a lawyer or some crap like that and I highly doubt this is going to actual court. The publicity would be horrible.”
He bites his lip but you catch the little smile forming. You continue, “And I have nothing to hide. I’m sure my Captain, my teammates, and Fury himself have given their sides. Am I right?”
Agent Kavert adjusts himself in the seat and nods in response. He doesn’t dare interrupt you now.
“Good, then I’ll keep it sweet. They knew who I was. I was recruited to be an inside source, a double agent, and this wedding was the perfect chance to corner those men,” you declare, turning your hands palm up and shrugging your shoulders. “There, happy?”
“Double agent.” Agent Kavert chews over the words, rolling them around on his tongue a few more times. He’s squinting harder and you can see his brain working. The next sound to leave his lips is a heavy sigh and a feeling of immense irritation washes over you. It wasn’t enough. “Are we going to be truthful yet, Agent?”
Chuckling lightly, you rest the back of your skull on the wall. It was wrong to assume he’d be any different from the others. “Of course you don’t believe me. You want more, they all do. I don’t suppose I have anything better to do.”
He claps his hands on his thighs and leans forward again, loud and restless. “Then let’s get started, really: Did you or did you not let Omar Ramirez, Mexican drug-lord involved with Ernesto Vega, your father... imagine that, run away from a crime scene, evade arrest, and possibly leave the country?”
“You expect me to follow all those questions?”
“It’s not the time to be funny.”
“You were enjoying it just a second ago,” you mumble. He raises his eyebrows, still waiting for an answer. “Then let me put it simply: no, I did not.”
“Did you or did you not assassinate Ernesto Vega?”
“I would have remembered such a brilliant kill if it came from my gun.”
“So that’s a no… Daniel Seda?”
“His gun was pointed at my Captain. Yes.”
“Against orders, then?”
Confusion is written all over your face and you make sure the camera knows it too. There are only so many times you can repeat yourself. “Don’t you have Steve’s report? Scott’s?”
“We have to hear the story from you, Agent.”
“But that’s just the thing, isn’t it? You don’t believe me.”
He shrugs and quickly scans you up and down. Even if he doesn’t have the tangible notepad in his hands, he’s getting away with making mental notes. “The story just isn’t piecing together the way it should be. Why would Daniel Seda murder his greatest ally and friend?”
“Our mics have already transcribed that answer for you, sir. I’m sure of it. And I’ve got sources outside of the DEA and Avengers-”
“Like Maribel Rodrigo? Another smuggler who has operated inside the cartel, HYDRA, Madripoor…”
You cut him off, angry. “Not the full story.”
Tone of voice: defensive.
“Then that leads me to my next question.”
“Oh, fun.”
Tone of voice: sarcastic.
He speaks with a tinge of astonishment hidden in every syllable. “Why didn’t you do it? Kill Ernesto, I mean.”
“I was disarmed at the time. The Captain and I both were,” you answer, growing more impatient by the second.
He uses his hands to speak now, finger pointing along an invisible timeline detailing the order of events. “So you admit you were going to kill him if you had your weapon.”
“Don’t put words in my mouth.”
Body movement: rigid.
“Or maybe you weren’t. Maybe my boss is right, maybe the FBI is right in thinking that you are a double agent leaning more towards your roots than our boys in blue.” He says this like its scripture; like it’s some holy conspiracy he’s just found evidence for. He wants you to plant words in your mouth and in this discussion so he can pluck the evidence from the ground and water it with fire.
You scoff hard, “I hardly ever wear blue when doing your job for you.”
“Was letting Omar Ramirez escape our job or just yours?”
Telling him the truth would mean losing all credibility, all titles, all trust in your work. You know what you’ve done and you don’t regret it. Ramirez was never the biggest fish and if you spun this right, then he was simply a fish who got his meal and promptly swam away. “You assume I let him go. What evidence tells you that?”
He ignores the question and instead asks another of his. “Why were your relations kept hidden from SHIELD and the FBI?”
“That’s a question for you know who.”
He shakes his head in disappointment. “You’re in a lot of trouble.”
“I bet I am. But this is not some precinct where you can get my team to turn on me so easily. And this is not a situation in which they’re lying for me. I trust that whatever the Captain has said is the answer to all your questions.”
“We’re gonna unravel this case. We’ll get to the bottom of it.”
You’re suddenly overcome with a wave of sleepiness. These past two weeks have been exhausting even if you haven’t moved more than five feet from wall to wall. Having to repeat yourself to people who have already written the story for themselves is tiring. “I don’t know why you guys can’t just believe the words of myself and everyone vouching for me. We got you all the evidence. We have given you more names and connections that you’ll ever know what to do with. You don’t need to unravel anything; it’s all there! But because we weren’t able to arrest the one person you wanted, that being Ernesto, you go after me. You have White but I guess he’s not talking. And you’ll believe what you want to believe.”
“I trust my gut.”
“As simple as that, huh?” You sigh deeply and cross your arms over your chest. “You know, there’s a saying the late Agent Carter used to tell all SHIELD agents when they first started out and when they came back from missions. When she retired, it was Fury who then eased our minds.”
Agent Kavert has a harsh line creasing through the middle of his forehead and he looks deeply interested.
“There are three sides to every story,” you recite. “Your side, my side, and the truth.” A gentle shrug of the shoulders feels like all you’re allowed to give him. “I’m not lying to you but I’m not telling you the full truth either. Just my side.”
Agent Kavert shuts his eyes and bounces his left leg. He looks conflicted and unable to formulate a response at all. He’s shaking like he’s at war with himself or with the suits on the other side of the door, but no one has come knocking yet. “Let’s say I believe you. Just for a second.”
You nod.
“Daniel Seda murders Vega at his own daughter’s wedding. We managed to catch Marcus White and because of fault entirely, Omar Ramirez gets away. Because from what I heard, Ramirez was working with you.” He paints the picture rather mundane, but you shoot him a smile that tells him he’s on the right track. “And you and all the other Avengers were blindsided by Ramirez. You gathered all the evidence you were told to gather, worked together and played your cards right, infiltrated one of the most secure estates in the country, and fucked up so badly that you managed to let two of your biggest giants die?”
“I really think you got it spot on.”
He laughs dryly, “But it still doesn’t make sense. Once Vega was gone and Seda survived, where would you have fallen in this tree?”
He wants to retract his question the moment he sees your face fall with such a sincerity he wasn’t ready for. “That’s just it, Agent Kavert. I would have fallen.”
“And the other two? How would business work? Would Daniel Seda have been the head of it now?”
“Your answers are in the evidence we gathered. I know you guys aren’t touching it because you think I’m compromised.”
He stands from the chair and dusts off his jacket. “Your side, my side, and the truth,” he repeats. He goes to open the door but you speak quickly before he can leave.
“They think I infiltrated SHIELD, the Avengers, and am in bed with HYDRA because they’ve been helping Ernesto’s vision all along.” Agent Kavert stops and turns back to you. “I am a double agent whose identity was kept secret to aid this country and not raise suspicions from your part. I have seen a lot of things, have done things I’m not proud of, but I’ve done it all for a reason.”
Agent Kavert looks almost ashamed. Tone of voice: sincere.
“Me and my Captain saved lives, our own as well, and we stopped three of the most notorious drug-lords who have been at large since the eighties. We got your giants for you. And the truth is, I have discovered: through all my pain and experience... that it’s excellent to have a giant’s strength; but it is tyrannous to use it like a giant.”
Agent Kavert doesn’t know if you’re talking about Ernesto, the U.S Government, yourself, or him. His eyebrows pinch together and he slowly moves to leave the room.
It’s another week before you’re visited by someone who isn’t bringing you food or extra toilet paper. You’re picking at your cuticles when the vents above your cell begin rattling with the obvious weight of a human being. You sit dumbly on the bed, straining your ears and trying hard not to laugh as each rattle is returned with a muffled curse. The vent on the ceiling right outside your cell drops to the concrete floor.
Ernesto’s men wouldn’t go through all that trouble to kill you James Bond style. They would have just bribed a guard. So it’s a treat when the door swings open quickly and in comes a staggering Clint, keys in one hand and his phone in the other. The screen is illuminated, showcasing what looks to be blueprints. He’s got a bandaid over his left eyebrow and dust all over his clothes.
Your upper lip twitches into a silly smile. “You’re ridiculous if you thought you wouldn’t be heard in those damn vents.”
Clint makes a noise that sounds like he’s saying ‘maaaf’ and he plops down beside you on the cot. It’s absolutely hilarious he traveled in the vents and that the team approved this when in reality, they could have just sent Scott. “Just had to get past the first line of security. Plus, the blueprints said they were wider... I figure we’ve got a good three minutes before they check the cameras.”
It’s not the first time you sit in a cell with a time crunch.
The Raft is nothing special. They have you all separated by rank, meaning you were in the same vicinity as Clint, Sam, and Scott. Wanda was moved to a more secure location and you haven’t seen her since they brought you in.
There isn’t much to do in a place like this. You tried counting how many strands of hair you had but gave up once you counted two hundred; you tried seeing if the others could hear you when you yelled out to them but the cells were soundproof; you even tried filing your nails against the uneven paint on the wall. It’s like they made life in these cells purposefully horrible - like you didn’t save the world a couple times over, c’mon.
The camera fidgets over your head where you’re laying down and after a few seconds, it stops. The red light slowly fades and turns a bright yellow. You move to stand on the bed and reach for it, but a voice startles you from doing so.
“Don’t mess with my magic!”
You topple over the single pillow you were given and fall flat on the bed, scrambling to shield yourself from whoever intruded. “Jesus!”
“Oh, I met him. Strange lad, didn’t deserve what happened to him.”
There’s a moment where you think you must be dreaming. His hair is longer and hits his shoulders and he’s added some blue and yellow to his usual attire. But other than that, he’s alive. Truly, brilliantly, really alive.
“Loki, what the fuck?”
“Right!” Loki claps his hands and extends them outwards, smiling. “Ta-da!”
A few beats pass. You blink a few times just in case you’re hallucinating. Barely a week in containment…
“I’m sorry… I’m still trying to process the fact that you’re still alive!”
He scoffs low and goes to sit at the edge of the bed. “A God never truly dies, darling.”
“Well in Greek mythology-”
“Greek mythology and I have this unsettled beef that’s been going on for about five hundred years. Do not mention Greek mythology to me.”
“Excuse me, right, I should have known that was a sensitive topic.”
Loki swipes his tongue over his bottom lip and expels a laugh. “You’re lucky you’re cute.”
Your restraint is gone and you lunge forward to envelope him in the tightest hug you’ve ever given anyone. He returns it, sighing into your shoulder and holding you close. You pull away just to stare at him, watching his features as they move ever so slightly. It’s really him.
“I-” Loki tries but stutters. He’s studying you too and he almost looks sad. “I’m sorry I didn’t tell you sooner.”
“Does Thor know?” Loki shakes his head at your question and winces when you smack his shoulder. “Loki, Thor has been grieving you for months!”
“I’m planning on it!” You don’t believe him. He goes to rub his shoulder. “Gods, I forgot you had excellent aim.”
You look back at the camera and find that the yellow light is still glowing, dim. Loki’s magic is blocking footage out or putting footage in, you really don’t know. But it’s allowing you a few moments with the man you thought you’d never see again. “Spontaneous reincarnation aside, what are you doing here? How did you even know I was here?”
“I’m on this planet for five-FIVE minutes, and the television has all these reports about you and everyone fighting each other?”
“Mm, right, right.”
Loki stares at you, amused. “... Care to explain?”
Your face contorts into a hundred different expressions until you finally settle on one of gentle guilt. “The person we were after was a friend of a friend. I made a judgement call and let him go.”
“You went against orders?”
“I went against the law.”
“Even better.”
With an eyebrow cocked, you give him a judging look. “Loki.”
His eyes crinkle from the intensity of his smile and you’ve missed him, you missed him so much. “That’s what I love about you. Barely starting out as an Avenger and you’re already realizing you can do more good in your own way.”
You groan quietly and rest your head on his shoulder. He wraps his arm around your waist and tugs you closer. “I mainly did it for Steve. Wasn’t like it was a big ‘fuck you’ to one-hundred and seventeen nations for the hell of it.”
“Do you regret it?”
“No.”
“Spoken like a true anti-hero.”
“You comparing me to yourself?”
Loki chuckles and runs his fingers through the strands of hair closest to your cheek. “Darling, I’m a God. No one comes close.” He sighs, serious again. “All I’m saying is that it’s refreshing to see the young break the rules.”
“I missed you,” you softly say. You can feel the nudge of his cheek turning upward against your head.
“Always nice to hear.”
Rolling your eyes, you move to meet his gaze. “So, no reason why you came to visit me specifically?”
Loki takes one cautious look at the camera, to outside your cell, and back to you. “I too do things for your lovely Captain.” His smile grows wider.
“What?”
He winks and tilts his head over to the giant metal doors that are starting to pry open. “See you in a minute.”
The alarms begin blazing; there is fog filling the room, and Steve emerges from that fog with a winning smirk.
You look over at Clint, half selfishly wishing he was Loki on another one of his midnight visits, and quickly do away with the thought. “So how’s life without me?”
“Oh, it’s great! The flowers are in bloom, the kitchen isn’t always a mess, and my bow and arrow aren’t misplaced because you wanted to have some fun with it,” he jokes, stretching far enough that his feet dig into your thigh like he’s trying to make more room for himself.
“Not like it’s your only bow and arrow.”
He chuckles and sits up. He does a once over of the room and adjusts the frequency on his hearing aid. “They read you your rights at least?”
You wait to respond until he finishes fixing it. You speak and sign the words slowly, “I don’t think any lawyer in America will want to take this case anyway.”
“Yeah, you’re right. It’s a career killer.”
Trying to refrain from smiling around Clint was nearly impossible. You look to the door quickly, “Two minutes?”
He shoots up straighter as he watches your hands, “Right! So we’re currently tracking down your sister-”
“My sister?”
“Steve thinks she’s our only hope at clearing your name.”
“Why is that? I told her to get as far away as possible.”
Clint sighs and scratches the skin just above the bandaid. “She stayed in Mexico all those years you were gone. By all accounts, Ernesto adored her. Because of that, her influence might clear your name.”
“But she stayed. All the more reason to believe she was involved as well,” you say, shaking your head.
“She’s barely out of her teens. Everything that happened, happened when she was a minor. She has a first hand account of the abuse Ernesto caused you. And Steve thinks that the Julian fellow might even come clean and admit to the arranged marriage. Shows a pattern of abuse by Ernesto to his own children. Could spin it to make it seem like you had no other choice but to follow his orders.”
You follow his hands slowly, some signs difficult to read but you latch onto the gist of his argument. You groan and lean your head back on the wall with a small thump. “They go against Ernesto and they have targets on their backs. Even my other siblings who are still involved with all of this won’t let it go.”
“Y/N… Ernesto’s dead. You know that.”
“His influence isn’t.”
There’s minimal commotion a few doors down. Clint realizes it’s time to leave. “It might never be. But we don’t get to live in the future.” He stands with another small groan and stretches as he prepares to lift himself back into the vent. “We’re living now, and it’s all any of us can do.”
“Clint?” You also stand and have to wave in his peripheral to get his attention. He turns and knows what you’re about to say even without the hand gestures. “They won’t answer me when I ask.”
His lips pull into a perceptive smile, “He’s okay. Doing what he does best - blaming himself.”
“Oh, okay, good.”
He’s had enough practice reading your lips to notice the sarcasm that drips from them. He hurries to lift himself up. “We’ve got about a million tricks up our sleeve. If Jackeline’s word or the evidence isn’t enough, we’ve always got Fury and his blackmail.”
“Yeah, half the guys who interviewed me look like they cheat on their wives, so.”
He genuinely laughs and jumps high, muttering more to himself than to you. “Up we go…”
The team locates Jackeline just a few days after your run-in with Clint. The building saw a triple rise in security but even then it didn’t prevent undercover agents passing all the checkpoints and sliding notes with your meals. They’d leave the tray, tip their hats, and smile like they knew the cameras wouldn’t suspect a thing.
The first note is from Bucky, with the simple message of ‘I watched a few episodes of The Crown without you… I’m sorry.’
The second comes on the same day at dinner time, this one from Wanda. ‘I think Peter is trying to flirt with your sister.’
The third isn’t slipped through with any meal, but rather through the tiny opening beneath the door. ‘Surprised we did this the legal way this time! See you soon! - Rhodey’
The final one is actually hand delivered when several guards come in to tell you you’re free to go. They’re mumbling amongst themselves, cursing the system and the privileges Avengers always get, when the smallest of the five turns to you and hands you the note. ‘I owe you one. You owe me one. Who’s counting anymore? - Joaquin’
Jackeline had been able to track down Maribel and the two of them, with such accuracy in their stories and their timelines, constructed your defense perfectly. They showed them phone records, all of the recordings from that week, had proof that you never signed a thing, and made several special deals. Jackeline promised to reveal where bodies were buried, where business was dealt with, who else was involved with Ernesto and Seda. Maribel managed to get a message to them from Ramirez, which basically cleared you from the crime they were trying to stick. Ramirez was a damn good liar, you’ll give him that, and it made you the tiniest bit sad that you’d probably never see him again.
The tipping point was when Steve turned himself in. There was no evidence that you did anything, never signed anything, never conspired behind your teammates backs. Fury made sure not to keep a paper or electronic trail. But there was evidence that implicated Steve - the contract. No matter how badly the FBI and CIA tried to make it go away, to absolve Steve from it, he didn’t back down. It was like the story they originally wanted toppled in on itself and it was actually Steve who forced you into all of this - playing your connections and forcing your hand. The contract hadn’t been voided, still hasn’t, and they really couldn’t risk another SHIELD fiasco. So it was destroyed to protect the Stars and Stripes, and in return they promised to let you go if you didn’t tell a soul. The image you’d come to despise, that tacky red, white and blue, is starting to grow on you.
‘Let me think about that and get back to you,’ you had joked. You think they let you go sooner because they feared the truth in your joke.
But there wasn’t anything to think about, ever, still isn’t. Steve pulled another sacrifice play and you wanted to get out as soon as possible to kick his ass.
You leave the prison with the same clothes you had on when you entered. They smell washed and you’re thankful they allowed you to shower before you left. You ignore the looks guards and prisoners aim at you, each trying to somehow get their hits in without actually pulling their punches. This would be a media disaster either way, didn’t matter the outcome of a supposed trial, and PR was most likely struggling to prepare their defense.
You resist the embarrassing urge to run into his arms. He’s standing right outside the gates, leaning back on the passenger side of his rusty old blue pickup, positively glowing underneath the blazing sun. You’re blinded by it, skin thanking the dangerous rays for its first touch in weeks, but it only takes a moment for your eyes to adjust. He still hasn’t shaved and his hair is getting longer, and instead of his usual tucked-in dress shirt, he’s wearing a brown leather jacket over a faded graphic tee that reads AC/DC. It was Tony’s.
You’ve only got the broken burner phone and a hair tie in your possession; it’s what was on you when you were arrested. You drop the burner in a nearby trashcan and head on over to the truck. Steve’s wide smile buckles your knees and it damn near breaks your heart. Even when the two of you weren’t on speaking terms, you still saw each other at least twice a week. Going two weeks without seeing him feels like a lifetime.
Once you're a few feet away, you stop in front of him. There are no immediate words you know to say, so you simply shrug your shoulders and give him a look that asks ‘What now?’
“Home.”
~
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Problematic Language Gender Divide in Japanese
Today I stumbled across a very interesting article about the language gender divide in Japanese and how it impacts women in the Japanese workplace.
Here is the link to the full article.
This article touches on a lot of things I have felt living in Japan as a woman, so I thought I’d share it with everyone.
“This is not just a matter of linguistics: these gender-specific forms, with their different levels of assertiveness and politeness, and the societal expectations behind them, put women at a huge disadvantage against men, in life and particularly in the workplace.
Beyond specific words, gender language differences in Japanese are evident in how and what women say. Women are softer spoken and use more euphemisms. Unwritten rules around women's language reflect the acceptable features of women in Japan: never direct, always respectful.”
Can you imagine how difficult it would be to conduct a business negotiation while remaining “indirect” and unassertive?
This article touches on a point that has ALWAYS ground my gears not related to the workplace.
“Interestingly, Nakamura observes that the Japanese female language is most prominently represented in the Japanese translation of women's remarks in Western literature. For example, Hermione in the Harry Potter wizarding novels sounds much more ladylike in Japanese than a girl her age in Japan today would. In fact, Hermione speaks as briskly as her male peers in the original English.
But the translation sends a subliminal message that all women, even Western ones, should be speaking demurely. Intellectually we know that this is not true. Western professional women are much more outspoken, but they are not any less charming for that.”
This feels like hyperbole to type, but I would honestly say that 100% of the Western female characters I’ve seen translated into Japanese have been hyper-feminized. Hermione’s character is built upon her independence and her self-assertion. It feels wrong to translate her dialogue into such demure speech.
Has Japanese Always Been Genderized?
Contrary to what Japanese people are taught in their Japanese classes at school, onnna kotoba (female speech) and otoko kotoba (male speech) has not always been delineated.
Many Japanese people are taught in school that Japanese has been genderized since the 4th Century AD, with court ladies, Buddhist nuns, and geisha speaking differently. Sounds so romantic and beautiful, that this historic, refined way of speech is preserved and upheld by women to this day!
HOWEVER, that is blatantly untrue. The delineation actually took place in the late 1800′s!
A linguist named Orie Endo was one of the first people to demonstrate this. He did it by comparing two literary works, one from 1813 (“Ukiyoburo”) and the other from 1909 (“Sanshiro”). The truth is that before 1887, when people started noticing feminine language, males and females spoke the same; differences in speech patterns were based on social status, not gender. Endo found that males and females used the same sentence-enders in “Ukiyoburo,” but these were split between men and women in “Sanshiro” (just 96 years later). The sentence-enders ぞ (zo), だぜ (da-ze) and ぜ (ze), for example, were used by both males and females in “Ukiyoburo” but only by men in “Sanshiro.”
This excerpt was taken from an older but fascinating article from The Japan Times that you can read here.
How/why did this change take place?
The Meiji Era (1868-1912) was the catalyst. Feminine language was initially frowned on by male intellectuals. The sentence-enders てよ (teyo), のよ (noyo), and だわ (dawa), in particular, got a lot of attention. This “vulgar language” (now considered a long-lasting and beautiful tradition) was blamed on hicks and lower-class Japanese.
Two big things helped feminine language go from vulgar to accepted tradition. The first was the philosophy of ryōsai kenbo (good wife, wise mother). This was encouraged by the government and showed up in a lot of women’s magazines — written by women who spoke in the new feminine form. This type of woman was shown as a member of the ideal middle class. As a result, other women emulated them. Feminine language became widespread, and necessary — if you wanted to be well-educated, happy and all the things a woman “should” want to be.
The other big transformation that helped embed gendered language in Japanese was the rapid modernization and Westernization of the Meiji Era. Change was occurring so quickly that it seemed as though Japanese culture was disappearing — that Japaneseness was being lost. People began seeking out traditions they could hold on to. One such “tradition” was feminine language; to be Japanese — and, more importantly, to be unique from Western cultures — meant speaking in a gendered language. This was just one of many “traditions” that sprang from times of rapid transformation (it happened again post-World War II, during the Allied Occupation, with the Nihonjinron (theories about the Japanese studies).
Do You Need to Conform to These Norms as a Non-Native Speaker?
This is entirely my own opinion and experience as a foreign woman in Japan. What I believe may not be what you believe, and that’s okay.
I use feminine speech in Japanese. My pronoun is “watashi,” and I do end sentences in “dawa” or “nano” like a Japanese woman would. It would feel downright weird or wrong to change my pronoun to a masculine one like “boku” or “ore.” I do use masculine “zo” or “ze” to end sentences when I’m kinda joking around or fired up about something.
However, I have long been aware of the inherent deference that lies in the polite “watashi” and the lack of assertion hidden within “nano,” etc., and I am not a demure or unassertive person by nature.
It’s for this reason and a couple others that I often temper my demure feminine Japanese by using more casual Japanese instead of desu/masu. I’m not going up to the client and speaking to them like they’re my bros, of course. For them I always use desu/masu and observe all societal norms. But around my coworkers and people that know me, I will use casual Japanese.
By using casual Japanese, I do the following things:
I attempt to show, “I think of you as on the same level as me.”
I attempt to express the camaraderie and warmth I have for the person I am talking to. (In English, a more warm and casual way of talking is seen as friendly and polite, and I consciously hold that mentality when speaking Japanese, despite knowing Japanese doesn’t operate under the same logic. I’ve also explained that mentality to my Japanese coworkers.)
I attempt to show that...hmm. For lack of a better word, I’m not gonna take any shit from anyone. haha.
Caveat 1: Even though I tend to speak more casual Japanese, I still ALWAYS put -san at the end of every coworker’s name. Without fail. Not adding -san would be very rude and putting them beneath me, which I do not want to do under any circumstance.
Caveat 2: While I do speak mostly in casual Japanese, I do everything in my power to say things directly and honestly but with tact.
A regular Japanese person maybe couldn’t get away with this casual Japanese in the workplace. But since I’m a gaijin, I get a sort of pass. “Ah, she’s an American and they speak their minds.” Or “Ah, Americans do that thing where they speak casually to people they are comfortable with.”
I believe that this strategy has worked in my favor. Nearly everyone in the project comes to me for advice on...well. Damn near anything, at one point or another. Things I’m not even remotely related to. I think they do this because they know I’ll give their question a hard think and a genuine answer. This could be reflected in my personality, but a large part of our personality is illustrated by the way we speak.
Just some food for thoughts. How do you feel about the distinction between feminine and masculine speech in Japanese? How do you use it?
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ALL RIGHT THIS IS GOING TO BE LONG, BUT BEAR WITH ME. I rewatched all of The Clone Wars recently and it was a great way to look at both the details of each episode and get a sense for the bigger arc, because I was watching them all at once, both The Wrong Jedi arc and the Protocol 66 arc, the latter of which I think is super important to the context of the former, especially because they are right next to each other in the course of the series. Here’s the thing that surprised me the most about this arc: Ahsoka immediately didn’t trust anyone when she was framed. She instantly went on the run instead, she never tried to contact any of the other Jedi, not the Council, not even her own Master. She immediately ran and never put her trust in anyone else. I don’t know that this was the narrative intention, I would almost put money on that it’s probably not, but sometimes in writing characters when you’re true to them and how they would react, unintentional themes will rear their heads and be just as important. Now, she’s not necessarily wrong to have done this, because we’ll see Fives does trust in the system and he’s murdered for it anyway. Would Ahsoka have turned out the same? Possibly, she’s definitely not wrong about the system being stacked against her. But ultimately its not her own efforts that save her, but Anakin’s investigating as her Master. Possibly not, she doesn’t have a chip in her head that leads straight to Order 66 and Darth Sidious himself making sure she absolutely has to die. Oh, he wouldn’t have minded, but it wasn’t his direct goal. Ahsoka has a right to feel wary, because Anakin didn’t go visit her while she was in jail. Anakin’s right, they absolutely would have used it against her, it would have made her look even more guilty, and he was trying to give her the absolute best shot possible. This is almost assuredly the same exact reason the Jedi don’t go visit her after she’s expelled, because they do protest the entire way and a huge point is made about how she needs to get a fair trial, that the Senate is forcing them to expel her so that the Jedi won’t be accused of not taking this seriously, because they’re in a war and sedition/treason is an incredibly huge deal. And that’s also the thing--it’s easy to say that they should have stuck by Ahsoka (and I don’t disagree, they don’t disagree, they directly apologize to her for all of this!) but it’s still true that the Jedi were absolutely railroaded here. They worked to keep this a Jedi matter, but Tarkin and the Senate said that it involved the deaths of clones and Republic citizens, so she had to face a Republic trial. This is brought up like four separate times over the course of the arc, that the Jedi do not really have jurisdiction here. (And, yes, they did try to keep her there--that’s the whole point of showing Tarkin forcibly strong-arming them and saying what they believe doesn’t matter. That’s the whole point of Mace saying, “Let’s hope we can keep her here.”) This is also why the Protocol 66 arc is so important--Shaak Ti practically breaks her back trying to get Tup and Fives to the Jedi and she is roadblocked at almost every single turn or else plotted against behind her back to literally kidnap them away from her. She argues that they have jurisdiction here as Generals in the war, but the Kaminoans argue right back that the clones belong to them, and then the Chancellor’s office gets involved and there’s even less chance to get them to the Jedi, because the Senate’s involved now and what they say goes more than anything. Further, these two arcs are important as bookends to each other in two really important ways: 1. Each of them has a moment where the fugitive is finally caught. Ahsoka dives down into the lower levels of Coruscant to evade capture. Fives makes his case to Shaak Ti, who says she’ll take this seriously. They both ask a Jedi to trust them, but one turns himself over and one goes on the run. Again, who’s to say if Ahsoka made the better choice, because she is the one who lives, but Fives was basically dead the moment he started looking into this, no matter what. The point isn’t the outcome, but more that the Jedi don’t just throw him to the wolves, they fight to take this seriously and fight to find out the truth.
2. The cases against Fives and Ahsoka have some really fascinating parallels in that they’re both accused of a murder they didn’t commit (against Letta, against the Supreme Chancellor) and there’s footage of them running/seemingly attacking others along the way. This is important because, if you strip away the context of what we, the audience knows, Ahsoka looks incredibly guilty. There’s footage of her apparently choking Letta to death.
She runs away from the Jedi from the moment she’s set-up, even not trusting her own Master. She refuses to turn herself in or even contact them to tell them her side of things. There are dead clones in the path she takes out of the detention center, which appear to have been killed by a Force-wielder. She’s seen working and escaping with a known Separatist terrorist--because they have no way of knowing that Ventress has broken with the Separatists. Ahsoka herself says, in this arc, that she never saw her and Ventress working together, showing that it’s pretty hard to believe even when you’re in the middle of it, much less from the outside!
Eventually, she’s found and captured, while in possession of the very nano-droids that were used to blow up Jackar Bowmani in the Jedi Temple. If you take out the context of us seeing Ahsoka’s reactions and how she put these pieces together (which no one else in universe would know), it isn’t just the frame job that makes her look guilty, but that her own actions contribute to the way this looks from a distance. The evidence that piles up is really damning, that it’s not just one or two coincidental things, but an entire case against her! But they know Ahsoka, they have to know she couldn’t have gone to the dark side like that! And that’s why the beginning of this arc has a line that’s so easy to miss but it’s so important:
“There are many political idealists among us.” “But a traitor?” “I’m afraid one can eventually become the other. Remember Count Dooku and General Krell. That’s how they started too.” This has already happened before, that someone they thought they could trust turned out to be capable of terrible things. This entire arc cannot exist without the context of knowing that there is a Jedi in the Temple right now who is betraying them, that if Barriss had been in Ahsoka’s position for all of this, it would be entirely possible that she would have acted the same way from an outsider point of view. And how easy is it for us, even knowing that she absolutely is guilty, before we watched the end of this arc, to go, “But Barriss would never do that! I cannot believe she would have fallen so far!” It also cannot exist without the context of another important thing--and this was a deliberate detail put into the episode, as Dave Filoni comments on in one of the featurettes for this arc, how they deliberately had Anakin chasing her, because it was a moment of foreshadowing for Darth Vader to be chasing a Jedi down. Darth Vader looms over this arc in a way that deepens the context. Darth Vader, who is right there and the Jedi are trusting him, too. Trusting him to be impartial when looking into whether a Jedi was behind the bombing. Trusting him to be impartial when chasing after Ahsoka: Mace: “I think it would be best if Skywalker stayed here. Having you involved may actually make things worse.” Anakin: “Master Windu, with all due respect, she is my Padawan.” Mace: “The reason for you not to go.” Obi-Wan: “I think we're being foolish if we take Anakin off this mission. Who knows her better?” Mace: “He's emotionally tied to her. Probably too emotional to do what needs to be done.” Anakin: “I'd rather capture Ahsoka and find out the truth then let her run because of a lie.” Yoda: “You must prove to us that you will stay focused. Can you?” Anakin: “I've already alerted security on the lower levels to be on the lookout for Ahsoka.” Yoda: “Go swiftly then, Skywalker, and bring back this lost child before it is too late.” The point is that it’s incredibly hard to know who to trust, it’s easy to say with an omniscient point of view of the entire story and 20/20 hindsight, but they have concrete examples of people who have betrayed their trust before, so it’s entirely reasonable for them to recognize that someone else may betray them, too. That talking to them and showing that you’re willing to extend trust, that you’re willing to do this with a clear focus, is what gains their trust. And, yeah, for all that the context of Darth Vader is hanging over this arc, it’s also true that they’re right to trust Anakin in this moment. It’s his actions that save Ahsoka and bring the truth to light. As a fun bonus, this is all while the Force is so clouded with the dark side that Mace already said way back in Attack of the Clones, at the start of the war, that their ability to use the Force is diminished. The psychic stress that must put on them (as people who can feel the entire weight of a planet on their minds), that the normal non-psychic stress of being in a war that there are too few of them and they’re dying in it is already pushing them to their limits, including that the dark side is hampering their ability to cut through the fog, it’s reasonable not to blindly trust people. Baby Darth Vader being right there is a giant neon flashing light pointing to this. They want to treat Ahsoka fairly, but she isn’t giving them anything to work with, because she doesn’t trust them, either. Which is why I keep coming back to that line she says when she leaves Anakin and the Jedi, her reason for doing it: “Why are you doing this?” “The Council didn't trust me, so how can I trust myself?”
Earlier, she says, “I don’t know who to trust!” Then she begs Anakin to trust her. And ultimately she doesn’t know if even she can do that. Because trust is at the heart of this entire storyline. The opening quotes reflect this very nicely, too: 5.19 – Sometimes even the smallest doubt can shake the greatest belief. 5.18 – Courage begins by trusting oneself. 5.19 – Never become desperate enough to trust the untrustworthy. 5.20 – Never give up hope, no matter how dark things seem. An interesting note from one of the featurettes as well is that, originally, Ahsoka was going to rejoin the Jedi Order and that was going to be that. They changed their minds because the opportunity to do something else with Ahsoka was more tempting. Which says to me that this wasn’t an arc about exposing a fundamental eventuality, but instead about a far more complicated situation. Again, Ahsoka’s not entirely wrong or right in the way she goes about this. We can’t say for certain what would have happened if she’d trusted other people, all we can say is that she didn’t trust any one when she ran, that ultimately that she doesn’t feel she can trust herself by the end of it and Anakin was the one who finally cleared her name, not her own efforts. That she shows incredible fortitude for not giving in to the dark side, even when she was isolated. By the same token, the Jedi aren’t entirely right or wrong in the way they go about this. I do think they should have visited her, even though Tarkin would almost assuredly have used it against Ahsoka to make her look guilty, but to say that they just abandoned her and never tried to help her, that they totally betrayed her when she was clearly so innocent, that they never even said sorry--that’s incorrect, too. Both sides were right and wrong. It’s easy for us to feel for Ahsoka because we love her and her goodbye is incredibly heartbreaking, it’s so easy to trust her when we’re shown all the scenes of how this connects together and we see her reactions, that the story trusts us to let us in on her side of the events that happen. It’s so easy because she feels very vulnerable and she was a victim of a really shitty situation. It’s so easy because this is an incredibly harrowing experience for her and she stayed true to the light through it, through her own resilience. But stepping back from those feelings, hard as it was for me to do, let me see that Ahsoka failed in some important ways as well as that the Council failed in some important ways and that's why she herself decides that she needs to go figure herself out on her own, away from the Council and even away from Anakin, who was the one that always believed she was innocent and trusted her. Because it wasn’t just about other people, it was about her and her own actions. I had all of this put together just from watching these two arcs, but then I started watching the story reels, including, “In Search of the Crystal” where Obi-Wan and Anakin have a conversation about Ahsoka leaving and Obi-Wan says, “I will grant you mistakes we made but she chose to leave. Part of the Jedi way is not letting emotion cloud your better judgement. And that's precisely what Ahsoka did. Even in her most critical moment.”
Not too long ago I was watching the featurette for “The Lawless” where Dave talked about Obi-Wan (more in the context of how he cannot embrace the dark side) and how the events were written to show that he’s a true Jedi, that he sticks to the bigger themes of Star Wars, which that’s how Dave sees Obi-Wan. I was reminded of that, in that Obi-Wan is, for all that we give him shit about the “from a certain point of view” line, actually a really reliable narrator when it comes to emotion and how it can cloud a Force-sensitive person’s mind. Obi-Wan’s right, especially because it’s pretty easy to make the inference that he’s one of the Council who voted in favor of Ahsoka, that he believed in her, even as he recognizes that her emotions clouded her judgement. Even in her most critical moment. And when I went back to do my rewatch of The Clone Wars and these arcs, that became a lot clearer when I stepped back from my own emotional reactions to how much I love her and think she’s an incredible, good-hearted, kind, and compassionate person. Because even the best of people can be both wrong and right at the same time.
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my rewrite of tmnt 2012 is turning more into “my fan iteration within the story of 2012 which i change a bit to suit my self-indulgence” (which it pretty much was from the start but hey) so i’m just gonna write down some General Stuff abt it like arcs and stuff
Tang Shen is alive but did get sliced by Shredder like when she dies in canon, so she has scars and Shredder believes her to be dead. Tang Shen also believes that Yoshi went and disappeared on her when he went to buy those turtles so, you know, rough couple of years for her w/ regards to thinking her infant daughter is dead, moving away from japan w/ her husband, and then her husband mutates into a rat and doesn’t tell her abt it. now she works as a robotics engineer at Stockman labs and while she’s still depressed she’s getting better, she likes her work, and she’s working on a certain nanobot project which is going good
(Nano is in this version but they instead are in an arcade cabinet that the turtles then bring to the Lair so that Nano has a family and they get to play with the turtles often. Happy end for Nano!)
Raph is the one who first meets Shen and Shen starts signing the adoption papers for the turtles
Splinter is pretty much the same as in 2012 but like, he gets confronted abt his shit instead of just being Flawless Wise Mentor, mainly by Michelangelo and then Shen when she meets him again. think he’s still gonna die but only once instead of. what. three times?
the turtles have known April for about three years since they went to the surface in secret and met a curious human girl. April quickly decided she has four brothers now and they agreed whole-heartedly
April’s parents are both alive btw and very good parents, though since “the Kraang want to kidnap April” isn’t a thing here they are both unaware of her mutant friends
April isn’t trained as a kunoichi and instead relies on her telepathic powers, which would grow at the same rate as the turtles become better fighters. i have a whole list of her powers and their limits - for example, tinfoil hats do work to keep your head protected from telepathy, much to everyone’s surprise. a metal pot also works, or a metal helmet. Shredder is unknowingly immune to it with his helmet always being on...
the brain worms serve a slightly bigger role, but they are instead creatures from Dimension X, a weak, telepathic parasite that crawls into people’s brains and controls them to keep the worm safe while it feeds on the person. they are what Kraang Prime mutated himself with to create the Kraang hivemind. they are also called “mind maggots” in Dimension X, “brain worms” is just what Stockman and Donnie started calling them when first discovered. removing a brain worm from a person without using telepathic powers can result in the person’s death or severe brain damage
also the Kraang are a more literal hivemind. if one of them sees you, they all see you. the turtles have to use all their ninja stealth to deal with them, and it’s always a risk because the Kraang can easily overwhelm them with how many of them there are
Kraang Prime is probably gonna be offed at the end of the “season 1 finale”, probably by Leatherhead. he deserves it. offing Prime also frees the Kraang hivemind from his control and the Utrom have their autonomy back. either that, or they manage to release the hivemind from his control another way, and it leaves Prime like weak and useless somehow. maybe by plucking off those weird crystals on his head, i dunno, still thinking abt it
oh Leatherhead! Leatherhead is a doctor for mutants, being a bit of a mix between his 2003 and 2012 self. he wants to help other mutants since he knows they’re victims of the Kraang too, however indirectly, and that they can’t exactly get medical help. mutants do have greater regenerative properties, but that’s only going to help you so far, and your bones might grow back wrong quicker. so, Leatherhead spent his years of freedom studying medicine and mutant biology, using stuff he stole from the Kraang during his first escape.
it would be a lot more focused on helping mutants in general. like, there would still be mutant villains that would be fought when needed, but Mikey and Donnie would put their feet down and try to offer the mutants help in settling into their new life. the turtles would also not be disgusted with mutants like they are in 2012 like jeez, dumbdotcomm really put it into words
anyways the Kraang would cease being a threat after “season 1″ and the truce Karai suggests between Foot and Hamato does happen. Splinter hates it and doesn’t trust it at all
Baxter Stockman has his own lab which is pretty successful, and he is an incredibly smart and eccentric guy with a bubbly personality - until you threaten him or talk down to him, at which point he shows himself to be calculating and ruthless, still with a smile on his face. he doesn’t pick up on sarcasm very well, though, and if you ask him to explain something, he will happily do so in great detail, whether you’re friend or foe. also, he doesn’t get mutated into a fly, and he doesn’t get turned into just a brain, either. he’s just a funky regular human guy
Timothy becomes The Badger in this version. he’s also treated better by the turtles, especially Mikey who takes it upon himself to train Timothy, partially bc Mikey wants to be a superhero but knows he can’t show his face. in fact, Timothy was inspired by Mikey specifically as he saw Mikey trying to be a costumed superhero at one point. when Timothy mutates, he becomes a human mutant like Hun and Ravenwood from IDW, so he can become like an actual superhero with powers
more female characters. like just in general more girls please. i beg of you.
Angel is Casey’s older sister who’s off at college as a STEM student, and she is also Nobody here bc i absolutely love that for her, IDW was galaxy brained when they did that. Alopex is her partner here too same as in IDW, and they jokingly call themselves “Batteries, the Double-A Crime Fighting Duo”. Angel is very much against Casey being a vigilante despite being one herself, but she’s an adult so it’s different, obviously
the turtles ask Alopex to be their teacher, too, especially since Raph notices that she fights using anger in a controlled way, and she is a bit surprised and slightly awkward about it but she accepts. Alopex is an arctic fox instead of a red fox here btw, though she has a summer coat most of the time and only gets white fur during winter.
April would also have an arc where she strives to understand her mutant side and powers better, so she would venture into Dimension X alone to find the Utrom, and learns about their society before and after Kraang. Rook and Queen (named Quin here bc Bishop isn’t a Utrom in this version, and Utrom don’t have a concept of queens and kings) would have bigger roles, as they would help April out with her powers and figuring out what being part Utrom/Kraang means for her identity.
Rook is also an alchemist/scientist who created mutagen in the first place, and Kraang was her assistant. this isn’t super important to April’s arc but i just thought it’d throw it out there
the brain worms/mind maggots would result in a City Fall arc i’ve decided. but it would be the only time mind control/brainwashing becomes a plot point in this series bc i think 2012 really overused that trope. like it was there with Splinter and the Rat King, with the parasite wasp mutant episode, and then again with the brain worms but like, several times over.
this also means that Karai doesn’t get the brain worms pumped into her brain. remember that scene where she’s hooked up to the machine and Shredder’s like “damn that shit sucks i’m sorry Hamato Yoshi’s doing this to you”?? that scene was pretty fucked up. anyways Karai has like. agency in her own arc this time
in the City Fall arc Splinter would die and at the end Karai kills Shredder, and Leo and Karai as new leaders of the clans would be like “alright this stupid fucking ancestral cycle of vengeance” ends here
Northampton time after that because it would be a Lot
after that i think it would be space arc time? it would start with the turtles being separated across dimensions and planets a bit like when SAINW happened, but without SAINW. like, Donnie would get to Neutrino (elves with crazy hair version), Leo would get to Usagi’s dimension, etc. etc.
also in case it wasn’t obvious Tang Shen will play a big role as the turtles’ Better parent and she’d have her own stuff to work through, like meeting her daughter she thought was dead and finding out her boss, Stockman, is evil, that her husband got turned into a rat, and that her new kids get into all kinds of dangerous trouble constantly
anyways that’s um. already quite the wall of text so i’ll shut up now ‘til i have more art to post, digital art this time so you can like. actually see what things look like.
#teenage mutant ninja turtles#tmnt#tmnt 2012#i just think tang shen should be alive and well!#lovi speaks
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—𝗖𝗢𝗔 𝗙𝗔𝗤;
Hello, everyone! So with COA being such a long-running series and new readers finding it constantly, I have come to realise that a lot of questions I get often repeat. So to keep everything easy and clear and friendly for everyone regardless of whether you started COA at the very beginning of the story or just recently found it, I have spent the day relaxing, eating junk food, and compiling this FAQ. Please read through it because chances are the answers are here somewhere. I have sectioned the guide into following: general, story, ships, original squad (OCs), AUS, OC!V and tips/advice. If the answer to your question is not here, please feel free to send me a message and have a wonderful day! <33 - kat.
GENERAL:
when does this story update?
I try to keep a bi-weekly schedule (now usually Sunday updates). But I always let you know when the chapter is done by making a final word count post (pre edits).
do you have a masterlist?
yes, you can find it here.
do you have a tag list?
not for COA. they’re very time consuming and I’m already really busy sorry :(
are your requests open?
I rarely open my inbox for requests. the only exception being the monthly blurb nights. then I reblog a prompt list and let people send some requests in for any fandom/ship. however, usually due to how many I get, it only happens every few months. that being said, you can still send me ideas/suggestions and if it inspires me, I will write it. that’s how the majority of the AUs have come about. but i’m also a very busy person so sorry if I can’t.
can I make X or Y for COA and tag you?
yes. yes. yes. please, please, feel free to create whatever for COA (no matter how small or silly) because I consider it a great honour that I’ve been able to inspire someone else. whatever it is, please tag me. I wanna see.
okay, I made a thing and tagged you but you didn’t respond :(
Tumblr is notorious for eating my notifs. whatever it is (art/post/etc) if I don’t respond to it in a day or two, please give me a nudge. you’re not being annoying, I promise. chances are I missed it/tumblr ate it.
I wanna scream/discuss/theorise about COA with others, is there any way for me to do that?
my amazing readers have set up this reddit page that is full of lovely people, theories, and memes etc. I check it often and interact on there, too, so feel free to drop by.
STORY:
how many chapters will COA be?
25. the last one being a very long epilogue.
have you decided on the ending yet?
yes. from as early as part 2. it's barely changed since.
will we ever see more of Prague/Naples? hoe, please say yes.
yes. I plan to write both as COA bonus stories after the main story-line concludes.
will there be a sequel?
depends. on two things: 1) if anyone will even care by that point 2) time. this story has consumed 5 months of my life entirely. i’ve been incredibly strict with myself when it comes to writing it (in a good way) but at best it won’t be finished till the end of august/beginning of september. so likely even if I do, there will be a break for a few months at least. I do have ideas though.
you promised us smut. where is it?
patience is a virtue. ;)
happy ending or tragedy? (please don’t say tragedy, you monster)
I would describe it more as “bittersweet” but whether it leans more towards bitter or sweet you’ll have to see.
SHIPS:
any endgame hints?
you know more about the ending than you probably realise
can v/s finally go to Paris? for the love of GOD? pLEASE?
no
hector + v? powerful. will there be more of them in the future?
agreed & yes. hector and v have their own arc to go on. it’s actually one of my favourites in this story. I don’t want to say more than that right now because I have plans for their dynamic so no spoilers. :)
please stop bullying john. give us some j/v content please?
i, for one, adore john. it’s team S that’s bullying him lol. but wait till parabellum. i’ve always referred to that portion of the story as the second coming of j/v.
does lucien actually have a thing for v or is it a creepy obsession?
it’s both.
I ship v with everyone :/ is that bad?
the sky is the limit. ship all the things proudly (but seriously, no, it isn’t. I ship all the ships, too, and that’s the fun of it)
v/elder tho? 👀
🔫🤡
j/v or s/v? be honest.
you fool,,,, you buffoon. ot3 j/v/s is where it’s really at. imagine their POWER.
ORIGINAL SQUAD:
what do the Elites/Lovers look like/how old are they?
please refer to this
will there be more step??
of course. he’s my baby. :)
will we see more of camorra/learn more about the elite’s and their backstories?
while I would love to take the time and flesh them all out with full backstories, only hector will be getting his backstory explored in the main canon because plot.
does lucien care for mika anymore or has he replaced her with v?
lucien is a messy hoe. mika is his subject of “affection” but v is his foil and equal. he recognises the same hurt in her that he has gone through himself so it’s more of a fixation. with time, lucien would likely destroy v so no bueno.
I ship our OCs.
I do, too.
can we write about your OCs/V?
so you would have to come to me and discuss this more in private but I’m fine with this sort of thing usually. in fact, a prequel hector story already exists so you’re likely good but please contact me first.
AUs:
when/how often do you update the vampire!au?
whenever I have time/inspo. mainly time. so this means you can get it daily or not get it for several weeks because COA is priority. I keep you all updated on when I have something cooking tho.
what is the actual pairing for vamp!au?
undecided as of yet. i’m leaning more towards ot3 right now but we shall see.
how often do you update flowing in me?
same as the above. whenever I have the time but I will keep you updated.
how many parts will flowing in me be?
I have 5 parts(ish) planned.
do you have a tag list for flowing in me?
I will. please leave a comment on the story if you want to be tagged in future parts!
will flowing in me feature other characters (john, winston etc.)?
this story is mainly camorra-centric but I do plan for John to appear at some point.
how did you come up with your lore in vamp!au?
to be completely honest....I just wrote a bunch of stuff down and used what stuck. mostly the ideas were pulled out of thin air while still trying to keep within the spirit of the canon material (the high priest, the holy church, the twelve priests, john being the boogeyman etc). camorra as the natural enemy seemed fitting and santino as a vampire prince even more so.
can we send you new au ideas/expand on old ones (manager!V etc)?
yes, always. I always try my hardest to reply but ofc I can’t promise I’ll be able to use them all but thank you in advance.
OC!V:
who is the face claim for OC!V?
weronika spyrka
what is her real name?
clara
how old is she at the beginning of the story and now?
23 beginning of chapter 1, 30 beginning of chapter 4 (current timeline)
will/would you ever write an original story about her?
I have considered creating something original out of COA itself or one of its sister series/concepts (like FIM). since I really started working on COA during last year’s NaNo, that might be the time I create something original this year.
TIPS & ADVICE:
how do you write so much, so quickly?
I don’t think that word count is really reflective of the quality work itself. I don’t think you should worry how much you write, either. 100 words can be just as valuable as 1k. most of them time I have a deadline breathing down my neck and I do work well under pressure so that inspires me to force the chapters out. I also do very long days because despite what it might look like I’m not a fast writer.
how can I improve my writing?
read and practice. I know it’s dumb and overused advice but it’s how I learned english and found my style (still a mess and WIP) but still this advice does help.
how do you keep motivated?
spite, your support, genuine adoration for these characters/word, a lot of spite.
do you plan? outline?
I have a vague story outline with specific scenes in mind as I go along (helps to set up foreshadowing, twists, and those ‘full circle’ moments). I also plan each chapter scene by scene and know what each chapter is meant to accomplish. So yeah in a sense.
#i will add more in the future if it comes to mind#with this future parts coming up i imagine more questions will repeat lol#faq post#fic: children of ares
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The Romances of Journey to the West
I have not read Journey to the West.
I know the basics of the story and from what I am aware it isn’t really romantic. At all. Sure it’s got some side plots where romance might be an element, but not in the main plot.
So why are there so many stories based off of it that one of the main focuses is Romance???
I do not know the answer to that question, and wont be trying to answer it (sorry????). Instead, I’m going to talk about the media I’ve consumed based of off Journey to the West and their romances. Enjoy!
I thought it might be fun to do them all in order of when I consumed them (especially because I plan to add to this when I realize something new is also a JttW remix), but I don’t actually remember what order I started them in so we’re just going with obviousness. Starting with the most “Well, yeah.” and ending with the most “wait what?”.
first...
The New Legends of Monkey
I actually never finished this one (how many times can I say that in this post, ha ha ha....), and it’s probably the one I’m least likely to finish (but I’ve got a compilationist in me so we’ll see).
It’s basically a straight forward retelling from what I watched, the main difference that I could see being Tripitaka’s characterization and gender. They made him a girl which felt like an excuse to add a romance between the monk and the Monkey King, though it only ever hinted at things as far as I got, so maybe it never happened (the tags on this gif suggest otherwise though). Tell me in the comments if you watched it I guess.
The acting wasn’t great and I dropped it pretty soon in, so I don’t have much else to say. They also made Sandy a girl, so maybe they were just trying to make it more diverse or something. IDK.
The Epic crush of Genie Lo
This book was freaking amazing and I totally recommend it (and the sequel, it’s a dualogy so both books are out, no need to wait!). It’s the only one I’ve finished at the time of making this post.
It’s kinda the outlier because instead of a romance between Tripitaka and the Monkey King it’s a romance between the Monkey King and Genie Lo (who I won’t explain her character because of spoilers). It’s super fun and interesting.
It’s set in modern day after all the events of JttW took place, which also makes it different from all the rest, and definitely not a retelling. It uses all the same characters instead of just the character dynamics and plot.
They could have nixed the romance because it’s not the main thing but it’s really enjoyable so I ain’t mad (but it’s kinda more important in book 2). Also a different take than all the others so, props to the Author.
A Korean Odyssey
This is the only K-Drama in the mix and I had to watch a few episodes to realize what it was. I’m nearly done with this one (started it in October and was zooming through but have slowed down due to NaNo). Another one I’d recommend (in fact, all the rest of them I probably recommend, tNLoM is the outlier here).
Out of the ones that are more obvious and use the same names, this one is the most different since it’s Korean instead of Chinese. Instead of Tripitaka they just use Samjang, and they use the Monkey’s title, The Great Sage Equal to Heaven, a lot more.
This one is also modern, but with the lore that they’ve dropped, is not set after the JttW but is the JttW, without all the traveling though. Also, instead of moving scrolls from point A to point B for The Merciful Goddess Guanyin (who hasn’t seemed to show up at all), they’ve been shoved together by The Devil King (who wasn’t as big of a player in JttW from what I know, but is one of the main characters in this). It’s very funny and emotional, like most K-dramas I’ve watched.
the romance is integral to the plot because instead of being trapped with a circlet that gives him headaches, The Monkey has a bracelet that makes him fall for Samjang and hurts his heart when she’s in danger. This causes much shenanigans which range from annoying to funny to heartbreaking. Good stuff.
Inuyasha
Into the Shojo! You may have heard that this one is Journey to the West-esque (If you run in those kinds of circles) and it’s definitely the most obvious of the ones I’ve encountered. I’ve only watched the anime (still working on it), so if the manga’s different, I didn’t know.
It’s got the five man band, the non magical Trip. character who sets free the Monkey character and the circlet analogue (aka “sit boy!”). Also, we’ve got an actual journey and a magical item that they need to protect and get to a specific place.
It’s both modern and set in the past (portal fantasy!) which is fun. Especially since her family gets to know, and she goes back for school every once in a while.
The romances in this are also semi integral to the plot (it’s shojo, what did you expect), and it’s quite enjoyable. It’s got comedy, action, drama, and cute romance. (Also, it’s randomly getting a squeal after a decade I think.)
Kamisama Kiss
I didn’t realize that this was JttW until after starting the manga, which I picked up after I finished the anime because it ended on a cliff hanger (I have some thoughts about that phenomenon too, but that’s for different and much shorter post). I really liked the anime and am making my sibling read the manga with me now. (they just corrected me and said I offered and they said yes, but saying I made them is funnier so whatever.)
Instead of being a cool monk or having the reincarnated soul of someone special, our Trip. for this one is just a nice girl, down on her luck who is given the divinity of a deadbeat kami who she saved from a tree. And instead of a magical item to bond her with the Monkey character (who is a fox spirit) they are sealed with just a kiss. (Hence the title)
The romance is semi integral, but oddly enough, I’d say less than in Inuyasha. Sure it weighs on their minds a lot, but the main plot is about Nanami trying to be a good kami and take care of her shrine, not her perspective love interests.
Fun show (and manga). Very goofy, cool world building, compelling characters, and good drama when it showed up.
and finally...
Yona of the Dawn
this one might be more believable than the last one, but I realized it later and feel it’s got slightly less similarities with the original source material. Another one that I watched all the anime and now have started reading the manga with my sibling due to the cliff hanger. (I’ve noticed more differences between anime and manga in YotD than KSK, not important, but interesting to me).
The monk is a princess in this one, and her and five man band are mostly reincarnations of dragons, which is why they join her party, to protect her like their counterparts did. They’re all compelled by ancient blood. Strangely, the character I’d ascribe to Monkey king is not a dragon and is only compelled by loyalty (and love).
It’s got the epicness, historical-ish setting, and the journey, but instead of getting a MacGuffin to it’s destination, they’re escaping death and trying to restore a kingdom.
Romance is very complicated in this one. Very compelling and I’d say on the more integral side. Affection and it’s many forms are explored along the journey. There are many dynamics and they all have their own complications. It’s good.
(also, I hope to cosplay Yona some day)
So... yeah. That’s it. If you got all the way through this, thanks.
#This post is really long#and mildly pointless#sorry#but also#you're welcome#I know that DBZ is the poster boy for this but#I have not read or watched#Dragon Ball Z#and I don't plan to#don't @ me#unless you want to explain the romance#then please do @ me#Journey to the West#the new legends of monkey#the epic crush of genie lo#a korean odyssey#inuyasha#kamisama kiss#yona of the dawn#I decided to write this because I needed words for Nano#and didn't know what to do with my story#thank you for coming to me tedtalk
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Yogscast Starter Pack/Master Post
Hello!! I’ve had quite a few people express interest in exploring the Yogscast’s content recently! The yogs fandom’s source of content is a little hard to pin down and it’s kind of a lot of information, so I wanted to put together a more thorough compilation of summaries and places to start for anyone who’s not sure or just curious! Below the cut is my Yogscast Start Kit Master PostTM.
I hope this helps, and don’t hesitate at all if you have any questions :)
Who are the Yogscast?
The Yogscast is a large group of youtubers who have a history of creating largely Minecraft-based content; they create stories, develop characters, and create lore-filled worlds through the many facets of minecraft that’s essentially been modded to hell.
This content isn’t just in one place or with one group of people, but rather a large collection of pairs, individuals, and groups of yogscast (and non-yogscast) members who’ve created a large number of respective series, often featuring a specific modpack, specific characters, a specific storyline, etc.
For example, Simon and Lewis (Honeydew and Xephos are their characters, respectively) are the main two individuals that started the Yogscast youtube channel, Duncan later joins them, they become the main three yogscast icons, sips and sjin become the secondary two, and it goes on and on as the fanbase and number of creators grew. This means that, collectively, there are a…. STUPID large amount of different minecraft series that can technically be filed under “yogscast minecraft lore/ universe”.
Most of their series are unscripted, but they follow general arcs or set goals (e.g. going to space, building a jaffa cake factory, becoming proficient at a specific mod, etc). This allows hilarity to ensue when everything inevitably doesn’t go anyone’s way lmao
Oh cool, w. where am I supposed to even start, then
Compilations are always a good go-to if you’re interested in getting a feel for personalities, humor, and content style (I recommend looking up Yogscast Ultimate Edition videos!). If you’re just looking for a place to dive in, you’ve got a couple of options! I’ve sorted everything below by creator, as most yogs creators tend to do series within a specific set or group of people.
MAIN CREATORS & THEIR SERIES:
Lewis (Xephos) and Simon (Honeydew): These two are the “main two” figure heads of the yogscast! They started the main Yogscast channel about a decade ago and started their minecraft beginnings with the infamous series “Shadow of Israphel.” Xephos, the Spaceman and the one with the braincell, and Honeydew, the dwarven brawn and charisma of the two, also often team up with Duncan, as the three of them are featured in some of the Yogs’ most well-known minecraft series.
Shadow of Israphel – The OG series! Started all the way back when Minecraft was in beta, as soon as multiplayer became available. No mods, eventually scripted when NPCs are introduced. Hilarious interactions between NPCS and our heroes, and the nostalgic series that most every Yogs fan holds close to their heart!
The Jaffa Factory – Modpack: “Tekkit.” This was the first big modded minecraft series they did, and the beginning of the trend of hosting huge servers that almost every yog member hosted a different series on. Not scripted. Duncan (Lalna or Lividcoffee) joins them for the first time, and from this point on, they become a trio! unscripted and a mess. Sips and Sjin also eventually join!
Moonquest – Modpack: “MoonQuest.” Lewis, Simon, and Duncan attempt reaching the moon! It’s… in more than one way, a tad bit disastrous. This is the era when the Yogs started making songs and animations based off their minecraft series! (Watch this!) unscripted and disastrous.
Yoglabs – Simon and Lewis. This one was a weekly mod review that developed into some questionable behavior via Lewis (Xephos). Really enjoyable, not chronological (each episode is independent, more or less- you can watch out of order)! It spans most of the entirety of their time on youtube. Various mods, just Simon and Lewis. (Watch this!) Most episodes of this series end up with Simon blowing up Yoglabs tbh
Duncan (Lividcoffee, or Lalna) and Kim (Nanosounds): Lalna, or lividcoffee, is the well-known mad scientist of the server! His personality tends to change depending on the context and series, but when he’s with kim, he’s a friendly goof! Kim/Nano, his apprentice, starts as a true-to-definition noob at minecraft and eventually becomes a pro with magics and whatever Lalna happens to teach her! These two have their own narrative and call their storyline series “Flux Buddies,” which involves them trying to cure Kim’s infection of a magic substance called “Flux.” Good Duo. Pure. Eventually, drama with clones ensue!
The Apprentice – Their first series, in the “Tekkit” Era. It’s worth noting that Duncan has a solo series in the “Tekkit” Era called Duncan’s Laboratory as a precursor to The Apprentice as well. The apprentice is worth checking out just to see what happens to Kim, how she becomes fluxed, and what the aftermath is, but that’s p much it imo. Primarily unscripted, save for when Nano becomes fluxed!
Flux Buddies – Flux Buddies is the biggest/longest-running series, with several “seasons”. It begins after the events of The Apprentice, with…
Flux Buddies – Panda Labs! Kim explores witchcraft, they explore several different facets of science and magic, and Duncan begins the search on how to unflux kim! It’s kind of his fault, so he feels pretty bad about it,,
Flux Buddies 2,3, and 4 – A continuation, with more mods and more hijinks! Becomes more scripted as villain characters Lalnable Hector and Specimen 5 (clones of Lalna and Nano) are introduced!
Flux Baddies – A spinoff, featuring Lalnable and Specimen 5 as the main duo! Half scripted; an evil perspective on the Flux Buddies plot! This series is hilarious because half the time Duncan and Kim are trying to get stuff done, and half the time they’re trying (struggling) to stay in character as the mega bad-guys of the series.
Sips and Sjin: Sips and Sjin are the famous, much loved duo of the yogscast! These two are the, er. Magnificent, definitely not gay at all nope,, duo in charge of ‘Sips Co.,’ the Dirt Company! CEO Sips and his lackey Sjin (<also architect and farmer) are an absolute disaster. But like,, in the best way possible. They spend the majority of their time in each series bantering instead of getting anything done, but everyone accepts that its just part of the charm.
Sipsco. (Sips and Sjin Tekkit) – Modpack: “Tekkit.” This occurs at the same time as the Jaffa Factory! Sips and Sjin build up their dirt empire whilest also making sure to spy on and keep an eye on those weird Jaffa Factory goons and their girl scout cookies. Unscripted and hilarious! These two eventually go over and join the Jaffa Factory boys (Honeydew, Xeph, and Lalna!)
(Most of Sips and Sjin’s series follow the same formula: Get started, joke around, never really finish the series. Even still, they’re iconic to watch and enjoyable to listen to C: This goes for):
Volts – IMPORTANT NOTE: if you decide not to watch any of sips and sjin, just watch this. somehow this is completely unscripted, but THE BEST
Sipsco Space Program – Occurs at the same time as “Moonquest”. These dopes try to get to Mars. Clone hijinks eventually ensue, briefly. Unscripted
Cheat Police – A pun on the series “Magic Police” (In which Sjin and Duncan attempt to jail all of the most powerful mages on the server). They try to call out all of the “cheaters” on the server. The dopes fool around in creative mode while trying to call out everyone else who uses creative mode.
Zoey and Rythian: These two only have one series, but it’s one of the yogscast’s most known! Rythian, the serious, vengeful, loner-type endermage and hater of science, recruits Zoey as his apprentice (goofy, friendly, passive, interested in both science and magic)! These two are complete opposites but a much-loved duo!
The Blackrock Chronicle – Three short seasons long, this series follows Rythian as he recruits Zoey (and their sharpshooting, mute dinosaur, Teep,) to get payback and revenge on Sjin and Duncan for nuking and destroying the “old world” (The first tekkit server, unrecorded). He’s also determined to prove to them the superiority of his magic and the flaws of science; conflict arises when Zoey, his mage apprentice, also expresses interest in becoming a scientist. This series’ events are scripted, and includes cameos of many other loveable yogs folks (including Nilesy, Duncan, Ravs, and Zylus n Daltos).
^This one is a must-watch for sure!! A very heart felt and endearing series!
Strife and Parvis: These two, another well known duo by the fandom, are a fun pair for sure! (They’re my personal favorite, so I’m a tad bit biased,,) William Strife is a no-nonsense, cutthroat business man and CEO of his solutions company, Strife Solutions. Not particularly fond of magic. Alex Parvis, absolutely-all-of-the-nonsense guitarist, chaotic newby who Strife hires? Adopts? Is burdened with? Strife is forced to teach Parv the ways of minecraftia and whatnot, much to Strife’s chagrin. Parv becomes a very chaotic bloodmage.
Solutions in Chaos – Their first series, taking place in the Chaosville server. Will, arriving for the first time ever in minecraftia, begins to explore the region before Parvis shows up, exclaiming that lewis sent him to be taught minecraft by strife. Strife now must babysit this child and teach him minecraft. Hilarity and much exasperation ensues.
Blood and Chaos – Following Parv’s series with Martyn (Inthelittlewood) ‘Heroes of Mine’ (in which they explore Ars Magica), Parv finds Blood Magic Items and insists that Strife helps him become the most powerful blood mage on the server! Strife does not approve At All n doesn’t really wanna be involved in this whatsoever, but he thinks parv will either destroy himself or destroy the server If someone doesn’t keep an eye on him. So, Mr. Strife must continue to babysit this now dangerous knife-wielding child.
Hat Films: Smith (Alsmiffy), Trott (Trottimus), and Ross (djh3max): These three are a TRIP and have a large fan base of their own. They’re an inseparable gang of swindlers and chaos bringers, and they’re pretty much all sharing the same single braincell. They make everyone else’s business their own business, as their motto is “what’s yours is ours,” and prove themselves to be the havoc-wreaker of whatever server they happen to be on.
Hat Corp – This is their first main minecraft series that features them interacting (aka messing) with other people on the server. From “"fairly”” selling land to all of the other groups of people on the server, to starting a dangeorus rivalry with the Flux Buddies, they’re. 100% disaster energy.
Hannah (Lomadia) and Nilesy: Very wholesome good duo! They tend to explore the magic mods, most of the time with Lomadia (powerful witch, owl lady!) teaching Nilesy what’s what. Nilesy is a just a simple cat lad. Likes to sell portable pools, he’s a potion master, he’s a man of the cats.
Evicted – After being evicted from their Tekkit base ‘owl island’ as pirates took over their home, Nilesy and Hannah leave to set up base elsewhere and focus on Witchcraft!
The following series’, Owl Island and Cat Island, are very similar in caliber! Just our wholesome magic animal loving duo doing witch stuff c:
Kirindave, Lyinginbedmon, and Ridgedog: The last extremely notable lore-heavy minecraft characters making appearances on yogscast minecraft servers are regarded as the “demigods” of the yogs minecraft universe. Though they don’t necessarily do a lot of content together, I grouped them together for relevancy sakes. Kirin and Lying, both mod developers and masters at their respective magical crafts, have a bit of a rivalry going on, where as Ridgedog is the kind of “trickster” demigod, doing what he pleases and happily poking fun or messing around with others as he does so. They’re all a lot of fun to listen to and their series are all super interesting, so I’ve listed a few below!
Ridgedog: Yogscast Complete – Ridge sets up his base and plays by his own rules to become extremely proficient at a majority of mods in the server. He’s hilarious, plays largely by his own rules, and often does content with BeBopVox, another gaming and songwriting youtuber.
Kirindave: Chaosville and Minecraft the Hard Way – Chaosville sees the development of his rivalry with Lying as Kirin masters blood magic and other magics on the server, and Minecraft the Hard Way is the series following that!
Lyinginbedmon: You can find the opposite perspective of the Chaosville rivalry in Lyings Chaosville S2. As Lying masters witchery, he and Kirin have a dangerous magically fueled ““prank”” war. Lying’s Witch in the Woods follows suit just like Kirin’s Minecraft the Hard Way.
#yogscast#yogscast start pack#I finally updated it and made it a bit more elaborate#hopefully it makes some sense and isn't too complicated???#aaa
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FusionFall Headcanons: Individual Fusions
Since the fusions’ personalities tend to mimic that of their OG counterparts and following the idea that they’re also greatly under Fuse’s control, I don’t know if I’ll have enough to talk about if I were to address each of them separately in their own posts. Therefore, I’m going to bite the bullet and try to go through headcanons on every fusion below the cut. This list may be subject to change if I decide later to include characters that I haven’t discussed much before due to which versions of the game they were added into. Wish me luck...
Ace: Fusion Ace isn’t overly dangerous, so you’ll find him just doing a step up above the small time crime the real Ace used to do, namely the mass destruction of property. Since he actually makes a really convincing double of OG Ace though, he blends in well among Earthlings extremely easily so long as no one traces his fusion matter makeup. He’ll occasionally work with Fusion Father to gather information or run other stealth missions.
Albedo: Albedo’s fusion seems to share his narcissism. Ironically though, without even caring about how much he looks like Ben... he looks more like him than the real Albedo does. He’ll only take advantage of this when given the order to do so. He and Fusion Ben sometimes work together to trick Fusion Fighters by double-teaming on their opponents in combat situations or convincing soldiers that only one of them was assigned to an operation so the other can work freely in secret. He thinks his OG counterpart is a coward and has no respect for him or any other being that isn’t one of his allies.
Ben (and his aliens): Fusion Ben’s “Omnitrix” is honestly more for looks than anything, but that doesn’t mean that every single one of his alien transformations pack any less of a punch. He can often overwhelm his opponents by rapidly shapeshifting, and unfortunately looks close enough like the real Ben to trick Fusion Fighters into doing his bidding or fighting amongst themselves. Unlike OG Ben though, he shows little interest in being an actual leader, instead doing what he can to raise himself up and pinning any faults of his on those under his command. Alien versions split from this fusion share a similar mindset, but are often a lot weaker than Fusion Ben himself.
Billy: OG Billy might not be the brightest, but his fusion is downright savage. Unusually keeping crouched low to the ground, he tends to move on all fours in a simian fashion. He seems closer to the typical fusion monster than actual fusion, with just enough sentience to speak--occasionally--and lead a small pack of monsters at a time. Whether he’s naturally like this or it’s because Fuse is exuding too much of his own will over the fusion is unknown. Nevertheless, that savagery makes his a fierce threat in combat. He also seems to be attached to Dizzy World, likely due to a positive memory tied to the location passed onto him from the real Billy.
Bloo: Fusion Bloo is somehow even more selfish than the real Bloo can act... Outside of his fear and loyalty to Fuse, once his work is done, he does whatever he pleases that he knows he won’t get into trouble for. Strangely enough, he seems to be one of the few fusions who takes an interest in things like eating despite the fact that he has no need to, as he took OG Bloo’s juicebox in “Leaderbored.” His imaginary energy, meanwhile, gives him a jealous streak against OG Bloo: He wants the attention and companionship the other has, even if he doesn’t really understand the latter or why he wants either. Those feelings have boiled down to him wanting to destroy the real Bloo, but a reluctance to honestly fight those Earthlings he sees as “friends.”
Blossom: Unlike the real Blossom and Princess, their fusions actually get along because they’re both selfish and manipulative. The one point where they butt heads is that, because of these same reasons, they rival each other for Fuse’s praise. As of now, because of her powers, Fusion Blossom’s taken the lead. She’s far more cruel than her counterpart, not hesitating to use violence to assert her position as leader of the fusion PPG.
Bubbles: If the real Bubbles is sugar, Fusion Bubbles is poison. She’s the kind of being who would only admire a butterfly if she’s tearing its wings off or an ant under a microscope as she attempts to set it on fire. She fights regularly with her fusion sisters for dominance, but gets along well with the fusion Kankers since she can lord over them easily and shares their overly sadistic streak.
Buttercup: Next to Samurai Jack’s fusion, Fusion Buttercup was one of the first ones made. While too reactionary and quick-tempered to lead, she’s had a long while to get used to how Fuse leads and what he wants, making her one of his favorites. As such, she’s more hesitant when it comes to fighting than OG Buttercup if she thinks that something might please/benefit Fuse if kept intact/alive instead. This includes vital enemies wanted for their information or skill like Dexter.
Cheese: Feelings toward this fusion are... conflicting, to say the least... OG Cheese has caused so much trouble for the Fusion Fighters that a lot of soldiers see a fusion of him as a means of forcing Fuse himself to suffer what they’ve had to deal with--potentially ruining his plans as their Cheese has for them. Sometimes, this happens: Sometimes, it doesn’t. It’s still better to take him down when possible. Fuse hates this fusion, but has also discovered that it wields a surprising amount of power. In the mission “Assorted Cheeses,” this fusion showed that it could split apart into smaller monsters and reform itself similar to Echo Echo’s fusion. How it has this ability remains a mystery, but it’s nonetheless useful to the tyrant.
Coco: Unfortunately for Fuse, making this fusion did next to nothing to help him learn more about or capture the real Coco. Even worse for him, Fusion Coco has a habit of helping his enemies instead. Since she does this through her eggs, he can’t tell them apart from the ones OG Coco drops everywhere. Often, the Fusion Fighters can’t either, so her secret is safe. Her mind is greatly unstable, her desire to do good coming in bursts caused by whatever may trigger them in the moment. Usually, this is if she sees someone in need/danger similarly to how the real Coco’s creator had been--which she subconsciously remembers. The rest of the time, she’s extremely aggressive to her enemies and Fuse makes sure to keep her on a short leash.
Coop: Fusion Coop was created in hopes of him finding a way to finally take over Megas. However, while that’s a work in-progress, his inventiveness has equally been proven useful to Fuse’s forces. He’s a bit of a sloth if he’s not interested in the assignment, but a good threat will jar him back in line. He often serves under the other scientist Fusions like Dexter’s, Mandark’s, and Utonium’s rather than work completely independently. He’s also good at breaking and entering.
Courage: Fusion Courage is probably the most unlike his OG Counterpart; bigger, badder, and always willing to put up a fight. The main thing they share is their skill with computers. According to “Critical Mission (Part 2 of 2),” Fuse put him in charge of one of his main communication hubs as a guard for the Fusion Uplink device. His bite is far worse than his bark, bringing with it an intense fusion matter infection.
Dee Dee: Fusion Dee Dee doesn’t have much to offer Fuse beyond her original purpose, but that purpose is extremely important to him when it comes to the war effort. As of now, she’s still the most useful to him in finding a way to best Dexter and Mandark, since they’re responsible for creating nanos and a good chunk of the weaponry used against him. However, she hasn’t been very successful so far, failing to manipulate Mandark or break into Dexter’s old lab due to the player’s actions. Her greatest strength is her agility, which allows her to slip in and out of trouble when it arrives. If she ever succeeds in serving her purpose, Fuse will likely get rid of her. The more aware part of her self is slow to act the more this becomes clear until his will takes over yet again, and she wants to prove that she can be useful to him in other ways.
Demongo: The power to rob and enslave souls isn’t anything that Fuse would snuff at. With that ability, not only can he copy the strengths of the planet’s strongest fighters through the creation of fusions, he can actually force those fighters to submit to his own will! This, combined with Fusion Demongo possessing both a knack for strategy and love for destruction, made the being an instant favorite of the intergalactic tyrant’s. As such, he’s allowed more freewill than most others, assigned fusions to support him, and regularly given tools or victims to keep increasing his power such as the initial theft of the souls OG Demongo had stolen for himself and the quest to claim the ancient beast deep in the Fissure in Townsville Park. If it weren’t for the Resurrect ‘Ems protecting Fusion Fighters from him as much as their own lives, he’d have an even more insane advantage than usual. Fuse may usually keep him close to his Lair to prepare for his arrival since the demonic creature is such a force to be dealt with, but there’s nothing this fusion would like more than to hunt down every strong foe he can find and prime them for capture.
Dexter (and Computress): Fusion Dexter is a mad scientist with all the self-control needed to make him one of the most terrifying fusions in Fuse’s army. He’s just as skilled as Dexter, but with none of the morality to stop him from taking his scientific endeavors to horrifying extremes. While Fusion Utonium is the one that focuses the most on biotech, that doesn’t stop Fusion Dexter from running experiments of his own on live captives. Furthermore, he’s ruthless toward any subject that fails to meet his desired results, willing to throw them away at a snap of his fingers whether they’re an enemy or ally. Just good enough is not good enough for him, and he constantly seeks to improve whatever he makes for his own satisfaction as much as to please Fuse. He feels he has a kind of secret rivalry with the real Dexter, that helping win the war also will establish himself as more than just a copy of someone else, but rather the improved version. Like OG Dexter, he made his Computress, but he sees her as a replaceable assistant. She, meanwhile, is rather emotionless compared to the real Computress since she wasn’t designed to be a free-thinking AI.
Ed: According to Royal Ed-viser, Fusion Ed is responsible for studying dinosaur DNA to aid in the creation of fusion monsters. This shows a level of intelligence that the real Ed doesn’t, likely run by OG Ed’s passion. He’s possibly been forced to pool all of his focus into a sole purpose to give him that intellect and neglected a lot of the freewill other fusions have. Nevertheless, his intense strength is equally as useful to Fuse for combat.
Edd: Fusion Edd mostly serves under Fusion Dexter or Fusion Mandark, depending on wherever he’s needed at the time. Sometimes, it’s to assist them in their work; Other times, he serves as an independent saboteur. Unlike the real Double D, he has no trouble getting his hands dirty, but does share that see-a-need-fill-a-need mindset--just for Fuse’s purposes instead of any good. As a result, Fuse is often fine leaving him to his own devices when he has no particular orders. He’s an extremely reliable fusion.
Eddy: Fusion Eddy shares OG Eddy’s arrogance, which often puts him at odds with other fusions until they or Fuse remind him of his place. He’s extremely conniving, and holds a ruthless command over the fusion monsters under him, but isn’t very strong himself and will turn tail the moment a situation falls out of his favor. This makes him just useful enough for Fuse to keep him around, but little more. He’d do almost anything to rise up the ranks and become one of the tyrant’s favorites.
Eduardo: Out of all the imaginary friend fusions, Eduardo’s is the one that’s been able to stay himself the most without Fuse finding out about how much freer he is from the hivemind than the others. This is because he’s too scared to refuse Fuse’s orders as much as he often wants to. As such, he helps the Fusion Fighters in secret when the urge becomes too great by leaving clues like in the “Fusion by the Sea” mission arc or slipping up on purpose. He might get punished by Fuse or even destroyed by a Fusion Fighter, but so long as that secret is kept Fuse will keep recreating him due to his raw strength. He doesn’t know why he cares about Earth so much and tries to talk himself out of it, but he can’t help himself.
Father: Fusion Father is equally as deceptive and powerful as his counterpart. His primarily dark form similar to the real Father’s allows him to sneak around on Earth better than most other Fusions--the main difference being that his flames are green instead of red/orange and he doesn’t have as good a control over his skinsuit. He’s even managed to go so far as to establish himself among Earth’s small time crime rings to gain some monetary value and understand more about how the planet works and what the Fusion Fighters are doing. This level of stealth and manipulation makes him a scary threat to deal with.
Flapjack: Being a simple kid with the goal of becoming an adventurer, OG Flapjack didn’t have many great strengths of his own that would be passed onto a fusion of himself. As such, Fuse never put much thought into Fusion Flapjack. He’s weak, but harmless to his own goals. As such, this fusion tends to carry out more menial tasks or is used as a distraction while more powerful fusions aim for their true objectives on missions. When left to his own devices, Fusion Flapjack is more interested in causing mischief wherever he can with a mean streak that his OG counterpart would be ashamed of.
Frankie: Similar to Fusion Mac, Fusion Frankie was created as a means of tricking and luring away imaginary friends. After her defeat in “The Fraudulent Frankie” mission arc though, failing to overrun Foster’s Home and with the imaginary friends now aware and warned about her, she’s been severely demoted. The only reason Fuse bothered to recreate her was because she can direct the Scribble Spawns and Extremospawns best: Another severe failure would likely end in her permanent destruction if she doesn’t prove her worth.
Fuzzy Lumpkins: Fusion Fuzzy doesn’t show much sentience beyond his ability to wield a gun, and is often just used as a distraction or to attack civilian areas without restraint. He’s only marginally brighter than the typical fusion monster, but often much stronger.
Grandpa Max: Fusion Max is surprisingly just as spry and smart as the real one--and unfortunately doesn’t have to worry about any years wearing him down! This makes him a clever fighter that knows how to take down a soldier with or without a weapon. Sadly though, he doesn’t share Max’s patience with anyone who stands against him.
Grim: This fusion’s scythe might not be able to send you to the afterlife, but it can infect you with a strong dose of fusion matter if he lands a successful cut. Effectively, this poisons the body to wear down an opponent, and can potentially take their life if he’s unable to strike them down first. Possibly due in-part to OG Grim’s long life and wealth of memories, Fusion Grim actually recalls quite a bit of knowledge regarding Earth and its history--which has served Fuse well in the search of useful tools or resources for the war effort. He’s also taken advantage of the suspicion of OG Grim being a traitor by tricking others and acting in a way to cement those worries.
Gunter: This fusion’s form was... unexpected, in a good way--for Fuse at least. While never having met Gunter’s past self as Orgalorg, Fuse knows enough about the being to want to untap its power for himself. Unfortunately for him, Orgalorg’s penguin body on Earth has extended to his fusion, as well as OG Gunter’s memory loss from “The Comet” making it nearly impossible for his fusion to also regain memories of that time or summon much of that nature. Only Fuse’s own evil allows a small fraction of “Fusion Orgalorg” to come out. In the very least, Fusion Gunter is steadfastly loyal to both him and Fusion Ice King.
Gwen: Fusion Gwen is a bit of a late creation, made in response to the activation of totems across the globe. Even with her defeat, however, she’s still skilled enough to be useful to Fuse as both a fighter and in the search/destruction of magical artifacts. Since she couldn’t stop the totems from activating, her job is to get now try to get rid of them. She works under Fusion Hex.
Hex: As much of what’s unknown about the realms of magic and the Underworlders to most of Earth, Fuse has no idea what they’re capable of or how much of a threat they may pose to him. His goal is to either take or destroy those forces as a result. Fusion Hex recalls enough of his OG self’s memories to track down various ancient relics, and he’ll often work with Fusion Grim or Fusion Juniper to achieve their lord’s goals. He devotes himself to researching spells and at least trying to match his counterpart is magical prowess, since he doesn’t have all of his memories. If he could, he would kill and steal from the real Hex.
Him: This fusion’s strengths are as mysterious--if possibly a bit weaker than--his OG counterpart. While his dark, magical abilities seem limitless, his state as a fusion force them to focus that power moreso on what he’s physically capable of rather than just summon whatever he wants or use mind control/empathic influence like the real Him can. That doesn’t stop him from playing mind games with his opponents as he beats them to a pulp though. Based on the mission “Doppleganger Gang,” he’s been ordered to capture heroes for Fuse--likely with the intention of feeding their souls to Fusion Demongo as the latter has already taken so many.
Hoss Delgado: Fusion Delgado seems to be regulated primarily to being muscle and one of the main defenders of the massive Dark Engine located in Steam Alley. He talks less than his OG counterpart, but has the same type of cybernetic modifications to his body and knowledge of combat/weaponry. He can best be described as a fusion matter version of a Terminator.
Ice King: Fusion Ice King is even more mentally unstable than OG Ice King, with no sign or even hope of him instead mimicking the trapped consciousness of Simon. While removing his crown seems to dilute some of his power, it doesn’t seem to be the main source of it, but rather a means of keeping strongly connected to Fuse’s hivemind in a kind of dual consciousness. Overall, his only goal is cold, crazed, and poisonous destruction. However, aspects of OG Ice King’s personality surface best in his relationship to Fusion Gunter and interest in... well, Earth’s females. It’s not out of any sense of “love/affection,” warped or otherwise, and he doesn’t care about whether they’re a princess or not: It’s just a thing he remembers from the real Ice King. As such, he’s more likely to capture rather than kill girls until he loses interest because he doesn’t even really understand why he wanted to capture them in the first place unless Fuse or another fusion gives him a reason. It’s all about a moment’s satisfaction that quickly burns out to him.
Juniper Lee: If the real Juniper Lee is a protector of magic/magical beings, her fusion is a destroyer of them: Effectively, an anti-Te-Xuan-Ze. As such, Fusion Juniper’s job is primarily to destroy all sources of magical power and ruin relations between magic creatures and the rest of Earth’s lifeforms by posing as OG Juniper. What she doesn’t attempt to destroy, she tries to take for herself to boost her own power. She’ll sometimes work with Fusion Hex.
Kevin: Just as how fusion matter allowed the real Kevin to be corrupted, it makes fusions of him too unstable to be of any use without turning into a regular monster or opposing force from absorbing combative energies/materials to its makeup. As a result, you get the monstrosities fashioned similarly to his 11 year-old self when he was still struggling with his powers. This fusion is a huge brute with an insane temper, but is always two seconds away from destabilizing if tricked into absorbing the wrong things.
Lee, Marie and May Kanker: Even as fusions these three as inseparable. Since they’re far weaker apart without any notable powers beyond enhanced strength, Fuse has kept them together during all of their tasks. The OG Kankers may be bullies, but this trio has a sadistic streak that’s hard to match. They will always play with and torment their enemies before ending them.
Mac: Due to OG Mac’s close ties to imaginary friends, his fusion was made in the hopes of tricking and luring them to capture--particularly Coco. He’s not the strongest, but can turn wild if sent into a rage similar to how the real Mac gets after eating too much candy. Unfortunately, Fusion Mac was created using one of OG Mac’s backpacks, and after the player takes it in the mission “Pack Attack,” he’s been throwing a kind of permanent tantrum ever since.
Mandark: Since Fusion Dexter is often leading the tech aspect of Fuse’s army, Fusion Mandark comes second with sabotaging or repurposing the Fusion Fighter’s tech--like rewiring Mandroids to make them work for him instead of the real Mandark. He’s as intelligent as OG Mandark with less of the ego, particularly because if he showed it, he’d likely be punished for it. Still, all of that outrage makes him all the more determined when hacking into systems and turning Earth’s machines against itself. If he could though, he’s usurp Fusion Dexter as their lead scientist, and secretly looks for any flaw that might take the other down a peg.
Mandy: Fusion Mandy isn’t known for her strength so much as her intellect and ability to manipulate others. As such, while she’s often working behind the scenes with guards to protect her, she’s still a commanding officer in Fuse’s army with a hunger for power that rivals only her intense dominance of those under her. Beyond seeing the advantages of having Earth’s living manifestation of Death on their side, she’s jealous of the OG Mandy for her authority of OG Grim--unable to enforce that same authority over Fusion Grim due to their ultimate loyalties to Fuse and separate orders. As such, it’s her personal goal to get the real Grim under her control before Fuse consumes Earth. (She has similar feelings regarding Fusion and OG Billy, but not to the same extent since his fusion is less of a challenge.) She views her almost as a rival to steal everything from. Also unlike OG Mandy, who is at least willing to show some compassion to those she’s close to, her fusion won’t hesitate to sacrifice her underlings to achieve victory--following Fuse’s mindset that they’re tools who can simply be recreated if desired.
Mayor: Fusion Mayor is extremely weak, but far more ruthless than the real one. Since he can’t really fight--and the Fusion PPG answer to Fuse directly instead of him--his primary tasks involve poisoning food supplies and similar objectives. He’s small enough that he’s easily able to weave around forces when soldiers are distracted, and his fusion pickles look harmless enough at face value that he’s succeeded a good handful of times at infecting a whole cache of supplies. One on one though, he’s easily beatable and Fuse doesn’t tend to put too much thought into recreating him until he’s fallen out of contact for too long.
Mojo Jojo: At first he was confused, but there were no complaints from Fusion Mojo when his counterpart stole his fusion bananas and gave them to his minions--only for those minions to ally themselves to the former with several becoming Spawn Simians. If OG Mojo is going to sabotage himself, then he can have at it! It makes his tasks creating tech for Fuse all the easier by giving him additional forces as backup. As a result, he’s more concerned about other areas of the Fusion Fighters than his counterpart’s and can’t take them seriously. He’d call the real Mojo an idiot to his face.
Mr. Herriman: This fusion is exceptionally weak, but surprisingly diligent to Fuse despite being based on an imaginary friend. He’s kept in the Darkland for two reasons: To be closely monitored and handle more of the organizational/administrative work behind the scenes. As a result, he’s often silently hooked up to the hivemind to file away and pass along information while other fusions are distracted with other matters in real-time. It’s not the most useful skill for them, but does speed things up. The heavy workload also serves as a distraction in care he does feel a sudden rebellious streak.
Numbuh One: Fusion Numbuh One is a fierce commanding officer, but worse is that he’s maintained a lot of the real Numbuh One’s memories of his time in the KND. Beyond the dangerous of him possibly having important knowledge regarding the organization itself, this has allowed him to plot strategies involving emotional manipulation to attack Nigel and other members of the KND, such as kidnapping Robobradley in “Skunk Support.” He also knows how much guilt Nigel feels over the events of the GKND, and isn’t afraid to use that against him and those he cares about.
Numbuh Two: Fusion Numbuh Two isn’t one for direct confrontations. Instead, he prefers attacking others through subtler means like poison in “Eduardo and the Pirates (Part 4 of 4)” or by sending out fusion monsters in his stead. It might be a problem for Fuse if the fusion wasn’t so good at improving fusion monsters through his technological skills and increasing the defenses of areas he’s already captured by turning them into waiting death traps. This lack of experience, however, serves to make the fusion both weak and overconfident when trouble does arrive on his doorstep.
Numbuh Three: Fusion Numbuh Three prefers to capture her victims when she can rather than kill them. However, this just comes out of a greedy, possessive desire. If she sees something she likes, she has to have it--and that especially goes for the real Numbuh Three’s things. If it’s an actual person in question, she’ll view them as a toy. However, if you play along, you might have an easier time of tricking her and escaping. Just make sure you succeed...
Numbuh Four: Fusion Numbuh Four isn’t very different from his counterpart, just that he’s serving on the opposite side of the war and can always focus 100% of his energy on his missions. This basically makes him a fighting machine, who only seems to get stronger the angrier he gets in battle. He’s often made to fight on the front lines.
Numbuh Five: Fusion Numbuh Five shares a lot of the real Numbuh Five’s strengths, but is far more arrogant She mocks her opponents constantly, doing whatever she can to through them off or upset them. This includes going out of her way to upset OG Numbuh Five by stealing her candy and irradiating it despite it having little importance to the war effort. She doesn’t seem to be as smart as OG Numbuh Five though, since she tried to make an imaginary friend of her own--likely as a minion--when fusions don’t have imaginary energy and was tricked into believing the player was that friend in “Imaginary Reinforcements (Part 4 of 4).”
Princess: While not the most powerful, Fusion Princess’ combined tech and rage make her a fierce foe. However, she often makes sure to let fusion monsters do her dirty work ahead of time or even tries to manipulate Earth’s denizens first with empty promises of gain before trying to get rid of them after their usefulness is up. She belittles other fusions, starting fights with the more aggressive ones before their seniors threaten them back in line.
Professor Utonium: To make himself all the more useful to Fuse--and partly in competition with Fusion Dexter--Fusion Utonium experimented on himself to increase his physical strength and give him tentacles shooting from his back as an additional weapon. While Fusion Dexter focuses primarily on weaponry/cybernetics, Fusion Utonium focuses on biotechnology and mutations. Rather than simply destroy Earth’s lifeforms, he wants to see how they might be further corrupted to serve Fuse. He worked with Fusion Mandark to create the Scribble Spawns and works with Fusion Mojo Jojo to investigate the creation of the Spawn Simians.
Samurai Jack: Noted as one of--if not the--first fusion created, he’s had more than enough time to prove his usefulness to Fuse with great success. OG Jack is a warrior above all others among Earth’s forces, so his fusion plays a similar role. Few have been able to face him in combat due to his strengths matching his counterpart’s: If he had all of OG Jack’s memories, without being controlled by Fuse’s hivemind as much as he is, he’d be pretty much unstoppable. Even still, only those who have some guidance under OG Jack himself can really seem to face him. Similar to Fusion Demongo, Fusion Jack is kept in the Darklands as a means of leading/defending some of Fuse’s most important assignments/strongholds to the war effort.
Stickybeard: Fitting of a fusion based on a pirate, Fusion Stickybeard’s main objectives involve attacking and pillaging from soldiers. Most of his targets are those stationed away from the main bases, but he will occasionally steal from more important locations if given the order. His work has caused a lot of trouble from ruining supply lines to robbing integral information to the war effort. In the mission “Fusion Pirate’s Pillage,” he even managed to steal items for nano creation before the player stole them back.
Tetrax: OG Tetrax’s intergalactic mercenary experience made his fusion just as tough to beat. Not only can he handle fighting against Earth’s forces, but he also can direct some of Fuse’s allies like the Ectonurites. Never losing his cool, he’s a strategic, ruthless general to the end.
The Scotsman: Since this fusion’s sword doesn’t have the same magical properties as his OG counterpart, he’s mainly used as a relentless force of muscle--enough so to even gain a reputation among Earth’s soldiers. His Fusion Blade contains stronger concentrations of fusion matter than usual and therefore can infect victims with each cut like Fusion Grim’s scythe and Fusion Jack’s sword can. He often serves under Fusion Demongo, acting as an extension of the latter since he can’t often leave Fuse’s Lair.
Toiletnator: This fusion is one that Fuse looks at and goes, “Well... you exist.” He doesn’t have high expectations of Fusion Toiletnator, so he just lets another fusion give him orders for mostly menial tasks when needed. He’s not as clumsy as his counterpart, so he’s actually quick to get his tasks done.
Vilgax: While Fusion Vilgax is a powerful force to have on his side, Fuse really just savors having him due to how insulting he knows it is for the real Vilgax. Fuse never thinks of most other lifeforms as much more than bugs to stomp out before he absorbs their words, but he’s actually had a few run-ins with OG Vilgax during previous conquests to think of him as a very annoying gnat. Therefore, while he entrusts Fusion Vilgax with serious missions, he’ll also sometimes cause him to suffer in particular when he’s frustrated or if he knows OG Vilgax will see it as a means of showing off his power like a megalomaniac.
Wilt: Out of all the imaginary friend fusions, Wilt’s is the most difficult to control. He’s just too much like his counterpart: Overly apologetic with a strong desire to show kindness whenever he goes. Fuse constantly destroyed and recreated this fusion because he couldn’t follow through with orders--and may have deemed him too much trouble to keep around were it not for his borderline desperate sense of loyalty and the cybernetics that Fusion Mandark would later give him. Beyond an increase of strength, these cybernetics serve a double purpose: They aid in enforcing Fuse’s hivemind for Fusion Wilt in-particular and serve as a means of altering his persona by catering to the role of the evil Lord Snotzax, which OG Wilt took in the episode “Make Believe it or Not.” Even still, you’ll find that Fusion Wilt’s dark side isn’t so dark. The mission “Fizzy Rox and Roll” shows him only stealing candy. The worst he’s seemed to have done was set up Gooby Traps in the “Xtra Large Fusion” mission arc before going into hiding. As such, he’s pretty low on the totem pole when it comes to leading Fuse’s army.
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dreamwidth update: isolation
(content warnings: i just talk about the shit that's going on rn cause i gotta, but if any of it is triggering for you, be careful or scroll past)
so, as it turns out - as anyone could have predicted - i'm behind AF on nano.
look, a lot of it is that the first week of november got tied up in the hellhole that was america's election. fuck. i had done a lot of research and i knew what to expect and i STILL DIDNT KNOW WHAT TO EXPECT. that entire week was draining as fuck and even the relief of them finally calling it for biden was destructive and devastating in its own way. (i cried. i dont ever cry. i fucking bawled.)
and some of it is another lesson in preparation. i have a great outline for this novel! i know all the plot beats for all three plotlines! but i didn't practice getting into either character's voice, so while im still writing, it's very third-person-onmicient type, very distant, rather than the third-person-intimate that im going for.
and ive become STUPIDLY hung up on that! LIKE, ITS STOPPING ME FROM WRITING. i realize i just need to forge ahead and i'll find their voices eventually, but like, brain matter no go. head empty no thots.
SURPRISINGLY, though, if i count all words i've written (including nano, patreon, work words, fanfic, etc) i am on pace to hit the 50K. guess what I might be doing, rather than focusing entirely on the nano words. fml. etc.
my two oldest nieces are coming this weekend for their birthday celebration. when they were young i decided that instead of birthday gifts, what each girl got was a weekend alone, just with me, where we would do super fun things and they get to have all of the focused attention from their aunt and uncle. it's worked great, but this year, because of the rona, their schedules are all fucked up (you would not BELIEVE what my bro and SIL have had to work out to manage both of their jobs with 3 children under the age of 7 at home; it's crazy), and we wanted to limit the travel as well. so both girls are coming together to stay with me, to celebrate together. i'm very excited, but wow, that's also been a whirlwind.
i had to clean the entire house. the thing is, when you've been in house since march, and you're already disabled, and you're depressed, and you're tired, and you have 5 cats, the house can quickly get to a pint where you really give no more fucks about it. hugely. bigly. i had to summon my mum, Crown, and murder husband to help me out with it, but now the house is gorgeously clean and i am happy. doing all the work at once was kind of a sledgehammer to the face tho, RIP me, but i did it.
fought with Crown over a bunch of stuff too. it's resolved and we are in a better place after having it out, but that also hit me like a fucking pickup truck, thanks.
also didnt help nano.
isolation is weird. i dont mind being alone - i love being stuck in my house alone, that's like, my dream world - but i feel like i've hunkered down here in other ways as well. friends i used to talk to daily, i check in like once a week. a BIG part of that is, well, having nothing to really say. my new contract remains in covid limbo, my other work continues, and my desire to write a novel to sell is just aksjdlkasdjggs, so like, ??? why bother to talk, there's no news here, etc.
im also just not very good at staying in touch because of (reasons) and the situation is compounding that and really doubling down on it. how can i reach out to people when im spending most of my mental energy not going completely batshit??? "hey demons. it's me. your boy."
i mean i also feel like other friends are pulling back as well, probably because none of us really have anything new to say. it's just an interesting side effect of isolation, i guess?
plus it's the jazz hands depressssiioooonnnnn ~! for all of us!
i really just exist on discord these days. honestly.
ANYWAY.
i haven't yet given up on the novel, nor have i given up on trying to grow my kofi and patreon to help me out in these terrible times. (crankyoldman, thanks so much for the Kofi! that covers this month's entire Chewy order! <3 <3 aaaaaaa ILU and i miss you guys!!) it's just such a bizarre fucking time to be a conscious thinking creature and that's weird, i guess.
went to target and bought a bunch of men's shirts for the winter. sorry but for what i want men's clothes are vastly superior. you can't get a women's t-shirt that's long enough to go over hips or really be tucked in unless you find a "tunic length" and they're like $25. i got 3 mens tees for $18. i also now have a giant hoodie with thumbholes. bless.
plus big ass sports bras. i just want my tits to be comfortable. dont always bra them, but like when im cleaning they gotta be held. gently. softly cupped in place so that they don't get tossed around too much. i dont know where im going with this.
i just want to be comfortable here in my private cave.
the stasis of isolation. such an odd year it's been this last month.
Ko-fi for the cats || Patreon for CYOA and the novel || Sev's Pub, my creative works discord || carrd for the rest
comments Comment? https://ift.tt/3ngoxji
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♫
Send 🎵 for a 5-10 song Playlist about our muses! (Still accepting)
oh just shut up, everyone, you KNOW this is my ship.
1. How Far We’ve Come by Matchbox Twenty One
I sat down on the street and took a look at myself Said where you going man you know the world is headed for hell Say your goodbyes if you've got someone you can say goodbye to I believe the world is burning to the ground Oh well, I guess, we're gonna find out Let's see how far we've come Let's see how far we've come Well I, believe, it all, is coming to an end Oh well, I guess, we're gonna pretend, Let's see how far we've come Let's see how far we've come
End of the world kind of songs really vibe with these two characters, especially in an au where Zack survives to face Jenova and Meteor head on. There’s a sense of denial that has to come with facing the end of the world, and they have enough of it to go into battle for the sake of fighting for what they believe in. So long as it’s together, they don’t need to have a future. It’s about the here and now, and what they can do for each other in this very moment.
2. Tonight by Seether
Like sugar and cyanide These worlds are gonna collide I want to yell it from the rooftops down Until it's over, and we're older
Their chemistry is raw, it’s simple touches that turn into passionate kisses, and just a single word from one has the other reeling. An incredibly reactive couple belying their own internal struggles that they help one another cope with at the end of the day. But man is it like fireworks with their feelings.
3. We’ll Be Fine by Rebecca Ferguson
When you're lonely Don't be afraid, I'll keep your heart close to mine Lay safe in my arms Lay safe in my armsWhen I'm falling I won't stay down 'Cause I will hold you Lay safe in my arms Lay safe in my arms
They understand better than anyone how to survive by themselves. Many people believe Tifa and Zack respectively can handle anything, but tend to forget that they deserve someone to lean on too emotionally. Someone who can be their balance. So when they start a relationship, there’s tenderness in the way they each speak to one another. Reassurance. Kindness.
Love.
4. Time Adventure (From Adventure Time)
'Cause you and I will always be back then You and I will always be back then You and I will always be back then You and I will always be back then That's why You and I will always be best friends
This one’s special because it gives a bittersweet taste. Both characters are fully aware that nothing lasts forever, but it’s the feelings that are strong enough to transcend time and do magnificent things. (Also this song is just for you Rain in particular uwu)
5. Kokoro (From Xenosaga)
My beating heart begins to race When I turn to see your face I remember that sweet dream which you told to me
I wanted just to be with you So we could make the dream come true And you smiled at me and that was the beginning
Tifa to Zack. All he had to do was plant the thought in her head. “A family. Maybe a house? We could grow our own food and...” That’s all it takes for her, really. This song in particular has a sad ending, and I did that on purpose because there’s always that reminder that Zack’s demise was upsetting in every way, someone with so much love to give and hope in his heart even despite being hardened, deserved much more.
6. Futuristic Imagination by School Food Punishment
Tonight if you listen Tonight if you try You're gonna finally find out why I can't hate you Tonight if you listen You might realize How many bridges I'd dare to burn To keep tonight
TIFA TO ZACK AND IT’S SO SCARY ACCURATE. Tifa is pretty extreme when it comes to love. So while she spent a majority of her energy denying her feelings, at some point it comes to a head that she needs to convey her feelings. And yes, would go to the end of the world for him. This is an english cover that puts her feelings together simplistic with a passionate vocal I think fits Tifa better, but the original japanese has more complexity in the lyrics that fit Tifa’s emotions towards Zack more accurately.
7. No Choir by Florence and The Machine
But the loneliness never left me I always took it with me But I can put it down in the pleasure of your company And there will be no grand choirs to sing No chorus will come in No ballad will be written It will be entirely forgotten And if tomorrow it's all over At least we had it for a moment Oh darling things seem so unstable But for a moment we were able to be still
Love doesn’t fix everything. If you have abandonment issues or depression, that won’t magically go away just by being in love. but Tifa to Zack? She believes in TRYING, even despite her own flaws. Maybe even because she isn’t perfect, that she wants to spend the rest of her life always working on it with him. And at the end of the day, all they want is something quiet and sweet together.
For Your Zack In Particular, Rain:
1. Modern Age by Anberlin
There is so much left we have to lose here. The more we give away. You just will never keep the promise said. If all we hold is yesterday.
It’s cute to think that Zack has everything together, but the guy’s been through a lot. Just as much loss if not more due to the events in Crisis Core, to the point where morality is too grey for him. But what makes Zack so wonderful is that he continues forward with a path he carves for himself, no matter what the future leads. Yours is the kind to keep moving towards the future.
2. INFINITY≠ZERO by Nano
Show me how (don't look away, it's a time the world could change) To go on (don't let it go, be the light to shine on) Even if unable to see, I clenched my true heart, Extended my hand, and thereafter.. INFINITY≠ZERO
At first I didn’t get the title of the song when I heard it, but it was only after a couple of listens that I got what it means. INFINITY≠ZERO is a philosophical denial that the only thing eternal is nothingness. And it really hits home with your Zack because even with facing so much dread that brought each First Class Soldier down, he continues to believe in something more. That this world isn’t made of ambiguity towards the end, but can be worth fighting for BECAUSE it can be beautiful.
3. Battle Cry (From Empire)
And all of my fears... And all of my doubts... Are lacing their boots... And grabbing their guns... The war is on now... Oooh And they're marchin' in... OOOoooh... And they're marchin' in... OOOoooh... And they're marchin' in... Ooooo... I can hear the battle cry At war with my heart and mind
There are complexities in war that aren’t just battle scars. Zack is more than the triumphs he has and the demise he got, because he regularly faces emotional conflict within himself as he learns more and more about what ShinRa is about. His resolve is not absolute, because he must always continue to face himself in order to fight on. Your Zack in every thread we’ve ever had, continues to face these dilemmas with human emotions and responses. And I love that about him.
4. King/Ghost in a Song by Grabbitz
I'm gonna start doing things I think I should 'Cuz I wanna die knowing I did all I could Days and days of restless worry Will I ever change a thing? Leave my mark on endless stories I just want to go out like a king I just want to go out like a...
He’s a king and he’s dead and it’s not okay.
5. Wings by Birdy
Oh, lights go down In the moment we're lost and found And I just wanna be by your side If these wings could fly Oh, damn these walls In the moment we're ten feet tall And how you told me after it all We'd remember tonight For the rest of our lives
Shit wait this was supposed to be Tifa to Zack. I’m such a mess forgive meeeeee
6.Who Tells Your Story by The Roots (From The Hamilton Mixtape)
Memories divided by perception Will it be water for chocolate or resurrection? The path to perfection is rarely achieved I head in that direction, I dream and believe An underground dude that overachieve From the windy city I was blowing they eaves Somewhere along the way I aired out MCs (who lives who dies who tells your story) But to stand out some days you may freeze Degrees
He’s always been a man who thought about legacy. The idea placed as a small seed from Angeal, growing further until full fruition for Zack to pass the same seed unto Cloud.
But the awareness of mortality is properly achieved in the au of him living, Rain. He grows, he learns, he realizes that in order to continue living you MUST acknowledge death will always be at the doorstep. And that is where he finds cherishing what is all around him so much more prominent in your writing than in the media of him showed. Everyone always thinks of the tragedy, but what of the philosophical dilemma of continuing to live?
@xaksu
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i thought of another one for you >:3c prompt 48, bruce & dick, you choose the context😌
ha... hahaha...this is just titled as “i’m sorry” in my google docs lmaoooo time to kick off the bad things happen bingo!! :’D i really am sorry
i’ll stick with you || dick & bruce || 1.1k
angst prompt 48: sometimes I wonder why you stay with me || ao3
WARNINGS: blood, fatal injuries, major character death...x2, emotional hurt/comfort, hurt no comfort, angst, no happy ending, (this is very much not a happy story so take care of yourselves)
happy nano! :)
The end of the world starts and goes as it always does, with threats and explosions and battles raging across continents.
But the tide doesn't turn in their favor this time, doesn't allow them a moment of respite as the universe throws everything it has at them, and even the greatest heroes have crumbled. Too many have fallen, too many of their own have fallen— countless names, with family among them (Jay, Tim, Stephanie, Damian, Cassandra, Kate, Duke, Alfred holding down the fort, their cave, their safe refuge, their home until the end)—
And all that's left are Bruce and Dick against the world. It's like it was at the beginning, just the two of them back to back, watching each other's six, and doing what they could to stay alive. Batman and Robin, the great Dynamic Duo.
But it wasn't enough.
It never came close.
There's too much left unsaid between them as they lay buried in rubble, shrapnel and rebar littered across the ground and strewn through their bodies. Bruce can't let their issues, their messiness, lie, can't let the words sit and fester like infected wounds, ruining the last vestiges of their strained relationship. He's missed his son, his boy, his first baby, all of these years, and as they both lay dying with no one coming for them, he lets the words free from his ribcage where he's held them hostage all these years.
"Sometimes I wonder why you stayed with me," Bruce wonders aloud, “Why you stay.” His voice is so quiet Dick isn't entirely sure if Bruce even spoke, or if he was imagining it through the pain induced haze clouding his thoughts.
But he's been around long enough to know differently, has trained his hearing well enough to know otherwise.
"After everything I've put you through...Dick, I— Every time. Every time you came back. I wouldn't have ever blamed you if you stayed away. You'd grown up and gotten out, and yet...you're still here. You're here."
Dick shifts, wincing as pain ignites his nerves on fire. "Of course ‘m here," he rasps, heel scraping weakly across the ground as he shifts to try and relieve any bit of agony. "And if...if you think f'r a single secon'... that I didn't know exactly what I was doin', tha’ I didn't want to be out there— out there with you...doin' the things we do, then you don' know me at all, B."
Bruce huffs in amusement, a sound that borders on a sob. Dick peeks at him through a squinted gaze, the light above them like dull ice picks to the brain, but he keeps them open, taking in the sights. There are tears at the corners of Bruce's eyes; there are burns up the sides of Bruce's face and Dick knows he's bleeding out somewhere he can't see while help is— while help isn't speeding towards them, because there's no one left to come, but he doesn't think that's why Bruce is so close to breaking.
Dick's chest hurts, and from more than the rebar poking through his ribs.
"B…" he wheezes, fingers twitching against gravel. Strong, trembling fingers respond, squeezing in whatever small bit of comfort his adopted father can provide as they careen towards the end of them both. Help is impossible at this point, doesn't exist anymore and they both know it. Tears sting Dick's eyes too, in fear and sadness and anger and love and pain and everything in between. "B—"
"I'm here," Bruce whispers back. "I'm here, chum. And I-- I'm sorry I wasn't there for you before."
"You were, you were there in some of the most important moments," Dick whispers, "'specially at the beginning. You were always there. I'm sorry I pushed you away so much."
"I am too," he answers, squeezing Dick's fingers again. A tear slips down Dick's cheek. They're silent for a moment as the end of the world rages on in the distance, beyond what they can hear. A curtain flutters in the wind somewhere above them through a shattered window. Dick swallows past a lump in his throat and continues.
"I stayed," he breathes, so quiet he's not sure Bruce will hear. But Bruce will hear every word, just as he trained Dick to. With that certainty: "I stayed because you understood me, because you did try, in your own ways. Because I believe in your mission, but knew you'd dig yourself into your own grave on your own.
"We had our moments, and… we’ve both fucked up in— in a lot of ways," he says. It's getting harder to pull in air and he pants, his chest tight. The tears make it harder; he pushes through anyway, as they always have. "But B…" he sucks in what air he can, breath hitching on the words. "You're the best dad I could have asked for," he sobs weakly, "and I love you, for better or worse.
"You gave me a home, a purpose. You helped me so much, Dad, and I like to think I helped you too."
"You did," Bruce reassures him immediately. He rolls onto his side with a heave, teeth creaking as he grits them against his own pain. Dick's fingers are still clutched tightly in his own and pulled close to his chest, his other hand burying his fingers in Dick's tangled hair and combing through the blood-soaked strands. He leans as best as he can over his son, and presses a kiss to Dick's temple, squeezing his eyes shut as tears stream down his cheeks. "You did help, sweetheart, and I wouldn't have made it this far without you. Thank you, son."
Dick's face crumples, and Bruce shushes him quietly, gently pressing his forehead to Dick's. Blood is still pooling rapidly beneath them both, and Bruce knows they're both almost out of time. He wants to tug Dick into his arms and hold him close, comfort him in Dick's preferred tactile way, but moving him is out of the question. So he clutches his fingers, presses their foreheads together, and hums, sings the songs he used to sing when Dick was a boy to comfort him after nightmares, sings the songs his mother used to sing to Bruce as a child when the dark got to be too much, even then.
Sometime later, Dick chokes on his air, squeezes Bruce's fingers in a deathtrap and heaves out with all the strength he has left: "I—I love you, B," and Bruce breaks.
"I love you, too."
Neither of them survive the night.
#dick grayson#bruce wayne#batman (all media types)#batfam#bad things happen bingo#death tw#major character death#lyss writes#blood tw#fatal injuries#prompts#angst#hurt no comfort#emotional hurt/comfort#bruce and dick finally talking though their shit!!!!#end of the world#this has not been edited and I wrote it at 2am lmaoooo#also I really am sorry#they weren't supposed to die and it wasn't supposed to be the end of the world#but here we are#and I'm sorry#send me prompts!!#to-a-merrier-world#answered
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honestly i love most of your writing but i just don't get you and most of the people jumping on the samuel hate train. "his actions are unredeamable?" literally all he did was turn in a guilty drug lord to try and get his family back. carla lied in a murder investiagtion to save her money and noone hates her for it, but samuel was alone and completely hopeless and i get that snitching is shitty but nano was innocent and he needed to get him and his mother back... he deserves empathy too
Hmm, I think I’ve talked about this before so let me try to keep this short... (update: this is... not short, oops?) Samuel was a really fun character in season one and then the writers really, really lost touch with reality and made him inconsistent, often rash and downright cruel and the main issue I take with all of that is that the show never shows that there are any consequences for these actions. It’s very hard to empathize with a character like that IMO because he was so all over the place. I think him ratting out Rebe’s mom was shitty mainly because he never apologized to her for it or seemed to feel bad about it - he could’ve done it to save his family and still felt conflicted or bad about it but sadly we were never shown that. That whole storyline isn’t really the main reason I dislike his character though, even though it was obviously pretty cruel, on top of leading Rebe on in general for literally no reason. (Like, sigh, just turn her down and say you’re into Carla? IDK) TBH my main gripe with Samuel towards the end of S3 was the relentless bullying of Polo because he was so obsessed with hating him, to the point of being totally fine with covering up his murder after spending two seasons hating the guy for MURDERING someone. Like, the cognitive dissonance of that kills me - it’s super hypocritical. Basically it just boils down to very shitty writing because it really makes it look like he wanted Polo dead and was glad someone else did the dirty work for him. TLDR: every single character on this show is flawed and unlikable in many ways, but Samu gets incredible passes from the showrunners and is still treated as a morally just character, while others are not. That’s the only reason why I dislike Samu more than the rest - like, Lu is shitty AF for most of the show but they never pretend like she’s not, you know? They even make viewers go “Well, she sucks, of course she was cheated on!” in S2 lol... If Samu’s shitty behavior was shown to have consequences and wasn’t portrayed as this honorable quest to get justice for Marina, I probably wouldn’t dislike him. (also for the record, canon!Carla is a shitty, inconsistent character too that fell victim to lazy/bad writing, with both Carla and Samu, the only way I can feel remotely okay with their existence is by coming up with a more nuanced headcanon. IDK if other people actually like canon!Carla or if they’re just blinded by how much they love Ester Exposito!)
#ask#elite#sorry this turned into a ridiculously long essay I hope this is coherent?#I dont hate Samu I hate what the writers did to him after s1 because it was out of character and ruined him completely
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Could Tattoo Ink Be Used to Detect Cancer?
https://sciencespies.com/nature/could-tattoo-ink-be-used-to-detect-cancer/
Could Tattoo Ink Be Used to Detect Cancer?
When amateur artist Cristina Zavaleta signed up to take an illustration class with Pixar animators on character design, she had no idea she’d also be embarking on a new scientific study. At the time, Zavaleta’s work as a post-doctoral biomedical researcher in a molecular imaging lab at Stanford involved evaluating contrasting agents, like dyes, used to detect tumors in animals. During her art class, the researcher was struck by the intensity of the colors of gouache, vibrant water-based paints, that her fellow illustrators were using. “They were bringing back these pieces that were just incredible, really rich colors. And I thought, how do you even achieve that color, visually,” says Zavaleta.
That simple question ultimately led Zavaleta, now an assistant professor of biomedical engineering at the University of Southern California, and her colleagues to create a first-of-its-kind library detailing the optical imaging properties of commonly used pigments and dyes, found in everything from tattoos to food coloring. The researchers hope their study will open the doors for the novel use of everyday colorants as imaging agents in medical tests, that may be more effective at early detection of several kinds of cancers.
Currently, only three dyes with fluorescent properties used as optical imaging contrast agents—methylene blue, indocyanine green and fluorescein—are approved for human use by the U.S. Food and Drug Administration (FDA). In diagnostic medicine and in some surgical procedures, imaging contrast agents are materials used to improve internal body pictures produced by X-rays, computed tomography (CT) scans, magnetic resonance imaging (MRI), and ultrasounds. These materials can be ingested or injected and temporarily color targeted parts of the body, like specific cells, organs, blood vessels and tissues, to help clinicians see differences and abnormalities that may indicate disease. Yet, Zavaleta wondered about the significant catalogue of approved food, drug and cosmetic dyes that people routinely encounter in their everyday lives. Are there other imaging agents hiding in plain sight?
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“As my art brain was thinking about these paints [from class], I thought to myself, what paints are already being used in humans?” says Zavaleta. “And a lightbulb went off.”
Tattoos. High quality pigments used in tattooing are made from mineral salts and metal chelates, which have been isolated from natural sources and used by humans for thousands of years.
Zavaleta’s next step was to do her homework, as any good researcher would. She contacted Adam Sky, a tattoo artist in the Bay Area whose work she admired. Sky was interested in her research, and gave her samples of some of the inks he was using, which Zavaleta collected in a well plate, a tray with multiple divots, or wells, that can be used as test tubes, she’d brought along, just in case.
“I immediately took them to my microscope over at Stanford, and I did all these different tests on them,” Zavaleta says. “I was amazed at what I was seeing.”
In a tattoo ink color palette, each color carries a unique spectral fingerprint that can be used as an imaging barcode to better identify and detect tumors.
(Tattoo and design created by Adam Sky)
She measured two optical elements of the inks, their fluorescence properties and Raman properties. Fluorescence relates to a dye or pigment’s capacity for absorption and emission of light, while Raman indicates how light scatters. Both are commonly used in imaging techniques in the cancer field. Highly fluorescent agents offer sensitivity in imaging; very small amounts are needed for them to illuminate areas very brightly. Raman imaging, on the other hand, offers specificity by allowing multiplexing, or the ability to look at several processes happening inside the human body at once. These can help show whether cells or tissues are expressing multiple genes, for example, or expressing one more highly that may be associated with a particular cancer, like HER2 and breast cancer or EGFR with lung cancer. Each of the targets has different receptors that will be illuminated by different agents, and depending on their optical properties, some agents will be better than others.
In all, the researchers evaluated the optical properties of 30 approved food, drug and cosmetic coloring dyes and tattoo ink pigments using a spectrophotometer, an instrument that measures the intensity of light after it passes through a sample solution. Seven of the colorants displayed fluorescence properties that were comparable to or exceeded the three FDA-approved clinical dyes. The researchers next measured the Raman signatures, to see how high the colors’ unique signatures of light photon peaks were, with high peaks being indicative of usefulness in terms of multiplexing. Finally, they tested the best-performing dyes and pigments by injecting them as imaging agents in mice with cancerous tumors.
The researchers evaluated the optical properties of 30 approved food, drug and cosmetic coloring dyes and tattoo ink pigments.
(Cristina Zavaleta)
Data from Zavaleta and her colleagues’ study showed that FDA-approved Green 8 dyes used in drugs and cosmetics have significant tumor targeting potential in mice with cervical and colon tumors, and the Orange 16 pigment found in tattoo inks also showed, according to the authors, promising fluorescent properties and tumor targeting potential. This is significant because, as they note in the study, “no single imaging modality currently meets all the clinical needs of high sensitivity, high spatial and temporal resolution, high multiplexing capacity, high depth of penetration, low cost, and high throughput.” In other words, no single imaging agent can provide all the information a doctor might need.
The USC lab where Zavaleta and her colleagues conducted the research uses nano-based imaging contrast agents, or tiny spherical vesicles that are loaded with the dyes or pigments. While nano-based agents are approved for use as a medium in human imaging, they have been controversial in the past because of potential toxicity. Metallic-based nanoparticles like those made from gold and silver have been known to stay inside the body for long periods of time after exposure. This is one of the main reasons the team instead uses liposomal nanoparticles, made up of biodegradable materials with fatty skins similar to human body cells, that are already used in other applications, like drug and nutrient delivery.
“You can think of it as us having all these different batches of nanoparticles, and one has a different tattoo ink [or other dye or pigment] inside of it. And that tattoo ink has a very special barcode that’s associated with it; every ink has a unique fingerprint, yellow different from red, red different from purple,” Zavaleta explains. “So, if we have all these different flavors of nanoparticles that we can now target to different receptors on tumors, we can enhance our ability to distinguish between different [cancers].”
One use for such materials could be gathering real-time information during a test, such as a colonoscopy, where physicians are visually searching for certain kinds of polyps. Enhanced imaging agents have the potential to also reduce the invasiveness of disease detection and diagnosis, such as the number and size of biopsies needed, by providing more information from a smaller sample.
Christian Kurtis, who made the career change from biomedical researcher at the National Institutes of Health to tattoo artist in Rockville, Maryland, spent his post-doctoral period in a cancer research lab at the Uniformed Services University of the Health Sciences. Kurtis says the specificity these kinds of dyes could offer for imaging is key to better treatment.
“The unfortunate problem with malignant [tumors] is that they comprise a [variety] of molecular markers that may not be present on all cell types. The increased metabolic activity of malignancy is the signature most commonly exploited in imaging, and is the reason these liposomal techniques are effective,” says Kurtis. In other words, because cancer cells tend to spread quickly, researchers and physicians are able to track their growth with imaging. Having multiple types of agents that bind to the different markers would be even more helpful. “In my opinion, it will be personalized or individualized medicine that will hold the key to meaningful early diagnosis of disease,” he adds.
Jocelyn Rapelyea, the associate director of breast imaging and the program director of the radiology residency program at the George Washington University Cancer Center, adds that while tools like molecular breast imaging have been around for a while and help to identify problematic cells before they grow into lumps, advancing knowledge is always a positive. What works well for one patient may not for another.
“It’s always exciting to have the ability to be able to identify tumors at a potentially early stage. It’s quite interesting how [Zavaleta] came to dyes,” Rapelyea says. “This is obviously a model in mice at this point, but it is promising to see that there could be potential of being able to identify earlier development.”
Zavaleta knows the dyes and pigments her team has catalogued in a library will be subject to the FDA’s rigorous regulatory procedures before they could ever be used as imaging agents in humans. “We’re not suggesting in any way that they’re safe,” she says. “We’re saying, ‘Hey, these are dyes that we’re continuously being exposed to on a day-to-day basis. Let’s have a look at them further.’”
#Nature
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