#and waking up is kind to you

[napping-sapphic]

actually the amount i yearn is directly proportional to how much i sleep and considering i only got to sleep for an hour and a half last night i would say that we are in the TRENCHES today my loves

[juney-blues]

there is, famously, a huge amount of social pressure on gnc cis people to transition. society just wants more trans people, trans women especially. this is a real and serious problem. there are just too many trans women making egg jokes. we have to protect the poor cis people from being compared to us (which is clearly and self evidently a horrible thing to do clearly)

[egophiliac]

I have SO many thoughts about everything and they are in no kind of order yet, so here's just some quick little bits in the meantime!

I am not normal about any of these characters!

[poorly-drawn-mdzs]

Good morning, Sleepyhead.

[First] Prev <–-> Next

[vaguely-concerned]

on the one hand I think inner demons could stand to have a bit more romanced rook specific content, but on the other hand the underlying in-built implication that 'yours is the one true voice of comfort and safety in my inner world' is a sentiment and intimacy so way beyond the romantic or the platonic or any secret third thing you could care to name that it makes me lose my entire poor little mind a bit. it's so big and fundamental — near-existential — that in that exact moment at least the distinctions kind of seem irrelevant.

all the people lucanis' mind conjures up along the way are relationships he has that are unavoidably mixed and fraught in some ways even when they're also full of love (they are fraught BECAUSE they're full of love) — the good in them inseparable from things that hurt him at the same time. (it's about: the basic disorganized attachment patterns this poor guy is dragging around with him. careful with those, they're dellamorte heirlooms. what you love also inevitably hurts you and you won't be allowed to have one without the other, you have to surrender parts of your soul to hold on to what little you have left: this is the story up until now.) and the idea that rook isn't that to him — that beneath the fear of wanting them when romanced (which is more its own separate thing because within this psychology, actively wanting something and not just clinging on for dear life to even a meager status quo lest you lose it is in itself dangerous bordering on catastrophic), this is a relationship where there isn't resentment, or guilt, or shame, or dread, or rage, or self-hate, or any of the other emotions that keep him paralyzed, unable to move this way or that. no debts, nothing owed of yourself and your soul's substance except what you can freely and safely and happily give. love and freedom don't coexist — but, I mean, you're almost starting to make me think........... unless...👀👀👀. the unconditional and undramatic 'you are here and I am here with you, you can be exactly how you are right now with me and it's safe for us both even though you're afraid it won't be, I'm not going anywhere' acceptance rook shows him here that he returns to them in the big romance scene, when it's rook who needs it. the way he's just. standing there in the center of it all, like a child desperately helplessly waiting to be found, hiding in the place he hopes you'll know to look first. (rook does know. it's one of the first things they say in there.)

in short the most important room in his little mind palace for the romance is the very first room — the one where rook isn't. where, in fact, rook cannot be, because they disprove the entire structure of the place with their existence and presence in his life. with everyone else he's putting words in their mouths about what they think of him, and rook is the one who actually gets to come in to speak their own words to him — and have him listen. ('he'll listen to you, he always listens to you', 'your voice is a comfort'.) of course rook isn't present anywhere else in there — at the risk of stating the obvious to a tedious degree, they aren't one of the locks, they're bringing the key. in the very finest 'the messenger and the message' sort of way.

[gayofthefae]

Get you a ship who can do both.

Yes, the love is mutual

But so is the "really? him?"

[gooseinsoup]

save me nanny ashtoreth.... save me

saw this dress on instagram and then the worms in my brain took over :D

if anyone has a dress theyd like to suggest to see a femziraphale in... send it thru my askbox or dms cause im on the hunt too :3

[morganbritton132]

Steve offers to help hang up some pictures on the wall for Max and her mom at their new place. Susan takes him up on it and tells him that she has to work but she’ll leave the door unlocked so he can wait inside until Max gets home from her ‘dragon club’ ti help him.

So Steve goes over, knocks on the door, goes in when he gets no answer and thinks, ‘wow, they’ve hung up a lot of stuff in here already.’

He sits down on the couch to wait for Max, leans back to rest his eyes just for a second.

Eddie arrives home at the end of ‘dragon club,’ walks inside, walks outside and checks the house number, and then walks back inside where Steve Harrington is sleeping on his couch. He asks the unconscious jock, the cups on the wall, and the universe at large, “What the fuck is this?”

Meanwhile, Max isn’t even a member of Hellfire and was watching out the window when Steve pulled up and walked into the wrong trailer. She just rolled her eyes and hung up her own pictures.

[dipperscavern]

can I be cheeky and ask for riding jon’s face 🫣🫣🫣

yes… oh yes you absolutely can….. i fell asleep last night to the thought of jon snow canonically being a munch (funny enough) — we’re on the same wavelength anon ! (written w shy!reader in mind)

you’ve heard the talk, heard the different ladies from different statures talk about “the act”, and it’s always a different answer. some say it’s mediocre… others, that it’s their favorite way to feel good, and some, say it’s terrible. you’ve heard stories of men never caring about the woman’s pleasure, and how their only purpose was to give them children. the thought made you shudder.

you, yourself, have never had time. time to freely choose who you trust enough to share that sacred experience with (or even touch yourself). the men at castle black are sworn to celibacy, and even if they would abandon their oath for a night with you, you wouldn’t let them. most of the men at the wall are untrustworthy, and you want more than just a quick fuck. even if these thoughts plague you, you’re too busy with your duties to worry about it. a thing you’ve since long accepted.

until jon snow.

you had been there for jon since his arrival at castle black. never batting an eye at his surname, always trying to make his life a little bit easier. there was also the stolen glances, the soft touches you both passed off as “accidental”, the longing for each other. you both remained as merely “close friends”, until things boiled over and you found solace in each others lips. it didn’t go farther than that, the tentative kiss being soft & exploring, and that was okay with you. you didn’t expect more. until you got more.

sometimes, you hate jon for being so easy to talk to. your shy nature has slowly melted away in his presence, and you find yourself unable to be embarrassed about the questions you ask or answer. your late night talks are what keeps jon sane. he wants to know everything about you, and you both would talk till morning if you could (you have before). the topic often shifts, landing on anything and everything on the planet. even “the act”.

imagine jon’s surprise, when the most beautiful & endearing woman he’s ever met drops her gaze to the floor and bashfully tells him she’s never cum before.

jon short circuits. he asks if you want to. he asks if he can make you. and you say yes.

jon snow is a giver. tasting a woman is a pleasure in itself, and he’d tell you as much if you asked. his mind ran a million miles an hour, thinking about all the ways he could make you feel good. it doesn’t take long before the desire to taste you takes a hold of him, and so he does.

“You’re hovering.”

he’s not wrong. you are. you thought you had heard it all, but the act of sitting on someone’s face has clearly alluded your ears. you’re unsure. you don’t want to hurt him.. suffocating the first man you lay with would have you begging the gods to open the ground and swallow you whole. and it’s not just any man, it’s jon.

the soft glide of jon’s fingers across your thigh bring you out of your head. his hands are cold. they feel nice in contrast to your own skin, nerves lit on fire.

“I don’t want to hurt you…”

“You won’t.”

“Jon-”

“Do you trust me?”

he’s steadfast in his reassurance. his thumb has been rubbing circles in your hip while you both have been talking. does he do it all on purpose, or is he just this naturally desirable?

“You know I do, but-“

“Good. Sit.”

you still hesitate, and that’s when jon takes matters into his own hands. his hands stop their tracing, and instead grip your thighs, bringing you down himself.

whatever expectations you had are exceeded tenfold. jon eats you out like a man starved. your head spins with the way you can feel his tongue, exploring you and swiping over your clit. it has white hot pleasure shooting up your spine, and your thighs quiver ever so slightly, but jon’s firm grip keeps you in place. he’s confident in his movements, precise and sure in a way that makes you see stars.

jon thinks he’s found the place where he would be content to meet his demise. you taste so good, and the pretty sounds you’re making have blood rushing straight to his cock. jon has always loved the sound of his name on your lips — whether it be small acknowledgments in passing by, or just mentions in mere conversation. but he’s found he much prefers hearing you moan it.

you’re almost embarrassed how quickly he has warmth building up in your belly, pressure building as he gives you the most pleasure you’ve ever had. he’s giving and giving and giving, and you find yourself selfishly taking all of it. he doesn’t slow down, keeping a steady rhythm that makes the cord in your stomach wind impossibly tighter.

“Jon, I’m-!”

you don’t get to finish your sentence, interrupted by the snap of the cord in your stomach that was previously tightening. pleasure overtakes your nerves, flooding your veins and momentarily removing your ability to speak (or think). jon’s tongue doesn’t stop fully, only slowing down to help you ride out your peak.

you catch your breath, feeling jon kiss the inside of your thighs as small aftershocks have you clenching around nothing. you find yourself seeking his touch (as if he hasn’t been constantly on you), your hand running along the surface of your thigh to find his own. he reaches for you, trapping your own smaller hand beneath his own. it’s reassuring, grounding you back to the present after he brought you so far over the edge.

you move to get off, to let him get up & breathe — but he doesn’t release his grip, keeping you in place. you hear him speak.

“Only once?”

[marciaillust]

the patrician is just a guy to me

[icewindandboringhorror]

I made a few new wax seal stamps out of clay (like the ones I did for my worldbuilding stuff forever ago), this time just of random symbols that I thought might look good done in the style of painting over the raised part of the wax or etc. :0c Some of them aren't carved deep enough to really show up that well, but overall they worked okay for being clay lol

[givehimthemedicine]

time for my big lumax rantpost. I used to be way more of a shipper but upon reexamining some of my GA-era assumptions, I'm here to tell you why it sucks, and why I don't look forward to lumax endgame if it's the same lumax we've been getting.

lumax has fantastic potential, but needs lots of work to actually become the ship most of the fandom thinks it is.

I get the sense most on here consider lumax ST's darling perfect ship which is sullied by weak and/or racist writing. while I wouldn't argue at all that the writing does right by Lucas, I do think it's important to recognize lumax as an intentionally-written badly flawed relationship, NOT a poorly-written perfect relationship. (the writing for 5 has a lot to prove so we'll see)

lumax is obviously happening. no ending to Lucas's story makes sense other than him getting the girl. however, I don't like that from either character's standpoint.

from hers - Max is not a prize. and from his - Max is no prize.

Max is a pretty shitty girlfriend.

we've never seen her show Lucas any interest in learning anything about him. I can't remember a time she's complimented him, said anything nice about him, or done anything purely for his benefit. virtually all of their serious conversations have been about her, and the scant few that are sort of about him are inevitably just a lead-in to him offering support to her.

Lucas and Max's relationship - pre, during, and post dating - is 100% about what he can do for her. he's the one making 100% of the effort.

it seems like most of their interactions are him walking on eggshells trying to placate, reassure, or convince her, all for the reward of.... what. being allowed to continue existing near her? like yeah, she's a cool girl, but. that can't be it.

what good is getting the girl if the girl doesn't really offer anything?

. . .

through the seasons, semiquickly:

season 2

Lucas and Dustin both like Max, so they invite her trick or treating, offering to protect her from bullies and show her where the good candy is. in other words, the first Max / Lucas interaction is him offering something to benefit her. Max returns no appreciation or even response to the invite, yet still shows up to reap the benefits.

that pretty much sets the tone.

Max wants to be included, but that's a sensitive subject, so she puts on aloof airs to protect herself. it's an act, but nonetheless it's all Lucas receives.

the facade slips on multiple occasions though; Lucas is permitted to see her vulnerability, and we can see she's actually more desperate to make the connection than he is.

Dustin seeks Steve's manipulation tactics to use on Max, but Lucas wins her over by treating her like an equal and offering her genuine friendship.

he risks both his place in the party and his safety/life to include her, gives his undivided attention when she talks to him, asks questions that show his interest and concern, he reassures, uplifts and compliments her, and physically protects her.

in return, Max. uhh. well she does apologize for being a jerk, although she doesn't exactly stop, lmao. this is one of only two moments I can think of when Max reveals any regard for what Lucas thinks of her.

lumax is off-balance before it even starts, although s2 is when I think that dynamic is most permissible. since Max is a newcomer, Lucas has the advantage in many respects, and it makes sense for him to be the one extending a hand to her.

when Billy attacks Lucas for hanging out with Max, he could be gravely hurt if not for Steve taking the beating instead. Max joins in the momentary group hug but never says a word about this. (I suspect the writers mean for Max's bus apology to have proactively served as a veiled "sorry my stepbro is racist" but more felt needed in that moment.)

then they go to the dance and she kisses him and it's cute and everything is happy for ten whole seconds.

between 2 and 3

even though the summer of '85 is "the good days," this relationship is already careening downhill.

we learn that Max has dumped Lucas five times - such a regular occurrence that he takes it in stride and is well practiced at winning her back as a result.

unfortunately it's Lucas taking to heart the "happy wife happy life" policy from his dad that's set up lumax as something that seems to serve only Max. her awareness of the policy means she holds all the cards.

season 3

Max has secured her place in the party and the relationship, and now it's time for her to bring something to the table, but I honestly can't name one thing. it's still Lucas bending over backwards and Max sometimes being a bit of a jerk. (another act. we'll come back to this)

from the start of 3 we see an excessively secure Max and an obsequious Lucas. she doesn't show him any of the vulnerability that made her endearing in 2. they share fun moments, but we can infer that she doesn't treat him very well in ways that matter.

at one point she even plays mad just to watch him panic. you get the feeling this boy can never feel secure in his relationship. yeah she's just teasing, but do you think Lucas is allowed to tease too?

when El comes to Max for advice, she tells her that "boyfriends lie all the time" and this is before we see Lucas lie to her.

when Mike comes to Lucas for advice, he confidently schools him on how to get back in El's good graces by buying her a present - making clear he's been following his dad's advice all summer long and it's been working:

L: Dad? When Mom's mad at you, how do you make her not mad? C: First, I apologize. Then, I get your mother whatever she wants. L: Even when she's wrong? C: She's never wrong, son.

the mall confrontation is the first time we see Lucas really lie to Max, but even then, the girls don't actually have proof Nana isn't sick.

it's telling, actually, that Lucas's loyalty goes to Mike instead of Max in this moment. in s2 it was the other way around (Lucas pissed off the whole party by including her in the group and telling her the truth - a technically banishable offense). but now he's back to his s1 bros before hoes policy, and not only backs up but expands on Mike's lie. after dating almost a year, his loyalty to Max should be even stronger, but here we see the opposite. if Max had been at least as good a friend to him as Mike, I'm inclined to think he would at least have tried to be noncommittal here.

Max is so confident Lucas will have nothing on his mind but winning her back, as always - meanwhile who we actually see Lucas apologizing to is Will.

she may have had Lucas wrapped around her little finger all summer, but we're seeing that start to uncoil. if Lucas apologizes, it's offscreen.

when Billy tries to break out of the sauna to kill Max, Lucas slingshots him and body shields Max during the fight. next thing you know, Max is back to being cliquey with El in the bathroom (making fun of Mike even though he was the only one who did anything to save El's life?? girl you're being shitty to boyfriends that aren't even yours)

they seem to be a couple again by the end of 3, but the relationship is weakened...

between 3 and 4

..which sets the scene for how the two apparently drift when Max ends it once again. she's not playing this time - she uses the term "break up" instead of "dump" and Lucas has accepted that it's over.

depression makes it hard for Max to connect with him, but the way she treated him in 3 has likely also eaten away at his insistence on prioritizing her. if you push someone away over and over you can't be too surprised if they stay further away each time.

so Max withdraws socially and Lucas apparently doesn't go to his usual lengths to pursue her.

he's still making effort though! the "stalking" comment makes it clear he's been trying to approach her. we know he's been inviting her to his basketball games. him already knowing her favorite song as of 4x4 is more evidence of him taking an interest in her between seasons.

he clearly still cares a lot about Max, but good for him for pursuing his own hobbies and friendships as well.

season 4

Lucas finally asks Max to do something to support him for once (come to his game), but she shuts it down hard.

we know Max still cares about him, but that's just it - WE know. he doesn't. to his face, it's bristling rejection even while he literally begs for the chance to support her.

saving Max's life is a group effort, but Lucas knowing her favorite song is the key that saves her life, and it's only after that that she's friendly towards him again.

the only time I can recall Max expressing any concern for Lucas's wellbeing is when she asks if he's okay in 4x6 - and he only gets a few sentences to process Patrick's death before it's time for him to turn it into an apology to her. sigh.

Lucas is the only one of Max's friends to voice any objection to her suicide mission of a Vecna plan, and pitches for them to gamble a stranger's life instead. he once again risks his life to hang out in the Creel house with Max, personally taking on the huge responsibility of making sure she doesn't die.

Vol 2 Max finally shows Lucas some long-awaited appreciation ("you might have been there" and "I'm glad you're here") which is very nice to see.

I'm conflicted about the movie invite scene, but we'll talk about that later. textually: he asks her out, she accepts, it's totes adorbs.

unfortunately, Max being tranced out by the time Jason walks in means it's time for Lucas once again to get attacked by an older, stronger guy who's wrongly convinced he's a danger to her. (again not her fault, but kinda because of her)

everything goes sideways, Max gets Vecna'd, and Lucas holds her while she dies. we end on a bruised Lucas sitting loyally at Max's bedside, reading to her just in case she can hear it inside her coma.

Lucas hasn't been perfect but he has spent yet another season physically protecting and emotionally supporting Max at great personal expense, and with little appreciation and no support in return.

. . .

the movie doodle didn't fix lumax

Max has had an epiphany, but a change of behavior has scarcely begun. being nice isn't the same as making amends. they've resolved zero of the old issues, plus 4 (even if the plan had worked) has heaped a ton of new shit on both of them.

she's still a grieving, neglected, depressed and passively suicidal child of a triply-broken home. dating doesn't fix that. they already broke up once under the same conditions.

plus Max has new catastrophic emotional traumas, some of which which explicitly exacerbate those very issues. she has catastrophic injuries and disability to cope with (and this is a girl who withdraws under stress normally). with a shred of realism, she's waking up in less a mood for dating than ever.

Lucas has also taken on new traumas, between the basketball team stuff, getting beaten up and almost shot/strangled, and watching Max get Vecna'd and die. he already has a history of guilt about not being there for her enough, so he's going to have a lot more about failing her in that moment (definitely not his fault but he'll still feel bad) and will likely be even more focused on her.

to me, this all sounds like a recipe for the same old dynamic except worse than ever. if they get sleeping beauty'd directly back into lumax, it'll be a disservice to both characters.

. . .

now let's talk about why Max treats Lucas the way she does 🔬

she's not a conniving bitch, she's just a scared kid from a toxic home. that doesn't excuse her behavior but it does make it understandable.

Max CAN be a great friend. she's just not to Lucas.

Max absolutely showers El with the good qualities she'll barely show Lucas. in fact I could loosely say Max is to El what Lucas is to Max.

Max is suspicious and disparaging towards Lucas, even while trusting that he can be counted upon to grovel. meanwhile El never apologizes for intentionally hurting Max both physically and emotionally, yet the moment El acknowledges her (only because she wants help), Max is instantly forgiving, kind, gentle, caring, generous and supportive towards her.

she throws her loyalty behind a friend of 1 afternoon over her boyfriend of a year who's been the only person in Hawkins to show her any true kindness and emotional connection.

if Max was half the friend to Lucas that she is to El, she'd be a decent girlfriend. why isn't she?

we can name a few reasons why Max IS so nice to El, but why she ISN'T to Lucas is a separate question. kindness isn't zero-sum.

she told us why. boyfriends lie.

and it's ANY boyfriend, not just hers. Nana's sick? more like Mike's a lying piece of shit! Suzie from camp? fake! Dustin's obviously lying! the only one of the boys Max has never accused of lying is Will - the only one who's been single the whole time.

just. the state of being a boyfriend (or even just liking a girl is close enough), makes any boy automatically a liar.

Max believes "friend" and "boyfriend" are mutually exclusive

"Friends don't lie!" "Yeah, well, boyfriends lie all the time." <- it's all right there.

back in 2 when Lucas was her friend, she was more open and trusting. she gave him the benefit of the doubt that monsters were real and he knew a girl with magic powers. starting to date flipped the switch, and now she doesn't trust him about mundane stuff.

now they're not friends, they're boyfriend/girlfriend, and she expects to be treated in a whole different way, including all the baggage that comes with romantic relationships in her mind.

what baggage?

Max's childhood is full of examples of awful, manipulative men and abusive, broken relationships.

her dad: I'd only be speculating about why her parents' marriage failed, but in 2 Max misses California because her dad is still there, then by 4 acts like it's doubtful he can even be tracked down for delivery of what's basically her suicide letter. it's clear she desired a relationship with her dad but was abandoned. Neil: abusive asshole who rules the household with an iron fist. I'd be shocked if he hasn't abused Susan, and see little reason he wouldn't do it in front of Max (after all, we see him verbally and physically abuse his first wife in front of his son, in a bad fight over suspected lies/infidelity). in his grief over Billy, Neil and Susan have "bad fights" and he leaves the family. he's not missed, but it's still a second abandonment by a father figure. Billy: Max's peer example of guys in relationships: a sleazy, two-faced asshole who treats girls like trash and completely changes his persona to manipulate them for sex or whatever else he wants (Max appears to be all too aware of his sex life and is disgusted). abandonment issues with him too: a good relationship with a big brother would've meant the world to her, but he rejected and probably abused her for years; her letter at his grave reads "ever since you left" - same word she used for Neil.

Max desperately hopes Lucas is an exception to the rule, but these are the behaviors she would naturally fear from any guy she dates.

Max is especially terrified of being abandoned (and that she deserves it)

to be abandoned over and over can naturally leave a kid wondering if it's their fault, if this is the treatment they deserve.

Lucas is overall quite honest, and there's not an abusive bone in his body. the most realistic one of Max's fears to apply to him is that someday he'll leave her, too.

and that's the worst fear Vecna chooses to voice in Lucas's form: realizing he's been wrong about her, that she's fundamentally bad and he's glad she's going to be killed. a gutting abandonment from the guy she most wants to trust.

Vecna-Susan also tells Max that she deserves what's going to happen to her, that she's "broken everything" and that her letters can't make things right. because he's in full Vecna mode when he says it, I just took those as very general condemnations at first. but they hurt even worse when I remember they're still coming from "Susan" - revealing that Max feels she has broken her family.

she wanted Billy to die, and she figures Neil left because Billy died, so that's two of the abandonments being "her fault". if that's true, Max would also feel responsible for destroying her mom's life - having cost her her marriage, home, and financial security.

in her addictions Susans has, in an emotional sense, abandoned Max just like all her other family members - and Max fears she deserves it. how desperate she was for this hug... :(

anyway, back to lumax: let's reexamine those s3 dumpings

what exactly did Lucas even do? we never find out.

on first watch, I took "boyfriends lie" at face value and assumed Lucas got caught fibbing. but that doesn't fit so well.

he's maybe the party member most invested in "friends don't lie". honesty to his friends is a pillar of his character. again, he caused friction in 2 because he so strongly prioritized honesty to Max. to assume based on one line from an unreliable narrator that he randomly became a huge liar over the summer is unfair.

via their counseling of Mike and El, Lucas and Max tell us what's been going on with lumax

Max tells El:

He'll come crawling back to you in no time, begging for forgiveness. I guarantee him and Lucas are totally wallowing in self-pity and misery right now like "ohh, I hope they take us back!"

I think we all clocked that one: Max thinks that because El followed her technique, Mike will come crawling back - because Lucas has come crawling back to her several times now.

but I haven't seen much discussion about how the spying scene (which "he'll come crawling back" is paired with) shows Lucas assuring Mike that he's been dumped for an unfair and illogical reason because that's what Max has done to him several times now.

M: I just don't understand what I did to deserve this. L: Nothing. Nothing. That's my whole point. You are the victim here. Stop asking rational questions. M: I know, I know, you're right. Because women act on emotion and not logic. L: Precisely. It's a totally different species.

Max is pissed. but has she been irrational, acting on emotion and not logic, and dumping him for no apparent reason all summer? signs point to yes.

and I understand Lucas saying this. it's not pure misogyny out of nowhere; he's been told that his mother expects gifts and apologies even when wrong, Max acts that way too, and now so apparently does El. all of his examples concur that this is just how women in relationships are. (Charles Sinclair how many relationships will your advice destroy lmao)

both Max and Lucas are bringing preconceptions from home.

Max acts this way on purpose

I don't think she's dumped him over truly nothing (although that's how it looks to him). I'm thinking she blows real, minor missteps out of proportion.

any time Lucas does something slightly insensitive, it looks like the first red flag to her, and instead of communicating in a constructive way, she just throws up this "boys aint shit" force field and dumps him. of course she doesn't truly want to be rid of him, she's just sorta snapping the leash.

I think Max knows what she's doing. I think she wants to keep Lucas always on his back foot, because the relationship isn't as scary if she feels like she holds all the power.

she's always trying to cover up fear/sorrow with anger, because anger gives an illusion of control. and she's been conscious of that anger, and the fact that it's unfair to Lucas, since the beginning - that's what she apologized for on the bus. "I guess I'm angry too, and I'm sorry."

she was mature enough at 13 to see the error in her behavior, but still not mature enough by 15 to fix it. every season has just been a slightly different flavor of "leave before you get left".

so, that's my take on Max's relationship behavior. but again, explanations aren't excuses. Lucas deserves to be treated well, and that's not happening.

what needs to happen?

simply maturing more will help them both a lot. being 15 is a terrible condition in of itself.

I don't see Lucas dumping Max's ass, but she should take her own advice before the relationship continues: explain herself and fix the garbage parts of her behavior.

before Max can be the girlfriend Lucas deserves, she needs a substantial period of physical and emotional healing.

she needs renewed connections with her friends and family, and a lot of general growth in the area of communication and processing her feelings.

in regards to Lucas, she needs to work on her trust issues, and learn to extend him the treatment warranted by his behavior, not the behavior she fears from others. she needs to learn that "friend" and "girlfriend" aren't mutually exclusive, that real friendship is the key to their relationship, and is a two-way street.

any Billy racism/assault acknowledgement would be better years late than never, especially if grieving Billy continues to be a focus in front of Lucas.

Lucas could also use a little work

the relentless positivity doesn't serve Max well. often it turns out to be empty reassurances which make her feel let down (so, a soft version of the lies she fears). she let him know in 4x4 that this hurts her, but he kept doing it for the rest of the season.

but the big one is that "happy wife happy life" doesn't serve him well, and rewarding unfair treatment perpetuates the problem. yes, the ability to compromise, swallow pride, and be the bigger person are healthy parts of a relationship, as well as the willingness to extend grace to your partner/friend when they're struggling. but it always being on one designated person is a recipe for dissatisfaction and resentment.

Lucas should voice to Max that he, too, has struggles and needs support. I'd like to see him pursue outside interests unapologetically.

no, this isn't an exhaustive list, and I don't expect to see everything fixed at once, or explicitly processed onscreen. but I sure hope we get some evidence of change, and that this has all been part of an arc.

for instance, I'd love for the final lumax reconciliation to be Max asking Lucas to take her back.

I kind of hope not to see them officially together until the very end. in fact I'd so much rather see ST end on a good Max / Lucas friendship with an implied romantic future than jump back to the status quo.

l don't want to see lumax until it's a new lumax, based on real, reciprocal friendship.

[ruporas]

lonely

[ID: A limited palette of green and pink, Vashwood comic. The first page serves as a prologue. The first panel shows Vash speaking to someone off screen while Wolfwood is lingering behind him. A black arrow is drawn pointing at him. In the second panel, Vash is buying donuts in the distance while Wolfwood is once again in view, lingering. and the black arrow is drawn pointing at him. In the third panel, Vash is leaving a cubicle and turning towards his right with a slightly peeved expression. He sees Wolfwood, leaning against the cubicle, waiting for him, and with the black arrow drawn, pointing at him, implicating the consistent hovering of Wolfwood’s presence during Vash’s everyday. At the bottom of the page, they’re drawn out of panel with Vash turning to Wolfwood and saying with an irritated expression, “You’re really following me everywhere, huh?” Wolfwood responds, “What, you got a problem?” Vash responds without hesitation, “Yeah, kinda...”

The second page starts with a new day. In the first panel, Vash is seen alone, weighing apples in his hands at a mart, with crowds passing behind him. In the second panel, he turns to his right and starts to say, “Hey, Wolfwood...” In the third panel, he’s startled from seeing a stranger, whom he’d accidentally called out to when he was expecting to see Wolfwood. He says, “Oh, you’re not him. Sorry!” In the fourth panel, the stranger walks off and Vash muses, “Right, he said he had something to do today...”

The third page begins with a close up of Vash's miffed expression, the continuation of Vash's thoughts, "Now that he's not here, this is just like how I used to be, but... It feels lonely somehow. Oh well, I'll see him again tonight, like always." In the second panel, it shows Vash walking through the marketplace crowd, alone. In the third panel, the door panel is a close up of the door opening with a peek of Vash's head. He says, "Wolfwood!" In the fourth panel, Vash is holding a bag of food with a bright smile and says, "Are you hungry? I got you something to eat today!"

The fourth page begins with a shot of the room, two beds being highlighted, one of them being made properly with the blanket draped over the bed and the other with the blanket folded and pillow sitting on top of it. There's no sign of Wolfwood. The second panel shows Vash with a disappointed look as he thinks, "He's still not here?" The third panel shows Vash putting the bag of food on the table. Stapled to the paper bag is the receipt with a written note "For Wolfwood." Vash's thoughts continue "He does like to stay out so, I guess there's no reason to worry..." The fourth panel shows Vash sitting his bed somberly with his thoughts continued, "It's not any of my business anyway..."

The fifth page starts with a close up his blank expression as he looks downwards, thinking, "Even if he left completely... That'd be understandable and better for him. I'll just travel alone again... like before... Huh?" The next panel shows Vash's composure break, tears welling up in his eyes suddenly, as he didn't expect to cry. He starts to sob, putting his hands to his face to quiet himself and wipe at his tears, as he says, "Ugh... Dammit... I miss h..." The last panel shows Vash leaning over into his hands, still crying, and in the back, the door swings wide open with a bam as Wolfwood walks through with the punisher swung behind him. He shouts, "SPIKEY! You in here?!"

The sixth page starts with Wolfwood confused, looking at Vash and Vash looks back, just as confused, with tears in his eyes and snot out of his nose. Wolfwood starts saying, "Ah? You..." No longer in panels, at the bottom of the page, Wolfwood takes the Punisher off of himself and starts to walk towards Vash, continuing with slight concern, "What's wrong with you? Did something happen?" Vash, hurriedly begins to wipe at his tears, denying immediately, "No! No, I'm fine! Nothing happened!"

The seventh page, Vash points towards the table, with a hand still wiping at his tears and he smiles as he says, "I uh got you food. On the table." Wolfwood looks towards to the table and responds, "Oh. I was getting hungry, thanks." He turns his head back to Vash immediately after with an uncertain expression, knowing the other wasn't responding to his concern, and says, "But, I know you're an idiot with this stuff, so I'm reminding you again. Don't brush it off if it's an issue, alright?"

The eight page, Vash's tears have dried and he looks to Wolfwood with a soft smile and responds, "Yeah. It's okay though..." A panel at the center shows a side view of Vash approaching Wolfwood. At the bottom of the page, with no panel, is a close up shot of Vash's hand, holding onto the edge of Wolfwood's jacket sleeve, as he says, "Because you're here now. Wolfwood."

The final page is a back shot of both of them standing next to each other, Wolfwood's head tilted slightly to the left, not fully believing Vash as he says, "That doesn't answer anything, Spikey." Vash responds, "There's no need to talk about it! You should enjoy your food. Let's have a drink too?" Wolfwood responds, "Tsk, tsk. Fine, yeah. I could use one." END ID]

[ping-ski]

unable are the loved to die, for love is immortality

au belongs to @pluck-heartstrings !! if u havent read or caught up u totally should <3 (sorry for the tag)

[poorly-drawn-mdzs]

hope you feel better soon!

I am riddled with ailments, but I stay silly!

[somegrumpynerd]

Dust's nightmare

Dust has nightmares about fighting and killing here and there, but the ones that really stick with him are the ones that are just... memories. Things he can never have again.

What he can have though, is a distraction when he wakes up to help him settle and make sure he's not alone with his thoughts for too long