#and use different media and style and tools

[polarfarina]

I think my next jaunt into a new art thing is gonna be really actually studying how manga art is drawn. I had a bunch of books about it when I was a teenager but I didn't have a fully formed "understands how to break down an artwork into its components" section in my brain yet back then

[rohitdigitalsblog]

Best Multimedia Iinstitute in Rohini 

[thatdeadaquarius]

Topic: Genshin impact.

au: Sagau.

idea: So what if you had the powers of every character you played as in every game you played and then get isekaid into genshin impact with imposter au. I imagine it goes smth like

Zhongli: “I will have order!”

reader, Who played Roblox as someone who lagged the game (explanation: I’m pretty sure ping is also how time works in games. If you can control the flow of ping you can control the flow of time in games.): “ZA WARUDO!”

Heyyy!! Thanks for waiting for the reply/response from my slow ass :0

So they did clarify what they meant/expand so imma just copy paste that here!

“k now I remember. So basically imma write it here since it’s easier: Basically you don’t have to (but you can) transform into the character that has those set of powers but if you do those powers are enhanced.”

Sun: Reader (”you”/they/them)

Orbit: Headcanons-ish, Light Imposter AU (as in, NOT Yandere/Dark), mild crossover elements bc Shapeshifter Shenanigans™️

Stars: bro idek

Comets & Meteors: Content Warnings: mild cussing, genshin typical mild violence, & Trigger Warnings: none known.

Please comment if I missed any. /gen

☆

so fair warning,, ive never seen jojo bizarre, but i appreciate i come off well-read/watched? LMAO

so im just gonna kinda,, guess? like just cycle thru diff. random media, and im hoping both me and you reading this will have a fun time (as this is a little challenge, but i like it so ill give it a shot, dont kno if its a good one but- 😅)

so to set the scene, of how u got to this point, ykno of running like ur life (maybe?) depends on u running around different teyvat countries,

u thought it was weird everyone knew a little too much about you?? (ofc theyve heard u during gaming, they know u the same way we all know Markiplier, get it?)

then a bunch of NPCs/Vision users/Archons?? were REALLY invested in talking to you, which freaked u out even more

and by the time you saw Zhongli, yknow, just the oldest god in game, making a fast-walk towards you, ykno the retired god who didnt move an inch when an old water god attacked Liyue for a test, is now hurrying to you???

ur logically get so fucking scared sm shits abt to go down, u just start running

it isnt until ur reaching for a ledge and some webbing shoots out of ur arm (from a glitchy little spot on ur arm, where it could be coming out of ur skin, but sometimes its a blue and red bracelet)

it latched onto the nearest building, and thats how u find out u can grapple ur way, literally Spiderman style, out of the harbor

and bro, idk if it would be fun, or confusing and stressful, or maybe both?? to just find out u can use any video game power from any game youve played before as you go running from countries bc for some freaky reason they know too much abt you/are pursuing you-

dUDE- they had small statues of you in like every little section of their cities

u head to Mondstadt and as Venti comes screaming and flying at you (in excitement, but ur freaked), u go to hold a hand up and suddenly ur holding a heavy stone tablet that unleashes some holographic yellow chains that freeze him in place-?? why is this familiar-

oh my god u have the sheikah slate from Breath of the Wild,

and as ur booking it out of there, u manage to get ahold of a sword, and u know exactly how to use it to knock back favonius knights trying to stop you (they are concerned for their god who is just unleashing random powers on ppl, pls let Grandmaster Jean just talk to you Your Majesty-!!)

by the time you teleport ur way to Inazuma, (bc u still have this worlds access to ur player/traveler’s powers), ur trying to find a nice place to stay for a little bit

at least in that sweet spot of the Raiden not noticing/finding you, while things cool down on the main continent, before moving on,

and u get some tools to help fashion just a little shelter, bc u dont have any money/mora rn, and ur able to literally build a house???

a mailbox pops up and thanks you for renting with Tom Nook???? As in Animal Crossing-

and rlly if the BOTW/slate thing didnt clue u into video game powers, then this definitely would tbh lmao

right as u see Yae Miko circling ur house, with an armful of books? ..is she planning to thru them at you??, u get the hell out of dodge before her favorite god can follow along

(she knows ur prefrences in books and got authors/trends to start so youd have plenty to read, and she was making sure it was ur house before politely dropping them off! how was she to know thatd spook their favorite God, Ei?!)

u get to Sumeru and think ur safe, hiding in an abandoned forest watcher outpost (1 person treehouse rlly) when Nahida shows up in ur dreams,

and u just,

walk out of the dream, into reality, and possess a nearby ruin guard so u can sleep in peace, bc she cant access a robot,

that one baffled u as you re-possessed ur own body before realizing-

Five Nights at Freddy’s. 💀

U cant do that forever, so u try Fontaine, hoping Neuvillette/Furina wont rlly give af abt you, plus theyre the latest region, so maybe they have the least exposure to whatever the other archons didnt like abt you??

u get there and are immediately summoned to court, and right as the mekas show up to escort you, jfc they have a mecha army

(meanwhile, theyre thinking, yknow. high profile guest/our god of gods. ofc we need state of the art mekas to escort them, its only polite-)

meanwhile ur cape has now become wings, and a mask covers ur face as you glide and fly ur way over the city in an attempt to get to where u assume Snezhnaya is

it doesnt occur to you the game until ur running out of stamnia and catch ur reflection in the waters of fontaine, Sky: Children of the Light

u hope the Tsaritsa’s dislike for other gods/Celestia doesnt extend to ur otherworldly presence so ur just hoping for the best atp tbh

tbh youd forget what all powers you have, and the absolute chaos ur causing urself as u try to desperately rememeber what games youve played thru ur entire life is NOT helping to reduce confusion when u randomly wake up with elf ears (legend of zelda/botw) or get dragged into another ruin machine when u fall asleep/faint/do smth u guess mimics death lmao- (fnaf) 💀

…

(meanwhile the Tsaritsa does get wind ur coming this way, and just, makes the people have a parade/festival to celebrate you coming,

she did also have to get Pierro/Captaino to physically restrain some of them from going ahead to meet/escort you to the palace, she’d heard how the others scared u off, and was, ironically, hoping the warm welcome would clear things up)

☆

well that was, something. 😃🫠

sorry lil car, that was such a fun idea idk if i did it justice!! i thought itd be too op to include every media youve consumed ever, so i kept it to video games, (which, could u cheat the system if youve played smash bros??)

i hope it was at least a decent read, and sorry im half asleep so i was not v funny this time around, but, again, hope u got smth out of it 😭

</3

on another note, im having my wisdom teeth surgery this friday, send whatever u got my way, prayers, blessings, good vibes, ill take anything im nervous 🙃

have a good week guys!

Safe Travels Lil Car,

💀♒

If you wanna join a taglist, DM me what for! "Pspspsss, please tag me for [All SAGAU posts, Only SAGAU Language AUs, diff fandom, etc.]!"

(If you ever wanna drop, just DM me! "No more taglists/[specifically this AU/fandom] please!")

♡the beloveds♡

@karmawonders / @0rah-s / @randomnatics / @glxssynarvi / @nexylaza / @genshin-impacts-me / @wholesomey-artist / @thedevioussmirk / @the-dumber-scaramouche / @chocogi / @fallen-starr / @areaderofbooks / @devilangel657 / @esthelily / @justinsomniachild / @nanithefuck / @questionotmystopit / @chinuneko / @silvers-tongue

If ur tag doesnt work, pls check ur settings to see if ur a "searchable blog"!! Its not the same as the Ai selling data thing.

[ncalabby]

Hi there!

I really really love your TF2 comic work. You manage to capture the style of the comics and still mix it with your own style to give it a unique identity.

I’m making a TF2 comic myself, but I’m self-taught when it comes to making art and comics. Do you have any techniques that have helped you develop your style and comic-making?

Thank you and have a nice day!

I don't know about others, but for me, finding the goal of 'what you want to be' is the first priority.

for example

I go on social media, read comics, and watch movies. If I feel a spark, thinking "I LOVE THIS ART!" I'll try to analyze why I like it. Is it because of the way they make sharp line art? Is it because of the color?

Then, I'll continue to analyze the tools they use. Is it because they're using a G-pen, which makes their line art look so sharp? Then, I will try using a G-pen.

Here comes the problem part. Even if I try using the same G-pen, my art still doesn't flow. Why? I question myself and look at many other artists who also use G-pens and find out that it's about movement and flow! I don't have that in my work, which is why it looks so stiff! Later, I'll practice movement until I get it.

Even though many people say I captured the TF2 art style well, I feel I didn't study the TF2 comics that much. I love how Makani simplifies the characters, but my style is actually inspired by a lot of different comic artists, such as these:

I simply try to study various comic artists' styles to see which suits me best. I didn't aim to replicate the TF2 art style specifically. Instead, I use a sharp cel-shading style and simplify to make drawing easier, which is also a technique used in the TF2 comics. That's why my art might feel similar to that style.

But in the end, remember to be yourself. Don't try to become someone else; instead, draw things the way you'd like to see them in your work. Draw in a way that makes you feel happy. That's it!

[kuwdora]

A Vidding Primer

A guide written for @wren-of-the-woods who asked for advice about how to start vidding! This is far from comprehensive and I tried not to make it too dense because it's a big subject. I still wanted to share a variety of topics about getting into vidding because it's a hobby and art that is near and dear to my heart.

First Piece of Advice

watch a lot of vids and rewatch vids multiple times. Seek out vids on YouTube, AO3, Watch the TikTok and Twitter/X vids that show up on tumblr or wherever you’re browsing. They all have distinct styles and tools/techniques they use to make their vids and edits. Rewatch the vids and ask yourself what you like or dislike about them. The song, the editing, the source. That can give you a good starting point about how you might want to approach making your own fanvids. The TikTok style of 30 and 40 second edits are very different what you find on YouTube. YouTube editors tend to use a full song and a lot more effects and a lot more overlapping dialogue. Whereas the fanvids - Vids - from people who came into vidding in the mid 2000s/2010s have their own culture, different ways they approach song choice, clip choices and narrative. I also suggest watching vids for shows/films you’re not familiar with as well as your fandom favorites. You can learn a lot about how vidders try to tell a story even when you might not grasp the context behind certain scenes but you can still follow along with the emotional arc of the vid.

Second Piece of Advice

Have fun and enjoy yourself. Everyone starts a new hobby as a newbie. It can be a lot of effort to make 30 seconds or a 3 minute vid, but it’s such a unique type of fanwork that is fun to watch and fun to make. It can also be migraine inducing because of all the learning and technical issues along the way. But!! omg when you make a clip fall on the perfect beat with your blorbo crying that perfect tear or you find an idea and sources for the bestest perfect lyrics of the song, it’s a magnificent high. It can make you feel like a god. At least that’s how I feel a lot of times!

There are about 10 steps* to creating** a fanvid/edit:

• select your platform and software (phone/computer video editors) • gather your video and audio files • create a new project in your video editor • import audio into the editor • import the video into the software and mute audio tracks that contain your video’s audio • review, label and cut up the video into shorter clips - this step is known as ‘clipping’ in vidding parlance, but it’s also optional. Some people pull in movies and scrub through the whole film and just pull it directly onto the timeline • move the various video clips around on the timeline to match the audio track you’ve chosen for your project, add video effects and additional dialogue if you like • export the finished timeline • upload the video to a streaming platform and/or downloadable service • share your project!!! posting to ao3 and/or social media or share on discord, etc * there are a lot more steps involved with each of these steps. What what software to use, where to find video, how to deal with copyright blocks on Youtube, etc. Some of that will be covered in the links below but is not comprehensive. That would require separate posts and links and I don’t want to drop an encyclopedia on you right now! I’m happy to provide more resources that I can curate if you want more direction and pointers to resources and amazing vidders.

** like any hobby, there can and will be a learning curve and frustrations. Blank page for a writer, blank timeline for a vidder. Is anything you put down is any good, self esteem and confusion about what actually makes sense is part and parcel for any creative work. Once you're in the vidding process and committed, as long as you're enjoying yourself you gotta just keep going to get it done.

Getting Started Vidding

My knowledge and background and learning how to vid from people on livejournal and dreamwidth from 2007. I don’t have any experience in editing with a phone but if that’s something you’re interested in, YouTube will be a place for you to start finding tutorials for various apps and tools. Probably discord communities, too. Vidding Workshop - a great how-to/guide when you're starting out. This is on dreamwidth from the WisCon vidparty in 2014. Some of the tech discussions might be a little outdated but there’s a ton of relevant information. It covers technical subjects as well as developing vid ideas and actually getting started. If you have any questions about what you’re reading you can leave an anonymous comment and ask - some of these vidders responding inthe threads are still active. You can find them on AO3/YouTube, tumblr, discord and actually leave them questions about their vids. Many vidders are more than thrilled to talk about their vids and answer questions. Vexcercises - this is a dreamwidth community for short-form vid excercises. This is a very structured way of introducing vid concepts and constraints so that you can produce a vidlet. I highly recommend you check this out and participate! There’s even an AO3 collection so you can check out how people have done the different exercises, too.

The Process of Vidding

Watch Me Edit - @limblogs put together a fantastic playlist of YouTube editors who will show you beginning to end how they made their vid. A lot of these editors appear to be using Sony Vegas but the general process of vidding end-to-end will be similar with other nonlinear editors like DaVinci Resolve, Premiere, etc. It’s a great way to actually see the vid come together if you don’t know what that even looks like. Every vidder will develop their own workflow and approach (which might even change from vid to vid), but it’s useful to see in video how people actually DO the thing. @limblogs also created a handy YouTube playlist some vidders from Bradcpu’s Vidder Profiles (Fanlore page). These profiles are basically like a director’s DVD commentary on their vidding process, featuring the vidders talking over their own vids! So cool. Phenomnal insights from these vidders about how they choose song, use effects, think about their narratives.

Self Rec: I recently did a vidding textpost series called: do it for the process - a naked vid draft: What (Yennefer of Vengerberg). How I Edit by @vimesbootstheory is another textpost about their vidding process. Self rec: Here’s my text interview: Vidder Profile - Kuwdora 2011. I talk about my process with a lot of specific examples from my previous work and lots of screenshots. This profile is over a decade old but a lot of this still holds true for me today! videlicet - this is an incredible vidding zine that @limblogs put togegther with a lot of amazing contributors. These articles and discuss about specific vids and aspects of vidding. It’s really detailed and a fantastic piece of vidding culture. I highly reading recommend the Demystifying Vidding article by lim and the A History of Vidding by @meeedeee and…pretty much every article in the zine!

Doing the vidding!

I recommend joining exchanges and watching vids that come out of exchanges and checking out fannish cons that have vidshows and discords to get more exposure to vidders and vids. Many people have joined @festivids (AO3 collection here) and made their very first vid, it's a very fun and great way to get into vidding. It’s not quite festivids season right now but time flies and it will be time to nominate sources and do sign-ups in the blink of an eye. Follow @festivids and check out the AO3 collection and see what people are making. Join the Vexcercises community and make some short vids and share them on your tumblr or on discord or somewhere and bask in the thrill of making your first fanvids. Check out who reblogged the vidder ask game - go and read other vidders responses and ask some new-to-you vidders questions. Everyone has their own take on process and tech and everything. It's great to hear and see what a lot people are doing and making.

Final Advice - talking about vids and doing the vidding

• watch vids • rewatch vids • leave a comment and ask a question about something you saw in their vid! • Again: find someone’s AO3 page of fanvids and ask them something about their vid in a comment or send them asks on tumblr (people usually have the same alias or link to their tumblr or dreamwidth pages somewhere.) • YouTube can be a valuable resource for tutorials so if you don't know something, there is likely someone who has made a tutorial about how to use a cross dissolve transition or anything else you might want to replicate in a video that you've seen in a vid. • start making a vid, scream and cry, ask for help, and keep going until you get it done. Celebrate and bask in your completed vid and share it with everyone! • Follow vidders on tumblr that you find from the vidder ask game • Check out the vidding discord for community and questions and vid recs and news about vidding exchanges and cons. • Have fun!

Hope this helps you get started! Thank you so much for the ask! Let me know if you have more questions and I can help you out or send you to cool vidders who have great advice and suggestions. And please send me your vid if you make one!

[mclalan]

Can you share what your art-making process is? What software and tools do you use?? I'm falling in love with your work!!

Thank you, I'm so happy you like my work and are interested in the process. The short answer is I mostly use Adobe Animate.

I hate how I'm using an Adobe product (although I still regard it as a MacroMedia Flash product), but there's just no other software that compares to its jankiness. Perhaps it's just my long familiarity with the program, but nothing I've experienced matches how it simultaneously feels like drawing in MS Paint and using Microsoft PowerPoint vector shapes. The result is something that feels in-between the two; handmade yet computer-generated.

Typically, I'll start with a hand-drawn sketch, often beginning as a thumbnail done with pencil and paper.

I'll then do a mix of hand drawing and vector shape tool rendering. I use the Paint Brush tool to hand draw strokes, and the line and shape tools mixed with transform to make more geometrically accurate shapes. The design is rendered into divided closed loop shapes, ready to be filled with a solid. The strokes are kept or removed depending on the design.

These fill shapes are then either coloured and rendered in Adobe Animate, using fills, gradients, or a more complex process of masks and effects.

Alternatively, I'll bring all these vector shapes into Photoshop and use them as clipping masks. The vector shapes act like masking taped areas or shields to maintain sharp edges, while the brush is like an atomized airbrush used to build soft volumed forms.

Please excuse all that horrible Adobe Cloud and AI bloatware...

And there we go!

Variations in the process include just using MS Paint, index color in Photoshop, or 3D programs.

Very old works of mine were almost abstract, just exploring digital mark-making, which was a trend I was following in the mid 2010s that I loved. This kind of stuff.

While my current work uses its digital material specificity as an intermediary to the subject in the illustration.

For example, #ersatz.world parodies clip-art and flash edutainment styles but imagines the characters living within that kind of world. The designs are meant to be cute, easy to read, light in computer processing, but also irreverent, janky, and generic too.

People typically regard this sort of clip art style as ephemeral trash, but I always found them charming. I use Ersatz World primarily as a satire vehicle, parodying educational formats to spoof corporate explainer content and digital media.

However, part of the problem with Ersatz is I've made it look too polished, complex, and I've grown too attached to the characters, which I imagine is a typical issue with overbuilding a world. So recently, I've made an even jankier Ersatz-like set of characters to play about with, using an even simpler style with less cohesion. I like to try and use slightly different styles and digital material styles to relate to the property at hand.

That’s why #autonymus has a bitmap digital material and a denser feel to it. Unlike Ersatz, Autonymus is not meant to be an overt semi-meta fiction. It’s not exactly pixel art, but the pixels are just about visible, as the intention is to create a digital expressionist depth to the setting. Although it’s still stylized and not realistic to our world, I definitely still want to evoke semblances of our world. That’s why there’s attention to landscape, plant life, and implied life beyond what you see in the frame with the characters, etc. But I'm still making a cartoon, and I still want it to feel at ease with itself being a digital material work. Characters are therefore flat, simple, stiff, and the speech style is like a bad Shakespeare parody. I like to balance between ugly and appealing, simple and complex, familiar and unfamiliar.

In regard to things like inspiration, references, and my relationship to aesthetic genres; these things certainly factor into my work, perhaps I'm even overtly dependent on them. My work can definitely be post-modernist in method; creating new, ironic, or fragmented interpretations through deconstructing a mix of various styles or methods. But at the same time, I'm still trying to make a digital gestural representation where the aesthetic is driven by my relationship to the software and techniques directly—not simply in an attempt to reference a style. For example, I like drawing lines in sweeping strokes, not to a point of geometric perfection, but just in a way where the curves are smooth and simple. But if I want perfectly curved or straight lines, I'll use the vector tools.

Working this way, you can sort of learn why certain styles and design choices in past vector aesthetics were made, as they would have also needed to make similar choices. That’s why I’m more mindful of using digital material specificity as a foundation to build narrative and subjects upon these days.

For example, genre references like cyberpunk clichés for #cyberhell or late medieval design for #autonymus or 2005 to 2015 era subculture fashion for #gradientgoblinz.

I think it’s important to take inspiration and reference from a wide variety of sources, but I think they’d mean nothing without having something to say or express. Autonymus, although it is a collection of tropes and clichés, isn’t just about that. It’s a story about the tensions of socially constructed systems and how that shapes faith, technology, and the natural world, or at least that's what I'm aiming for anyway.

But despite all that, I think there’s a danger of locking myself into the past by using these methods. For example, using nostalgia and references to past aesthetics can result in just recreating the past in a form of role-play. To avoid that, I try and evoke the past through a messy, inaccurate pastiche rather than caring to accurately re-enact anything. I’m probably not always successful at communicating the deliberateness of this, and it can certainly get very frustrating and pedantic. To be honest, I do kind of hate aesthetic labels (terms like Y2K, global coffee house, utopian scholastic designs from a pre-9/11 world).

I do not believe that a project aimed solely at mapping history through aesthetic styles is worthwhile. Sure, they can be handy for organizing style trends, but they can also be reductive and ahistoric. Who are these people to define the history of these design eras? The result is a kind of suffocating simulation of design history but removed from context, perfect for moodboardism. I wish it felt more tongue-in-cheek, less absolute of itself in its own practice. Instead, it acts to legitimize and engender those making these labels, almost giving them ownership of the design styles. It’s similar to the logic and process of generative AI and its databases in a way, just done manually.

I’m very inspired by artists like Oneohtrix Point Never in this regard, as I think he’s able to create an aesthetic portal to all kinds of memories, feelings, and worlds reminiscent of the past, while still being in the present. It’s more a reflection of how timelines are messy now, like a memory or dream, rather than an audacity to say the past was actually like that, or to try to actually map some kind of timeline.

I think the benefit of this process is how it avoids the other side of the spectrum—being locked into chasing the cutting edge of digital processes. I don't necessarily think using an old digital process means your work inherits the semiotics of old aesthetics. Non-digital mediums don’t have this issue to this degree, as you can still paint in oils and be considered contemporary, or at least it's not frowned upon to such a degree. And I also don't think anyone in the heyday of Flash ever made work the same as I do, especially as computers are more powerful now so can handle more. I probably shouldn't boast too much about that though, as artists at the time probably just had more sense than to use Flash like a painting program! So then, why is my use of Adobe Animate critiqued as obsolete and an aesthetic dead-end? Because to whose standards is this process obsolete? If you value digital aesthetics as an apparatus in industry practice, then sure, my work is redundant.

But as wonderful as the latest tech can be in creating new aesthetics, I do feel it can be overtly dependent on the trends and directions of tech corporations, and therefore act as an indirect propaganda tool to their hegemony over digital aesthetics, such as the ever-demanding processing power needed for simulated realism. If anything, work that does follow in the direction of the latest tech trends is ironically the quickest to date once the trends move on.

I've noticed I've not really described what my work is about, just the process, in this text. But I don't know, maybe I like Flash because it is regarded as redundant. No one really cares about it, so I feel free to make whatever I want, and can decide on form myself, to my own standards, the quality of my work. As fun as making images is, I find it difficult to put into words what it is exactly I'm expressing in my work, and perhaps that would spoil it anyway.

[destieldtiyschallenge]

Hi fellow Destiel Fanartists! Are you looking for a fun challenge to start your creative year 2024? Are you up for getting to know some fellow fanartists on a deeper level? Then you are at the right place. Welcome to our first Destiel DTIYS Challenge!

What does DTIYS mean?

It means “Draw This In Your Style”. This is an art challenge where artists draw an already existing artwork, but in their own style.

So, how does it work?

There will be two Phases in this challenge:

Phase One: Secret Valentines

In Phase One, Artists will sign up to parttake and then get assigned a Secret Valentine. They will then redraw one of their Secret Valentine's existing artworks, reimagined in the Artist's own style.

Phase Two: Open Challenge

In Phase Two, everyone, signed up or not, can parttake in the DTIYS challenge. For this, a list of artists who signed up for it will be posted and you can redraw their art in your style.

When will this take place?

You can sign up for Phase One until February 9th. Posting is scheduled for February-March. You can sign up as a listed artist for Phase Two until March 10th. Posting is scheduled for March-April. For further details check under the cut.

Sounds cool to you?

Then you can sign up for Phase One and/or as a listed artist for Phase Two here.

If you are interested in participating, you can find the Schedule and General Rules for this event under the cut. For further questions you can contact us via DM or ask or via e-mail at destieldtiys@gmail.com. Happy fanarting!

General Rules

You can use both digital and traditional media. You are not allowed to use AI tools in this challenge. If you have your own ideas, want to draw the character in a slightly different pose or change colors, you are free to do so. However the artwork should still be recognizable as a redraw of the original artwork. This challenge is open to participants of all experience levels.

This is an art challenge to celebrate Destiel fanartists and their diversity in style. Therefore, only Destiel fanart is allowed.

Both SFW and NSFW art are allowed, please mind the according Tumblr terms and conditions and post only a link to your art, if necessary. Minors are not allowed to parttake for this reason. If you sign up, you confirm that you are at least 18 years old.

Racism, sexism, homophobia, transphobia and ableism will not be tolerated in this challenge.

Further Rules

Phase One: Secret Valentines

In Phase One, Artists will sign up to parttake and then get assigned a Secret Valentine. They will then redraw one of their Secret Valentine's existing artworks, reimagined in the Artist's own style.In Phase One, Artists will sign up to parttake and then get assigned a Secret Valentine. They will then redraw one of their Secret Valentine's existing artworks, reimagined in the Artist's own style and then post them under the tag #destieldtiys2024, a link to the original artwork and their Secret Valentine's @. Communication regarding this event between the Artist and their Secret Valentine is of course not allowed until the art is posted to keep it a surprise. The artwork will also be reblogged to this blog after posting.

Phase Two: Open Challenge

In Phase Two, everyone, signed up or not, can parttake in the DTIYS challenge. For this, a list of artists who signed up to be on it, will be posted. Everyone is then free to redraw their pieces and post them under the tag #destieldtiys2024, with a link to the original artwork and their @. Their art will be reblogged to this blog.

Schedule

January 2nd - February 9th

Phase One Artist Sign Up

February 14th

Assigning of Secret Valentines

February 14th - March 14th:

Phase One Drawing + Posting

January 2nd - March 10th

Phase Two Artist Sign Up

March 15th

Posting of the Phase Two Artist List

March 15th - April 14th

Phase Two: DTIYS Open Challenge

[genericpuff]

I'm honestly amazed by how well you can imitate the LO S3 art style! Have you always been good at this sort of thing or is it a skill you developed due to your work as a tattoo artist?

ahhh thank you, but ima let you in on a little trade secret -

it's literally just referencing LMAO which is a valuable skillset to have! but one that I think a lot of folks tend to overlook because they think "learning to draw" means "I need to be able to draw everything perfectly from imagination!" Which sure, learning how to draw things without needing references might be cool, but it's ultimately not the sole defining feature of a "good artist" and I think there's frankly way too much emphasis put on "drawing without references" these days because it creates this unrealistic expectation of what an artist is. Referencing is part of the process! It's important! And it's a valuable skill to have so that you can actually grow your skills beyond your own limits! Referencing is as important to the process of creating art as research is to the process of writing, you can only produce so much new stuff if you're not taking in new stuff alongside it.

Though I use this skill a lot in tattooing as well, it's mostly rooted in my animation schooling which broke me out of the habit of drawing purely from imagination and taught me how to properly reference other material for educational purposes.

And I'm sure there are people in audience right now gasping at the fact that I simply cropped a bunch of different shots of Minthe from S3 and rearranged them like some surgical madman playing with body parts-

-but this is like, the actual majority of the process when it comes to learning other art styles and this process is taught as a skill in a lot of art schools because it forces you to draw what's there rather than what you think is there. This is the basis of master studies, to learn the techniques of other artists by trying to mimic them as closely as possible. Don't know what tools that artist used specifically? Try to recreate the work anyways with your best guess. Even if you only get close but not perfect, you'll still likely learn a lot along the way and may even develop some brand NEW techniques that weren't present in the original work you're studying from.

Imagination is necessary to the creative process, but it's only part of that process, you can't suddenly learn how to draw the way other artists draw through imagination alone because your imagination is limited purely by your own lived experiences. Our brains don't come pre-installed with these skills, they can't just magically unlock the capability to "do the thing". Just like how we have to learn to follow recipes as a means to becoming a baker or learn to read the alphabet to learn how to read and write, we have to learn how to draw what we see and reference the material around us if we truly want to expand our own innermost knowledge which will allow us to draw from imagination.

Here are some other examples of studies I've done, such as my attempts to learn the art style of The Doctor Foxglove Show:

As well as a background study from S1 of LO:

And of course here are a handful of the shitloads of studies I've done to try and "figure out" how to draw Hades and Persephone from S1 of LO:

Aaaand just for the fun of it, here are some completely non-LO studies, like the ones I did of Kazuma Koda's background work and Akihiko Yoshida's character designs for Nier: Automata:

And this sorta rotoscoped ??? animatic of Mitsuhiro doing the opening jig for Still Feel by Half Alive which is 100% not done and probably never will be LOL

I'm always progressively doing studies of both LO and other media in this way so that I can update my knowledge and continue to improve my skillset.

Though, despite my best efforts to mimic the original creator's style, works like Rekindled will always have my own stylizations present, as that's just an inevitable consequence of it being made by myself and Banshriek (and the fact that we just refuse to draw worse to look more like LO because jfc so much of LO's original art, even the stuff we love, is rooted in Rachel's trial and errors lmao), but that's a feature, not a bug :') <3

So the answer is yes, the Minthe S3 redraw was done through skills I developed over time, though not necessarily through tattooing, simply through learning how to actually practice properly beyond "drawing a lot". And you can too! Draw lots, but also remember that your brain isn't naturally just going to "get better" at whatever you're trying to achieve just because you really want to achieve it. I try to avoid the mantra of "just practice" because it oversimplifies what's truly necessary to learning - having something to learn from outside of your own imagination. If you don't learn how to practice properly, then you'll just wind up repeating the same mistakes and reinforcing the same bad habits over and over again.

All that's to say, if you want to learn how to draw like a certain artist, try and recreate their art for yourself ;0 (but like also please for the love of god remember that it's for EDUCATIONAL PURPOSES, I shouldn't have to tell y'all not to copy directly off other artists' work for your own because that's just deadass stealing lmao) I know this enters the ethical dilemma of tracing, and whether or not it's a "valid" way to learn, but there's a lot of virtue in learning through referencing other artists and building new skills through them. I'm sure folks will argue that it's a 'crutch' or 'training wheels', but that's all often being touted from the perspective that crutches and training wheels... are automatically bad things and aren't meant to help people ?

Like obviously if you want to create your own thing that isn't purely "living in the shadow" of the works that inspired you, you WILL have to make that leap into the unknown. But that leap's a lot less scary to make when you have a parachute.

[raven-at-the-writing-desk]

🧁 cupcake analysis 🧁

YES, YOU READ THAT CORRECTLY 🤡 I’m still fixated on the cute character-themed cupcakes we got from the recent TsumTsums x TWST collab… so I’m going to talk about more things I noticed in the cupcake designs by dorm + by individual characters!

Mmm, cupcakes… 🧁 I would make these if only I had the tools to make all of the painstaking little details—

Heartslabyul

They all have checkered cupcake liners with a half-painted white rose. Famous Heartslabyul iconography!

Their names are written out in a white cursive font. Not the wackiest they could have gone with, but it fits the whimsical style of these cupcakes.

Riddle

Of course, we have strawberries—a fruit from Riddle’s favorite dessert, his beloved strawberry tarts (which also have personal significance to him, being as it was a strawberry tart’s taste that entranced him and made him late to return home as a child). The ring of frosting piped around the strawberries kind of creates the illusion of a tart’s puff pastry with the fruit nesting inside.

Red frosting made with a piping tip to resemble a big rose! Again, more famous Heartslabyul iconography.

IT HAS RIDDLE’S HEART AHOGE 😭

The cupcake also has the crown and a ribbon similar to the ones he wears in his Dorm Uniform~

Unlike the other Heartslabyul cupcakes, Riddle’s is predominantly one color: red. This could be referring to how Riddle is the most rigid in the dorm and someone who demands uniformity and preaches absolutism (“follow the rules”, “paint all the roses red”, etc.).

Even so! There are still little gold and blue sprinkles (though still in a neat arrangement)! I like to think of them as sprinkles of hope and a willingness to change… the first step he’s taking outside of his comfort zone!

No card; this makes sense since Riddle is also the only one without a card suit mark on his face.

Trey

The cookie iced to look like his hat…

Another cookie iced to look like the three of clubs heart (for obvious reasons)!

Trey’s cupcake looks kinda fuzzy like moss, so that leads me to believe the frosting got dipped in sanding sugar to give it texture or something. This makes the cupcake look like it’s an unassuming shrub—and really, isn’t that what Trey claims to be? He’s not an exciting red rose like Riddle, he’s the mild-mannered “normal” guy there to support the flower as the leaves and shoots.

Sugared violets as a topping! Nice way of incorporating Trey’s favorite food into this.

He has a little dusting of sprinkles too; maybe because it was him that showed Riddle “a whole new world”.

There seems to be a layer of jagged chunks (maybe crushed pistachios) along the rim. Feels quite different than the rest of the cake—maybe it’s to represent the less kind side of himself that Trey sometimes alludes to.

Two cookie sticks, which remind me of like two spears crossing to block off a path to the queen. On-brand for Trey, who initially follows Riddle’s orders to a T and kicks out his rule-breaking underclassmen.

Cater

There’s a LOT going on here, and I wonder if that’s in part because Cater is a Magicam fiend and in part because he’s using his flashiness to distract from looking deeper into him. This cupcake reflects that idea well, especially with the colorful sprinkles in the center (as opposed to spread out like Trey or Riddle’s) to make the otherwise mainly orange and red cake pop out more on a social media feed. It also could mean that Cater really keeps to himself, as the sprinkles are not spread outward.

If you look closely, the frosting vaguely resembles Cater’s hair. There’s a larger dollop in the middle which sort of looks like the middle section of his hair that’s pulled back.

There’s lots of little decorations that resembles the decorations on Cater’s phone case—an item near and dear to his heart.

The orange slices can be sweet—the impression that Cater tries to give off—but the pretzel implies a savory taste—what he actually prefers to eat.

There’s a squiggle of darker orange under his name. Is it to call attention to his identity? Cater tries to seek validation and attention from socials, so maybe this is a call to action.

Cater’s cupcake is the only one in his entire dorm that has TWO cards (both four of diamonds). One is probably a cookie and is in full color whole the other is one solid color (brown) and made of chocolate. Most likely this is referring to his UM, which allows Cater to create clones of himself. I wonder if the second card being chocolate alludes to something else too… Namely, the more melancholy and downtrodden part of himself that Cater usually does not let his peers know about 😔

Also two cookie sticks! Similar meaning as Trey’s, especially given that Cater was the first upperclassman to toss Adeuce out (after he gets them to paint the roses for him).

Ace

Ace of hearts card!

A sprinkle of hearts… Are any of us surprised??

His frosting is very ruffled and playful, much like his personality.

The cupcake is more on the simple side compared to many of the others; this is also very “Ace” of him, as Ace is commonly described as “the average high school boy” and has indicated himself that he has no particular goals or ambitions yet.

There’s a cherry on top! Very bright and cheeky, just like Ace—oh, and let’s not forget, cherry pie is his favorite food!

There’s also what appears to be almond shavings on Ace’s cupcake; almonds are actually very closely related to cherries so it’s a great pairing! If we really wanna stretch it, maybe it’s a reference to how Ace is skilled at mimicking or copying others, as the taste/smell of almond and cherries can be commonly mistaken for one another.

Deuce

Two of spades card!

Deuce’s cupcake has a very different texture to it. Unlike the others, his is very smoothed out and almost shiny (like a mirror glazed cake!). It makes me think this is to help him stand out as someone who is trying to reform and reinvent himself into something sparkling—especially seeing as the blue part of the cake seems to be covering up/glooping over the body of the cupcake itself.

Little candy eggs (one with a crack in it) and a baby chick! A callback to him liking egg dishes and the utter despair he experienced when he first learned that supermarket eggs aren’t fertilized…

The light blue squiggle makes me think of Deuce meandering and not knowing where he wants to go in life, representative of his delinquent phase or perhaps struggling to stay on the straight and narrow path of an honors student.

Finally, we have the grey marks on the cupcake which look like tire marks left from skidding around on a magical wheel/blastcycle, Deuce’s preferred mode of transportation!

Deuce's cupcake goes from blonde/yellowish to blue, which probably refers to him going from bleached hair as a delinquent to his natural hair color as he tries to reform himself.

Savanaclaw

Golden yellow cupcake liners with Savanaclaw’s signature horizontal zigzag pattern.

Their names seem to be done in a blocky text on chocolate. Fits the tough, somewhat rigid hierarchical feel of the dorm.

Leona

A crescent moon-shaped candy invokes the imagery of Scar singing the final line to Be Prepared as he and the hyenas ready themselves for the coup.

The darker frosting swirled on the side be interpreted as his scar or maybe the end of his tail.

Cacao nibs kind of remind me of rocks, perhaps to symbolize the hard childhood Leona had, desperately trying to prove himself to people who didn’t like him in the first place. There’s notably also golden specks there—a ray of hope for him to be better? Or maybe a nod to his noble lineage.

The chocolate sauce makes this cupcake feel very decadent but also adds to the dark look of it. I would say it resembles blot, but none of the other OB boys have this same feature. Maybe a hint at Leona’s depressive traits?

Wishful thinking on my part, but Leona’s cupcake is the only one in his dorm with a large splash of green (thanks to the leaves there). I like to think it’s him “turning over a new leaf” and turning his sights onto his internship + working toward helping to help preserve nature and discover energy efficient methods to help his country.

His cupcake is the “tallest” in Savanaclaw (because of how high his frosting is)—he’s obviously the leader of the pack.

Ruggie

Very decadent cupcake. A large scoop of ice-cream, nuts, pastries, tons of cream and frosting… it looks like someone just piled on all their favorite desserts (which suits a glutton like him). Even his own cake looks like it’s about to burst out of the liner!

Two donuts inserted in, because 1) they’re Ruggie’s favorite and 2) two is better than one!

The scattered chunks of chocolate resemble the pattern on the coat of a spotted hyena, which is what Ruggie is.

Jack

WHY DOES HIS CUPCAKE JUST STRAIGHT UP LOOK LIKE HIM… The two paler frosting peaks are his ears, the two-tone swirl results in his hair but also results in the high peak of his tail.

This cupcake has a lot of nuts (I see a walnut, a cashew, maybe crushed peanuts, and many whole hazelnuts). Maybe because Jack is “a tough nut to crack” due to his stoic and standoffish attitude? But we all know he’s a sweetheart deep down, perhaps why the most abundant of these nuts is hazelnuts, often used in many desserts and especially paired with chocolate.

xvsjwveiwk This is a slightly unserious note but there’s something whitish that night be dried coconut??? Sprinkled on the cake… I-Is that Jack shedding/j

Octavinelle

Each Octavinelle cupcake has a black macaron decorated to resemble their dorm uniform hats! The filling is purple (like Octa’s usual color) and has candy pearls (since they’re from the sea).

Their names are written in an elegant flowing font, with emphasis on the first letter of their names (slightly bigger than the other letters). It provides an impression that differs from the other letters in their names, much like how the Octatrio themselves can be deceptive.

A bowtie that matches what each boy wears in his dorm uniform.

The sprinkling of little purple pearls could really be nothing, but they could also be all the powers/abilities they have collected together.

Azul

The single chocolate stick (not two, unlike Cater and Trey’s) could pass as a straw, making the whole cupcake appear like a drink. Makes sense, the Mostro Lounge has a 1 drink minimum + his Dorm Uniform vignette is all about how he wants to buy the rights for the popular Mystery Drink from Sam.

A little contract and writhing chocolate tentacles pair nicely together. Together, they represent his UM and how his tendrils reach out to pull people into deals.

Azul also has a scoop of ice-cream, but it is notably VERY different looking than Ruggie’s. Azul’s is much smaller (because he moderates what he eats and how much) and neater too (because he cares about his tidy appearance).

There is a swirl of purple frosting on the bottom but most of the frosting is white and piled high. The former must be Ursula’s skin, and the latter her hair, as it is similar in shape.

His cupcake liner has the widest stripes (because he used to be overweight in the past) and has little purple dots (maybe in reference to the suctions on his tentacles).

Azul keeps the spiral seashell that resembles Ursula’s necklace.

Azul's cupcake goes from purple to white, which may denote his transition from octopus merman to human.

Tweels

The twins have a scalloped seashell that splits in half, representing the other brother. The way the shell divets also makes it look like a heart shape, implying the brothers “share a heart” or perhaps calling back to how both of their UMs involve “the heart” (Shock/Bind the Heart).

Their frosting is the color of their hair, even containing a stripe of black (in opposite directions) to match their hair. The frosting also seems to be slightly textured, which matches the gills and scales on their merforms.

The peak of the frosting resembles the ends of their eel tails flicking in opposite directions.

Three diamond-shaped “scales” on each cupcake; this is ghe same shape and design as the earrings they wear.

A ring of purple frosting is included; this could represent Azul, someone whom the twins closely work with and consider a great source of amusement. It’s telling that the purple frosting is below the teal frosting, as the twins have made it clear before that they’re not his minions or “below” him, they act independently and choose to follow Azul because they want to (and have the agency to leave whenever).

Jade

Jade’s cupcake liner has the most numerous and thinnest vertical stripes. There is also a very fine zigzag running through the liner. Very similar to Jade’s teeth arrangement and how they present as small but frequent.

Jade's cupcake stays a consistent color throughout the creation process.

Floyd

Floyd’s cupcake liner is in the middle of Azul and Jade’s in terms of line spread and thickness. The zigzag is also more elongated than Jade’s, matching Floyd’s more easygoing personality between the two twins. He’s also more likely to show his full teeth!

Floyd's cupcake goes from gold to teal, but Jade does not do the same or even the reverse. Maybe this hints at how Floyd is the more fickle brother?

Scarabia

Scarabia cupcake liners are color blocked with solid black and a deep red with an intricate golden pattern. Matches their dorm uniforms well!

They have snake biscuits with their names in bold, blocky all capital letters for impact. The biscuit shape suits the Sorcerer of the Sands. The text choice… I’m not sure, maybe to match the “casual streetwear” style of the dorm…? Or the dorm leader’s brazenness and overt friendliness?

Kalim

His earrings have been made into an edible version!

Thumbprint cookies that resemble glistening jewels! This, plus the colorful sugar pearls, represents Kalim’s immense wealth.

There’s a bow tied around his cupcake liner, which matches the cloth he wears around his head in many outfits of his.

The feathers that transition in color are for Kalim’s love of animals and willingness to accept others of all kinds (“colors”). This could also be a reference to his Dorm Uniform vignettes, where he pulled off a trick that made white birds appear to be “rainbow”.

At first I thought the white puffy frosting was to look like the Sultan’s turban, but wouldn’t they make it smoother and resemble one cohesive lump in that case…? Then I realized the white frosting actually resembles a CLOUD 😭 which fits Kalim so well, since he takes his friends out on magic carpet rides…

The red peak poking out of the top could be like… the domed roof of a tower, since there is one both for the Sultan’s palace and in Scarabia dorm. The white sprinkles/coconut shreds on the red part also gives the impression that the roof just poked through the clouds www

VERY tiny detail but if you look closely you’ll notice that Kalim’s cupcake is… lumpy… almost as though he tried baking for the first time himself and messed it up a little, so Jamil took over decorating for him to cover up the mistakes. (That’s headcanon anyway, lol)

Jamil

Jamil’s cupcake is a two-tone twirl thar matches the colors of his dorm AND the turban he wears when he overblots.

We have the classic red feather, three golden orbs, and a thumprint cookie (again, resembling a jewel) to match Kalim’s and to match Jamil’s hair accessories!

The little bits of gold sprinkled around are hard to place but maybe it’s to show how Jamil has to put Kalim first and foremost while his own feelings get dismissed/belittled/treated as less important.

Large chunks of chocolate on top! Not sure what this could be, but a part of me wants to believe it’s his depressive or defeatist traits, since Leona also has chocolate, but scattered. (Can you tell I loved these two’s interactions in book 6?)

Finally, we come to the enigmatic and out-of-place golden squiggle. Someone as meticulous as Jamil couldn’t possibly have intentionally placed that there, right…? Allow me, if you will, to circle back to the “Kalim was trying to bake with Jamil” theory… What if, while Jamil was decorating Kalim’s cupcake to cover up the unevenness of the cake, Kalim tried to thank Jamil and repay the favor by decorating Jamil’s cupcake??? And it resulted in… that squiggle… so Jamil had to roll with it and make the rest of his cupcake look as aesthetically pleasing as possible.

Pomefiore

All Pomefiore names are written in elegant script on a chocolate disc that is also stamped with the stars and moons of their dorm.

The cupcake liners have the same stars and moons pattern and has the colors of Pomefiore.

Vil

Similar to Riddle, Vil has a crown to show that he is the dorm leader. His is, of course, a different design to reflect a different queen (the Fairest Queen, not the Queen of Hearts).

The frosting has a slight gradient which is the same as the tips his hair.

The golden leaves match the leaves on the back of his dorm leader tiara/crown.

There are berries on top; notably, a red one still has a bit of leaf and branch stuck to it, making the berry look like a red apple (you know, cuz the Evil Queen used one to poison Snow White).

Vil has golden dust and two types of round candies evenly dispersed on the cupcake. It shows us how clean and yet elegant his personal style is.

Rook

Rook's cupcake has a very unique shape that is not quite like any other student's. Indeed, his cupcake resembles his hat (note the little feather sticking out of the top purple part) and bangs (the lower yellow part).

The purple part looks like it is made with an extruder and results in a texture similar to the top of a mont blanc; this is probably to help differentiate it from the smoother texture of the yellow beneath. Since the purple is a hat, the texture is most likely to make it seem more "fabric-like".

The yellow part + the color change from yellow to purple may also be a reference to how he was originally in Savanaclaw, but then transferred to Pomefiore.

An edible bow and arrow motif befitting of a skilled huntsman!

The squiggle line here seems to be showing the path of his arrow, which always finds its mark. Additionally, Rook himself is a tricky person and usually employs roundabout strategies or misdirecting ways to achieve his goals.

At the end of the arrow's path is a cluster of what seems to be pomegranate seeds, which seems odd and something more befitting of Idia or Ortho (who have ties with Hades; there is a tale about Hades having Persephone eat a pomegranate fruit which dooms her to spending half of her time in the Underworld). However, I think here the pomegranate seeds are meant to be... like... an artistic, abstract depiction of blood once the arrow strikes its target.

There's blueberries on top, an element he has in common with Vil (someone whom he devotes himself to). The leaves here with the berries tie Rook to the wild, both as a huntsman and has an ex-Savanaclaw student.

Epel

The pale purple color of the frosting is the same as Epel’s hair!

Unlike Vil’s sprinkled-on decorations, Epel’s are not spread out evenly and instead cluster at the top. This may be attributed to their different levels of maturity, as Vil and more knowledgable than Epel, who expresses outdated views on gender and has a limited understanding of the world due to coming from a very rural area.

There’s a fine shimmer on Epel’s cupcake—probably because his arc in book 5 was about learning to appreciate and weaponize his beauty.

Two apple slices because… well, when you think of Epel, you think of apples and the Felmier family business!

There seems to be a little bit of yellow peaking out from the cake? Are those more apple slices or an apple filling…?

The pale frilled strip of frosting resembles a lace collar, something which Epel wears in his school uniform.

Epel is the only member of Pomefiore to have a cupcake which LACKS a blueberry (or really any berries at all). This is a subtle indication that he is the “odd one out” within the dorm, as he, unlike Rook, is not conforming to the standards set by his dorm leader.

Ignihyde

The Ignihyde cupcake liner has the same black and blue geometric look as their dorm uniform jackets.

I don’t know how to really describe the font their names are written in, but the way the letters are cut reminds me of a “Greek” style of text (similar to this).

Their names seem to be displayed on Oreos chocolate sandwich cookies with Ignihyde blue fillings. Counting the parts (2 cookies, the cream filling), there’s three in total, which matches the count of the heads of Cerberus, as well as how many Shroud brothers there are.

Both Idia and Ortho have what look to be confetti cakes as the base for their cupcakes, Because of the dark color of the cake and the bright color of the sprinkles, it creates the impression of stars in the night sky—maybe to reference Star Rogue, their favorite video game.

Idia

The skull-shaped technomantic device Ida uses to launch his magic spells tops off his cupcake.

On either side of the skull device are candies (?) that look like the same light sticks Idia is super into waving around at his beloved idols’ concerts.

The blue frosting is meant to look like his fiery hair!

Idia’s cupcake goes from a red gradient to a blue one. His hair actually goes change color like this based (on his mood), We’ve seen his hair go from blue to red from anger and/or determination and passion in both book 7 and in his Dorm Uniform vignettes.

Ortho

This cupcake seems to represent both the deceased Ortho and the current android Ortho.

Not sure what it is, but there’s something with a cybernetic glowing design that implies a circuit board; this is part of the internal parts which make up robo!Ortho.

There’s some kind of sauce with sprinkles over the top of that layer; this could be the blot that makes up phantom!Ortho, since we usually don’t associate the “dripping” of the sauce with robo!Ortho.

The smaller dollop of blue frosting is Ortho’s fiery blue hair. He’s smaller and younger than Idia, so the flames do not consume the entire cupcake. (Alternatively, this could also be the fire-shaped bottle that serves as phantom!Ortho’s head.)

Under the frosting is a cookie and a thin ring which resembles the ring of glowing triangles that appears around robo!Ortho’s neck. A similar pattern appears around the neck of phantom!Ortho.

This cupcake’s cake is a lighter color than Idia’s cake. It also has a larger variety in the sprinkle colors, maybe as a nod to Ortho’s cheerier and more hopeful personality compared to Idia’s gloomier and pessimistic one.

Diasomnia

The Diasomnia cupcake liners are black with a green briar pattern.

Each student’s name is piped in chocolate, with the third years in white and the underclassmen in what seems to be milk chocolate.

The cupcakes seem to be malformed or sort of puffy like Kalim’s is. I wonder if that means Lilia roped all of his kids to bake with him as a bonding exercise www

Malleus

Malleus’s cupcake goes from Diasomnia green to black (the royal color of the Draconia bloodline), symbolizing the eventual transition he must make from student to king of his country.

The frosting on top is the same colors as he night sky sprinkled with silver stars. Malleus likes to take solitary strolls under the cover of night, so this suits him.

Malleus wouldn’t be Hornton/Tsunotaro without the horns! Of course we’ve gotta include a chocolate version of his iconic horns.

Extra frosting in a bright green; these are meant to be Malleus’s apocalyptic green fire that he spouts.

There’s a purple grape cut into two (I’m sure Rollo would be furious/j) to reveal the green insides. How curious! These colors are also considered accent colors for Maleficent. Another nice detail about the grapes is that the veining of the flesh makes the insides resemble reptilian eyes—like those of a dragon.

Lilia

The frosting is black for Lilia’s hair and has magenta (berry?) sauce to reflect his hair streaks.

Lots of berries (Lilia loves his berry juice) and irregular pink sprinkles or candy shards. It’s cute, punky, and whimsical, just like he is.

Chocolate bats for the bats that swarm Lilia in many animations. He’s also shown taking care of a bat in his Dorm Uniform vignettes.

I’ve been trying to figure out what the whole cream is… My best guess is they’re representing Malleus, Sebek, and Silver??? Silver and Sebek are the smaller two dollops since they grew up and trained together + are the most immature of the group. Malleus is the big, textured swirl on the left—he is older and more powerful than Sebek and Silver. This analogy also works when you consider that these three sit upon Lilia (the cupcake), who is the oldest and serves as the father figure and foundation for their dorm to get along with each other and with others.

I don’t know what that ahoge-like thing is supposed to be or mean—

Silver

His cupcake goes from a deep blonde/yellowish brown to silver. This reflects his hair color change following Lilia’s blessing.

Silver’s cupcake has a very dreamy and cloud-like quality to it because of the abundance of pastel-colored cream. The top of the frosting even droops over, sort of like a head dropping in sleep.

Crushed bits of an aurora-colored candy are sprinkled over the cake. They’re the same color as his eyes, as well as the ring gifted to him by his parents.

Two birds and some mint (?) leaves make up the colors of the Three Good Fairies (Flora, Fauna, and Merryweather). They also speak to Silver’s familiarity with the forest creatures.

Sebek

The pastel green frosting for Sebek’s cupcakes is sloped, and it is the only one styled this way. It may represent his lopsidedly views and understanding of the world, as he is easily one of the most rigid thinking within his dorm.

Many different things are sprinkles on the cupcake; it looks like someone threw them on thinking they would look cool with very little thought or planning. It fits how brazen Sebek is and also (funnily enough) matches his struggle with the arts.

Sebek is the only student with triangular sprinkles; is this meant to look like scales?? Or maybe particles of lighting?

There’s a massive chocolate lightning bolt topping off the cupcake. Nothing subtle or tactful about it, much like Sebek’s personality and voice.

There are two pieces of sliced grape to mimic Malleus’s cupcake. Interestingly, the grape halves seem to come from entirely different kinds of grapes: one green (unlike Malleus’s), the other red (like Malleus’s). Assuming the red half (which Malleus has two of) implies fae heritage (Malleus is full fae), then the green half is one’s human heritage. The grapes, then, denote Sebek being of half fae, half human descent.

Extra

Grim

He has a unique black and white vertically striped cupcake liner to represent Ramshackle dorm!

Grim’s name is written on a cookie that looks like a puffy manga text box. Makes sense, he’s usually being the mouth piece for Yuu when they don’t get dialogue options or even when they do.

Seems to be covered in sanding sugar to achieve the fuzzy texture of fur!

Little wafer (?) shaped like Grim’s tail! And cookies (?) iced to resemble his ears! Two paw prints 🥺 to match Grim’s toe beans… The cupcake truly is made in his image!!

The white shell border is probably a stand-in for the white tuft of fur that Grim has.

[prettymeredith]

Tickle Questions for Lers! 😈

What is your favorite tickle spot?

2. If you were to interrogate someone with tickling, what kind of information or questions would you be looking to get or ask?

3. Tag someone you want to tickle. (If you're comfortable).

4. Famous person you'd most like to tickle?

5. Share one of your favorite reactions you've had from tickling someone.

6. What is your preferred way to restrain your Lee for a tickle session?

7. Is wearing a mask or a costume a thing for you while tickling? If yes, what kind?

8. Most affective tickle tool?

9. What is something you've always wanted to try on a Lee?

10. Best advice you have for other Lers?

11. Best advice you have for potential Lees?

12. What is your least favorite tickle trope?

13. What is the difference between a punishments tickle vs. a playful tickle?

14. What never fails to trigger a ler mood?

15. When did you first discover your internet in tickling?

16. For people who are strictly Ler, why is there a lack of interest in tickling from a Lee perspective?

17. If you're tickle style was a flavor of Ice Cream, what flavor would it be and why?

18. The best kind of Lees are the ones who:

19. What would your ideal "Tickle Room" be like? Aesthetic, tools, equipment, etc?

20. If a Lee is being tickled alone in the woods, does it make a sound?

21. Have you ever made someone snort whole tickling?

22. Do you prefer to have blindfolds? Or have them witness whats coming?

23. What does your ideal session look like?

24. Do you use your tickling as a force of evil or good? Both?

25. If you were a warden of some made up "Tickling Prison" or "Asylum" what are some key rules you have for your occupants?

26. Favorite Tickle Studio?

27. Is it more fun to have another Ler help or do you prefer to work alone?

28. What kind tickle scenes would you like to see more of on your Tumblr feed?

29. What kind of nicknames do you like to use on a Lee?

30. If you could choose a Lee to tickle based off of their occupation alone, who would you choose? (For example, Teacher, Nurse, Police Officer, Politician, etc.)

31. You and a Lee agree to a fixed time for a tickle session. As the final minutes approach, how would your orchestrate your final tickle attack?

32. Is there a public place or setting where you've often dreamed of to tickle somebody?

33. Favorite form of aftercare?

34. Genereally, are tickle scenes in TV and Movies more awesome or kind of cheesy? Depends?

35. For you, who is the one Lee that 'got away' and sometimes reflect about what you could have differently to achieve a different, more desired, outcome?

36. What is the biggest compliment a Ler cab recieve?

37. Of the following categories, tell us if they give off Ler, Lee, or Switch energy: Jocks, Nerds, Loners, Cheerleaders, Goths, Band Geeks, Drama Members, Teacher's Pets, Hipsters.

38. How often do you need a tickle 'fix'?

39. Favorite way to fluster a Lee?

40. "_______ and Tickling goes together like Chocolate and Peanut Butter."

41. What is a popular Movie that you would add a Tickle Scene into and why?

42. Thoughts on Renaissance/Medieval style Tickling?

43. You have to pick one area to NEVER tickle again; whose gotta go? Feet, Tummy, Armpits, Thighs.

44. What is a "Tickle Game" that is fun, or looks fun, to play?

45. Do you like to slowly remove shoes/clothing from your lee or do you prefer a 'blank canvas' to work with?

46. Could you handle tickling two Lees at once?

47. Using a pen to write/scribble things on your Lee, Yay or Nay? What do you draw/write?

48. What is a piece of tickle media you haven't seen in a long time but would loke to see again?

49. Have you ever seen someone with a feather tattoo and wondered if they were into tickling?

50. T.I.C.K.L.E. stands for what?

[blubberquark]

Auto-Generated Junk Web Sites

I don't know if you heard the complaints about Google getting worse since 2018, or about Amazon getting worse. Some people think Google got worse at search. I think Google got worse because the web got worse. Amazon got worse because the supply side on Amazon got worse, but ultimately Amazon is to blame for incentivising the sale of more and cheaper products on its platform.

In any case, if you search something on Google, you get a lot of junk, and if you search for a specific product on Amazon, you get a lot of junk, even though the process that led to the junk is very different.

I don't subscribe to the "Dead Internet Theory", the idea that most online content is social media and that most social media is bots. I think Google search has gotten worse because a lot of content from as recently as 2018 got deleted, and a lot of web 1.0 and the blogosphere got deleted, comment sections got deleted, and content in the style of web 1.0 and the blogosphere is no longer produced. Furthermore, many links are now broken because they don't directly link to web pages, but to social media accounts and tweets that used to aggregate links.

I don't think going back to web 1.0 will help discoverability, and it probably won't be as profitable or even monetiseable to maintain a useful web 1.0 page compared to an entertaining but ephemeral YouTube channel. Going back to Web 1.0 means more long-term after-hours labour of love site maintenance, and less social media posting as a career.

Anyway, Google has gotten noticeably worse since GPT-3 and ChatGPT were made available to the general public, and many people blame content farms with language models and image synthesis for this. I am not sure. If Google had started to show users meaningless AI generated content from large content farms, that means Google has finally lost the SEO war, and Google is worse at AI/language models than fly-by-night operations whose whole business model is skimming clicks off Google.

I just don't think that's true. I think the reality is worse.

Real web sites run by real people are getting overrun by AI-generated junk, and human editors can't stop it. Real people whose job it is to generate content are increasingly turning in AI junk at their jobs.

Furthermore, even people who are setting up a web site for a local business or an online presence for their personal brand/CV are using auto-generated text.

I have seen at least two different TV commercials by web hosting and web design companies that promoted this. Are you starting your own business? Do you run a small business? A business needs a web site. With our AI-powered tools, you don't have to worry about the content of your web site. We generate it for you.

There are companies out there today, selling something that's probably a re-labelled ChatGPT or LLaMA plus Stable Diffusion to somebody who is just setting up a bicycle repair shop. All the pictures and written copy on the web presence for that repair shop will be automatically generated.

We would be living in a much better world if there was a small number of large content farms and bot operators poisoning our search results. Instead, we are living in a world where many real people are individually doing their part.

[rohitdigitalsblog]

 Best Multimedia Iinstitute in Rohini 

[the-dragon-girl-27]

Remember those other 3 times I turned sekai characters into dinos (L/N MMJ VBS) I'm back with more of that crap i know Wanshow fans just looove their AUs so maybe this will appeal to a whole 3 people instead of 2 people this time

explanation for my picks below the cut

Tsukasa is a Styracosaurus because I made Saki a Stellosaurus which is another ceratopsian and also its frill is like vaguely star shaped kinda sorta not really

I don't have much to say about him so can i just mention how awful that Stellasaurus drawing is.

Yeah only recently did i start figuring out how the fuck to draw decent ceratopsians I am so sorry (the struggle is real i almost accidentally gave tsukasa 2 left feet here i swear i know what i'm doing)

I should redo that Saki at some point, girl deserves so much better than that wonkey crap. speaking of ceratopsians i opted out of giving him protofeathers unlike Saki idk they just didn't look right on him you can kinda go either way with most ceratopsians so i just do it when the vibe fits and don't when the vibe doesn't fit

Rui is a Troodon because Troodons are often associated with intelligence because they have the biggest brain to skull ratio of any dino, there's kinda no real way to know how intelligent dinos were but troodon just has the reputation of the smart dinosaur and people often depict them using tools like how crows do and that's like kinda like how rui does robot stuff, he also just fits the raptor shape sorta i feel like raptors have that sorta look to them that is like a similar vibe to the one Rui has, even tho Rui is the tallest character in sekai I feel like he's a mid sized dinosaur, does that make sense? no, but it does to me and i make the rules he's also 100% a feathered dino so it fits

Speaking of Troodon all you 2 paleo nerds reading this are getting war flashbacks from the name Troodon because Troodon itself has a interesting history of being a "wastebasket taxon" which is nerd talk for "scientists just threw a bunch of vaguely similar animals into this one category and didn't consider that maybe this was like 5 different animals and what would be the long term consequences of doing that" yes this is a thing that has happened enough times that there is a word for it

that shit still as of now isn't sorted out I don't think, I at least based my Troodon off the big one from Alaska that literally does not have a fucking name and is just like "the Alaska Troodon". I feel like the size fits and imma be real its the Troodon you see everywhere in media these days because its big and cool and it lived with Pachyrhinosaurus and Nanuqsaurus and also people like it cuz drawing dinosaurs in the snow is fucking awesome (boom i just tricked you into learning paleontology history)

Emu is an Archeopteryx because Emu is supposed to be like a phoenix and Archeopteryx could probably fly or glide or smth it's general considered like "the first bird" so like yeah (now that i think about it i could've made her pyroraptor cuz of the name but also she doesn't fit the vibes of a raptor at all i guess pyroraptor has the whole fire bird thing from its name) Emu would also be a small feathered dinosaur for sure so it fits in that sense too.

Nene is a Stegosaurus because the plates kinda look like her hair thing and her outfit in general and i feel like nene would have those tail spikes for some reason idk it just fits her energy, she'd def be a herbivore as well i feel. Also i personally just associate stegosaurus with the color green personally idk why (at first i was thinking she would be iguanodon because that's another dinosaur that's green in my head but she has like nothing in common with iguanodon lmao)

I guess nenerobo would be an Ankylosaurus than because that would like probably be the logical robot version of a stegosaurus maybe idk would nenerobo exist in this universe, you decide idk

i guess next one is that last one unless i wanna redo the vocaloids in this style or redraw saki at some point or whatever see you whenever that happens in however long it takes

[misfitdollies]

Monster High G3, disabilities, and consistent representation

🕸️

So SS5 was revealed recently and Twyla is one of the ghouls featured in the line up

As expected, she’s gorgeous and I could honestly rave over how much I love her for awhile, but she is missing something, her bracelet!

Twyla has had 4 releases so far and of those 4, only 2 have had her bracelet featured, those releases being Fearbook and Creepover

While the other two releases, Neon Frights and Garden Mysteries both have the bracelet missing from her final doll

“Why is this important? It’s just a bracelet.”

For most dolls, this would just be a bracelet and wouldn’t really be anything noteworthy, but for Twyla, her bracelet isn’t just a bracelet! Many times throughout various G3 media, it’s made very clear that Twyla’s bracelet is a tool for her to help her in stressful, overstimulating situations. When we first meet Twyla in the series, this is actually one of the first things she’s shown doing and is shown multiple times throughout the episode fidgeting with her bracelet, making it very clear it’s something that helps her stay calm. This is something that remains consistent throughout the series, Twyla being shown fidgeting with her bracelet and wearing it.

Yet with her doll releases, this isn’t the case. Now, I’m sure a lot of this has to do with costs and wanting to make sure that things aren’t repetitive within the Skulltimate Secrets line so people don’t get bored, after all accessories are a major part of the line and you don’t want it to get boring by having repeats of the same bracelet over and over, but there are ways to combat this. They could give her a different style of bracelet, after all most of the dolls come with earrings and they don’t ever cut those, they just make them different each time. I think the same could be done for Twyla and her bracelet, because it’s clearly an accessibility tool for her, so picking and choosing when to include it feels like it’s an overlooked part of her designs, despite it being a big part of her character.

I love Twyla and think she is great representation, but I think highlighting this is important too. To feature a character who has a disability and uses an accessibility tool, even if it’s something as simple as a fidget bracelet, only to not consistently feature it on her dolls is disappointing. I really hope we see her bracelet featured more often in future releases, because as someone who uses tools to help me navigate the world with my own disability, it means a lot to see a character I relate to do the same.

I don’t think it’s something done maliciously and I love that the team behind Monster High has clearly handled making Twyla autistic with nothing but love, but I think highlighting things like this to open discussion is good too and makes room for improvement and education on things like disabilities, neurodivergence, and the importance of good representation.

[ganondoerfli]

Happy HxH BigBang 2024, everyone!

I had the absolute pleasure of creating these two art pieces for the wonderful @clood's Leopika fanfiction - "right number" !

Art media and tools used: For Leorio's piece: -> Alcohol markers (Ohuhu Honolulu) -> Black ink pen (Faber Castell Pitt Artist Pens) For Kurapika's piece: -> Watercolor paint (Royal Talens: Van Gogh - 24 half pans set) -> Watercolor paper (Van Beek - 300 g/m², 140 lb) -> Colored pencils, oil-based (Faber Castell Polychromos)

Keep reading if you're interested in detail photos and/ or if you're interested in me rambling about my thoughts and ideas while creating these pieces. :)

I may have gotten a little bit artsy with this project.

While thinking about what kind of general feeling I wanted to convey, I came up with this idea of making a sort of three-dimensional art piece, that you would look INTO.

I wanted the feeling to be like: 'These two people live in two different worlds - each in their own box'. As an outside viewer, you'd literally get a glimpse into their little worlds.

Going from that idea, I wanted to make them both contrast very strongly.

Leorio's piece, I wanted to make very moody: - dark, warm colors - strong shadows - pop-art style - alcohol markers as an art medium

Kurapika's piece, in contrast, I wanted to be very calm: - light, cool colors - soft art-style - translucent watercolor paints as a medium

The sweet @ayellowapple really encouraged me with my idea. Thank you so much, my friend! I appreciate it a lot ♥️

But also, I am SO relieved it all worked out.

A huge thank you to all participants for making this whole event so exciting and fun. As well as, of course, to the amazing mods @hxhbigbang24 who really keep putting their souls into the making of this!!

I am so happy I got to be part of everything! ♥️

[preservationofnormalcy]

[It is January of 2022. I’m entering a wing of the DC Office site that looks older than the others. The carpets are a strange brown, vintage looking, and the lighting casts an almost yellow pallor over the wood paneled walls. I can practically smell the cigarettes. I pass by an empty room labeled “social media office” - boxes piled up by the door. Maybe they’re going to be using it soon. They’ll need it.

I approach a door labeled Necrocommunications, knock lightly twice, then enter. 

I am greeted with the sound of a voice drifting softly across the room. A few chairs and tables sit around me, the same vintage style as the hallway before, the same browns and yellows. A high desk is across the room, and a woman is seated at a control panel. She has black curly hair, done up in an old fashioned style, a polka dotted blouse, and though she’s facing away from me, I can see the edges of cats-eye glasses. 

The panel she’s working at is huge, and resembles the type of switchboards they used to use in the ‘50s, dozens of physical wire connections crisscrossing the device and attaching via plugs. The woman has a headset, one ear covered in a bulky speaker, with a microphone near her mouth. She speaks casually, with an incredibly heavy New Jersey accent.]

I] Oh, him? He’s circled, babe. Taken as hell. Mhmm. And he still asked you? Ain't that a bite. So now you know he’s out of the question and yarding on. Dodged a bullet, hun.

M] Irene? 

I] Oh, god, hold on. My appointment is here. Yeah. I’ll call you later, beautiful. Caio. 

[She hung up the call, taking her headset off and turning to me. She looked like she was straight out of my grandfather’s high school photo album, including the color. Her skin was almost grey, it was so pale, but she didn’t seem like she was sick. She looked me over with a smirk and a raised eyebrow, leaning forward on her desk.]

I] Well, hello Miss Meghan Hendricks. What can I do for you, sugar? 

M] I’m here to interview you for my audit, Ms Donofrio. 

I] All business, aincha? 

M] This is my job.  

I] ….yeah, you’re right. Sorry. I don’t get cute visitors much. 

M] Right. 

I] Pull up a chair, hun. 

M] I’ll just stand. This won’t be long. I came here because of your Occult Communication Tools poster. 

[She sits back with a dramatic sigh.]

I] Yeah, took me forever to convince them to let me do that. We had agents using spirit boards, pendulums, casting runes, tarot cards, ghost boxes, all kinds of shit they brought from home. Bought from Walmart, or worse, a thrift store. I was always telling them, honey, baby, you gotta use our stuff, we maintain it, we disinfect it of ectoplasmic residue, lockout-tagout procedures, the works. It’s so, so unsafe to use anything but our tools. Sure, you gotta do paperwork when you check it out, but it’s better than somethin’ following you home…

M] Right into it, I guess. That’s what Necrocommunications does, right? Talk to the dead? 

I] You bet, sugar. The dead, demons, angels sometimes when they ain’t on our plane or in realspace. Other little spiritual twerps and bugaboos. 

M] I’ve been asking this a lot in the last few months, but…you can do that? Consistently? 

I] Consistent enough to make it worthwhile. S’not perfect. Fails most of the time, depending on who you’re calling. 

M] How so? 

I] Well, some people don’t wanna be called. Some people are chatterboxes. We got a list of likely contacts who we suggest people contact, but…we do other people sometimes, too. Always worth a shot, I say.

M] How does it work? 

[At that, Irene winced slightly and wagged her head from side to side.]

I] We got theories, but more importantly we got procedures. We know different things work for different people. Sometimes it’s cultural. The method that contacts Mr Smith may not work for Mr Chan, y’know? 

M] It’s mostly for information gathering, then. Like the Board of Infernal Affairs.

I] Information gathering’s a big part of it. Someone died with a secret? See if they got loose lips now. Also, y’know, helps with hauntings or gettin’ rid of little jerk spirits. 

M] You mentioned disinfection….

I] Yeah, yeah, there’s….risks, y’know. Sometimes the person you contact ain’t a fink, you know, and they start a whole new haunting. Sometimes one spirit’ll lie and say they’re another. Then they follow you home, start leeching your energy. Happens less when we cleanse the tools. Which is why there’s procedures for this, and every Office staff member in the building is trained on at least the basics.

M] Is it….is it only for Office personnel? Is it something I could…

[Irene’s face grows into a playful smirk as she hears the hesitation in my voice, leaning her face in her hand.] 

I] You got fifty cents? 

[She leads me into a back area of the office. Lining the walls in storage containers are row upon row of spirit boards, each box with a paper listing the dates each was used and then cleaned, along with the name of the person who did it. There are other items, too - pendulums, bags of runes, spirit boxes like you see on ghost hunting shows, and other devices and artifacts I don’t recognize. Irene’s attention, however, is on a phone booth at the end of the room. It’s clean but battered, clearly old and used. It has no door, but an open front, and above the phone itself is a depiction of a figure on a boat, with one word beside it: “Charon.”]

I] We confiscated these in the 80’s. It’s easier to use this one than have to sign out spirit board, y’know.

M] Weren’t you just complaining about that?

I] I complain about a lot of things, sugar. 

[I approach, standing before the phone in disbelief. Irene senses my hesitation.] 

I] Put in the money, then use the keypad to type out the person’s name. It’ll take it from there. Who you gonna call? Grandma? Mom?

M] My brother. 

I] Ah. Shit, honey.

M] He died in California. Two summers ago.

[As I reach for the receiver, I see Irene’s face freeze in some sort of concern.]

I] H-honey, that…was he in—

M] Yes. 

[I put my hand on the receiver, and I feel her hand on mine. She’s cold. She’s so cold and clammy that I jump slightly and look her in the eyes. Her face is sorrowful and scared, searching me.]

I] Honey…you won’t be able to—

M] You said—

I] If he was in…there’s no one there, sugar. He’s gone. 

M] I know he’s gone, but you said I could—

I] No, no, he’s…if he was…he’s gone, gone. There’s nothing left of him. You can pump quarters into that thing all night long and you won’t get anyone.  

M] H…how? I was…I was on the phone with him when it—

[As I watch, her eyes go wide, and she covers her mouth.]

I] Th-that’s how you remember, isn’t it? Thought you were just…in the Office but you hadn’t known about…that’s how you remember.

[I let go of the receiver. I can’t feel my fingers. I’m shivering, but not from the cold.]

M] I know how I remember. What I want to know is why everyone else forgot.