#and truly appreciated

[residentdormouse]

Hello! This is your chance to answer this ask with whatever you'd like to talk about right now! Whether that be a story you're working on, something you're excited or worried about, your current book/movie/binge-watch, or a cool bit of trivia you think the world should know.

AHHH Thank you!! 🥰🥺😭 This is incredibly nice, and I can't help but feel like I may have an underwhelming response.

I have found myself in a bit of a creative slump since finishing ‘Diving’. As with any good hyperfix, I never expected to get so caught up in the Stand and its characters (it's all from Glen, let's be honest), and now I'm in year two of being solidly focused on this. One of my longest fixes to date (maybe second to GoT - for Tyrion - but that also had new content coming out regularly to help extend).

Honestly, I expected to get to the end of ‘Diving’ and be ready to move on to the next thing. Hell, I was scared I was going to lose focus and not even finish it, as much as I told myself I would not do that. Usually, my fixes last a year, and while I don’t put my blorbos in a wet box on the side of the road, they usually fall into the background and pop in on occasion, while another fix takes the forefront. But these guys are not leaving my head. Canon and OC alike. They don’t want to leave, and to be fair, I love them and don’t want to see them go. So I don't know if that means another sequel, spin off, a bunch of one shots.... I truly don't know.

With the Stand still taking the wheel (again blaming Glen), I had started into a cross. Picking up at the end of ‘Diving’ and heading to a new world (True Blood) but I'm struggling on the idea still. I have a few pages typed up, and one sketch*. But it's hard to find motivation. And again, being up front, I don’t know if it's even worth it. I know, I know. Write for me. But it is incredibly frustrating to work in a vacuum, and it's hard to push myself when I know there's little chance of anybody reading it and getting enjoyment from it. Truth be told, I almost stopped writing Spiral until an out of the blue amazing comment from @anths-girl gave me the motivation to go on. I am eternally grateful to her, and she has no idea of the positive effect that had on me.

And that’s where I’m at. Until motivation hits me right, I've just been reworking Spiral chapter by chapter (damn the typos... What was I doing?!? You’re being sloppy, girl. Just sloppy.) I also started sketching out a few of my favorite scenes from it, although I feel my skill level is nowhere near where I'd like it to be. Unfortunately, all of this, it's just not scratching the itch the way writing it the first time did.

So here I am. Stuck in limbo. All I can really do is hope inspiration strikes me soon, and in the meantime, I'll keep putzing about in an attempt to find something that strikes me during the process.

But that truly is a shitty ramble in response to a very lovely offer to have the floor to speak openly. So, while it is in no way finished, I guess I can share the sketch I’ve been working on for that cross over I mentioned. I’m still not happy with it, but I feel bad just coming to this with my nonsense, and offering up nothing but sad words.

*True Blood/Stand/OC nonsense below the cut

I need to get the features adjusted, especially on Sam, but it's getting there. Slowly. So slowly...

[kimdokjas]

though the movie might be cancelled, yuri on ice will live forever in our hearts. thank you yoi fandom, it's been real ♡

[gotchibam]

Commissioned piece for @sinelanguage! 😼🔪

[venusaur-propaganda]

Drawing Venusaur with every Pokemon pt. Venusaur!

[lesbianballofgender]

Happy 55th birthday to our feral, light and fluffy, serious actor and truly just the nicest person: Michael Sheen!!

[keferon]

Did you think I was done? Ahahahaha no, I have more.

Because chapter 70 of MOMU gave me the very dynamic between them that I missed so much, I just blacked out and started drawing uncontrollably lmao

Also. ALSO. I noticed a while ago that Prowl has the habit of..like…constantly frowning. So. I did a bit of research and made this graph.

In 70 chapters, Prowl frowns rougly 104 times. And the intensity of this gesture is very clearly correlated with the development of his relationship with Jazz, as you can see ahahahahah It might be wrong tho don’t take me seriously I’m not good with graphs

[poorly-drawn-mdzs]

(Accidentally mis-clicked enter on my last ask. Here's the full "ask")

What he says...

VS What I read...

("us" as in him and WWX, not the spider just to be clear)

They should make an adaptation called 'The Unfiltered', where Lan Wangji says exactly what's on his mind.

[tim-drake-scholar]

Hey idk if anyone else needed this but hey look at Bruce not just giving his approval, not just giving affection, but truly appreciating Tim Drake and everything Tim has every done to help Bruce/Batman. I just think it’s nice

[katsu28]

home is wherever you are

pairing: charles leclerc x reader

summary: secretly falling in love with your best friend is tough. secretly falling in love with your best friend who also happens to be your roommate is even less than ideal. the solution? move out! (hint: it isn’t a very good one.) (5k)

warnings: angst with a happy ending, a smidge of google translated french lol

a/n: CHARLES LECLERC!!! CHARLES LECLERC!!!!LECLERC!!! LECLERAUGHCOUGHCOUGH

“I still cannot believe you’re abandoning me.” 

Charles shoved another box of your things into the boot of your car rather huffily, as if to reiterate just how unhappy he was. 

“I’m not abandoning you, I’m moving out of your apartment.” You sighed, rolling your eyes playfully at him. You passed him the last box off the ground, wiping your hands off on your shorts before propping them on your hips. 

“That is quite literally the same thing.” He mirrored your stance in total seriousness, frown unwavering. “And it’s not my apartment, it’s yours now too. Your home.” 

You’d been living with Charles for a while now, having been suddenly evicted from your own place three, almost four years ago. With nowhere else to go, you’d turned to your best friend, and Charles had welcomed you with open arms, giving you a home when you’d needed it most. 

There were many good things about living with Charles—he liked to cook (which boded well with you, seeing as you were no master chef yourself. Except for when he’d gone through a questionable phase of combining cuisines that did not go well together.), he was respectful of set boundaries and agreed upon rules. You had the same taste in shows and movies, which made for little fighting when it came to deciding on what to watch. 

But most notably, he loved to play the piano. It was a hobby he’d picked up during long days spent staying at home, and he was good at it too. An electronic keyboard when he’d first started out, just to see if it was something he was serious about, but as he zoomed through the basics with ease, he’d splurged on a gorgeous white piano that stood proudly in the living room. 

Soon enough, it wasn’t unusual for the apartment to be full of music, beautiful songs of Charles’ own composing. 

He played whenever he had the feeling. Whenever he had something on his mind, whenever he was bored, anything, he’d spend hours at the piano, playing, playing, playing. Some might’ve called it annoying, but not you. You found it rather soothing. 

It had very quickly become a habit of yours to fall asleep listening to Charles play. Something about it seemed to always relax you just enough to the point where you could pretty much fall asleep anywhere if he was at the bench. 

Your favorite spot was on the sofa with a big blanket, watching him get lost in the notes until you drifted off. More often than not, you could rarely get a good night’s sleep without Charles’ accompaniment—your very own version of white noise. 

But truth be told, this past year of living together with Charles had been trickier than the first couple. You couldn’t pinpoint the exact moment things began to change, but something had definitely shifted between you. 

You’d been trying to write it off just the two of you being very close, but you’d been dancing on the line of close friends and more than friends for a long time. Falling asleep together cuddled on the sofa, lingering touches whilst you were in the same room and in passing, hugs that lasted a little too long to be considered normal. 

The more your feelings for Charles grew, the more worried you became. Worried about what, you weren’t exactly sure. All you knew was you didn’t want to lose the longest and best friendship you’d ever had because you went and fell in love.

“I know. But I think it’s well past time I get out of your hair and try being on my own for once.” You said softly, stepping in to fold yourself into Charles’ arms. 

Most of that was true. You did feel like you needed to live by yourself for a chance, to see what it was like to be fully independent in your adult life. You’d moved in with Charles when you were twenty two, and you were twenty five now. It was time for you to venture out on your own. 

But the uncertainty of falling in love with your best friend was definitely also a contributing factor. 

He made a displeased sound at your words, but tucked you under his chin nonetheless. “I don’t want you to get out of my hair. My hair likes it with you here.” 

“I live fifteen minutes away, Cha. I’m not moving across the country. You and your hair can come over anytime.” You scoffed, giving him a gentle poke in the ribs. “And I’ll come over here all the time too, you know that.” 

“Fine, fine. I don’t know what I am supposed to do with your empty room now, but I’ll figure it out. Maybe I will take up scrapbooking. Knitting. Needlepoint, maybe. Turn it into a craft room.” 

“Maybe you can turn it into a music room. Move the keyboard in there, your piano.” 

“Ah, bien entendu, my piano. How will you ever fall asleep without my sweet, sweet melodies?” 

“I think I will manage just fine.” You chuckled. 

Charles held you at arms’ length, dark brows furrowing as he scowled. “What I’m hearing is you don’t love me anymore.” 

Oh, if only he knew. 

You smiled instead, patting his cheek good-naturedly. “Come on, you drama queen. I want to move in before the sun goes down.” 

Charles went full protection mode the second all your belongings had made it safely inside the apartment, intently checking every lock, window, door hinge, cabinet—not an inch of the apartment went uninspected by him. When he seemed fairly satisfied with his safety checks, he returned to where you were unpacking kitchen items over by the oven.

“Everything up to your standards?” You asked, pulling out a stack of plates wrapped in brown paper. Charles shuffled over, easing them out of your hands and unwrapping them to help put them up in the cabinet. “No one is going to break in through my window tonight?”

“Don’t even joke about that.” He grumbled, chucking the balled up paper at you gently. “Everything I checked is fine. You will be safe here.” 

Food was simple when it came time for dinner—takeout on the floor of your living room, because you hadn’t had the time to go shopping for a coffee table yet. Or a dining room table. Or even chairs, really. All you had were some pillows and an overturned cardboard box to put the food on. 

Charles had insisted on helping you furnish the whole place before you moved in but you’d declined, saying that you wanted to get a feel for the place before filling it with everything. The last time it would be this empty would be the day you moved out. 

He seemed a little quiet the rest of the night, but you didn’t press it until after dinner, whilst he was helping you with the washing up. Well, helping was a strong word. 

“You’ve been drying that plate for ages now.” You observed, tilting your head at him thoughtfully. Charles inhaled sharply, shaking his head like he’d been snapped out of a stupor. He glanced down at the completely dry plate, then back up at you blankly. “What’re you thinking about?” 

“You’re really going to be gone.”

“You say that like I told you I’ve only got days to live. I won’t be gone, Cha. I’ll be around.” You chuckled, flicking dish soap bubbles in his direction. Charles responded by flinging his towel at you, cracking a smile. You liked it when he smiled, hated it when he frowned. He was still unfairly attractive, but it wasn’t Charles’ scowl that made you fall in love with him. 

“We can spend the day together anytime, you can come over whenever you want, and if it makes you feel any better, I will give you your very own key.” 

That seemed to put him a little more in higher spirits. 

 “What will you ever do without me?” He wondered out loud, feigning a thoughtful expression. 

“Probably clean up a lot less. Be able to take a shower without running out of hot water halfway through. Oh! Have a bottle of shampoo last more than a month because someone—not naming names, of course, won’t use it because they’ve run out of theirs. Not have to fight for—” 

“Alright, alright, I get it!” Charles huffed, grabbing you by the shoulders and promptly shoving your face into his chest to stop you from talking. 

You grinned against the softness of his hoodie. “Shall I go on?” 

“No, no you shouldn’t.” His hold on you loosened, but you stayed right where you were, wrapping your arms around his torso. “Just admit it. You’ll miss me.” 

“I will miss you.” You said softly, pressing your cheek into the crook of his neck. If there was something Charles was unbelievably good at (besides literally anything he’d ever tried), it was giving the best hugs. Something about them made you feel safe, like nothing and nobody could ever hurt you as long as you were in his arms. 

“You already know how much I’m going to miss having you around.” 

“Yeah, I am pretty great.” 

A laugh rumbled through his chest. “You are.” 

“You’ve been the best roommate I could’ve asked for. Thank you for everything.” Your words were muffled between the two of you, and you were glad for it, because he didn’t seem to notice the waver in your tone. But he did squeeze you a little tighter, so maybe he did hear you. “I love you, Cha.” 

Charles’ voice seemed to waver just a bit too. “I love you too.” 

“Okay, okay, you really need to leave. Go before I change my mind and make you stay.” You blurted, pushing him away playfully. It was better than letting him see you get emotional. 

“Is that a promise?” 

“No, it’s a threat. Go home. I will see you soon.” You gave his hand one last squeeze, nodding reassuringly to rid him of the crease between his brows. “Don’t worry about me. Go, get some rest.” 

It was only then that he seemed satisfied enough to leave, but even then, he cast another backwards glance towards you on his way down the hall, as if he was waiting for you to beckon him back. You just smiled as best you could. 

You’d get over it. You had to. There was still a lot you needed to get done before you called it a night. 

It wasn’t until you were getting ready to go to bed that you started to feel lonely. You and Charles had your respective bedtime routines, but they always intertwined. 

You never liked being the one to turn off all the lights in the apartment because the switch was at the end of the hallway opposite from your bedrooms, so he knew to do it because you hated running back through the darkness after flipping the switch. 

He always filled a glass with water for late night sipping, but never remembered to actually bring it to his room until he was already in bed, so you always grabbed it for him so he wouldn’t have to make the trek back out the kitchen.  

The bathroom counter was where you’d find each other the most, terrible jokes and funny stories told muffled through toothpaste bubbles, even though you could’ve just waited until you were finished to tell each other. You’d flick water at him as you washed your face because he took up too much space at the sink, he’d turn off the tap in retaliation, things like that. 

Sometimes Charles would stay up later playing video games with his friends, or take some extra time to practice piano, so you wouldn’t get to do your well oiled machine routine, but he’d always take the extra second to pop into your room to say goodnight when he heard you bustling around, even if he was in the middle of something. 

The times you fell asleep on the sofa to Charles’ playing the piano, he’d camp out at the other end of the sofa for the night, or at the very least made sure you were covered with a blanket if he went to sleep in his own room. 

It was something you’d grown accustomed to over the years, oftentimes the well-needed end to a not so great day. Charles never failed to put a smile on your face, even with something as small and mundane as a bedtime routine. 

But there was none of that as you ran through your routine this time. 

You didn’t hear him shuffling around over in the other room, the muffled sounds of his shouts as he played his games, and most of all, you didn’t hear him and his piano. 

Because there was no Charles. Of course there wasn’t. You were in this new place that you hadn’t had quite nearly enough of a chance to get used to yet, alone, and it was finally settling in. 

Suddenly moving out and away from him seemed like the worst decision in the world. 

You knew it was only the first night. You had to give yourself a chance to reacclimate, and that would take time. So you inhaled a deep breath, trying to get as comfy as you could for a long, probably sleepless night ahead. 

It was nearing four in the morning when you finally decided to give up and call Charles. Part of you thought he might not even pick up the phone, because he was probably asleep. Any sane person would be sleeping right now. 

Much to your surprise, he answered on the second ring. 

“Why are you awake?” You asked, maybe a bit harshly. 

“Um, you are the one who called me? Why are you awake?” He replied, groggy voice still teasing. His accent always grew thicker when he was sleepy. You thought it was adorable. “You cannot sleep, can you?” 

“...No.” Your voice grew smaller. You felt embarrassed at the fact that you couldn’t even make it one full night without Charles around. “I just…I wanted to hear your voice, I guess. I miss you already, Cha.” 

Charles fell silent for a few moments, the only sound on his side of the line being his gentle exhales. “I miss you too. Do you want me to come over? I can stay the night, if you want.” 

“No. No, you don’t need to do that.” You said softly. “Can you just talk to me?” 

This was also something that had become somewhat of a ritual when either of you couldn’t sleep. 

You’d tiptoe into each other’s rooms quiet as a mouse, slipping into bed beside the other. Charles always stirred when he felt the bed dip under your weight, half asleep but still reaching out to pull you against his chest like it was second nature. On the occasions when he came into your room, you’d feel him tuck himself close to you, nosing against any part of you he could find with a content sigh. 

There was no rhyme or reason to the things you’d talk about in those moments, but eventually, somehow, you’d both end up asleep, usually fairly quickly. Maybe it was the extra added comfort of each other that helped, you could never tell. 

It wasn’t unusual to wake up a jumble of limbs tangled together, and neither of you ever addressed it either. Just went on with your business as usual, never talking about it because it was just something you did. To help each other sleep, of course. 

Another thing that really blurred the line between friends and more. 

Charles hummed a noncommittal sound, soft and fond like he always was around you. “I’ll do you one better. How about I play some music for you?” 

“Yes, please. Thank you.” You sighed, relieved. He knew what you needed without you even having to ask. 

You heard him get up, footsteps padding along until there was a thud and some shuffling coming from Charles’ side. A few warm up scales in and you were already feeling a little less anxious, letting yourself get comfortable. 

“Any requests from the audience?” 

“Been working on anything new?” You yawned, nuzzling a little deeper back into your pillow. 

“I have, actually. It’s still—fuck, how do you say it…a work in progress?”

“Anything you play is perfect.”

“You flatter me.” He snorted. “Alright, here goes nothing.”  

He began to play. You knew jack shit about music, so there wasn’t much you could think of to describe how it sounded, but you could describe how it felt. You could almost feel the emotion pouring from his playing, even through the scratchy quality of the speaker. 

It felt like something you’d hear in the background of a movie montage, lilting and delicate and warm notes swirling together to create a bright melody, and you couldn’t help but let your mind wander. 

Memories of good times with Charles flashed through your head—all the long days and even longer nights you’d spent together because you thrived in each other’s company, cooking together, binging Netflix shows until you both passed out on the sofa. 

Hushed laughing during dinners at fancy restaurants that Charles could get into by flashing his name, soft conversations accompanied with expensive food and even more expensive wine. 

Day trips up the coast with the top down on the car, pushing the speed limit just to feel an ounce of the freedom that it could give you. Walking through Monte Carlo on late night gelato runs, switching flavors because you both enjoyed each other’s choice more than your own. 

Most of all, you thought of the love you felt for Charles, ever since you’d first met him. You’d never been one to believe in the concept of soulmates, but fuck, it was so easy to think of him as yours. Never had you felt as much for someone as you did for him. 

God, why were you even thinking of those things? 

It would never happen. Any love that Charles had for you would be strictly platonic, limited to however much one could love their best friend. 

Surely he’d drawn inspiration from something else when he’d composed the beautiful piece. You weren’t sure if you wanted to know. 

Soon enough, you’d drifted off like you always did when Charles played, coincidentally right before he came to a lingering stop. 

Had you been awake, you would’ve heard him say that the beautiful piece had been inspired by you. Instead you were fast asleep, still none the wiser to anything. Maybe it was a good thing. You might not have believed it if you’d heard him. 

-------

Charles was on your doorstep first thing in the morning, coffee and pastries in hand when you opened the door for him. 

“Hello, good morning, your savior is here. And with breakfast!” He chirped, coming to just enough of a halt for you to slide an arm around his shoulders in a hug and grab one of the drinks out of the tray before he swept past you.

Bright morning sunlight poured into the open area, washing the whole place aglow. A warm breeze floated in through the ajar window, rattling the shutters only slightly, and you could hear the all too familiar sounds of the city in the morning coming from the streets below. It was a gorgeous picture of peace; one of the apartment’s many fun quirks that convinced you to go for it in the first place. 

The only thing that might’ve rivaled the beauty of the moment was Charles standing at the window, leaning against the sill drinking his coffee while the breeze ruffled his hair. His back was to you as he checked out the view, but even the mere image of him here was nice. 

You sipped your own coffee, smiling to yourself when you realized Charles remembered exactly how you took it. You didn’t even need to look inside the bag to know they were your favorite pastries from the bakery down the street from your former apartment that both you and Charles loved. He was always thoughtful like that. Things like remembering your favorite foods and drinks, and going out of his way to get them as a little pick-me-up. 

It seemed wrong to ruin the moment, but you felt like you had to say something. 

“I’m sorry for waking you up last night.” You sighed, taking a cross-legged seat on a pillow. 

Charles turned away from the window, shaking his head quickly. He took a seat on the floor next to you, long legs stretching out towards your crossed ones to nudge a sneaker against your socked foot. “There’s nothing to be sorry about, I’m glad you called me.” 

“Right, but it’s kind of pathetic, isn’t it? First time on my own and I didn’t even last a whole night.” 

“Not pathetic.” He insisted, entirely firm in his words. He set his cup down as if it could strengthen his point. “It is a change, definitely. You can’t expect yourself to get used to such a big change immediately. It takes time, you know.” 

You messed with the lid of your cup, picking at the plastic with a scowl. “I know. But I can’t always come running to you whenever I need help. It’s not fair to you to have to keep rescuing me every time I need saving.” 

“Okay…” He trailed off, stretching out the last syllable in confusion. “I feel this is about something more than just last night. We can talk about it, if you would like?”

“I don’t know what it is.” You huffed. “I thought I was ready to be on my own, but maybe I’m not. Maybe I don’t know I’m doing and I’ll never figure it out, and—” 

“Whoa, whoa, slow down. Where is this all coming from?” 

“I don’t know,” You repeated, bordering on a whine. “But what I do know is that I can’t always keep relying on you for everything. It’s not good for me, or for you.” 

“You know, you could always just move back home if you’re truly not ready to do things on your own.” Charles offered, taking a casual sip of his own drink.

Home. He said it so casually, like home was with him instead of this new place you’d chosen to make yours. In a way, Charles was your home. Safety, comfort, love—all the things that made something home, you felt with him. 

That was the problem. You didn’t feel right relying on him for all those things, not without him being aware of how you actually felt about him. It seemed like too much of a burden to put on a friend, even one as perfect as Charles. 

His eyes met yours over the rim and he shrugged. “I still don’t know why you were so insistent on moving out in the first place.” 

You sighed, again. There weren’t many ways you could make yourself any clearer. Other than telling Charles one of the real reasons why you had to leave, which again, was more of a last resort (hopefully not at all) type of thing. “It was time—” 

“It was time for you to venture out on your own, yes, I know. But it doesn’t seem to be working out so well right now, does it not?” The last sentence seemed to slip out of Charles’ mouth before he knew what he was saying, because his mouth snapped shut right afterward. “I’m—I’m sorry, I didn’t mean for it to come out like that. I don’t want to argue.” 

But what had been done was done, what had been said was out there for you to know. Your coffee suddenly left a bitter taste in your mouth, and the traffic from outside became glaringly loud. The once peaceful atmosphere had been shattered now that you knew Charles’ true thoughts on it all. 

You stood up, letting your feet take you across the room from him. “No. Tell me more, Charles. Tell me how you really feel.” 

His nose wrinkled at the use of his full name. You never called him Charles unless you were upset with him, which wasn’t that often. Even hearing it come out of your own mouth seemed foreign. 

That seemed to change his reaction, because he stood too instead, doubling down on his words. “Okay. Yes, that is how I feel about you leaving. You barely even talked to me about it, and the next thing I knew, you were packing all your things into boxes! I didn’t understand where this—this sudden desire to leave came from. I still don’t.”

“You don’t have to understand it. It’s already done.” 

“Did I—did I do something wrong?”

You almost faltered. Almost.

“Did you ever think maybe me wanting to leave had nothing to do with you?” 

“Honestly? No. It feels like it has everything to do with me. It feels like you moved out because you didn’t want to be around me anymore!” Charles exclaimed. “And I have kept my mouth shut, I’ve been trying to be supportive of your decision, but I think I have a right to know. Am I why you wanted to leave so badly?” 

“That’s…part of it.” You admitted. Charles froze, brows flying up towards his hairline. “But not because of anything you did. Not because of the reason you’re thinking of.” 

“I don’t really see any other explanation. And I am sorry, but that is a shit excuse. I would’ve thought that you of all people would tell me the truth.” He didn’t sound angry, just disappointed and a little hurt. Somehow that felt worse. You’d rather him be mad at you than hurt by you. 

“I didn’t want to move out.” You said firmly. 

“Then why did you?” 

“I had to! I—I couldn’t live there anymore.” 

“But why?” He sounded desperate, begging for you to clue him in to any reason, anything at all that would help him understand. And god, as scared as you were of changing things by telling Charles how you really felt about him, you were infinitely more scared of losing him for good if you didn’t. 

“Because I’m fucking in love with you, Charles!” You blurted, finally. “I couldn’t live with you any longer, keeping this huge secret all the time, because it truly made me feel like I was about to explode. I just couldn’t do it anymore—pretend like everything was alright when every time I looked at you, all I could think about was how I felt about you! How much I felt for you.” Your voice rose with every word, emotion lacing your tone. 

You could feel the tears burning your eyes, threatening to fall no matter how much you willed them not to. “I just thought, maybe if we lived apart, if we didn’t see each other all the time, maybe those feelings would go away.” 

Charles blinked at you slowly. He scrubbed a hand over his cheek, across his mouth, letting it disappear into the neckline of his hoodie as he continued the motion near his jaw. Still, he said nothing. You weren’t sure if it was a good sign or a bad one, but still you continued. 

“So no, it wasn’t because of anything you did. Or maybe it was, for making it so fucking easy to fall in love with you. I don’t know. I’m sorry if I made you feel like you couldn’t say anything to me, but I’m not sorry for making the decision on my own. It was for the best.”

There it was, out there in the open at last. It felt like a proverbial weight lifted off your shoulders, but at the same time like a thousand rocks sinking to the bottom of your stomach, because he wasn’t saying anything. Maybe this was it. Maybe this was how you’d fuck up the best friendship you’d ever had. 

Charles was silent for the longest time before he replied, and when he did, his voice was quieter than you’d ever heard it before. It felt unnerving. “You could’ve just told me.” 

“Told you?” You had to fight the urge to let out a bitter, watery laugh. “Telling your best friend you’ve fallen in love with him isn’t just something you mention at the bathroom sink one night.” 

“It is, if he feels the same way about you.” 

A coldness crept down your neck, shooting through your veins like you’d just had a bucket of ice cold water dumped over your head. 

“No you’re not—you don't...you can't.” You whispered, disbelieving.

Charles’ brows furrowed in confusion. “What, do you want me to prove it?” 

You couldn’t give him an answer even if you wanted to. You weren’t sure if you could trust yourself to say a damn word, just in case this was all a dream and you'd wake up any second, still alone, still without him there.

He must’ve taken your silence as a yes to his question, because he crossed the room in three strides, took your face in firm hands, and he kissed you. 

Despite your utter shock, you managed to kiss him back clumsily, fingers curling into his hoodie tightly. Charles kissed you like he was afraid to let you go, like you’d slip through his fingers if he wasn’t careful enough.

A guiding hand curled around the back of your neck, angling your head so he could deepen the kiss, but only for a few seconds before he broke away, panting. His forehead stayed pressed against yours, soulful green eyes boring into your own in total seriousness.

“Do you believe me now?” 

“Maybe.” You breathed, letting your nose bump against his gently. This was not a dream. Charles was real and here and one hell of a kisser (just as you suspected).

“I am in love with you.” He murmured, stroking his thumb over your cheek fondly. “I have been for a long time. And I never thought you would feel the same way.” 

“I love you, Cha.” You were suddenly brought back to last night, when you’d uttered the same words to him. Only this time, they had a whole different meaning to them. 

This time, you knew Charles loved you in the same way you loved him.

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[randomness-is-my-order]

while i’m on the topic, it is very hilarious and also very insightful that mxtx actually plainly tells us how anyone else except wei wuxian would have fared without their golden cores/spiritual powers by putting thousand-plus cultivators in exactly that situation during the second siege. the way they all absolutely lose their shit, fumble around, lose coherence of thought, see-saw between decisions and become, essentially, helpless and useless is eye-opening. hell, jiang cheng ends up so affected that jin ling is able to manhandle him into the cave. the cultivators from the biggest clans aren’t able to come up with anything to save their asses and it takes shizui to point out the array for them to even consider it as an option. if wei wuxian, lan wangji and the juniors weren’t there, sooooo many disciples would have lost their lives–simply because of how incompetent they collectively became once they lost their spiritual powers. if they made a coordinated effort, they could have still held the corpses off, but it’s just that... they weren’t able to, mentally, get past their sudden lack of powers. they were disoriented.

now, i’m not saying that this isn’t a normal reaction to have. it’s totally understandable how these people were huge messes, especially in such a high stakes situation. it is just that it puts into perspective how AWESOME wei wuxian is to have had his golden core cut out of him, voluntarily, then beaten within a micrometre of his life, then thrown straight into the hell on earth aka the burial mounds and then instead of succumbing instantly, he instead overcame these impossible circumstances and somehow, survived and found alternative powers to keep him going. that is nothing short of mind-boggling, awe-inspiring, jaw-dropping. not one person in that siege-laying populace would be able to accomplish that and it held some of the finest cultivators their world has to offer. because no one, other than wei wuxian, had the internal capabilities to build their strengths up from a source that wasn’t their spiritual powers. without their golden cores, they would be toast faster than a human within one kilometre of the sun’s radius. and i love love love how mxtx hits us with this fact in our faces in exactly the scenes that are all about undoing the falsehoods and allegations that wei wuxian, until then, had been levied with in the larger cultivation world’s perspective.

[quicksilversnails]

Took some notes from the Wild Life retrospective episode of the Imp & Skizz podcast featuring Grian because I thought the behind the scenes info was really interesting!

(3:15) The wild cards were all kept totally secret from the players (apart from Grian), with the exception of the superpowers and finale (as they required the players to set keybinds)

(3:45) The players were given files containing the required mods each week, which were named things like "creeper rain" to throw them off

(4:12) Wild cards were a combination of data packs and mods

(4:38) Grian told them not to read the folder name to avoid spoilers (which is kind of impossible), so everyone fully believed there would be creeper rain lol. Grian was saying it in jest but everyone took it seriously and were apologetic about having seen it, to which Grian told them not to worry

(6:58) Grian originally contacted a data pack dev called Brace for help with programming the wild cards. Some, like the shrinking/growing could be achieved with minecraft attributes, but the snails were too janky and unusable. Grian still liked the idea though, so he reached out to mod developers Henkelmax and Breadloaf, who designed the pathfinding/behaviour from scratch

(8:49) They had a debugging mode used to test the pathfinding of the snails, shown in the podcast and in Grian's credits

(10:09) Grian wants most of the credit to go to the development team and artists, as he was mostly in charge of ideas & organization!

(10:39) Grian's only regret with the snails was that they were too fast in session 3, leading to unexpectedly many deaths. They were apparently not so difficult to get away from during testing, but perhaps the testers were more used to them than the players were

(11:44) Grian: "We did develop to the lowest common denominator" ie. prioritizing how players would struggle over how worrying about if players would do too well

(12:56) Oli's voice for the snails was iconic. It cost Impulse a life because he intentionally stayed closer to it to hear the voice lol

(13:42) Danny was in charge of the snail models and animations

(14:11) During testing, the snails just sounded like Oli, which made it feel weird. They pitched up his voice so that it'd be less immediately recognizable

(15:18) The snails' jumping attack was meant to be clearly telegraphed: they would stop, wiggle, make a "ooeee" sound before jumping. Many players had their friendly creatures volume turned very low/off (as cows and other mobs are loud), which made this attack much less obvious for them

(16:57) The growing/shrinking had the least testing done for it, as it was the simplest conceptually and to program. This meant that the falling off of blocks due to the shrinking hitboxes wasn't anticipated

(17:55) Before the 1st session, Grian told them that he didn't think anyone would die to the wild card. Pearl's death made Grian pretty nervous, as he didn't want everyone dying too early in the season

(19:29) 6 lives were given, knowing that many of the death to the wild cards were unexpected/unfair. The intent was for ~3 lives to be allocated for wild cards, and ~3 for PvP.

(21:13) The developers were all fans of the Life Series!

(22:43) The shrinking/growing was intentionally pretty simple to ease players/viewers into the concept and build up toward more dramatic wild cards like the snails

(25:38) In the hunger episode, Grian didn't know which foods would be good

(25:58) Grian thinks that "it's unfair that Grian already knows everything" is valid criticism, but that it's important for him to be involved with the ideas. Having someone else do that is like having someone else record his videos: Life Series is his brainchild

(26:35) Well before the season began, while they were still developing the concept, Grian asked the other players for wild card ideas that would meet a few criteria. All of them ended up being unused for one reason or another. Impulse thinks his ideas were very "inside the box" because he was viewing things through what was possible in vanilla Minecraft. His idea was to have a scavenger hunt where the players would search to find a relic. The first person to find it would get a buff. Skizz's idea was for every player to turn into a random passive mob for every given interval of time. They would have to find every other player of the same mob type as them or else the whole group loses a life.

(29:44) The food qualities were weighted by the rarity of the item, so very common blocks like dirt and cobblestone would never give anything good. The other items were randomly selected

(30:23) Regular blocks/items cannot be made edible normally, so they had to circumvent that and custom code a fix for items not stacking correctly

(32:41) While a lot of players do want to win, the main priority is creating entertainment, which prioritizes playing recklessly

(33:20) The food wild card wasn't included in the finale because it would've felt like "too much". There was a higher risk of technical issues since it changed the data values of items, and Grian didn't want someone's last death to be because they ate their sword. In his mind, it was a good and fun wild card, but didn't need to be repeated in the finale. Impulse points out that they all would have collected more rare items by that point, removing the incentive to search for blocks to eat

(33:46) The wild cards in the finale were nerfed from their original sessions. The shrinking/growing had a smaller height range, the snails moved slower, etc.

(36:21) The personalized snail skins were a late addition by Danny, who made 18 skins very quickly

(36:49) Grian did not anticipate the snails becoming as popular with fans as they were. After the session released, they had the idea to release the snail merchandise, which directly funded the rest of the season

(39:20) Grian spent what "felt like every day" testing with the developers. They'd record the sessions on Tuesdays, meet up with the dev team, talk about what need to be done, testing, bugs, etc, edit and upload on Saturday, and would get a few days grace before starting again

(40:01) After the snail session, Grian was worried that the season would be very short due to all the deaths. They were considering toning down the later wild cards but ultimately didn't change them too much

(40:36) The time wild card was carefully balanced. If it had gone even a little faster, many players likely would have died because they wouldn't have time to react to threats like baby zombies or creepers.

(40:57) While sessions normally run for a variable amount of time, session 4 was hardcoded at 2 hours. Grian ended the session ~10 minutes early, just after they hit max speed, because he felt like things were getting dicey

(42:46) When the wild card first activates, it looks a lot like the server had frozen or crashed. Grian told the players before the session started that it would look like the game was broken, but that it isn't broken. Skizz tabbed out anyway and missed the beginning 😔

(43:30) Having the rain start just as the wild card began was a good visual indicator of time slowing down. This was a suggestion from the dev team (probably Brace)

(44:41) Impulse and Grian "cheesed" the end of the session by going branch mining. Grian wanted players to take advantage of the wild cards (eg. mining quickly, helping to kill someone), and not have them just be an annoyance.

(45:30) Keeping the client and server-side time stay in sync was challenging. The sky's motion was changed to be smoother on client-side. The players were also not as fast as the server (around 2x faster), the server was going faster than that, and the time of day was even faster

(46:56) The sounds were pitched up/down based on the speed to add to the effect

(27:46) In testing, if the players were made 7x faster, it would be basically unplayable, which was why it was capped at 2x speed. This made mobs very dangerous, as they were now faster than players and could catch up to you and kill you easily

(49:01) On several occasions, they had to extend the fuse duration of creepers to make them more fair. In the time session, their speed was only increased by ~10%

(49:39) Usually, Grian was the one to test the wild cards and notice when things like creeper speed would be an issue, since he was the one with experience making videos

(50:50) A challenge with balancing wild cards is accounting for the playstyles of so many players: reckless players like Scar and Skizz, "kind and gentle" players like Bigb who would stay off to the sides, and "the sweat squad" (Scott, Impulse) who play very cautiously

(52:48) Trivia Bot was the only wild card that was not planned in advance. Grian was struggling to come up with a wild card for that episode, and wanted to have a wild card available that could give people lives in case many people died to early wild cards without it feeling cheap.

(53:33) Trivia seemed a little boring on its face, so presentation was essential

(54:34) This one made Grian the most stressed due to all the moving parts involved in making it (coding and pathfinding mostly by Henkelmax, visuals by Hoffen, audio/music, questions)

(55:08) Trivia Bot's design was based on Grumbot and Mettaton from Undertale. Hoffen drew concept art shown in the video

(58:32) They show Trivia Bot's custom animation for becoming a snail and it's really cool

(59:12) The music was the most stressful part of the project. Grian spent 2-3 days looking through Epidemic Sounds for a Trivia Bot theme song and couldn't find anything good. He commissioned Zera @hopepetal for a theme song, which is played in the podcast. However, Grian realized he needed a full audio package, so he commissioned Oli late in development, who created the final soundtrack and many audio variations

(1:01:38) Grian wants to send appreciation for everyone who worked on the project, even if their work ultimately went unused

(1:02:58) Skizz was happy to give back however he could by staying on standby in the final episode as a zombie, as the players were able to "reap all the benefits" of the hard work of the development team

(1:05:21) Grian didn't know any of the trivia questions beforehand, which were done by fans of the series. The goal was for ~50% of the questions to be answered correctly, which was approximately met

(1:07:11) Players couldn't get questions about themselves because it would be too easy. This would encourage players to leave their bot, allowing other players to mess with them

(1:07:57) Grian felt a little left out from the discovery element of the wild cards, and decided to mess with Scar by hiding his bot. He wasn't expecting Scar to die from it, and could tell that he was genuinely a little upset by it. Grian felt bad about it, which led to a genuine in-game alliance between them

(1:12:32) Grian was very close to letting Trivia Bot give lives as rewards, but decided it would feel too cheap

(1:14:38) Mob swap was slightly toned down, with more camels and sniffers spawning

(1:15:07) Evokers didn't drop totems anymore. Instead, there was a minuscule chance a warden or wither would spawn, which would drop a totem if killed. Grian was a little disappointed that the warden got cheesed in the end

(1:17:45) Having the mobs start passive and turn hostile was mostly for the presentation, building anticipation, and so players could predict where mobs would spawn and react accordingly, making things feel less unfair

(1:20:32) There was no superpower made for Skizz (or Mumbo presumably)

(1:20:38) The superpowers were another late addition. There was a large design doc where Grian created all the powers, which were handed over to Henkelmax and completed over 4 days

(1:21:42) Grian avoided superpowers involving strength, that could cause someone to die easily. Most of the powers were social or movement-based, which couldn't be used for offence as easily

(1:22:25) Some powers were randomly assigned, others weren't. Impulse's was random. Cleo's, Bigb's, Lizzie's, Grian's were assigned.

(1:24:25) Grian gave himself the mimic because it could easily backfire (like in Grian's fall damage death), and because it would've been confusing for a player who wasn't aware of the other powers. They likely would've spent the episode just figuring out how everything worked and not actually using the power to its best ability

Lots of discussion about the superpowers and how they interacted in the episode itself, go watch if you're interested :)

(1:33:38) Talk on how the series "standard" rules evolved since 3rd Life. There was no keep inventory, and no restrictions on enchanting levels or potions, which created slow or unbalanced fights

(1:36:23) 3rd Life was designed to be an experimental series, which made Grian eager to improve it. For example, some people just weren't dying in 3L, leading to the boogeyman in LL, and so on

(1:37:17) The goal with the seasons isn't to one-up the previous one, but to create a different experience every time, which keeps things engaging for the creators

(1:38:31) At the end of each session, Grian would ask the group if they had fun and how they felt about the wild cards. According the Skizz, the answer was "a resounding yes"

(1:39:08) Grian had moments throughout the season where he personally felt like things didn't go well for him, and was anxious for the rest of the group's episodes. Things worked out while editing the raw footage, though. His issues were never with the wild cards themselves, but his own actions (traps not working, spending too long branch mining), but would always find funny moments in his footage

(1:43:41) Everyone in the Life Series cast genuinely likes and genuinely respects everybody else in the group. This allows them to make the show and get mad at each other, because they know it's all just in-character

(1:44:50) It'd be hard to top Wild Life in spectacle, and Grian doesn't want to start an arms race with himself. The next season could potentially be closer to 3rd Life, but Grian's not sure yet. For Grian, Wild Life was the most enjoyable

(1:45:20) Grian: "As long as people keep enjoying [the Life Series] then I'd love to keep doing it"

(1:49:35) With the finale, Grian knew how the wild cards played out the previous sessions and was able to adjust them

(1:49:56) Grian's goal was to create safe chaos where everyone knew what was happening and wouldn't die to them, which didn't go entirely to plan. The snails were 60% of their original speed and people still died

(1:51:03) Grian made a precise timeline of when each wild card would start/stop, it wasn't randomized.

(1:54:16) All the superpowers were randomized, with Bdubs' power being removed from circulation because it didn't have much use in a finale setting

(1:56:10) It was important for Grian that in the final moments, the wild cards were removed, so there were no interruptions. The timing worked out well because there were a few people left and it ended within ~10 minutes (this implies that the change wasn't based on # of players alive, as people had speculated based on Gem's death)

(1:58:48) The players all randomly switched to zombie skins throughout the session to mess with people on NameMC. Well-played :)

[laddertek]

etho said actually you _don't_ understand the intricacies of how tango is my boyfriend and bdubs is my ex

(and how tango and bdubs kiss too)

Scar: We went on that little adventure, you know! Etho: Yeah, yeah, we had our adventure, that's true, that's true. Scar: You disparaged your teammates. That's it, all right, no more spoilers. Etho: (laughs) Our team has -- our team has some weird dynamics this -- this season. Cleo: (overlapping) Really, Etho? Is there trouble in paradise? (pause) Who's third-wheeling with you, again? I can't remember. Etho: (laughs) Uhh. The -- Cleo: Genuinely can't remember. I know it's you and Bdubs. And...Tango? Tango. Tango. Etho: (loudly) Why -- Why is Tango the third wheel? Why -- why isn't Bdubs the third wheel? Cleo: Because it's you and Bdubs. I'm sorry. I understand how that relationship goes. Etho: (dissatisfied) Hmm.

[inkskinned]

crows use tools and like to slide down snowy hills. today we saw a goose with a hurt foot who was kept safe by his flock - before taking off, they waited for him to catch up. there are colors only butterflies see. reindeer are matriarchical. cows have best friends and 4 stomachs and like jazz music. i watched a video recently of an octopus making himself a door out of a coconut shell.

i am a little soft, okay. but sometimes i can't talk either. the world is like fractal light to me, and passes through my skin in tendrils. i feel certain small things like a catapult; i skirt around the big things and somehow arrive in crisis without ever realizing i'm in pain.

in 5th grade we read The Curious Incident of the Dog In The Night-time, which is about a young autistic boy. it is how they introduced us to empathy about neurotypes, which was well-timed: around 10 years old was when i started having my life fully ruined by symptoms. people started noticing.

i wonder if birds can tell if another bird is odd. like the phrase odd duck. i have to believe that all odd ducks are still very much loved by the other normal ducks. i have to believe that, or i will cry.

i remember my 5th grade teacher holding the curious incident up, dazzled by the language written by someone who is neurotypical. my teacher said: "sometimes i want to cut open their mind to know exactly how autistics are thinking. it's just so different! they must see the world so strangely!" later, at 22, in my education classes, we were taught to say a person with autism or a person on the spectrum or neurodivergent. i actually personally kind of like person-first language - it implies the other person is trying to protect me from myself. i know they had to teach themselves that pattern of speech, is all, and it shows they're at least trying. and i was a person first, even if i wasn't good at it.

plants learn information. they must encode data somehow, but where would they store it? when you cut open a sapling, you cannot find the how they think - if they "think" at all. they learn, but do not think. i want to paint that process - i think it would be mostly purple and blue.

the book was not about me, it was about a young boy. his life was patterned into a different set of categories. he did not cry about the tag on his shirt. i remember reading it and saying to myself: i am wrong, and broken, but it isn't in this way. something else is wrong with me instead. later, in that same person-first education class, my teacher would bring up the curious incident and mention that it is now widely panned as being inaccurate and stereotypical. she frowned and said we might not know how a person with autism thinks, but it is unlikely to be expressed in that way. this book was written with the best intentions by a special-ed teacher, but there's some debate as to if somebody who was on the spectrum would be even able to write something like this.

we might not understand it, but crows and ravens have developed their own language. this is also true of whales, dolphins, and many other species. i do not know how a crow thinks, but we do know they can problem solve. (is "thinking" equal to "problem solving"? or is "thinking" data processing? data management?) i do not know how my dog thinks, either, but we "talk" all the same - i know what he is asking for, even if he only asks once.

i am not a dolphin or reindeer or a dog in the nighttime, but i am an odd duck. in the ugly duckling, she grows up and comes home and is beautiful and finds her soulmate. all that ugliness she experienced lives in downy feathers inside of her, staining everything a muted grey. she is beautiful eventually, though, so she is loved. they do not want to cut her open to see how she thinks.

a while ago i got into an argument with a classmate about that weird sia music video about autism. my classmate said she thought it was good to raise awareness. i told her they should have just hired someone else to do it. she said it's not fair to an autistic person to expect them to be able to handle that kind of a thing.

today i saw a goose, and he was limping. i want to be loved like a flock loves a wounded creature: the phrase taken under a wing. which is to say i have always known i am not normal. desperate, mewling - i want to be loved beyond words.

loved beyond thinking.

[gideonisms]

so many people like camilla hect for her stoicism in the face of danger, one-word responses, and competence at her job. But I like her because underneath all of that she's genuinely unwell and her problem-solving skills will simply make the problem different. queen of not knowing how to process her own emotions or interact with other people but deciding that just being good at what she does and being attached at the hip to someone who does like to speak to people will probably cover all of that. well it did cover all of that but then it gave her new problems didn't it

[xxplastic-cubexx]

welcome back to my accidental newfound journey to redraw every frame from this movie i GUESS

[andy-clutterbuck]

Rick Grimes in The Ones Who Live 1x01 - Years

"…𝘵𝘩𝘦 𝘴𝘤𝘢𝘳𝘴 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘱𝘢𝘪𝘯…𝘪𝘵 𝘫𝘶𝘴𝘵 𝘳𝘦𝘮𝘪𝘯𝘥𝘦𝘥 𝘩𝘪𝘮 𝘵𝘩𝘢𝘵 𝘩𝘦 𝘴𝘢𝘷𝘦𝘥 𝘶𝘴."