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fuckyeahgoodomens · 9 months ago

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The Assembly sees a cast of thirty-five interviewers who are autistic, neurodivergent or learning disabled, question an A-list celebrity for one extraordinary TV interview.

In this half-hour special, it's multi-award-winning actor and director, Michael Sheen, who is to face the grilling of a lifetime from the unique collective. No subject is out of bounds, no question is off the table.

On subjects as diverse as ex-girlfriends and on-screen kisses, to the OBE he gave back or his favourite motorway, how will the Good Omens star fare as The Assembly bring their unique approach to the celebrity interview?

The Assembly cast is a diverse cast ranging in age from eighteen to seventy-seven, amongst the group are musicians, artists, writers and students. Each will take their own approach in their attempt to get to the truth of Michael Sheen like nobody before has- whether that’s finding out his favourite sandwich filling or how he felt when his daughter was born.

The format is an adaptation of French show Les Rencontres Du Papotin, which saw the likes of Emmanuel Macron and Camille Cotin (Call My Agent) face the neurodivergent journalists of the Papotin. Gone was the flattery of the usual celeb fare – in its place, a mix of mischievous prodding, leftfield quizzing and profound exchanges. The superstars left completely off guard: actors asked about a driving ban or the death of a parent, the President asked if it’s really the behaviour of a role model to marry one’s teacher.

The show comes from Michelle Singer and Stu Richards' Rockerdale Studios, creators of mischievous content which seeks to put disabled agency at its heart. Stu is also known for co-creating and writing the BBC Three comedy, Jerk, and Rockerdale are most known for Channel 4’s Mission: Accessible.

Rockerdale Studios has worked closely with the BBC’s Creative Diversity Team, to ensure every element of the series works for and with autistic and neurodivergent voices.

The Assembly is a half-hour special to celebrate Autism Acceptance Week. Expect profound revelation, glorious chaos, and a lot of laughs.

The Assembly airs Friday 5 April, 10:40pm on BBC One and iPlayer

Interview with Michael Sheen

What made you say yes to being a part of The Assembly?

I said yes to being a part of The Assembly because it was just such an extraordinary and interesting idea. Then reading about the original French series, it just sounded so extraordinary, different and potentially a very revealing way to approach the tried and tested interview process, but obviously it is a lot more than just being an interview. The interview part of it is just one aspect of the project and I think there is still a lot of confusion, ignorance and fear around people with any kind of difference. I think being able to be involved in a project like this could maybe break down some of those barriers.

How is this different from any other TV show you’ve been a part of?

It’s very much unfiltered and that’s really exciting and quite nerve wracking for that reason! So much on TV is sort of smoothed out and filtered and made safe and this, certainly in the making of it, felt very not that! All the better and more refreshing for it too. I know a lot of work is put into the research and preparation for a show like this, but in terms of the actual questions being asked and the experience that you have in all being together when you’re filming, it feels very unpredictable in a really good way and really lead by the people taking part, which is terrific.

How did you feel going into filming?

Well I didn’t really have anything to go on, so I was excited. Sometimes when I’m going to be interviewed, I know what the interview is going to be about, I have a vague idea of the questions that will come up, I know the sort of things that I need to get across about what I’m there to talk about. But with this, I really had no idea what I was going to be asked, so I had to be prepared for everything and anything, there was a kind of freedom in that I suppose. Because of the unfiltered nature of what was going to happen and not being able to anticipate what might be asked, it was a little nerve wracking yes, but I was mainly just very excited!

Did your experience differ from what you were expecting and if so how?

Well I didn’t know what to expect really, so it’s not that it wasn’t what I was expecting because you can’t expect anything! There's no way you can expect anything because you just don’t know what’s going to happen, and because it is so unfiltered and unpredictable in terms of what might happen, where things might go, how people might be feeling on the day. For all the difficult questions that got asked at times, it just felt very loving and joyful and that everyone was very happy and excited to be there even though people were nervous or had anxiety at different times. There was a genuine feeling of community and I felt very welcomed into that community and ready to play so to speak, and you have to be ready to play. I felt very safe and looked after and it was just really, very funny as well – there was lots of laughter and wonderful things that people asked, responded to and performed, I mean I wasn’t expecting all of that, that was just wonderful! So many moments that I’ll never forget.

How does this compare to any other interview you’ve experienced?

It’s so unfiltered! The closest thing I can say is The One Show, where you go on to talk about one thing and then they ask you about everything else that’s going on on the show, so you get a question about your favourite bus route, then they ask you about otters! There’s an extraordinary pinball effect of questions and that’s the closest I could describe, but The Assembly is that x100. It really is extraordinary and that’s very unlike any other interview I’ve done really, usually everything is meant to follow on logically and have a kind of smoothness and polish to it, and this is just really raw and unfiltered and uncensored and I love that, I thought that was wonderful.

What can viewers expect from the show?

I imagine it will be very funny and I think quite moving. I was quite moved at times by seeing how much people had to struggle to overcome certain things they were dealing with in order to ask questions at times. That was uplifting. I think it will be different, it will be thought provoking I hope, and challenging in certain ways; challenging certain kinds of myths and stereotypes I think and ultimately just really entertaining and fun and joyful. I can’t really remember what I said, so I don’t know what people will learn about me... but it’s not about me, it’s about that fantastic group of people, but I certainly got a huge amount out of it too and I hope an audience will as well.

#michael sheen #the assembly #interview #michael interview #sounds great! :) <3

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invisibleicewands · 4 months ago

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‘I wanted to be seen as the greatest actor of all time. Then I realised that was nonsense’: Michael Sheen on pride, parenting and paying it forward

He’s the feted star who cracked Hollywood, but it was only when he swapped LA for his home town in Wales that he was able to do his most meaningful work yet

By Simon Hattenstone

Michael Sheen has been fabulous in so many TV dramas and movies, it’s hard to know where to start. But perhaps his most memorable appearance came earlier this year in a TV show that didn’t require him to do any acting at all. The Assembly was a Q&A session in which he took questions from a group of young neurodiverse people. Sheen didn’t have a clue what would be asked, and no subject was off limits. It made for life-affirming telly. The 55-year-old Welsh actor was so natural, warm and encouraging as he answered a series of nosy, surprising and inspired questions. I watched it thinking what a brilliant community worker Sheen would be. And, in a way, that’s what he has become in recent years.

“The Assembly’s had more response than anything else I’ve ever done,” Sheen tells me. “Almost every day someone will come up to me and mention it, particularly people who have children with autism. They say it was just so lovely to see something where the interviewers were empowered. I had a fantastic time.” He replays some of his favourite moments: the young man Leo who took an age to start talking, and then delivered the most beautifully phrased question about the influence of Dylan Thomas on Sheen’s life; the woman who asked what it was like to be married to a woman only five years older than his daughter; and the question that came at the end: “What’s your name, again?” He smiles: “And Harry with the trilby on. Just the nicest man ever.” You came across as an incredibly nice man, too, I say. “Aw well, it’s hard not to be when you’re among all those amazing people, innit.”

Today we meet in London, ostensibly to talk about A Very Royal Scandal, a gripping mini-series about Prince Andrew’s infamous Newsnight interview with Emily Maitlis – the disastrous attempt to defend his honour that sealed his fall from grace. But we don’t get to the show till it’s almost going home time. Sheen’s too busy discussing all the other stuff that matters to him, away from business.

Six years ago, he swapped life in Los Angeles for Port Talbot, the steel town where he grew up. These days he calls himself a not-for-profit actor – a term he happily admits he’s invented. “It means that I try to use as much of the money I earn as I can to go towards developing projects and supporting various things. Having had some experiences of not-for-profit organisations and social enterprises, I realised that’s what I want to do with my business. And my business is me.” He grins. There was a suggestion that he might stop acting in order to do good works, but he says that never made sense; only by getting decent gigs can he earn money to put back into the community.

It has to be said he’s got the air of a not-for-profit actor today – scruffy black top, sloppy black pants, black trainers. With a bird’s-nest beard and a thicket of greying curls, he looks nicely crumpled. But give him a shave and a trim, allow him a flash of that electric smile, and he could still pass as a thirtysomething superstar.

Sheen is best known for transforming into household names – Brian Clough in The Damned United; Chris Tarrant in Quiz; David Frost in Frost/Nixon; a trio of films as Tony Blair (The Deal, The Queen, and The Special Relationship); Kenneth Williams in Fantabulosa. His Prince Andrew is compelling; by turns petulant, pathetic, monstrous and poignant. He has a gift for inhabiting famous people – voice, body, soul, the works. He’s equally adept as a regular character actor – the dapper angel Aziraphale in Good Omens, pale and pinched as spurned suitor William Boldwood in the 2015 film of Far From the Madding Crowd, the tortured father of a daughter with muscular dystrophy in last year’s BBC drama Best Interests. He even plays a winning version of himself alongside David Tennant (and their respective partners Anna Lundberg and Georgia Tennant) in the lockdown hit TV series Staged.

But the work that changed his life was his 2011 epic three-day reimagining of The Passion on the streets of Port Talbot, involving more than 1,000 people from the local community. It was years in the making, and during that time he decided he would leave Los Angeles to come home. Initially, home just meant Britain, probably London. But the longer he spent with his people, the more it became apparent to him that home could only mean one thing – returning to Port Talbot, and helping the disadvantaged town in whatever way he could.

He admits that for many years he didn’t have a clue about the reality of life in Port Talbot. He had always lived in one bubble or another. His parents were hardly flush, but they had decent jobs – his mother was a secretary, his father a personnel manager at British Steel, and both were active in amateur dramatics. Sheen was academically gifted (he considered studying English at Oxford University before winning a place at Rada), a talented footballer (he had trials with Cardiff and Swansea) and an exceptional young actor. Then came the bubble of Rada and London, followed by the bubble of LA.

It was only when he started to work on The Passion that he began to understand his home town. One day he was rehearsing with a group in a community hall when he was approached by a woman. “She told me she was the mother of this boy who’d been in my class at school called Nigel. When I was 11, he fell off a cliff in an accident and died. It was the first time I’d known someone to die. She said, ‘I’ve started up a grief counselling group here. I have a little bit of money from the council because there is no grief counselling in this area.’” She’d had no counselling when Nigel died, nor in the 31 years since. “And all these years later, she’d set up a little grief counselling thing with a bit of money, so that was extraordinary to hear.” Next time he returned he discovered that the group no longer existed because of council cuts.

Every time he went back he discovered something new. He met a group that supported young carers. Sheen doesn’t try to disguise how ignorant he was. “I said, ‘All right, what are young carers?’ And they said, ‘They’re children who are supporting a family member.’ And I’m like, ‘OK, this is a profession, they get paid, right?’ And I was told, ‘No, they don’t get paid and our little organisation gives them a bit of respite – once a week we take them bowling or to the cinema.’ I went bowling with them one night and there were eight-year-old kids looking after their mother and bringing up the younger kids. This one organisation was trying to take these kids bowling one night a week, and then that went. No funding for that, either. That kind of stuff was shocking.”

As a child, SHEEN says he was oblivious to struggle because he was so driven by his own dreams. First, it was football. By his mid-teens it was acting. West Glamorgan Youth Theatre, which he calls “one of the best youth theatres in the world”, was on his doorstep. “The miners’ strike was on when I was 15 in Port Talbot and I wasn’t really aware of it at the time. That’s how blinkered I was, because I was so obsessed by acting at that point.” Acting wasn’t regarded as a lofty fantasy in Port Talbot as it may have been in many working-class communities. After all, the town had produced Richard Burton and Anthony Hopkins.

In his late teens, heading off for Rada, Sheen feared he would be surrounded by giant talents who would dwarf his. When he discovered that wasn’t the case, he suffered delusions of grandeur. “I wanted to be recognised as the greatest actor in the world,” he says bluntly. In the second year, the students did their first public production: Oedipus Rex. “I thought, well obviously I’ll be cast as Oedipus, then we’ll perform Oedipus to the public and when the world sees me for the first time I’ll be carried shoulder-high through the streets of London and hailed as the greatest actor of all time.” I look for an ironic wink or nod, but none is forthcoming.

Sure enough, he was cast in the lead role. “We did our first public production and I thought I was brilliant.” But nothing changed. It didn’t bring him instant acclaim. By the third night, he could barely get through the performance.

Were you a bit of a cock back then, I ask. He shakes his head. “No, I was having a breakdown. I was crying most of the time. I just fell apart. I spoke to the principal of Rada and I said, ‘I can’t continue at drama school, I have to leave.’ And he said just take some time off, which I did, and two or three weeks later I slowly came back and then completely changed the way I acted.”

Until then he believed acting was just about what he did. “I thought you just worked out how to say the lines as cleverly as you could; it had nothing to do with responding to other people or being in the moment. It was showing off, essentially. And there’s a ceiling to where you can get with that. That breakdown I had was because I’d reached the ceiling and didn’t know how to go any further. That’s why I fell apart.”

He gradually put himself and his technique back together. Was he left with the same ambition? “No. The idea of being considered the best actor of all time becomes nonsense.” In 1991, Sheen left Rada early, because he’d been offered a job he couldn’t turn down. He made his professional debut opposite Vanessa Redgrave in a West End production of Martin Sherman’s When She Danced. Theatre was Sheen’s first love, and his rise was meteoric. From the off, he was cast as the lead in the classics (Romeo and Juliet, Peer Gynt, Henry V, The Seagull) and the 20th-century masterpieces (Norman in The Dresser, Salieri and Mozart in Amadeus, Jimmy Porter in Look Back In Anger).

Sheen was doing exceptionally well when he and his then partner Kate Beckinsale moved to LA for her work in the early 2000s. She was four years younger than him, and already a movie star. Their daughter Lily, now an actor, was a toddler. He assumed that his transition to stardom in LA would be as seamless as it had been in Britain. But it wasn’t. His theatrical acclaim counted for nothing. In 2003, he and Beckinsale split up, but he stayed in LA to be close to Lily.

The first few years, he says, were so lonely and dispiriting. “I found myself living in Los Angeles, there to be with my daughter but just seeing her once a week. I had no career there – it was essentially like starting again. I had no friends and spent a lot of time on my own. It was tough. Slowly I realised how it was affecting me.” In what way? “I remember coming out of an audition for Alien vs Predator, to play a tech geek computer guy with five lines and really caring about it, and then thinking: ‘I can be playing fucking Hamlet at home, what am I doing, what’s this all about?’” He says he’d been so lucky – always working, never having to audition, getting the prize jobs. And suddenly in LA he was an outsider; a nobody.

He and Beckinsale are often cited as role models for joint parenting by ex-couples. In 2016, Beckinsale, Lily and Sheen staged a hilarious photo for James Corden’s The Late, Late Show, recreating the moment of giving birth 17 years earlier. Beckinsale reclines on a kitchen table with Lily sitting between her legs, as an alarmed-looking Sheen stands to the side. Have they always got on well since splitting up? “We’ve had our ups and downs, but we’re very important in each other’s lives. It would be really sad if we weren’t – like cutting off a whole part of your life. I’m not saying it doesn’t have its challenges, and I’m sure it’s been harder for her than for me.” Why? “Because … ” He pauses and smiles. “Because I’m more of a twat!” In what way? Another smile. “I’m not going to tell you that, am I?”

Sheen’s break in America came when he was spotted by a casting director who told him he would be perfect for a new project. Ironically, it was to play former British prime minister Tony Blair in a British TV drama called The Deal, directed by British film-maker Stephen Frears and shot in Britain. The Deal led to Frears’s The Queen, about Elizabeth II’s frigid response to the death of Diana, Princess of Wales leading to a crisis for the monarchy. Again he played Blair, this time riding to the rescue of the royals. The movie was nominated for six Oscars (Helen Mirren won best actress) and he never struggled in America again.

The longer he lived in LA, however, the more rooted he felt to Port Talbot. And the further he travelled, around the world or just in Britain, the better he understood how disadvantaged it was. “If you’re in Port Talbot one day and then the next you’re in a little town in Oxfordshire where David Cameron is the MP, it’s fairly obvious there are very different setups there. And that was connected to a political awakening.” He started to read up on Welsh history. In 2017, he returned his OBE because he thought it would be hypocritical to hold on to an honour celebrating empire when he was giving a Raymond Williams lecture on the “tortured history” of the relationship between Wales and the British state.

He began to reassess his past. “I became more aware of the opportunity I’d had in an area where there wasn’t much opportunity. At a certain point you go, Oh, people are having to volunteer to make that youth theatre happen that I’m a product of.” You’d taken it for granted? “Completely. I was happy to think everything I was doing was because of my own talent and I was making my own opportunities, and as I got older I thought maybe that’s not the whole story.”

In 2016, the long-running American TV series Masters of Sex, in which Sheen starred as the pioneering sex researcher William Masters, came to an end. Lily was now 17 and preparing for college. “I suddenly thought, Oh, I can go home now.” And six years ago he finally did – to Baglan, a village adjoining Port Talbot. Since then he has been involved in loads of community projects.

He mentions a few in passing, but he doesn’t tell me he sold his two homes (one in America, the other in Wales) to ensure the 2019 Homeless World Cup went ahead as planned in Cardiff. Nor does he mention that a couple of years ago he started Mab Gwalia (translating to “Son of Wales”), which proudly labels itself a “resistance movement”. On its website, it states: “Mab Gwalia believes that opportunity should not only be available to those who can afford it. The ambition is to build a movement that makes change.” Its projects have supported homeless people, veterans, preschool children on the autism spectrum, kids in care, victims of high-cost credit, and local journalism, which is a particular passion. “In the early 1970s in Port Talbot, there was something like 12 different newspapers. There are none now. None. Communities don’t feel represented, don’t feel their voice is heard and don’t know if the information they’re getting about what’s going on in the community is correct or not. Those are terrifying things, and without local journalism that’s what happens.”

Perhaps surprisingly, he’s even found time for the day job. Earlier this year, he played Nye Bevan in Tim Pryce’s new play about the founding father of the NHS. He also made his directing debut with The Way, a dystopian, and prophetic, three-part TV drama about the closure of the Port Talbot steelworks that results in local riots spreading across the country. How does he feel about the rioting that has scarred the country in recent weeks? “I feel the same way I think most people do. It was awful and terrifying. I worry about how much a hard-right agenda that has been growing for a long time has moved further and further into the mainstream and has clearly got more connected. It’s frightening.” Does he think the new Labour government can deliver the positive change it promises? “Pppfft.”He exhales heavily. “More optimistic than the Conservatives being in power.” Who did he vote for? “That’s my God-given right to remain a secret, isn’t it? It wasn’t the Tories!”

I ask if he’s in favour of Welsh independence. “I don’t know how I feel about it one way or the other, but I would like there to be an open discussion about everything that entails. The problem is when it gets shut down and you don’t get to talk about it.”

Would he ever go into politics? He looks appalled at the idea. “Oh God, no. No! I’d beawful.”Why?“Because I don’t want to say what other people are telling me to say if I don’t agree with it. Look at all those people who voted against the two-child benefit cap and had the whip taken away from them. That’s bollocks. People say I should go into politics because I’m passionate about things and I speak my mind. But then you get into politics and you’re not allowed to do that any more. I’ve got far more of a platform as myself. I can say what I want to say.”

Fair enough. I’ve got another idea. A couple of years ago he gave an inspired motivational speech for the Wales football team before the 2022 men’s World Cup, on the TV show A League of Their Own. Would he take the job as Wales manager if offered it? He looks just as horrified as the idea of a life in politics. “No!” Why not? “Because it’s a completely different profession. You need to know about football. I played football when I was younger, but I wouldn’t have a clue. Wouldn’t. Have. A. Clue. Just because you can make a speech doesn’t mean you’d be any good at that sort of stuff.” He says he was embarrassed about the speech initially, but now feels proud of it. “Schools get in touch and say, ‘We’ve been studying it with the class.’ I put hidden things in. There are rabbit holes you can go down.” He quotes the line, “You sons of Speed” and tells me that’s a reference to the idolised former manager and player Gary Speed who took his life in 2011. You can hear the emotion in his voice.

I’ve been waiting for Sheen to mention the new TV drama about Prince Andrew. Most actors direct you to the project they’re promoting as soon as you sit down with them. Let’s talk about the new show, I eventually say.

This is already the second drama about the Andrew interview. Did he know that Scoop, which came out earlier this year, was already in the works? “Yes, I knew before I agreed to do this.” Was it a race to see which would get out first? “There was no race, no. We always knew ours would come out after.” What would he say to people who think it’s pointless watching another film on the same subject? “Ours is a three-part story, so it’s able to breathe a lot more. There’s a lot more to it. In our story, Andrew and Emily are the main characters whereas they were very much the supporting ones in the other one.”

Did it change his opinion of Andrew? “No. It showed the dangers of being in a bubble, having talked about being in a bubble myself! The dangers of privilege.” He talks with sensitivity about Andrew’s downfall. “The thing that really struck me was when Andrew came back from the Falklands there was no one more revered, in a way. I didn’t realise his job was to fly helicopters to draw enemy fire away from the ships. I couldn’t believe they would put a royal in that position, so he was genuinely courageous. He was good-looking, a prince, and had everything going for him. Since then everything has just gone down and down and down.” He’s had so little control over his life, Sheen says. Take his relationships. “He was told he couldn’t be with [American actor] Koo Stark any more because of the controversy. He was essentially told he had to divorce Sarah Ferguson because the royal family, particularly Philip allegedly, was concerned that she would bring the family into disrepute.”

Did he end up feeling more empathetic towards him? “No!” he says sharply. Then he softens slightly. “Well, empathy? I felt I understood a bit more – because that’s my job – about what was going on. But he’s incredibly privileged and has exploited that. It seems like he has a lot taken away from him but probably rightfully so.”

A Very Royal Scandal is like The Crown in that it’s great drama but you’re never sure what’s real. Are Andrew’s lines simply made up? “It’s a combination of research and stories out there, and little snippets and invention.” While Emily Maitlis is an executive producer, Andrew most certainly is not. “Well, that’s the real difficulty for our story,” Sheen says. “On the one hand, you’ve got Emily as an exec, so you know everything to do with her is coming from the horse’s mouth. But everything to do with Andrew, not only is it really difficult to get the actual stuff, also we don’t know what he did.” He pauses. “Or didn’t do.” He’s talking about Virginia Giuffre’s allegation that Andrew raped her, which he denied. In the end, Giuffre’s civil case was dropped after an out-of-court settlement was reached on no admission of liability by Prince Andrew, with Giuffre reportedly paid around £12m.

I had assumed Sheen would be a staunch republican, but he doesn’t feel strongly either way. “There are lots of positives about royals, and lots of negatives.” His bugbear is that the heir to the throne gets to be Prince of Wales. “Personally, I would want the title of Prince of Wales to be given back to Wales to decide what to do with it, and I definitely think there’s a lot of wealth that could be used better.”

The biggest change for Sheen since returning to Wales is his family life. In 2019, he revealed that he had a new partner, the Swedish actor Anna Lundberg, that she was 25 years younger than him, and that she was pregnant. They now have two daughters – Lyra who is coming up to five, and two-year-old Mabli. As well as Staged, the couple have also appeared together on Gogglebox. They look so happy, nestling into each other, laughing at the same funnies, tearing up over the same heartbreakers. She also seems naturally funny. Given that two of his former partners (Sarah Silverman and Aisling Bea) are comedians, have all his exes had a good sense of humour? He thinks about it. “Yes. Yeah, you’ve got to have a laugh, haven’t you?” And he’s always got on well with them after splitting up? “Yeah, pretty much.”

When asked about the age difference between Lundberg and him on The Assembly, he acknowledged that they were surprised when they got together. “We were both aware it would be difficult and challenging. Ultimately, we felt it was worth it because of how we felt about each other, and now we have two beautiful children together.” He also said that being an older father worried him at times. “It makes me sad, thinking about the time I won’t have with them.”

Does being a dad of such tiny kids make him feel young or old? “Both,” he says. “My body feels very old. But everything else feels much younger. I’m 55 and it’s knackering running around after little kids. Just physically, it’s very demanding. And I’m at a point in my life where I’m aware of my physical limitations now. But in other ways it’s completely liberating, and I’m able to appreciate it more now.”

Has he learned about fatherhood from the first time round? “Yeah, I think so. I’m around more now. That’s a big part of it. When Lily was young, I was in my early 30s and doing films for the first time, so Kate would stay in Los Angeles with Lily and I would go off and do whatever.” Did Beckinsale resent that? “I don’t know that she resented it. Kate was doing better than me in terms of profile at the time, so it was different. Given that we then split up and I saw Lily even less, I very much regretted being away as much. So this time I wanted to make sure that wasn’t the case. That’s partly why I’ve set up a Welsh production company. I don’t want to work away from them as much.”

Talking of which, he says, what’s the time? “I’ve got to get back to my kids.”

On his way out, I ask what advice he would give his younger self. He says he was asked that recently and gave a glib answer. “I said buy stock in Apple.” What should he have said? He thinks about it, and finally says he’d have no advice for his younger self. He’d rather reverse the question, and think what his younger self would say to him if he tried to advise him.

“I saw an amazing clip of Stephen Colbert saying your life is an accumulation of every bad choice you’ve made and every good choice you’ve made, and the great challenge of life is to say yes to it. To say, ‘I love living, I embrace living.’ And in order to do that you have to embrace all the pain, all the grief, all the sadness, all the fucking mistakes because without that you don’t have all the other stuff.” He’s on a roll now, louder and more passionate by the word. “And I’d hate it if someone came and went, ‘Don’t do this, no do that.’ Then you just sail through your life. It would be death, wouldn’t it? So I’d tell my older self to go fuck himself.”

#Michael Sheen #The Guardian #Interview #Kate Beckinsale #regrets

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wanliangzhen · 8 months ago

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"The play 'Nye' is currently being shown at the National Theatre, and I thoroughly enjoyed watching it. I even doodled two of my favourite parts. Michael Sheen, who is known for his role in Good Omens, is a brilliant actor who listens to his fans, and I am glad to have had the chance to see him perform."

As a non-English native speaker, I prepared a script, because I was too nervous before that. Sound stupid but he still listened to what I said, and I'm really grateful.

#Nye #Play #National Theatre #Michael Sheen

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schattenhonig · 11 months ago

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Sometimes it's really just the tiniest micro expressions, like his eyebrows moving a millimeter, that I don't even think it's deliberate. He really feels those things he's portraying. (If this is kinda obviously an actors job, sorry, I'm a masked autistic, I have to consciously choose and execute facial expressions sometimes)

Aziraphale's real emotions in the final scenes of GO2

Versus his attempts at putting on a front for the Metatron

Caught in a trap

#justice for aziraphale #good omens #aziraphale #aziraphale defence squad #michael sheen #really is my favourite actor

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ktkellart · 7 months ago

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Good Omens London Trip 🐍💞🪽

It's my Birthday today and I treated myself to a trip to London last weekend to see my favourite actor Michael Sheen in Nye at the National Theatre. I made the most of my weekend by combining it with a Good Omens filming location self-tour and I'd love to share it with you all. So, are you ready for the tour?

Here we go!

Starting off with Soho, and the inspiration for Whickber Street, where Aziraphale's bookshop, Give Me Coffee or Give Me Death, The Small Back Room, and the Dirty Donkey are located.

It’s Berwick Street and a record shop that is very similar in shape to A.Z Fell & Co. Bonus points for spotting Duck Lane!

Next is Berkeley Square, a short walk from Soho. The first two photos are of the real Berkeley Square gardens in Mayfair, and the last two photos were taken in the filming location of Tavistock Square across the other side of central London near Kings Cross. I’m sitting on their ‘body swap’ bench in the last photo!

As you can see, the benches are turned around facing inwards now but are the other way, facing outwards in Good Omens.

Oh, and I can confirm that there were no nightingales singing in either location 😭

Heading up the road a few minutes from Tavistock Square to The Enterprise pub where I met a fellow fan who kindly took photos of me posing (I bet the staff thought we were off our rockers!). This is where Crowley drowns his sorrows in Talisker Whisky whilst waiting for the world to end after thinking he'd lost Aziraphale. Omg that poor poor demon, he was really just gonna die along with the world.

Also, one of my favourite moments of season 1 is Crolwey's line: "I heard that. It was the wiggle-on..." then shrugs. 😆 So many emotions in such short a time.

Onto the Ritz. The first two photos are of the real Ritz (a stone's throw from Berkeley Square) and the last one is inside Masala Zone in Piccadilly Circus where the ‘Quite extraordinary amounts of alcohol’ and ‘To the World’ scenes were filmed.

I ate in here alone to get the photo and was so lucky with the table I was given! Perfect discreet snap whilst eating my curry! Haha!

Next up is Battersea Park and the Bandstand. It was a bit of a faff to get there, it's an 8-minute walk from the Battersea Power Station underground and we walked the full length of the park to find the Bandstand, but it was so worth it.

Also filmed here was Gabriel and Aziraphale’s run/jog. Poor Angel is soft scene.

The trees were a little leafier with it being mid-May and the park was very busy because the weather was glorious. They also have a beautiful lake here with herons!

The Heaven & Hell staircase escalators are right over the east side of London in Broadgate Tower, Bishopsgate. I got the overground to Liverpool Street station to get there. It is in a private business building so I politely/awkwardly asked the receptionist if I could take a photo and had to explain about the scene from Good Omens… eek! But he kindly let me snap a photo anyway! (Phew)

The Windmill Theatre was three minutes away from my hotel in Piccadilly Circus, so I wandered up the road to take a photo of where Aziraphale ‘performed on the West End stage’ as Fell the Marvelous. And wasn’t he just?

The scenes weren't filmed here but it was fun to find it anyway.

St James’s Park is up next! I sat on their bench and got my friend to take photos of me posing and had fun editing the first photo. Haha! We enjoyed walking through the park, watching the ducks on the lake and had a nosey at Buckingham Palace while we were there.

The Duke of York Statue steps are at the other end of St James's Park and were fun to walk up. I smiled to myself as I thought of the scene where Crowley says ‘Well let's have lunch? Hmm,’ and Aziraphale turns around, as it was the first time I realised that these two were more than just friends.

Heaven’s top floor, the Sky Garden in Fenchurch Street near Monument is a very tall building with a botanical garden on the top floor. You can visit the sky garden for free, but you do need to book in advance so it’s best to plan ahead for this one. The views of London are breathtaking from the 35th floor and the tropical plants are fun.

My last stop for this visit was Shakespeare’s Globe Theatre. I booked a tour on the morning I was due to go home. The first tour is 10 am and lasts an hour, so I dashed off as soon as the tour guide was uttering his last words about the gift shop, across London back to Kings Cross to pick up my suitcase from luggage storage and get the 11:48 am train home!

One I missed and could have easily gone to is St Margaret Street where Newton and Shadwell meet, and Shadwell fleeces Newton for a cup of tea with nine sugars and pockets the change. A bit gutted I missed it to be honest – I love Jack Whitehall (I’m back in London with the family in June so I’ll swing by and update then!)

There are also some other locations a little further afield that I might try to visit on a later date, such as Shadwell's and Madam Tracy's flat down Hornsey Road in Islington, Crowley's Flat exterior in Eastfields Avenue, Best Cafe on Garratt Lane where Crowley meets Shadwell, Crystal Palace Dinosaur Park where the ineffable husbands watch Warlock defacing a dinosaur sign and Antonella's Cafe and Bistro where Crowley and Aziraphale are thinking of ideas to track down the antichrist whist Aziraphale eats cake.

Okay, I’m gonna finish up with the man himself. The very kind, very charming, and VERY patient Michael Sheen The reason for my London visit in the first place. Nye was spectacular OBviOUsLy, but he was super generous with his time at stage door for us all. I got a hug and asked him to pass it on to Aziraphale (that angel really needs a hug) and it made him laugh, which made my night!

Check out my reblog for extra locations when I visited London again a month later, and for a hilarious bonus photo of.... Gabriel??!

Here’s the wonderful map I used -

from this website:

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shoemakerobstetrician · 1 year ago

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"My nerve curve was pretty exponential because I wasn't - unlike Michael - I didn't really know the world of, the fandom of the book, somehow it had passed me by," he said, in an interview alongside Sheen before the actors' strike was announced.

Sheen interjects, asking his co-star: "And how's your nerve curve now?"

"I'm pretty chill," says Tennant.

“I saw it the other day, it looks marvellous," Sheen replies.

Oh, Michael!

#david tennant #Michael sheen #good omens #david tennant dilf #Michael sheen dilf #aziracrow #ineffable husbands #inevitable ineffable husbands #david and michael #David and Michael interview #good omens season 2

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cbartonscoffee · 1 year ago

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My favourite thing about Good Omens and everything that went into creating it, is that I can't see the characters as their actors. At least not Aziraphale and Crowley. I literally can't. What do you mean that's Michael Sheen? That's Aziraphale, they're an angel. That Crowley is who? He's just a good ol' demon. And I say this sincerely, I can't overlap the characters and the actors. The costumes, the mannerisms, they just exist as a separate entity. Crowley and Aziraphale on one side, David and Michael on the other.

#good omens #crowley #aziraphale #david tennant #michael sheen #just me things #but im so serious #i was watching a tiktok just now and was like #wth #i hadn't realized it was happening #but it's so real #and i look at them and im like #there's no way those are michael and david #what do you mean??#i stared and was like #huh #so that's whats up #please someone tell me im not alone in this

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denimbex1986 · 10 months ago

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'The actor and Baftas host answers your questions about facial hair, Doctor Who, Scrooge McDuck – and growing up as the son of a minister

How do you face the challenge of being this year’s Bafta host? practicalpanic I don’t currently feel particularly challenged because everything’s written down for me and I don’t have to worry about winning – or not winning – an award. If it was the first night of a play, I’d be curled up in a corner in the foetal position. But the fact that it’s not my day job certainly feels liberating. Who knows why they asked me; I must have been pretty far down the list. Expectations are pretty much zero. I don’t have anything to prove. Will I be phoning [previous Bafa hosts] Jonathan Ross and Stephen Fry for advice? I might do. But I’m travelling in blissful ignorance at the moment.

What’s your sideburn policy? They appear to be sized in direct proportion to your characters’ confidence. DrHugbine That’s a very interesting observation, which I don’t think has any truth behind it, but it’s making me wonder …

Here are some examples … Fright Night’s Peter Vincent – long and bushy, confident vampire killer. The Doctor in Doctor Who – long and pointy, charismatic and charming. Broadchurch’s DI Alec Hardy – beard, no sideburns, introverted and suspicious. Harry Potter and the Goblet of Fire’s Barty Crouch Jr – no beard, no sideburns, complex and a traitor. Good Omens’ Anthony Crowley – ginger, no sideburns, stylish but tempted Eve in the garden of Eden as a snake so a bit of a bad egg generally. TopTramp I don’t think you’re going to write a doctoral thesis based on that evidence. It’s very thin evidence, at most. I grew sideburns for Doctor Who because, back then, I was worried I was a bit young for it and I thought they slightly aged me. Which, of course, I then had to recreate recently when I’m almost certainly too old for it. I guess increasingly I am unshaven, in which case you don’t really have to worry about sideburns because they’re part of something else. Whatever length my sideburns are on the night of the Baftas has no reflection on how I’m treating the Baftas.

As a vicar with young kids, I wondered what influence being a son of the manse has had upon your work? RevdAl It’s hard to know, because you only know the influences you had specifically from your parents because they’re your parents – it’s hard to unpick. It certainly wasn’t a childhood filled with religious dogma or any kind of restrictions. It was more a moral guidebook.

What was it like kissing Michael Sheen [in season two of Good Omens]? And who enjoyed it more? carnies18 Who enjoyed it the most? Presumably Michael was thrilled. How could he not be? But it was another day at work. The most difficult bit was other people’s awkwardness. We thought it was quite fun, so it was fine. He’d brushed his teeth.

Would you accept a knighthood just to fuel an excellent argument with Sheen in the next series of Staged? Shirls Because he sent his OBE back? That predisposes the fact that anything that’s talked about in Staged is based on real life. We are in our own houses, acting opposite people we spend our life with. But that’s pretty much the extent of the reality of Staged.

Which is best – playing a detective, a murderer or a murder victim? JonnyMorris1973 Well, one of them solves the crimes. One of them commits the crimes. And the other one has a crime done to them. It probably depends which character the writer is most fond of and therefore the most fun to play. It’s not really in the gift of the actor, so much as in the gift of the scriptwriter. I think I’ve only played one detective, haven’t I? What’s my favourite way I’ve been murdered? Oh my goodness. I was shot in The Last September. I get murdered on stage every night in Macbeth, although that’s a spoiler. I sort of died in Doctor Who when I got shot by a galvanic beam in a radiation chamber that filled my body with more radiation I could cope with.

Am I as geeky as the Doctor who fans? Yes. As a Doctor Who fan myself of old, I can very much can plug into that. I don’t think I ever got in trouble at school. That is one of those stories that’s ended up on Wikipedia. I wrote an essay on Doctor Who, which some unpleasant newspaper found and printed. But I didn’t get in trouble for it. I think I got quite a good mark for it.

Who would win in a fight between Crowley, The Doctor and Scrooge McDuck? AlistairDionysus Probably Scrooge McDuck. He seems to be able to survive just about everything. He’s far more resilient than Crowley or The Doctor, who seem to end up staring destruction in the face. Scrooge McDuck, nothing seems to trouble him.

You have a lovely singing voice! Would you like to do a musical? Beatrice_Tate, gaityr, laibarra622 and Luigii I make a nice curry, but I’m not going to open a restaurant. Would I do the Masked Singer? I love The Masked Singer. Nothing has excited my eight-year-old daughter more than when everyone thought Ricky Wilson from the Kaiser Chiefs was me, week after week. You can imagine how disappointed she was when it turned out I wasn’t.

If you were a cheese, what kind would you be? BrianBraddock I’ve got very into paneer curries. Paneer is neither hard nor soft, so I’ll say that because it makes me sound like I’ve really thought about it.

What’s the last item you snatched from a set? NataliaBCN I’m just going back through things I might have pocketed. Maybe this is the upbringing we talked of earlier. I’m very bad with nicking things. I’m plagued with guilt. The last time they released a new sonic screwdriver toy, someone gave me one but I gave it away because I’m so full of generosity, but now I slightly regret it.

Your portrayal of serial killer Dennis Nilsen [in ITV’s Des] was truly terrifying. How do you prepare for a role like that? YorkshireExPat With someone such as Dennis Nilsen, there is quite a lot of material that’s been written about him. There’s video evidence of him. So you immerse yourself as much you can, then join a line between that and the version of the character that’s in the script, because, ultimately, that’s the version you have to portray. One thing we were very careful to do on Des was to not make it from his point of view. I don’t think you can ask an audience to sympathise or understand someone like Nilsen. It’s the story of how he got away with all these things, then was caught. Hopefully the audience is left thinking: how can someone who is just another member of the human race be committing these extraordinary acts and the rest of us not notice or understand?

If you could regenerate as anyone else for the day, who would you choose? TopTramp My wife, just to see how annoying I really am so I could be properly objective and understand her pain.'

#David Tennant #Scrooge McDuck #Crowley #Good Omens #Aziraphale #Michael Sheen #The Masked Singer #The Last September #Macbeth #Doctor Who #Broadchurch #Alec Hardy #Barty Crouch Jr.#Harry Potter and the Goblet of Fire #Des #Georgia Tennant #BAFTAs

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thecrownnetflixuk · 1 year ago

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Fond Farewells Mark the End of an Era for The Crown.

Pt 2 of Season 6 Accedes to the Next Generation – But Reigns Most Triumphant Saluting Its Sovereign.

Review & gifs by L.L @The Crown TV

I wasn't sure what to expect from the final 6 preview episodes of The Crown. Part 1 gifted us with a season-defining performance from Elizabeth Debicki, but such intense focus on the tragedy of Diana and Dodi's deaths was heavy-going. How to move forward?

Not many TV shows stick the landing, but I believe The Crown does, mostly by putting Queen Elizabeth front and centre. In four different ways! But Part 2 takes a while to forge ahead and reign triumphant.

Ed McVey and Meg Bellamy make shy William and swotty Kate believable as a young couple who meet at university – or earlier, as per a flashback with (not Ghost!) Diana. I still found it hard to invest in their will-they-won't-they relationship (we already know they do.)

Instead, it’s sisters Elizabeth and Margaret who have long been the emotional heart of this show; at every stage of their lives.

Former Oscar-nominee Lesley Manville (alongside Queen Imelda Staunton) is truly magnificent in Ep 8 as Princess Margaret, though it's painful watching this vibrant lady struggle as her health worsens.

Memories of the 1940's are a delight. However, I wish we'd seen more of wide-eyed teen Lilibet let loose (Viola Prettejohn) and carefree Marg (Beau Gadsdon) before older Margaret says her final goodbye.

Staunton saves her best for last, bringing dry humour, vulnerability as well as leadership to Ep 10. The 70+ min epic finale 'Sleep, Dearie Sleep' has its shaky moments, but beautifully completes Queen Elizabeth's story when it counts, bringing near-perfect closure. That alone elevates Season 6 beyond Season 5.

Warning - MAJOR SPOILERS AHEAD. This is my final *EVER* review (might be extra long!)

S6 is NOW ON NETFLIX - WATCH THE EPISODES before reading.

Images: courtesy of Netflix

Starting with less good news; the first couple of episodes of Part 2 were my least favourite. Ep 5, 'Willsmania', feels transitional, and a little stuck in the past. Following his mother's death, Prince William (Ed McVey; taking over from younger actor Rufus Kampa) turns inward as he struggles to cope with public attention and grief.

It's an understandable reaction to losing a parent, but Part 1 already spent nearly half a season on Dodi and Diana. It felt like we grieved in real time. As a result, whenever the subject of Diana crops up again in Part 2, it tends to weigh down both pace and narrative.

Ep 6 brings a welcome change of topic. This being The Crown, I'm sure there are critics poised to be offended by Queen Elizabeth's nightmare about Prime Minister Tony Blair being crowned king, but to me, his 'coronation' was hilarious, as was the choir boy singing Blair's cheesy Labour pop anthem.

It felt like deliberate tongue-in-cheek humour, an absurd reminder why monarchy might still be better than populist elected leaders.

I really wanted this episode to work, but it didn't go anywhere, and themes like tradition-vs-modernity were covered more effectively in episodes such as 'Marionettes.' Bertie Carvel has Tony Blair's voice down but suffers from comparisons with Michael Sheen, who was uncanny as the Prime Minister in 3 earlier Peter Morgan projects.

^ PM Tony Blair. The Women's Institute weren't fans of his grandstanding.

The Crown: The Next Generation fully arrives during Ep's 7, 9 & 10. Some will love it. Those who prefer more historical episodes with broader scope may be disappointed, as the show follows William and Kate through University life in the early 2000's.

The newcomers do bring fresh energy to the show. It helps that they cast Ed McVey and Meg Bellamy, who make a sweet couple as Will and Kate, even if William sometimes comes across as petulant.

Unlike Ed McVey as William, Luther Ford doesn't bear much physical resemblance to Prince Harry, other than red hair. Ford does however put in a good performance as Harry becomes increasingly reckless.

The Crown doesn't hide either Harry or William's bad behaviour. The brothers seem to get on well at the start, but it later seems like they're more at odds. Underneath a lot – a LOT – of boozing, both boys appear quietly screwed-up over their mother's death. Neither of them seem to enjoy playing happy families with Charles, either.

The show mostly concentrates on William and Kate, but there aren't many episodes left to develop a genuine romance. They have potential, but it feels fairly surface level. Suddenly, they rush to move into a house share together when we've barely seen them kiss. They (and we) needed more screen time to really get to know each other.

There's a bigger issue here with Kate's mother, Carole Middleton (Eve Best.) Pushy parent Carole is keen to play matchmaker between her 'commoner' daughter and the young eligible Prince, keeping tabs on William. Carole isn't as conniving, but ... didn't we just watch a similar storyline with Mohamed Al-Fayed/Dodi/Diana in Part 1?

^ Kate 'n' Will. Her Mum would frame this picture.

Ep 8 'Ritz' plays like a standalone film. Margaret's final story is touching, but upsetting, at times; I was a fan of Diana, yet sobbed as much for Margaret as the credits rolled, even though her eventual death isn't shown. In fact, her final goodbye is sensitively done and stands as a fitting tribute to the princess, as well as to the Queen.

Lesley Manville makes Margaret's predicament so real as her health slowly breaks down. She bounces back from one stroke, then another hits. How awful too for Elizabeth to watch a much-loved sister deteriorate, though it was wonderful to see Lilibet read Margaret a bedtime story. It brought out the warmer side of Staunton's Queen.

The scene where Margaret scalds her feet in the bath is genuinely horrifying. I've suffered from ill health and loss of control myself and this was so much worse. I could feel her pain. That poor woman.

Human moments are where The Crown excels; through this episode, this working-class lass from a council house could somehow relate to a Princess in a palace. Peter Morgan has surely done more to humanise the royal family than any P.R team ever could.

^ Fans of Margaret (and Lesley Manville) prepare yourselves for her sad final journey.

Onto the big reveal: when I mentioned at the start there are FOUR ways Queen Elizabeth appears – this is what I meant:-

^ Newcomer Viola Prettejohn plays teenage Princess Elizabeth.

^ & there's Olivia Colman & Claire Foy alongside older Queen Imelda Staunton.

Satisfyingly, all 3 of The Crown's leading ladies return to close the show. Olivia Colman and Claire Foy each have an additional scene, too (I won't spoil the entire finale, as it covers a lot of ground in over 70 mins, but Olivia and Claire aren't back as 'ghosts.')

As we get older, the ghosts who speak loudest are our own; the former versions of us we berate ourselves with. Not everyone may warm to the Queen (sort of) talking to herself, but personally, I was thrilled to see these talented actors on screen together.

Foy's scene with Staunton is particularly effective, as the younger Queen gives her older self an old-fashioned dutiful talking to. It's somehow also credible that they're aspects of the same person.

It reminded me of Peter Morgan’s 2013 (extraordinary) play, ‘The Audience', which inspired this series, and included scenes where Helen Mirren shared the stage with young Elizabeth. That play is also why this theatre-fan started watching The Crown to begin with, and later went on to create this website.

When Ep 10 finished playing, my Netflix returned itself to Season 1. 60 episodes over 7 years! I will miss the grand scale of The Crown, but appreciate the legacy which remains. Now feels like the right time for this story to end. A full-circle moment in more ways than one.

**Majestic thanks for reading, and to every person who has liked, reblogged, messaged, supported The Crown TV for all these years.

💎♕You each deserve a Crown of your own!♕💎**

N.B: These are my humble opinions at this point in time. No offence is intended. Agreement = lovely; not compulsory. Disagreement = happens; kindly coexist. Ta!

#the crown #queen elizabeth ii #imelda staunton #princess margaret #lesley manville #tony blair #bertie carvel #william and kate #ed mcvey #meg bellamy #viola prettejohn #claire foy #olivia colman #reviews #articles #season 6 #pt 2 #gifs #the crown spoilers

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