#and treat him like none of this happened

[hythlodaes]

something good.

[tachiharastanacc]

Tachihara losing his brother and not understanding what he was feeling or how to deal with it since he was so young (5). And as he gets older, he starts to wonder if he really missed his brother or he missed the idea of having a brother.

He assumes that because he’s grown since then and it feels so distant that he could handle it if it were to happen now. Maybe that’s because he’s killed people of his own. But he never really wants to dwell on it.

Turns out. It’s not. It hurts just as much, but now he blames himself as well. Why wasn’t he there? Why didn’t he stop Fukuchi when he had the chance? If he’d just asked for help, this all could’ve been avoided.

He’s always been a loner to some extent, never good at processing feelings, always wanting to belong but feeling like he was an outsider.

It’s not until they’re all gone that he realizes how much emptier he feels without them.

Shunzen may have been his brother by blood, but as much as he doesn’t wanna face it. Tachihara barely remembers him.

He remembers them. He spent the last 6 years being raised by them. They always encouraged him, supported him, even when the government and fate itself were trying to control them. And yet.

He wasn’t there.

[creativity-deficient]

Why do some people get so pissy if you have a popular or “overrated” character like Tweek, Butters, or Craig as your favorite?

Like Tweek is my favorite because I think he’s a genuinely interesting character with a lot of personality that people tend to overlook, and who I also happen to see a lot of myself in.

If that makes me “basic” and “boring” then so be it guess.

[sammygender]

im new here- is dean abusive?

imo yeah. smarter people than me have written dissections of the way he treats sam & others (he’s also Awful to his psuedo-son jack, but i haven’t gotten to that season yet), i’ve probably reblogged a bunch of them.

he certainly doesn’t mean to be & i don’t say it to condemn him as a person or as a character & i’m still very attached to him & he loves sam very much (not that that makes a difference in whether u abuse someone or not) - but the way he treats sam a lot/some of the time is emotionally abusive and sam is clearly badly impacted. s4 and s8 come to mind as his worst moments also ofc moc era - after that there’s less interpersonal conflict (up to where i am at least) but that’s because sam mostly stops disagreeing with dean not because dean actually gets much better <3 spn is cycles of abuse show after all. family is hell. dean’s learnt pretty much everything about how to behave from his abusive father and as a result. well. cycle continues

[ableedingpromise]

God I'm so fucking annoyed how come she gets to treat me however she likes and then gets to say she didn't mean it?????

[bunnihearted]

𓂃 ࣪˖ ִֶָ𐀔

[kavehater]

Man I just give up.

[kyouka-supremacy]

Literally shout-out to all the ooc bsd fics out there thank you for making the characters a thousand times more sympathetic and likeable

[themistas]

not far into s14 but ah... sam having compassion for nick over everyone.... saying he deserves another shot.... 'it's not nick's fault he's a mess, he's been housing'.... he understands like none else does....

[ovalt]

.

[thisloveforyourmom]

wow i just saw the worst aftg take i've EVER seen 😭 like do i think the upperclassmen shouldn't be so surprised when andrew gets violent? yes absolutely. but we are not gonna sit here and pretend it's justified for him to respond to an open handed slap by choking allison out for several minutes because he was 'just reacting' 😭

[sandiegokpop]

Afternoon walks w/Wonnie >~ 💖

[memecatwings]

i wouldnt say roman is in love with gerri i think he saw her as a confidant and friend because he was able to show a side of himself to her that he was incapable of showing to anyone else and he deeply regrets what he did to her and he's ashamed he did it but i wouldnt say he's in love with her. roman is, ultimately, alone moreso than any of his siblings because he coats himself in all of this bravado and confidence so he doesnt get treated like the "weak dog". his sexual preference for being degraded and dominated is something he kept very very close to himself - he hid it the way one may hide being queer but he showed it to gerri he let gerri in. but he sabatoged that relationship to try to emulate his father and then regretted it. i believe what roman feels for gerri at this point is regret more than anything else

[rubberbandballqueen]

yesterday at work, the kids had to like, make their own puzzles by drawing stuff on paper n then cutting them into pieces n stuff, n this one kid came up to me saying that the kid sitting next to him was saying mean things, n the second kid was like, "it wasn't me, it was him!" n pointed at the creature he'd drawn for his puzzle.

i didn't really know how to handle the situation (though thinking about it, i probably should have just said that just bc the creature was saying mean things abt his friend didn't mean he was in the right for passing on those thoughts), so i just told him i didn't want to solve his puzzle if the creature it featured was gong to be so mean to other people, and for some reason it worked??

i guess it's just easy to forget how deeply children care about what adults think bc of how we as adults have learned to not care so much abt what other people think and operate on the assumption that others don't automatically care abt our thoughts.

[snekdood]

if you’re so convinced you know what happened, then kill me.

[valeriehalla]

I am so utterly fascinated by “Saki”, the 18-year-running mahjong manga in which you, the reader, become gradually, frog-boilingly aware (over the course of nearly two decades’ worth of mahjong tournaments) that none of these girls are wearing underwear and most of their boobs are slowly expanding.

I need you to understand that I have, like, an anthropological level fascination with this comic. From the perspective of someone who is also a comic artist and writer, two things delight me about it:

the fact that I understand completely how an artist gets from “the fans can have a little hint of skirted asscheek” to “the pussy is completely out on center page” over the course of 18 years; and

the way in which the pussy being out is treated by the characters and diegesis as being utterly unremarkable.

Okay. Point 1. The frog-boiling.

Let me put this in perspective for you. There was already a meme about how the characters in “Saki” don’t wear underwear when I was in middle school. I am thirty now. Okay? And it’s still going.

In the time since, this has stopped being a joke. It is now indisputable canon. This is not because anyone outright says it at any point. It’s because the underwear ran out of places to hide. I’m obsessed with this thought: somewhere in the over 20 volumes of “Saki”, there is a panel in which underwear was objectively deconfirmed. And it would be so hard to figure out where that panel actually is. Maybe the artist didn’t even realize it when she drew it! The frog? Boiling!!

And of course there is also the breast expansion. I don’t know how to put a spin on this. They are just expanding. Like, this happens a lot with artists: you define a character as being, in your mind, “the one with the big boobs”, and over the years you emphasize that trait further and further so that the signal doesn’t get lost in the noise. It’s just that normally���in like a wildly popular manga series about mahjong published by literally Square Enix, for example—normally there would be a point at which the boobs stopped getting bigger. Like, an editor would step in or something. Or you would get to the point where you cannot draw the character in the same panel as her mahjong tiles without her breasts spilling over the tiles, and you’d go, “Well, this is now untenable.”

That did not happen. There is no ceiling. The frog is soup.

Point 2. The complete and utter mundanity of all of this.

It’s like this, okay: there’s no shortage of trashy ecchi manga out there. There’s a million other comics doing wildly bawdier things with wildly more improbable bishoujos.

The vibe with “Saki” is different.

It’s hard to explain this, but it feels like the world of the comic is fundamentally uninterested in the fanservice happening on the page. I cannot describe it as “leering”, because I cannot conceive of a person in the story from whose point of view one would leer. I think the artist is probably into it—I can’t imagine anyone is making her do this—but “Saki” the comic has no opinion on the matter.

There are essentially no male characters in “Saki”. Like, there was one guy? Kind of? At the very beginning? But he is gone now. They put him back in the toybox. He does not exist. It appears to be some level of canonical that in the world of “Saki”, almost all humans are women. Those women are sometimes romantically into each other. According to comments the artist has made on Twitter (which I cannot source), they have lesbian baby technology, so it’s no problem. It’s so much not a problem that the story is about mahjong, instead of any of that.

So, like, the fiction here appears to be this: this is the, like, meta-narrative of the fanservice of “Saki”, right: it’s just normal that they don’t wear underwear and their boobs are arbitrarily big. It’s been normal. It was normal before the story of the manga began. It’s just how things are. Nobody bats an eye about it, and if they do, it’s in sort of a lesbian kind of way so like what’s the problem, we love lesbians here. This is literally normal for girls.

The fanservice simply diffuses into this all-encompassing aura of disembodied, ambient sluttiness. The framing of the panels demands you acknowledge it, and the story demands you already be over it, because it’s mahjong time now, and we’re playing mahjong.

Do you get??? why I’m so fascinated??? Are you not a little enraptured???

Anyway, I have no idea how to end this weird post. I guess the conclusion is that women stay winning????