#and to be clear I don't say this because I want to have 'the same tattoo as Die'

[rhenuvee]

Pretty Privilege [Alhaitham x reader]

A/N: not Alhaitham managing to sneak his way into my drafts for a third time, reader is from Kshahrewar, lovesick!Alhaitham (Alhaitham's a jerk to everyone but you, might be ooc), lowkey could connect to my other Alhaitham fics

Warnings: drinking mentioned but not alcohol, reader gets a little emotional if you squint (not used to affection)

──── ⋆⋅☆⋅⋆ ────

Your boyfriend Alhaitham was... something else. You were new to the whole relationship thing, so adjusting to the dating life was something you had to get used to. What you still couldn't fathom were the "perks" Alhaitham has granted you, as his partner.

"Alhaitham, what is this?"

His roommate Kaveh stood with his arms crossed, looking at the scene before him: You were sitting on the couch, meticulously making your model of your project due soon. It was clear from your eyes that sleep wanted to overtake you, but of course you couldn't give in. But the worst part was Alhaitham, who was sitting next to you- though it was more like behind you by the way he rested his chin on your shoulder.

Kaveh is all for supporting your relationship, and on a normal day he'd treat you guys like friends (he'd never say that to Alhaitham). But in this situation, there was something particular irritating.

"...what do you mean." Alhaitham asks in a bored manner.

"It is almost midnight and you're still up."

"So?"

"So, you're usually asleep by at least two hours ago."

"And?"

"...You- You'd usually complain about something like this! How many times have you bashed me for working on my projects this late, and now you're here with (y/n) staying up! Nothing against you (y/n), you know I'd understand." Kaveh adds in the last part quickly, seeing as his complaint might seem directed towards the wrong person.

"All good." You reply robotically, yawning right after.

"Remember what you said a few weeks ago about the lows of Kshahrewar? I sure hope you have something to explain that and the spot you're in right now, particularly taking back what you said."

"Mhm, Kshahrewar is the best darshan..." Alhaitham mumbles halfheartedly in a monotone voice, almost nuzzling his head closer into your neck.

"...Somehow I don't feel satisfied with that." Kaveh sighs, arms loosening from their crossed position. It was clear that the Scribe didn't actually mean it, or at least was occupied with other things that made his answer seem insincere. The architect leaves, not finding any solution to the issue.

However, the obvious bias doesn't end here. Something similar happened the next week, except the victim wasn't Kaveh (for once). You were waiting in line at a restaurant near the Akademiya.

It sure gets busy during lunch time... You think. And even busier because of the special gift they were giving away…

"(Y/n)." A familiar voice calls to you. You look up from your daze and realize it's your boyfriend.

"Alhaitham, what are you doing here?" Suddenly, you start to feel pairs of eyes drift to your conversation.

"More like what are you doing here." He replies sharply. You internally giggle at your boyfriend's sassiness, but don't fault him because there is an abnormally long line this time.

"Well... they're giving away a free TCG card with their new sandwich." You say shyly. You feel a sigh coming from him for lining up for a little thing, but...

"Why don't you just ask the owner? I know him." He replies.

"...What do you mean, ask the owner? You mean just go up to the front?" You ask.

"Yes."

"-Alhaitham. I can't just do that, I can't cut in line." You stammer. You can't believe your boyfriend would actually condone this type of behaviour. He shrugs and walks off. You huff, thinking how sometimes you can't read him.

A few minutes later, you see him walk back with... a sandwich and TCG card in hand.

"Alhaitham." You cross your arms and look right at him. However, of course it doesn't intimidate him, as he just stares right back with the same deadpan eyes.

"Yes?"

You walk out of line, quickly pushing him until you both reach a less crowded area. Because you're behind him trying to shove him by his stupidly large torso, he secretly smiles at how cute you are, trying to take control of the situation and how you puff your cheeks out because of it.

"Alhaitham, you did not just go to the front and ask for the sandwich." You say, starting to scold him.

"I got the card too." He says, waving it. You tsk, snatching the sandwich and card out of his hand. He snorts at your slight frustration in his literalness.

"Alhaitham, you didn't have to. I could have waited in line like a normal person." You pout, trying to make him see the bad sides of his actions.

"The owner would have kept one for me anyway. And I wouldn't let you stand outside for so long. Especially with how heavy your bag is- don’t Kshahrewar students carry bricks?" He explains, sitting down on the stone.

"That's not really the problem..." You say, even though that last part was quite true. "Even though the owner kept one aside, the people in line who saw that would have felt really mad at you for cutting."

"Why should I care about what they think?"

"Alhaitham!" Sometimes you hate how quick and blunt his responses are. You sigh again. By now you already knew about your boyfriend's habits and how straightforward he thinks- and most of the time he is right. At least you know he had good intentions.

"Don't do it again, please?" You say, sitting and putting your hands on his chest. "At least not without asking me first."

"Okay, fine." He's willing to make compromises, especially when you look at him so dearly. You eat your sandwich in peace, giving Alhaitham a few bites here and there, and talk about things that happened today.

Buuttttt, it still doesn't end there. A couple months later, the semester ends and you decide to go out and have drinks with your friends. Alhaitham also mentioned he was going to be there with his friends, but he'd be at another table. It's a win-win, plus it's good to have him there for safety.

"And then, he just brushed everyone off! So I don't think I'd ever have a chance with him." Your friend says sadly.

"I don't think anyone has a chance with him." Another chimes in. You and your friends laugh at the wittiness, happy to be enjoying each others presence after a long semester of working and studying.

"I've seen him carry an anemo vision." You say from passing by him a few times.

"I've seen that too!" Your friend remarks, and the rest nod along. "He's probably very strong."

"I hope you guys have been enjoying your night!" A waiter says as he comes to the table. "Here are your bills."

The waiter hands your friends their bills, but doesn't hand you one.

"Excuse me! You didn't give me mine." You say quickly, before he leaves again.

"Oh! Your boyfriend has already paid for yours." The waiter says, pointing to his table, then heading off. Your friends coo at how sweet you guys were, and suddenly you have a sense of deja vu. After your friends pay their bills for the night, you immediately walk over to Alhaitham's table.

"Alhaitham."

"Yes?" Once again, you're hating how deadpan he sounds when you know he knows what you're about to say.

"You didn't have to."

"I did." You frown again.

"I'll be outside, saying bye to my friends." You say after sighing. Alhaitham nods, and his friends can only smile when they see another occurrence of him spoiling you.

"Why is it that (y/n) gets much better treatment from Alhaitham, yet also doesn't approve of it?" It's Kaveh's turn to pout now.

"I think it's more of 'acceptance' for them, and let's be honest I'd have a hard time accepting kindness from Alhaitham." Cyno says matter-of-factly. Tighnari's ears perk up at Cyno's blunt yet witty remark, while Kaveh can only grumble in agreement. Alhaitham, surprisingly has a small smirk on his face despite the little jab from Cyno. Kaveh's frown deepens.

"I need another drink." Kaveh crosses his arms. Tighnari and Cyno look at each other confused.

Alhaitham abruptly bids his goodbyes, walking off with a satisfied smile. He joins you and catches up, hearing that you've just said goodbye to your friends as well. After a few minutes of walking, Alhaitham breaks the silence.

"The boys think I've been treating you a lot better than them." He says. You turn and look at your boyfriend, a little surprised that he's starting the conversation this time. Usually when you have time alone, you're the one who starts talking. But you close your eyes and smile, taking this as a sign that he's had a good time- even if he won't admit it.

"It's because you do." You say. You’re surprised he brought this up. You're aware of Alhaitham spoiling you since your relationship started, and it has pushed you into a realm of affection you didn't know of. It's still hard to grasp for you, since it is your first relationship, and he makes you happy.

"Is there a problem with it?" He asks.

"...no." You say shyly. The question he asks has a bit more of a unsure 'no' for an answer than you say, but Alhaitham seems to catch on. "It's just hard to get used to."

"Hard to get used to? You deserve it though." Alhaitham says. And you almost want to cry the way you know he's being genuine, but the words feel foreign to you. He senses your emotions, and brings you to a stop, just a few steps away from his house.

"Alhaitham..." You can barely croak out a sentence. He gives you a soft kiss on your forehead, running his fingers near the spot, soothing you.

"And besides, what they don't know is that I do treat everyone fairly. Including you." He says. You cock your head in confusion. His statement sounds normal, but you can't help but think he means otherwise. "Remember your overdue library book? I did hold you accountable that time."

You quirk your head in confusion. You do remember that, and how panicked you were when you realized after he pointed it out. But you were certain he did not hold you accountable, which was terrible especially with his role in the Akademiya now.

"No you didn't." You remark.

"I did. I told you to give me a kiss."

"Wh- a kiss is a romantic thing, not transactional! You mean to tell me that was conpensation?" You sputter in disbelief. He nods, and you can't stay mad to him. "Alhaitham, you're so mushy-"

"I agree. Add insufferable to that as well." A voice interrupts. Your head snaps to the source, which is of course a mopey looking Kaveh. "Also remind me next time, to walk twenty meters behind you guys instead, when walking home."

You open your mouth to say something, but end up staying silent when you watch Kaveh drag himself inside your shared home. You frown, and Alhaitham looks at you, knowing what you're thinking- the same you've thought several times by now.

"Do not." He says abruptly.

"I will buy Kaveh a cake." You say, not paying attention to your boyfriend. You were aware of their bickering, but a lot of times you can’t help but feel bad for Kaveh. Since you’re in the mix now, you feel partially responsible for the privilege you get from Alhaitham- even on his good side, it’s hard to watch others get ignored by him.

"No."

"And a coffee."

"No."

"Yes." You childishly protest against your boyfriend’s lack of empathy (which he does on purpose) towards who’s supposed to be, his best friend. “Tomorrow I will go buy him a cake and a coffee.”

“He can get his own cake and coffee.” He says sarcastically.

“Yes, but I’m sure it’ll make him much happier if he received it as a gift.” You explain.

“You don’t have to.” Alhaitham says, this time with a little bit of softness. You smile, recognizing his efforts to try and persuade you because you know he doesn’t understand why you care about these things. But this time, you won’t waver.

“But I will.” You retort, walking towards the entrance and grabbing the doorknob. “Besides, you said you hold me accountable, won’t you?”

Alhaitham smirks at your cheekiness as you sway your hips when you walk to leave him standing by himself, a satisfied look on your face after referencing the past conversation. He sighs and shakes his head, thinking of how bold you’ve become. He likes it.

“Of course I will.”

──── ⋆⋅☆⋅⋆ ────

Me: I love Diluc, he is my husband.

Also me: *writes 3 long ass finished fics on Alhaitham*

[paper-mario-wiki]

I feel like I've ended up in the same spot as so transmasc before me: I have a lovely cis boyfriend who loves my tits which I love for him, but I am getting dysphoric to the point I wanna lift my lips and show a lil teeth when I see his hands coming towards them. Feels bad because they are his favorite and we haven't been fucking as much because as soon as he starts touching me I am out of it™ and get all in my head and freeze up. Any advice?

good god, brother. i am utterly baffled at why you have elected me as the strategist for this problem, and i'm even more confused as to why you have chosen to go into as much detail as you have.

but.

if i were to give you some advice on this

i'd say that you should consider a conversation with your partner about the long-term plan for the relationship. a "relationship" is two lives that are connected, right? and your life is not one where you're gonna have boobs for the rest of it (or at least based on what you've told me i would assume, should you have your way, those bad boys are gettin lopped off at some point), therefore it's pertinent that it be brought up, because it concerns your life, therefore it concerns the relationship, therefore it concerns him, yes?

now, the first and most obvious thing to start with out the gate is the boundary, made clear and concise: the hills are now closed, off limits to tourists. all discussions regarding this come next. make it clear that it's about something quite core to your identity, and something that does in fact cause physical pain (a panic response from the nervous system is pain homie).

this brings some followup questions (and remember, this isn't an interrogation, it's a dialogue to share): how does he feel about this? if he's against, why? for that matter, how much does it bother him? is there something he doesn't understand about your discomfort? is there some concern he has about your financial or bodily well-being with regards to the procedure? is it because it's vital to his attraction to you as a partner? if that's the case, would their removal be a deal-breaker?

now keep in mind, these question can be brought up whether or not you've got immediate plans to engage in the aforementioned lopping-off of your aforementioned Bad Boys, because the actual point of this dialectical exercise is to create a simple, easy to navigate, easy to understand conversation, which will set a foundation for further negotiations-- should you learn something new about each other, or yourselves, or the relationship as a whole.

either way, i do not think that letting it keep happening and keeping it to yourself is a good idea. i can understand feeling guilty about withholding some physical and emotional gratification you could give "easily" to this person you care dearly for, but trust me when i say that it's not the way to let it be. not just because it's unfair to your partner to secretly grow to resent them for a reason you don't want to vocalize, but to yourself as well.

you may not know it, but by keeping it to yourself you're slowly building up a resentment. that frustration actually shows up pretty clearly in your message. and even if what you're frustrated about is only that particular activity, that activity is irrevocably tied to another person. specifically, a person that you consider to be a pretty central pillar in your life. if that resentment grows, it can evolve into anger, hatred, fear, paranoia, and all sorts of nasty things. and even aside from the emotional and psychological damage that can do, it can grow into a physiological issue, where your brain wears out more and more due to the growing emotional distress ripping through your neurons with all sorts of "emergency" chemicals. like i said, the panic response is a physical pain, even if your body doesn't feel like it "hurts".

so. to summarize.

ABSOLUTELY bring it up. if you don't, it could become damaging to your relationship, and also your actual real life physical brain.

when you do bring it up, remember that the goals are to set a boundary, and to reach an understanding through mutual conversation. it's a dialogue, not a lecture.

when you reach an understanding, figure out if the relationship needs to be renegotiated in some way. that usually means new boundaries, or expectations. or maybe nothing! though surely your boyfriend can find more things to love about you.

that's as best as i can muster. you don't have to follow it, but hopefully it'll at least give you some ideas you can use.

[grlpartdoll]

Oki part two of this HERE WE GO

I originally wrote you meeting all four in this part but it added up to like 4k words so I'm splitting it up LOL

this is just reader meeting johnny soap mactavish for the first time. Yah yah he's soooo cute. 18+ mdni pls

The first one to see you is Johnny. You look like you've come from the woods surrounding the place, messy and rattled and cold. So fucking cold. Matter of a fact, you're trembling, teeth chattering.

You're wrapped in nothing but a trench coat and you're wearing those little heeled boots, like you're fresh from the city.

You stumble into his pub empty-eyed and with only the bag slung over your shoulder. You settle slowly and quite heavily into a seat at the bar — a place where you can observe the whole room and keep an eye on the door.

Johnny approaches you while buffing out one of those stubborn cups that just refuse to shine properly, that cocky little smirk on his face because he's got fresh new prey among the town, finally.

"Aye, aye, lassie." He watches as your body tenses at the attention, your eyes flicking to his, your mouth stretching to accommodate a grimace of some sort. "Whit can I get ye?"

"I don't.." you clear your throat, cupping the edges of your neck gently with a shaky hand. Johnny doesn't quite believe his own eyes when you peel your hands away and he peeps at a few bruises there, scattered around like someone had grabbed you by the throat and squeezed just a bit too hard for it to be the source of any pleasure.

Johnny half wonders if you're about to have a mental breakdown right here, right now, in his pub, seeing your eyes flicker through about a dozen different emotions — panic and shame and anger and something else he can't quite name.

"I don't have any cash on me."

"Pssh, dun't ye worry aboot that, hen. First drink an' meal's oan da hoose." That's not technically true — but for a pretty frightened little bird like you, he's ready to make an exception.

You clutch the straps of your bag against yourself, and stare around the place for a moment, your eyes searching and searching and searching. Johnny eventually joins your search, but only finds Marty there, the old man that practically lives here since his wife, the local bookstore owner, divorced him — poor guy. Two local kids also sit in a nearby booth, warming up by the fire, having come in for breakfast before school. It's quiet in here, safe only for the kids' low conversation and the old jukebox repeating the same Prince song for the tenth time this morning.

"Do you.. I'd like something.. warm?" You finally ask, quiet as a mouse. It makes his lips twitch into a slight frown. If you notice, you don't say anything.

"Coffee an' breakfast?"

You lick your lips, as though the simple mention of it is making you want to drool, and Johny, like a savage, goes hungry, watching those wet lips plump on your face again. They're a bit bloody — picked raw by those shaking hands on your lap. Johnny wonders how they would taste, just like this. Cold and bloody.

You nod at him, ripping out of his outlandish imagination, and then, like it physically pains you, you choke out a little "please."

Johny gives you his signature puppy-like grin, and turns away to the kitchens, trying to not make it too obvious that he's found his newest obsession.

[youremyheaven]

Random Mini Astrology Observations: Vedic Edition

Warning: This is just a string of random thoughts lol, don't compare it to my best work on here. It's a bunch of stuff I've had in my drafts and I'm trying to clear it all out

Before I get into this, I just want to say, that whether my observations are positive or negative, it won't apply to every individual who has these placements. 8 billion people exist on this planet, and not everyone will exhibit the same good or bad qualities. I hate having to put this PSA because some people don't get it but yeah "not all Lunars/Venusians/Nodals/Solars/Jup/Sat are going to be the same".

Jupiter influenced men are known for being introverted cutie pies who kinda have that mature-dilf-y vibe.

Obviously, another category of Jupiter men are often loud, extroverted and very outgoing but I've noticed these placements heavilyyyy in celebrities "known" for being private and introverted. They are also often known for being generous and kind hearted.

Prabhas, Vishaka Stellium (Moon, Mercury and Venus)

He is known as "darling star" and brings food that he has prepared at home for everyone on set (he is an actor). He is known for being very shy and introverted but also super sweet, generous and kind.

Sidharth Malhotra, Vishaka Moon

Sid is known for being extremely lowkey which is RARE for a Bollywood actor. He's also quite gentlemanly and charitable

Ratan Tata, Vishaka Moon

He is an Indian billionaire entrepreneur who lives in a small 2bhk apartment and has donated most of his personal wealth to charity. He is known for having led his company in a very humane way (there are lots of controversies and im aware of them but compared to the work culture and quality of life that most other indian companies offer its employees, TATA is in a different league).

Keanu Reeves, Punarvasu Moon (and stellium)

i dont have to explain but Keanu is the king of kindness and generosity

Mads Mikkelsen, Vishaka Moon

unlike his characters, Mads is actually a sweet guy and very private

Adam Driver- Vishaka Sun

he's so private that nobody even knows he's married with a kid

Tom Hanks, Punarvasu Sun

known for being a gentleman and quite modest. the OG nice guy and obviously very private

Ethan Hawke, Vishaka Sun

another lowkey, private guy who is known for being nice

2. Rashmika Mandanna and Surbhi Jyoti, Swati Moon

I find their eye area to be kinda similar?? I know they don't look alike but there are some overarching similarities between them and I think its bc they have the same moon nak.

3. I came across a comment that Akshay Kumar made about Asin and her CEO husband Rahul Sharma.

“He is madly in love with his wife, his child. It’s like he treats her like a goddess.

and guess what?? Rahul is a Purvashadha Sun 🥺😌😌

4. Ashwini natives often have post-apocalyptic dreams

Since its the first nak and is ruled by Ketu and is in complete darkness, symbolically representing the stage before creation (which happens in Bharani), the subconscious mind is susceptible to having really strange, fcked up, war-like dreams/visions. Also bc Aries rashi is ruled by Mars, God of War.

5. every Venusian man I know kinda has a voice kink

6. Many Punarvasus crave for a simple, rustic, relaxed type of life. In fact many famous Punarvasus live on a farm

Kaley Cuoco- Punarvasu Moon

Bretman Rock - Punarvasu Sun

MS Dhoni- Punarvasu Sun

Dennis Quaid, Punarvasu Moon on his ranch

7. Jupiter and Venus are 'Brahmins' or priestly, the Sun and Mars are 'Kshatriyas' or warriors, the Moon is 'Vaishya', or a trader, Mercury is a 'Vaisya', Saturn 'Shudra', or a lower caste and Rahu and Ketu are outcastes.

This is not an observation but just an astrological fact that I thought I'd mention

8. Magha girls are often the spoilt daughters or come from very bougie families where they're the princesses. They might emotionally suffer but materially and otherwise, they're very comfortable

Shruti Hassan- Magha Moon

she has spoken about how rough her childhood was bc of her parents' tumultuous marriage and subsequent divorce but that doesn't change the fact that she's the daughter of Kamal Hassan, one of the biggest stars in the history of Indian cinema

Kiara Advani- Magha Moon

Kiara is from a very wealthy and illustrious family, and she grew up as a much loved, spoilt ish daughter<3

Wonyoung- Magha Sun

Wonyoung is from a filthy rich family and she has said that she grew up very pampered. And that she didn't have an allowance bc whatever she asked for she got. However she became a trainee at 12yrs of age and that journey could not have been easy. Despite being born rich, she's had to go through a lot in life to be where she is today

Aditi Rao Hydari- Magha Moon

she's of actual royal lineage so she's a real life princess but her parents divorced when she was a kid and she grew up with a single mom in delhi and not in a palace

9. DMX- Mula Sun (dog yoni) was obsessed with dogs

The late rapper DMX's relationship with dogs, which seems almost mythical. He was born in 1970 - the year of the Metal Dog, and in his teens he ran away from his abusive household and befriended stray dogs while vulnerable on the streets. He began to gather dogs for protection, intimidation and family, and was sent to prison for stealing a dog (a neglected dog chained up in a scrapyard). In prison, he wrote a lot of his early songs, in which he came up with his "dog" mythology, in which he imagines himself as a monstrous dog-themed gangster who barks and howls. He had a huge tattoo of his favourite dog Boomer on his back. In 2008, his 12 dogs were taken from him by cops after there were reports of animal cruelty - DMX had paid a negligent caretaker to look after the dogs while he was on tour. (The dogs lived out the rest of their lives as therapy animals in a women's prison)

I think its interesting how our yoni animal influences our life

10. As Vighati graha, male planets are: Sun, Mars, Jupiter, Rahu; female planets are: Moon, Venus, Ketu whilst two eunuch planets are Mercury and Saturn. All the standard rules for determination of the sex of the child are applicable, female signs are: Taurus, Gemini, Virgo, Scorpio, Capricorn and Aquarius; male signs are: Aries, Cancer, Leo, Libra, Sagittarius and Pisces. Exalted planets indicate male issue and debilitated planets indicate female.

11. Mercurial men and Jupiter men are soooo flamboyant, sassy and gender non-conforming

RuPaul- Vishaka Sun & Moon

Elton John- Jyeshta Rising

Jeff Goldblum- Jyeshta Moon

Prince- Vishaka Rising

Jimi Hendrix- Mars in Vishaka atmakaraka

[solxamber]

Dragon's Favourite Sacrifice – Trey Clover x reader

Trey finds himself volunteering to be the human sacrifice to you in place of his siblings. What he didn't expect was to become your housekeeper instead of being eaten.

Crossposted from my ao3!

The village doesn’t know how to react when Trey volunteers as a sacrifice. He’s fully prepared for the worst, thinking back on all the horror stories the elders tell about the dragon god—the terrifying, ancient being that can destroy their village with one swipe of a claw. At least, that’s what everyone says.

But it had to be done. The village is on the brink of disaster and their last hope was the dragon god that lived in the mountains. The villagers began to proclaim that this was happening because they forgot to send a sacrifice in recent years. And when the current sacrifice chosen turned out to be one of his younger siblings, Trey had no choice but to volunteer himself.

As he approaches the temple, though, Trey wonders why the place looks like it hasn't been touched in years. Not exactly what you’d expect from a wrathful deity.

Maybe they just don't care about keeping things tidy before eating their next victim?

The inside of the temple is surprisingly cozy, but he doesn't have time to think about it. You, the ancient dragon, make your entrance—or rather, you wander in, yawning, and blink at him like you've just woken up from a really long nap.

“Hey… uh, are you the dragon god?” Trey asks, clutching the bundle of supplies he'd brought along.

You stretch, wings fluttering lazily behind you, before giving him a confused look. "Who else would I be? The village’s lost pet?"

Trey blinks. This is not what he was expecting. He was ready for a quick, brutal end. Maybe some fire and brimstone. Not... this.

“Right.” He clears his throat. “I’m Trey, from the village. They sent me as the sacrifice.”

You squint at him like he's just told you the most ridiculous thing you've ever heard. "Sacrifice? They still do that? I haven’t asked for a sacrifice in… decades. I was actually happy to not have my nap interrupted by scared humans. I was going to help with the crisis anyway."

Now it’s Trey's turn to stare. “You… don’t want the sacrifice?”

"Nope." You shrug, completely nonchalant. "You can go back to the village if you want. Or, if you're looking for a change of scenery, the village on the other side of the mountain is kinda nice."

Trey lets out a small sigh, but it’s not exactly relief. “I… can’t. If I go back, they'll think the offering was rejected. My siblings could suffer for it."

You pause, then nod thoughtfully. "Ah, yeah, human politics." You click your tongue. "I hate when that happens. Well, just so you know, the past sacrifices? Yeah, they all ended up in the village on the other side of the mountain."

Trey’s jaw drops. "Wait… what?"

"Yeah." You nod sagely. "They all thought the same thing—'Oh no, the dragon’s gonna eat me'—but I just sent them over there.”

He blinks at you again, trying to absorb all of this information. "So… you don’t actually…?"

"Eat people?" you finish for him, giving him a strange look. "No. That’s gross. Why would I do that?"

Trey's lips twitch upward. A beat of silence passes before Trey clears his throat again. "Mind if I stay, then? I can cook, clean, and—"

You give him a sideways glance, and your eyes light up. "Wait. You cook?"

"Yeah," Trey says, still trying to grasp that he’s negotiating his survival with a dragon.

A slow grin spreads across your face. "Well then, you’re hired. Welcome to dragon duty."

Trey’s not sure whether to laugh or cry at how anticlimactic this has all turned out. He’d prepared himself for noble sacrifice, but instead, he’s somehow signed up for dragon housekeeping duty. With a deep breath, he puts on a smile. "So, uh, what do you want for dinner?"

From that moment on, life with you is… surprisingly comfortable. Trey, ever practical, makes himself useful.

He handles things with the same calm practicality he’d use back in the village, except now, there’s a giant, sometimes snarky dragon looming over him as he goes about his tasks.

He spends his days cooking, tending to the temple’s neglected gardens, and even baking pastries—though you still don’t believe him when he says there’s no oyster sauce in his sweets.

“You’re pulling my tail,” you mutter, eyeing the perfectly innocent-looking cake Trey’s set out in front of you. “I can taste something weird in it.”

Trey just smiles. “Oyster sauce. Definitely.”

You huff, giving up on trying to figure him out, and focus on enjoying your meals and new company instead.

One evening, after a particularly good dinner (with no discernible oyster flavor, much to your disappointment), you glance at Trey lounging by the fireplace. He's been here for a while now, and you find that you're quite enjoying his company. In fact, you're enjoying it a little too much.

"So, you’re not as terrifying as the stories make you out to be," Trey comments one day, setting down a plate of food.

You snort, flipping lazily on your side. "Thanks, I guess. Humans are always so dramatic."

"And the drought?" Trey asks, raising an eyebrow.

"Taken care of," you reply with a smug smile. "Already brought in the rains.”

He nods and settles down next to you, holding a book from the library that you never bothered to visit.

Well, it's now or never. “So,” you begin, almost casually, “I’ve decided.”

“Decided what?” Trey looks up from the book he’s reading.

“That you’ll be my mate.”

He nearly drops the book. “Your... what?”

“My mate.” You stretch your wings, trying to look as imposing as possible—though you’re pretty sure Trey isn’t intimidated by you anymore. “You’re the first human who actually stuck around. And you can cook. That’s mate material.”

Trey is, understandably, at a loss for words. “…You’re serious?”

“Completely.” You flash him that grin again, all teeth and playful confidence. “Unless you’ve got a better offer somewhere else?”

Trey pinches the bridge of his nose, but the smile tugging at his lips betrays him. “No, I think I’ll stick around.”

And just like that, Trey Clover—the supposed human sacrifice—finds himself the mate of a centuries-old dragon. Maybe this wasn’t the fate he expected, but all things considered… it could be worse.

At least the dragon likes his cooking.

Masterlist

[archangeldyke-all]

what about sev and reader meeting little fucker'd girlfriend's parents?

sevika it's like "im killing your daughter if she hurts my baby" and then one of the parents it's like "no, im killing your daughter if she hurts my daughter" and then sevika just shrugs like "yeah that's fair"

this is just so funny i'm such a sucker for family fics heheh

men and minors dni

your daughter's been dating her girlfriend for two years now, and in the fall they'll be going off to college together, so you and sevika figured it was time to bite the bullet and meet her parents.

it's not that you don't want to. it's just that... your family is definitely a lot for those not as used to it as smooches is (smooches is the nickname the twins came up with for little fucker's girlfriend-- because of all the kisses the two are always sharing) and smooches comes from a quiet family.

she's an only child, both of her parents are super smart lawyer types-- and you and sevika both worry that they'll take one look at your home (currently in disrepair because the twins are going through a 'science experiment' phase) and your family (whose love language is teasing and squabbling) and they'll decide that their daughter actually shouldn't be spending so much time with her girlfriend and family. which would break both of your hearts, because as much as you tease little fucker and smooches--your daughter's girlfriend is basically your family now.

she's over for dinner more nights than not, she spends the night on weekends, and the twins adore her.

so, you're all trying to be on your best behavior at dinner tonight. (trying being the key word, because there are just some familial duties that even the best behavior cannot stop.)

stinkerbutt goes around the table at the restaurant and pulls out each chair for the adults, helping push in smooches' dads in with some help from her twin, kissing you and sevika's cheeks sweetly when she pushes you two up to the table.

shithead very politely stacks all your dishes and glasses together between bread, appetizers, and after dinner-- ensuring the table is easy to clear for the waitresses and there's more room for everyone to spread out.

you and sevika exchange pleasentries with mr. and mr. smooches, asking them about work and drama on the pta at the girls' high school-- and you even get some friendly banter going when it's revealed that sevika and one of smooches' dads' share favorite television shows. they spend about fifteen minutes gushing to each other about the writing while you and smooches' remaining dad roll your eyes fondly-- both happy they're not talking to you about the nerdy shit for a change.

there's not one stain on any of your sort-of matching outfits-- little fucker wanted to look like a unit so she insisted you all wear blue-- and you're under the impression that you've made it through the night with out incident.

you're wrong.

but, surprisingly, it isn't your family that starts it tonight.

"i have to say something." mr. smooches mumbles at the end of the night as you're waiting for dessert to be brought to the table.

"babe--" his husband responds, in that same placating tone you recognize from how often you use it on sevika. "it's been such a nice night."

"pops please don't." smooches groans from her seat beside him.

still, mr. smooches clears his throat and takes a sip of his wine before speaking.

"you all are a lovely family," he begins while his daughter groans and hides her face behind her hands, "and i am so grateful my daughter's found someone who loves her so much-- and someone whose family loves her too..." you all wait in tense silence for him to continue.

"but?" little fucker asks.

"but it is my duty as a father to tell all of you that if my daughter is ever hurt-- physically or emotionally-- i do know lawyers who can make murder charges disappear." he says with a shrug.

you raise an eyebrow at his husband, impressed, and he groans and buries his own face in his hands-- just like his daughter.

beside you, sevika bursts into laughter and smacks his back. "i didn't think you had it in you!" she cackles.

"what do you mean?" smooches asks from between her dads, her mortification lessening at sevika's reaction.

"i've been watchin' your old man try to work up the courage to threaten us all night."

"it wasn't a threat! it was just a fun fact about myself i wanted to share." smooches dad says with a growing smile. sevika cackles.

"well, here's a fun fact about our family-- together i think we've got, what was it babe? twenty three?"

"twenty four." you fill in for sevika. sevika grins and kisses your cheek.

"twenty four cousins in prison, so, y'know. we probably wouldn't be able to get rid of the charges, but we'd definitely know how to handle the bodies." she says with a shrug.

the table bursts into laughter, and mr. smooches reaches across the table to give sevika a solid handshake.

you and his husband sit back and watch with fond amusement as your daughters attempt to sneak away from the table without anybody noticing.

taglist!

@fyeahnix @lavendersgirl @half-of-a-gay @thesevi0lentdelights @sexysapphicshopowner

@shimtarofstupidity @chuucanchuucan @badbye666 @femme-historian @lia-winther

@sevikaspillowprincess @emiliabby @sevikasbeloved @hellorai

@glass-apothecary @macaroni676 @artinvain @k3n-dyll @sevsdollette

@ellieslob @xayn-xd @keikuahh @maneskinwh0re @raphaellearp

@iamastar @sevikitty @mascdom @nhaaauyen

@mirconreadzztuff22 @veoomvroom

[nostalgicmiscellaneous]

Lol as someone who actually works in the industry: you guys are very, very naive if you believe a tumblr blog would tell you secrets about the behind the scenes of Bridgerton for a bubble of specific fans, and even less that someone who actually have access to executives would be around telling so many incorrect stuff that can be proven wrong with some clicks. And would tell you about the actors that way, while working for Netflix. It's hilarious because production is segmented, there are different crews as well, and it simply wouldn't have production/executive inside information if it worked close enough to the actors day by day to know them, and they wouldn't work with all of them to know them personally, repeatedly in the way it says, as the teams are the same for a long time and they all have made their opinions on actors very clear. It's so stupid that it made the mistake of telling you all it doesn't work with crew. They really don't know how a production of a show works and it's funny to see anyone believing it. Then again, only Kanthony and Benophy fans do.

Not only that, contradicting not simply Netflix's news of profitability and success of Season 3, but in fact, actual market news and data releases, Investments prospects, and investors reports, plus licensing, that anyone with any inside information would know it's done publicly and show the actual success and profit delivered by Season 3. To even try to say it lost money, Lol. The data is there, if you worked in a exec. position, even management position, you wouldn't say something so ignorant.

Critically, official certified critics, and audience numbers averaged above Season 2 and on par with Season 1, and you can also check the aggregate of that on RT, IMDB, sites that reunited and average the score. Audience is measured not only by Netflix, but Luminate and Nielsen. Data that is ALSO PUBLIC. And that showed the successful amount of views, specially recovering audience that Season 2 had lost. It was also superior to QC. Netflix also ranks #6 ( above Season 2, again) as their most viewed seasons. Another public information.

It becomes evident you're dealing with a fan of Anthony and Kate and Sophie and Benedict when it spills target hate for particular actors, with nonsense that is so painfully clear from a fandom member, a mere angry fan trying with a insane agenda.

That's the problem when someone has an agenda against some actors and some fictional characters, a TV show, specifically a season. They throw away logic and believe anyone.

There is no insider, you have actual market information and investors/ experts that are not even Netflix connected telling you the success of season 3. Anyone who works for the industry would know that. Lol

There is no inside information of actors from that person. All cast and crew, and connected workers, and adjacents from media, PR and more, have their words and testaments to the cast and crew openly at their socials, dismantling their obsessive nonsense, contradicting them. I contradict them, lol, as i've actually met some of them and know their work ethics and behavior.

And most importantly, the so-called ''insider'' is not even from or in the UK…yes, i know exactly what i am talking about. But for now, i wont publish. For now.

Just be aware of bullshit and propaganda with fanwar nonsense. You're dealing with someone who is simply a discontent Kanthony & Benophy fan, and a Simone fan and hater of other actors in the show ( VERY OBVIOUS THE TARGETED HATE), connected ( lol very much connected) to a blog who has adopted the name of "Anti" since the start, who hates Polin. Some people just want to create a narrative, and while they say that Benedict is the most popular and wanted character for the GA, try to justify an eventual less number say it would be S3 fault, when S3 actually revamped the numbers from S2 and had incredible profitability ( again, public data).

But be aware that we know with 100% certainty, people like that do not work for Netflix. They don't even have a clue what a netflix contract is and how it works.

Also, a warning: People should have their faces and real names on when they say things, responsibility is a must, don't you all agree? Sometimes people think they are protected under the anonymity of a tumblr url to lie their hearts out and become desperate later when they have to own personally, with their actual faces and real names, and social reputation, the stupidity of their words.

And in a more fundamental sense, grow up. Tomorrow, someone else can simply create a blog telling the opposite about your favorites, their work, their seasons, it's a game nobody wins when fans act that desperate and stupid, lying and manipulating.

Or worse: perhaps someone with actual information can start posting, and you wouldn't like what they have to say…reflect on that.

[l-in-the-light]

The most embarrassing series of posts about Lawlu you will ever read: edition Whole Cake Island (part 12)

Lawlu in Whole Cake Island? There is none! Actually... do we really need Law to be present to analyze it, come to think of it? Luffy is really all we need; to watch his behaviour, things he says, his determination, to guess how Law's influence would show and how partying ways with him (even if temporarily) would impact Luffy.

This is the Alice in Wonderland Arc of One Piece, which means Luffy's main struggle will be to face himself, his own weakness, fears, and maybe even his own self-hatred. Which is why this time it won't be the usual scrutinizing analysis of frame by frame, but instead I will take a deep-dive into Luffy's mind. Are you ready? :D

Luffy starts Whole Cake Island arc in a rush. Because why wouldn't he feel in a rush? There's a wedding to stop! There's a chance they won't make it in time, after all. But... seeing how Zou ended, there's probably one more reason why Luffy is so irritated and wants to get things done as fast as possible... there will be someone waiting for him in Wano, alongside the rest of Luffy's own crew. Luffy could tolerate being seperated from his own crew for two years, but this two weeks trip to Whole Cake Island seems like a torture to him. What changed exactly between timeskip and now? Oh, right, Law got added into the picture ;)

"See? She didn't have any problem with my yeeting!" and I wish he could add "Law also had no trouble after I yeeted us in Dressrosa, you should be more hardboiled like him!", because I swear, this feels like the thing he actually means. And he is right, Law hated being yeeted, but he dealed with it just fine in the end, keeping his clear mind and sense of direction intact.

And then, out of nowhere, Luffy gains an interest in cooking. Luffy, of all people! The very same Luffy who thought a musician is more essential on the crew than a cook!

He even compares Nami's nutritional knowledge to a doctor instead of a cook. For Luffy, a cook is just someone who makes your food look and taste extra great, but it's not neccessary for a kid who grew up in a jungle eating everything the way it comes or simply by roasting it over a fire. So why is he suddenly so interested in cooking?? Is he missing Sanji that much? Is he trying to make his crew miss Sanji so the reunion is more emotional? Good guesses, but they have one flaw: they don't take Luffy's personality enough into account.

Back in East Blue, Luffy agreed to recruit a cook before a musician only because his crew wanted one and also because he's a freaking glutton.

"You guys are really rude, I made this food for you!" now that doesn't fit with Luffy's personality of "I want to eat all the meat". Suddenly, it's for them, hm?

Then he tries his own "kitchen sink curry", spits it out, shouts that's it's inedible and flips the table! Why so mad? Oh yeah, because as we learn soon after, he tried cooking multiple times and it's still something that can't be eaten. He tried so many times that he wasted a stock of food they had that was supposed to last them for a week, for all of them! And it's all gone in one day.

Luffy's frustration is understandable then, because this is what he considers to be "his best attempt". As we learn from SBS, Luffy's best dish is just a bowl of meat (in other words: pieces of meat put in a bowl lol), which means he would not prepare "curry" or any sort of exquisite dish for himself. He indeed did this dish with others in mind. He would be more likely to just roast whatever he caught and shove it towards them, asking "you want some?", if it was only about him.

Despite his constant failures, he's still not getting discouraged and wants to learn how to cook edible things for people to enjoy. Nami though stops him and tells him "to never go into the kitchen again", ouch. They have been starving for days as the result of Luffy's "cooking attempts" and Luffy almost lost his life as the result (eating poisonous skin of a fish they finally caught), so her reaction is understandable. But this should make us realize that Luffy, thanks to this whole (mis)adventure, understands Sanji better without even realizing it. After all, Sanji was also told to "never cook again" by his father.

But I think this adventure has one more meaning. Whole Cake Island is basically a tale about the good and bad sides of food industry, but also how food creates connections between people. And I think XxXholic covered the latter part better than I could ever put in words, so forgive me for the unexpected crossover here. You don't need to know XxXholic, its plot or characters to be able to follow the quotes, they also don't spoil anything from the plot, so don't worry. We're just following one of the many, many side characters there.

First of all, if you want to repay a debt or show your gratitude, the best way is to offer food and good drink. And the best way to do it, is to offer stuff you cooked yourself, because they require your own time and effort, and include your feelings (of gratitude and love) for the person you cooked it for. If someone does you a favour, it's a good idea to say "thanks" by preparing a dish they like, for example.

"I would like to cook with you and then eat it together. And then I would really like to know more about you. And for you to learn about me, as well" says the protagonist to one of his clients. Cooking together is a big thing because it creates an equal, mutual bond: you get to know me, I get to know you, and we can both try to become better at cooking together, but also better people for each other as well. Because by cooking we learn more about what the other person likes and dislikes, but also about their personality: their usual way of problem solving, about their patience, flexibility, stubborness, ability to learn etc. Your prefered way of cooking can also reflect your personality this way and you try to offer your best through a dish you put a lot of effort to make, for someone to enjoy.

You can learn a lot about yourself as well through cooking. If you compare your own cooking to someone else's, you can realize your own personality traits you wished you would have never noticed (for example impatience, like Luffy flipping the table in anger: even Nami called him out on it, Sanji would not approve of that action!). You might also realize that someone preparing food for you did it with lots of feelings, of kindness and love, and that's why that food tastes good. And if in comparison your own food is terrible, bland, without flavour or personality, it just shows you don't really share your own love with the world through the act of cooking. In Luffy's case up there, his food was so terrible (though definitely full of his personality lol) despite him putting in his best effort and feelings. How did it make him feel about himself? Perhaps like he has nothing good to offer to people he loves? But his final reaction is always this: try to be better and do better!

Luffy offering his failed attempts to his crew serves the same purpose: he's offering them what he has, even if the result is disgusting. But this is the kind of person Luffy is at the moment and he has nothing better to offer!

The sidestory in XxXholic has a happy ending, the struggle continues on and the woman's significant other supports her efforts and says they will wait for as long as it takes. Now, what does that have to do with One Piece? The reason this woman couldn't cook something that would taste good wasn't because she's clumsy, or didn't put any effort in or lacked knowledge (she actually studied cooking like it's an university subject, it clearly mattered a lot to her!).

What she lacked in the end was love, not for others, but for herself. She hated herself so much that she believed anything she would do would turn out bad (which is exactly what happened over and over), almost like she was subconsciously self-sabotaging her own efforts. And since she didn't have love for herself she had nothing to give to others either, despite caring for them and being so grateful to people who loved her the way she is, imperfect, disbelieving in her own worth, broken. She just didn't feel like she has anything to offer to all the great people around her.

Sounds familiar?

"What can you do?" Arlong asks Luffy. "You can't do anything, you're a disgrace as a captain". And Luffy proceeds to say he has great people who support him (which means he does not think of himself as great, he knows he lacks in so many ways), but there is one, just one thing he can do for them back: it's to beat up people like Arlong.

And yet despite that, in Whole Cake Island, Luffy attempts to do what he literally can't do: to cook. He knows he can't do it, but he tries it anyway, knowing very well what the end result will be. It's not that he lost his mind. We mustn't forget why he's doing a stealthy mission on WCI. It's exactly because he can't do what he usually does: beat up Big Mom. He promised he won't do it. But what *can* he do then? It's his struggle to become better and get out of his comfort zone, and he starts that from attempting cooking. It won't be the first or last time that he will fight against himself in this arc, even denying things he had the most confidence in. This is the arc in which Luffy loses the sight of what he can and can't do, and needs to come up with a new answer or rediscover the one he already had all along. This is Luffy in a crisis.

Now is that related to Luffy being seperated from Law and dealing badly with it? Or Luffy realizing how much he knows Law has faith in him and he wants to live up to it? Because like we established before, Luffy is doing this stealthy attempt only for the sake of his alliance with Law, he would not bother usually and would just destroy Big Mom because she's in his way. I can only imagine Luffy's inner struggle when he tries to come up with a new solution here but can't get any, nothing works out if he just can't beat up the bad guy and move on. Luffy's later refusal to eat anything that isn't Sanji's cooking, not even the syrup rain, must reflect how Luffy feels about himself in this moment: he feels pathetic and useless and he must hate himself for it.

There's one more angle to it. Luffy suspiciously wants to cook as fast as they're seperated from Law. He thinks nutritional knowledge is something a doctor does and he's impressed with it. Law is a doctor. It's not a stretch to think that Luffy wants to learn something new to impress his favourite person upon return. It's highly likely he wants to cook for Law as well (and he's using his crew for taste-testing for now), because he has feelings of love and gratitude he wants to convey to him, but he doesn't know how to do it. But Luffy always had Sanji who used his cooking exactly for that: to show his feelings of love for people (and was very vocal about it!). Luffy is just trying to do the same, but he realized he can't do it no matter what. By the end of the arc he comes back to terms with himself and finds the old truth again: he will leave the cooking to Sanji and rely on his crew. He can try to be a better person in other ways, but he will keep on searching for a way to show love and gratitude to them.

And we will not talk about Luffy suddenly remembering people smooch each other and talking about it in context of Sanji's wedding, uhum. If that's on his mind all of a sudden when it wasn't even once for last 80 volumes, then you can guess why it suddenly would be. People who love and care for each other smooch, so maybe he was considering... things...

Another odd thing Luffy does, which is to check on the map and comments, frowning "it's weird". He has a point, because we learn later it was a deliberate trap. But he's paying attention here because he tries to be useful and does things he usually wouldn't be doing. Just like with cooking.

Same here. It's probably the first moment in which Luffy realizes that having a longterm plan would be actually a good thing. Yeah, Luffy of all people. That's because he must be thinking "if it was Law, he would definitely have one". I feel like other people were pointing it out to Luffy before, but it's the first time he actually shows that he kinda cares and isn't answering with "I'm just here for the adventure. And become a king of the pirates, no plans included!".

Look here. This is Luffy in a crisis. "I have to get back and I'll destroy everything in my way if I have to!" Not only he's not supposed to destroy everything or beat up Big Mom, which he points out a moment later, but Luffy is clear here, he made his decision: if he can't go back, he will simply get rid of everything on his way. Getting back is the most important thing, everything else be damned.

Except... are we really talking about Sanji here? Get back where, Luffy? To Wano perhaps, where your crew and Law will be waiting?

"I'm not going to die in a place like this!!", "I made him a promise, but it's not here!!". I'm just saying, this applies both to Sanji and the promise Luffy made "to meet up in Wano". And if he wants to get back no matter what, it's because he knows he can't die here, he can't force a certain someone to go through a big loss again. He would rather tear off his arms than not return at all and break his promise.

And we get Sanji with his "I didn't tell you to wait..." and Luffy just laughs in reply. This particular laugh he used only once before, btw, and I don't recall anywhere else:

When he was telling Zoro how much he's worrying about Sanji. Because why wouldn't Luffy know that Zoro and Sanji are the most important people for each other? Zoro is his best friend and his first crewmate, Luffy just knows what's in his heart, the same way that Zoro probably knows who is so important for Luffy as well.

Do you still think Luffy-Sanji scene was *only* about Luffy and Sanji? That the whole promise talk was only about Sanji? And not two particular people waiting for both of them in Wano? It was always about both reasons.

Luffy says he can't be the king of the pirates without Sanji. And demands that Sanji says how he really feels (which is "to go back on Sunny" ❤). Imagine if Luffy said both of those lines to Usopp in Water 7. Maybe a lot of the conflict could have been avoided. Especially if Luffy would also follow his very own advice, because he was not saying his true feelings in the quarrel with Usopp. What changed since Water 7 in Luffy? A lot, actually. Ace, timeskip, Dressrosa, Law... All those things are huge milestones in Luffy's development. But there's also the promise he made. He promised Zoro his crew to bring Sanji back. And that promise also changed everything.

WCI is also the first arc in which Luffy says he is ready to drop everything, even his own dream, and go save whoever needs to be saved for his crew's sake. It's very ironic how in this scene he also needs to struggle against himself, this time with his enormous hunger, that seems to sabotage his ironclad determination. For once Luffy doesn't do things for food and that despite the whole arc being exactly about food. That's how serious he is.

Now we have to talk about the alliance with Bege. Here is Luffy's initial reaction: "what an awful person", "Bege is gonna get it!". He does not like Bege at all, he also wants to punch him for what Bege did to Pekoms. In other words, Luffy doesn't think Bege is a good person, at all.

But just a moment later, when Jimbei tells him "you should work together with Bege", Luffy changes his mind immediately. He's all up for this alliance. His crew, that has been with Luffy the longest (Nami and Sanji) can't believe their ears. What an interesting change, isn't it? Like I argued at the beginning of this post, Luffy has to do things differently this time instead of doing what he usually does. The problem is, he's not good at anything else than "beating the main bad guy". That's why in this case he's determined to do something he would usually never do. And forgive me for the callback again to XxXholic, because I can't resist:

Luffy has the same idea as the protagonist here. "This is all I can do", and "if this person was with me, they would be able to find a better way". In other words, Luffy agreed to this alliance because he thinks this is something Law would do as well. Luffy is constantly wondering in Whole Cake Island how Law would handle the situation and he knows he can't come even close to his level, but at least he will try to follow in his footsteps.

Of course Luffy wants at first to punch Bege for Pekoms. He's still trying to make this alliance a friendship, and if he hits Bege then they will be even, so they can try becoming friends. That's basically the idea.

But he doesn't get to do that and in the end, Luffy agrees to alliance based on "common goal" or "allignment of interest". He did not become friends with Bege in the process and didn't make things even between them. This proves Luffy knows what an alliance is and it's not friendship. I wouldn't say this means Luffy finally learned what an actual alliance is (though it's tempting, ngl). I would rather say he always knew that, but he chose to make it a point that whatever he has with Law, is friendship firstmost, alliance second.

And here is Luffy listening to Bege's plan. He's trying, okay. Not his fault he's constantly getting distracted, sidetracked and overfocused on making a silly entrance party trick (jumping out of the wedding cake). Bege is just not Law, and Luffy's tiktok's level span of attention is struggling here, heh. Also please notice Luffy's unusual focus on the smooching lol.

Oh, so that's Luffy's idea for the wedding surprise. He just wanted to do ninja's shadow clonining trick, definitely inspired by Raizou's show in Zou.

Coincidentally, that's the technique that was Law's request and made Law so damn impressed. Yeah, this is for sure a coincidence, that Luffy chose to do it like that, even though he didn't really have to have multiple copies of himself here to make it work. I bet he just thought "if Law would be here, that would impress him, I'm sure!" and I bet he's looking forward to telling him all about this adventure later on and seeing his face.

But it was essenstial for his plan to create chaos! He didn't do it just for fun! Are you sure? Because it was Brook who hid himself in the midst and did the deed with Mother Carmel's photo frame, and Luffy did not tell him to do this. Luffy simply wanted to be cool, okay, he didn't think that far ahead. He was supposed to cause chaos, he delivered.

And in his fight with Katakuri, Luffy is the one who has to have faith. Law had his faith moment in Dressrosa, now it's Luffy's turn.

Luffy found his answer about what he can do and how to become a better person for someone. It's to master his observation haki. Which, coincidentally, is Law's forte.

Luffy's curious, very strict words to Jimbei. "Don't let even death stop you, we'll be waiting in Wano!" It's basically Luffy's own promise he made before leaving Zou, just said in more deadly serious manner. That's because his experience in Whole Cake Island made him realize it himself: he will go back to Wano and not even death can stop him from achieving that. Because he promised that to Law people.

I'm sure for Law this would be indeed the most important thing, not to lose anyone ever again, especially Luffy who he (miraculously) managed to save all the way back in Marineford. I don't know how Luffy knows this or if he knows at all about Law's deepest fear, but he's determined not to die on him, that's for sure.

This is also the first big seperation for Luffy and Law. Luffy deals with it, treating everything like an adventure to tell Law later so it feels like Law is there with him even though he's not. But also treats it like a challenge, to become a better and stronger person so he won't disappoint him.

Still convinced there was no Lawlu in WCI? Oh well, if that's the case then all I can say is: I tried my best :D

If anyone wants to read all the parts of this series without going to my masterpost, then just click "love is a hurricane" tag :3

[spiders-hth-is-an-outlier]

A lot of things that seemed weird to me about the current culture of reading and writing became more clear to me when I realized that an awful lot of people are perceiving both reading and writing as tools to get at the thing they actually want, which is a good story. That's why they think it makes sense to read by skimming past dense text and only focusing on dialogue -- that's a "hack" that will get you access to The Story in a mostly comprehensible form, so why not save yourself time and work? It's why people set up speed-reading challenges, because why not consume ten stories instead of five -- that's more! And it's why people, or this type of person anyway, are excited about AI tools that outsource the labor of turning an idea (the concept of a plan, if you will...) into A Story. A Story is the goal for these people, on either the production or consumption end. Generate story, transmit story to audience, rinse, repeat. Whatever makes that process easier, more efficient, and yeah, more accessible is definitionally an improvement.

I don't think people who are this kind of reader or writer (it just took everything I had not to put "reader" and "writer" in quotation marks -- I'm really trying to be fair-minded here!) actually understand the experience the rest of us are having with reading and writing. Taking in a good story can be -- I'd say usually is -- *part* of that experience, but we're also engaging with text in other ways at the same time. We're mining it for types of meaning that extend beyond the story (all those dreaded Themes and Symbols that your mean English teacher banged on about!) We're reading those long paragraphs for the artistry of them, for the musicality, for aesthetic pleasure. We're investigating not just *what happens in the story,* but who the storyteller is and what they're revealing to us about the way they perceive the world.

When we get frustrated about people "not reading it right," we're probably being obnoxious busybodies (you can, in fact, do whatever you want forever!), but we're not doing it because of the joy we get from looking down on other people. It's more like we're watching people be served a delicious roast chicken, and then cut a couple strips of skinless breast meat off the bird, throw the rest of it in the trash, and talk about how they're such foodies. You didn't even eat it! You barely touched the thing! There's so much waste. And it's even more appalling when the chef throws most of the dish out before it even leaves the kitchen.

So obviously I'm not framing this very neutrally, but like, it *has* all become a little easier to process in my head now that I understand what kind of meat the Booktok types are actually hungry for.

[pedro-pascal-love]

It's so sad that she loved him and Cregan loved her too, but he didn't respect her. She could have prioritized her future and married a good man, but she didn't because she kept waiting for a man who in the end will never go for her. Now she finds herself at the end of the road, alone and with no one to turn to. It is so sad because she is a totally worthwhile woman. She may not know about arts and crafts or embroidery, but she has her own good skills, the only bad thing about her is that she waited and still waits for love from a man who is not worth it, instead of prioritizing herself.

She may love Cregan, but it's time to prioritize herself. She's spent so much time living for Cregan, she doesn't know what it's like to live for herself. Besides, even though Cregan seems to love her in the same way, he doesn't seem to be willing to be with her openly as husband and wife. Besides, it would be very disrespectful if Cregan suggests her to be his mistress. That woman doesn't deserve to be anyone's mistress, not even his. Arra also doesn't deserve to be disrespected like that by her husband, who has a mistress. They are both too much woman for so little man. If Cregan decides to take a mistress, then Stark honor would be in tatters. Our girl must choose a new dream, perhaps walk other paths, choose other battles. I know it's sad, but we women must know how to choose our battles. We cannot stay and fight among ourselves for a man who says he loves you, but at the end of the day he is going to marry another woman. That only means that he only loves himself, he is not capable of loving anyone else. It is undignified and very sad that she (I say Reader like this because I can't imagine myself as her) and Arra are chasing the love of a bad man. Sometimes the right decision is not to marry the man we want, but to marry the man who loves us the most, and Cregan doesn't really love either of them.

I think it's more than clear that I want to come to blows with Cregan for getting these two girls' hopes up for nothing. I wonder if Lord Cerwyn (Cregan's canon best friend) and Lord Glover (Cregan's canon cousin on Cregan's mother's side) wouldn't like to seriously court our girl. I mean just because Cregan rejects her all the time doesn't mean other men are the same. Lord Cerwyn and Cregan were best friends since childhood, their home is only half a day's ride from Winterfell on horseback. I think it would be good for our girl to be appreciated by a man who really sees her. Summary: girls if a man promised you something and not only didn't deliver, but also started dating another woman. Leave that man, that man is not worth it, you can't go crawling around for a man's crumbs. More if that man made it clear to you that for him everything was a game, if you accept him back into your life, then you won't know when he is serious and when he is just playing with you.

Reader is definitely going through it. But don't worry, Cregan will be going through some stuff of his own too. He's not going to come out of all this unscathed.🤫

[otrtbs]

Hi I hope you're doing well 🌷

I had a question. I'm totally asking out of pure curiosity, it's not a criticism or anything of the sort.

In ahb (this masterpiece of yours) Sirius's favorite painting is Degas' Dancers.

I wanted to know if you knew the background of this painting and if making it Sirius' favorite was a deliberate choice or if you had no idea at all.

Because the Ballerinas in Opera Garnier in Paris were all really young and mostly, they were poor. The dancers were often their family's hope to crawl out of misery.

The audience was full of men.

In fact, the sad flip side was that there was a whole prostitution network behind the scene. With these young girls. Men could pay for backstage access to watch ballerinas change and sometimes rape them.

So Degas was a big customer.

That's how he painted the dancers and most of his works.

That's again how he sculpted the ballerina, her tutu was added meaning the 14 year old girl was posing nude.

Degas is also suspected of being Jack the Ripper, there are a certain number of credible leads and potential evidences.

That's why I was wondering if you knew.

Since there is this whole chapter where they insult Picasso (as they should) I found it strange that Degas being a known major p*do did not receive the same treatment.

Ps: I'm french, I don't know if I made any mistakes writing this, if I have please excuse me I tried my best 🙏

Okay hi, hello! I am doing well and I hope you are as well! You have unlocked Art Historian Thesis Nat, so I am going to put an extremely lengthy post under the cut, I'm so sorry (this is literally my area of study,,, i fear i am incapable of being brief about this)

I do want to clarify that right off the bat, I don't necessarily think many of these art historical figures are "good people". Like none of them are the best, most moral, upstanding citizens you should model your life after (but they're also dead sooooo). But I also understand that I did take some time in my fanfiction to make my hatred for Picasso very clear, and so I can also understand the confusion in not extending that same hatred towards Degas. But there are a few reasons for that, that I'll try to explain below!

The direct historical documentation of Pablo Picasso's violence towards the women in his life is vast and damning. If you want particularly good insight into his violence and abuse, then I recommend reading Marina Picasso's (Picasso's granddaughter) memoir titled: Picasso: My Grandfather. I also recommend Françoise Gilot's (romantic partner of Picasso) books, Life with Picasso and Picasso and Matisse. It is through the memories of the people who loved Picasso and who loved him in turn, that we hear of his sadistic nature that drove his lovers to suicide and we get personal letters that he wrote to Gilot in which he says things like "Dora, for me, was always a weeping woman… And it’s important, because women are suffering machines" and "For me there are only two kinds of women: goddesses and doormats." His granddaughter has this to say about him: “He submitted [women] to his animal sexuality, tamed them, bewitched them, ingested them, and crushed them onto his canvas. After he had spent many nights extracting their essence, once they were bled dry, he would dispose of them.” And Gilot says: "I am the only one to not have been sacrificed to the sacred monster(…) and is alive to tell the tale. He was a wonderful person to be with, it was like fireworks, amazingly creative, so intelligent and seductive(…) but he was also very cruel, sadistic and ruthless with others and with himself (…) It was the greatest love of my life, but you have to protect yourself (…) The others did not, they clung to the powerful minotaur and paid a very high price."

Why this matters: The evidence for Degas being so virulently misogynistic and cruel towards women is extremely less substantial and more speculative in nature.

Degas being Jack the Ripper. Degas being Jack the Ripper started off as a tiktok theory posed in early 2024, (though you can find an article as early as 2004 written by The Guardian's art critic here) and while fun to think about and speculate, it isn't true. August and September and November of 1888 is when the Jack the Ripper crimes were committed in London and Degas was in the South of France at that time receiving medical treatment because he was in extremely poor health. (Which you can find in The Letters of Edgar Degas edited by Theodore Reff (I'm sure there's. free PDF version out there somewhere)). Also, self-admittedly speculative, but Degas didn't visit the East-End of London when he did make his excursions to London because he was classist 😭. So, it would be odd for him to know the ins and outs of the streets where the murders took place. And also he had failing eyesight starting at 36, so the odds of him being Jack the Ripper are extremely slim.

The Ballerinas Yes, while it is true that the ballerina's were often subject to horrific conditions and were prostitutes for the "wealthy" patrons of the opera house, this does not mean that Degas partook in that. in fact, most historical documentation surmises he didn't. Degas considered himself a "realist" painter rather than an impressionist painter, wishing to document "real life" in all of its ugliness, beauty and unstylized truth. Therefore his primary concern was documenting the opera house and ballet in all of the moments, not just when the girls were dancing on stage. And in many of his paintings, Degas captures the opera patronsn in his ballerina paintings as lurkers behind the stage curtains as sinister black shadows, or as men predatorily watching in nice suits (e.g. Ballet, 1876 and The Rehearsal of the Ballet Onstage (1874)). But Degas himself, was NEVER a ballerina patron, he is even quoted as saying "People call me the painter of dancing girls. It has never occurred to them that my chief interest in dancers lies in rendering movement...". (now this is not because Degas was morally outraged at what was happening to the ballerina's, but because he viewed the men abusing the girls as committing a sin against God by sleeping with prostitutes). But while Degas had access to backstage, he was never a customer. And in fact, Degas is a notorious, well-documented celibate. This is because Degas believed sleeping with women would make him lose his special painting ability. No lie. Here's a direct quote from Vincent Van Gogh in his a letter to his brother Theo about the artist: "Degas lives like a little lawyer and does not like women, for he knows that if liked them and went to bed with them, he would become intellectually diseased and would no longer be able to paint." Degas was also known to reject ballerina's advances as well (again, fearing women would take away his magic painting power).

Feelings towards women By all accounts, Degas friends describe him as being reclusive towards women to being jovial with them, but always kind to them outside of a working environment. He even developed friendships with his fellow contemporary women painters. In a working environment, Degas was obsessed with perfection, demanding ballerinas contort their bodies in painful positions, and making them hold those positions for hours at a time. By all accounts, this was not because he hated them, but was obsessed with capturing their movements, the limitations of the human body, and he demanded perfection from himself. (x x x) (i.e. his obsession for his work and drive for perfection as a painter made him demanding and harsh towards his subjects, not his pure hatred of women).

Conclusions: So by many accounts, Degas was not particularly fond of women, and had little regard for his dancers. But the claims that he must have slept with the ballerina's and been a patron/customer "because that's what all men did back then" are not backed by any evidence. only evidence to the contrary. I went in on Picasso because those that were close to him have written first-hand accounts of his monstrocity. This is not the case with Degas. So, while I didn't tear him down like I did Picasso, I wasn't lauding him as a saint either. I highly recommend reading the article called Degas's Misogyny by Norma Broude which details the ways in which modern times have run away with this idea of Degas being a sadistic woman-hater and how we've gotten to this point. Anyway, TLDR; I was aware of the dark "underside" of the Paris Ballet at the time in which Degas was painting his works. Do I think he is Jack the Ripper and a man who participated in ballerina prostitution? No, not at all. At the end of the day, I am just an art history girl, telling anyone who will listen that there is not enough documentation on Degas to take these claims as 100% truth, or put that man up there with Picasso. Peace and Love! <3

[dungeons-and-dragon-age]

ok sorry i'm just. ????

rant and spoilers ahead because i gotta yell into the void a little

first of and most of all. WHY does it sound like Solas front and center of everthing now??? Including both Inky's and Rook's stories/motivations???? Like okay i understand that Solas will inevitably be important in Rook's story and that's chill! We knew he was gonna play a part in this story! But why do they make it sound like half or Rook's purpose is just there to further Solas's story/character

and it quickly becomes clear that Rook will have their own unique relationship with Solas, as the Inquisitor did before them. I think what's been fun for us, too, is trying to build Rook as kind of almost a mirror of Solas.

Epler also acknowledges that the Inquisitor “obviously has a very personal relationship with Solas,” one that will need to be reckoned with in The Veilguard.

“And I'd say the Inquisitor, to some degree, feels guilty or responsible for what Solas is doing to the world. So while we're not going to get too far into details about what role they may play, they absolutely are somebody who is going to be interested and invested in the outcome of Rook's journey in The Veilguard.”

Why. are you telling us how our Inquisitor is supposed to feel about this?? When you play DAI you agree to play The Inquisitor, yes, but you don't agree to play someone who Cares About Solas. Like. Yes. I get that he is important. That much has been clear since Trespasser. And i'm ok with that! But how come you say "this is a game about Thedas and a world in conflict" and then also talk like this story is About Solas, Actually.

The other thing i absolutely do not get and do not like. At All

Those decisions are: who your Inquisitor romanced (with the options gender- and lineage-locked in the same way that they were in Inquisition), whether or not you disbanded the Inquisition, and whether you vowed to stop Solas or save him.

?????

No "who drank from the WoS"? No "who is Divine"? No "does OGB Kieran exist"? No "is Hawke alive" (Varric is there. SURELY he cares about this a lot)? No "what happened to the Mages & Templars"? No "were Wardens banned from the south"? Arent't those uh. Really Relevant Decisions???? WHY is one of the whole grand three (3) decisions that carry over if Inky wants to save Solas or not. I mean ok i guess i get it cus that was The Big Decision TM at the end of Trespasser but again. Why is that the big thing that matters. out of all the things that SHOULD matter.

There's not as many decisions you have made up to this point that have an impact on what's happening in Northern Thedas.

But it’s also part of the advantage of moving the setting up to Northern Thedas, Epler says, with the prior games in the series taking place in Southern Thedas, a significantly different region both geographically and sociopolitically.

Uh. Yeah they do. See above points and also some that i forgot probably. Northern and Southern Thedas don't operate independently from one another that's not how this works. Especially again with things like the WoS or the Divine decision. Also half our companions from the other games are from the north?? Like yes ok i know get what you mean kinda and it's true to an extent but not like this

for one, the team focused on choices that they felt they could react to meaningfully – not just a cameo or one-liner.

“There's never a sense of, ‘Oh, that decision doesn't exist.’ But maybe we don't touch on it in this particular title,”

The. Cameos and one-liners are what make it special though?? You can't say "We want those stories to be personal." and then say you're not making any of those small decisions matter. And i don't mean matter as in having A Big Impact TM but i know that a lot of us LIVE for those small tiny nods to previous decisions that make the world feel actually alive and connected. I understand that we can't have full on-screen cameos or questlines or whatever for every little tidbit but not even. idk. Background convos about what's going on in Orzammar? Gossip about Ferelden's monarch? A line from Varric about Bartrand? Dunno man. Again not to mention the Big Things like Kieran. or the Well of Sorrows consequences. Or the Divine (which. yknow. is directly relevant everywhere except maybe Tevinter??). Those were always the things that made importing a worldstate so charming! because you could see the small little impacts that you have on the world. The tiny things like the line about the pigeons in Ferelden in DA2 or a wartable mission with Wade and Herren in DAI are so so special to me

[archangel-lucerys]

You know what I find hilarious, when aegon fans act like they give two shits about girls receiving their seat or being looked over in the name of a boy, but are too stupid to internalise the same sentiment when it comes to aegon, who will murder his sister over it.

This is about rhaena and baela never being considered for the velaryon seat.

....neither is joffrey? Because technically joffrey should be hier by default but corlys doesn't want him, and he says he doesn't want him! And does choose baela.

So it's clear its not about placating rhaenyra, or rhaenyra running over any women In the name of ambition

Rhaenys explicitly asks him who the next hier is, colrys brings up joffrey and dismisses him.

Which is what I find so interesting about tg, all they have are this half baked, nonsensical word salad just sound sentimental or smart (to them) but mean absolutely nothing and aren't even backed up by canon.

Now his choice of lucerys might be ambition at first but its clear he grew to love the boy, but don't act like you care about women inheriting lmao, when he does not care for rhaenyra enough to make joffrey hier.

[thebadjoe]

BAD JOE'S DRDT CH.2 CRIME SOLVING THEORY FINALE

Hello! It's me again, the pretend-detective-that-will-prove-once-and-for-all-that-my-solution-is-the-closest-to-the-truth.

Oooo boy, we're getting very close to the end with chapter 2, eh? Man... episode 14... that was quite the episode!

I got a lot to talk about, so I'll try not to waste too much time this time around. And of course, this is MAJOR SPOILERS WARNING OF DANGANRONPA DESPAIR TIME CHAPTER 2.

Let's talk!

As you can see in the title, this is pretty much the last time I'll be talking about my theory for good. The reason as to why should be obvious. We're getting really close to the end of the chapter as well as getting close to having the truth revealed by the series itself.

So in other words, this is my very last attempt at solving the murder mystery. So since this is most likely my last time (until there's another murder mystery I want to solve), I better go out with a bang, right? :D

For those who read part 5, it's mostly similar as part 5, but I added a few more things to support my theory. The main difference will be things that I really have to fix.

Anyways... this latest episode revealed a lot of things. A lot of these things are affected by my theory too. I will split those in three categories : The Good, The Bad and The Ugly.

The Good

Then MonoTV explains that broken and missing things take longer to replace and...

So there you have it ladies and gentlemen. It is now confirmed 100% that the tape was truly missing since the murder attempt. We could even say that because of this on top of how the narrative is going with this episode, there is no other form of grippy tape inside this killing game aside from the one that came from the pull up bar.

Phew! I'm so glad it's finally cleared up, even though it should've been so obvious! (Well, the clue of when the tape was missing was subtle, but you get what I mean, right?)

It was honestly blowing my mind when people were claiming crazy things about the tape... such as "Well, it's a design error by the dev! There's supposed to be a tape there, they just forgot about it!"

So, I'm actually glad and happy that I was absolutely right on that matter, especially since I was the first person who vocally pointed out the missing tape ever since... episode 9, I believe?

It's possible that there were a few people who noticed it before me or around the same time as me, but I don't recall seeing anyone else posting about it. Nonetheless, for those like me who discovered the moment of the missing tape a long time ago? Honestly, kudos to y'all! Amazing job!

Another thing that's also considered good for me is something regarding the attempted murder that I deduced correctly.

"Ace had woken up and was struggling"

I deduced that at some point during the attempted murder, Ace woke up. The reason why I firmly believed that was the case is because of this picture!

If you take a closer look, you can see that there's blood on Ace's fingers. Since those are not finger injuries nor would Nico have a reason to stain Ace's fingers with blood, then the only logical conclusions would be that he got blood on his fingers because he touched his neck wounds, therefore, he woke up at some point during the murder attempt.

Another W for me, let's go! Hurray! Speaking of W... another good thing for my theory happened. In regards to Eden being innocent because the BDA triggered when Teruko, Eden and Whit saw the body at the same time.

YES! FUCKIN YES!!! THANK YOU DAVID! THANK YOU FOR SAYING THOSE WORDS THAT I WANTED TO HEAR SO BAD! I LOVE YOU, BUT ONLY AS LONG DISTANCE FRIENDS!

You guys have no idea how much it heavily supports my theory thanks to what he just said. It was also something that I deduced for a very long time too! There's of course a lot to talk about on this matter, which I will discuss another time.

But for now, let me savor what I consider to be the biggest W of my crime solving theory of this murder case. Things are looking really good for me.

But of course, I have other problems that crossed my way in exchange, so let me show you what I mean.

The Bad

Let's start with the elephant in the room. Nico is sole person responsible for the attempted murder of Ace.

Before I forget, here's my theory post as reference so that you can have a fair idea of what's been debunked.

Anyways, this truth shatters a good chunk of my theory post, especially regarding the attempted murder itself. Because... according to my theory, I thought that the person responsible for the attempted murder was the same culprit as whoever killed Arei. Thinking it was Eden who did the attempted murder on Ace.

But this theory of mine on that matter has sadly been completely denied. Eden did not attempt murder on Ace, that much is a fact that I can't ignore.

But that's not all. It's practically confirmed that the wire found in the gym was indeed Hu's custom weapon.

This shut downs my idea that Eden must've gathered some kind of wire inside a grandfather clock.

I'm well aware that I was kinda pushing it with this idea (even though there were a conversation supporting this idea), but mannnnn.... IMAGINE HOW FRIGGIN SICK IT WOULD'VE BEEN IF THAT WAS ACTUALLY WHAT HAPPENED?! IT WOULD'VE BEEN SUCH A 1000 IQ MOVE ON MY END!!!

Haha! Sorry! I got the hype get the best of me there! I mean, to be fair... I was under the assumption that Eden's must've done the deed and that she must've gathered that wire some other way. You can't fault me for being this creative!

But at the very least, from this narrative, we can deduce that the DRDT Dev may not try to pull a move where we need to imagine something that could've existed somewhere, they probably never intend to make us go for something far-fetched unless there's enough clues to suggest it. I think that will be something very important to remember whenever we get to watch chapter 3 in a future time.

Moving on!

Nico is the person responsible for stealing the turpentine.

This may not seem much at first, but it's actually very bad for my theory. Reason why is that to have my Eden!Culprit theory work, I need a way for Eden to subdue Arei in some shape or form.

The best way to do it would be by knocking her out with the turpentine, but unfortunately for me, Eden initially didn't have access to the turpentine. Nico did. This means that I lost my prime way for Eden to subdue Arei.

Eden obviously can't overpower Arei for obvious reasons... on top of having no signs of struggle on Eden and Arei's body like bruises and such.

So because of it, I need to figure out a way for Eden to be able subdue Arei without having to steal the turpentine as it was Nico who stole it initially. I'll discuss more about it later.

There is also another problem with my theory, not something the episode directly showed, but it's still very noteworthy. Since Eden is not the culprit behind the attempted murder of Ace, my plan of having Arei locked up and hidden in the relaxation room no longer works anymore. Therefore, I currently don't have a way to explain the purpose of the ball of clothes since my whole murder attempt theory is crushed.

So these are the bads, one of them being a lot more problematic than the others. Anyways, I don't even think that's the worst of it all. The worst comes with...

The Ugly

"It's you two, isn't it?"

I'm happy that we finally got Teruko to actually accuse someone... but NOT LIKE THIS!!!

God friggin dammit!

I get it though. I understand why the creator did that. It gives a lot more suspense and a much better reveal at the end of it all, but aaaaggghhh! This is literally the worst case scenario!

Instead of having people try to figure out why this one person is the culprit and how they did it, we now have the community practically split in two to decide which one between Ace or Eden is the culprit of the murder case.

Ugh.... what a pain in the ass! I can't believe you've done this, DRDT dev! Not giving us the final answer until the very end. I will admit though... that was very unexpected and a very cool twist. That makes it much different from what we're used to see in the dangans and fangans! So yeah... well played, dev! But you should know by now... you're not fooling me with this. I know very well what the heck happened behind this murder case! I remain undaunted.

So are you saying that...

Yes... I still believe that Eden is the culprit behind the murder case of Arei. Ace has nothing to do with the murder of Arei and there's absolutely no one else but these two suspects who could've possibly commited murder.

I'm sorry to say this to the people who believe that a third party is responsible for the murder, but that's just impossible. Only these two could've taken the tape and they had absolutely no reason to give it to someone else. Nor did they get it stolen.

Otherwise, why would they not reveal it at all? It wouldn't make sense no matter how you put it. Not only that, but it would be so unsatisfying of a plot twist especially considering that with all the clues we've been given so far, only the people in the gym at a specific time could've taken it, which still comes down to Ace and Eden.

It's also practically confirmed that there's no other source of grippy tape. I understand that you guys are trying to do this because there's a lot of issues with solving the case if eitheir Ace or Eden is the culprit, but instead of going for an unrealistic scenario of who else could've done it, you guys need to figure out how eitheir of these two suspects managed to pull it off despite these problems!

And that's exactly why I'm still dead set on accusing Eden. Because despite all these problems I've encountered since the beginning of it all, I figured out a lot of ways to solve these issues and it's going to be the same thing here. These new problems I have encountered... I will solve them... all of them!

Therefore, being open-minded is crucial in solving this murder case, a complex one at that!

Alright, with these news out of the way, it's finally time for me to solve this murder case! Although, unlike the giant recap that I did on part 5, I'm not going to do that. I will begin by discussing with you all the biggest mystery of this entire murder case.

The Biggest Mystery?!

What are you talking about? Are you referring to the fishes? The broken lights? The ball of clothes? Their murder motive?

Nope! There is something that's been brought up very few times at the very beginning of the trial and never again... even though there's something seriously strange about it.

(I'm sure there's other moments where this was brought up, but I couldn't find them.)

But yeah... there are two suspiciously strange things about this (that people simply brushed it off as nothing wrong happened) and I seriously think we need to look into this.

During lunchtime of the day before the BDA, Arei was seen in the cafeteria, but didn't utter a single word.

Aside from the "conversation between Arei and David in the relaxation room", no one saw Arei from lunchtime up until the BDA.

Let's face it... Arei, who's usually a loudmouth, didn't say a single thing at lunch? That's just incredibly weird! It doesn't make sense! You guys know very well that she would, at the very least, say something mean or troll someone at least slightly.

But even weirder than that is the fact that no one else saw her since lunchtime! There is absolutely no way that Arei would've spent the rest of the day eitheir hiding herself in her dorm or just simply avoiding contact on anyone. That is just so out of character!

Well... maybe Arei was deeply concerned by David's actual secret and was being secluded up until it was the right time to visit David. I mean, David and Ace clearly saw her that evening, so it's fine, right?

Yeah, I don't think so. Let's say she was deeply concerned by David's secret since lunch, why didn't she try to contact David much sooner than that? Doesn't quite make sense now, doesn't it?

Oh! I know! She was spending time with Eden because they're friends now, right?

I'm sorry, but that's not gonna work eitheir. Let's say Eden was the culprit in that scenario... why would Eden lie about not seeing her since lunch?

Well... suspicions would've been thrown at her, that's why.

And why would that be the case? Remember that during that day, Eden spent time with Hu from the evening up until the night time. And since we're under the assumption that the murder occured in the morning of day 4 (the day of the BDA) and that she spent time with Hu as said earlier, her supposed time spent with Arei in the afternoon would be irrelevant to the murder case!

Besides, wouldn't someone at least have noticed that the two of them were spending time together in the afternoon?

And even if we were to presume that Ace is the killer there, it's the exact same thing! Eden would have absolutely no reason to lie about spending time with Arei if that were the case.

Well, maybe Ace intimidated Arei and stayed quiet this whole time because of it!

...really? We all know very well that there's no way Ace would be able to intimidate Arei, of all people!

Then maybe-

I'll stop you there! Let's face it, there's no normal reasons to explain why Arei didn't talk at lunch nor why she was missing for a considerable amount of time. Besides, if it was something irrevelant or completly mundane about what was happening with Arei, what would be the point of doing all of that? Why make it seem like it was a mystery if "nothing special" happened.

I'm sorry, but it just simply doesn't make sense. Especially if the fact that she was missing was brought up multiple times. There is no way that this is unimportant, no matter how you look at it!

This is also one of the reasons why I firmly believe that Ace is not the culprit. It is impossible to give a reasonable answer to this mystery if you go for the Ace!Culprit route.

It's unsolvable! You can't solve it even with Eden as the culprit!

No! That's wrong!

For those who read part 5, I'm sure you know already what the answer to that is. As for everyone else, there is a very interesting and logical way to solve this mystery.

But before I reveal it, let me first bring back a topic from earlier that I wanted to talk about.

David Chiem...

Okay... so what? He's clearly lying about it, as stated by Nico and J!

And why would you assume that he's lying? Is it because he's a lying and manipulative asshole? Is it because you don't believe in anything he says? Is it because you don't understand him? Well... to be fair... he's rather complex and a bit hard to understand his gameplan, however...

Doesn't that statement feel too important to simply disregard it? I'm not just saying this because his quote is in gold and bolded text, but also because of the timing and what he said earlier.

Also... shortly after that, after he asked Teruko, Whit and Eden if they saw the body at the same time and that Teruko answered with "What are you getting at?", here's how he behaves...

Isn't it peculiar? Like... doesn't it feel like there's a sense of emergency behind his defense and reaction? It's almost like... he's been waiting for the right moment to reveal that piece of information. Whether he wants to help or just want to make Teruko despair for the sake of exposing Eden as the culprit, it doesn't matter. He wanted to reveal that information.

His statement that he saw the body first is clearly wrong because he couldn't have seen the body in the morning, he had an alibi at 7:30 AM and it's physically impossible for David to instantly search the playground, find the body, do nothing and go back without being seen by eitheir Teruko, Whit or Eden.

Well, of course, he's lying about seeing the body in the morning. It's literally impossible.

Huh? But why are you insisting that-

David is the first person to find the body, but he discovered it at an earlier time. It doesn't make sense for anyone else to have found the body first. Otherwise, they wouldn't have hidden this piece of information at all, there's no reason to. But if we're talking about David however... it's whole different story. I also have plenty ways to support the idea that he found the body much earlier.

This is after Ace tells the group what he witnessed and after David gets his secret exposed and decides to reveal himself.

Ace claimed that he witnessed David and Arei having a conversation about David's secret during the evening, the day after the attempted murder.

David claims that he's a lying piece of shit and an unreliable witness.

Ace couldn't possibly have lied about the secret he heard from the conversation since that was indeed David's secret. So what else could David be referring to when he claimed that Ace is lying?

Lying about where he heard the conversation wouldn't make sense eitheir, it wouldn't really change much. And we already know for a fact that David visited the relaxation room that day.

Therefore, by process of elimination, the logical deduction would be that Ace lied about when he heard that conversation. Also, doesn't that weirdly coincide with the reveal that he found the body first?

So if you match his body discovery information with the logical possibility that Ace lied about when he heard the conversation with also David's confession that he did indeed meet with Arei that evening without revealing what the conversation was about, we get this amazing solution : David didn't have a conversation with Arei in the evening of the day 3. He had a conversation with her in the evening of day 2 instead, the day of the attempted murder on Ace. David found Arei's corpse in the relaxation room in the evening of day 3.

I know I had many people who used to believe that this can't be true and that David is lying about his claim that Ace's a liar and all that... but quite frankly... can you still make that claim after watching episode 13 AND 14?

In episode 13, we learn from David's memory flashback that there was more to David and Arei's conversation than what Ace let on, which already gives a sign that Ace is hiding something.

And in episode 14, there's of course the reveal that David was the first person to find the body. Let's be real here everyone. I seriously doubt that this is a mere coincidence after all this time.

Anyways, now that I've explained my point regarding David, it is time to connect the dots!

Connecting the dots...

Going back to the biggest mystery...

As I said before, I stated that there's a way to solve this mystery with Eden as the culprit. There's also a very good reason why I brought up the idea that David must've found the body at a much earlier time.

Let's think back on the mysteries regarding Arei.

She did not talk at lunch and she was never seen again since then.

We've already established that it wouldn't make sense for her to stay silent and not be seen again for a long period of time. So what would be the most logical way to explain that discrepancy?

Something wrong happened to Arei that day. If you think back on my idea regarding David, he found Arei's body in the evening of day 3. Then, if you combine that with the fact that Arei was mysteriously missing since lunchtime, we can then deduce that Arei was actually dead for quite some time. It would make sense to deduce that Arei must've been dead during the whole time she was missing.

But Ace witnessed the conversation betwee-

Nope! Remember, I made the deduction that Ace lied about when he witnessed the conversation. He most likely witnessed the conversation happening in the evening of day 2. Therefore, Arei was alive during the evening of day 2.

(FYI, by day 2, I mean the day of the attempted murder while day 3 refers to the day after the attempted murder. Day 4 is the day of the BDA)

Okay, but what does that have to do with Eden being the only culprit that can explain the mystery behind it all?

Don't worry, I'm getting there.

So with the idea that Arei was already at least dead after lunch, it changes a lot of things, but it still doesn't answer the other oddity regarding Arei... Why was she being silent during lunch time?

Before I propose the crazy (and repeated) idea, let me share a fact with you all. During lunch time, Eden was nowhere to be seen in the cafeteria.

Combine everything I've shown you and then we get this beautiful conclusion : Arei was silent during lunch time because that was not Arei. It was Eden disguised as Arei. Arei was already dead during lunch time.

I'm sure you have a lot of questions or things to object to this, but let me first state that it would perfectly explain a lot of things. Not only would it solve perfectly that big mystery I've just shown, but it would also explain why David claimed that he was the first person to find the body. It would also explain this little goofy event in the morning of day 3.

To give a small recap, Teruko wakes up at 8:00 AM, but still feels sleepy. So she's like "5 more minutes."

Then, we get a black screen saying "4 hours later", so she ends up waking up at around noon instead. Funny 5 more minutes turns into oversleeping for hours instead joke, that one! (Let's face it, it's relatable)

Anyways, this little scene right there could be an extremely subtle way to indicate that Arei actually died in the morning of day 3 and they made us unable to witness her death thanks to Teruko oversleeping. It also helps with camouflaging the possibility that Eden was taking the time to set up her disguise trick.

But if you have issues with the disguise trick, I've already explained it many times in part 5 with clues and hints found throughout the series on top of reminding everyone that this is a work of fiction, so as long as there's plenty evidence to suggest it, then it can be possible.

So for that to work, Eden needed to kill Arei in the morning of day 3. So first, she would need to sneakily knock her out with turpentine as it is the only way to-

HAH! YOU IDIOT! IT CAN'T WORK!! IT WAS NICO WHO HAD THE TURPENTINE! HOW COULD EDEN POSSIBLY GET HER HANDS ON IT?! YOUR THEORY STINKS!

Ah, right... the turpentine! Nico stole it from Rose...

That's no problem! Eden got her hands on the turpentine anyways!

WHAT?!?!

Turpentine, where are you?!

You're not possibly suggesting that there was a second turpentine, RIGHT?!?!

Of course not! I'm not that crazy! Come on now! Do you really think I'd make such a claim even though I made the claim that there doesn't exist any other source of grippy tape aside from what we've seen thus far? The same applies with the turpentine.

It is true that the fact that Nico had their hands on the turpentine first is truly troublesome... but then I learned some more facts about the case and realised that there is indeed a way for Eden to get her hands on the turpentine.

That's impossible! Nico had their hands on it!

Nico may have gotten their hands on the turpentine first, but did they actually keep it forever?

Think about it. What else do we know about the attempted murder that we know is true and confirmed by Nico themselves? Nico stole Hu's custom weapon : the wires.

And what was the reason for stealing the wires? To pin the murder on Hu. They were trying to get away with murder, after all.

Now, if we follow that logic, there is also another way to further pin the blame on Hu. Nico could've dropped the turpentine in the dress room, close by Hu's old uniform. It's also possible that they used some of Hu's clothes to knock Ace unconscious with the turpentine.

That way, if the crime actually succeeded, then there would be much more than Hu's wires to pin her as the culprit. But alas, as we all know, Nico's murder attempt failed. So whatever happened to the turpentine in that scenario?

Nico most likely didn't run back to the dress room to grab it back, that's for sure. Which means that in that scenario, from the time Nico knocked Ace unconscious up until Teruko runs into Eden in the dressing room, Eden had an opportunity to grab the turpentine that Nico might've purposefully dropped in that room.

But how could she possibly know that there was turpentine in here?

That's the thing. I don't think she knew that she'd find the turpentine here... well... unless she saw Nico knocking Ace out and has been quietly sneaking since then.

Why would she even bother going there this late at night to somehow stumble on the turpentine if she didn't know that she'd find it here to begin with? That makes no sense.

You're right, it wouldn't make sense. If anything, that was simply an incredible coincidence that she managed to find turpentine, something that she would clearly need to succeed in her murder plan.

I don't get it! If finding the turpentine was mere coincidence, then what was the point of Eden visiting the dress room this late at night?

Initially, before episode 14 was released, I thought for sure that she was there because she orchestrated both crimes on top of locking Arei inside the relaxation room during nighttime. However, both of these ideas are denied.

So by eliminating the impossible, only one truth remains : Eden needed to place Hu's and Teruko's old clothes inside the relaxation room before 10 pm so that they can get covered in sticky starch next morning.

It is a known fact that the "ball of clothes" is covered in starch. We also know that the only source of information we have that could potentially have a source of starch is from the enriched formula of the water misting of that plants for the relaxation room. We also know for a fact that Eden was indeed in the dressing room past 10 pm on day 2.

I highly doubt that she went there late at night only for the sake of being nice and retrieving Teruko's spare uniforms. Therefore, the only way to explain her suspicious presence in that room is if we were to believe that she's the person responsible for the "ball of clothes".

There is no other logical or reasonable way to explain it. This is the only conclusion I could arrive at. Therefore, it has to be the truth!

Alright then... what was Eden trying to do with these starched clothes then? What was her plan?

At the time I'm currently typing this... I do not know.

WHHHHHAAAT?! YOU DON'T KNOW?!?!

That's right... I don't know yet. I have a few ideas, but I don't like them just yet. So by the time I keep working on this post, I'll figure out a proper solution, I promise.

What are you saying?! Are you seriously trying to solve this problem as you are writing your theory post?!

...That's right... I'm still working on it as I'm typing this. But pay no mind to it, the solution will come to me eventually, I'm pretty sure!

...You are out of your mind, you know that?

Yeah... I know. For now, let's just say that having the clothes in that room so that they get starched was very essential in her plan for unknown reasons. At the very least, I found a reasonable way to explain how she get her hands on the turpentine.

For that matter, I know there were people asking me why Eden would even bother grabbing the tape. The answer is fairly simple. It was very convenient for her to get her hands on the tape as it would be necessary in her murder scheme.

In fact, she probably wanted to get her hands on the tape earlier than that, but Nico was already occupying the gym. She must've heard the sounds of Nico setting up something inside the gym (since the walls aren't soundproof) and must've waited inside the dressing room for some time... until the gym was clear. But of course, instead of that, Teruko runs into Eden.

So with that, I believe that I explained every mysteries regarding the attempted murder. Eden was indeed on the second floor on the night of day 2 for a suspiciously specific reason that I've already explained.

So... while I'm trying to figure out the most logical purpose of this ball of clothes, I'd like to give more points that further supports the idea that Eden is indeed the culprit.

Take that, Eden!

Let's start with one of my favorite observations in episode 14.

Ah... that scene was very touching, wasn't it? For a moment there, I almost believed Eden... up until someone in the youtube comments pointed out something really interesting about this scene. Doesn't this remind you of something? ....no? Let me help you out!

Hmm? What does that have to do with anything?

A lot of things, actually. Like... the pictures I've shown you from episode 3, Eden claims that relationships aren't transactional, that she didn't do something good so that Teruko would return the favor. Eden also claims that she wants her to be her friend, but not because Teruko feels obligated to.

Then, in episode 14, Eden asks Teruko to help her, because friends help each other. She also says that Teruko is her friend.

I know most of you will say that Eden was being desperate and in big need of help, maybe there is a tiny bit of truth to it. However, I just find it rather strange because as far as I'm aware, from the beginning of chapter 2 up until the trial, Teruko never showed any signs of wanting to be friends with Eden. So why would she now claim that Teruko's her friend and then ask for help when initially, Eden didn't do something good simply just so that Teruko would do something good in return?

In a subtle way, they're kinda like opposites to each other, the scene between episode 3 and episode 14, I mean.

To further prove my point, I'd also like to point out that during these two scenes, they both played the exact same background music. Coincidence? I think not!

Another point I'd like to talk about is something I've already brought up in the past, but it's still very important to remember it...

This happened in the morning of day 4, before the BDA was triggered. She said this a little bit after Whit made a silly comment about Arei hanging around the playground.

You could brush it off as simply Eden being not ready to seeing the corpse of Arei in here, since all the other rooms were explored on that floor, but of course, I don't believe that one bit.

Whit's comment made Eden panic considerably because for a few seconds there, she really thought that her murder plan was about to be ruined because she thought that Whit was the first person to find the body of Arei.

If Whit was the first person to find the body, then the BDA wouldn't trigger which would be dangerous for Eden. As I stated before, someone else discovered the body first and it was David Chiem.

Also, that reminds me. Timing wise, it was impossible for Eden to bring the fishes from relax room to the playground. It was also impossible for Eden to hang the body by the swing set, she's most likely too weak for that. Meaning that Eden never brought those fishes nor did she hang her by the playground. That was never in her plan to do that. She hid the body behind the curtains of the relaxation room.

Therefore, the only person who could've transported the fishes as well as hanging Arei's corpse is the first person who found the body. David is responsible for those two actions during the evening of day 3. He did it for his own selfish reasons, of course!

But wait... if David hung the body during the evening of day 3, how do you explain the body swinging during the morning of day 4?

Ah, that! It's something I've already brought up in part 6, but I'll explain it a little.

There was a reason why she put so much efforts into disguising the time of death by putting on a disguise and building a solid fake alibi from 7pm to 10pm. Eden's main goal was to have the BDA triggered during the evening of day 3, not the morning of day 4. She was hoping that someone would run into Arei's corpse that evening, which that person would go gather help to trigger the BDA.

If that actually went according to plan, Eden's alibi would've been perfect. !!! Come to think of it... the letter would make a lot more sense with this idea in mind.

Since she had nothing to do with the fishes, the initial plan was to bait the people into thinking that eitheir Arturo or someone who may have overheard the conversation would be the one who tried to lure Arei to the playground.

Except that compared to what we've seen in part 1 of chapter 2, the letter was actually supposed to properly display 7:30 PM rather than just 7:30. It was part of her grand scheme to further solidify her alibi.

(There's a missing corner, as you can see, which is very convenient to where PM could be written)

Wait, hold on... if that was the case, then Arei wouldn't be having a meeting in the playground in the morning, but rather the evening! That doesn't work! You said it yourself that she was murdered in the morning of day 3!

Hah! That's not a problem! Eden didn't need to lure Arei with a letter. She simply needed to call her out vocally. Hell, she didn't even have to be calling her out in the morning of day 3 eitheir.

She could've knocked to Arei's door right after the exchange between Ace, Levi, Teruko and herself after the attempted murder. It could be something as simple as : "Um... Arei? There's something really important I need to tell you, but I don't wanna say it here because the others might hear it since the dorms are so close to each other. Besides, it's getting really late. Can we meet up in the playground early in the morning?"

But of course, since the BDA didn't trigger in the evening of day 3, there were a few change of plans. She needed to go back to the second floor in the morning of day 4 to find out what's going on.

While she's heading there that morning, she figured that she should bring back Arei's monopad. Arei's monopad was essential in pulling off the disguise trick as she needed to gain access to her dorm to wear her spare uniform. Initially, Eden arrived to the second floor possibly a little bit before 8:00 AM, thinking that the corpse would still be hidden inside the relaxation room.

But it turns out that Arei's body was actually hanging by the swingset, in the playground. And there's fishes for some reason? (Just saying this based on the culprit's perspective)

Eden figured that it would be way too risky to mess with the crime scene even more than what she was originally going to do.

And what was she doing here in the morning of day 4?

It's simple! Eden put the Arei's monopad back inside the victim's pockets and she retrieved the letter and tore the bottom right corner of it, removing the PM on that letter. She then tore the rest of the letter and threw it in the trash bin. It's also possible that the reason why she tore the rest of the letter is to disguise the fact that the killer purposefully removed a corner of the letter.

Wouldn't it be more beneficial for Eden to not tear up the pm part since she had an airtight alibi at the time?

Not really, no. Since everyone else would be discovering the corpse at around 8 am in the morning rather than last evening as intended, there's no telling how the group would actually attempt to solve the trial.

It's possible that if the PM part was still there, they might believe that the time might be fake, especially since the body would be found next morning. In fact, if they presume that the murder happened in the morning of day 4, they would suspect anyone who had an alibi last evening because of that part of the letter. That's also practically what happened earlier in episode 12.

Levi : Is it possible that the killer tried to confuse us all on the time of the murder to create a false alibi? In that case, we should be suspicious of the people who do have an alibi in the evening but not in the morning?

Teruko : That's another assumption that would lead us astray. Forget that thought.

Levi : Why?

Teruko : We're only guessing that the killer created a false alibi to their benefit. But it's still entirely possible that it was just coincidence that we mistook the murder as taking place at a different time. The killer might not have cared as much as we do. [...]

Charles : Are you not simply dismissing the idea that the killer intentionally falsified the time of the murder?

Teruko : I'm not dismissing it. But it's far more dangerous to dramatically narrow down our suspect pool based on speculative evidence, especially when we barely understand the murder at this moment in time. In other words, we can't consider Levi's idea as evidence unless we have proof.

And there you have it. If the PM part remained on that letter and they realised that the murder could've happened in the morning of day 4, then that whole letter would've been proof enough that the killer purposefully faked the time of the murder, even if the murder didn't happen in the morning of day 4.

Anyways, if touching Arei's pockets wasn't enough to keep the body swinging, it's also possible that Eden accidently ran into the hanging body on her way in or out because she was still in a little bit of a hurry as she didn't want anyone to catch her in the act.

Hmmm... interesting... how very interesting...

What now?

Well, the idea (that I recently came up with) that the letter always displayed "PM" and that she tore up that part of the letter because her plan didn't fully work as intended... it just gave me another amazing idea.

People have been wondering for quite some time what could be the decisive evidence to pinpoint that someone is truly the blackened... I think I finally figured out what the evidence is.

Well, out with it already! Show us what will prove once and for all that Eden is the culprit!

Gladly! I used to think for a long time that the roll of grippy tape would be the ever so decisive evidence for it, since it was practically a smoking gun type of evidence. But alas... you saw what happened in episode 14, so...

HERE'S THE DECISIVE EVIDENCE : THE TORN UP CORNER OF THE LETTER CONTAINING "PM"

Think about it. We know for a fact that Arei's body was swinging in the morning of day 4 and according to my theory, only Eden could be the logical explanation behind this event happening.

Therefore, Eden most likely visited the second floor in the morning of day 4. Since her original plan was to have the BDA trigger in the evening of day 3 but it failed, she needed to remove the part of the letter that mentioned "PM".

Now, here's the fun part : what could Eden possibly have done with it afterwards? She couldn't really dispose it in the trash bin, that's where the rest of the letter was. Eden still needed that letter to build up her narrative to make her seem the least suspicious.

She couldn't hide it anywhere else on the second floor. She didn't want to risk having someone stumbling upon a piece of paper that just happens to perfectly match the rest of the letter.

She couldn't really dispose of it anywhere on the first floor eitheir. While it might've been a logical way to get rid of that evidence, it would've been incredibly risky. By the time Eden did her finishing touches on the second floor, it should've been 8:00 AM by then, if not really close to it.

Every participant was supposed to meet up in the movie screening room for the secrets reveal, Eden couldn't risk doing something slightly suspicious when she should be heading straight for the movie screening room. She couldn't have gotten rid of it during and after the investigation eitheir, there were witnesses close by.

So by process of elimination, there is only one remaining place that Eden could've make the corner of the letter disappear. She hid the torn up corner of the letter in one of her little bags on her belt!!! It's still there as we speak!

How's that for a decisive evidence, eh? :D Take that, Eden Tobisa!

Yeah, yeah, whatever! That's cool and all, but at the end of the day, all of it doesn't really matter if you can't manage to explain what was the point of the starchy ball of clothes! If you can't explain it, then your theory just crumbles!

...heh! :D

Y-you can't be serious... there's no way you managed to-

It took me roughly a day of thinking about it, but you BETCHA that I managed to solve the issue with the ball of clothes! I have a very good idea on what Eden might've done with this piece of evidence during the murder of Arei.

The sticky situation of the ball of clothes

As I mentioned before, I used to think that the clothes were used as a way to protect Arei from the water misting if Eden were to lock her up inside the relax room. But of course, that no longer works because of the actual truth behind the murder attempt.

Yet, Eden clearly placed those clothes for a night inside the relaxation room, so surely it must've been really important to do that, right?

The answer to that is YES. It was a very necessary step in the murder scheme. In fact, I'm willing to bet that without it, her plan wouldn't have worked.

It's just some starchy clothes. Why would it be that important?

Well, as we already know, there's no way Eden could pull off the murder mechanism as shown in episode 13 (aka the drop hanging murder idea) as it would require a good amount of strength that she doesn't seem to have.

So, for her be able to murder Arei, she would instead need to use a murder mechanism that doesn't require a lot of strength. And not too long ago, I finally realised that using the starchy clothes would be incredibly helpful in pulling off that kind of murder without much troubles. Let me elaborate.

Do you guys remember my murder mechanism in part 5? If not, that's alright, let me give you all a reminder.

(Yeah, I recently added those pink lines as compared to my previous picture, just bear with me.)

Here's the order of how that murder went according to my theory

(The pink line is the longer rope and the green line is the shorter rope)

While waiting for the body to be available, she threw the longer rope above the rafters by using the roll of tape as anchor.

She then uses one end of the long rope by tying it to the filled water jugs, by the handles.

She tapes up the bars of the carousel and then keeps some remaining tape for later.

She then ties up the other end of the long rope to the carousel

She drags the victim's body out of the relax room and brings it close to the seesaw.

She places the victim's arms through the gap between the pillars of the seesaw and the tapes her wrists together.

She ties one end of the shorter rope to the victim's neck while placing the other end of that rope very close to the carousel.

She then spins the carousel on one side, let's say counterclock wise. By spinning it, the long rope would get pulled which would pull the water jugs upwards.

She keeps spinning up until the water jugs are high enough. Once it's high enough, she keeps the carousel from moving.

She ties the end of the shorter rope (the one that was close to her already) to the bars of the carousel.

She then spins the carousel clockwise, making the water jugs fall at a rapid while the shorter rope is quickly getting pulled.

The shorter rope keeps getting quickly pull up until it can no longer pull... up until it reaches the victim's neck, which would serve as a brute stopper.

SNAP! Her neck breaks and the handles of the water jugs also break from the sudden stop.

By using this method, it explains the purpose of the taped wrists as well as the scuffed marks on the ground, which happened to be in proximity of the victim's legs. Because of the sudden pull of the neck, the rest of the body would follow, the legs would be what would move the most since it's not restrained, thus creating those marks.

By keeping her arms locked up by the seesaw, it ensures that her whole body wouldn't follow along of the rope pull, which would instead result in a rather funny ragdoll moment, which would probably not kill the victim if her arms weren't restrained.

It sounded really good on paper. Like I seriously thought that I finally figured it out, I thought that it made so much sense. Unfortunately... there are some issues with it.

Ha ha! Your method is flawed! I'm looking forward to these issues!

...very well. For starters, this might cause bruises on Arei's body with this murder method, especially around the arms and shoulders. The only thing that was really restrained were her wrists, so anything else would be violently moving.

But the reason why it could bruise the arms and shoulders especially is because her head and the rope are in the way of her arms. Her head could potentially hit her shoulders and arms... or it could be the other way around too. This becomes a discrepancy since we know for a fact that apart from her broken neck, there is nothing else noticeable about her body.

Next up, the distance between the scuffed marks and the seesaw is fairly long... most likely longer than Arei's height as well. I was aware of this issue in the past, but I simply brushed it off as "it works because it's a work of fiction."

But the more I look into it, the more I feel like it would be incredibly difficult, if not impossible, to prove that the marks were caused by the movements of the legs. We also have to keep in mind that rest of the body would surely move, so why would nothing above her legs leave no scuffed marks? That doesn't quite make sense. If the marks were way closer to the seesaw, it'd be a whole different story, but alas... that's not what happened.

And finally, it is very doubtful that the legs' movements from the killing blow would be causing all these marks we've seen back in episode 8.

As we can see from this picture, there's a lot of traces on the left side, a faint trace in the middle and a few traces on the right side. I don't think there's a valid reason I can come up that would explain why one leg would be leaving more marks than the other. On top of that, it wouldn't explain why there's a faint mark in the middle and gaps between the others.

Unless I were to presume that her legs did a few skips somehow, but I honestly think that's a stretch at this point. But that's not all, from the way the victim's body would be positioned according to my theory, it would actually be physically impossible for her legs to leave marks in such manner.

As you can see in the picture, the dragging of those marks are going up and down rather than left and right. If we follow the logic of how the victim's body would be positioned according to me, then the legs should be making those marks sideways, not what we're currently seeing.

Dang, those are pretty big flaws. Are you sure that your murder method is correct?

I used to think it was back then, but not anymore. At least very least, the idea of the pulley mechanism sounds right while the body setup and positioning is entirely wrong.

But honestly, my idea mainly didn't work because I forgot to factor in a really important element to this equation : the friction! That's right! To make sure my murder method works, I need to find some way to add friction so that the body wouldn't move as much. And how do you make that happen? With the help of starched clothes, of course!

Huh?! What do you mean by that?

This line is very important because we also know for a fact that the turf in the playground uses the same exact materials as the one in the relaxation room. Meaning that a wet turf in the playground would get sticky too.

I can't believe I let this go unnoticed after such a long time, but the stickiness of both the wet turf and the starched clothes played a major role in all of this.

Here's what I believe the culprit did with the starched clothes : Eden placed the starched clothes under Arei's body and above the turf. Basically, the starched clothes in that scenario would serve as a double sided velcro of sorts.

Would the victim's body really stick to the clothes?

Hard to say, but based on my deductions, it has to, right? We don't quite know how sticky it is, but it must've been sticky enough so that it would add friction, at the very least. I don't think it'd make her completly restrained, but rather her movements would be drastically reduced, I'd imagine.

But hold on! Wouldn't only one side of the clothes have starch on it?

Most likely, yes, but the clothes would probably be wet still. So the double sided velcro idea could still work.

I don't think so! MonoTV clearly stated that at 8:00 AM, the turf in the relax room is completly dry so it's safe to walk on it. If the turf dries up by then, so does the clothes!

Hmm... maybe, maybe not. It's true that the ground would be dry, but it's hard to say that the same would happen with the clothes. But if it is truly how it was intended, then that's no problem! Eden just needed to dip one side of the clothes into the pond and they would be wet again.

Okay, but was there enough clothes to cover the whole body?

Hard to say, probably not, if I'm being honest. But I don't think the culprit intended to lay out these clothes so that it would cover the whole body. No, I think Eden mainly wanted to place the starched clothes under the victim's head and the victim's legs.

The head and legs are pretty much what would be moving the most from sudden violent pull of the short rope attached to the neck, so putting the velcro there would be most effective. They might still move somewhat, but definitly not as much as without the adhesive. In fact, I believe that having the velcro effect under Arei's head would make it even easier to ensure that the rope pull delivers a killing blow.

You forgot something : THE ARMS!!! What about the arms?! Wouldn't they just be flailing around everywhere?!

Oh, that? Well, the wrists were clearly taped up and then-

Then what, her arms are restrained under the seesaw again? You already said that it doesn't work!

Heh, of course not! That's not what the culprit did at all! Arei's body was not placed next to the seesaw for the murder. I've already established previously that there's major problems with it. It wouldn't make sense. Therefore, she must've been placed somewhere else.

There is only one specific place that would perfectly explain the scuffed marks on ground. The area where there's scuffed marks? That's exactly where the victim's body was positioned! Arei died on this specific spot!

W-whaaaaat?!?! That makes no sense! How does that even explain how her arms were restrained from moving anywhere?

Don't worry, I'm getting there! :)

So... when we take into consideration the position of the scuffed marks, there's really nothing close by that can be used to restrain her arms, right? And placing her arms above her head like I did in my year old theory wouldn't quite work eitheir. We'd still have the same issues as what I pointed out already.

So from there, we can deduce that the victim's arms must've been positioned somewhere differently than my previous idea in my older theory. And I believe I found the perfect position to place those arms of hers.

The culprit placed Arei's arms behind her back and then taped her wrists. That way, since her back would be facing the turf, it should keep her arms mostly steady. They might move, but her back should be moving along as well. Her wrists were bound because there was still a risk that her arms would free up from her back since their movements wouldn't be as restrained.

That's ridiculous! There's no way that can be right!

...heh! :D Are you sure about that? Let me give you a reminder of how I briefly described the scuffed marks on the ground. There's a lot of traces on the left side, a faint trace in the middle and a few traces on the right side. If we combine everything I've deduced so far, we get this!

Be mindful that even though I just showed you how the victim's body would be positioned, the body part themselves isn't what fully caused those marks, it was mostly caused by the starched clothes' stickiness below the legs and head.

That would certainly help explain those odd shape and patterns on the ground. As for the wrists area, it could eitheir be caused by her hands or the taped up wrists.

But yeah, as shown in this picture, her head would be moving a bit, but not too much since that's where the culprit needed to make sure remained stable. Her wrists wouldn't be moving too much in this scenario since they would be stuck under her back. As for the legs, even though there would be adhesive below, there would still be a fair amount of movement since her legs have more freedom of movement than her head or wrists.

Just to remind everyone, by movement, I'm referring to the drag caused by the rope making a violent pull on Arei's neck.

And there you have it, ladies and gentlemen! This is my final solution to this complex, yet incredibly fun murder case! I don't know if you've noticed, but everything I've said in this post, it would match up perfectly with a heck load of clues and information that we've been provided in this fangan.

So with that said, I only have one more thing to say : The only one who could've commited this crime is you, Eden Tobisa, Ultimate Clockmaker!

--------------------------------------------------------

Thank you everyone for reading this till the end! There's probably a few things I unintentionally left out, so I'll try to add up anything missing if that's the case. But otherwise, I think that was most of it. If there's anything you don't understand or feel like there's something that may not work, feel free to ask me anything!

And don't forget : because it's a work of fiction, as long as there's enough provided information, then it can be possible!

[thesilmarillionblog]

𝐖𝐀𝐒𝐓𝐄 ── Part 2

Click here to read the first part.

Summary: In the hopes that things would improve between you, you choose to lose your virginity to your friend Dean Winchester because you have been in love with him madly for a long time. However, he doesn't feel the same about you.

Pairing: Dean Winchester x F!Reader

Warnings: +18! (Minors DNI),smut, unrequited love, angst, reader gets hurt, arguments, jealousy

Word Count: 5896

A/N: English is not my first language.

Dean hung out on the second floor with his new girlfriend while you and Sam watched TV. There were no audible voices. Well, you couldn't hear anything that far away, at least. You couldn't stop your mind from concentrating on them, even if you didn't want to. Your head hurt from the mix of the TV's sounds and the rain. Actually, the pain was in your soul.

You waited for regret to surface so you could condemn and despise yourself for opening yourself to Dean, your friend. But despite your best efforts, you were unable to sense remorse. You knew that you would do it again if you had a chance, taking back all that happened. How could you refuse him? You wished to memorize every moment of that night by being able to see every expression on his face. It was ridiculous that something so basic could no longer be made possible. The moments you spent with him are now only vague memories in your mind. All you could recall was the touch—his touch. It was still lingering on your skin. That would be enough.

It was clear to you from the way he laughed with her moments ago that the moment you had spent with him days before meant nothing. It was simply another hookup for Dean. Though you didn't think you'd reveal the truth from your side, you wondered what Sam would say about it. Sam was a good man, but you really weren't supposed to reveal to him that you slept with his brother since it would be too embarrassing. Additionally, you had given your virginity to his brother, whom you referred to as a "friend." There was no way you could tell him this.

You couldn't even recall the name of the show that was on TV. From time to time, Sam cracked up at the jokes. At least one person was feeling good. You looked at him attentively and observed that he had his attention on the show while he ate his popcorn.

He turned to face you, seeing your serious expression as he observed how you were reacting to the joke. In your arms, you held a pillow.

He said, “What's that look?”

“Seems like someone is enjoying, huh?”

“Why not? We all deserve a little relaxation after working so hard as hunters, don't you think?” He remarked, grinning, and turned down the TV. The instant the room was silent, you realized how much the noise had hurt your head. 

“Like your brother?” Compared to what you had anticipated, you sounded more serious. 

“Dean being Dean, you know.” Sam sighed and made a quick statement. Yes, you were aware of it. 

“How is your arm, by the way?” you said with a troubled look on your face. You've been feeling terrible for Sam because he kept you protected throughout the hunt and then ended up hurting himself. He was always considerate and cautious of you and Dean. It was in his nature. 

Sam smiled reassuringly and said, “It's fine. You know, things go wrong, and as long as you save the day, it's alright to get a little bit hurt.”

Stating, “I didn't want to get distracted that easily. I'm not sure what's wrong with me these days, but I promise I'll get better.” The claim that you were acting in this way without knowing why wasn't true. You were certainly aware of the exact cause of your growing distraction. 

If only Sam could read your mind and understand. Otherwise, there was no way for you to tell him straight what happened between you and Dean that night. You had any, yet deep down you needed to talk to someone. But you were very, really embarrassed. It's not like you were teens; you and Dean are grown ups. Reasonable ones, obviously. On the other hand, exposing your situation to him would be the same as declaring your love for him and would reveal your feelings for him.

“Really, Y/N, it's all right. What is done is done.” Sam looked at you, totally shutting off the TV. “Ignore what Dean said. You know how protective he is all the time. If you were the one who was harmed by me, he would say the same things. Though he may have come off as tougher, his intentions were good.”

"I'm afraid that's not true, Sammy. I mean, I know his intentions were good, of course, but I guess I touched his nerves this time for real.”

You attempted a smile, but it did not reach your lips before you realized Sam was trying to soothe you.

Sam replied awkwardly, “He cares way too much about the people he really cares about.” At these meaningless remarks, you both halted for a little period of time. “Well, it wasn't the best way to put it, but you get the idea. You might understand if you were raised by an older brother. He's not a bad person; there are just moments when I don't understand him.” 

“Of course not,” you cut him off right away. “You don't even have to say it. Don't get me wrong; I'm not saying anything negative about him. I would never.”

“I know, I know...” Sam spoke quickly. “Still, I'm simply advising you not to think too much about what he said previously, all right? We've been hunting for more than a year; it's not that he doesn't like you. Remember that a year ago, it was he who offered the invitation for you to join that team?”

You ultimately nodded as Sam attempted to convince you that Dean didn't mean to hurt you. 

“Yes,” you murmured to yourself. “Considering how often you two sustain injuries, a nurse would be beneficial. I wonder if Dean was looking for a nurse for himself and his little brother, or if he was looking for someone with hunting abilities.”

“Let's say you're just talented enough to take a part in that very humble team,” Sam laughed. “And you're being a nurse is just another plus.” 

You sighed and then gave him a genuine smile, saying, “Fine, if you say so.” You had finally been somewhat diverted from your thoughts about Dean and his girlfriend by a brief conversation with Sam. 

Curious, you said, “How about you and Ruby, by the way? It seems that you two have become a very good couple, haven't you?”

“We're looking for something…to work out. But it's okay for now,” Sam remarked hesitantly. You found it amusing that he was so forthright about everything else than relationships. 

“You seem to be very much in love.” Not knowing how to present the matter to Dean without taking any suspicion, you offered an innocent glance to Sam. Sam was smart in every other way. Sometimes he observed and gazed at people as though he could see right through them. 

“She's like no one I've ever met,” Sam said timidly. “I think it will take some more time to work it out, but it's fine so far.”

“I'm glad to hear that.”

“How about you?”

You hesitantly replied, “What?” as he sent you one of his suspicious stares. 

“I've been thinking about lately and come to know... that it has been a year and I didn't even see you with anyone. That seems a little odd, don't you think?” Sam arched an eyebrow. “Are you not seeing anyone, or are you keeping it as a secret or something?”

You shifted on the seat and hugged the pillow against your arms a bit extra to help you unwind. In the end, he knew nothing about Dean or you. There was no reason to be anxious. It was only chitchat. 

“No, of course not!” You stopped him off before he started asking his questions. “It isn't... I'm not interested in anyone right now.”

“Really?” With a look of suspicion, Sam inquired. “We met other men throughout the cases, and they seemed to be interested in you. How can you tell whether you're interested in one of them if you don't give it a shot?”

“Sam, I don't like hookups. Something like that is not what I want.” However, you've turned into Dean's one hookup. The thought briefly ripped through your soul, given how little you've been talking recently, as if there were an unambiguous wall between you that you could not break down no matter how hard you tried.

“That's not what I'm saying. I'm just trying to get the point that you should give people a chance to win you over. How in the world would you know if you liked someone or not without that?”

“I don't want to,” you interrupted, concentrating solely on Dean. It would be simpler to get Sam to understand you if you could tell him how you feel about Dean. 

Sam groaned and said, “Fine. It was just an advice.” 

“I know, thanks,” you responded, putting on a timid grin. “Will you continue to watch TV for a while? It's growing late.”

Sam said, “I think I will,” as he looked at his watch. “Are you leaving?” 

You said quietly, “Yeah,” as you peered out the window to see the weather. It was pouring. You would have hated sunny days even more if you had gotten intimate with Dean on a sunny day. Rainy weather used to be something you enjoyed, but now it just hurt.

“I think it's better if you stay though,” Sam said, taking a deep breath and using one of his fingers to show you the pouring rain. “You're not the best driver.”

With a harsh tone, you said, suddenly tossing the pillow over his face. “Did you just insult me?”

“That's not insulting,” Sam shot it back at you. “I'm just saying that you're no Hamilton.”

You said, “You have no idea,” and you couldn't help but smile as you recalled the day Dean forbade you from driving on rainy days after you nearly had an accident. Dean continued to get anxious when it started to rain while you were driving because of that day. His Baby was more important than anything. 

“Will you be watching TV or?” Taking back the remote control, Sam asked. 

“No, thanks; enjoy yourself.” Setting the pillow down next to the coach and stretching your arms, you yawned. 

You couldn't help but notice the agonizing heavy feeling in your chest as it began to flare up again like tiny needles as you made your way upstairs. Even though you didn't want to hear anything, you were listening for any sounds coming from Dean's room. As you passed, your movements almost seemed to slow down, but you quickly realized what was going on, and you entered the dark room where you would be spending the night, as if your brain didn't want to hear anything.

You had been repeatedly asked to leave the same house by Dean and Sam and start to live with them, but for whatever reason you were unaware of, you had refused. If they repeated the offer, you would most likely take it immediately. God, even if you just lived in the same house, you would probably fall even more in love with Dean. During hunts, it was even sufficient to see him for a few hours. Your heart ached to think about his face, his grin, and every joke he ever told.

Has the night some weeks ago caused you to ruin what you had? You didn't feel any regret, but as you noticed that Dean was becoming more aloof, regret started to consume you.

You'd just gotten out of the shower when your hands found one of Dean's t-shirts. You desired to wear it like you had some weeks prior. Back then, it wasn't a big deal; instead of complaining, he would just make jokes about how little and amusing you looked in them. But things were different today, and you knew it wouldn't be proper to wear it while he had a girlfriend.

If he truly had affections for someone, you didn't want to spoil things for him.

They laughed a little too loudly as you lay down on the bed and pressed his t-shirt against your chest as if it would bring him further closer. Dean's laughter mixed with Jo's. You tried, devastated, to focus on the soothing sounds of the falling rain and on the absurd or hazardous situations that had transpired during the hunts. It was useless. 

That was the moment you became aware of how really alone you were. Perhaps Sam was correct about telling you to pursue a romantic connection. However, how could it be possible when you were already deeply in love with someone? Anytime Dean was around, your heart felt like it was going to explode. You had no idea how to handle things like that. 

You set his shirt down and let it fall to the ground, acting as if doing so could shield you from the overwhelming feelings that Dean had given you. God, how could you possibly let go of your feelings for him when you couldn't even let go of a single piece of fabric with ease? 

You were so miserable and pathetic that you were unable to stop crying this time. You dreamed of something you could never have as the tears flowed down your cheeks and onto the bed. You will always cherish the beautiful memory the night gave you, but at what cost?

You were sobbing, but you weren't sure if it was from the noises Dean and Jo were making or from the dreams that could only have come true in your head. 

Your impulse to pick up Dean's t-shirt from the floor gradually vanished as your tears dropped to the bed and the pain consumed your entire being. Until today, you had no idea how much you actually loved him. 

“What happened?” With a big smile on her face, Jo placed her fingers around Dean's face and inquired in between laughter. She teased this thick neck with a quick, playful kiss. On his lap, she became still. 

Dean's fingers raised her skirt and were ready to push her underwear aside. Jo continued moving on Dean's lap, making herself wetter by rubbing herself over Dean's boxer, her hands lingering on his wide and bare chest with desire. 

“Nothing,” a rough-voiced Dean said. From the room where you were staying, he thought he heard something. He had heard you took the upstairs before he'd gone to the bathroom. You most likely made the decision to stay since it was pouring rain outside. You definitely didn't know how to drive in such conditions. He shuddered, remembering when you nearly crushed his baby and sent it to his sweet vehicle burial. 

Jo touched Dean's naked chest and paused her palm at his abs, saying, “You seem to be like thinking something else.”

“I wasn't,” Dean lied. It was not significant at all, so there was no need to provide details.

“I was just thinking though,” Jo said, attempting to find the right words to say. 

“About?”

“I think we'd be a great team, you know.” With a sly smile, Jo continued to stroke Dean's abs with the tips of her fingers. “As you are aware, Sam, you, and I would make an excellent team since we are now somewhat of a family, since I am also a hunter. Do you not think?”

Dean moved slightly on the bed, thinking of you, irritated at Jo's disregard for you, as if the details weren't even important. You were a member of the team. He was the one who initially made the offer to you in fact. Besides, they weren't even paired up. He said nothing about it so as not to hurt her feelings or make her feel humiliated if she brought it up. 

“How about Y/N?” In an attempt to lighten the mood and soften the air, Dean attempted to smile at her, but his smile did not reach his lips.

“She's a nurse,” Jo said, as if it were an insult. Dean felt uncomfortable and uneasy because Jo was attempting to push out the details of what she truly wanted to say about you. Despite her best efforts to seem polite, she came out as cunning and bitter. That was something Dean did not appreciate. 

“So?” Dean arched an eyebrow in questioning. “She is the only one still alive due to the terrible things that went wrong; her family was full of hunters just like ours. She doesn't even need to, yet she still has passion. That's very encouraging, in my opinion. I mean, continuing to work in the family business while also doing her professional job responsibilities. That requires guts.”

“Are you defending her?”

“I am,” Dean said in a firm and harsh manner. Jo was still on top of him, trying to get him to say nasty things about you, and he didn't enjoy her attempts at distracting him with handiwork. Dean felt unease and a strong sense of aggressiveness.

He never explicitly expressed his admiration for you for persevering through everything and for having the guts to face your fears. Jo recognized how much he genuinely admired you in his heart when he explained how excellent you were at what you did. Even though you occasionally were easily sidetracked, you were a professional.

Jo sighed, but she didn't give a damn about Dean's opinion of you. In the end, you posed no threat. For nothing at all. 

“I don't think your dad raised you and Sam for doing some charity to the orphan hunters and helping them to find a belonging,” Jo said. Although she made an effort not to seem cruel, it was the reality for her. “I am aware of the danger she took for Sam when you all were hunting last time. It is a weakness to be easily sidetracked in this.”

Dean's eyes grew enraged as Jo carried on speaking in a sinuous manner. She was aware of his dislike of others discussing the persons they cared about in this way. Particularly about the people he respected and gave enough thought to. 

Dean whispered, “Jo,” but it seemed more like he was threatening her. “Stop this fucking nonsense now. I'm serious.” 

“Do you have a soft spot for her or something?” Jo inquired once again. She also bit her lips invitingly while gently raising her skirt to reveal her pussy to Dean's gaze in an attempt to divert his focus elsewhere.

Her eyes were full of promise. In particular, Dean found it amusing when ladies looked at him with such passion. 

Dean immediately felt a sense of relaxation as his hands moved to her hips. He sighed and refused to answer. “Are we just going to talk?” he asked. She began removing her clothes rapidly while he licked his lips and observed. 

“Hopefully not,” Jo laughed in response. She was relieved that she and Dean had stopped talking about you. “Let our bodies talk in their very own, divine language.”

Dean switched the positions before she could say anything more. Now that he was on top of Jo, he was urgently kissing her while his mind was racing with ideas he wanted to put down for the night. 

Dean roughly spread Jo's legs wider and pulled her underwear aside, freeing himself from his boxer. With a single forceful shove that caused them both to moan loudly, he gave his firm cock a few strokes and pushed himself in Jo beforehand. That was an excellent way to get some real comfort now. 

Jo hadn't kept it low at all, so Dean put his hands on her mouth to silence her, causing her to sigh into his hands without intending to wake anyone. He picked up his speed and began to push into her rough and fast enough to satisfy both of them, knowing that she enjoyed being fucked raw and fast and that Dean also wanted to find his release. 

While he continued to fuck her, Dean warned her to "keep it low," suppressing his own groans.

She was, however, loudly groaning in Dean's hands, locking her legs around his hips, matching his speed as she raised her hips, as if she wanted everyone to know that she was getting fucked by Dean. Dean warned her to turn down the volume once more, but it didn't help.

In an attempt to find his release, Dean thrust into her more quickly, giving the impression that he was being forced to come—as if this were a mission or one of his hunts. He was striving to find his pleasure when he felt nervousness take over his body. He wasn't accustomed to feeling this way, especially around women.

His other hand tightened on Jo's tits, and he ran his fingers through her ass to help himself. His movements were forceful and impatient. All he wanted was for her to be somewhat silent so that he could focus more easily. It wasn't like Dean liked to be all crazy harsh on ladies or anything; he just needed to experience the closeness of a true, sincere touch, which was difficult to find at the moment.

He was on the verge of getting there, but he was unable to seize the ideal moment of pleasure and find relief.

Though it wasn't appropriate to think about it right now, Dean's thoughts began to form around the moment he and you had shared weeks earlier as he continued to stroke his hardness into Jo's warm pussy while muttering under his breath. It was as though his body had a mind of its own and knew when it was best for him to get what he was looking for.

His thoughts were hopelessly consumed by the sensation of your tightness and those moments of adorable small sounds that you attempted to hide from him. Dean attempted to concentrate on the woman who he was actually fucking into, not feeling proud of how he thought about you while he fucked Jo into the covers. Thinking about how he fucked you wasn't fair to no one at all. But his own body, which was attempting to steal what it desired by using Jo's body, was not under his control.

Him fucking Jo was becoming a battle between Dean's body and mind. Pleasure and reason; soul and mind.

Jo began to quiver instead of groan loudly, and as Dean withdrew his fingers from her lips, she cried out, “Will you come inside?” 

Dean instantly said, “No,” realizing that he hadn't been wearing a condom throughout his frantic sex with her. “Stay still.”

With a hint of rage, Dean sank his fingers into Jo's flesh and his head into her sweating neck, fiercely shutting his eyes. He was going insane as he struggled with his own thoughts, which were attempting to recall every little detail about your body and how you responded and tightened around his member. He didn't want to go back in time mentally and get pleasure thinking about the night with you while he was inside someone else. It wasn't fair for any. 

It was just an impulse decision made in the heat of the moment. Still, Dean's mind continued seeing the body underneath him to be yours, making him picture every single detail of how he took you and how you immediately clenched around him the moment he entered you. He was taken aback by how tight you were; you were like anyone he had ever fucked. 

As the fantasies overtook his thoughts, Dean became aware of his surroundings as Jo began to speak dirty to him, telling him how much she enjoyed it when he gave her such an aggressive fuck. Dean wasn't aware of himself till now that he started to fuck into her pussy quicker and harder.

Dean's body tensed as his eyes opened. He was pushing his cock in and out of Jo without intending to get off as he thought about you. He was a little caught by what had transpired in a split second. 

Jo gasped and said, “Why did you stop?” To regain his attention, she raised her hips higher. 

“Nothing,” Dean said, losing his temper and collapsing to his side as he felt his cock gradually soften. 

Jo was bewildered, but she became enraged when Dean abruptly quit fucking her and left her feeling unsatisfied. 

She sighed and said, “You want me to get on top?” although she sounded more like she was frustrated. 

“No.”

“What the hell is your problem?” she said, nailing Dean's chest. “Come on-”

“I said, 'no.' Alright?” In an attempt to disassociate himself from Jo, Dean stated. Even though he knew it was just about him, he tried to keep his cool down despite feeling like rage was taking him.

When she realized Dean wasn't in the mood and was most likely experiencing some sort of dysfunctional erection, she simply remarked, “Anyways,” without caring about it at all. “I promised to go out with some friends tonight, you know,” she said, putting on her clothes again.

“Alright. It's pouring outside though.”

“Yeah, and?”

With a sigh, Dean said, “Nevermind,” understanding that you were the only on who found driving in such weather difficult.

Dean quickly showered right after Jo departed the house, then jerked off just after he entered the bathroom. Even if things started to seem strange with Jo, his body still wanted some release to ease the tension. He was horny and furious at the same time. Though he was a man of action and he wasn't the biggest fan of taking himself in hand in the shower like a teenager, it worked this time. It felt good enough.

Dean gasped in frustration, picturing your gentle touches and the way he felt within you while he fucked Jo and how he thought about you while. The easiest way for him to regain control of his body was to stop. That was all—him and you were simply pals who took pleasure from each other for one night. You were lovely, so it wasn't that he wouldn't want to fuck you again, but it would just be weird. That was not Dean's type of thing. 

With one arm folded behind his head, Dean lay on the bed and tried not to think too much. Perhaps he was simply too exhausted.

Even though you were exhausted, your body woke up in the middle of the night due to a headache and a dry throat. You walked silently downstairs to the kitchen so as not to wake Sam, Dean, or his girlfriend. 

You cursed yourself for being so emotional and sensitive, crying your eyes out till you went to sleep. Perhaps you were about to have your monthly period very soon. You were forced to put on your headphones by Dean and his companion in order to block out the noises they created all night.

What a waste, you thought. Believing that once you committed yourself to Dean, things would improve between you two. The situation became worse because of it. There was now such a strong and lengthy barrier between you that, despite your best attempts to remain composed, you were unable to climb it at all without being exhausted. If you were more courageous than this, you would have let everything pass by, turned your back to the team, and concentrated on your actual work. 

After turning on the light and rubbing your swollen eyes, you sipped your water and sat down next to the window. You couldn't even get enough sleep, and you had to work all day. You required a long vacation. 

As soon as you placed the glass down on the kitchen sink, you turned around and saw Dean staring back at you. He was half nude, wearing just sweatpants; his broad chest was all naked. You jumped and gasped in fear because you didn't hear him approaching. 

Dean seemed a little confused for a moment when he saw your ruined hair and swollen eyes, but he said nothing. 

He stated, “You're so jumpy,” in a low voice as if another person may hear them. 

You paused in front of Dean and said, "I didn't hear you coming," but all you did was stand there and remain still, your heart racing. 

Ignoring him and returning to your room was difficult. Though your soul ached and yearned for more time with him, your mind knew that nothing would happen between you.

“Why are you still awake?”

You suddenly snapped, “Why are you questioning me?” but then you added, “I was thirsty.”

He said, “It makes us two,” and grabbed a glass of water for himself.

Can't help but notice how you looked, he remarked, “Your eyes appear somewhat swollen.” He couldn't help making a comment this time, a sense of concern overwhelming him.

Trying to sound convincing enough, you said in a hushed voice, “I just woke up. Couldn’t sleep properly.”

“You're going to work tomorrow, aren't you?” Dean inquired as if attempting to strike up a conversation after such a lengthy period. You haven't been speaking properly recently for the obvious reason. 

You answered, “Um, yeah,” and lightly stroked your hand to see whether it hurt. It no longer did. Thank goodness you weren't seriously injured. You've also taken plenty of time off from work. It would be best if you started working right away to take your mind off of Dean and all that was going on. There was a lot to take in. 

“But can you work though? Is your hand okay, by the way?”

“Yes, I suppose there's nothing to worry about. It's stopped hurting. Actually, I missed my job. It's been too long since I took a break.”

You took a deep breath and went to head back to your room, saying a quiet, "Good night," but Dean stopped you by grasping your arm after he finished his drink. “Wait,” he quietly whispered. 

He released his hold on you and gently caressed your skin in an attempt to apologize for being a little too harsh on you. You turned to face him, perplexed. “Yes?” you said as you awaited his next words. 

He seemed unable to find the right words to say, so he said, “Whatever happened during the hunting... It wasn't just your fault.” The moment he brought that case back, your heart pounded. 

You took a deep breath to keep yourself from being upset as you thought back to what he had said to you, his hurtful remarks, and how annoyed Dean was as a result of your distraction. 

You managed to stutter, “It's okay,” and try to smile sympathetically at him. “You are right in every way. I should have exercised more caution. After all, he's your brother.”

“No, I'm not right about everything.” Dean took a deep breath and held your still-healing hand. “I was responsible as much as you were. After all, I am the team's oldest member.” He attempted to lighten the situation with a smile, but for some reason neither of you felt like it. 

Dead had told you, just to your face, that Sam was extremely important to him, as if you had someone in your life to worry about. He hated himself for not being more compassionate after realizing he was simply being harsh.

“It was just... in the heat of the moment,” Dean made an effort to explain his behavior. But the way your eyes met, it seemed like he meant something very different.

“I know."

“I only wanted you to be more cautious; I didn't want to hurt you.” He looked into your reddened eyes and added, “Not just for me or Sam, but especially for your own good,” with such genuineness that it seemed he could see what a wreck you were on the inside. How messy you were.

“You did not hurt me at all. I will proceed with greater caution, as I had said previously.” You let his hands lightly brush across yours. Your heart had melted at such a simple, one-time gesture. Though you knew you couldn't, your body was aching to get closer to him. 

He finally released your hand after a little while. However, if he hadn't taken it in the first place, it would have hurt less. 

You hoped with all of your heart that this moment in the kitchen with Dean had gone differently. You wanted to be closer, cuddling, laughing, or doing anything else that would be tender and intimate. But you two were farther apart than before. Your eyes would have said everything about how much you wanted him if they could communicate.

“I honestly didn't intend any of the things I said to you before or later. I want you to understand this.”

“I do, Dean.”

Dean said, “I know things are a little awkward between us, but I don't want it to be like this,” before you could say anything more. “I hope that you continue to feel at ease with me. I suppose we haven't discussed it appropriately so far about this.”

Your cheeks suddenly flushed scarlet at the mention of your circumstance, and fear shot through your veins “It's really okay,” you nodded to him and replied in a hurry. “Everything's alright.” 

You felt burdened with the thought that he could be concerned that you might tell Jo. Should that be his worry, you might reassure and soothe him. In a whisper, you said, “I wouldn't...tell Jo.” 

Dean opened his mouth to say something, then scowled instead. His expression showed signs of uncertainty. Given how often they had been hooking up only, he wasn't really sure if he and Jo were a thing at all. 

He felt a little guilty as well as responsible for initiating the kiss that night since he was aware it was him. 

“You know, I don't want you to feel awkward. Don't let anything go to waste or let this ruin what we have.”

Your heart raced with hopelessness again as Dean blatantly said that he wanted nothing to change and that you should move on from the past. At this point, you couldn't tell if he was genuinely unaware of your emotions. It was better if he hadn't even opened his mouth in the first place and stayed silent. 

Since you believed you were trying your best to keep things calm between you and him and maintain whatever relationship you had with him, you wanted to ask him if there was anything you could have done to make him feel that way about you or did you make him feel uncomfortable around you. It wasn't like you were still holding out hope. You were not anticipating this any longer.

Despite his repeated promises not to hurt you, he continued to do so without even realizing it.

You nodded to him quickly and answered, “Of course, I don't want this either,” with a heavy heart. “I would not want to ruin.”

You gave him a little smile and a mumble of "good night," then turned back toward your room. You would have found the strength to cry a little bit more if your eyes weren't sore from crying so much hours before. But at that moment, all you wanted to do was sleep, without really considering anything.

⋆⋅☆⋆☆⋅⋆───⛥───⋆⋅☆⋅⋆───⛥───⋆⋅☆⋅⋆───⛥───⋆

A/N: Please, let me know what you think about this one. Comments and reblogs are very appreciated! ^^

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[ravensvirginity]

Titans #15 Review

Oh my god. Where do I even begin.

To start with my one and only positive: the art is gorgeous. Lucas Meyer is the best artist the Titans have had in ages, and his new Raven design really delivered. I'm so sad that it appears that the artist who'll be taking over for him in #16 is undoing his design changes, I think it's a massive shame. I did appreciate the detail of Raven's white cloak design having rings on her index fingers, but it feels a little pointless without the lore of Azar's rings to back it up.

Now, the negatives: literally everything else about this comic. This comic fails to deliver on an eight issue arc in any kind of satisfying way, has a bizarre and out of character tone, and severely misunderstands the lore of its main villain. They literally defeated Trigon with the power of friendship. Maybe that could work in Teen Titans Go, but in a main timeline DC comic? What?

First, the demon Raven stuff. Gar saying that demon Raven and regular Raven aren't two different people--yeah, obviously. The severe degree of separation between demon Raven and regular Raven has been one of the big issues of this arc, and this conclusion is as unsatisfying as the rest of it. Raven and her demon side being able to talk face to face isn't new, but them being two separate people with separate physical bodies who can operate completely independently of each other--while there is some precident for this, to me it's a very strange writing choice and misses the point of a demon Raven arc.

The original idea of Raven and her demon side was that her demon side is her. It's all the worst instincts she inherited from Trigon locked up and carefully controlled. When Trigon takes control of her and turns her into her demon form, everything she's repressed, both good and bad, is released. Raven still having a soft spot for the Titans in her demon form makes sense; she's still Raven, just corrupted by Trigon into something she isn't. Raven deciding to stop being evil (not that she even really was) and going back to normal from one brief conversation with her teammate does not, and is really anticlimactic.

It's just such a waste of the story's potential. If you don't want to commit to Raven being the villain of the story, don't do a demon Raven arc! It's possible to do a Trigon story without Raven being evil, I don't get why they didn't just do that. None of the drama with Raven being evil was particularly well executed, and all it seemed to do was drag the comic on longer and longer with nothing actually happening, because they were unwilling to make Raven actually do anything villanous.

All that pales in comparison to how they defeated Trigon. I don't think I've ever seen such blatant disregard for previous canon. As Raven, powered up by the other Titans, fights Trigon, Gar narrates as follows:

"I doubt Trigon has ever been in a fight. An actual fight. With someone his own size and power level. Never had to face someone like Nightwing one-on-one. Never tried to stand while being pinned by the power of Donna Troy's will. Never been blasted... with a giant-sized Apokoliptian blast from Cyborg. And never, ever... felt the full force of a Tamaranean hit powered by the stars."

WHAT?

This comic canonically takes place in the same timeline as the New Teen Titans. There are many homages to the New Teen Titans. It has been made very clear that the team started as the New Teen Titans, and then after many, many years of crazy comic book history the team reformed as the Titans of this run.

The first ever Trigon arc that introduces him and Raven as characters takes place in the first six issues of the New Teen Titans, and culminates in Trigon being defeated by the Titans and thrown into an interdimensional prison. I can't stress this enough: literally every single one of the things Gar said have never happened to Trigon happen in that fight. Donna uses her lasso to dampen Trigon's will, in combination with Raven and Arella's empathic abilities. Wally rips a hole through the fabric of reality to throw Trigon into, and Kory and Vic connect their powers to amplify their blasts to throw Trigon into the interdimensional rift. The whole thing is coordinated and managed by Dick Grayson (who was still Robin at the time).

Gar was there when all this happened. There is no reason for him to not know that this happened. The only explanation is Tom Taylor doesn't know, or he doesn't care. This would be disappointing for any comic book run, but it leaves an especially sour taste in my mouth for this to happen in a run that's so built on NTT homages. It's clear that the writing could not care less about the comic it was inspired by.

And then Garth causes Trigon to have a heart attack. Okay, that was just stupid. Admittedly, I did think the page of Raven stabbing Trigon was cool (again, the art is really the only saving grace here), but her saying "Fuck you, Dad"? Seriously? An ongoing problem in this run has been the dialog feeling janky and too much like lines from a generic superhero movie, and this line embodies that very well. I'm not opposed to swearing in comic books, but to me, this is not the right time for it. It doesn't fit the moment, and I think it's quite out of character for Raven, even if the sentiment behind it isn't.

And then Trigon isn't even dead? What does "Demons don't die. They just fade away." even mean?? Is he dead or not? Will he come back tomorrow or in a thousand years? It's such a strange, confusing letdown of an ending.

I didn't have high hopes for this issue, but it was somehow worse than I could ever have imagined. I'm so glad that this run is getting a new writer. Here's hoping that the coming issues will actually feel like a team book, and that the decades of lore and characterization of these beloved characters will actually be considered during writing.